Hello Daniel,
editing Videos (have a backlog of about 100 DV casettes to be edited)
is real fun extremely fast. I´ll try the program Final-Cut to be
better. Everything works better I can run VISTA as parallel desktop
anyway to use some of my older business programs. I also installed
to all forum members
my email has changed, as I switched to iMAC finally. If you like to
contact me off list, use the following ID, please:
hpi...@me.com
I will keep you informed, when my homepage will be moved to a new
home, but it will take another few months, to restructure my
The last eight before 36 in the last movement of the Strauss No.2 is indeed
misprinted. The natural after the written d# (2nd eight in the same measure=
concert f#, as the part is in Eb) is missing, but we all played the right note
at the end of the measure (last eight notated as d2 = f
How about Verdi´s Don Carlo. The classic version most played begins with
the solo horn quartet. Richard Strauss Silent woman starts with the solohorn,
Richard Wagner´s Liebesverbot starts with Castagnettes solo; more to come
Wednesday, when back home after 4 weeks+ travel in Asia.
Regards
Never played it on natural horn. Would not make any sense in a modern orchestra
except the orchestra as a whole would adopt instruments of the relevant epoque,
including strings set to that time.
Greetings from back home
Hans
Original-Nachricht
Datum: Sat, 8 Nov 2008
Kurt Magnus Atterbergs Sonata op.27 from 1925 is NOT a horn sonata but a Sonata
for a stringed instrument (cello, viola, violin).
Original-Nachricht
Datum: Fri, 7 Nov 2008 21:09:51 -0500
Von: Debbie Schmidt [EMAIL
The Schumann Konzertstueck thread:
Yes, there is a 4-horns-only-score, also a piano reduction a conductor score,
published earlier by KaWeAmsterdam, which is part of my publishing, since I
acquired this company after the death of Klaas Weelink 1983.
This piece has not been written for the
Hello Steve,
Kjellruns tumb rules are valid with the exception of C-alto, which is not
explicitely noted such. This special transposition is found in certain Haydn
ouvertures, in Mozarts Idomeneo etc. but rarely i the music of the 19th cent.
You have well noted, that the horn parts would be far
Lawrence, silly question: is england so small now ??
Original-Nachricht
Datum: Sun, 16 Mar 2008 19:52:14 EDT
Von: [EMAIL PROTECTED]
An: horn@music.memphis.edu
Betreff: Re: [Hornlist] Corno in Mi
Do (or ut) Re Mi Fa Sol La Si (in england we say tee then Do to
finish
Hello Adam, it was common use, to have the horn parts in different keys in the
past. The most common keys were F, E-flat D, less often E. Baroque music was
anotated in a different way.
BTW, my first shipment (you remember, I resent it) just arrived back three
weeks ago. I had addressed it to
Mark, Paul Rincon answered correctly regarding R. Strauss, but regarding Mozart
I might ask you, if you ever have had a look who arranged the piano reduction
of the Mozart Concertos you studied or you will study. Do you own the piano
parts or do you just study your horn part from a copy of a
But how about the many high class professional (full time) players who never
altered their horns, but had a descant at hand for special tasks, a nice full
double for day-to-day work - but also used the same mouthpiece for all tasks
for 30 - 40 years ?
In the well known Verdi Operas there is no A-alto or A-flat-alto, but I am not
sure if it could be in the nearly unknown Verdi Operas. Il Trovatore has no A-
or A-flat-alto definitely.
Milton answered regarding Bb-alto or basso.
=
Very sad news received from a close friend in Czech Republic:
Zdenek Tylsar died yesterday in Prague at age 61
Greetings from India
Hans Pizka
--
SigfridFafner the under ground horn player from Vienna
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und
If you play the high notes the way you desribe, my goodness, I cannot imagine
any nice sound. High yes, but aweful pinched or shrill. To use the lip aperture
like a camera aperture - better as the iris of an eye or old fashion camera -
classic - is not the right description. Better would be,
Yes, it refers to density, but you can use other semi-stiff material also (some
left over packing material except air bubble sheet. The most severe
restrictions are for flights to UK USA, not inside Europe. But it might be
wise to ask the airlines tell them about the horn. Hopefully they
Simon, you did not understand my message, by Erin understood me well sent
me a very, very nice letter.
