Re: Where can I address the following issue?
Hi Stefan, Jason Dasent at Jason Dasent overdriverecord...@gmail.com Has conquered the clips issue. May be he can chime in and share how to execute the clips work flow??? Talk soon Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 2, 2014, at 8:57 AM, Stefan Albertshauser wrote: Hi all, I'd like to address the following issue: While the mouse pointer in Pro Tools 10 can be controlled to a clip in the clip list with VO + Command + F5, in Pro tools 11 the case is not. I think, that's, why the operations in the clip list don't work in Pro tools 11. Do you have any idea, where to address this issue at Avid or Apple? Thanks for help Stefan -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: accessible software instrument plugins
Hi chad, May be Jason can help you. He has all of the structure presets already saved. Try him at Jason Dasent overdriverecord...@gmail.com Talk soon Chuck On Jan 31, 2014, at 2:56 PM, chad baker wrote: hi does anyone know of any other accessible software instrument plugins i have structure but i know its not accessible for us yet i called sweet water support they said there was no way to save the presets as protools presets it would take too long they said there's way too many patches thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: accessible software instrument plugins
Hi Poppa, Not at this point. Perhaps somebody else on the list can chime in? You do know that you can get anybody with sight to click on the load menu and save them in to the pro tools side of things? Once that load menu is open its all accessible! :) Where did you get the Massi from? Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 31, 2014, at 4:16 PM, Poppa Bear wrote: Hey Chuck, do you know anybody who has the SSL/ API/ S 1 Imiger, CLA's Massi, or JJP waves presets? I also have the C6 series of plugs that I am wondering about. Thanks for your help in the past with presets, they have been a great help. Thanks - Original Message - From: CHUCK REICHEL soundpicturerecord...@gmail.com To: ptaccess@googlegroups.com Sent: Friday, January 31, 2014 11:21 AM Subject: Re: accessible software instrument plugins Hi chad, May be Jason can help you. He has all of the structure presets already saved. Try him at Jason Dasent overdriverecord...@gmail.com Talk soon Chuck On Jan 31, 2014, at 2:56 PM, chad baker wrote: hi does anyone know of any other accessible software instrument plugins i have structure but i know its not accessible for us yet i called sweet water support they said there was no way to save the presets as protools presets it would take too long they said there's way too many patches thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: elastic audio
Hi chad, Heres a excerpt from my post last year. Elastic audio is usable! :) Long explanation Read the PT manual! ;) Short story! Import a drum loop in to PT. Click on the Elastic Audio Plug-in selector button in the edit window. Select ✓ Rhythmic from the list, because it's a Drum loop. Next click on the Timebase selector and choose (ticks) allowing the audio to dynamically change along with the tempo as if it were midi. OK thats it! :) Now the fun!!! Go to Regions menu and select Conform to Tempo and bang the drum loop is now playing back in time with your pt session tempo! If you want to transpose say a melodic elastic audio loop just go to transpose window and bang it up or down to taste! Also quantization of the elastic audio is available if you want. Just a note I accomplished this using a PT HD3 system running pt 9.3.. Chuck's USA proverb! Never Listen to People that say it can't be done LOL That's it for now have fun. GUFFAWING :) :) :) YMMV! CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Jan 19, 2014, at 3:48 AM, chad baker wrote: hi i like to remix and trying to beat match a loop its a 2 bar loop i took from a song trying to match the tempo when ever i change tempo the loop don’t change tempo it stays at the same bpm i do dance stuff i want it at 130 bpm and the loop is 111 i changed samples to tics no luck i went to the counters and selected the portion -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Third party plugins in PT 11.1, SSD4 in particular
Hi Stefan, Are you saying your copy of Ultiverb is not accessible on your pro tools rig? If so what version pt are you using? Or is Ultiverb just on your wish list? Ultiverb is the next plug I'm looking to acquire! :) Just need some clarification? TIA On Jan 12, 2014, at 3:31 PM, Stefan Albertshauser wrote: Hi, „Ultiverb“ is also a candidate. Best Stefan -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: trouble activating my pt11 upgrade
Hi chad, Sweet water has free tech support so take advantage of it! :) I've done remote with them several times with my pt 9.03 rig. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 3, 2014, at 5:31 AM, chad baker wrote: i wonder to i just purchased it from sweet water how will it work you sign in and your licenses show up its new to me i was use to the web version thanks On Jan 3, 2014, at 5:32 AM, Poppa Bear heavens4r...@gmail.com wrote: I wonder if you could have it done remotely on your computer if you could get sighted help from somebody else using a mack. - Original Message - From: chad baker To: ptaccess@googlegroups.com Sent: Friday, January 03, 2014 1:27 AM Subject: Re: trouble activating my pt11 upgrade thanks i hope i get sighted help its chard to find i don’t know why they switched the web version was fine On Jan 3, 2014, at 5:28 AM, Poppa Bear heavens4r...@gmail.com wrote: People have been talking about it on the list, and you will need some sighted help. Sorry, hope it works out some how. - Original Message - From: chadbaker2 To: ptaccess@googlegroups.com Sent: Friday, January 03, 2014 1:16 AM Subject: trouble activating my pt11 upgrade hi i just upgraded my protools 10 to 11 and can't access the ilok manager its not accessible and i'm in a tough spot i have no sighted help at all not sure why they switched to to a app now -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: FYI Pro Tools 11.1 is now available.
Hi Chris,, Its definitely on the stove! :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 28, 2013, at 10:23 AM, Chris Norman wrote: How are we on iLok accessibility? Sent from my iPhone On 28 Dec 2013, at 12:59, Matt Diemert mcdiem...@gmail.com wrote: Any chance someone could share the setup file? I have the 11.2, but when I check for update it's not finding any other updates! I have the I locked 11 bundle license and installed on my I lock! Just need to set up for the 11.one. Sent from my iPhone On Dec 28, 2013, at 3:16 AM, J. R. Westmoreland j...@jrw.org wrote: Very neat. I have to look into this. That is, if I can keep my iPad behaving correctly. I tried using an app whose name I don't remember right now with an older version of PT and it worked a bit but not as well as I'd hoped. Thanks Gordon, this is great news. We love that braille, yes? Best, J. R. On Dec 27, 2013, at 3:05 PM, Gordon Kent dbmu...@cybernex.net wrote: This is good news. I was actually playing around a bit last night with the pro remote app for the iphone and pt10. It does give you a lot of stuff and you can do things like mix automation and select regions and run the transport. I haven’t figured out how to get at inserts and sends in the mix view yet. I should try it on the iPad instead because it would fit a lot more at once. You can run four instances of it to handle 32 tracks at once. If I could get it to take the whole screen on the iPad i imagine I could get at a lot of stuff. You do get values for everything, and PT responds quickly to your commands. It’s a bit quirky getting it to connect to your wifi network sometimes but once it is on it works wherever you go. I want to try it with braille so that I can do vocals and stuff with no speech going. Gord On Dec 27, 2013, at 3:59 PM, Slau Halatyn slauhala...@gmail.com wrote: As many of you will recall, I practically threw in the towel a couple of months ago. As it turned out, there were programmers turning wheels without my knowledge. When I was made aware of this, frankly, it was a bit of a surprise. Actually, there are things in the works now that will bring even more improvements in the next release. I'm not supposed to say yet but, if all goes according to plan, I believe the next two releases will bring us to as close as full access as we can get. Very exciting times. slau On Dec 27, 2013, at 3:02 PM, Poppa Bear heavens4r...@gmail.com wrote: This is great, thanks to all who have been behind the seens to continue to carry this torch mile after mile, and big thanks to Slau who has put in only God knows how much energy to keep this on the board as a extremely viable option for blind producers and musicians. - Original Message - From: Slau Halatyn To: ptaccess@googlegroups.com Sent: Friday, December 27, 2013 8:41 AM Subject: Re: FYI Pro Tools 11.1 is now available. The fixes mentioned sound pretty obscure when they're worded in that fashion but, for what it's worth, there are a ton of fixes not the least of which is access to plug-ins unlike that which we had in the past. I'd love to list all of the improvements but there are so many that it would be difficult. Best, Slau On Dec 27, 2013, at 9:55 AM, matt diemert mcdiem...@gmail.com wrote: Also, for those interested 10.3.8 was released Monday as well. Grabbing it now to determine if there are any useful upgrades. I ordered my pt 11 Upgrade just now, but have to wait until eye balls are around for iLock purposes! On 12/27/13, Chris Norman chris.norm...@googlemail.com wrote: That's pretty amazing. I'll be tapping that when I've got another mac! :-) Have fun all, and hope you all had a merry christmas etc. On 27/12/2013 14:42, matt diemert wrote: Here is a list of accessibility fixes that I found on a forum. Certainly not saying this is exhaustive, but It's all I've been able to track down thus far! ◾PTSW-184656: AudioSuite window now includes Plug-In name. ◾PTSW-180095: Added Applescript support for the “Save Session Copy” command. ◾PTSW-180085: Improved support for Nudge values with the VoiceOver accessibility option in OSX. ◾PTSW-180084: Improved support for memory locations with the VoiceOver accessibility option in OSX. ◾PTSW-180083: Improved support for the Click II plug-in with the VoiceOver accessibility option in OSX. ◾PTSW-180082: Improved support for Memory Locations with the VoiceOver accessibility option in OSX. ◾PTSW-180080: Improved support for window configurations with the VoiceOver accessibility option in OSX. ◾PTSW-189731: Improved support for track selector, preset selection, and automation controls from within plug-in windows with the VoiceOver
Pro Tools 11.1!!! Another, Happy Dance! report
Ahoy List! Happy Dance! report, :) Heres several more things that are accessible in Pro Tools 11.1!!! The Create Group window is now accessible again! :) And heres 9 other essential dance steps! Event Operations; 1 Quantize, 2 Change Velocity 3 Change Duration 4 Transpose 5 Select/Split Notes 6 Input Quantize . 7 Step Input 8 Restore Performance 9 Flatten Performance There are tons more but! NOW! I'm Ready to Rock! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: FYI Pro Tools 11.1 is now available.
Ahoy Scott, I'm doing the happy dance over the Import Session Data dialogue now being accessible! :) Chuck On Dec 27, 2013, at 1:15 PM, Scott Chesworth wrote: Doing a happy dance and counting together all my pennies here. Thanks for confirming so quickly dude, I'll be picking up an 11 license this week. Scott On 12/27/13, Slau Halatyn slauhala...@gmail.com wrote: The fixes mentioned sound pretty obscure when they're worded in that fashion but, for what it's worth, there are a ton of fixes not the least of which is access to plug-ins unlike that which we had in the past. I'd love to list all of the improvements but there are so many that it would be difficult. Best, Slau On Dec 27, 2013, at 9:55 AM, matt diemert mcdiem...@gmail.com wrote: Also, for those interested 10.3.8 was released Monday as well. Grabbing it now to determine if there are any useful upgrades. I ordered my pt 11 Upgrade just now, but have to wait until eye balls are around for iLock purposes! On 12/27/13, Chris Norman chris.norm...@googlemail.com wrote: That's pretty amazing. I'll be tapping that when I've got another mac! :-) Have fun all, and hope you all had a merry christmas etc. On 27/12/2013 14:42, matt diemert wrote: Here is a list of accessibility fixes that I found on a forum. Certainly not saying this is exhaustive, but It's all I've been able to track down thus far! ◾PTSW-184656: AudioSuite window now includes Plug-In name. ◾PTSW-180095: Added Applescript support for the “Save Session Copy” command. ◾PTSW-180085: Improved support for Nudge values with the VoiceOver accessibility option in OSX. ◾PTSW-180084: Improved support for memory locations with the VoiceOver accessibility option in OSX. ◾PTSW-180083: Improved support for the Click II plug-in with the VoiceOver accessibility option in OSX. ◾PTSW-180082: Improved support for Memory Locations with the VoiceOver accessibility option in OSX. ◾PTSW-180080: Improved support for window configurations with the VoiceOver accessibility option in OSX. ◾PTSW-189731: Improved support for track selector, preset selection, and automation controls from within plug-in windows with the VoiceOver accessibility option in OSX. ◾PTSW-180081: Improved support for Delete Unused Playlist dialogs with the VoiceOver accessibility option in OSX. ◾PTSW-180078: Improved support for Beat Detective with the VoiceOver accessibility option in OSX On 12/27/13, Dread Beat Dadz dreadbeatd...@gmail.com wrote: This is the update with the accessibility improvements. I have not gotten a chance to play around with it extensively, but at first glance it does seem to be more accessible than 11.0.3. The update was release on 12/23/2013. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Seasons Greetings; Merry Christmas
Merry Christmas From Sound Picture Recording! :) Sent from my Mac Pro CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Dec 24, 2013, at 11:07 AM, Sean A. Cummins wrote: Merry Christmas and a Happy New Year to all! Sean A. Cummins -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Editing with a virtual instrument track
Hi John, You can use your f keys 1 2 3 or 4 to select edit modes. Also when holding down shift and then hitting your f keys you can select both grid and slip or shuffle. This is a fast way to combine edit modes! :) This is what probably happened to you the other day. If grid gets stuck in a selected state, use your mouse and command click on it and select the other grid mode this should clear the selection. If that don't work try selecting the Zoomer toolthen repeat the other steps. This was rather quirky but its all doable! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 22, 2013, at 7:58 PM, John Gunn wrote: I think the difference here is Nate is using audio and I'm using MIDI. And to Chuck, my friend who he and I are working on a project mentioned using shift you can deselect so any commands you find Chuck go for it. smile. On Dec 22, 2013, at 4:42 PM, Poppa Bear heavens4r...@gmail.com wrote: This is Nate/Poppa, John and I worked on the phone yesterday and what is happening is that even though shuffle is selected, either absolute grit or relative grid mode will also stay selected at the same time. In my PT 8 when I select shuffle, grid mode or any other mode will become unselected. - Original Message - From: John Gunn g...@tznet.com To: ptaccess@googlegroups.com Sent: Sunday, December 22, 2013 1:23 PM Subject: Re: Editing with a virtual instrument track Sklau, I might have not explained very well. Even though I hit F1 for shuffle F4 meaining grid mode is also selected even after hitting F1 for shuffle mode. I only notice this behavior when using virtual instruments. Audio sessions work as expected. John On Dec 22, 2013, at 9:52 AM, Slau Halatyn slauhala...@gmail.com wrote: Hi John, The edit modes are independent of track type. Use the f1 through f4 keys to switch between modes. F1 is Shuffle, F2 is Slip, f3 is Spot and f4 is grid. If I got the last two reversed, it's only a testament to how infrequently I've used spot and Grid modes. Let me know it that helps at all. Slau On Dec 22, 2013, at 9:06 AM, John Gunn g...@tznet.com wrote: Hello All, Having 1 stereo instrument track if I try to cut and having slip selected it is like selected spot ETC. I also noticed in the edit cluster grid is also selected. If I VO-shit-m it toggles between absolute or relative grid. However if I have an audio session I don't have the above behavior. I suspect because virtual instruments are MIDI but if any one has a suggestion I'd appreciate it. John -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Editing with a virtual instrument track
Hi guys, This is not a bug! I don't have the exact key command but grid is often used in conjunction with slip or shuffle to save time in editing. When using tic based tracks like MIDI and instrument tracks, it keeps things on the grid so to speak! LOL I'll look for the Key command when I get some time. If memory serves me right shift is used when using both of the modes together. :) HTH YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 22, 2013, at 5:42 PM, Poppa Bear wrote: This is Nate/Poppa, John and I worked on the phone yesterday and what is happening is that even though shuffle is selected, either absolute grit or relative grid mode will also stay selected at the same time. In my PT 8 when I select shuffle, grid mode or any other mode will become unselected. - Original Message - From: John Gunn g...@tznet.com To: ptaccess@googlegroups.com Sent: Sunday, December 22, 2013 1:23 PM Subject: Re: Editing with a virtual instrument track Sklau, I might have not explained very well. Even though I hit F1 for shuffle F4 meaining grid mode is also selected even after hitting F1 for shuffle mode. I only notice this behavior when using virtual instruments. Audio sessions work as expected. John On Dec 22, 2013, at 9:52 AM, Slau Halatyn slauhala...@gmail.com wrote: Hi John, The edit modes are independent of track type. Use the f1 through f4 keys to switch between modes. F1 is Shuffle, F2 is Slip, f3 is Spot and f4 is grid. If I got the last two reversed, it's only a testament to how infrequently I've used spot and Grid modes. Let me know it that helps at all. Slau On Dec 22, 2013, at 9:06 AM, John Gunn g...@tznet.com wrote: Hello All, Having 1 stereo instrument track if I try to cut and having slip selected it is like selected spot ETC. I also noticed in the edit cluster grid is also selected. If I VO-shit-m it toggles between absolute or relative grid. However if I have an audio session I don't have the above behavior. I suspect because virtual instruments are MIDI but if any one has a suggestion I'd appreciate it. John -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Accessibility of Waves CLA Sig series plugins
Hi Scott, Same accessibility for now! :( But that Waves Accessibility campaign is starting to ramp up! I grabbed the NLS for around $135.00 with coupon code the other day and WOW! I saw the special your talking about and have been debating it, for that price you absolutely can't go wrong! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Nov 29, 2013, at 11:19 PM, Scott Chesworth wrote: Hey folks, Thanks to Black Friday, Waves are running a special on the CLA plugs that's tempting me. Wondered whether anybody here has used CLA Bass and CLA Drums in particular? What were your findings accessibility-wise? Sometimes, I find myself without a control surface to hand, is that a dealbreaker with every Waves plug? Are there any hurdles to overcome re activation, or anything else I should know about before putting money down on them? Cheers for any advice Scott -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Accessibility of Waves CLA Sig series plugins
Hi Poppa, Have you mapped the waves plugs out. IE go through each one and make your own quick reference doc? So far the trim parameter in the linmb is just about the only elusive one ! here! I'd be glad to go through the waves stuff with you if you want. :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Nov 30, 2013, at 5:18 PM, Poppa Bear wrote: I have found in my experience that I can get about 40% of the values changing on my Digi 002, but though I have about 6 of the CLA plugs, I hardely use them because it is just not as friendly as say, waves center or the L-1-2-3 stuff when it comes to accessibility and speed. I would like to know if I am just taking the wrong approach with them as well as the API and some of the SSL stuff because I would like to get more out of them. HTH - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Saturday, November 30, 2013 8:52 AM Subject: Re: Accessibility of Waves CLA Sig series plugins Hi Scott, Same accessibility for now! :( But that Waves Accessibility campaign is starting to ramp up! I grabbed the NLS for around $135.00 with coupon code the other day and WOW! I saw the special your talking about and have been debating it, for that price you absolutely can't go wrong! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Nov 29, 2013, at 11:19 PM, Scott Chesworth wrote: Hey folks, Thanks to Black Friday, Waves are running a special on the CLA plugs that's tempting me. Wondered whether anybody here has used CLA Bass and CLA Drums in particular? What were your findings accessibility-wise? Sometimes, I find myself without a control surface to hand, is that a dealbreaker with every Waves plug? Are there any hurdles to overcome re activation, or anything else I should know about before putting money down on them? Cheers for any advice Scott -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Lost a track in a paid session yesterday
