Very nice, indeed. You've still got it. My front lawn should be half as green.
Piazzola has its place; but not on the theorbo. Paper plates work
just fine. I like mine with anchovy and eggplant.
The def is still higher than my perceptual ability at this hour of the morning
In a Garden So Green
Absolute, bottom line for me- in Weiss's music the 9th-E/Eflat course
is just fingered too damn many times to be put on an extension. The
10th and even the 11th also get their share of accidentals- there is
at least one fugue that for me loses it all at a very important spot
if the fingered
Just released, a Christmas Vespers based on music by Praetorius put
together by Jeannette Sorrell and performed by Apollo's Fire:
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?
id=267134363s=143441
Count 'em THREE theorboes (theorbi, theorbot?) beautifully played by
Richard
This slow you down aspect is one that I am finally able to address
personally after over 35 years of lute playing. I finally got my
first 7 course lute last year; an Andreas Holst, 62 cm. SL. All my
previous R lutes- 57 to 72 cm- had all been 8 course. (I'm not
counting the 10 course and
I can't argue with the experience and ears of others, but I have to
admit I'm a bit surprised by many of the statements being made about
the huge differences between 6, 7 and 8 course instruments in terms
of playability and inherent sound. My first real lute was an old 10
course that Pat
In this somewhat nihilistically arcane vein I recall Dmitri
Shostakovich's instructions on playing his 15th string quartet: I
want you to play it so that flies drop dead in midair, and that by
the end of the first movement the entire audience has gotten up and
left the building. -as best as I
David, I know- it took hours of work with a floor sander for Mel to
get all your years of topsoil off the lute (7 course, of course!) I
have that you once owned. It was beyond green. My turn to come with
something that anagrams nicely on it.
I treat mine with dirt. It turns green after a
One of the first lute books I got when I was a wee grasshopper at
this lute business (young classical guitarist, late 60's) was a
printout of a microfilm of the English version of Adrien LeRoy's
book. All the old pass'e mezzi and other dances, for 6 courses.
Clearly visible in old handwriting
Plus the other key factor, especially for a beginner, they are the
easiest lutes to re-sell.
On Nov 27, 2007, at 5:50 AM, vance wood wrote:
I know there is a lot of controversy surrounding the eight course
Lute et al, but from a modern stand-point, and a musician's
probable limited
Right on, Ed! The lute that I call a double 7 (It's NOT an 8 course!).
A great majority of the music for which I use that instrument is
for 7 course, but it is so very convenient to have both a low F
_and_ D, so I do not have to re-tune the 7th course. I also
sometimes put octaves on both
Just a passing fancy on the way to 14 course Hell.
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Happy hour down at Schroedinger's-
Killer martinis.
I source all my quantagut from Schroedinger's Gut Hut.
It's the real thing. I think. Or at least it might have been.
You should google the address; I can't recall what state it will be in.
dt
--
To get on or off this list see list
I'm holding out for quantum frets, that change temperament when you
look at them.
dt
You need a special mechanic for that type of fret- and spectacles of
tempered glass. Now we know why the blind lutenist Giacomo Gorzanis
favored ET.
I used to change temperament whenever my first wife looked
How about AIM or iChat? With current Macs all having built in video
cameras, a video recital would be a breeze.
DS
(at home [EMAIL PROTECTED] on the road AIM kidneykutter)
On Nov 21, 2007, at 10:06 AM, Roman Turovsky wrote:
But of course!
Edin K., Anton+Anna Birula, Tim Burris, Ken Be,
Why? Do you need .Mac to use it? I video conference with people who
don't have .Mac (ie my kids) all the time.
On Nov 21, 2007, at 6:56 PM, Roman Turovsky wrote:
iChat is not totally free.
RT
How about AIM or iChat? With current Macs all having built in video
cameras, a video recital would
Nope. Just get a free AIM account and enter the info in your iChat
preferences.
All 3 of my kids do it that way.