My letter was not intended to attack Erin or others, but remind all of us,
thzat we should use more of our intelligence not following the main trend
to get all prechewed or told or made or
The slurs dots added later come from performance tradition, most handed
down by mouth to mouth tradition (meaning of tradire = lat.) special in
Vienna, where the concertos were written. The first complete edition of K495
is by Art et Industrie publications in Vienna according to the autograph,
Dear Prof. I. M. Gestopftmitscheist,
would you kindly send me one of your F.A.R.T.s bill me via Paypal
Here is my address:
Sickfrid Fafner
Furzergasse No.10
A- Vienna, Fart district
--- Ursprüngliche Nachricht ---
Von: [EMAIL PROTECTED]
--- Ursprüngliche Nachricht ---
Von: Ellen Manthe [EMAIL PROTECTED]
An: The Horn List horn@music.memphis.edu
Betreff: Re: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and
performance practice.
Datum: Fri, 26 Aug 2005 09:36:53 -0500
I must interject a comment
William, Sandra other wise list members,
following your recommendations I must recognize, that many of you seem to
play the horn without having done the proper home work. Otherwise you would
not post that weird nonsense about fingering intonation.
Go back to Kopprasch no.1 or the Schantl
From top alias with introductory higher grace note
and
abschlag.
--- Ursprüngliche Nachricht ---
Von: [EMAIL PROTECTED]
An: horn@music.memphis.edu
Betreff: Re: [Hornlist] Julius Caesar
Datum: Sun, 21 Aug 2005 12:22:12 EDT
Hans,
What is the true baroque manner for a trill?
Thanks,
Yes, I agree that most of the edited Mozart Horn Concerti are edited in a
way against the Mozart style. Some editors even dared to add embellishment
so do some even well known soloists.
In Vienna, we grew up with the Henri Kling Edition, which following more or
less the Urtext (see 1888 first
Klaus, it cannot be overheard that the Caesar solo aria horn solo is scored
for F-horn, because it would not be possible for any other natural horn, to
play this aria. There are two other 4 horn numbers there, scored for
G-horns, with a cadenza up to our high d3 in p dynamics - very delicate. And
But you can order it also from my publications. I published it many years
ago.
Greetings from Kathmandu
H.Pizka
--- Ursprüngliche Nachricht ---
Von: David Goldberg [EMAIL PROTECTED]
An: horn@music.memphis.edu
Betreff: [Hornlist] Clarinet/Horn duets
Datum: Sun, 14 Aug 2005 23:48:01 -0400
+0200 8/18/05, Hans Pizka wrote:
But you can order it also from my publications. I published it many years
ago.
Is your publication a facsimile edition or a newly typeset edition?
mail2web - Check your email from
Hans Pizka
--- Ursprüngliche Nachricht ---
Von: simon locke [EMAIL PROTECTED]
An: hornlist horn@music.memphis.edu
Betreff: [Hornlist] Languir per una bella
Datum: Wed, 3 Aug 2005 21:16:13 +0100
Dear Hornists
I have soon to play Rossini's L'Italianna in Algeri and I am told their is
lovely
Aa Luke said before, stay with the best known pieces for any audition like
Strauss no.1, Mozart no.2 or No.3 or No.4 depending on the vacant position.
Think it is more worth to play as few notes per $ but highest quality than
to play a million notes per $ neglecting all beauty of phrasing, tone
They were using my publication for thzeir recording. By the way, his name is
Klaus not Klauss. Remind me after May 15th, to send it to you, as I am
writing from Shanghai at the moment. What a incredible change since I was
here last time in 1996. This city outbids Tokyo Hongkong has undergone
the
Yes, d-daaah-dh-daaah-dooo - nice effective. But the most exciting
Tuba parts are in Frau ohne Schatten (R.Strauss). Janacek used them also.
I published 4 volumes of Wagner Tuba studies (excerpt books). Visit my Web
Site to know more: www.pizka.de/Pizka-music.htm
Vienna Philharmonic
After tomorrow I will be back home.
Greetings from Musikverein in Vienna
Is that you, Hans, or has someone now 'pinched' your pass-word for the
horn list??
If they did that, then, you will need to get a new one from Cabbage HQ,
and that is,
This is quite an helpful article, but
Why does the writer use concert pitch (using F-Horn) ? This is just
disturbing.
