Ok, Ok I will be at that very party in Gijon. Phil Rukavina and
I will be there, and we are performing the Valderrabano duets on the
matching set of Chambures. I look forward in meeting you, David!
ed
For those of you coming to the lute party in Gijon this Summer, I'll
be playing
I haven't heard much good about them, but maybe they've improved. If he's a
reasonably experienced woodworker, I'd recommend David van Edwards CD-ROM
course, which is designed for beginners and quite well done. More labor
intensive than a kit, but probably a much better result. I just wish I could
I don't know exactly what kits are available, but I saw one recently
which had a ready made back. It looked OK, but it did have a rather
large block of hardwood in the bottom end instead of a spruce liner, so
it seems they still haven't ever seen a proper lute.
I agree, David Van Edward's
http://www.shipbrook.com/jeff/bookshelf/index.html?sort=bysubject
see und music
greetings
w.
Original-Nachricht
Datum: Wed, 6 Apr 2011 15:25:55 +0400
Von: Константин Щеников konstantin.n...@gmail.com
An: lute@cs.dartmouth.edu
Betreff: [LUTE]
Dear friends lutenists!
Anyone
Dear Charles,
I looked for this title on the antiquarian market and found about dozen
copies ranging in price from an outrageous $45 (30 Euros) to an obscene $85.
The book's so bad, it's become notorious--now, in this modern edition from
1966, and
back then, in Elizabethan days. The title is
Mark,
A dab of glue works for me, just enough to keep it from slipping side
to side, but easily knocked off when needed.
Louis Aull
Phone: 770.978.1872
Fax: 866.496.4294
Cell:404.932.1614
--
To get on or off this list see list information at
Thank you all for your insights into lute nut installation, folks--much
appreciated! Now that's out of the way, onwards to the mysterious world
of lute tablature...
m.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thomas,
In Vallet's Regia Pietas there's a small acrostic in French, called Au
luth. You can find it at the bottom of this page:
http://www.gerbode.net/ft2/sources/vallet/psalms_of_david_1620/000h_poem_3.j
pg
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu
Thanks for poiting us towards this collection, Arthur. I have a few
books from the period, but nothing so extensive as this! It reminds me
to have my Wandervogellaute fixed.
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
Let me try.
Jacques Gallot (I) was brother to Antoine Gallot. Antoine (Gallot
d'Angers= ) died 1647 in Vilnius, Jacques (I) (Gallot de Paris) died
around 1685 in P= aris. Both were called Gallot le vieux.
Jacques Gallot (I) was lute teacher to Sebastien de Brossard (b. 1654)
Let me try.
Jacques Gallot (I) was brother to Antoine Gallot. Antoine (Gallot d'Angers)
died 1647 in Vilnius, Jacques (I) (Gallot de Paris) died around 1685 in Paris.
Both were called Gallot le vieux.
Jacques Gallot (I) was lute teacher to Sebastien de Brossard (b. 1654) in
Paris. The
Thomas:
With regard to poems in English, you should take a look at the program
and videos from the performance by Ronn McFarlane and Robert Aubry Davis
last Summer at the LSA Summer Seminar and Lute Festival. Mr. Davis read
sections from eleven different poems that mention the lute. Some are
A few from my collection - Enjoy!
If music and sweet poetry agree,
As they must needs, the sister and the brother,
Then must love be great 'twixt thee and me,
Because thou lov'st the one, and I the other.
Dowland to thee is dear, whose heavenly touch
Upon the lute doth ravish
Thank you Daniel,
I already found tons of lute poems and will include those of the LSA,
too.
A great program by Ronn and Robert Aubry Davis
Thanks again
Thomas
Am Sonntag, 20. Maerz 2011, um 14.24:38 schrieb Daniel F Heiman:
Thomas:
With regard to poems in
-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von mathias.roe...@t-online.de
Gesendet: Sonntag, 20. März 2011 11:27
An: A. J. Ness; Lute List
Betreff: [LUTE] Re: [LUTE] Re: Wandervögel Songs
You'll have all the tunes and lyrics from this edition, at least
FranAS:ois de Gallot (Oxford, Bodleian Library, Ms. Mus.Sch.
C.94).
Martyn
--- On Sun, 20/3/11, [1]mathias.roe...@t-online.de
[2]mathias.roe...@t-online.de wrote:
From: [3]mathias.roe...@t-online.de
[4]mathias.roe...@t-online.de
Subject: [LUTE] Re: [LUTE] Re
See also http://www.gerbode.net/ft2= /composers/MNewsidler/saltarello/
Mathias
-Original-Nachricht-
Subject: [LUTE] Re: = Pieces of Melchior Neusidler in the Web?
