Thanks for that Tim most interesting!
It was the Jamie Allan connection I had in mind - he must have been
playing & thieving in
this neck of the woods to end up in Durham jail!
Cheers
Anthony
--- On Wed, 6/1/10, tim rolls BT wrote:
From: tim rolls BT
Sub
I still use olive oil and if you play everyday it doesn't get the
chance to stick the pads down.
The other point is that I associate that gentle beautiful smell with my
early, heavenly (gone eathwards ever since) experiences of piping!
Each to his own I guess.
As aye
Anthon
if enough people are
interested. I know some people reading this will have already got their
hands on some copies from Jimmy last night but for those further afield
just let me know how quickly you'd like them.
Cheers & happy piping
Anthony
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Dear All
Jimmy Little's Cd now on sale at
[1]http://robbpipes.com/HowDoesItGan.html
Cheers
Anthony
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has bugged me to such an extent I even missed the launch date for
Jimmy's CD (no multi-tasking from yours truly!!). Anyone suggesting
ideas that prove helpful will receive a copy of this feel-good album as
a token of gratitude.
Many thanks
Anthony
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ea on hold for a month or two!!
Anthony
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flung bretheren on an even playing field with the locals we have now
scrubbed all shipping charges for the CD (see:
[1]http://robbpipes.com/HowDoesItGan.html)
Cheers
Anthony
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What a fascinating thread!
The problem I see with an inverted bag is getting the chanter stock
airtight in what amounts to a ridgy hole. It's bad enough with a nice
soft bag with the seam on the outside and the usual leather wedges.
I hate to admit it but the slightly deeper, shorte
Thanks Francis - lovely stuff - it brightened a very grey morning!!
Anthony
--- On Wed, 27/1/10, Francis Wood wrote:
From: Francis Wood
Subject: [NSP] Re: bag shape
To: "Anthony Robb"
Cc: "Nsplist NPS"
Date: Wednesday, 27 January, 2010
/3 to3/4 of the forearm can't be in
bag contact.
As long as the left wrist is well free of the bag things will be fine.
Cheers
Anthony
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This just gets better and better!
Thanks to all for their contributions.
Cheers
Anthony
--- On Thu, 28/1/10, Francis Wood wrote:
From: Francis Wood
Subject: [NSP] Mr. Bewick, Rats and Inverted Bags
To: "Dartmouth NPS"
Date: Thursday, 28 January, 2
t active in lending our D drills but that Colin did on
an ad hoc basis to fellow enthusiasts.
Cheers
Anthony
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cheeks together. If airtight it's just the clack-valve at fault and
that's easily remedied. If there's still a leak you've got bigger
problems!
Hopes this makes sense.
Cheers
Anthony
--- On Wed, 3/2/10, colin wrote:
From: colin
Subject: [NSP] Re:
OK so it doesn't butter your parsnip!
Perhaps the easiest answer is to press the stop button instead
of letting it bother you!
Cheers
Anthony
--- On Fri, 5/2/10, Paul Gretton wrote:
From: Paul Gretton
Subject: [NSP] Re: Gaelic Pronunciation
To
Since when did gratuitous nastiness become discussion?
There are polite/witty ways of giving an opinion. Being cruelly
revolting about a piece that truly speaks to someone else is childish.
Anthony
--- On Fri, 5/2/10, Paul Gretton wrote:
From: Paul Gretton
Subject
ou move on from your prejudices against trained
singers and listen to the whole story of the piece which seems to be
more Lieder than Folk.
We don't want to know if it makes you sick!!
As aye
Anthony
-- On Fri, 5/2/10, Paul Gretton wrote:
From: Paul Gretton
Subjec
Whoever it was it does seem that mixed pipe duets was fairly well
established by the time of the competitions mentioned (50s).
Cheers
Anthony
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Mike he regarded it as important to get out there and play. Very early
on in my Mount Hooley days he told me, " if you've been given a talent
it's your duty to share it".
Well put methinks.
Anthony
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the arrangement
is not robust. To call it a viola might lead to problems with the Trade
Descriptions Act!
Cheers
Anthony
--- On Mon, 8/2/10, christopher.bi...@ec.europa.eu
wrote:
From: christopher.bi...@ec.europa.eu
Subject: [NSP] Re: NSP duet with other
ey
didn't get a return gig!
As Jimmy Little said recently, "to really know about our music you have
to live amongst it"!
As aye
Anthony
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about -L-20 is those days.
No wonder they didn't take kindly to being tuned down!
