None of the above. But I am minty.
> On 25 Jan 2016, at 22:10, WILSON MICHAEL wrote:
>
> Coatings blemish-free? Helicoid smooth? No fungus? Get yourself on Ebay.
>
>> On 25 January 2016 at 21:53 Bob W-PDML wrote:
>>
>>
>> Goes all the way to
Been hitting the peppermint schnaps again?
On 1/25/2016 5:40 PM, Bob W-PDML wrote:
None of the above. But I am minty.
On 25 Jan 2016, at 22:10, WILSON MICHAEL wrote:
Coatings blemish-free? Helicoid smooth? No fungus? Get yourself on Ebay.
On 25 January 2016 at
Hey, I had one of those! fine lens.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Mon, Jan 25, 2016 at 4:22 PM, Darren Addy wrote:
> ...is at least as old as I am (but in a lot better shape):
> https://www.flickr.com/photos/pixelsmithy/24611705305/
>
>
On Tue, Jan 26, 2016, at 08:22 AM, Darren Addy wrote:
> ...is at least as old as I am (but in a lot better shape):
> https://www.flickr.com/photos/pixelsmithy/24611705305/
I have one of those, too - bought several years ago during my collecting
phase (it's a disease - fortunately I'm now over
On Mon, Jan 25, 2016 at 6:17 PM, Brian Walters wrote:
> I've also got an all black version which, I assume, was a slightly later
> issue. I've really got to start using some of these old Takumars.
I believe the all-black preset version of the 135mm f/3.5 started around
ind of tape to block the light leaks... More fiddly
than the TLR approach but it produces some nice results.
Have fun!
Mark
On 1/16/2016 11:10 PM, Darren Addy wrote:
Not that anybody has expressed any interest, but it is a slow weekend
so I'm going to post a little follow-up.
My recent 4x5 sh
On 2016-01-16 21:10 , Darren Addy wrote:
My recent 4x5 sheet film holder enablement has reignited my desire to
get into pinhole cameras. I've had such a hankering since at least
back to 2009 when I bookmarked a bunch of resources. Never having
enough books, I ordered Brian J. Krummel's
Cool Steve!
Misery loves company, so cool to hear you have an easy path to a
pinhole camera. You have the added benefit of being able to vary your
focal length with the view camera. Here's a handy calculator to help
make sense of the variables: http://www.mrpinhole.com/calcpinh.php
Also, if you
As I have commented before. Every time an acquaintance has some old
camera gear, since I'm a photographer, they seem to gift it to me. Today
I actually got something I might use.* Included with the the beat to
hell ZX-50, and desperately needing cleaning ME w/50mm f1.7 were a SMC
Pentax FA
Not that anybody has expressed any interest, but it is a slow weekend
so I'm going to post a little follow-up.
My recent 4x5 sheet film holder enablement has reignited my desire to
get into pinhole cameras. I've had such a hankering since at least
back to 2009 when I bookmarked a bunch
There's a stall on Greenwich market which sells them as picture frames.
B
> On 4 Jan 2016, at 01:30, Darren Addy wrote:
>
> I call upon the PDML Collective Hive for ideas (and, optionally,
> LINKS) to fun things to do with 4x5 film holders. I tripped across a
> box of
I call upon the PDML Collective Hive for ideas (and, optionally,
LINKS) to fun things to do with 4x5 film holders. I tripped across a
box of some, priced too cheaply, at a local antique store and bought
the lot intending to sell the majority.
However, I intend to keep 2 or 3 for myself. One
So when are you getting the Gold plated LX and Vivitar Zoom lenses to
complete the ensemble.
On 11/23/2015 3:12 AM, Larry Colen wrote:
I suppose that if I were to list all of the photographic equipment
that I need, a tiltall tripod, by all rational measure would be fairly
low down on the
I suppose that if I were to list all of the photographic equipment that
I need, a tiltall tripod, by all rational measure would be fairly low
down on the list. A third tiltall tripod is really kind of difficult for
me to justify. However, I was able to get it for only $20, plus it is
gold
That would certainly be the pimps' choice of tripod if they didn't have 3 hos
to support their gold LX
I have one of the original unbling Marchioni Tiltalls.