Date: Sun, 20 Mar 2011 = 16:06:07 +0100
From: Hilbert Joerg hilbert.joerg@T-Onlin= e.de
To: Andreas
Hello,
I should notify all that Martyn's system detected a Trojan horse virus
when trying to open my link. Apologies, and use with caution.
Best,
Chris.
On Sat, Mar 19, 2011 at 8:17 PM, Christopher Stetson
[1]christophertstet...@gmail.com wrote:
Hi, all,
I'm
An die Laute
Poem by Johann Friedrich Rochlitz (editor of the Allgemeine musikalische
Zeitung) set by Schubert
http://www3.cpdl.org/wiki/index.php/An_die_Laute_%28Franz_Schubert%29
Surely something in all those huindreds of songs for the Wandervögel
http://hdl.handle.net/1802/14257
-
I can even HEAR him heavily strumming!
M= athias
-Original-Nachricht-
Subject: [LUTE]= Who got this gig?
Date: Sun, 13 Mar 2011 03:32:02 +0100
= gt; From: Daniel F Heiman heiman.dan...@juno.com
To: Lut= e...@cs.dartmouth.edu
Hi All,
I'm sure you are all aware that a high level of humidity is very
damaging to objects. Mould/mildew is bad. To keep any object in ideal
conditions you're looking for a constant temperature of 18 degrees
Celsius and humidity of 50-55% (though the recommended stats vary
around
If you go for a room humidifier, make sure you get one with a hygrostat
built in, or buy a hygrostat separately. This will allow you to keep
the humidity at a constant level, avoiding too much moisture in the air
which can walls go mouldy (but will please your houseplants). Most
I use a Planet Wave Small Instrument Case Humidifier. It can be gotten
with an electronic hygrometer/thermometer with memory to check highs and
lows. Fits neatly in the case, comes witha syringe to fill it with
distilled water, not messy. I got mine from Music 123, but they don't seem
to have
Any music store will probably carry the type of humidifiers made to fit into
the sound holes of cellos or violins (basically a perforated plastic tube with
a sponge inside). I use one of these and simply place it in the peg box area
of the case. I've also tried a kitchen sponge in a baggie,
Sponge, Dampit, What hast thou? I find an equal amount of danger from
dripping moisturizers as from dryness. I have a room humidifier running
night and day between Oct. and May.
Best,
Joseph Mayes
On 3/7/11 12:17 PM, Edward Mast nedma...@aol.com wrote:
Any music store will probably carry the
Living in South Florida this seems a quaint idea, but when growing up in
Connecticut our house had trays built into the tops of the radiator enclosures.
Filling these with water every few days during the winter kept the air
humidified. But I suppose today there are more efficient heating
I've been using the Kyser Lifegaurd guitar humidifier. This is really
something that's supposed to go in an acoustic guitar's sound hole, (it is too
big for my classical guitar) but I just stick it under the strings directly on
the rose. It works on my instruments, but it might be too thick
film in cameras.
- Original Message -
From: Edward Mast nedma...@aol.com
To: Mayes, Joseph ma...@rowan.edu
Cc: Suzanne Angevine suzanne.angev...@gmail.com; Dan Smith
dansmithgui...@yahoo.com; lute@cs.dartmouth.edu
Sent: Monday, March 07, 2011 11:47 AM
Subject: [LUTE] Re: Lute
Film cases, these days, seem even more rare than lutes. I use a
zip lock bag with holes :-)
Peter.
On Mon, 7 Mar 2011, Jeff wrote:
A simple, home-made humidifier can be constructed from sponge and a plastic
film case. Drill or punch holes (I use 3/16 or 1/4 bit) in the film case,
in the
Does anyone have any recommendations for a humidifier for lute. Would
appreciate any advice - thanks.
regulating the humidity of your home might be the best option; all your
instruments, your furniture, pets, people will all benefit.
Mildew is the enemy, and the smaller the case the
Artist sponges made damp and enclosed loosely in a baggie, stuffed in
the pegbox part of the case are what I've heard of.
Suzanne
On 3/6/2011 5:45 PM, Dan Smith wrote:
Does anyone have any recommendations for a humidifier for lute. Would
appreciate any advice - thanks.