Cheers
Anthony
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from waltz time to
4/4 and includes some rather giveaway C#s, does little to further its
traditional credentials.
To say the piece is sean nA^3s is like saying The Blaydon Races is a
Border Ballad.
As aye
Anthony
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, was a silver chalice
for the General Hospital Chapel which he made from sliver reclaimed
from old X-ray plates!!
He was a fascinating guy and enriched the lives of all who knew him.
Thank you to contributors for stirring up some wonderful memories.
As aye
Anthony
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As aye
Anthony
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ed tenacity)!
These days I snap lifeless reeds to stop me wasting time on them.
Perhaps we should start a free bank of working reeds that
"aren't really there" for enthusiastic, would-be makers to mess around
with?
As aye
Anthony
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they can find a couple of photos at:
[1]http://www.robbpipes.com/CUT-DRY-PIPES
As aye
Anthony
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you'd do well
to ask also about hers!
As aye
Anthony
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ition the reed accurately if
it is removed for bore-cleaning etc. The wax isteself can of course be
removed easily at will.
As aye
Anthony
P.S. My Samsonite wheelie cabin trolley is a brilliant piece of kit. It
can take three sets of pipes and has a zipped membrane right across the
the audience
and their level of understanding and knowledge of the pieces presented.
Having said that, novelty pieces can have their place in a long
programme.
As aye
Anthony
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ad been adapted, is now widely
accepted as a mistake.
As aye
Anthony
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s over the years.
Anthony
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vide under-arm pressure sensitive pads to
simulate this main difficulty but until they are available perhaps a
more accurate description would be in order?
Cheers
Anthony
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er a couple of hours of pure frustration at not being
able to hold a steady note!
Cheers
Anthony
--- On Tue, 20/4/10, Dave S wrote:
From: Dave S
Subject: [NSP] Re: Smallpipes Simulator
To: "Anthony Robb" , "Dartmouth nsp list
N.P.S. site"
1975. He reckoned it was one of
the most moving and beautiful things he had heard. His opinion knocked
me backwards and made me re-evaluate my ideas on piping and
traditional music in general.
As aye
Anthony
--- On Tue, 20/4/10, christopher.bi...@ec.europa.eu
wrote
1) Cut & Dry Dolly was recorded in '74 and released in '75.
2) More accurately, "Nellie o' Bob's o't' Crowtrees".
OOPS!
Anthony
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I don't oil the bore but do oil the thread/cork on the standing part of
the drone, I also drop oil onto the thread of the plunger (every 6
months or so) to keep it soft and airtight.
Some of this might well spread to the bore.
Cheers
Anthony
--- On Sat, 29/5/10, nei
realised that I had rather a lot to learn!!
Windy Gyle itself is, of course the very big lump right at the top.
Anthony
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groove, sing the tune in their head and decide on decoration and
emphasis all at the same time in order that our imperfect nomenclature
can't do the nasty on us.
Anthony
--- On Mon, 7/6/10, Gibbons, John wrote:
From: Gibbons, John
Subject: [NSP] Re: Parnell'
like Sophy Ball's mum (among others) who
visited and notated some of their tunes but they themselves never
referred to dots. When Willie T. had a new tune to share he'd either
play it himself or get his well-used cassette player out to pass it on.
Anthony
--- On Tue, 8/6/10,
27;s guest appearance at The Farriers Arms,
Shilbottle on July 14th.
Here's the link.
[1]http://www.robbpipes.com/JimmyLittleKirksHornpipe
As aye
Anthony
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Hello Shiela
La Grande Chaine, also in the first vol of The Portland Collection
where Clyde Curley describes it as a French Canadian Reel learnt by Sue
Songer and Lanny Martin from "Footloose", a band from North Carolina.
Anthony
--- On Thu, 8/7/10, bri...@aol.
ne or two
that I'd be happy to send if you send me your address. Perhaps other
would be recipients could post their addresses on the list for other
reed makers to respond to in turn?
As aye
Anthony
--- On Fri, 9/7/10, neihutch...@yahoo.com
wrote:
From: neihutch...
way in to those
who want to learn about reed adjustment before they move on to reed
making so the offer still holds.
Cheers
Anthony
9/7/10, Francis Wood wrote:
From: Francis Wood
Subject: [NSP] Re: Reeds
To: "Anthony Robb"
Cc: "Dartmouth NPS"
which are
equidistant from the nodes, so that's why the south/north suggestion
arose.