B
> On 23 Nov 2015, at 08:13, Larry Colen wrote:
>
> I suppose that if I were to list all of the photographic
I suppose we'll see you glistering in the sunset and moonlight as you make your
long exposures now. :-)
Pretty cool find for $20! I had a Tiltall for many years, bought somewhere
around 1980 and sold to buy a set of Bogen legs in the middle 1990s; I believe
the guy I sold it to is still using
That is one hell of a snazzy tripod!
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Mon, Nov 23, 2015 at 3:12 AM, Larry Colen wrote:
> I suppose that if I were to list all of the photographic equipment that I
> need, a tiltall tripod, by all rational measure
Excellent! I had forgotten about couplers like that. Perfect. Thanks
for the link.
By the way, my sister took the morning off work to attempt to see the
small flock of Whooping Cranes reported in Thayer County Nebraska. She
succeeded, but says they are a long ways away. She also reports that
the
Here's one way to do it...
https://app.box.com/s/ocih5z0bdaqnhxysng635r7kr7wjrudq
-p
On 11/17/2015 5:03 PM, Darren Addy wrote:
Interesting! Thanks for the pic.
I wouldn't think it would be too hard to cobble something functional
together that would duplicate the functionality. It's basically
http://goo.gl/Teq6NE
A while back I found a neat set of Pentax UCF Mini 8x21 binoculars
(Made in Japan) and they are really nice. Incredibly lightweight, yet
good image quality (though with small objectives, not made for low
light). I liked them so well that when I tripped across a (New in the
I bought a pair of the 16x24 back when they were expensive. In a
relate note, StarGate SG1 used a prop made out of the a PENTAX binocular
Shell, which was used a few episodes. They do look pretty cool as well
as being very good binoculars. The only issue is holding 16x24 steady.
On
Interesting! Thanks for the pic.
I wouldn't think it would be too hard to cobble something functional
together that would duplicate the functionality. It's basically just
1/4"-20 threads on one end and a t-nut same thread at the other, held
together with some kind of structure and/or epoxy like
I see they are $27 on Amazon.
That was good for a laugh.
On Tue, Nov 17, 2015 at 4:46 PM, P.J. Alling wrote:
> On 11/17/2015 4:52 PM, Darren Addy wrote:
>>
>> I can see how their style would have made them a good futuristic looking
>> prop.
>>
>> I believe that they
On 11/17/2015 4:52 PM, Darren Addy wrote:
I can see how their style would have made them a good futuristic looking prop.
I believe that they normally say that 10x is the most one should
attempt to handhold (without it becoming annoying trying to keep it
steady). I was pleased (and surprised) to
I have Pentax 8x24 UCF WR binox (made in Japan) that I'm very happy with.
Since I usually use them hiking or at concerts, I've never tried using
the tripod socket.
Rick
http://photo.net/photos/RickW
On Tue, Nov 17, 2015 at 6:04 PM, Darren Addy wrote:
> I see they are
I can see how their style would have made them a good futuristic looking prop.
I believe that they normally say that 10x is the most one should
attempt to handhold (without it becoming annoying trying to keep it
steady). I was pleased (and surprised) to see that these have a tripod
socket on the
I nominate Larry to go down the rabbit hole and report back if he finds
anything interesting.
On 11/6/2015 12:14 PM, Darren Addy wrote:
Of course there is a Flash Bulbs group on Flickr:
https://www.flickr.com/groups/flashbulbs
Interesting discussions and photo pool, if you want to go down
SHEESH, would you believe this PESO image was just picked for Flickr explore
i'm actually embarrassed for them.
On Sat, Nov 7, 2015 at 9:38 AM, John wrote:
> I nominate Larry to go down the rabbit hole and report back if he finds
> anything interesting.