Hey Nicolas
its probably just you and me (and few more) caring about this, but anyway,
I've sighted an reported when I could, about 10 times or so till now I
believe. Should we make a definitive list? Its all in the archives. Lets
make a sighting list! ;)
G.
- Original Message -
TEST..
On Jan 24, 2011, at 8:45 AM, Franz Mechsner wrote:
Dear Lutenists,
I would love to sing some of the beautiful Renaissance lute (or
vihuela) songs by myself (in private of course...), but cannot find any
for bass voice. Is it that songs were exclusively or mainly composed
Just get a lute pitched to your voice, or tune down, top string=370
Hz is a good place to start
At 12:45 AM 1/24/2011, you wrote:
Dear Lutenists,
I would love to sing some of the beautiful Renaissance lute (or
vihuela) songs by myself (in private of course...), but cannot find any
Dear Franz
Like most lute song players, I lug around endless transpositions of
much of the repertoire. Transposing down a fourth (which will fit your
range nicely) is easy enough, as it basically involves playing the tab
a line lower. Beware of the third between courses 3 and 4, and raise
the
Dear Franz,
There are many songs in the alto range that should fit you comfortably. The
'problem' is that you will be singing at a transposed range (down an octave)
thus not matching the lute in the 'usual' way. I really don't mind that,
although some people do care. You can also take songs
Hello Franz:
It seems as though you have a friend in Vincenzo Galilei, who thought
the bass voice extracted from polyphony should stand well enough to
perform intabulations while singing the bass line. There are a few
intabulations in this format found in the original publication
Dear Franz
One really good song for bass voice can be found in the Stainer and Bell
Songs from Manuscript Sources volume 1. It is Most men do love the
Spanish wine. I recorded it some years ago, and both the singer and I
really enjoyed ourselves! At the same time, we also recorded the first song
Franz,
Since you're doing this for your own enjoyment, you could always find tunes
in an alto register and sing falsetto. I'm not being cheeky; this was probably
done. Just how comfortable you'll feel exploring your stratosphere is another
matter.
Chris
Christopher Wilke
Lutenist,
I do that all the time - it's great fun!
Edward C. Yong
ky...@pacific.net.sg
On 24 Jan 2011, at 10:07 PM, Christopher Wilke wrote:
Franz,
Since you're doing this for your own enjoyment, you could always
find tunes in an alto register and sing falsetto. I'm not being
cheeky; this was
,
Stewart.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Hector
Sent: 24 January 2011 09:55
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: lute songs for bass voice?
Dear Franz,
There are many songs in the alto range that should fit you
Hi Martyn, I'll respond below.
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Lute Dmth lute@cs.dartmouth.edu; A. J. Ness
arthurjn...@verizon.net
Sent: Saturday, December 25, 2010 4:06 AM
Subject: [LUTE] Re: [LUTE] Re: [LUTE] Kraków, Biblioteka Jagiellonska
John Griffiths is likely to be your man for this info:
[1]http://www.vihuelagriffiths.com/JohnGriffiths/Barbarino.html
On 2010-12-22, at 10:10 AM, Martyn Hodgson wrote:
Is there an online listing WITH concordances of the contents of this
Ms?
--
To get on or off this
Very rare, but not impossible :) I saw one and only one ren. painting
that I can recall like that, and I think it was in the met, but it
was not a realism painting.
Also, in the surviving instruments you can't trust the restorations
as far as that goes.
To get on or off this list see list
Thank you, David. As earlier suggested, I'm now suspecting that DvE did this
by special request from a player.
On Dec 19, 2010, at 3:54 AM, David Tayler wrote:
Very rare, but not impossible :) I saw one and only one ren. painting
that I can recall like that, and I think it was in the met,
He stopped the notes in the same way as all other contemporary
lutenists did before
glued-on frets became general: by depressing the string to the belly.
MH
--- On Fri, 17/12/10, Edward Mast nedma...@aol.com wrote:
From: Edward Mast nedma...@aol.com
Subject: [LUTE] Re
For Aquila I use [1]stringking.net. They are reliable, don't charge a
fortune for postage, and offer a discount for large orders...
On 17 December 2010 19:15, nigelsolomon
[2]nigelsolo...@btinternet.com wrote:
Could anyone tell where the best (cheapest!) place to order lute
: by depressing the string to the belly.