Hi Poppa, Look in your Session File Backups folder in your session folder for that session you spoke about. theres probably 20 or 30 saves that were automatically generated just sitting there. Heres my method for tracking;; only have the tracks your recording showing! This keeps you out of hot water! :) I also save as and rename every big step of the project like my first session would be m1 then vocal tracking would be m2 then m3 then m4 and so on. At any point in the project I could go back to m1 or m2 or m3 of the pt sessions that I chose Save as and and grab what got misplaced by importing session data Always remember the eleventh commandment! Thow shalt save! as YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Oct 1, 2013, at 1:08 PM, Poppa Bear wrote: Hey folks, I had a pretty good 3 hour session yesterday, but at some point I went to clear a track, but accidentally had two tracks selected so I lost a good vocal take and didn't notice it in time to just do a typical undo function. How would I start thinking about how to retrieve tracks back in situations like this? In Sonar there is a history of changes to go into in order to undo stuff like this even if you have made other changes. I have not got into the play list stuff much, but I am wondering if it is the direction I need to start heading in. In my sessions it is normally good take or bad take and we just keep it, or redue it, most clients I have had haven't cared about tying peaces of good takes together to get the best of all the takes, but I would still like to get a better handle on this so I can block up that chink in my armor. Thanks all over for any thoughts -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: selecting audio for edeting isn't working
Hi Poppa, Your question is not clear! I'm not in front of my rig but try this… Check to see if you have that region locked? If its locked you can't edit it! In my pt 9 its under the regions menu. its called clips in newer pt rigs i believe. :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 28, 2013, at 10:19 AM, Poppa Bear wrote: Ok, I am unable to select a track for editing, copying or anything like that by using my up and down arrow to drop selection points and num 1 and 2 key to select the bars of audio that I want to work on. I can use the arrow keys on the fly to select for editing, cutting, copying and all of that, but when I try to do it when the track is stopped it doesn’t select anything. The same thing when I try to select via marker. Do I need to have something checked or unchecked to make this happen. Just selecting stuff on the fly is good, but not precise as doing it from a stand still especially when you are trying to shoot for accuracy in this case. I have the selecter tool checked, the bars and beats selected, and I make sure the track or tracks are selected in the track list. I can go into the edit window and do it by beats and bars in that window in there, I forget what it is called right now, but simply using the up and down arrows with the num pad would be much quicker for me. I feel extremely silly asking some of these questions especially when it is for functions I use all the time in other applacations. Thanks for those who do help alot on here and for having pacients with us when the rounds of beginner questions still pop up. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Better handle on pasting to end of selection
Hi, Also you can Hit the key board command, Option r and it brings up the repeat dialogue. I do this in grid mode, and if your loop is good just punch in the number of repeats as Mike said and Bang! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 26, 2013, at 1:09 PM, Mike Lockett wrote: Hey Poppa one way to do this, if you know how long your song is as in this case 80. Go Edit repeat and choose 19. and inter... On 9/26/13, Poppa Bear heavens4r...@gmail.com wrote: Hello folks, at this point when I want to paste a four bar section I paste 4 bar peace by four bar peace, but I remember Kevin trying to explain pasting to end of selection, can somebody give me a step by step about this, for example, if I only have a four bar drum loop in the session and want to have it play for 80 bars, how would I ocomplish this? In Sonar whenever you paist you are given the option to select the amount of copies you are pasting on the track and it is very intuative. Also, has anybody found out how to set the quantisation on a session without sighted assistance? I have a templet with a quantisation setting for creating program music, but I don't want to be stuck to a templet when ever I want to make a beat, or if I am on somebody elses rig, I want to be able to work as indipendently as possible. Thanks ahead -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: losing focus in the channel/track view
Hi Poppa, Short way is to close the mix or edit window then re open it. This usually works most times. Sometimes turning off voice Over and back on does it. In extreme cases I close and then re open the session. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 26, 2013, at 3:34 PM, Poppa Bear wrote: This was answered here before, but I have lost the email, when you for whatever reason lose focus in a channel strip and it only shows Incert, Sends and one other thing, how do you get the whole strip back in focus, the mute, solo, record, pan and all that good stuff? I remember it was a quick fix. Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Changed a setting I think
Hi Poppa, Sounds like your hitting the key combo of command t if you have a selection made this command trims every thing before and after the selection. Its found under the edit menu. Let us know? YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 25, 2013, at 4:21 AM, Poppa Bear wrote: Something is going on in some of my sessions that is chopping off a large part of the song until the end of the song and when I go to undo the problem it comes up as Trim to end of selection I believe that is the wording. Any clues what's going on, I am still working on my VO and PT skills so I may press some outlandish key combonations at times. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Getting nicely named files out of PT in one shot
Hey Scott, I'll send you a audio clip with the steps to do this off list. :) Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 21, 2013, at 3:52 AM, Scott Chesworth wrote: Hey all, If anyone can nudge me in the right direction quickly, I'd really appreciate it. Exporting stuff and handing over to a mix guy today, and I've just realised that I A) don't know how to consolidate regions so that there's one stereo file as opposed to split mono. There are quite a few stereo loops in these tunes, so I'm really hoping there's a better way than bouncing each loop out in realtime! I explored the Export selected tracks as files option under the file menu and export, but all I could get that to spit out was either an OMF or AAF file and a bunch of badly named chunks of wav data. Is there an option whereby Pro Tools will go through, export stuff and mirror my track names? Cheers Scott -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: accessible EQ plugins
Hi Poppa Monkey, The only Stock Pt plug I use is the Expander/Gate Dyn 3 Plug-In. Once you have used Waves and other hi quality plugs Like the Abbey Road EMI TG 12413 Limiter you don't go back! YMMV :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 20, 2013, at 12:38 PM, Poppa Bear wrote: I look for some of the tonal changes in diff compressors and EQ's. Some times Annalog warmth, sergical clerity and other aspects can change from name to name. At least, that is what I have found to be the case. Also, the calabration of the DSP/CPU variations in different plugins handle signal sources different when gane staging comes into the picture from different input sources. Also, some compressor plugs are going to be a little more tube bassed while some other stuff may be more SSL bassed, that is a broad brush stroke explanation, but something I like to have a choice between. - Original Message - From: Monkey Pusher monkeypushe...@gmail.com To: ptaccess@googlegroups.com Sent: Friday, September 20, 2013 8:20 AM Subject: Re: accessible EQ plugins Honestly, I just use the stock pro tools eq and compressors. Why not use those? Also the izotope stuff is pretty accessible as well . On 9/20/13, Poppa Bear heavens4r...@gmail.com wrote: Does anyone know if the ur series colections are accesible in PT? If not, what are people using outside of the native Plugs in the area of EQ, compression as well. I have the waves stuff, but it is tedious trying to get into the settings with the control surface alot of the times. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: accessible EQ plugins
Hi Poppa, Give me a call and we'll take a look at the waves stuff. I'm on the East Coast of the USA :) :) :) Heres my contact info. CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 20, 2013, at 2:34 PM, Poppa Bear wrote: Thanks Chuck, I need to get this settings VIA control serfase down a little better, it feels like hit and mis alot of the times. With the CLA and massaradi stuff have you found a way to change settings since they do not show up under EQ, Dynamics or reverb? They are the bundles that have a strip style plug that consists of eq, compressor, delay and stario field. - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Friday, September 20, 2013 10:22 AM Subject: Re: accessible EQ plugins Hi Poppa, The Abbey Road is not waves. yes you can use the plugin settings window, but i use my control/24 to change threshold and other parameters because its much faster. YMMV Chuck On Sep 20, 2013, at 2:04 PM, Poppa Bear wrote: Chuck, is the Abbey Road a waves plug? If not, are the settings in it able to be changed via the plugin settings window with the keyboard? - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Friday, September 20, 2013 9:03 AM Subject: Re: accessible EQ plugins Hi Poppa Monkey, The only Stock Pt plug I use is the Expander/Gate Dyn 3 Plug-In. Once you have used Waves and other hi quality plugs Like the Abbey Road EMI TG 12413 Limiter you don't go back! YMMV :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 20, 2013, at 12:38 PM, Poppa Bear wrote: I look for some of the tonal changes in diff compressors and EQ's. Some times Annalog warmth, sergical clerity and other aspects can change from name to name. At least, that is what I have found to be the case. Also, the calabration of the DSP/CPU variations in different plugins handle signal sources different when gane staging comes into the picture from different input sources. Also, some compressor plugs are going to be a little more tube bassed while some other stuff may be more SSL bassed, that is a broad brush stroke explanation, but something I like to have a choice between. - Original Message - From: Monkey Pusher monkeypushe...@gmail.com To: ptaccess@googlegroups.com Sent: Friday, September 20, 2013 8:20 AM Subject: Re: accessible EQ plugins Honestly, I just use the stock pro tools eq and compressors. Why not use those? Also the izotope stuff is pretty accessible as well . On 9/20/13, Poppa Bear heavens4r...@gmail.com wrote: Does anyone know if the ur series colections are accesible in PT? If not, what are people using outside of the native Plugs in the area of EQ, compression as well. I have the waves stuff, but it is tedious trying to get into the settings with the control surface alot of the times. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https
Re: accessible EQ plugins
Hi Poppa, The Abbey Road is not waves. yes you can use the plugin settings window, but i use my control/24 to change threshold and other parameters because its much faster. YMMV Chuck On Sep 20, 2013, at 2:04 PM, Poppa Bear wrote: Chuck, is the Abbey Road a waves plug? If not, are the settings in it able to be changed via the plugin settings window with the keyboard? - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Friday, September 20, 2013 9:03 AM Subject: Re: accessible EQ plugins Hi Poppa Monkey, The only Stock Pt plug I use is the Expander/Gate Dyn 3 Plug-In. Once you have used Waves and other hi quality plugs Like the Abbey Road EMI TG 12413 Limiter you don't go back! YMMV :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 20, 2013, at 12:38 PM, Poppa Bear wrote: I look for some of the tonal changes in diff compressors and EQ's. Some times Annalog warmth, sergical clerity and other aspects can change from name to name. At least, that is what I have found to be the case. Also, the calabration of the DSP/CPU variations in different plugins handle signal sources different when gane staging comes into the picture from different input sources. Also, some compressor plugs are going to be a little more tube bassed while some other stuff may be more SSL bassed, that is a broad brush stroke explanation, but something I like to have a choice between. - Original Message - From: Monkey Pusher monkeypushe...@gmail.com To: ptaccess@googlegroups.com Sent: Friday, September 20, 2013 8:20 AM Subject: Re: accessible EQ plugins Honestly, I just use the stock pro tools eq and compressors. Why not use those? Also the izotope stuff is pretty accessible as well . On 9/20/13, Poppa Bear heavens4r...@gmail.com wrote: Does anyone know if the ur series colections are accesible in PT? If not, what are people using outside of the native Plugs in the area of EQ, compression as well. I have the waves stuff, but it is tedious trying to get into the settings with the control surface alot of the times. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Time Compression/Expansion
Hi List, Just wondering if anybody has used Time Compression/Expansion with any success yet? If so How does voiceOver work with it? I heard a demo of it being used and I am taking a deeper Look at using it. :) Short snip from the Audio Plug-Ins Guide.pdf. Audio Plug-Ins Guide.pdf (page 95. Chapter 18: Time Compression/Expansion Time Compression/Expansion is a time-process- ing plug-in that comes in AudioSuite format only. The Time Compression/Expansion plug-in adjusts the duration of selected regions, increasing or decreasing their length without changing pitch. TIA CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Setting selection points and deselecting tracks
Hi Cara, For track selection and deselection at least in pt 9.3 on an HD 3 system, with Snow Leopard while in the mix window, the tracks table must be resized to the right about 30% for the tracks to behave normally. Thats why I operate from a template most of the time. After getting sighted assistance the first time, to resize the tracks table for the template track selection is consistent from session to session Un till you get over 45 to 50 tracks then it gets a bit weird! If you look in the archives you will see the tracks table resizing thing come up periodically. As for the showing tracks that are selected this becomes a habit just like practicing scales! ;) Talk soon YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jul 8, 2013, at 2:53 AM, Cara Quinn wrote: Hi chuck, Yes, I have gotten into the habit right away of only showing tracks that are selected. Actually I'm finding that I need to choose this option repeatedly after I select new tracks as PT isn't updating the tracks which are shown automatically. Also, yes, I will definitely document my experience with Beat Detective. I'm trying different approaches now to see which ones work consistently. As for the command click to deselect tracks, as you may have seen in my response to Slau, unfortunately, this did not work for me. I'm using PT 10 on Lion. Does this make a diff?… Thanks for your note! :) Smiles, Cara :) On Jul 7, 2013, at 1:44 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Cara, As for deselecting your tracks. While in your tracks table command click on the track with the mouse. This should toggle between being selected and not selected. :) I always follow the golden rule for tracks. Only show the track that you want to edit. This will keep you out of the mud! :) When you have some time please post the steps to get Beat Detective to work every time? TIA YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jul 7, 2013, at 2:20 PM, Cara Quinn wrote: Hi All, I've been playing with PT a bit more and am enjoying it. I've just used Beat Detective to get the tempo of an audio clip and adjust the session tempo appropriately. I've also been able to loop said audio a set amount as well, so things are going well there. :) Two concerns are coming up for me; 1 When I select a track, I'd like to make a selection at the start and end of the session. This should really be easy, but if I select all, I'll be selecting all tracks, which is not what I want. I want to make the selection on one track only. I know where the edit fields for start and end of a selection are but when I try to edit them I can only edit the bar and not the beat. I'm using a standard Macbook Air keyboard and when I click the trackpad on the edit field to type numeric data into it, only the measure changes. I've tried routing the mouse to the beat and tick fields but no dice. So this would seem to me to be an accessibility issue. Yes? I'm planning on getting a keyboard with a numeric keypad in a couple of days so perhaps this will take care of this but as I mention above, the fact that I can actually edit this text but only one part of it seems like an issue with accessibility to me. thoughts?… Is there a way I'm missing which will allow me to select between two specific times in a single track regardless of what type of keyboard I'm using? So now on to my next question; 2 I can easily select tracks but how can I deselect them? I've read many, many different answers on the web as it seems many people have this question and pretty much none of the answers work here. :) So I'm wondering what y'all do to deselect tracks which may have gotten selected? thanks so much and I wish y'all a lovely day! Smiles, Cara :) --- View my Online Portfolio at: http://www.onemodelplace.com/CaraQuinn Follow me on Twitter! https://twitter.com/ModelCara -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr
Re: Setting selection points and deselecting tracks
Hi Cara, As for deselecting your tracks. While in your tracks table command click on the track with the mouse. This should toggle between being selected and not selected. :) I always follow the golden rule for tracks. Only show the track that you want to edit. This will keep you out of the mud! :) When you have some time please post the steps to get Beat Detective to work every time? TIA YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jul 7, 2013, at 2:20 PM, Cara Quinn wrote: Hi All, I've been playing with PT a bit more and am enjoying it. I've just used Beat Detective to get the tempo of an audio clip and adjust the session tempo appropriately. I've also been able to loop said audio a set amount as well, so things are going well there. :) Two concerns are coming up for me; 1 When I select a track, I'd like to make a selection at the start and end of the session. This should really be easy, but if I select all, I'll be selecting all tracks, which is not what I want. I want to make the selection on one track only. I know where the edit fields for start and end of a selection are but when I try to edit them I can only edit the bar and not the beat. I'm using a standard Macbook Air keyboard and when I click the trackpad on the edit field to type numeric data into it, only the measure changes. I've tried routing the mouse to the beat and tick fields but no dice. So this would seem to me to be an accessibility issue. Yes? I'm planning on getting a keyboard with a numeric keypad in a couple of days so perhaps this will take care of this but as I mention above, the fact that I can actually edit this text but only one part of it seems like an issue with accessibility to me. thoughts?… Is there a way I'm missing which will allow me to select between two specific times in a single track regardless of what type of keyboard I'm using? So now on to my next question; 2 I can easily select tracks but how can I deselect them? I've read many, many different answers on the web as it seems many people have this question and pretty much none of the answers work here. :) So I'm wondering what y'all do to deselect tracks which may have gotten selected? thanks so much and I wish y'all a lovely day! Smiles, Cara :) --- View my Online Portfolio at: http://www.onemodelplace.com/CaraQuinn Follow me on Twitter! https://twitter.com/ModelCara -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Plugins for basses that work under Pro tools 10?