As aye
Anthony
--- On Fri, 9/7/10, bri...@aol.com wrote:
From: bri...@aol.com
Subject: [NSP] Re: Reeds
To: nsp@cs.dartmouth.edu
Date: Friday, 9 July, 2010, 20:12
I
Hear! Hear!
--- On Sat, 10/7/10, John Dally wrote:
From: John Dally
Subject: [NSP] Sweet & Salt Water tune collection
To: nsp@cs.dartmouth.edu
Date: Saturday, 10 July, 2010, 18:09
Margaret Watchorn's new collection of tunes just arrived in the mail.
It's a wonde
ned down fiddles can read directly) and also (on separate sheets)
with pipes lines in accepted pitch and other lines transposed
accordingly.
Hope this helps.
Best wishes
Anthony
--- On Wed, 8/9/10, bri...@aol.com wrote:
From: bri...@aol.com
Subject: [NSP]
Can't help with the tunes I'm afraid but it might be that the
instrument she calls the "cymbal" is in fact the cimbalom.
[1]http://en.wikipedia.org/wiki/Cimbalom.
Good luck with your quest.
Cheers
Anthony
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References
1. http://en.wikipedia.org/wiki/Cimbalom
h was kind enough to suggest that the CD name "Force
6" should be "Force 9", so thank you Richard for the subtitle!
Cheers
Anthony
--- On Tue, 2/11/10, Matt Seattle
wrote:
From: Matt Seattle
Subject: [NSP] Re: Recommended new recordings and books
I third that but would it be even more wonderful if some clever person
(I think all three of you have the skills) to put it all done as a
living piece of music somewhere for all to hear?
Anthony
PS Of course they would have to remember to use an universally
accessible format not
diacy would be lost but it would be a wonderful
resource once the discussion was over.
Cheers
Anthony
--- On Fri, 5/11/10, Julia Say wrote:
From: Julia Say
Subject: [NSP] Re: Where hast thou been all the night?
To: "NSP group" , "Gibbons, John"
ciate
the beauty behind the dots. We now have the technology to send this
vital spark of the music around the globe. Wouldn't it be a great
idea for musicians to use it?
As aye
Anthony
--- On Fri, 5/11/10, Colin wrote:
From: Colin
Subject: [NSP] Re: Where hast tho
being useful too, it's certainly better than
nowt!
Cheers
Anthony
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y really bring the tune to life
for me (I've used the vernacular as it scans better):
Cheers
Anthony
Me Laddy Sits Ower Late Up
Refrain:
Me laddy sits ower late up
Me hinny sits ower late up
Me deary sits ower late up
Between the pint pot an' the cup
so freely and
generously shared.
Warmest & best
Anthony
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discussion of
"Silver Threads Among the Gold" I wonder?
Cheers
Anthony
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cottish dancing) guideline tempo, for
reels, of 116 bpm has been lowered to 106 bpm to give the dancers time
to make more of the steps.
As aye
Anthony
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Here's a link to a snippet of tonight's programme on clogging.
[1]http://www.bbc.co.uk/news/magazine-11930757
Cheers
Anthony
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6 with their music) playing fiddle along with Alistair Anderson's
concertina for the clogging.
Laura Connolly might be better known to people as Laura Thirkell.
Cheers
Anthony
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'm sure if the pipes were easier to mic up
in the open Paul would have used them instead of fiddle.
Nevertheless, it was a really uplifting programme.
Anthony
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References
1.
http://www.bbc.co.uk/iplayer/episode/b00wmy5q/Come_Clog_Dancing_Treasures_of_English_Folk_Dance/
T
Thanks Rob, that looks just the job!
Anthony
--- On Sun, 12/12/10, Rob Say wrote:
From: Rob Say
Subject: [NSP] Re: TV
To: nsp@cs.dartmouth.edu
Date: Sunday, 12 December, 2010, 9:20
Morning - I have heard of a thing called Expat Shield:
[1]http
tunes.
There's a very good chance it will be the instrument for which the tune
was made in the first place.
I know this is a very personal (and very unpopular) opinion but I can
assure people that I am not alone in this.
Cheers
Anthony
John Dally
Subject: [NSP] a
s the hole would
have to be cut into the reed staple itself. Ouch!!
When a high C# comes in a tune I play middle C# and it's not too bad.
Anthony
--- On Tue, 14/12/10, John Dally wrote:
From: John Dally
Subject: [NSP] Re: a key question for NSPipers
To: barr...@nsp
ys (she
would be about 13) and she said, "Anthony what you're saying is that I
need to put in another twenty hours at least on that tune". That's
Alice for you!