DS
On Nov 21, 2007, at 7:46 PM, Roman Turovsky wrote:
I think .mac is necessary.
rt
- Original Message - From: Daniel Shoskes [EMAIL PROTECTED]
To: Roman Turovsky [EMAIL
Second movement was posted this morning. Also very nice (crappy sound and video
quality unfortunately).
DS
On Tuesday, November 20, 2007, at 09:15AM, Roman Turovsky [EMAIL PROTECTED]
wrote:
Other movements forthcoming, apparently.
RT
From: [EMAIL PROTECTED]
Magnificent!
From: Roman
In case someone doesn't know it, there's an enjoyable paper by Ross
Duffin online:
Why I hate Valotti (or is it Young?):
http://music.cwru.edu/duffin/
Regards, Stephan
How nice to be validated! Thank you so much for the above reference-
great article. When I was actively messing around with
Not me- keep the gimps; and if the Korg keeps giving you trouble tell
it you're taking it out for coffee again...
Any ideas about this. Yes I know you are going to tell me to swap my
gimped for wirewounds!!!
and that the Korg is telling me that the string has gone false
One big problem with
Hi Rebecca- love to help, but we need to know the string length. I
don't know the extreme limit for a D [EMAIL PROTECTED], but when I had a
short scale bass for solo work, I could get up to E @A=440 on 72 cm.
w/nylon before the instrument's response pooped out. I usually kept
it at 415 to 420
I used it for a while, but gave up after I got an Intel Mac that
could run windows and Django. Fonts never looked quite right.
DS
On Nov 17, 2007, at 7:09 AM, Ed Durbrow wrote:
Are there any Harmony Assistant users here using the program to
make lute tab?
Ed Durbrow
Saitama, Japan
In theory, there is no difference between theory and practice. But
in practice, there is.
- Yogi Berra
Sorry all, couldn't resist.
Not quite Lord Copper: the whole point is that he doesn't actually
'do it in practice' as you put it. He ignores (or is ignorant of)
the different
On Nov 13, 2007, at 6:47 AM, Nigel Solomon wrote:
Everything about it screams guitar to me: the sound, the nails, the
general approach. Yes, a guitar that looks a bit like a lute!
To me, everything about it screams liuto attiorbato, like a good many
historical instruments in museums with
... I recommend first people learn hexachord theory and play bicinia from
Josquin, Lassus Isaac.
I assume the Morley can be found reprinted and for sale at any of the
usual sources; but is there a good anthology of Bicinia? Funny thing,
I was just thinking of them recently as I wanted to get
And why wouldn't it work without the capo? Ed Martin has addressed
the lute size (and the ever elusive but false Geeness obsession of
20 -21st century lutenists) succinctly and completely. I would only
add that one reason for the use of tabulature is precisely BECAUSE
the G pitch was but one
The music will sound much more lute-like at that pitch. This
statement is misleading. Why would a Terz guitar (guitars scaled to
G, built in the early 19th century and also sometimes seen in
Mariachi bands) or a capoed E instrument sound more lute- like than
my old E bass lute? Even a G lute
I don't mean to be unduly negative here, but that remark hit an old
sore spot- I started out on a classical guitar back in the 1960's
and people used to tell me- Put a capo on your guitar- NOW you have
a lute! Sorry, but I sure as hell did not. And then it took years
just to get a bad lute,
Suggestive of a social reason to change? I think that would be well
after the fact of wider necks for easier polyphonic chordal playing
as well as extra courses. Perhaps similar to RH thumb style changes
in that the thumb-out playing was already well established for
technical and sound
Surprisingly good sound and playing level- visually pure Monty
Python. Doesn't get better than that. -Dan
From the Guardian (UK) 13 October:
..if you want a good laugh at the expense of the early-music
movement, there is on YouTube an excellent early film of Arnold
Dolmetsch playing the
Too late! Capirola's 2¢ has been accumulating
with compound interest for about 500 years
just read Capirola! 'Alla volte el si puo
accomodarsi su la corde contrabassa su ogni
tasto' (Sometimes one can use it to play the contrabass string on any
fret). Silvestro Ganassi also writes of
Some of the old Martin OOO and Washburn parlor guitars also had the
V-neck. I absolutely hated it. Only on sweaters and undershirts for
me.-Dan
I prefer a thick neck and even a V neck on a 6 course.