Hi Scott, Have you tried max base from waves? It can be bigger than life! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jul 3, 2013, at 10:00 AM, Scott Chesworth wrote: Yup, Monkey's tip is magic. Sometimes I'll even roll off a ton of low end on that duplicated track, because the cleaner original version will retain the low-end if you blend it correctly. Sounds counter productive to be rolling lows off a bass I know, but give it a go if you ever need to get really dirty without losing note definnition. It's a tough beast to tame is bass. Scott On 7/3/13, Monkey Pusher monkeypushe...@gmail.com wrote: Agreed used it on bass as well. Try this as well. Duplicate the bass track and treat one as your clean bass track, then use a distortion or over drive on the duplicated track and blend in to taste. It wil probably be barely audible but could help the bass cut through the mix better. On 7/3/13, Scott Chesworth scottcheswo...@gmail.com wrote: Have you tried PSA-1, it's one of the plugins that comes bundled. It's a pretty accurate emulation of the Sansamp rack hardware, and it's always served me well for bass. The first two albums I played on were just a decent DI into PSA-1, and the sounds are still holding up here a few years on. Does particularly well for grittier edgier sounds IMHO. The controls are all accessible and changeable without needing a control surface too. Hth Scott On 7/3/13, Krister Ekstrom kris...@kristersplace.com wrote: Hello all, I'm wondering if there's such a thing as a plugin for basses rather like 11free or something of that like that either comes with Pro tools 10 or that can be purchased and that sounds good? Any suggestions appreciated. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: SLATE DIGITAL's TRIGGER drum replacement Trigger Platinum?
Hi Scott, No I haven't. After talking to mike lockett he told me the main window was not VoiceOver friendly. We did speak about QuicKeys as a work around possibly though. The Audio to midi is very enticing! mike is using sound replacer that PT has and with good results. I tried SR with a kick replacement the other day and it was tight! For now I just need some cool samples! :) It would be nice to have multi level samples being triggered though! There is a free demo on the link I sent, if anybody has the time to take a whack at! Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jun 19, 2013, at 9:16 AM, Scott Chesworth wrote: Hey Chuck, I know you didn't get an answer to this on list, but wondered whether you'd gotten around to taking Trigger for a spin yet? Very interested to hear about the results if you have. Scott On 6/14/13, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi List, Has anybody tried SLATE DIGITAL's TRIGGER drum replacement Trigger Platinum? If so how is the voiceOver accessibility? heres the link; http://www.slatedigital.com/products/trigger/ TIa CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
SLATE DIGITAL's TRIGGER drum replacement Trigger Platinum?
Hi List, Has anybody tried SLATE DIGITAL's TRIGGER drum replacement Trigger Platinum? If so how is the voiceOver accessibility? heres the link; http://www.slatedigital.com/products/trigger/ TIa CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Imbarrassing problem with studio setup
Hi Chris, Just put a mic boom on the stand and bang! One size fits all! BTW what does Imbarrassing mean? :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jun 11, 2013, at 1:23 AM, Chris Gilland wrote: OK, I just had to turn down a client from recording in my studio which I never like doing. Especially not after they make an evening to come to my place and record, only then to have to turn all the way and go back home. Fortunately, they live on this side of town, and yes, I did give them a complete 100% refund, but this is still humilliating that I didn't have gear to support them when I thought I did. Basically, here is the situation. If any of you have any clue for going forward of anything I could try in the future, let me know as this wound up being a disaster. First of all, it was two really little children. One is in Preschool, and the other in the first grade. They had some karaoke tracks of little nurcery rhymes like Old McDonnald, the Farmer and the Dell, Bingo, etc. which they were given on a CD, and just for fun their parents had given them a surprise to go to a studio and record them singing on top of the disc, and my studio wound up being the one they chose here locally. I was thrilled, until they got here. for one thing, the little girl, cute as a button! as she was, who was the pre-schooler had some major issues. For one thing, even at its lowest setting, she couldn't get right up on the mike in the stand. I practically had the thing where it wasn't raised at all! It was literally as low as it would go. The little kneck thing you pull up to raise the stand then tighten the little screw thingy was literally touching the bottom half of the stem up of the stand. Yet, it was too short. Not by much, but just enough to be a problem. So, I just handed her the mike, and said here sweety, just hold the thing. Well, that didn't work really well, as she was constantly moving the thing around, so it was booming all over the place in the recording horrendously. The other kid had an issue where I tried about 2 or 3 different styles, but no matter what I did, the earphones would not fit. They were too big. When I got them small enough to fit his little head, he complained it was squeezing him too tightly, and was hurting. I tried loosening the things by one notch, but then they kind a sagged on him. These are mainly AKG's that I use in the studio. I got a pare of MK2's, and not totally sure what the other models are. I even let him try a pair of just little el cheapo walkman style headphones which I put a stereo quarter inch adapter on the end of, but it didn't really work very well. they fit, but he didn't seem to like the way they felt on him. I couldn't really say to hell with the head phones as that would have produced a lot of loopback had I used the speakers I have in here. So, ultimately, what gives? Is there anyone on here who's had kids come to the studio and record of about this age? If so, how did you all get around these issues? Do they make specially designed mike stands for children, or specially sized head phones for kids? Finally, the mom had an idea for the little girl. She got a booster seat and put it in my office chair. I then took a desktop mount mike stand that I have and put it with a shockmount on my desk. The problem then was she was slightly too high, and we couldn't get the sound directly in the mike, so it really sounded kind of out of phaise. Just wondering any good techniques to work around this. This way if I have kids down the road who wanna record, I won't be S O L. Or shall I say, S O B. you know what... outta business. LOL! Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Imbarrassing problem with studio setup
Hi Chris, Try the vertical adjustment on the boom. Unless its some kind of strange boom it also has a vertical adjustment. :) Also try Command ; Before you hit send. CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jun 11, 2013, at 7:13 PM, Chris Gilland wrote: Chuck, first off, I'm sorry if I don't have the best spelling. You don't have to mock it. Second of all, Actually, we did try using a boom. Maybe I did something wrong, but even pulling the boom toward and away from her, it did no good. It was a matter of virtical height, not horizontal height, like a boom would offer in this sinareo. Did I miss something here? Chris. - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Tuesday, June 11, 2013 10:06 AM Subject: Re: Imbarrassing problem with studio setup Hi Chris, Just put a mic boom on the stand and bang! One size fits all! BTW what does Imbarrassing mean? :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jun 11, 2013, at 1:23 AM, Chris Gilland wrote: OK, I just had to turn down a client from recording in my studio which I never like doing. Especially not after they make an evening to come to my place and record, only then to have to turn all the way and go back home. Fortunately, they live on this side of town, and yes, I did give them a complete 100% refund, but this is still humilliating that I didn't have gear to support them when I thought I did. Basically, here is the situation. If any of you have any clue for going forward of anything I could try in the future, let me know as this wound up being a disaster. First of all, it was two really little children. One is in Preschool, and the other in the first grade. They had some karaoke tracks of little nurcery rhymes like Old McDonnald, the Farmer and the Dell, Bingo, etc. which they were given on a CD, and just for fun their parents had given them a surprise to go to a studio and record them singing on top of the disc, and my studio wound up being the one they chose here locally. I was thrilled, until they got here. for one thing, the little girl, cute as a button! as she was, who was the pre-schooler had some major issues. For one thing, even at its lowest setting, she couldn't get right up on the mike in the stand. I practically had the thing where it wasn't raised at all! It was literally as low as it would go. The little kneck thing you pull up to raise the stand then tighten the little screw thingy was literally touching the bottom half of the stem up of the stand. Yet, it was too short. Not by much, but just enough to be a problem. So, I just handed her the mike, and said here sweety, just hold the thing. Well, that didn't work really well, as she was constantly moving the thing around, so it was booming all over the place in the recording horrendously. The other kid had an issue where I tried about 2 or 3 different styles, but no matter what I did, the earphones would not fit. They were too big. When I got them small enough to fit his little head, he complained it was squeezing him too tightly, and was hurting. I tried loosening the things by one notch, but then they kind a sagged on him. These are mainly AKG's that I use in the studio. I got a pare of MK2's, and not totally sure what the other models are. I even let him try a pair of just little el cheapo walkman style headphones which I put a stereo quarter inch adapter on the end of, but it didn't really work very well. they fit, but he didn't seem to like the way they felt on him. I couldn't really say to hell with the head phones as that would have produced a lot of loopback had I used the speakers I have in here. So, ultimately, what gives? Is there anyone on here who's had kids come to the studio and record of about this age? If so, how did you all get around these issues? Do they make specially designed mike stands for children, or specially sized head phones for kids? Finally, the mom had an idea for the little girl. She got a booster seat and put it in my office chair. I then took a desktop mount mike stand that I have and put it with a shockmount on my desk. The problem then was she was slightly too high, and we couldn't get the sound directly in the mike, so it really sounded kind of out of phaise. Just wondering any good techniques to work around this. This way if I have kids down the road who wanna record, I won't be S O L. Or shall I say, S O B. you know what... outta business. LOL! Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr
Re: PT vs PT HD
Hi Jon, For my self its one word! LATENCY :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Apr 5, 2013, at 11:14 AM, Jon Solitro wrote: What have people found are the benefits of going HD? Are they worthwhile? -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, one about automation and the other about the project mix
Hi Krister, Get this tutorial from groove 3 called Automation Secrets by Michael Costa This is one of the best Tutorials on PT automation. There are some on this list that can testify to this! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 9:23 AM, Krister Ekstrom wrote: Hello folks. I'm still struggling to come to grips with Pro tools and have a couple questions. Since i come from the world of Porta studios and stand-alone recording units that aren't so advanced, the whole automation thing has me more confused than is my normal state of mind. Is there an idiots guide to automation somewhere that i can read, some terms in Pro tools just don't make sense. I think i understand what read and write does, but what on earth is latch and touch in automation terms? On a different note, can any of you who use the Project mix from M-Audio answer this: How much do you do on the Project mix and how much on the computer? I understand you can use the faders on the Project mix to mix sounds, that's what they're for, but do you use effects, eq and other things from the Project mix or are you using the computer to set values of those? I'm trying to gain an understanding of what the buttons on the Project mix do, therefore all these stupid questions so i know what to do when or rather if i ever get off the ground with PT. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Waves presets mainly for Chuck
Hi Poppa, Yes they are. The rub is that waves versions sound better though! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Mar 23, 2013, at 10:41 PM, Poppa Bear wrote: Ok, thanks guys. I sure hope that we get a break on the waves stuff. I am thinking about trying out the Avid Pultec and clasic compressor bundles, does anybody no if they are accesible? - Original Message - From: byron harden To: ptaccess@googlegroups.com Sent: Saturday, March 23, 2013 3:51 AM Subject: Re: Waves presets mainly for Chuck no sorry, but i have had the same thing happen. very interested to see if anyone can figure it out. On Mar 22, 2013, at 3:04 PM, Poppa Bear heavens4r...@gmail.com wrote: Does anybody have the presets for the waves API, SSL, Vocal rider or any of the CLA plugs? Also, I was messing with a waves CLA Chris Lord Aljer plug in strip and I some how was able to change the value just 10DB. I was randemly pressing some key combonations and I noticed that I moved the slider, I even clicked the VO space to reset it to see if it was typicaly on -10 DB and closed it to reopen it. Has anybody stumbled on a way to get a slider to move in waves plugs? I know how to use the control surface to ajust settings, but it only works on plugs like EQ and Compressors. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, one about automation and the other about the project mix