My comments were directed more towards us ordinary mortals who do not
have the luxury of that much time
Hello Tim
Wonderful stuff!
Discuss?
I'll have to print off, re-read (probably several times) and inwardly
digest it first.
It has, however, already given me a warm glow which more than
compensates for the sub -zero temperature outside.
Cheers
Anthony
--
To g
my challenge
Find me any recording of any fiddle piece played by someone of Chris
Ormston's talent i.e a top notch fiddle player and convince me it is
not at a different level of musical expression compared to the same
piece played on pipes.
As aye
Anthony
--
To get on
e world is another.
As aye
Anthony
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Hello Colin and Richard
I agree with much you say.
I like the comparison with apples and potatoes.
But that is exactly what Doubleday is saying: 'don't try and make chips
with apples or apple crumble with potatoes'.
Cheers
Anthony
--
To get on or off thi
its
appeal. I also had the misfortune to hear the embarrassingly
unsuccessful attempt at trying to play two lovely Northumbrian Rants
after it.
So, it's apologies all round for the rubbish perpetrated in the name of
piping by yours truly during the years '85-'05
rther marvel at Billy's
genius!
Cheers
Anthony
--- On Sun, 19/12/10, Gibbons, John wrote:
From: Gibbons, John
Subject: [NSP] Re: WHW
To: "NSP group"
Date: Sunday, 19 December, 2010, 15:47
I'd heard NSP before - including Billy's TV
Anthony, go wash your mouth out with soap!!
Helen
This has been a rather strange discussion.
We recently saw an attempt to summarise what Doubleday was saying that
only got as far as his preamble, overlooked the clues in words like
"power" and "bril
eir cost to the likes of the Cloughs and others
who knew what to do with them. Pure speculation and merely the result
of my own "digestion" of the piece so proper research could well prove
me wrong.
It would, nevertheless, be a lovely and fitting end to the tale.
Today John Gibbons wrote:
Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
about the NSP or about Anthony?
The answer has to be it's about both. My question is where did the
sentence come from? Definitely not the email you are replying
Yesterday John Gibbons wrote:
Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
about the NSP or about Anthony?
He has now explained that this is his own paraphrase based on something
I wrote about one particular tune played by two top rank
From John Gibbons
"or the horrible slurred playing some people go in for"
I take it this is a very different thing to the slurs in Chris
Ormston's "Blackbird"?
Anthony
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ially, a huge chunk of time.
Warmest & best
Anthony
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"Banjo Breakdown". This is
excellent finger exercise and accessible enough to get beyond the dots
quickly. It went down well at Killington this year and again I can send
the dots if anyone wants them.
Cheers
Anthony
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Helen,
Good choice for a starter.
The beauty with that tune is it can be tried: a) as a very free air, b)
steady waltz, c) faster "Circle Waltz", to keep interest up.
Cheers
Anthony
--- On Wed, 22/12/10, Helen Capes wrote:
From: Helen Capes
Subject
One thing I would like to mention w.r.t. this tune is watch out for the
Scotchy snaps in bars 29, 30 & 31. The one in bar 28 is nice but the
rest over egg the pudding for me and could be near disastrous if you
were doing the tune in waltz style!
Cheers
Anthony
--
To ge
ears, try all the options and go with what works for you.
Others may not like it but at least you'll be pleasing the most
important person in this whole process, namely yourself. Which is I
would argue is the main purpose of traditional music.
Cheers
Anthony
--- On Thu,
their crystalline
punchiness to the mix just because they have to be droneless?
Cheers
Anthony
--- On Thu, 6/1/11, Gibbons, John wrote:
From: Gibbons, John
Subject: RE: [NSP] Re: Concertina Tuning
To: "Anthony Robb" , "nsp@cs.dartmouth.edu"
, &
music. This is true even in the most surprising quarters i.e. modern
recordings where retakes could be done fairly easily to correct this.
Yes drones are wonderful and powerful but this power can also be, and
all too often is, destructive.
Anthony
--- On Fri, 7/1/11, Gibbons, John wr
drones on during a piece is to start on a
droneless set and then bring in a set with drones. As I realise not
every one's cup of tea but it butters my parsnip
and, of course, there has to be at least two of you.
Anthony
--- On Fri, 7/1/11, Gibbons, John wrote:
From: Gibbons,
music can be. It also my
favourity version of Paddy Keenan playing the Bucks of Oranmore, which
is heart stopping.