If the V (rounded V) is done properly, it fits right into the hand,
and you can hang your
interchangeable fingerboards for different temperaments- and there is
an Iranian guitarist (forget her name) who has jusdiciously placed
tastini on her guitar for Persian microtonal work.
Lily Afshar?
YES.
--
To get on or off this list see list information at
... please excuse my ignorance.
I don't know about any excusing, but ignorance is not an issue here
except my own. I just came up from the lab, where I did a feasibility
study for fingering purposes only. 7 string, steel-string guitar;
dropped the 4th 5th as per G tuning (which of course it
I played for some time an instrument with doubled first course, the
spacing was very important and the sound was not good above an F.
Exactly my experience- Barber-Harris vihuela, 64.5 cm sl, doubles
worked at f, no higher- (instrument as a whole craps out down at e,
sounds best somewhere
Interesting- my experience has been the exact opposite. My hybrid 6
course (Arnault de Zwolle body mated to a typical late 15th/early
16th century 8 fret 6 course fingerboard) originally had a very thin
neck; extremely uncomfortable (hand cramped up) but only after about
20 minutes or so of
I think Mimmo Peruffo may not reply because he may not want
to appear to be advertising his wares on this list. It is a
difficult situation for string makers and lute makers whenever they
communicate, it could be considered that indirectly they are trying
to sell their wares.
Couple of
stick something close tothe 7th fret...
Alan
- Original Message - From: Daniel Winheld [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, November 04, 2007 6:15 PM
Subject: [LUTE] Re: historical lute stringings
I think Mimmo Peruffo may not reply because he may not want
to appear
The other issue is tuning. Even with equal temperment, there will be
times when the 1st course needs a slightly different fret position
than the lower courses for all to be in tune. I believe it's related
to the fingerboard curvature and to the different thicknesses of the
strings. I often
Top of the afternoon to you too, Ed-
Not against markers, just don't like the appearance. On my 72 cm. 8
course, (that's a LONG highway for these old fingers) Barber put a
very discreet little white dot at the seventh, on the neck near the
neck/fingerboard junction, worked very well anytime I
Well, I've finally joined the realm of the giraffe wranglers. Behold
my new Archlute, courtesy of Andrew Rutherford:
http://www.youtube.com/watch?v=p3fyUoKSGVQ
http://www.youtube.com/watch?v=0qY6IUx0phQ
To get on or off this list see list information at
Not long ago I came to the realization that every teacher I have ever worked
with has markers on f and h. My daughter has given me penguin stickers
which now proudly adorn the back of every fingerboard I own.
DS
On Friday, November 02, 2007, at 07:05AM, Robert Clair [EMAIL PROTECTED]
wrote:
in The
Oxford Book of Carols OUP, London, copyright 1928 and 1964. It is
reproduced as number 34 in Carols for Choirs ed. R Jacques David
Willcocks, OUP, London, copyright 1961. I assume the latter is the one
of interest here.
Daniel Heiman
On Mon, 29 Oct 2007 13:29:19 +0100 Spring, aus dem, Rainer
Alright, this thread has finally bitten me- Where
can I get TUSQ? My 7-course badly needs a new nut
anyway. Are blanks available?
Thanks, Dan W.
Compared to standard materials, you'll hear
crystal clear bell-like high end, big open lows,
and a noticeable increase in overall sustain.TUSQ
For streaming video on the net, there are usually sacrifices in video
and sound quality, esp on Youtube. I've posted 3 videos today (A
major Weiss pieces). For the first 2 (prelude and Allemande) I used
my video camera for the video but used my linear PCM recorder for the
sound. Then
Craig, I think your friend would be much better off to simply trade
for a very cheap, 6-string guitar set up for nylon and just dive
right into the Renaissance lute repertoire as is. As was pointed out
somewhere, the Barley lute book came out in 1597 for a 6 course lute.