Hi Krister, There priceless! :) But seriously Aaron at groov 3 gives us 50% off because only the audio is usable for us. $20.00 is the average price. :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 1:25 PM, Krister Ekstrom wrote: How much are those Groove3 tutorials? /Krister 24 mar 2013 kl. 17:38 skrev CHUCK REICHEL: Hi Krister, Get this tutorial from groove 3 called Automation Secrets by Michael Costa This is one of the best Tutorials on PT automation. There are some on this list that can testify to this! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 9:23 AM, Krister Ekstrom wrote: Hello folks. I'm still struggling to come to grips with Pro tools and have a couple questions. Since i come from the world of Porta studios and stand-alone recording units that aren't so advanced, the whole automation thing has me more confused than is my normal state of mind. Is there an idiots guide to automation somewhere that i can read, some terms in Pro tools just don't make sense. I think i understand what read and write does, but what on earth is latch and touch in automation terms? On a different note, can any of you who use the Project mix from M-Audio answer this: How much do you do on the Project mix and how much on the computer? I understand you can use the faders on the Project mix to mix sounds, that's what they're for, but do you use effects, eq and other things from the Project mix or are you using the computer to set values of those? I'm trying to gain an understanding of what the buttons on the Project mix do, therefore all these stupid questions so i know what to do when or rather if i ever get off the ground with PT. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: identify beat
Hi chad, Not sure about identify beat, but Beat detective is workable. May be Mike lockett could share his step by step method for using Beat detective he uses it all the time. He has that one down pat! :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 22, 2013, at 7:56 PM, chadbaker2 wrote: hi has anyone gotten identify beat to work i got my selection i want but can't get it to work i go to identify beat i enter in the bars but i'm not seeing the bpm -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: need verification of something in either PT 8 or 9
Hi Slau, In PT 9.03 they appear to be working. :) There was one observation though; In the System Usage window there is a section near the bottom of my DSP Card #2 and # 3 , for instance, that just says StaticText unless you click on the buffer bar it then changes to allocated. the problem is you can't see where to click with VO. Its slightly to the left of the % area though. I got this verified with sighted assistance. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 20, 2013, at 7:15 PM, Slau Halatyn wrote: Can somebody do me a favor and verify something in either Pro Tools version 8.04 or any version of 9? tell me whether the Disk Space and System Usage windows are at all readable. With only one version of PT allowed on a boot up drive, I can't verify that information. thanks, Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
LaCie 9000353 3TB D2 USB3 Thunderbolt
Hi ricky, Yes heres the one I'm looking at. :) http://www.provantage.com/lacie-9000353~7LACI0M4.htm sweetwater and provantage has the lowest price! 9000353 3TB D2 USB3 Thunderbolt ;; = Lacie 9000353 Manufacturer Part# 9000353 UPC Code: 093053006051 YMMV Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 4, 2013, at 11:37 AM, rickyprevatte wrote: How about the thunderbolt port could that be used with a hard drive external hard drive I'm going to revive this topic I too I'm thinking about getting a MacBook Pro or staying with the PC I have not got ProTools yet but I'm hearing from Apple that logic is becoming more accessible and that and ProTools would definitely do what I want to do it music I'm using the personas 60 note Ricky Prevatte LMBT 1154 http://www.rickyprevattemassage.com On Feb 26, 2013, at 10:14 AM, Monkey Pusher monkeypushe...@gmail.com wrote: I believe the 13 inch are the ones that are limited to dual core processors. gotta go with a 15 inch if you want quad core in a laptop. Yeah cuz its an after market mod you would have to siled out the drive bay and put the cdrom drive back in if you had to take it in. T That being said, I challenge you to name a PC maker who has a warranty like apple care despite the fact you will have to swap the original part back in. On 2/26/13, Brian Casey brian_w_ca...@hotmail.com wrote: Thanks for those thoughts. Yeah I'm confidednt of the performance of these new macbooks, but funnily enough I'm having trouble figuring the macbook pro vs retina thing on the mac websitemaybe the macbook pro without retina are restricted to dual core processors an d8 gigs ram or something, must check again. One thing swaying me back to buying a purpose built laptop for windows to tie me over is I can get one with two internal hard rivdes, one ssd and one sata 7200 rpm like you say without ruining my warrantee. If I remember correctly dropping in a new hard drive into a macbook is an issue there, but I guess you coul dalways swop it back if an issue arose, but that's not particularly honest. Brian. From: TheOreoMonster Sent: Tuesday, February 26, 2013 12:52 PM To: ptaccess@googlegroups.com Subject: Re: Some boot camp questions quick responses very much appreciated Any of the current Gen mac book pros or mac book pros retina should be fine. When you Boot Camp, apple provides you with all the windows drivers for the internal hardware of that speciffic computer so everything will work well under windows. If you get a current gen mac book pro with 8 or 16gb of ram it will handle sonar and etc fine. The advantage to a macbook pro over a mac book retina is you can remove the cd rom drive and put in a second HD f you want anduse the CD rom drive as an external drive. If you travel alot this allows you to have two internal drives and not have to worry abut an external HD. As far as the second drive or external HD you want that one to be a 7200 rpm drive or higher, not a solid state drive as those aren't made to handle being constantly written to like they would be when recording. It can handle it fine but it will shorten the life of solid state drives the more you constatntly write to them as in a recording session. Solid state drives are fine for the main boot drives and I highly recommend them for that. On Feb 26, 2013, at 6:23 AM, Brian Casey wrote: Thanks Chris, From: Chris Sent: Tuesday, February 26, 2013 11:10 AM To: ptaccess@googlegroups.com Subject: Re: Some boot camp questions quick responses very much appreciated Hire Brian. I use a macbook in my studio, and though its not anywhere near professional, I don't have any problems with it, and its far from new, or even good spec. On the boot camp side, I rub that too, and it seems to do fine, although I only use it for less than demanding tasks. One thing I particularly like is that you can use the headphone jack, and the laptop speakers at the same time. Not sure if this is intentional, but its cool anyways. Only thing I'd say, is probably avoid windows 8, as I find a lot of times the sound doesn't load up on start-up and I am forced to use a braille display to get it back. I know nothing about drives, other than that I an using a western digital drive. Anyways, hope I helped somewhat, and hopefully someone with more knowledge of these subjects can step in and tell you more. HTH, Sent from my iPad On 26 Feb 2013, at 08:25, Brian Casey brian_w_ca...@hotmail.com wrote: Hey all, Appologies firstly, as some of these questions aren't directly PT related, but they all relate to me jumping back into protools, and really this list is the best knowledge base for this. Basically my studio windows machine is giving trouble and the daw builder in the UK I got it from is being
Re: Accesible EQ plugs?
Hi Poppa, How did VoiceOver respond to them? What version of pt os are you on? :) Chuck On Feb 25, 2013, at 1:08 PM, Poppa Bear wrote: I have a few Oxford plugs and anything I could get to respond to my control surface was just too incomplete for me to use as a practical tool IMO. - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Sunday, February 24, 2013 5:47 PM Subject: Re: Accesible EQ plugs? Hi Poppa, Speaking about EQ. Has anybody tried the • Oxford EQ? If so How did VoiceOver get on with it? http://www.avid.com/US/products/Sonnox-ELITE I've been thinking about the • Oxford EQ and wanted to see if anybody has demoed them yet? :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 24, 2013, at 9:21 PM, Poppa Bear wrote: I have one Ozone compressor, I will have to think about some of there other plugs, good looking out guys. - Original Message - From: Juan Pablo To: ptaccess@googlegroups.com Sent: Sunday, February 24, 2013 4:06 PM Subject: Re: Accesible EQ plugs? All the izotope plugins I tested are completely accessible. My main set of plugins are the RX2. They work very nice with vo. Ofcourse, into there is a 6 band EQ that is stricty limited in my opinion. Did you try Ozone? From: Byron Harden Sent: Sunday, February 24, 2013 9:51 PM To: ptaccess@googlegroups.com Subject: Re: Accesible EQ plugs? totally understandable, i am on the search as well. will let you know if i run in to anything worth talking about. On Feb 24, 2013, at 9:08 AM, TheOreoMonster wrote: As I mentioned earlier check out the isotope stuff as well. And they and I am sure sound lys have demos you can play with as well. On Feb 24, 2013, at 5:57 AM, Poppa Bear heavens4r...@gmail.com wrote: Thanks bro. I have looked into them and was thinking about them, but just don't want to put out the dollor right now unless I can get a good rate of accessibility. I was just messing with my Sonar and was so encouraged when I went to my waves plugs and began to tweek every setting right from the keyboard it was like a breath of fresh air after putting myself through the Pro Tool paces over the last couple weeks, I hope I can get the same kind of control with some more RTAS plugs in Pro Tools as I have in Sonar on the PC. - Original Message - From: byron harden To: ptaccess@googlegroups.com Sent: Saturday, February 23, 2013 11:39 PM Subject: Re: Accesible EQ plugs? hay papa it is byron. it seems like the sound toys are accessible.. i have had great luck with them. i am just getting started so i will let you know as i move a long. good luck bro. hope this helps On Feb 23, 2013, at 3:36 PM, Poppa Bear heavens4r...@gmail.com wrote: I am looking for some warmer EQ plugs and some more tweequable compressors, such as multiband that are as tweekable as the PT native RTAS plugs. I am only able to get to about a quarter of my Waves settings plugin settings with my surfase and it is killing me, not to mintion very time consuming. Any suggestions or opinions would be greatly appreciated. The world of VST plugs is so much more flexable and I am getting a little hung up on my mixing limitations. PS, thanks so much Chuck for the waves Presets, they have defanitly helped. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop
Re: Project mix and Pro tools won't work together
Hi, Heres the cable I believe your looking for. Belkin FIREWIRE 800/400 Cable (6 feet):Amazon:Electronics List Price: $49.99 Price: $8.61 + $2.98 shipping You Save: $41.38(83%) In Stock Ships from and sold by http://www.amazon.com/gp/aw/d/B9EFR2?m=A19R3BN6ZSO9A1 I had to get 2 of them for my older lacie burners they work fine. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 25, 2013, at 1:03 PM, Poppa Bear wrote: Yep, what he just said. If you go to a Mac store it can run $30 or $40 in my neck of the woods, so keep that in mine if you don't get it off line. - Original Message - From: Monkey Pusher monkeypushe...@gmail.com To: ptaccess@googlegroups.com Sent: Monday, February 25, 2013 8:32 AM Subject: Re: Project mix and Pro tools won't work together Simply put you need a firewire 6 pin to firewire 9 PIN cable. The firewire 9 pin slot is the one just after the 4 USB ports on the back of the 2011 iMac. Read on for a more detailed explanation. Mac Proprietary is a bit misleading here. There are three firewire size plugs and two firewire standards. The original firewire spec also referred to as Firewire 400 or firewire 1 (or (IEEE 1394 on the PC side) has a 4 pin and a 6pin plug. 6 pin is the standard firewire plug for the original spec. The 4 PIN ones are usually found on laptops and don't have the extra two PIN's for sending power down the cable so anything using firewire 400 with a 4 PIN connector on one or both ends will need to have a separate power supply. However when firewire 2 came out also known as firewire 800 Apple was the only one that really made it standard on all their machines. Firewire 2 or firewire 800 has a 9 pin connector and this is the one found on modern macs now. The good thing is firewire is completely backwards compatible so though most audio gear never moved above firewire 400 a simple firewire 6 pin to 9 pin cable will allow you to connect any audio interface to any current mac. Personally I prefer www.monoprice.com for all my cable needs as they have a lifetime warranty and decently low prices. So Hope this helps let me know if any further clarification is needed or if any other questions relating to this you want answered. On 2/25/13, Krister Ekstrom kris...@kristersplace.com wrote: Is the name dif wire? Strange that the firewire thing on the mac is proprietary, that's not good at all methinks, but well i have to see what i can get if anything. /Krister 25 feb 2013 kl. 17:22 skrev Poppa Bear heavens4r...@gmail.com: I have the same year Mac and I had to get a dif wire because the firewire on that mac is Mac proprietary. I don't have the details right now, but you can google it, I got mine off of Ebay for about $10 - Original Message - From: Krister Ekstrom kris...@kristersplace.com To: ptaccess@googlegroups.com Sent: Monday, February 25, 2013 4:12 AM Subject: Project mix and Pro tools won't work together Hello folks. I have a little problem here. I'm trying to hook up my M-Audio project mix to my Pro tools with a Firewire cable, since i figure that's how it's done. I have a 21 inch Imac from around 2011 and i wonder where to hook up the Project mix since it looks like the project mix can't communicate with the Protools i have. I get a warning that it can not communicate with HUI which i understand is the protocol to be used. Could anyone please explain to me what i need to do and what cable to use? I got a cable with the interface, but i don't understand how to hook it up. It looks like it has a Usb Micro or a mini usb connection in one end and a firewire connection in the other. It may be, however, that there's a firewire mini connection, i don't know and if so it doesn't fit anywhere on the computer and i don't see a mini firewire connection on the Project mix itself. Also are there some setting in the pro tools that should be changed in any way and if so, how? Please help i've gone from confused, (my usual state of mind) to feeling utterly bewildered and stupid. /Krister the newbie -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility
Re: Accesible EQ plugs?