Why does the author say for any given fingering ? The fingering is not
relevant at all as it just changes the length of the sounding wave. The
phenomenon is more or less
Some people use this sterilizing procedure or another, to prevent out of
pitch entrances or other wrong notes, clams etc.
As I have no possibility to sterilize my horn while on concert tour, I have
to hang to the traditional methods to prevent clams, wrong entries, out of
pitch playing.
May-be,
attention, this message by M.P. must be a fake, as he had even mixed up
Macchu Pichu, the former capital of the Inka Imperium, with (the Man of La)
Mancha, compagnion of Dox Quixote, which we play tomorrow night in Madrid.
And, Macchu Pichu id not at the Amazonas but high above. Thus, what has
It seems a bit difficult to fill the mouth with helium at many places where
stopping occurs right after a very short pause of just half a measure or
less, like before the last written long held e in the Long Call.
And to Carson: timber timbre a most different things.
To William: the F horn came
Boosey Hawkes should be the right choice.
The Schoeck Society told me one or two years ago, that they plan to get the
concerto published again soon, but no progress since. I tried to get the
rights, but they declined. So we have to wait or to search around for a used
exemplare, because Boosey
There are also two CDs containing Dennis Brains live performance of the
Schoeck Concerto, - financed by the late maezenas Dr.Willi Aebi, who
sponsored composition performance -, in the Tonhalle in Zuerich of May
4rth, 1956 with the Paul Sacher Chamber Orchestra under Paul Sacher.
The Jecklin
Hello Kendall,
I only can confirm your impression of these horns. I was in the factory in
Tenjin in China in 1994 watched, how the women workers assembled the
valves without inspecting the provided parts. We told the engineers how to
improve the assembling style, but they promised but did not. It
Catherine, play it like a love song, very relqxed but full of love. Do not
power !! Please. If you seem to be not loud enough, well, ask the
conductor to keep the string sound at a real piano level. Do breath enough
but not too deep, just normal. Divide the solo into phrases if you were
Scott,
and this recording was done using the Leloir score of the Haydn (? I have to
check myt books when home !). And, how do you know, that Kling added notes
to Mozarts say K.495, as the first movement the main part of the 2nd
movement are not preserved as autograph , but just in the earliest
Scott, if you have not seen the Leloir or Musica Rara piano reduction, how
does it come that you compare your edition with others ? This is something
strange. I do not know any other edition of the double concerto in question.
And regarding the Mozart concertos: I have had the chance to listen to
Scott, if you have not seen the Leloir or Musica Rara piano reduction, how
does it come that you compare your edition with others ? This is something
strange. I do not know any other edition of the double concerto in question.
And regarding the Mozart concertos: I have had the chance to listen to
not breaking copyright, is he?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Hans Pizka
Sent: Saturday, August 07, 2004 7:36 PM
To: The Horn List
Subject: Re: [Hornlist] haydn concerto piano reduction
Hello Scott,
the piano reduction
Hello Scott,
the piano reduction for that double concerto is not #out of print since
long#, very sorry, it is available at any time in Edmond Leloirs reduction
from the original score, which is protected under copyright. It is K.100 or
K.099 as full score the parts are available as well.
Hurry up, there is a brand new Viennese Pupmpenhorn on ebay to be
auctioned the next 30 hours. It is by Jiracek. The price is quite
moderate. I have not played it, but the seller says, that he used it for
a few performances of Bruckner Symphonies but he got a historic
instrument now, so he must
Hello friends,
I received an exciting CD with LIVE recordings from John Cerminaro,
playing Gliere, Strauss 2, Mozart 2 Amram. His playing is incredible
good, beautiful, warm, brilliant, convincing, admirable, superb.
John asked me to produce this CD within my series of historic
recordings. As
Hello Ken, a virus has destroyed most of my letters adresses. Would
you kindly contact me privately with your mailing address included, so I
can send you the part for Leighs horn.
Sorry to the list, for this private letter.
Greetings from Munich
Hans
Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim
Have left some seven more copies of the R.Strauss op.11 horn concerto
piano part with instrumentation indicated, all by R.Strauss hand
writing, beautifully, plus beautifully bound in dark blue cloth.
Incl. shipping (air) registered EURO 41,02 (about 50.- USD), extremely
rare. Was available since
We video taped Haendels Fireworks Music Watermusic back in 1969 during
our summer opera festival in July. The recording begun near to Midnight
as we had a Don Giovanni performance that night. The recording took
place in the former prince electors famous garden at Schleissheim
castle, right at the
Little Fritz approaches his father to explain him what politics is like.