As a beginner it will
Hi honey I'm home time for some answers-
Yep. Archery-derived lutestring hooking would produce deliciously funky sound.
Hooking of lute strings would have to be learned independently of
archery. At one's very first archery lesson it becomes manifest that
the shot cannot come off unless the
Some confusion may be due to the works of Allan Alexander, who has
composed or arranged and published easy beginner's pieces for
Renaissance lute. For what it' worth here is his website:
http://home.earthlink.net/~guitarandlute/ dw
I believe the Alexander Method is one of
A shame that Henry and Liz were not privy to your wisdom. The great
target scores of English SPORTING archery, set by A. Horace Ford in
the 1850's -unmatched until the 20th century- were accomplished after
the advent, flowering, and hegemony of the lute. Are you saying
that Howard Posner, Ben
Obviously a situation calling for using the mighty Yew tree in its
military form. Shakespeare, of course, understood the need for
preparing the venue before a concert could proceed- First, we kill
all the lawyers... and the longbow, even more than other bows, is a
silent weapon well suited
The second annual R Mc F lute weekend in Cleveland was a great
success. We had 13 registrants that included singers and players of
6, 7, 11, 13 course lutes, vihuela and theorbo. Pictures can be seen
here:
http://web.mac.com/dshoskes/Site/Lute_Weekend_2007.html
DS
To get on or off this
Very sorry, but I can't find the packets. Current tension feels no
higher than with other strings I have had (and perhaps a bit lower
than when the Larson gimped basses were on). I just gave Pyramid my
current stringing setup and they sent me the strings.
DS
On Oct 2, 2007, at 11:25 AM,
have them on my 13 course and I really like them).
DS
On Sep 30, 2007, at 11:01 PM, Bruno Correia wrote:
Thanks Daniel, excellent music, great playing!
A few questions:
1) Did he play the whole suite?
2) I noticed he used a lot of contrasting dynamics. Is that common in
Weiss's music? I know
It was enough extremely successful weekend lute workshop with Ronn
McFarlane. Here is a video of the Renaissance lute master tackling
Weiss last night:
http://www.youtube.com/watch?v=5BwyrDBI3qs
To get on or off this list see list information at
When the bagpipe plays, you will not be able to hear the lute, but
the lute
is pleasant to look at. So, when the bagpipe plays, enjoy the lute.
Gary
For a lute that is pretty to look at but drowned out, see
http://youtube.com/watch?v=hQywhloSBlE
To get on or off this list see list
I agree, but my new arclute is still sitting in the builder's studio with =
a Kingham case on the way.
On Tuesday, September 25, 2007, at 04:48PM, Mathias R=F6sel Mathias.Roes=
[EMAIL PROTECTED] wrote:
Daniel Shoskes [EMAIL PROTECTED] schrieb:
=20
When the bagpipe plays, you will not be able
of the van Raalte collection.
I found one instrument pictured on each website:
http://www.futuremuseum.co.uk/images/cache/Img285S1000.jpg
http://www.music.ed.ac.uk/euchmi/ucj/ucjtb.html
Regards,
Daniel Heiman
On Wed, 5 Sep 2007 15:02:41 +0200 Anthony Hind [EMAIL PROTECTED]
writes:
The message
Posted on youtube, video excerpts of Barto's LSA 2007 recital filmed
with a steady hand by Bob Hieronimus.
http://www.youtube.com/watch?v=fImU_G_iJ3A
http://www.youtube.com/watch?v=YDcIJi7sSpc
http://www.youtube.com/watch?v=18eiCPAYHvM
http://www.youtube.com/watch?v=c_afLVMX1KA
http://www.youtube.com/watch?v=iTV6F3lTU7o
I think it's Linda Sayce on turbo lute during the recitative but I
don't recognize her continuo partner.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I believe he plays a 10 course Ray Nurse lute. I'm not sure of the
model.