Hi Poppa, Speaking about EQ. Has anybody tried the • Oxford EQ? If so How did VoiceOver get on with it? http://www.avid.com/US/products/Sonnox-ELITE I've been thinking about the • Oxford EQ and wanted to see if anybody has demoed them yet? :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 24, 2013, at 9:21 PM, Poppa Bear wrote: I have one Ozone compressor, I will have to think about some of there other plugs, good looking out guys. - Original Message - From: Juan Pablo To: ptaccess@googlegroups.com Sent: Sunday, February 24, 2013 4:06 PM Subject: Re: Accesible EQ plugs? All the izotope plugins I tested are completely accessible. My main set of plugins are the RX2. They work very nice with vo. Ofcourse, into there is a 6 band EQ that is stricty limited in my opinion. Did you try Ozone? From: Byron Harden Sent: Sunday, February 24, 2013 9:51 PM To: ptaccess@googlegroups.com Subject: Re: Accesible EQ plugs? totally understandable, i am on the search as well. will let you know if i run in to anything worth talking about. On Feb 24, 2013, at 9:08 AM, TheOreoMonster wrote: As I mentioned earlier check out the isotope stuff as well. And they and I am sure sound lys have demos you can play with as well. On Feb 24, 2013, at 5:57 AM, Poppa Bear heavens4r...@gmail.com wrote: Thanks bro. I have looked into them and was thinking about them, but just don't want to put out the dollor right now unless I can get a good rate of accessibility. I was just messing with my Sonar and was so encouraged when I went to my waves plugs and began to tweek every setting right from the keyboard it was like a breath of fresh air after putting myself through the Pro Tool paces over the last couple weeks, I hope I can get the same kind of control with some more RTAS plugs in Pro Tools as I have in Sonar on the PC. - Original Message - From: byron harden To: ptaccess@googlegroups.com Sent: Saturday, February 23, 2013 11:39 PM Subject: Re: Accesible EQ plugs? hay papa it is byron. it seems like the sound toys are accessible.. i have had great luck with them. i am just getting started so i will let you know as i move a long. good luck bro. hope this helps On Feb 23, 2013, at 3:36 PM, Poppa Bear heavens4r...@gmail.com wrote: I am looking for some warmer EQ plugs and some more tweequable compressors, such as multiband that are as tweekable as the PT native RTAS plugs. I am only able to get to about a quarter of my Waves settings plugin settings with my surfase and it is killing me, not to mintion very time consuming. Any suggestions or opinions would be greatly appreciated. The world of VST plugs is so much more flexable and I am getting a little hung up on my mixing limitations. PS, thanks so much Chuck for the waves Presets, they have defanitly helped. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email toptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out
Re: Pro tools anxiety
Hi Krister, These 4 tutorials from Groove 3 Inc. are a must for all new Pro Tools users. I'v been ordering from there for several years have never been disappointed. There are several people on this list that can testify to the importance of these tutorials. Contact 1-800-460-7509 Groove 3 Inc in the USA State of Texas. Ask them for Kenny Gioia's pro tools parts 1234 tips tricks They usually discount them by 50% do to the fact they are videos and some visuals are missed but WOW you will bypass several years of PT guessing! :) You can get them from there web site but navigation is a bit difficult! also but the check out can be difficult thats why I called them up years ago and established a relationship with them. When I contacted Kenny Gioia, one of there contributors, and brought it to his attention that People are using PT with voiceOver he was so intrigued that he is working on a descriptive audio track to include for future PT tutorials! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 23, 2013, at 7:58 AM, Krister Ekstrom wrote: Hi good people. As i struggle with getting my new pro tools setup under way, i'm getting more and more anxious that i won't make it in the end. Call me a whiner, you're probably right, but it seems the more i hear about, and acquaint my self with PT, the less i feel i know. This is good, after all you need to learn but i feel i dare not ask all the newbie questions here that i want to ask. Questions like Umm what are buses and Ahem why do you need a special track for effects and what is the difference between the different types of tracks in PT and so on. My question in the end has to be is there a total idiots guide to Pro tools type easy to read tutorial somewhere, better still is there such a tutorial for blind people? I just got my M-Audio Project mix set up and installed, does anyone have a layout description for it? I've heard that blind folks are using the Projectmix so it must be doable only there are quite a few buttons and i don't know what they do in Pro tools mode. Thanks so much. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Pro tools anxiety
Hi, Like I said the sight is hard to navigate. But here is the email. grooven...@groove3.com Talk soon On Feb 23, 2013, at 10:56 AM, Krister Ekstrom wrote: And the same goes for me here in cold Sweden.:-) /Krister 23 feb 2013 kl. 16:50 skrev Chris Norman chris.norm...@googlemail.com: Hiya Chuck, Any way us folks can get them in the UK without phoning? :-) Cheers mate, Take care, Chris Norman. chris.norm...@googlemail.com On 23 Feb 2013, at 15:47, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Krister, These 4 tutorials from Groove 3 Inc. are a must for all new Pro Tools users. I'v been ordering from there for several years have never been disappointed. There are several people on this list that can testify to the importance of these tutorials. Contact 1-800-460-7509 Groove 3 Inc in the USA State of Texas. Ask them for Kenny Gioia's pro tools parts 1234 tips tricks They usually discount them by 50% do to the fact they are videos and some visuals are missed but WOW you will bypass several years of PT guessing! :) You can get them from there web site but navigation is a bit difficult! also but the check out can be difficult thats why I called them up years ago and established a relationship with them. When I contacted Kenny Gioia, one of there contributors, and brought it to his attention that People are using PT with voiceOver he was so intrigued that he is working on a descriptive audio track to include for future PT tutorials! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 23, 2013, at 7:58 AM, Krister Ekstrom wrote: Hi good people. As i struggle with getting my new pro tools setup under way, i'm getting more and more anxious that i won't make it in the end. Call me a whiner, you're probably right, but it seems the more i hear about, and acquaint my self with PT, the less i feel i know. This is good, after all you need to learn but i feel i dare not ask all the newbie questions here that i want to ask. Questions like Umm what are buses and Ahem why do you need a special track for effects and what is the difference between the different types of tracks in PT and so on. My question in the end has to be is there a total idiots guide to Pro tools type easy to read tutorial somewhere, better still is there such a tutorial for blind people? I just got my M-Audio Project mix set up and installed, does anyone have a layout description for it? I've heard that blind folks are using the Projectmix so it must be doable only there are quite a few buttons and i don't know what they do in Pro tools mode. Thanks so much. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: I answered my Audio Sweet question already
Hi Nate, It seems to always jump out of the audio suite window after processing! :( It becomes a habit to choose the audio suite window and then go to hot spot that you have marked for preview and then process. As for the retune speed the only way currently is to use a controller fader to set it. You could save the re-tune for that section as a preset and then call it up when in audio suite. Let the tech crew know at Antares I'v been going back and forth for several years on that one! Henrik Bridger is Antares Tech; and he is some what familiar with VoiceOver! :) his #831-461-7800 Exten; 233 Talk Soon YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 20, 2013, at 4:10 AM, Poppa Bear wrote: For anybody else who may run into the problem that I described in another email, I had to use VO F2 to get to my window chooser window to gain focus into my audio sweet control screen to render the fx on the selected track. I more or less stumbled upon it. I am still wondering about changing the Retune speed in Auto Tune and if number values can be changed in large sections without having to just VO up or down when using the keyboard. Thanks Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: I answered my Audio Sweet question already
Hi Poppa, Give Henrik Bridger at Antares Tech a call his # is 831-461-7800 Exten; 233 a call and he might have some work arounds for you. He's on the West coast of the USA and would be glad to hear from you He's been working with there engineering team to make sure VoiceOver is addressed. :) Talk soon Chuck On Feb 20, 2013, at 11:46 AM, Poppa Bear wrote: Henrik Bridger is Antares Tech; and he is some what familiar with VoiceOver! :) his #831-461-7800 Exten; 233 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Thoughts on Preamps
Hi Nate, This mic pre is wonderfull! :) I use the wunder pa4 mic preamp in every session! I used the Avalon, 737 for several years and found it to be noisy and overrated. YMMV Check it out. http://www.mercenary.com/wunder-pafour.html Chuck On Feb 17, 2013, at 7:44 PM, Poppa Bear wrote: I am thinking about picking up another preamp, just wondering if anyone is seeing the trend change with pre amps considering all the in the box plugin abilities now. I am thinking either, UA 610, Avalon, 737 or the Neve 1070. Just want some thoughts if anyone has some opinions to spair. As most know a preamp can be a sizable investment for a one trick poney. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Accesible Mastering Software
Hi, Pro Tools with Waves using a controller. :) check it out. http://www.waves.com/Content.aspx?id=196 YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 11, 2013, at 6:59 AM, Stephen Martin wrote: sound forge seems usable on the mac though the demo ran out before i could truely put it through its paces. Ozone definately is and and i think ozone 5 is well worth the money. Ozone 5 advanced if you can swing it as it it gives you individual plug in version of all the utilities in ozone as well, but thats way more expensive.. Havent used T Racks since a number of years ago on windows and it wasn't accessible then so i don't have much hope for it. However Izotope the makers of OZone has an initiative to make all their plug ins accessible on both mac and PC so i think they are worth the support with our money if you try something of theirs and like the sound of it. All their current line for the most part should be useable. On Feb 11, 2013, at 5:25 AM, Chris Norman wrote: I think sound forge is now, not sure about the others. Sent from my iPhone On 10 Feb 2013, at 16:43, Poppa Bear heavens4r...@gmail.com wrote: I'm wondering if any of the following programs are accessible with VO. T-racx, Ozone and Sound Forge. Any input would be appreciated. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Here's a song I remixed in Pro Tools
Nice! :) C… On Feb 6, 2013, at 11:25 PM, Poppa Bear wrote: Here is a remix for a Grammy nominated song I did for Gospel Hip-hop artist, Lecrae’s song “I Know” It was a contest and I did the music all in Pro Tools with a little oxygen 25 keyboard, LOL. I didn’t loop anything, but played it all out in sections, a progressive kind of thing I was feeling at the time. I did it yesterday, enjoy. http://soundcloud.com/ghetto-missionary/i-know-remix Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Drop down menus
Hi Jon, When this happens I hit escape then try and choose the preset again But if its being cranky I quit VoiceOver and do it again. The first approach usually works when in a plug window and choosing plug presets the second gets everything back to normal! :) You should probably move up to 9.03 or so when I did that behavior almost went away completely! Talk soon YMMV! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 4, 2013, at 5:22 PM, Jon Solitro wrote: Sometimes, it seems random, when I am in a drop down menu, such as plug in settings, or even creating a new track and choosing what type it is. AFter I make my selection, I try to move out of the menu, and Voiceover just dings at me no matter what direction I go. Has anyone experienced this? Im running Snow Leopard with PT 8.04. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Need help from an expert or two regarding Arturia Cs-80V under Pro tools for Mac v9
Hi, You should use a controller then using VoiceOver find the parameters you want to change and mark a hotspot and have VoiceOver monitor the hot spot. Now grab some faders on the controller and when strike Gold :) voiceover will announce the parameter being changed. Make sure to document the faders that work for your plug. CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 2, 2013, at 11:57 AM, Slau Halatyn wrote: Hi Krister, I think there were some issues with third party plug-ins where it appeared that parameters weren't being changed when in fact they were. If I'm not mistaken, this was the case with Waves plug-ins. Some things you might want to try: Interact with a parameter and change its value using VO+left and right arrows. Turn off VoiceOver and turn it back on and check the value. Try closing the plug-ins window and reopen it and check the value. Maybe some folks using Waves plug-ins can chime in about their experiences. Slau On Feb 2, 2013, at 5:31 AM, Krister Ekstrom wrote: Hi there. I downloaded a trial version of the softsynth CS-80V from Arturia in the hopes that i could modify and make own sounds using it as a plugin under Pro Tools. As expected, using it as a stand-alone synth didn't work at all with Voiceover but when using it as a plug under Pro tools i was able to see the parameters, presets and the like, but here is where i need help from experienced folks. It looks as though you can see the parameters and their values, but you can't change them at all. Interacting with the parameters and trying to move the arrows up and down don't seem to do anything, the value remains set as it was when first entering the plugin. Is this common and is there a workaround for such occations? Thanks in advance for any help. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: PC keyboard with Pro Tools
Hi Poppa, Do your self a favor and get the Apple keyboard with num pad. Full size around $49.00 or so from the apple store. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jan 23, 2013, at 11:30 PM, Poppa Bear wrote: Thanks, I am aware of that one with basic vo use. I just didn't know if I needed to get a new apple keyboard for anything PT related. At this point I am getting back into my Pro Tools and want to troubleshoot any possible problems ahead of time. I am hoping that a Majic track pad will further simplify the work flow in PT because that is what seems to throw me off every time. I'm just so quick in Sonar that it takes me a quarter of the time to work in it as it does in Pro Tools. The thing is, I like the stability of Mac and really want to take advantage of it on the recording side. - Original Message - From: Stephen Martin To: ptaccess@googlegroups.com Sent: Wednesday, January 23, 2013 4:15 PM Subject: Re: PC keyboard with Pro Tools in keyboard in system preferences you need to remap the positions of cmd and option. What we consider the ALT key on windows is the oPtion key on the mac keyboard, and what we consider the windows key is the apple or cmd key on the mac. So on the drop down menu for option, change it to command and the one for command change it to option and it will work like a standard mac keyboard. If you don't you will have to use control and ALT for your voice over keys for example. On Jan 23, 2013, at 5:11 PM, Poppa Bear wrote: Do any settings need to be changed to use a PC keyboard with PT? Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com
Re: PC keyboard with Pro Tools
Hi Geoff, Once you get into the work flow in PT you get in to the habit of toggling num pad off and on when needed. :) I jump back in forth dozens of times in a session. To clarify a bit hit VO Clear on the num pad then do your VoiceOver task, then toggle back and perform your PT task with the num pad. Talk soon YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jan 24, 2013, at 9:03 AM, Geoff Shang wrote: you can't use Numpad Commander if you want to use the numpad in Pro Tools.
Re: I know i sound like a broken record, i just want to make sure, PT 9 or 10
Hi Krister, As my friend Michael Pearson-Adamsfrom Avid told me when I was considering moving to PT 9.6 PT 9.6 was the first pt 9 that was tweaked for lyon. Since I'm on Snow Leopard with my HD3 system, i stayed on 9.3 as there wasn't any reason to move to 9.6 for my self. To make it very clear! PT 9.3 is the most stable version for Snow Leopard and pt 9.6 was the version released for Lyon. Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 19, 2013, at 9:53 AM, Krister Ekstrom wrote: Hmm, my 9.0 said it didn't want to work with Lion. Maybe it's because the license wasn't propperly installed. Hmm, have to hunt for the latest 9 then. Thanks so much for the help. /Krister 19 jan 2013 kl. 15:21 skrev Slau Halatyn slauhala...@gmail.com: Hi Krister, Stick with version 9. There's nothing in 10 that will be of any significant gain for you. If you're eligible for the upgrade, go ahead and download it. Just simply don't install it. Version 9 works with Lion. Learn the Pro Tools environment for now and install the upgrade once some of these issues with VoiceOver are resolved. Cheers, Slau On Jan 19, 2013, at 6:02 AM, Krister Ekstrom wrote: Hi there. I have bought ProTools and an MBox and it turned out i got v9.0, however i have the possibility to upgrade to version 10. Now i heard that accessibility in some version of v10 is broken and so my questions now are: Should i stick with a version 9 of Protools and if so which version works with Lion or should i upgrade to v10, something i want to do, and if so which version is safe to use with Voiceover? As i understand it v10.3.2 is out of the question so what can/should i use to be certain it works with Voiceover? How can i make sure the plugins will work with VO? and lastly, where do i place the loops that came with PT? Thanks for any and all help and apologies for sounding lake a broken record and asking the same questions over and over again, it's just that every time i asked i got different answers and i ended up more confused than before. /Krister, PT newbie
Re: Merry christmas
Hi Ramy, Merry Christmas from Chuck Robin and Kimberly!!! :) :) :) GOD's Blessings on you! Join us as we celebrate the Birth of CHRIST this year! Remember each breath you take is a CHRISTMAS present so enjoy the moments given. From, Chuck Robin and Kimberly Happy Birthday YESHUA HAMASHIACH! Enjoy! Enjoy! Enjoy! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 25, 2012, at 2:02 PM, Ramy Moustafa wrote: Merry Christmas to All My Dear Friends, near afar!! May you all enjoy ur day with loved ones. Blessings from my house to yours!! Luv ya All!! Cheers: Ramy Moustafa If music be the food of love... play on. Mobile: 0020102221750 Personal email: ramy.moustaf...@gmail.com Msn and aim messengers: flutelo...@link.net Studio email: harmonystudio2...@gmail.com facebook profile: http://www.facebook.com/ Twitter: moustafa.r...@gmail.com youtube chanael: www.youtube.com/ramymoustafasaber winmail.dat
Re: Reverb
Hi Monkey, Try inserting a eq plug on the aux track your using for reverb. Put it on the insert before the reverb insert your using and cut some lows down around 30 Hz or there about. Play with it to sculpt the contour of the send from the gt going to it. :) Now slap a compressor on the next insert below the reverb something like the bombfactory BF-2A and let us know how that goes. That should clear up your total mix also. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Oct 25, 2012, at 2:38 PM, Monkey Pusher wrote: Hello, Working on a project and approaching the final mixing stage ona song, but not likeing what i am getting from any of the reverbs in PT on this one especially on the Heavy guitar tracks. So any reverb recommendations? Paid or free, so long as it's accessible and doesn't require a control surface to get it up and going. Thanks. -T.O.M
Re: How to do a tapestop?
Hi Zachary, Make a selection in your audio track and then go to AudioSuite Pitch Shift submenu, then choose Vari-Fi. The default is for it to slow down. The length of the selection determines how long it takes to get down to stop. It works pretty good. You can speed it up also but voiceOver can't see that part of the window. Give me a call if you get stuck. :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Oct 14, 2012, at 2:32 PM, Zachary Bennoui wrote: Hi. I want to do a tapestop in protools. I know there is a audio sweat plugin for it, but how do I use this plugin?