Father says: Off course, I will explain politics to you. Let´s start
with our family. I bring the money home, - that´s capitalism. Mother
administrates the money, - that´s the government. We both care about
your welfare,
While I can agree with you on most points I might ask you one thing:
Were the composers of the German Austrian Marching music anti-Semitic,
just because their compositions were used by any SS-brass band ? No,
they weren´t, as even the hornists of an SS-brass band or a fire guard
band blew
Question:
Why didn´t Mozart or Wagner or Strauss or Mahler ask for mouthpiece
popping ?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Robert Dickow
Sent: Monday, June 28, 2004 7:35 AM
To: The
But WHY - In serious music, it is shit, mere shit.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Monday, June 28, 2004 8:01 PM
To: [EMAIL PROTECTED]
Subject:
If you are that bigot, you have to turn yourself away from most arts
artists, who frequented brothels, drank excessively, used drug (Mozart
did both), committed adultery frequently (Mozart is one of the best
examples), betrayed friends voluntarily or out from their incapability
handling money
Why did no composer ask for kick the composer into his aß or Hit the
conductor with your music stand or throw a garbage can over the
conductors head ??
Most of them are eunuchs, they know how it should work, but they
cannot do it themselves.
If composers would use this mpc popping effect as a joke, well, effect
du surprise, why not, but their problem is it, that they use it just
because it is possible. And they use it on places where it would not be
logic. This disqualifies them.
-Original Message-
From: [EMAIL PROTECTED]
]
--- Hans Pizka [EMAIL PROTECTED] wrote:
Why did no composer ask for kick the composer into
his aß or Hit the
conductor with your music stand or throw a garbage
can over the
conductors head ??
Most of them are eunuchs, they know how it should
work, but they
cannot do it themselves
Most makers do not pay any license fee as patenting something new is not
worth the fee you have to pay to get the patent protection worldwide. It
cost 6.000.- EURO just to cover the E.U.
How much would you ask for a valve mechanism license per piece ? 20.-
Euro ? Would require 300 instruments in
But it is not that way always. Sometimes it goes:
One-n-tw-n-three-ee-ee
Or
one-ee-ee- two-n-three-n
or
ONE --two-three
Or one-two-THREE
Or
One-two- one-two-three - one-two
Even that is not consistent as the rhythm shifts with the composers
will.
The best is it, if the conductor
Sorry, my mistake. The Cor anglais existed even before Mozart´s time
as Oboe da caccia (hunting oboe) since J.S.Bach´s time. This
instrument has undergone a complete transformation. It first was made of
a wooden piece, split into two parts hollowed, fixed together
wrapped with leather like the
Hello Susan, - first thanks for reminding me of Beethovens birthday
every year since how many year ? More than twenty years, very nice
indeed -
I once had a poster for one of my concerts with big letters telling
MOZALT CONCELTO
Guess which country ??? About thirty years ago...
Greetings
, 2004 8:22 PM
To: The Horn List
Subject: Re: [Hornlist] NHR Spell check and a bit of irrelevant info
on 17/06/04 21:05, Hans Pizka at [EMAIL PROTECTED] wrote:
Hello Susan, - first thanks for reminding me of Beethovens birthday
every year since how many year ? More than twenty years, very nice
Will receive some more ten copies of the Facsimile of R.Strauss op.11
horn concerto piano version by R.Strauss´ own hand writing, nicely
bound in blue cloth. Very accurate hand writing with remarks for the
instrumentation, some text included. They come for 41,02 EURO (about
50.- US $) including
Paul, is that guy with the Puccini the one I asked you for sometimes ago
isn´t he a very good cembalist ??? Just curious. And, isn´t he the
one, who conducts that wild, that the shirt jumps out of his pants he
has trouble to get it back on its place ... before leaving the pit.
-Original
To add to the confusion, if you would use it for fishing, it could be
named angler´s horn, which is not any hybrid language term but genuine
English..
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
George, tell me the article I will scan it send as email
attachement. Have both books in front of me. May I guess: the article
In memoria Lorenzo Sansone! Profiles Lorenzo Sansone. Was my guess
right, George ?
Hope things go better health wise with you.