DS
On Aug 16, 2007, at 4:37 AM, Mathias Rösel wrote:
Daniel Shoskes [EMAIL PROTECTED] schrieb:
For fans of Ronn McFarlane's modern compositions, the release of his
CD Indigo Road is now slated for November 2007
Her debut album was discussed on the list in 2004. It's a shame that
the CD seems difficult to acquire and impossible to download (legally
of course!).
Tue, 25 May 2004 16:19:20 -0700
I second Roman's recomendation. Evangelina is on the way to become a
very good performer (although I wished
Also wanted to point out a Weiss Baroque lute duet which Kenneth and
I played:
http://www.youtube.com/watch?v=5OGyGUuSUmQ
Along with an Allemande and Courante of the Weiss sonata I have been
recording bit by bit:
http://www.youtube.com/watch?v=fKrwMitnYYk
For some variation on the old boiled potato suites, here is some
fresh Rosti (the Italian part of Switzerland is East of the Rosti
line, isn't it?).
A Bach transcription NEVER recorded before:
http://www.youtube.com/watch?v=klXfHvSdYEE
Also, if you stay in the passacaglia mood, some Biber
The other approach has been through the NY continuo collective
(http://www.continuony.org) which throws a bunch of experienced and
novice players into the continuo pit together. I think Lucas Harris
also runs a Toronto Continuo collective. The NY web site has several
didactic and practical
I know it's been discussed in this group before, but the lute suites
were written for the keyboard lautenwerk with no consideration for
technical or sonic issues on the lute. Therefore I don't see any
advantage (technical, musical or historical) to playing them in the
original keys. Since
! Jeannette Sorrell, conductor and musical director
of Apollo's Fire (The Cleveland Baroque Orchestra) will come for a question and
answer session on Baroque performance practice and continuo playing with
Baroque orchestras.
Daniel Shoskes
To get on or off this list see list information
. Registration will be limited so everyone has
the chance for private lessons and individual attention. BTW, all
are welcome - professionals and beginners, singers, guitarists, Ren
lute, Baroque lute, Baroque guitar - Ronn can teach it all!
Daniel Shoskes
To get on or off this list see list
At least there is one area where lute has an advantage over the
guitar, lack of copywrite song protection:
http://www.npr.org/templates/story/story.php?storyId=11778602
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
http://www.youtube.com/watch?v=8qIigZZb4ME
http://www.youtube.com/watch?v=bXb3zih2umw
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
years to achieve the level of
proficiency you see there (the shortest being around 4 years).
Regards,
Daniel Heiman
On Thu, 31 May 2007 20:53:41 -0700 (PDT) Shiro Okami
[EMAIL PROTECTED] writes:
im trying to buy a lute for myself because i really enjoy listening
to its sounds..ive never touched
Kudos to Roman T on the current Early Music America issue. There is an article
on contemporary composers who write music in the Baroque style and there is an
extended section on Roman's work under the Sautscheckt guise.
I love the quote about producing First rate, second rate music.
DS
To
Chris:
For some quick background on the instrument, try this:
http://www.cs.dartmouth.edu/~lsa/aboutLute/Bandora.html
Daniel Heiman
On Wed, 30 May 2007 14:48:35 -0400 Cotton, Christopher
[EMAIL PROTECTED] writes:
Dear Lutenists,
I am a high school English teacher in Shaker Heights, Ohio
are welcome - singers,
guitarists, Ren lute, Baroque lute, Baroque guitar - Ronn can teach
it all!
Daniel Shoskes
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
It's tantric archlute performance. The gratification is delayed until longer
after the CD is over.
On Tuesday, May 15, 2007, at 09:53AM, Andrew Gibbs [EMAIL PROTECTED] wrote:
Yuck!
On 15 May 2007, at 11:58, Stuart LeBlanc wrote:
http://www.vanityfair.com/culture/features/2007/06/
OK, I'll get things off and running...