>
> On
That's pretty much what I do, with my Kodak Medalist II.
There's also a guy on eBay, or maybe used to be a guy on eBay, I haven't
bought looked to buy from him in several years, who machines down 120
roll film and inserts a machined aluminum insert into the key slot that
matches the 620 key
Coolio
Cheers,
frank
On November 6, 2015 1:16:10 PM EST, Darren Addy wrote:
>I've got a soft spot for psuedo-TLR cameras. I think they are cool
>looking and there is something about looking down at the world through
>their distorted waist level viewfinders that feeds my
Blast from the past!
My grandmother gave me her old Ansco Rediflex when I was 11 or 12
years old (early 1960s). The cost of film and #5 flashbulbs was
prohibitive, and I scarcely used it.
Somehow that red shutter release brings it all back...
Rick
http://photo.net/photos/RickW
On Fri, Nov 6,
I actually own two Instamatic 500s. Both meters appear to work but
neither is in the least accurate. Sadly I never got to run any film
through either as Ferrania the last manufacturer of 126 cartridges
stopped supplying film about the time I acquired them. They are
beautiful cameras in the
Thanks (again) for the links, John. That video is FANTASTIC and the
images shown in it are beyond impressive.
On Fri, Nov 6, 2015 at 12:35 PM, John wrote:
> It might tell in the photographer's book: Northern Light: A Portrait of
> BC Rail.
>
>
On 11/6/2015 1:16 PM, Darren Addy wrote:
I've got a soft spot for psuedo-TLR cameras. I think they are cool
looking and there is something about looking down at the world through
their distorted waist level viewfinders that feeds my soul. One of my
favorites is the Ansco Rediflex.
Last night I
Site, site, site... Damned spell checker.
On 11/6/2015 2:14 PM, P.J. Alling wrote:
According to this sit it's circa 1950.
http://web4homes.com/cameras/ansco.htm
On 11/6/2015 1:16 PM, Darren Addy wrote:
I've got a soft spot for psuedo-TLR cameras. I think they are cool
looking and there is
Let me know if you need some film developed.
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Good point John. I'll have to check that once it arrives.
(I'm also hopeful that the exposed roll is still in the camera. I've
got another exposed roll of 620 B, found inside a purchased camera,
sitting on the shelf awaiting development.)
On Fri, Nov 6, 2015 at 1:03 PM, John
According to this sit it's circa 1950.
http://web4homes.com/cameras/ansco.htm
On 11/6/2015 1:16 PM, Darren Addy wrote:
I've got a soft spot for psuedo-TLR cameras. I think they are cool
looking and there is something about looking down at the world through
their distorted waist level
Thanks for the trip down memory lane, Darren. My first thought was
that belonged on a nice Instamatic.
Yonnie
On Thu, Nov 5, 2015 at 6:56 PM, Darren Addy wrote:
> https://www.flickr.com/photos/pixelsmithy/22788622966/
>
>
> --
> Life is too short to put up with bad bokeh.
Thanks for the link, Frank, but *ouch!* on the price. My mother had a
cow when I wanted that particular extra when I was a kid. If she were
still here, she'd have said much more than, "Ouch."
Yonnie
... nostalgic moment: waiting for postman to deliver finished prints
and a new roll for the 126
Glad everyone got "a kick" out of it. Of course, it is just a gag shot.
I've got at least one pack of "new in the box" flash cubes around
here. I also still have three sealed rolls of 126 film that I bought
from one of those last places to still sell them (probably had them
for close to 10 years
Darren,
If you like I'll do my regular thrifting for flash cubes.
They frequently sell for .50 or .90 per pack.
Does anyone use AG1/B, #11, press (25), or 25B bulbs on digital?
You'll just love the GN on those things!
If you happen to come across press bulbs grab them.