Kindest greetings from Munich
Hans
We did Don Quixote Heldenleben with Zubin Mehta.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of John Baumgart
Sent: Saturday, June 12, 2004 4:00 AM
To: [EMAIL PROTECTED]
Subject: [Hornlist]
An how about the effect of a cleaning snake, where parts of the brush
get off are swapped into the valve system ?
Detergent, attaching the pipe of the hand brush to the lead pipe (take
care that the water does not get too hot for your hand !) let the
water flush all through. You might take
Better think of : How can I care better THAT THE HORN IS NOT SPOILED
INSIDE. If a snake is needed to clean the lead pipe inside, my goodness,
how long are the intervals between cleaning your horn. If you care,
nothing accumulates inside the lead pipe, nearly nothing.
But if you eat candies cake
If you intend to bath your horn the first time after years and if your
horn is not lacquered, well, you should use a professional soap which
contains some sand so to clean away all the grid accumulated.
Just joking.
Real: use a mild dish washer detergent mild warm water.
Why not visiting my publication site at www.pizka.de/Pizka-music.htm
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Tara Islas
Sent: Tuesday, June 01, 2004 3:59 AM
To: Horn List
Subject:
1.- EURO equals about 1,22 USD to 1,24 USD
Hans
Sorry I wasn't up on my euro/dollar conversion rates. Do you take
paypal?
LMK
(let me know)
LT
___
post: [EMAIL PROTECTED]
set your options at
A bit of knowledge in geography might reveal, that something is wrong
with that obscure Linz horn made in Italy, as Linz has nothing to do
with Italy.
The producer of this instrument might have nothing to do with the
engravings either, but the dealer (s), who got it engraved (perhaps).
Such kind
Full price incl. shipping (air registered) = EURO 41,02 payable by
credit card, converted into USD about 50.-
PS: Normally I do not answer such inquiries by no names.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
]
[mailto:[EMAIL PROTECTED] On Behalf
Of Julius Pranevicius
Sent: Tuesday, May 25, 2004 7:31 PM
To: The Horn List
Subject: RE: [Hornlist] Career on Horn performance, HS grades, degrees,
ect
--- Hans Pizka [EMAIL PROTECTED] wrote:
Paper is paper, ink is ink, but playing is playing.
but how
Go www.pizka.de/MySiegfriedHorn.htm to get a first impression. If still
interested then, well, write again so I can send you pictures off
list.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Joe Duke
Sent: Saturday, May 22, 2004 8:03 PM
To: [EMAIL
Four more copies of R.Strauss piano horn manuscript of the op.11 horn
concerto, with introductory text, bound in nice dark blue cloth with
gold name print, still available. Very hard to get. I do not know, if I
will discover more, as it is out of print since long.
Prof.Hans Pizka, Pf.1136
Depends on the human input.
Sometimes you are blowing into the horn perfectly (you think doing so),
but it comes out bent, so you think the fault being the horn, ---
ooops, or was it just opposite, blowing the horn incorrectly, but the
horn correcting everything, so to be a good horn ?
The other options are very simple:
Go to a super market get few of these cheap micro fibre small towels.
Whip the finger prints off your horn during playing breaks or practising
breaks. The horn will remain shiny for quite some time, a year or more.
If it gets too tarnished, clean it with a mild
As you played it, your LAST CALL as a CLOSE CALL it was a CLOSET CALL
perhaps (see the reaction of the management).
What means they NEARLY fired me ? And I have to protest strongly: I
WAS NOT PRESENT THERE, perhaps a clone, - otherwise I had FIRED you
because of a CLOSET CALL (that´s the one we
That´s the same with spectacles. If you clean them, but the towel has
just a minimum of grease from your fingers probably, you will have a
light rainbow effect on the spectacles.
=
-Original Message-
From: [EMAIL PROTECTED]
.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf
Of Graeme Evans
Sent: Wednesday, May 05, 2004 10:32 AM
To: The Horn List
Subject: Re: [Hornlist] seigfried's long call
Hans Pizka wrote:
There are numerous recordings of the RING on the market
If you would read tzhe answers you receive here on the list, you would
know the right way to tune the horn.
I repeat it here, you have to use the best in tune pitches of both sides
to tune according to the a form the piano.