WASHINGTON (AP) -- President Bush has chosen Lt. Gen. Douglas Lute,
the Pentagon's director of operations, to oversee the fighting in
Iraq and Afghanistan as a ''war czar'' after a long search for new
leadership, administration officials said Tuesday.
and Richard Savino is in fact an interview with
**Richard Stone,** including performance by Tempesta di Mare, his group
based in Philadelphia, doing his reconstruction of some of Weiss'
ensemble music.
Regards,
Daniel Heiman
On Mon, 7 May 2007 20:10:59 +0200 Hermann Stemberger
[EMAIL PROTECTED] writes
an access to download the
mp3-file.
Greetings from germany
Wolfgang w.
-Ursprüngliche Nachricht-
Von: Daniel Shoskes [mailto:[EMAIL PROTECTED]
Gesendet: Samstag, 5. Mai 2007 21:53
An: lute@cs.dartmouth.edu
Betreff: [LUTE] POD Basel concert
On THIS VERY SECOND
http://www.drs.ch
My copy of the French Baroque CD by Claire Antonini finally arrived
yesterday. As mentioned before by Manolo Laguillo, there are pieces
by the usual suspects (Gaultiers, Gallot, Dufaut, Mouton) but also
some of her own transcriptions of works by Marais and Couperin.
Beautifully recorded and
Well, as the only Urologist who posts to this list, I had to answer
the subject.
I strongly recommend emailing or talking to a real person when you
order your strings, especially for the first time. There are just too
many variables and a web order page can be so vague that you don't
know
These are all excellent points, but I think I have to come down in
favor of an 8 course for a beginner. I think that playability between
7 and 8 courses are simply not an issue until you get very advanced
in your playing. As previously mentioned, it also allows you to play
a lot of the 10
If anyone from the UK or Europe is planning to come to the US for a
festival, such as the LSA or BEMF, Google Maps can be very helpful.
For instance, here are the driving directions from London to Boston
for BEMF:
http://maps.google.com/maps?f=dhl=ensaddr=London,+UKdaddr=boston,
PROTECTED] wrote:
You get a similar result if you go from New York to London, only it's
step 24.
-Original Message-
From: Daniel Shoskes [mailto:[EMAIL PROTECTED]
Sent: 27 April 2007 15:48
To: lute@cs.dartmouth.edu
Subject: [LUTE] Coming to the US from Europe
If anyone from the UK
With permission from Bob and Roman, I have posted their video of the
d minor Allemande from Weiss vol 8:
http://www.youtube.com/watch?v=iIANAfU2cS4
DS
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Someday Arto will realize that his irresistible urges to pollute and
dilute this mailing list devoted to lute music with his infantile
diatribes about politics merely serve to make him look more foolish
than the feeble leader (only 633 days, 16 hrs to go thank God) he
hates. To paraphrase
Hi, Kevin:
My small Renaissance lute, slightly smaller than your requested mensur at
55 cm, has a 55 cm length also for the central rib. It is based on the
Hes lute in the Paris Museum of Decorative Arts (original in ivory; mine
is curly maple...).
Regards,
Daniel Heiman
I just returned from a visit to Switzerland where I saw POD playing a
Renaissance concert in Basel. First time he has been back in 31 years. Quite
the who's who of the Swiss lute world in attendance (including Dombois). He
played mostly Terzi and Molinaro. Technically flawless, other than the
For those who might be interested,
Sources manuscrites en tablature/Manuscript sources in tablature, ca.
1500 ca. 1800
is back on line at the same URL as previously:
http://www-bnus.u-strasbg.fr/Smt/sommaire.htm
Daniel Heiman
--
To get on or off this list see list information at
http
Are they jealous of lutenists because they don't have a pinky to rest
on the soundboard?
On Apr 14, 2007, at 5:05 AM, Ron Fletcher wrote:
Ed Wrote...