(#25 press bulbs do not
Thanks for the offer, Collin, but I don't really use them (although do
I have some in various sizes). It is interesting that "for it's
relatively small size, the humble flashbulb carries more light output
power than many other portable light sources". That quote is from
http://www.meggaflash.com/
Remind me why I'd want to pay $13.50 for 12 flashes.
-Original Message-
>From: knarf <knarftheria...@gmail.com>
>Subject: Re: PESO: Enablement? Just showing off my new flash unit
>
>http://www.amazon.com/General-Electric-Flash-Cubes-Cameras/dp/B002KA9XPQ
&
That's great capture! Its caption indicated multiple bulbs were used
for the trestle image. Now, I'm curious to know how many were used.
Yonnie
On Fri, Nov 6, 2015 at 10:38 AM, Darren Addy wrote:
> Thanks for the offer, Collin, but I don't really use them (although do
> I
Hell, where are you going to get film for the camera?
On 11/6/2015 11:39 AM, Ken Waller wrote:
Remind me why I'd want to pay $13.50 for 12 flashes.
-Original Message-
From: knarf <knarftheria...@gmail.com>
Subject: Re: PESO: Enablement? Just showing off my new flash unit
I've seen photos of the custom rigs used to take those types of photos
in the 1950s and 60s and it could be hundreds.
On 11/6/2015 11:47 AM, Yolanda Rowe wrote:
That's great capture! Its caption indicated multiple bulbs were used
for the trestle image. Now, I'm curious to know how many were
Sweet. (or not). Somewhere I've got a shoe mount unit that takes every
bulb with a standard bayonet base, through M to AG1, sort of a universal
unit. In fact I think it was sold as a universal flash unit. The
battery was honking expensive though, and probably no longer made. When
I saw
Of course there is a Flash Bulbs group on Flickr:
https://www.flickr.com/groups/flashbulbs
Interesting discussions and photo pool, if you want to go down that rabbit hole.
:)
On Fri, Nov 6, 2015 at 11:06 AM, P.J. Alling wrote:
> Sweet. (or not). Somewhere I've got a
Dwayne's Photo in Parsons, KS still does C41, traditional B and E-6
processing for 110, 126 and 127 film. They only do C41 processing for
Disc Film.
On 11/6/2015 10:56 AM, Darren Addy wrote:
Glad everyone got "a kick" out of it. Of course, it is just a gag shot.
I've got at least one pack of
It might tell in the photographer's book: Northern Light: A Portrait of
BC Rail.
http://shop.whiteriverproductions.com/collections/books/products/nlbc
The book might have contact information for the author/photographer.
OTOH, just guessing, he might have used the three bulb holder shown in
the
Super! Thank you for that info, John.
On Fri, Nov 6, 2015 at 11:51 AM, John wrote:
> Dwayne's Photo in Parsons, KS still does C41, traditional B and E-6
> processing for 110, 126 and 127 film. They only do C41 processing for
> Disc Film.
>
>
> On 11/6/2015 10:56 AM,
I've got a soft spot for psuedo-TLR cameras. I think they are cool
looking and there is something about looking down at the world through
their distorted waist level viewfinders that feeds my soul. One of my
favorites is the Ansco Rediflex.
Last night I picked up (on that infernal auction site)
On 11/6/2015 1:16 PM, Darren Addy wrote:
I've got a soft spot for psuedo-TLR cameras. I think they are cool
looking and there is something about looking down at the world through
their distorted waist level viewfinders that feeds my soul. One of my
favorites is the Ansco Rediflex.
Last night I
Cool... NO idea wrt to the history of the camera. I fiddled with some
620 cameras in the past and picked up some 620 spools on ebay for
re-spooling 120 film. It was pretty easy even using a changing bag
(would have been easier in a darkroom). Have fun!