MH
--- On Fri, 17/12/10, Edward Mast nedma...@aol.com wrote:
From: Edward Mast nedma...@aol.com
Subject: [LUTE] Re: lute piece by Brian Wright (and fret n)
To: Martin Shepherd mar...@luteshop.co.uk
Cc: Lute List lute@cs.dartmouth.edu
Date: Friday, 17
Not on the basis of icomography and historical sources. Bear in mind it
may have been made for someone who specifically ordered a single
second. I seem to recall that Julian Bream had a single second on one
(or more?) of his lutes - presumably to make it feel a little closer to
Hi Ned,
I don't know of any iconography or surviving instruments with a single
second in what you might call renaissance lutes. I think the single
second originated as a conversion feature in 11c lutes (when converting
from 10c to 11c) and then later became common on baroque lutes. There
Stuart, I was thinking about your comments today as I worked on a Dowland piece
that has passages in the i,k,l fret area. On my lute these frets don't have
the resonance that the lower frets do, either. What I do find, though, is that
I get a better sound from the body frets when I play them
Dear All,
Can't think why I haven't said this before, but I hope some of you find
it useful:
The higher the fret, the further from the bridge (in terms of
proportion) you are plucking the string, so think about playing a little
closer to the bridge when you play those notes on higher frets.
Dear All,
Sorry - another thought, perhaps less helpful than the first. The last
several of Dowland's frets were made from first-course material
(.40-.45mm gut?), so if he had had body frets (and it seems he didn't)
they couldn't have been exactly tree-trunk sized.
Best,
Martin
On
Martin-
If Dowland didn't have body frets on his instruments, does that mean he had
upward of 10 or 11 frets on the neck - even 12? Does this mean very long
necks? And would that mean a small body, or a larger body and perhaps a long
string length? How long a string length would be
On 17/12/2010 16:17, Edward Mast wrote:
Stuart, I was thinking about your comments today as I worked on a Dowland piece
that has passages in the i,k,l fret area. On my lute these frets don't have
the resonance that the lower frets do, either. What I do find, though, is that
I get a better
Dear Ed,
We have to be careful not to regard Dowland's lute as being one
instrument. Nearly all of what we regard as his solo lute music was
almost certainly written before 1600, about half of it for 6 courses
(and eight tied frets). His remarks in Varietie of Lute Lessons were
published
On 14/12/2010 00:02, sterling price wrote:
Most lutes have way too small body frets as they come from the maker. I always
make bigger more suitable frets on my lutes. This often means that they get
-taller- as they go up from fret K, especially if there is 14 frets. Of course
this all depends
Piccinini 1639 goes up to the 19th fret on page 1. But probably not
using glued on frets - just by depressing to the belly.
MH
--- On Tue, 14/12/10, Stuart Walsh s.wa...@ntlworld.com wrote:
From: Stuart Walsh s.wa...@ntlworld.com
Subject: [LUTE] Re: lute piece by Brian
Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Tue, 12/14/10, Stuart Walsh s.wa...@ntlworld.com wrote:
From: Stuart Walsh s.wa...@ntlworld.com
Subject: [LUTE] Re: lute piece by Brian Wright (and fret n)
To: sterling price spiffys84...@yahoo.com
Cc: Lute Net lute
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Tue, December 14, 2010 6:54:09 AM
Subject: Re: [LUTE] Re: lute piece by Brian Wright (and fret n)
There are some late works that use the upper register quite a bit. I believe
Hagen somewhere calls for notes up to the 14th, but it's not often used. I
.
Sterling
- Original Message
From: Christopher Wilke chriswi...@yahoo.com
To: sterling price spiffys84...@yahoo.com; Stuart Walsh
s.wa...@ntlworld.com
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Tue, December 14, 2010 6:54:09 AM
Subject: Re: [LUTE] Re: lute piece by Brian Wright
I lately made an arrangement of a pop piece for the therobo requiring
the n fret on the third string. So long as the string is not
plucked too vigorously, it sounds fine.
Brad.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
- Original Message
From: sterling price spiffys84...@yahoo.com
To: Stuart Walsh s.wa...@ntlworld.com; Lute Net lute@cs.dartmouth.edu
Sent: Mon, December 13, 2010 12:06:33 AM
Subject: Re: [LUTE] lute piece by Brian Wright (and fret n)
Most lutes have way too small body frets as they
I enjoy your playing of this very nice piece of Brian Wright very much
Stuart. It's wonderful that you are so open-minded and interested in
contemporary lute music.
Gilbert
http://users.telenet.be/gilbert.isbin/contents.html
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
A really lovely piece of music, likely written on guitar
or conceived with regard to that market. Very well performed too.