Re: Invisible playlist menu in edit window
Hi John, Use the actual mouse when your directly on the Playlist selector button then command control click, the playlist selector to toggle between playlist view wave form view Then stop interacting with the track your working on in the edit window and read down the playlists should be showing up there. Do the opposite key command to hide them. Just have 1 track showing and give it a try. I'm using pt 9.3 with snow leopard just to clarify. The play lists show up ok for myself. :) as far as pt 9.3 goes! the playlist selector is the same as what your calling the playlist menu inside each track YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 28, 2012, at 9:04 AM, John André Netland wrote: Hi Chuck, Thanks for the suggestion, I suppose you mean I should control-command-click the playlist menu, but since it is not there at all, I'm not sure what I can do to make it show up again. Have I understood your suggestion correct? Is the playlist selector the same as what I call the playlist menu inside each track in the edit window? Thanks, John André *** John André Netland - Voice/SMS/MMS (+47) 971 68 794 Visit online at www.a-pro-studio.no *** On 27. sep. 2012, at 04:08, CHUCK REICHEL wrote: Hi John, Try this. command control click, the playlist selector to toggle between playlist view wave form view Let us know how it works? It works in pt 9.3. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 26, 2012, at 9:07 PM, John André Netland wrote: Hi all, I use the playlist feature of each track in PT10 a lot, and think it is a great way to work with alternative takes and audio while editing. However, I have experienced something new today; the playlist/takes menu I have always found when interacting with a track in the edit window, is not showing up there anymore. I assume this is due to a setting for the layout or appearance of items in the edit window. But after changing a lot of the settings in the view menu and in the preferences, I still can't make the playlist/takes menu appear again. If anyone reading this have experienced this, and have a suggestion or solution, I would appreciate it much! :) Take care and have a nice week! Thanks, John André *** A-Pro Studio - John André Netland - Voice/SMS/MMS (+47) 971 68 794 Visit online at www.a-pro-studio.no *** *** John André Netland - Voice/SMS/MMS (+47) 971 68 794 Visit online at www.a-pro-studio.no ***
Re: Invisible playlist menu in edit window
Hi John, Try this. command control click, the playlist selector to toggle between playlist view wave form view Let us know how it works? It works in pt 9.3. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 26, 2012, at 9:07 PM, John André Netland wrote: Hi all, I use the playlist feature of each track in PT10 a lot, and think it is a great way to work with alternative takes and audio while editing. However, I have experienced something new today; the playlist/takes menu I have always found when interacting with a track in the edit window, is not showing up there anymore. I assume this is due to a setting for the layout or appearance of items in the edit window. But after changing a lot of the settings in the view menu and in the preferences, I still can't make the playlist/takes menu appear again. If anyone reading this have experienced this, and have a suggestion or solution, I would appreciate it much! :) Take care and have a nice week! Thanks, John André *** A-Pro Studio - John André Netland - Voice/SMS/MMS (+47) 971 68 794 Visit online at www.a-pro-studio.no *** *** John André Netland - Voice/SMS/MMS (+47) 971 68 794 Visit online at www.a-pro-studio.no ***
Re: Selecting all tracks in a group
Hi Slau Jon. If you don't want the group active just find the Group List Table then find the group you want all the tracks selected and interact with it then click on the option Select Tracks In Group :) If you don't want the groups tracks selected do this; Control mouse click a groups name and this will show all the tracks in that group with out selecting them. This is just another alternative! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 20, 2012, at 9:16 AM, Slau Halatyn wrote: Jon, If you have the option for track selection to follow edit selection, just use the Control-p or control-semicolon to move to one of the tracks in the group and they'll automatically be selected, providing the group is active. HTH, Slau On Sep 20, 2012, at 8:34 AM, Jon Solitro wrote: Is there a way to use the keyboard in the Group list to select all tracks in a group, or do I have to do that manually in the track list?
Re: PT session confusion
Hi Slau HF, Only show the track that you want to solo safe This usually works every time! Also when you close the window and re open it this helps also. or turn off and on VoiceOver as a last resort! Have you guys used the VCA tracks! They Rock!!! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 13, 2012, at 11:31 PM, Slau Halatyn wrote: Hey HF, The only trick would be to make sure your mouse pointer is on the solo button before performing the modifier command along with the physical mouse or trackpad. slau On Sep 13, 2012, at 10:32 PM, HF wrote: When I toggled through the different states, I never got on solo safe as one of them. I managed to just put the aux tracsk as solo and not off safe solo. This time when I soloed individual tracks, I got silence which I guess is progress. Although, there was one track that I couldn't toggle from off safe solo to just solo. Is there any trick for this? I got all the other tracks but this one... HF On 9/10/2012 12:38 PM, Slau Halatyn wrote: Hi Herman, I suppose there are four possible states for the solo button: 1. Solo button, which would be the normal, unengaged state, in other words, off or not soloed. 2. selected solo button, when the solo button is engaged, in other words, on or soloed. 3. off safe solo button, which means the solo button is in safe mode but not engaged, in other words, off. 4. on safe solo button, which means the solo button is in safe mode and it is engaged or on. Until you get things behaving the way you'd like, I'd probably try to disable all of the groups. slau On Sep 10, 2012, at 9:01 AM, Herman Fermin wrote: Just cause I get lost in the vernacular and voiceover reports things, what should solo say. Should it say off safe solo or just plain solo. Is it a three position toggle? Solo, off safe solo and onn safe solo. I'll check again when I get in front of my rig again because I only heard two things, off safe solo and just plain solo. Should I de-activate any of the active groups. The all groups is not active anymore. HF On 9/9/12, Slau Halatyn slauhala...@gmail.com wrote: Herman, Just a few things to make sure: The all group should be off because it'll screw with your ability to solo. In addition, all aux tracks should be solo safe. Display only aux tracks and systematically make sure they're all solo safe. Beyond that, soloing any audio track should work. Let us know how it goes. Slau On Sep 9, 2012, at 9:09 PM, Herman Fermin wrote: Some of the tracks were on off solo safe. When I held the command key and clicked they just became normal solo buttons. Or at least that is what I understand anyway. I'm still not able to solo or mute individual tracks. I looked at the groups in case I could figure out something from there. I made the all group active and and made the rest of the groups inactive and still can't solo or mute individual tracks. On 9/9/12, Slau Halatyn slauhala...@gmail.com wrote: Hi Herman, It's possible that the auxiliary tracks are not solo safe, that is, when any track is being soloed, the rest of the tracks are solo muted, including the aux tracks. Solo muting is different from engaging a regular mute. Actually, the process of soloing is really like muting all other tracks but in an automated way. If you solo safe the aux track by Command-clicking its solo button, it will not mute when any solo button is engaged. Give it a try. That might be the solution. Slau On Sep 9, 2012, at 7:04 PM, HF wrote: Perhaps my confusion might help someone else. I have a really complicated session that I will try to detail below. I don't understand why I cannot solo individual tracks. If I send all of the outputs to stereo 1/2, only then can I solo individual one's. But the routing is what is throwing me. I get it, I understand why it was done this way but I don't get why I can't just solo or mute individual tracks and hear that change. Right now only one track is playing, it's the full mix aux track which is being sent out to 1/2 stereo. Only two other tracks are muted the instrumental track and the TV mix track. Hopefully someone else here understands this and can explain. It's pretty complicated and I hope I do this justice. As I explain, I'm only dealing with the audio in and audio out for each track. All are buses except the three tracks that are being sent via the interface, 1/2 stereo. all drums, output to drums aux drums aux, input drums, output band buss bass and guitars, output band buss Lead vocals, output lead vocals bus background vocals, output background vocals buss band aux, input band buss, outputs mix bus, no lead vocals bus, no background vocals bus Lead vocals aux, input
Re: Audio Studio Manager
Hi Jon, Does Audio studio Manager work with Snow Leopard on my mac pro quad core? :) MMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Aug 29, 2012, at 12:56 PM, Jon Solitro wrote: The full version of Audio studio Manager is $5 and there is a free trial version with which you can have one client. the cool thing about it is there is a clock you can start and stop when you're getting paid by the hour. It's better than using Numbers spreadsheets and entering a time when I start and stop and doing all the formulas and stuff. I talked to the developer and he's going to create a keyboard shortcut to start and stop the clock so we don't have to go scrolling through all the buttons to do it. The Home Recording Show is great. They come out with a new one every week pretty much and it's always informative and educational. I learn so much from it and they talk about recording in a more general sense, not specifically Pro Tools or a specific DAW. One of the hosts uses PT and the other one uses Reaper and they usually have a guest host on to talk about a specific area of recording. One of the best tools I've gotten for learning more about the craft of recording. Second only to Sessions with Slau. ; ) On Aug 29, 2012, at 11:13 AM, Chiapello Diego wrote: Hi John, very good news! But is it for free or you have to pay something? Moreover, at Home Recording Show did they talk about other programs used for recording and audio editing, different from Amadeus Pro, Garage Band, Pro Tools or Logic? In other words is there something new about? Tell us, if you want, about Home Recording Show! Have a nice day. Bye. Diego. 2012/8/29, Jon Solitro soli...@msu.edu: I just downloaded Audio Studio Manager from the App store, which I heard about on the Home Recording Show. It's great! Mostly accessible, and fantastic for keeping track of projects and clients. LOve it!
Re: have you guys all seen and signed this petition?
Hi Philippe, How long will the petition be open? Good to see someone taking action! :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 6, 2012, at 2:55 PM, Jean-Philippe Rykiel wrote: Hi, I'm sending this message to you because I have been a Sibelius user for a while. I hope not to offend anyone, but this is not totally off topic anyway because it concerns avid technology. Thanks for signing my petition, Avid Technology: Sell Sibelius!. http://www.sibeliususers.org/petition/petition.html Winning this campaign is now in your hands. We need to reach out to as many friends as we can to grow this campaign and win. Thanks for your support, Derek Take the next step: Ask your friends to sign SHARE THIS PETITION Don't just be a signer - be a campaigner. Turn your signature into hundreds more by asking your friends to sign. Then they'll ask their friends. That's how we win. If you wish to unsubscribe, send a blank message with the single word, unsubscribe - in the Subject line to: sib-access-requ...@freelists.org -- CTS MASTERING, affordable and professional mixing and mastering: http://www.ctsmastering.com Twitter: https://twitter.com/#!/CTSMASTERING BLOG: www.ctsmastering.com/blog Linked In: http://ca.linkedin.com/pub/chris-smart/46/824/536 If you wish to unsubscribe, send a blank message with the single word, unsubscribe - in the Subject line to: sib-access-requ...@freelists.org
Re: Where to go next?
Hi Christopher List, Contact Aaron aa...@groove3.com @ Groove 3 and ask him how can you get Pro Tools 9 Explained by Eli Krantzberg He covers all those points your talking about! This Video is a must have for ALL PT users at any level! :) Groove 3 has been giving us 50% off for there products. So For $20.00 you get 50 step by step videos about PT from A to Z!!! :) I'm sure there are others on the list that can testify to the amount of time saved by studying there videos! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jul 29, 2012, at 11:33 PM, Christopher-Mark Gilland wrote: ok, can you be a little more specific? When it comes to recording, what type things would you say to start with maybe trying to learn from a recording perspective? Chris. - Original Message - From: The Oreo Monster monkeypushe...@gmail.com To: ptaccess@googlegroups.com Sent: Sunday, July 29, 2012 11:30 PM Subject: Re: Where to go next? Well the DAW is simply the tool used to get the job done. The job is recording and turning out a great mix. Now that you understand your way around the tool, i think next you should work on enhancing what you do. Mic placements and other recording techniques that help you get the sound you want up front going into the DAW and then how to use the tools provided with in that DAW to make the sound what you hear in your head. THis i providing thats what you want to do, and given that you expressed an interest in it, i Assume you want to do both. I'd suggest start with the recording side, and once you feell confident about that with your current gear work on the mixing side a bit. The Oreo Monster monkeypushe...@gmail.com On Jul 29, 2012, at 10:15 PM, Christopher-Mark Gilland clgillan...@gmail.com wrote: OK, I did mark this message with low importance, however it would be interesting to hear what you all who've been doing this stuff now for a while, like Kevin, Slau, Venni, etc. would have to say about this. Obviously every one of you are welcome to answer. Please do. The more advice I get, the better, but I'm especially! however aiming this mail at you all who have been in the PT world for at least! a year now if not more. Let's get a few facts straight up front. I never ever ever ever ever ever ever!~ meant to, nor am! for that mind, purposefully trying to imply that I know it all. I don't! Not even! cloce! This is why I'm reaching out to you all for suggestions here. So here's the thing. I've not really been serious about PT nor had a copy I could use on a regular basis until last March when I got my M-Audio Fast Track C400 interface, and the bundled PT MP9. I honestly can say, the last 4, now going on 5 months have been amazing! I have learned so much from you all, and Kevin, I have to publicly say about you... if it wasn't for you, I am very humble at all you have especially done to help me. Between you helping me with my composition and getting it on ITunes, to our 3 lessons, with you working with me one on one, etc. I could not have done this without your help. So, I really feel you publicly deserve a major! thanks of gratitude. It's people like you, and Slau, etc. who help me succeed. With this said, I kind a feel now a little stuck. Here's the thing. I know Protools is extremely powerful, and, believe you me: I do mean, pow? wer? ful! but I dont' know why, I feel though like I'm kind of at a point, where I don't know what next to really learn. I know I have a crap load to learn about audio mixing in general, you know, more about setting good levels, e queueing, how compression works, how to tweek certtain things, etc. but as far as more just the operation itself! of ProTools, speaking more just on the navigation and usage side of it in more a general since, I don't know where next to really go. I know how to comp, and how to nudge, I'm gotten quite good at using my num pad and doing edits, I am quite good at selecting and unselecting tracks/data, I'm gotten pretty good at reading my meters, and resetting them, and determining if parts are clipping, I've learned how in general most plugins are laid out, I mean, yeah, ok, each plugin will have different settings, fine, I'll grant that to ya, but I meant more in general, I know they have a librarian menu, the settings button, your bypass, your compare, etc. etc, then the different parameters themselves. I've learned how to syncronize tempo in the constant tempo screen under events. I'll admit I've not yet learned how to set a retard event, or such, nor how to switch from 4/4 time to say, 3/4 time in the middle of a song, so that is something I still need to work out, but in general, I can over all set the time sig, and the tempo. I know how to set my metronome, and change the sounds
Re: moving tracks
Hi Kevin, Unless I'm missing something all you half to do is to do a mouse down on the track and then navigate to where you want to drop it to in the tracks table and then do a Mouse UP and bang its moved! :) As I always say the tracks table must be resized to the right 30% for this to work. Also the track must be selected to! Unfortunately Avid has not fixed the fact that we can't see the move bar for the tracks table to move. This has all been covered in many past emails of course! I have my num pad set up for 1 of the keys to be mouse down and another num pad key to be mouse up which makes it very easy and rapid! Kevin why don't your reply emails contain the original text that your responding to? Just curious? ;) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 30, 2012, at 7:31 AM, Kevin Reeves wrote: Unfortunately, I don't think there is one. In OS 9, we could actually click drag on the track and move it. Voiceover won't let us do that for some reason.
Re: Deselecting All
Hi Jon, The short answer is to resize the tracks table to the right by 30%. unfortunately Avid has not made the resize bar visible to VoiceOver so you should get some sighted assistance for this. Some people have had good results by using the VoiceOver command to resize the tracks table though! :) What I do is to make up a pt template with the tracks table large enough for the normal track selection to be accomplished. Once this is done everything is just BOB!! ;) You could also scrub the tracks to get the first 2 of them selected then hide the rest and deal with those 2 tracks remaining! There are several other ways that the list could chime in on I'm sure! If you get stuck give me a call! I'm on the East Coast of the matchless! USA!!! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 23, 2012, at 9:38 AM, Jon Solitro wrote: Sometimes when I open up a session, all the tracks are selected, and I can't seem to figure out how to just go back to single tracks being selected. I interact with the Track List, and try selecting tracks one by one with the VO cursor, but they all just stay selected. How do I deselect all?
Re: Harmoney Engine Instructions; Harmony Engine Evo; Control24LabelsHEevo.rtf Harmony Engine Evo; Control24LabelsHEevo.rtf
Hi Christopher Kevin,
Cant wait to see those instructions from Chris NOrman for Harmony Engine
Evo!
In the mean time I have attached the fader layout. :) for Harmony Engine Evo.
This is directly from Antares Audio Technologies and was the layout for the
Control/24 but they are the same for most controllers.
They have the abbreviation first follow by the name of the parameter.
My favorites so far are Group Evo and Vocal Multiplier Evo Both are great out
of the box!
Yes the library is accessible for pre sets. ;)
Talk soon
CHUCK REICHEL
soundpicturerecord...@gmail.com
www.SoundPictureRecording.com
954-742-0019
Isaiah 26 : 3
Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he
trusteth in thee.
In GOD I Trust
On Jun 23, 2012, at 3:08 PM, Christopher-Mark Gilland wrote:
It's an Antares plugin, for doing auto harmonizing, apparently. Chris NOrman
was supposed to be e-mailing either me, or the list instructions on how with
Voiceover to get it to work in P T, as he's done it. I can't figure the
bloody thing out to save my life. NO, I don't think you need premade
presets, but let's see what Chris has to say on it. BTW Chris, again, no
hurry, but i still haven't gotten those directions from you. Did you ever
send them?