On 11/6/2015 1:16 PM, Darren Addy
By the way, if you want to play with working 620 film cameras you can
do so with 120 film:
http://www.instructables.com/id/Using-120-Film-in-620-Era-cameras/
or 35mm film (you get the exposure all the way through the sprockets,
of course):
This conversation made me want to dig through some boxes to find my
other 126 camera, since I couldn't remember what it was. I just
remembered it was a "good one". FOUND IT and I was right. It is the
Kodak Instamatic 500 which (you wouldn't know from the name) was a
Made in Germany metal BRICK of
Thanks for the info/link P.J. You gave me the idea to search Google
Books to see if I could narrow it down through advertisements. Here is
what the Rediflex "Outfit" looked like in 1950:
https://goo.gl/82gLZw
Mine is clearly later. Found this description (but no picture) from a
1952 publication
I'm working on putting together a rather ambitious outdoor HD time
lapse photo project that (unfortunately) I can't discuss the details
of yet. (I've got a lot of hoops to jump through to make it a
reality). Frankly, my goal is to get the equipment in place and
functional in the fall of 2016.
The
On 2015-11-05 11:06 , Darren Addy wrote:
The camera must run at a remote location - unattended (hopefully for
month's) and it can't run out of power OR fill up a memory card. The
remote location has no power and is about 1/2 mile (line of sight)
from civilization and a Wi-Fi network connection.
Interesting. Thanks for the link Steve. I remember seeing the trailer
for "Chasing Ice" and wanting to see it, but then promptly I forgot
about it. Will need to hunt it down.
I'm especially interested in how they programmed things to only
photograph during daylight hours. That would be a Good
Wow. Can you even get flashcubes anymore?
http://photo.net/photos/RickW
On Thu, Nov 5, 2015 at 7:56 PM, Darren Addy wrote:
> https://www.flickr.com/photos/pixelsmithy/22788622966/
>
>
> --
> Life is too short to put up with bad bokeh.
>
> --
> PDML Pentax-Discuss Mail
http://www.amazon.com/General-Electric-Flash-Cubes-Cameras/dp/B002KA9XPQ
Cheers,
frank
On November 5, 2015 11:38:40 PM EST, Rick Womer wrote:
>Wow. Can you even get flashcubes anymore?
>http://photo.net/photos/RickW
>
>
>On Thu, Nov 5, 2015 at 7:56 PM, Darren Addy
https://www.flickr.com/photos/pixelsmithy/22788622966/
--
Life is too short to put up with bad bokeh.
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Stanley Halpin wrote:
> If you aren’t going to use it, maybe you should send it back? Where are
> your priorities?!?
Exactly where my wife left them!
Malcolm
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On 10/31/2015 12:06 AM, Larry Colen wrote:
David Mann wrote:
On Oct 30, 2015, at 9:24 PM, Malcolm Smith
wrote:
The next issue I have is more about acquiring skills than equipment
But equipment is such a good substitute for skill!
It has worked for me for
David Mann wrote:
> But equipment is such a good substitute for skill!
*Sigh!* If only
Anyway, many thanks for your replies. I can report a rather nice parcel has
arrived with a 16-85mm WR lens. As is the way of things, I'm now in and out
of the house doing family jobs until tomorrow night,
Bipin Gupta wrote:
> Congratulations Malcom, You now have an excellent lens in the 16-85 WR,
> that Ricoh-Pentax could have labelled "STAR".
>
> I am glad that I had pointed you out to this lens as your first choice.
> Suggest you check it out thoroughly as some manufacturing defects have
> been
Congratulations Malcom, You now have an excellent lens in the 16-85
WR, that Ricoh-Pentax could have labelled "STAR".
I am glad that I had pointed you out to this lens as your first
choice. Suggest you check it out thoroughly as some manufacturing
defects have been discovered. The latest one is a
> On Oct 31, 2015, at 4:17 AM, Malcolm Smith wrote:
>
> David Mann wrote:
>
>> But equipment is such a good substitute for skill!
>
> *Sigh!* If only
>
> Anyway, many thanks for your replies. I can report a rather nice parcel has
> arrived with a 16-85mm WR lens.
Boris Liberman wrote:
> Malcolm,
>
> Sorry to join late...