Interestingly it is so much better than
the atonal stuff that Brian has on his own channel.
A pleasant surprise.
RT
- Original Message -
From: Stuart Walsh
Most lutes have way too small body frets as they come from the maker. I always
make bigger more suitable frets on my lutes. This often means that they get
-taller- as they go up from fret K, especially if there is 14 frets. Of course
this all depends on the action of the lute.
--Sterling
Dear Dan
I think stringing should be considered holistically. I
achieved best success with the new generation Venice loaded strings
when I used Venice octaves and Venice Meanes. All these strings are
twines and so have a sympathetic upper harmonic pattern.
They are more
On Dec 4, 2010, at 7:14 PM, Anthony Hind wrote:
There are ultra light ones from Japan, that have also been spoken
about, here, but which are not so resistant.
They guy who makes the light cases in Japan lives about an hour from me
by car and is named Soma. I would say they are
@cs.dartmouth.edu
Objet : [LUTE] Re: Lute Case
Date : 04/12/2010 08:23:59 CET
On 3 December 2010 22:37, Graham Freeman freeman.gra...@gmail.com
wrote:
All,
Does anyone have any experience with the lute cases made by
Pierre
Rousseau?
I have one for my 11
On 4 December 2010 11:14, Anthony Hind agno3ph...@yahoo.com wrote:
My advice for a Kingham, is to buy a grey one. They look far better (rather
I have my own Kingham line: grey on the outside, dark blue inside.
Three cases so far. ;-)
Kingham comes with carbon reinforces lid on request. A bit
Interesting, Anthony. I can understand that the grey color could be
more reflective in the sun, but my experience with them (in terms of
cases I have seen) is that they seem to show every little scuff,
where the darker colors do not.
I have one in navy blue, and it is very nice. But, with my
A:David van Ooijen
Cc:Lute List
Oggetto: [LUTE] Re: Lute Case
Inviato: 4 Dic 2010 16:05
Interesting, Anthony. I can understand that the grey color could be
more reflective in the sun, but my experience with them (in terms of
cases I have seen) is that they seem to show every little scuff,
where
Well, ed, if I attend the coming lute seminar as I hope to do, there may be at
least one more green case. That is, if I bring my Larson 7 course. (My Larson
8 course is older, and has a black case)
Ned.
On Dec 4, 2010, at 10:05 AM, Edward Martin wrote:
Interesting, Anthony. I can
On 3 December 2010 22:37, Graham Freeman freeman.gra...@gmail.com wrote:
All,
Does anyone have any experience with the lute cases made by Pierre
Rousseau?
I have one for my 11-coure and love it because it _so_ light. A pupil
has one for her theorbo and loves it because it _so_ light.
Apparently Mr Wigens' daughter is also in need of tuition in oboe,
French, yoga...
The scam is that he will send a cheque for too much money, ask you to
refund the difference, and then his cheque bounces.
Avoid.
P
-- Forwarded message --
From: Lewis
re your back problem - it might be helpful to find someone with experience in
treating back problems as you start playing again e.g. a chiropracter or , even
better, a lutenist with qualifications in Alexander Technique
best wishes
Charles
To get on or off this list see list information
Dear Mark,
Definitely get a strap, which will allow you to sit up straight and
not hunch over to secure the lute.
I also use a vinyl-covered foam pad under the lute to help stabilize
the instrument--a classical guitar pad adapted to fit the end of the
lute. I don't know of
On Nov 19, 2010, at 10:28 AM, jsl...@verizon.net wrote:
Definitely get a strap, which will allow you to sit up straight
Or stand up straight and walk around.
I not played it in 4 years because holding it causes me back pain
after 15 minutes. Any solution such as a strap or holder? I
Strap, absolutely. You can sit upright, have your pelvis balanced and your
air column straight. No more pain in your back, promised.
Mathias
2. I not played it in 4 years because holding it causes me back pain
after 15 minutes. Any solution such as a strap or holder? I wrote
daniel
I had the same problem for years. My problem was primarly how I held
it. It was a 55 cm 8c with a somewhat shallow back that was simply too
small. I had to hunch to hold it. I still pick it up now and then but
within a couple of hours it lets me know. Oddly enough, my next was
a 55 cm 6c
Sean here is talking about lutes that were too small for him to be
comfortable. But it really depends on what your problem is. My first
lute was big enough that it was difficult for me to get my arms around.