Chris.
- Original Message - From: Kevin Reeves reeves...@gmail.com
To: ptaccess@googlegroups.com
Sent: Saturday, June 23, 2012 2:13 PM
Subject: Re: Harmoney Engine Instructions
Sorry for being behind on this. What is harmony engine?
On Jun 22, 2012, at 1:57 PM, Christopher-Mark Gilland wrote:
I'm also c seeing this directly to Chris Norman, just to be sure he gets
this.
I never got the e-mail you said you'd send with the instructions on using
Harmoney Engine.
I checked my junk/spam folders, and it's not there either. Did you ever
send it? If not, there is absolutely no rush, but would love to get them
when you can type them up.
Thanks.
Chris.
This is directly from "Antares Audio Technologies"and was the layout for the Control/24 but they are the same for most controllers.They have the abbreviation first follow by the name of the parameter.My favorites so far are "Group Evo and Vocal Multiplier Evo Both are great out of the box!Yes the library is accessible for pre sets. ;)"Talk soon
CHUCK REICHELsoundpicturerecord...@gmail.comwww.SoundPictureRecording.com954-742-0019Isaiah 26 : 3Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee.In GOD I Trust
On Jun 23, 2012, at 3:08 PM, Christopher-Mark Gilland wrote:It's an Antares plugin, for doing auto harmonizing, apparently. Chris NOrman was supposed to be e-mailing either me, or the list instructions on how with Voiceover to get it to work in P T, as he's done it. I can't figure the bloody thing out to save my life. NO, I don't think you need premade presets, but let's see what Chris has to say on it. BTW Chris, again, no hurry, but i still haven't gotten those directions from you. Did you ever send them?Chris.- Original Message - From: "Kevin Reeves" reeves...@gmail.comTo: ptaccess@googlegroups.comSent: Saturday, June 23, 2012 2:13 PMSubject: Re: Harmoney Engine InstructionsSorry for being behind on this. What is harmony engine?On Jun 22, 2012, at 1:57 PM, Christopher-Mark Gilland wrote:I'm also c seeing this directly to Chris Norman, just to be sure he gets this.I never got the e-mail you said you'd send with the instructions on using Harmoney Engine.I checked my junk/spam folders, and it's not there either. Did you ever send it? If not, there is absolutely no rush, but would love to get them when you can type them up.Thanks.Chris.{\rtf1\mac\ansicpg1\cocoartf824\cocoasubrtf480
{\fonttbl\f0\fswiss\fcharset77 Helvetica;}
{\colortbl;\red255\green255\blue255;}
\margl1440\margr1440\vieww9940\viewh16440\viewkind0
\pard\tx720\tx1440\tx2160\tx2880\tx3600\tx4320\tx5040\tx5760\tx6480\tx7200\tx7920\tx8640\ql\qnatural\pardirnatural
\f0\fs24 \cf0 Control 24 has 24 controls arranged horizontally.\
\
PAGE 1:\
L dB Lead Channel Gain\
1dB Ch1 Gain\
2dB Ch2 Gain\
3dB Ch3 Gain\
4dB Ch4 Gain\
LPan Lead Channel Pan\
1Pan Ch1 Pan\
2Pan Ch2 Pan\
3Pan Ch3 Pan\
4Pan Ch4 Pan\
VReg Voice Register\
Sprd Voice Spread\
Natu Naturalize \
Pitc Pitch Variation\
TmVa Timing Variation\
Tran Transition Rate\
1TLn Ch1 Stretch\
2TLn Ch2 Stretch\
3TLn Ch3 Stretch\
4TLn Ch4 Stretch\
1VRt Ch1 Vibrato Rate\
1VOn Ch1 Vibrato Onset\
1VPt Ch1 Vibrato Pitch\
1VAm Ch1 Vibrato Amplitude\
\
PAGE 2:\
2VRt Ch2 Vibrato Rate\
2VOn Ch2 Vibrato Onset\
2VPt Ch2 Vibrato Pitch\
2VAm Ch2 Vibrato Amplitude\
3VRt Ch3 Vibrato Rate\
3VOn Ch3 Vibrato Onset\
3VPt Ch3 Vibrato Pitch\
3VAm Ch3 Vibrato Amplitude\
4VRt Ch4 Vibrato Rate\
4VOn Ch4 Vibrato Onset\
4VPt Ch4 Vibrato Pitch\
4VAm Ch4 Vibrato Amplitude\
MIDI MIDI Velocity Sensitivity\
Trac Tracking\
Byps Bypass\
NR Noise Redx\
Re: Controling Waves plugins
Hi Kevin, Any body that wants the Waves presets can contact myself off list. :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 22, 2012, at 7:19 AM, Kevin Reeves wrote: Hey chuck. Could you send me the waves presets? I'll put them up on the PT Access site. Kevin On Jun 21, 2012, at 7:27 PM, Christopher-Mark Gilland wrote: Chuck, Do you have Skype by chance? BTW, beautiful verse you have there in your signature. I won't go into a long rant about that, don't worry, but wow. Very nice. Chris. - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Thursday, June 21, 2012 6:15 PM Subject: Re: Controling Waves plugins Hi Poppa, Heres my contact info again. :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 21, 2012, at 5:49 PM, Poppa Bear wrote: I do remember something like that, I will try to dig up his email, or maybe he will chime in. - Original Message - From: Brian Casey To: ptaccess@googlegroups.com Sent: Thursday, June 21, 2012 12:56 PM Subject: Re: Controling Waves plugins Chuck is the man for that from what I've seen in my time here! I think he has settings and stuff that he kindly shares. HTH Brian. From: Poppa Bear Sent: Thursday, June 21, 2012 9:49 PM To: ptaccess@googlegroups.com Subject: Controling Waves plugins Does anybody on here have the time to give me a step by step on using my 002 to start controling my waves Silver bundle in PT? If not, can somebody stear me to a resource that is accessible? Thanks www.soundclick.com/ghettomissionary for your Christian Hip-hop. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com
Re: Controling Waves plugins
Hi Poppa, Heres my contact info again. :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 21, 2012, at 5:49 PM, Poppa Bear wrote: I do remember something like that, I will try to dig up his email, or maybe he will chime in. - Original Message - From: Brian Casey To: ptaccess@googlegroups.com Sent: Thursday, June 21, 2012 12:56 PM Subject: Re: Controling Waves plugins Chuck is the man for that from what I've seen in my time here! I think he has settings and stuff that he kindly shares. HTH Brian. From: Poppa Bear Sent: Thursday, June 21, 2012 9:49 PM To: ptaccess@googlegroups.com Subject: Controling Waves plugins Does anybody on here have the time to give me a step by step on using my 002 to start controling my waves Silver bundle in PT? If not, can somebody stear me to a resource that is accessible? Thanks www.soundclick.com/ghettomissionary for your Christian Hip-hop. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com
Re: Whats the final word on PT10 accessibility
Hi Brian, RTAS is absolutely gone in PT 11! :) This comes directly from inside the DS! For further clarification by all means here is my phone #! Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jun 13, 2012, at 8:05 AM, Brian Casey wrote: Yeah, logic is the ggreat hope in terms of providing options I guess. Even if PT declines a b it, I guess efficient users like yourself would go a long way with basic accessability and short cuts, control surface mappings etc etc. I wouldn't rule out the RTAS thing being dropped soon enough if they fly through a few more versions. They were very fast flying from 9 to 10 it seemed to me. Brian. -- From: Kevin Reeves reeves...@gmail.com Sent: Wednesday, June 13, 2012 11:52 AM To: ptaccess@googlegroups.com Subject: Re: Whats the final word on PT10 accessibility Well, the way I see it, If everyone had access to a zip file that contained all the RTAS plugs, then, you could manually install them even if you were to be running 10.x. What will definitely kill us is if they no longer support RTAS, which would piss their user base off to no end. Even though I use this every day, I'm watching the same decline as you are. My hope is for Logic X to have some accessibility improvements. Then, I could sequence in Logic, and track audio, edit, mix, etc in Pro TOols. Everything all remains to be seen. Kevin
Re: Whats the final word on PT10 accessibility
Hi Christopher, My # is in every signature! 954 is the Garget clue! ;) Email myself off list with yours and I'll ring you up! :) Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 13, 2012, at 8:54 AM, Christopher-Mark Gilland wrote: Chuck, You forgot to include your number in the e-mail here, and honestly, I would like to discuss this a bit more with you, via voice of you are ok with that. If you'd rather e-mail the number off list for security reasons, that's fine. My address is: clgillan...@gmail.com Thanks. Chris. - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Wednesday, June 13, 2012 8:24 AM Subject: Re: Whats the final word on PT10 accessibility Hi Brian, RTAS is absolutely gone in PT 11! :) This comes directly from inside the DS! For further clarification by all means here is my phone #! Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Jun 13, 2012, at 8:05 AM, Brian Casey wrote: Yeah, logic is the ggreat hope in terms of providing options I guess. Even if PT declines a b it, I guess efficient users like yourself would go a long way with basic accessability and short cuts, control surface mappings etc etc. I wouldn't rule out the RTAS thing being dropped soon enough if they fly through a few more versions. They were very fast flying from 9 to 10 it seemed to me. Brian. -- From: Kevin Reeves reeves...@gmail.com Sent: Wednesday, June 13, 2012 11:52 AM To: ptaccess@googlegroups.com Subject: Re: Whats the final word on PT10 accessibility Well, the way I see it, If everyone had access to a zip file that contained all the RTAS plugs, then, you could manually install them even if you were to be running 10.x. What will definitely kill us is if they no longer support RTAS, which would piss their user base off to no end. Even though I use this every day, I'm watching the same decline as you are. My hope is for Logic X to have some accessibility improvements. Then, I could sequence in Logic, and track audio, edit, mix, etc in Pro TOols. Everything all remains to be seen. Kevin
Re: Whats the final word on PT10 accessibility
Hi David, I agree! Unless your aware of a need its very hard to fill that need! :) Like I said before I'm on pt 9.3 and staying there until the dripping tap gets fixed! ;) Unless your independently wealthy or not using the new PT there isn't an urgency to act! Remember the Garget Note eventually gets fixed! You just half to target the solution! GUFFAWING :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 In GOD I Trust On Jun 12, 2012, at 9:07 AM, David Eagle wrote: I think we definitely have to be united and make Avid aware of what's going on. Any solutions to the issue that we could offer them would be helpful too. I'm not sure if threatening to go back to Sonar would work as I thought that Sonar is no longer accessible since 8.5. Personally, I am still using Sonar 8.5 to do my work at home, but I am goign to need to use ProTools professionally, so communication with Avid is really important for me. On 12/06/2012, Chris Norman chris.norm...@googlemail.com wrote: Hehe, no, true, but if you're only doing some basic stuff, this works. I'll have another stuff while I'm recording this afternoon, but I don't remember things being that terrible when I tried earlier. HTH. On 12/06/2012, Christopher-Mark Gilland clgillan...@gmail.com wrote: Yeah, but like you say, this gives me not much flexibility. Chris. - Original Message - From: Chris Norman chris.norm...@googlemail.com To: ptaccess@googlegroups.com Sent: Tuesday, June 12, 2012 7:08 AM Subject: Re: Whats the final word on PT10 accessibility OK all, I know it's not great, but I haven't looked into it much with regards to editing the parameters, but you can still change the presets, you just need to mouse click (vo-shift-space) on the controls. HTH. On 08/06/2012, Christopher-Mark Gilland clgillan...@gmail.com wrote: OK, Stefan. I'll try it then. Chris. - Original Message - From: Stefan Albertshauser stefan.albertshau...@arcor.de To: ptaccess@googlegroups.com Sent: Thursday, June 07, 2012 11:11 PM Subject: Re: Whats the final word on PT10 accessibility Hi, it works. I know it, because I made the change, when I had Version 10.1 Best wishes Stefan Am 08.06.2012 um 01:32 schrieb Christopher-Mark Gilland: I don't see that alias. Is that cause I downgraded back to 10.0? Is this only in 10.2? If this really works, then I'd be willing to try it again. Any guinepigs on here willing to try? Chris. - Original Message - From: Stefan Albertshauser stefan.albertshau...@arcor.de To: ptaccess@googlegroups.com Sent: Thursday, June 07, 2012 12:07 PM Subject: Re: Whats the final word on PT10 accessibility Hi, It is the new plugin format. Some plugins are still in the old RTAS Format and others are in the new Aax Format. If you want to use only the old plugins, go to applications / Avid/ pro tools. There, you will find an alias called AAX plugins. Click this. Then you are in the folder, where the AAx plugins are. Select all and delete them. If you then launch pro tools, you will find the old plugins and nothing else. If you want to update your pro tools, make sure, that in the installation program the checkbox called Avid Effects or so is unchecked. This is the only workaround, we have at the moment. If Pro tools 11 is out, we could have a possibility to control plugin parameters; use a control surface. For IOS devices, an app called pro remote is available. I wonder, if there isn't verbal feedback from the device. I can't test it, because I don't have an IOS device. But, if it works, there will be another possibility, we have. Best wishes StefanAm 07.06.2012 um 17:18 schrieb Ronald van Rhijn: Hi guys, I am a bit confused about the inaccessibility of the plugins as from pt10. Not everybody seems to have the same experiences. Is it the version of pt10 or osx or something else?What's the real story? thx, Ronald -- Take care, Chris Norman. !-- chris.norm...@googlemail.com -- -- Take care, Chris Norman. !-- chris.norm...@googlemail.com -- -- http://www.davideagle.co.uk
Re: Controlling plugin parameters with a control surgace
Hi Eric, Heres the short story! Make sure your midi track is displaying notes! :) Tab to get your midi track selection. Now go to the event menu. open up event operations. vo space on change velocity. Hit tab 1 time to hi light velocity field. Now punch in the new velocity on the num pad. Hit enter bang! the midi selection is changed to what you entered on the num pad! :) Jason reminded myself the other day that the velocity is also displayed in the edit window beside the counters also just like pt 5.1! ;) YMMV enjoy CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 6, 2012, at 3:39 PM, Eric Lambier wrote: Hey Chuck! I've read a few posts you've made re midi and am thankful for them. They've helped me out imensely. II've got a question for ya. I can tab and listen do my midi track but don't know how to see where volocity is or note duration. I'd like to be able to change these in step time. Any ideas? Many thanks! Eric On 2012-06-05, at 8:52 AM, CHUCK REICHEL wrote: Hi Jon, I use a control surface every day! Just stay with the default map! Contact me off list if you need some of the common maps? :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 4, 2012, at 10:42 AM, Jon Solitro wrote: Does anyone use a control surface to control plugin parameters? If so, do you just have to use the default map or have you found a way to program a custom map?
Re: Whats the final word on PT10 accessibility
Hi Stefan, rtas option goes By By in PT 11! :) The time is now for action! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 7, 2012, at 12:07 PM, Stefan Albertshauser wrote: Hi, It is the new plugin format. Some plugins are still in the old RTAS Format and others are in the new Aax Format. If you want to use only the old plugins, go to applications / Avid/ pro tools. There, you will find an alias called AAX plugins. Click this. Then you are in the folder, where the AAx plugins are. Select all and delete them. If you then launch pro tools, you will find the old plugins and nothing else. If you want to update your pro tools, make sure, that in the installation program the checkbox called Avid Effects or so is unchecked. This is the only workaround, we have at the moment. If Pro tools 11 is out, we could have a possibility to control plugin parameters; use a control surface. For IOS devices, an app called pro remote is available. I wonder, if there isn't verbal feedback from the device. I can't test it, because I don't have an IOS device. But, if it works, there will be another possibility, we have. Best wishes StefanAm 07.06.2012 um 17:18 schrieb Ronald van Rhijn: Hi guys, I am a bit confused about the inaccessibility of the plugins as from pt10. Not everybody seems to have the same experiences. Is it the version of pt10 or osx or something else?What's the real story? thx, Ronald
Re: I am not! happy! PT 10.2 Accessibility is broken badly!