>
> If you *absolutely* have to have WR lens, then I think that 16-85 is
> preferable. The difference between 18 and 16 mm on wide end is
> significant. It will give you more interesting compositional
> opportunities. The difference
Igor wrote:
> Malcolm,
>
> I haven't used any of these lenses, but I was thinking about a similar
> question.
> Just in case you haven't seen this review, - it might give you some
> impression of this lens, and answer some technical questions, including
> some comparisons between different
Boris Liberman wrote:
Igor, personally I translate "limited" designation into "unusual and
therefore costly". And the "*" designation to "professional and hence
expensive".
While wikipedia is not a definitive source, it can still be valuable:
https://en.wikipedia.org/wiki/Pentax_(lens)
FA
I think Limited has more to do with build quality than optical
excellence. Don't get me wrong, I love the 43mm limited, and I love
it's optical characteristics, but honestly the FA 20-35mm is easily as
sharp at f4.0 it's maximum aperture, and has just as pleasing a
rendition under most
On Oct 30, 2015, at 9:24 PM, Malcolm Smith wrote:
> The next issue I have is more about acquiring skills than equipment
But equipment is such a good substitute for skill!
Cheers,
Dave
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David Mann wrote:
On Oct 30, 2015, at 9:24 PM, Malcolm Smith wrote:
The next issue I have is more about acquiring skills than equipment
But equipment is such a good substitute for skill!
It has worked for me for years.
Cheers,
Dave
--
Larry Colen
Bipin Gupta wrote:
> Hello Malcom, choice of lenses have always been the most difficult
> decision for most of us. So how do we finally decide.
> Ask simple rational question like:
> a) Genre of photography
> b) Predominantly wide or tele user.
> c) Bright or Low Light photography
> d)
Clearly you need to purchase both.
:)
On Thu, Oct 29, 2015 at 2:48 AM, Malcolm Smith wrote:
> Brian Walters wrote:
>
>> I have the 18-135 and it's become my most used lens. My 16-45 has got
>> very little use since I got the 18-135. Maybe my IQ standards are not
>> as
Darren Addy wrote:
> Clearly you need to purchase both.
> :)
Aaah!! You mustn't make comments like that! Horrifying thought :-)
Malcolm
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While it is not weather sealed, the Tamron 18-250 is a surprisingly sharp lens.
It's the lens equivalent of what motorcyclists call a UJM. It's not swimmingly
good at any one thing, but does almost everything well enough.
On October 29, 2015 10:01:37 AM PDT, Malcolm Smith
Malcolm,
I haven't used any of these lenses, but I was thinking about a similar
question.
Just in case you haven't seen this review, - it might give you some
impression of this lens, and answer some technical questions, including
some comparisons between different lenses in this range:
Alan,
I don't know if it was just a rhetorical question or not.
Until recently, I had thought that "Limited" designation was limited
[sic!] to primes lenses. And for the "*" designation zooms had to have
constant aperture and be parfocal (as opposed to varifocal).
(Of course, those criteria
Darren Addy wrote:
> Rereading your original post...
> I like to look at my lens line-up as a "team" that I am constantly
> working to upgrade, sometimes in incremental ways.
> What you are describing gives you the opportunity to upgrade yours:
> The 18-55mm you have is essentially just a kit
Brian Walters wrote:
> I have the 18-135 and it's become my most used lens. My 16-45 has got
> very little use since I got the 18-135. Maybe my IQ standards are not
> as stringent as those of other people but I have absolutely no problem
> with the lens.
>
> Having said that, reviews suggest
Hello Malcom, choice of lenses have always been the most difficult
decision for most of us. So how do we finally decide.
Ask simple rational question like:
a) Genre of photography
b) Predominantly wide or tele user.
c) Bright or Low Light photography
d) Percentage of use for a particular zoom or
pdml.net
Subject: Re: Fighting enablement - lens choice question
Alan,
I don't know if it was just a rhetorical question or not.