I eventually switched to a 10 C alto with a shallow back (also a Dan
Larson) and
With a good and personally adapted strap, you should pretty much be able to
avoid the lute's or guitar's holding problem wheather you use the old
buttons - string or modern X-strap or whatever in-between. Some sit on it,
some pimp them, but whatever solution, there seem to be many, as lute
I loaded it. I feel totally empowered. :)
On Oct 26, 2010, at 7:06 PM, Lute wrote:
Lute
A network for lovers of lute music
A message to all members of Lute
Very sorry for the second broadcast message, but in my excitement I forgot to
include the link to the app:
tend to be closer in space to the performers.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: Monday, October 18, 2010 6:42 PM
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 5
Fortunately for the people around me, I don't have any.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Gary Digman
Sent: Tuesday, October 19, 2010 5:53 AM
To: Lute List
Subject: [LUTE] Re: Lute volume
- Original
To: [3][7]l...@cs.dartmouth.edu
Subject: [LUTE] Re: Lute volume
Is it an HIP position to play with amplification ? Not sure it is
coherent
with what was said about gut strings...
If you want to search for the lost sound... gut strings, no amps.
Same
.
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 10/20/10, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: [LUTE] Re: Lute volume
To: Lute Net lute@cs.dartmouth.edu, Stewart McCoy lu...@tiscali.co.uk
--- On Wed, 20/10/10, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: Re: [LUTE] Re: Lute volume
To: Christopher Wilke chriswi...@yahoo.com
Date: Wednesday, 20 October, 2010, 14:26
I very much agree with your
: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: [LUTE] Re: Lute volume
To: Lute Net lute@cs.dartmouth.edu, Stewart McCoy lu...@tiscali.co.uk
Date: Wednesday, October 20, 2010, 6:27 AM
Dear Stewart,
It's certainly odd if the amplification
used for your large scale
social events
-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: 19 October 2010 05:15
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
Howard,
Huh? Wait, that's me!
Alright, so next time I'll should ask people if they did
-...@cs.dartmouth.edu] De la part
de Peter Martin
Envoyé : mardi 19 octobre 2010 11:11
À : Lute list
Objet : [LUTE] Re: Lute volume
Ah, amplification...
I remember that David T and others made some recommendations a couple
of years ago about contact mikes suitable for lutes. Any fresh
octobre 2010 11:11
A : Lute list
Objet : [LUTE] Re: Lute volume
Ah, amplification...
I remember that David T and others made some recommendations a
couple
of years ago about contact mikes suitable for lutes. Any fresh
updates?
I fear my lute
- Original Message -
From: howard posner howardpos...@ca.rr.com
To: Lute List lute@cs.dartmouth.edu
Sent: Monday, October 18, 2010 9:14 PM
Subject: [LUTE] Re: Lute volume
.. But worrying about the theorbo player's desire to be heard isn't in
their job description.
We're
[mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: 19 October 2010 05:15
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
Howard,
Huh? Wait, that's me!
Alright, so next time I'll should ask people if they did not hear me
le : Lun 18 octobre 2010, 15h 08min 00s
Objet : Re: [LUTE] Re: Lute volume
some years ago we had a playersday in hamburg in a church. one
performed piece was a duo between renaissance lute and soprano
recorder. near the performers, i was able to hear more or less the
recorder only
Sent: 19 October 2010 05:15
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
Howard,
Huh? Wait, that's me!
Alright, so next time I'll should ask people if they did not hear me
as a discrete component, but rather as a subconsciously perceivable
I don't know if it was the same concert, but I remember him playing an
all DeVise concert at a Lute Seminar Dominican College. Someone told me
later he had injured a finger and played the whole concert with three
fingers. I think nobody noticed any flaws. I think Paul Odette started
Howard,
--- On Tue, 10/19/10, howard posner howardpos...@ca.rr.com wrote:
Howard,
Huh? Wait, that's me!
Yes, it is a custom to say the name of the person I'm addressing.
Alright, so next time I'll should ask
people if they did not hear me as a discrete component, but
rather as a
.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Sauvage Valery
Sent: 19 October 2010 10:18
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Lute volume
Is it an HIP position to play with amplification ? Not sure
I assure you that the inability to hear the lute in the situations I
referred to was not due to lack of focus.
Gary
- Original Message -
From: Mathias Rösel mathias.roe...@t-online.de
To: lute@cs.dartmouth.edu
Sent: Sunday, October 17, 2010 4:51 AM
Subject: [LUTE] Re: Lute volume
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