Play the (concert) f1, which is our c2 in the 2nd space from top or 3rd
Hello Benno, verzapf doch nicht diesen Unsinn, bitte. The main tuning
slides need to be pulled out, as the horn is designed to fit different
environment. Temperature has a certain influence to tuning. Orchestra
tradition is different in the world. USA orchestras have a lower a
than European
INSANE - INSANE - INSANE - are we living in the Stone Ages or Middle
Ages ??? Why not wrapping the whole horn with plastic tape, best of
blue or red or yellow colour, so the horn´s surface will not be damaged
by fingerprints will never need any polishing. There will never occur
the bad effect of
If the mouth piece is more or less corresponding with the instrument,
THE PLAYER HAS TO ADAPT HIS LIPS (better said: has to get his lips used
to the mouthpiece) TO THE MOUTHPIECE.
Admitted, there are some better designed mouth pieces today than in the
past. Better designed means here that some
Hello Bob, I published this piece with an additional double bass. But it
can be left off. The other parts are like the original. Will send it to
you (please send me your postal address off list) plus the promised CD
(no charge for the CD).
But, William, how about the sound quality of the low notes if played on
the F alto ? All overtones gone ? It is a fact that the F alto just
sounds as the main tone without all co-sounding overtones. But it can be
precise, off course. The Bb side is better for technical things in the
low range,
As nobody but one showed any interest in the announced auction of three
valuable horn methods of the past, I close the auction early sell the
books top the one single bidder at opening price.
But be aware, more valuable horn documents manuscripts will be
auctioned later, giving preference to
Searching in my archive I found some surplus copies of old horn methods,
which I will auction here on the list.
They are:
Joseph Mohr ( 1823-91), high exponent of the hand horn technique:
Methode de premier de second Cor, published by Leduc 1869, original
publication, soft cover, format 11,6 x
We performed Mozarts Serail as a reprise but with a new conductor, who
got several rehearsals.
The critic wrote: the strange production the brave conductor
Harry Bicket could not irritate the audience even the conductor showed a
strong inclination to Tohuwabohu (Finale)
Sorry, friends, I
Hello Steve, even you said the right things here, you missed something.
Why the alterated fingerings for the high notes the better result ?
Because the students were playing higher harmonics on longer horns. The
longer the horn the higher you might climb, very old rule fact. The
high c3 is
If the voice is a male voice, things go easy, but we have two ways now:
1st: the all original (authentic) way, which is quoted or asked for so
often - This makes it impossible to do the Weber without the chords.
2nd: the alternative way, which allows any adaption if the piece itself
is not
Jack, you should read my first message again, when I asked you to
abandon reading music in absolute pitch.
If we (both) talk about music from different stand point of view
regarding naming the notes, we cannot find any platform for us.
I TALK ABOUT THE MUSIC AS WRITTEN NOTES, not transposed to
To clarify it: gulden means golden. There was also the dukat, finally
of 3,49 grs gold at 986/1000. The name ducat or ducatus deriving
from duce or doge or duke as first produced by Duke Dandolo in
Venice in the late 13th century.
===
If he talks about the initial note as (originally) a(1) second space a,
he thinks in concert pitch but played on F-Horn, as the initial note is
annotated as e2 (1st space from top)
-Original Message-
From: [EMAIL PROTECTED]
Hello Lawrence, I second that request, but regarding ErgoHorn I might
ask, how about those who swivel around on their seat or dance-swing with
their horn, as so often noted in auditions ? Big trouble then in the
orchestra. And what to do during rests ? How to water empty the horn
without any clonk
.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Robert Marlatt
Sent: Thursday, April 15, 2004 2:29 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Bayerische Staatsoper
Hans Pizka:
I better leave no for another Parsifal starting in two hours at the
State Opera
Between Jan 17 Feb 15, 2004:
17 dress rehearsal Roberto Devereux evening La Cenerentola, 18 Xerse
(Handel), 19: Roberto Devereux premiere, 20: rehearsal Rheingold all,
ev: Nutcracker, 21: Rheingold, 22: Walkuere reh., ev: Ballet 2 horns,
23: Walkuere reh., ev. Roberto, 24: Rheingold, 25: La
Hello Milton, I am receiving W32Kletzky virus anytime I download my
mail. They have a SPAM filter at t-online (the biggest German), but with
rather mediocre effect as the SPAMMERS use all tricks to hide the key
words. Well, I can live with that. But I do not understand, how the
Kletzky virus gets
1 - 100 of 593 matches
Mail list logo