Until recently, I had thought that "Limited" designation was limited
[sic!] to primes lenses. And for the "*" designation zooms had to have
constant
Malcolm,
Sorry to join late...
If you *absolutely* have to have WR lens, then I think that 16-85 is
preferable. The difference between 18 and 16 mm on wide end is
significant. It will give you more interesting compositional
opportunities. The difference between 85 and 135 mm on the long end
Igor, personally I translate "limited" designation into "unusual and
therefore costly". And the "*" designation to "professional and hence
expensive".
Boris
On 10/29/2015 22:57, Igor PDML-StR wrote:
Alan,
I don't know if it was just a rhetorical question or not.
Until recently, I had
On Wed, Oct 28, 2015 at 8:23 PM, Brian Walters wrote:
> I have the 18-135 and it's become my most used lens.
the same is true for me. It is very versatile and convenient, and
produces good results.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
--
PDML
how it
missed "limited" or "*" status.
Alan C
-Original Message-
From: Darren Addy
Sent: Thursday, October 29, 2015 2:32 AM
To: Pentax-Discuss Mail List
Subject: Re: Fighting enablement - lens choice question
Rereading your original post...
I like to look at my
I have the opportunity to add either an 18-135mm WR lens, or a 16-85mm WR
lens to my collection at a discount.
In the past I would have jumped to add another lens, but as I already have
the 18-55mm WR & 55-300mm WR lenses, I am struggling to see what advantage I
would gain by acquiring either of
Malcolm Smith wrote:
I have the opportunity to add either an 18-135mm WR lens, or a 16-85mm WR
lens to my collection at a discount.
In the past I would have jumped to add another lens, but as I already have
the 18-55mm WR& 55-300mm WR lenses, I am struggling to see what advantage I
would
Larry Colen wrote:
> I'm quite interested in hearing about the relative merits and drawbacks
> of all of the weather sealed lenses, as my 16-50 is my only lens in
> that category.
I don't generally worry too much about taking equipment out in poor
conditions, WR or not, but on one occasion I got
P.J. Alling wrote:
> From what I understand the 18-85 WR is a superior lens of it's type in
> every way, except manual focusing, in that respect it takes after the
> FA 17-70, which gives all the tactile feedback of a, I was going to say
> dead fish, but that actually give tactile feedback, the
Darren Addy wrote:
> I'm not sure where the "discount" is coming from, or how much of a
> discount it is, but if it is sizeable enough that you could turn around
> and sell the lens and make a profit - it would be worth doing just for
> the "free money" aspect of it. In that case, I would look
I'm not sure where the "discount" is coming from, or how much of a
discount it is, but if it is sizeable enough that you could turn
around and sell the lens and make a profit - it would be worth doing
just for the "free money" aspect of it. In that case, I would look at
what NEW ones are selling
From what I understand the 18-85 WR is a superior lens of it's type in
every way, except manual focusing, in that respect it takes after the FA
17-70, which gives all the tactile feedback of a, I was going to say
dead fish, but that actually give tactile feedback, the 17-70 reportedly
gives
Malcolm Smith wrote:
Larry Colen wrote:
As my little part of the world is now getting regular rain again - and
torrential it was this morning, with the end of my garden still flooded - a
I envy you. We are now getting sporadic rain, which is a definite
improvement, with a bit of
On Thu, Oct 29, 2015, at 08:29 AM, Malcolm Smith wrote:
> I have the opportunity to add either an 18-135mm WR lens, or a 16-85mm WR
> lens to my collection at a discount.
>
> In the past I would have jumped to add another lens, but as I already
> have
> the 18-55mm WR & 55-300mm WR lenses, I am
Rereading your original post...
I like to look at my lens line-up as a "team" that I am constantly
working to upgrade, sometimes in incremental ways.
What you are describing gives you the opportunity to upgrade yours:
The 18-55mm you have is essentially just a kit lens with WR. The
16-85mm is a
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