Pure music - great for learning tunes from, or convincing doubters how
good the music can be.
Not my words but exactly my sentiments. Cheers Anthony
--
References
And I love the Glackin & Keenan record too, I haven't heard it for ages
but it used to really fire me up, it has The Juice.
(Matt)
And at 8.99 GBP surely the best value music CD online this year!!
Anthony
PS John G is a sharp as a broken pisspot (as we say up/down
of having a group of pipers playing/performing pipe
tunes without drones but I would limit drone use in the interests of a
pleasing drone hum (bees rather than angry wasps).
And yes, this generally pleases others in the room too. (Thanks JG for
making that point)
Cheers
Anthony
Matt
Absolutely!
Anthony
--- On Sat, 8/1/11, Matt Seattle wrote:
From: Matt Seattle
Subject: [NSP] Re: Doublin' (Keenan & Glackin)
To: "Anthony Robb"
Cc: "nsp@cs.dartmouth.edu"
Date: Saturday, 8 January, 2011, 11:10
On
have 3 "F" chanters myself to cater for various
circumstances. This is not an option for many punters, hence my
pragmatic (some would say draconian) approach.
Cheers
Anthony
--- On Sat, 8/1/11, gibbonssoi...@aol.com
wrote:
From: gibbonssoi...@aol.com
Subjec
inding our way around the chanter by the
singing/listening process mentioned recently by John G.
Drones weren't involved so it clearly served an important second
purpose.
Cheers
Anthony
--- On Sun, 9/1/11, Julia Say wrote:
From: Julia Say
Subject: [NSP] Re: Into
n the Plateau of Stability - I really
warm to that phrase.
Please regard these these ideas as complementary therapy to John's
excellent advice not a challenge to it.
As aye
Anthony
On 12 Jan 2011, at 01:11, John Liestman wrote:
> Francis, you must have the earlier
l and sonic delight so I'm very happy
to take his word on this.
Anthony
--- On Fri, 14/1/11, Mike Dixon wrote:
From: Mike Dixon
Subject: [NSP] Re: [nsp] re-conditioning ...
To: "'Northumbrian Small Pipes'"
Date: Friday, 14 January, 2011, 11:
not too viscious .. neither too viscous or too viscous
AARRHHGGG!
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very
kittle business.
Anthony
--- On Fri, 14/1/11, Julia Say wrote:
From: Julia Say
Subject: [NSP] Re: [nsp] re-conditioning ...
To: "'Northumbrian Small Pipes'"
Date: Friday, 14 January, 2011, 14:33
On 14 Jan 2011, Bo Albrechtsen wrote:
>
much free oleic acid in it,
which is important as far as pipes maintenance is concerned.
Also (at risk of starting off another debate) Ian Corrigan recommends
silicone grease in place of vaseline.
Thoughts?
As aye
Anthony
--- On Fri, 14/1/11, Julia Say wrote:
From: Juli
lac between pad and key in situ on the chanter and then
gentle pressing a hot soldering iron on the key until the molten
shellac reaches the edges of the key (easily observed) seems to work
well. It also heat forms the pad to seal nicely with any minor
irregularities in the chanter seat
What a lovely thought, Philip.
Thanks too for the warnings about possible pitfalls with the flake
shellac method. By and large it works really well but there be problems
if the soldering iron hasn't reached max temp.
Anthony
--- On Sat, 15/1/11, Philip Gruar wrote:
rleigh, Gruar, Hedworth,
Nelson and Ross) and nowt but my own lugs as final arbiter.
Good Luck
Anthony
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Christopher Birch wrote recently:
I don't know exactly how flat A = 398 is but it can't be very far off
F+, given that A = 392 would correspond to concert G.
I wonder if Anthony would agree therefore that since lots of the notes
are sharp, a good starting point would
these differing situations where the nature of
the tune being played asks for a different amount of attack.
Can I add that these adjustments/observations hold true well after my
pipes are well settled down, have had a good 30min play in and reached
that alive, buzzing and and "up for
Hello Matt
Yep, it's a 7 key chanter so no F nats.
Also, it's a song and all of the singers I have backed (OK, there have
only been 3 in 40 years!) prefer that key.
And finally, as an instrumental it makes a loamishly
lovely springboard to dive into P B's P.
Ch
e of
instruments in existence (perish the thought!).
Perhaps we just need to accept the situation as it is and make the best
of it. To be honest I find it all rather wonderful and challenging.
Cheers
Anthony
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