Buskers have to contend with police, street vendors, store owners,
bureaucrats, yakuza, toddlers, photographers, other buskers and the
Interesting new CD from Naxos with a Baroque lute / Mandolin pairing:
http://www.naxos.com/catalogue/item.asp?item_code=8.557716
Nice to hear the d minor Weiss duet recorded. I'm working on that piece now
with Kenneth Be using Charlie's reconstruction, which I don't think has ever
been
Wow, what a competition. Horrible music played very well vs fantastic
music played horribly.
How to choose...
DS
On Apr 8, 2007, at 6:54 PM, [EMAIL PROTECTED] wrote:
Dear Lutenetters
maybe of interest
Classical Brits Old Man Face-Off: Sting Vs Paul McCartney
Well, it's a spring blizzard in Cleveland, so I filmed a few lute
videos:
http://www.youtube.com/watch?v=7W4Iiov1A_4 (Weiss Menuet)
http://www.youtube.com/watch?v=7cGKAR4JvGQ (Weiss Sarabande)
http://www.youtube.com/watch?v=cdozZSFqLUc (Weiss Gigue)
be damaging to
publishing houses like Minkoff that sell facsimiles.
Other suggestions?
Daniel Heiman
On Thu, 5 Apr 2007 08:39:24 +0200 Spring, aus dem, Rainer
[EMAIL PROTECTED] writes:
-Original Message-
From: Arthur Ness [mailto:[EMAIL PROTECTED]
Sent: Wednesday, April 04, 2007 11:52
at least half of a normal concert:
http://www.cs.dartmouth.edu/~lsa/old/Cleveland2006/RMcFarlaneConcert.html
Regards,
Daniel Heiman
On Thu, 15 Mar 2007 19:06:17 +0900 Ed Durbrow [EMAIL PROTECTED]
writes:
http://www.dandelionwine.com.au/
On Mar 15, 2007, at 12:41 AM, Anton Birula wrote:
I
Just released today, the complete Decca Dowland consort collection of Anthony
Rooley.
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=217688798s=143441
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Looks to me like Dan Swenberg.
On Mar 9, 2007, at 1:47 AM, David Rastall wrote:
Hi Luters,
Just curious: who is the theorbo player pictured with the Rebel
Baroque orchestra on their website?
David Rastall
[EMAIL PROTECTED]
www.rastallmusic.com
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Wow. Just think, with a couple of actual facts to back this up, it will make
the front page of the NY Times. Are opus dei involved? Does this go to the
highest echelons of power? Is Hollywood involved, with secret messages hidden
in popular films (hmmm, any movies with the initials E. T. )? Is
on the website Publications page,
http://LuteSocietyofAmerica.org
Daniel Heiman
On Tue, 6 Mar 2007 07:02:51 -0500 Gregory Brown
[EMAIL PROTECTED] writes:
Hello all,
Sometime ago, I remember reading about the collected works, in the
original
tablature, of all the vihuelists being availabe on CD
In today's NY Times there is an article about Clatterford a BBC
comedy created by Jennifer Saunders (of Absolutely Fabulous fame).
She plays a name dropping rich socialite and they gave as an example
the following quote: We had a lovely evening. Until Sting played the
lute.
Priceless.
I heard someone on NPR recently who wrote a book
called Your brain on music. (or something close to
that title) He mentioned in passing that one theory
on Perfect pitch is that we are all born with it -
that infants hear each pitch as a distinctly different
entity. Than many of us, after
notes on the bottom right of the
page, a
small ritardando, leading into the final d minor chord. Weiss does
some
daring harmonious adventures, and this is one of them.
ed
At 08:14 PM 2/23/2007 -0500, Daniel Shoskes wrote:
Dear collective wisdom: I am working on the Weiss Sonata 13
Dear collective wisdom: I am working on the Weiss Sonata 13 in d
minor from the London Manuscript. At the end of the prelude just
before the final descending chord, there is a notation of 6 dots in a
triangle which seems to refer to the final line. The annotation says
the two outside
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