I'll sign it! :) The squeaky wheel gets the grease! ;) BTW I'm on PT version 9.3 with Snow leopard and staying there until the smoke clears! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 5, 2012, at 7:44 AM, Christopher-Mark Gilland wrote: I totally agree! Slau? What is your advice seeing you are working very heavily, apparently with them on accessibility issues. Oh, and thank you for that by the way. NO seriously, I'm not being sarcastic, I really genuinely mean it. I'd be happy to start the petition, but where then do I take it when we get enough sigs? BTW, would you also believe I can't even go back to mp9. I forfitted my M-Powered 9 ilok license when I got pt 10. Avid refuse to help when I called them. All they gave me was get another ILok, and get another mp9 license which we can sell you. I wanted to say every word in the english book to them at that point plus spit in their face! How dare! they say that to me, after all the effort I put forth to get PT in the first place. I don't think my church would be very happy at all seeing they're the ones who paid for both my macbook, and my ProTools to start with, if they found out about this. If anyone has mp 9.05 and isn't using it, and is willing to transfer their asset, as they've upgraded, may I add, with another iloc so as not to lose the 9.0 asset, let me know. I may wind up having no choice. I'm warning you all now: 10.0 still works to a point, although there are some noticeable problems. Not many, but just enough for me to be deal breakers. Speaking a which, no one ever told me that PT 10.2 took more ram than mp9. Seeing I only got 2GB, and cannot afford to upgrade? I barely could afford the 3 easy payments through Sweet Water to Crossgrade to PT 10, let alone, that. I just hope my agent there can think of something to do in order to compensate for my loss, as I'm one angry! son of a gun right about now! Chris.
Re: Controlling plugin parameters with a control surgace
Hi Jon, I use a control surface every day! Just stay with the default map! Contact me off list if you need some of the common maps? :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 4, 2012, at 10:42 AM, Jon Solitro wrote: Does anyone use a control surface to control plugin parameters? If so, do you just have to use the default map or have you found a way to program a custom map?
Re: I am not! happy! PT 10.2 Accessibility is broken badly!
Hi Nick, I agree! Bring up the VoiceOver accessibility in a professional manor everywhere opportunity presents it self. One of my Avid contacts calls it the Dripping Tap Theory Anybody know who is the Avid CEO? Talk soon CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 5, 2012, at 2:17 PM, Nick Gawronski wrote: Hi, I am on 10 and have installed all updates that have come out and have been able to do things like add reverb to tracks as well as change the settings for the plugins like the wet and dry settings. I am also able to use the presets in the reverb plugins and so am not totally sure what plugins are having these accessibility issues. I really think we should write avid about these issues as if we don't make them aware of them they might break them even more. If they are doing any demos of products near where you live I think you should go to the demos and talk to them about the accessibility issues as if we can show them in person what issues we have they will probably will understand better about the accessibility and get it fixed. As voiceover is built into the mac I see no real excuse as to why accessibility should be ignored at this point. Nick Gawronski On 6/4/2012 9:11 PM, Christopher-Mark Gilland wrote: I just hope that Sweetwater will be willing to refund me, seeing that I am on the 3 easy payments. I do have a 10.0 dvd that I downloaded from the tiral. Didn't really play much with it but would my Ilok assett work with it as well as 10.2? Do you think Sweetwater could instead of upgrading me to 10.0, just upgrade me to full fledged 9.0.5? I really don't wanna be tied to m powered. Chris. - Original Message - From: Kevin Reeves reeves...@gmail.com To: ptaccess@googlegroups.com Sent: Monday, June 04, 2012 9:56 PM Subject: Re: I am not! happy! PT 10.2 Accessibility is broken badly! The problem is, avid moves to a proprietary plug-in format called AA X. We've all noticed that these AA X plug-ins are now broken. I'm not quite sure what to do about this, but that is the reason that I'm not upgrading to 10 yet. Because I had a demo of 10, and noticed that half of the plug-ins didn't work that were a a x Hence why I'm sticking with nine. Sent from my iPhone On Jun 4, 2012, at 9:08 PM, Christopher-Mark Gilland clgillan...@gmail.com wrote: OK, either I am doing something royally wrong, I'm just totally! profusely stupid, or something... I! just upgraded to PT 10.2. This isn't M P like i had before. This is the full PT 10.2 standard. I'm finding that over half the plugins that natively come with PT do not read any longer hardly at all, I can't click the librarian menus in hardly any of the plugins, unless I literally route my mouse pointer, then actually not jsut vo+space, but full on click with vo+shift+space. Then, I can't reach any of the perametors to make fine tuned ajustments, rather than helping my vocals, it made them sound God aweful right out of the box, as it literally cut automatically so much of the low end that not only did it just naturally with no processing cut all the mud out, it cut so! much out that now my vocals are ear bleeding piercing! I thought with the e q 3/7 band plugin, I could maybe notch up the lows around 200hz a bit, but nope? I can't get to a single one of the controls in the plugin. If I press vo+space on a plugin window, it doesn't seem to close. Instead it just shits there and does nothing. Routing the mouse pointer then doing vo+shift+space isn't working either. If I hit command W, it closes the window behind it, which generally is the mix window, instead of closing the plugin. Pressing shift+R, shift+S, or shift+M on any selected tracks isn't working. Within a plugin the plugin combo box window is reported the incorrect plugin that is loaded. It's saying something about plugin package A A something or another native. The truth! is I actually! have the 3/7 band e Q window up instead. What the hell! is the deal! This R'r'r'r'really! pisses me off something fierce! Lookat: I got a band coming to do a real late night recording session. I can't do anything! They refuse to use p t 9 as some of the gear they use isn't compatible with my old m p 9 so I can't just reinstall that. Yeah? Of course! I restarted Voiceover. many? Many! times. It did no good. I even restarted my whole macbook, with no help. I'm on 10.7.4 Lion. What! on earth! If this is how pt's gonna become and evolve to, then Im gowen back to Sonar! LOL! This is ridiculous! Chris.
Re: anyone have the structure presets
Hi Ronald, No we can't sleep until Avid's accessibility issues are cleared up! :) In this day and age there is NO excuse for Avid's complacency in doing whats needed to implement these simple fixes! :) If any body needs further clarification by all means give me a call!! :) I'm on the Great East coast of the USA!!! CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Jun 3, 2012, at 10:56 AM, Ronald van Rhijn wrote: Hey Chuck, So finally everything is clear to me and I can get some sleep again:) Thanks for providing the presets once again;) best, Ronald Op 3 jun. 2012, om 02:13 heeft J. R. Westmoreland het volgende geschreven: Roland made some pretty good stuff didn’t they. I have a JV35 which I reallyt like. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Saturday, June 02, 2012 3:41 PM To: ptaccess@googlegroups.com Subject: Re: anyone have the structure presets Hi Ronald, Actually one of my assistants made them last year because Avid has not made that part of the plug window accessible. :) I sent them to kevin like i said in the last email almost 2 years ago. I don't have the full version because I personally prefer my K2500 and roland fantom x6 to the instruments that shipped with my HD3 rig. Jason got the full version and he had his assistant do the same as I did about 6 to 8 months ago just so you have the chronological events correct now. GUFFAWING :) ;) CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust Talk soon On Jun 2, 2012, at 4:09 PM, Ronald van Rhijn wrote: Hi Baker420 (what is your callname if I may ask),Uou got the right ones which I have too. Tjhis is for the free version which comes with PT. don't know for sure, but think this is for all PT versions the same free limited version. There is no more presets to get for this one I believe. Okay now I am totaly confused, but nothing new..:) First I thought Kevin made the Free presets, now he says it was Jason for all of them, and now Chuck writes he made the 63 presets…. well, I am thankful to the one who really made them, thanks. best, Ronald Op 2 jun. 2012, om 19:26 heeft baker420 het volgende geschreven: hi chuck got the structure presets there's 63 of them i'm new i use pt mp9 is there more presets or no not sure have the le edition the one that comes with pt mp9 thanks On Jun 2, 1:06 pm, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Kevin, Does this include the first 63 Structure Free presets I sent you a year a half ago? ;) CHUCK REICHEL 954-742-0019www.SoundPictureRecording.com In GOD I Trust On Jun 2, 2012, at 9:18 AM, Kevin Reeves wrote: Just to clarify, Jason made all of these presets. Kevin
Re: Sounding midi notes when tabbing.
Hi Jason,, Here is a solution. Go to edit window and find the Track View selector button Make sure that notes is selected and not regions. I just went there and verified this. :) Again this will let you tab and edit the individual notes for that selected midi track. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com In GOD I Trust On Jun 3, 2012, at 4:19 PM, studiojay wrote: Hi every one, I need some help with the following problem. I have recorded some midi data on an instrument track. I have the track selected in the track list table. What I want to do is tab through the midi events on the track, and have each note sound each time I press the tab key to copy/delete notes etc. Both in the mix and edit windows, with the instrument track selected in the track list table, there is no sound when I press tab, but the counter moves. I know this because when I press play after pressing tab a few times from the beginning of the session, the session does not start from the beginning. I have tried turning tab to transients on and off with no luck. I know this is possible since Chuck actually showed me this in action on the phone, but we couldn't figgure out why it's not happening on my system. Thanks in advance for any help. Jason
Re: anyone have the structure presets
Hi Kevin, Does this include the first 63 Structure Free presets I sent you a year a half ago? ;) CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Jun 2, 2012, at 9:18 AM, Kevin Reeves wrote: Just to clarify, Jason made all of these presets. Kevin
Re: anyone have the structure presets
Hi Ronald, Actually one of my assistants made them last year because Avid has not made that part of the plug window accessible. :) I sent them to kevin like i said in the last email almost 2 years ago. I don't have the full version because I personally prefer my K2500 and roland fantom x6 to the instruments that shipped with my HD3 rig. Jason got the full version and he had his assistant do the same as I did about 6 to 8 months ago just so you have the chronological events correct now. GUFFAWING :) ;) CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust Talk soon On Jun 2, 2012, at 4:09 PM, Ronald van Rhijn wrote: Hi Baker420 (what is your callname if I may ask),Uou got the right ones which I have too. Tjhis is for the free version which comes with PT. don't know for sure, but think this is for all PT versions the same free limited version. There is no more presets to get for this one I believe. Okay now I am totaly confused, but nothing new..:) First I thought Kevin made the Free presets, now he says it was Jason for all of them, and now Chuck writes he made the 63 presets…. well, I am thankful to the one who really made them, thanks. best, Ronald Op 2 jun. 2012, om 19:26 heeft baker420 het volgende geschreven: hi chuck got the structure presets there's 63 of them i'm new i use pt mp9 is there more presets or no not sure have the le edition the one that comes with pt mp9 thanks On Jun 2, 1:06 pm, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Kevin, Does this include the first 63 Structure Free presets I sent you a year a half ago? ;) CHUCK REICHEL 954-742-0019www.SoundPictureRecording.com In GOD I Trust On Jun 2, 2012, at 9:18 AM, Kevin Reeves wrote: Just to clarify, Jason made all of these presets. Kevin
Re: universal audio 2 plugins
Hi Scott, They will display but might not be usable! Here is a example, the Waves H-Comp displays its parameters but unless you have a controller you can only look at them :) Its still usable though. Just mark a hotspot and tell VO to watch it and adjust to taste while VO reports the changes your making from your controller. In some cases you can VO Space bar on the parameter to return it to 0! The ua2 may be different though! I don't have that one yet! The TL Space IR reverb does respond with out a controller but extremely clunky! YMMV CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On May 3, 2012, at 6:42 AM, Scott Chesworth wrote: Surely if the parameters are automatable, VO would give us those values to work with in the plugins window? I was under the impression that's how the workaround Avid's guy implemented worked, but could be wrong. On 5/3/12, Gordon Kent dbmu...@cybernex.net wrote: Hello: The ua2 plug-ins are vst when using the pcie card. If you get their new firewire interface, I think they will run in protools on the mac, but I've never had occasion to try it. I wouldn't expect much fro Vo, but the parameters are automatable so with the right mapping we should be able to control them with a supported controler. Gord -Original Message- From: Poppa Bear Sent: Wednesday, May 02, 2012 3:10 PM To: ptaccess@googlegroups.com Subject: Re: universal audio 2 plugins I was looking into the same thing, and would be intrested in any feed back as well. - Original Message - From: Brian Howerton bshowert...@gmail.com To: ptaccess@googlegroups.com Sent: Wednesday, May 02, 2012 11:06 AM Subject: universal audio 2 plugins Hello folks, I have another blind friend who is thinking of switching to protools, but he has universal audio 2 plugins that he uses. Has anyone had any success using these with protools and vo? This would be a huge selling pint for him to switch to pt if we can use UA plugins in protools and vo and he wanted me to ask if anyone had success doing this. Thanks, Brian=
Re: New AAX Plug-ins.
Hi Stefan, Yes when they get to 64 bit TDM rtas will be history! My HD3 system is subject to the Second Law of Thermodynamics - just like everybody's pt system is! ;) Thats why we half to be constantly moving towards the future systems and there Accessibility! Talk soon On Apr 29, 2012, at 4:34 PM, Stefan Albertshauser wrote: Hi, This works until a new update (I guess 11) will be out. I don't know, if it takes one year, or more. After that time, there is a solution required. Slau, once you told us, that you were trying to get a date with the hat quarter of Avid. Did such an appointment take place? And when: Were you able to figure out, what could be with AAX and accessibility? Best wishes Stefan Am 29.04.2012 um 19:18 schrieb Poppa Bear: Start hording the RTS so you don't find your self up the creek. . -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Sunday, April 29, 2012 6:10 AM To: ptaccess@googlegroups.com Subject: Re: New AAX Plug-ins. Hi Jason, Raise the red flag while there is still a flag pole! :) YMMV On Apr 29, 2012, at 8:56 AM, studiojay wrote: studiojay wrote: Hi every one, Avid is converting more and more of their included plug-ins to the new AAX format and leaving RTAS behind. Does this affect accessibility of these plug-ins? For example, is this why the new channel strip included in pro tools 10 is not accessible? Thanks for any help. JasonHi, No one has responded to this topic, but this is worth a discussion, because if these AAX plug-ins are not accessible, it could impact us all. AAX seems like the way that all pro tools plug-ins may go, and on the air users blog, now pro tools expert site, the is an AAX data base, and it is growing every day with more and more 3rd party manifactures jumping onboard. This is an important 1 people. The fact that we can't use the channel strip included in pro tools should rase red flags. Jason
Re: Slau, if u get this by 2:30 NY time
Hi Joe, I agree with Slau Vin, WAIT! :) DID you get my email this morning joe? :) YMMV On Apr 21, 2012, at 2:27 PM, Vinny Pedulla wrote: Joe! Don't buy this guy's story. The Control 24 is already missing support for new features like HEAT. I could only imagine that the Pro Control even more so. As to my knowledge they are still supporting the C24, but my impression is that they are moving to the Euphonix as their entry level surface and the d-command ext as their high end stuff. Also remember that the C24 will only work with Pro Tools. I agree with Slau I would go for the C24 if I had to make a choice. One last thing: why the rush? Are you really pressed for a surface today? This guy just wants to dump his stuff on you. If you think you are willing to commit to PT, then invest the cash in the C24. As for the HD question, I would consider what kind of projects you plan on doing. The native stuff is probably more than you may need any way. Add to the many options for interfaces and you have a lot of possibilities available. Just spend some time thinking about your budget and work flow needs and make an educated decision. Hope this helps, Vinny - Original Message - From: Slau Halatyn slauhala...@gmail.com To: ptaccess@googlegroups.com Sent: Saturday, April 21, 2012 2:08 PM Subject: Re: Slau, if u get this by 2:30 NY time Emailed you directly. On Apr 21, 2012, at 1:41 PM, Sonar Switcher wrote: I'm leaving to go pick one up in an hour. Just some more quick info, the Pro Control is with the fader packs and monitor section so it is 24 faders and the guy claims it does better with mapping plugins than the C|24. I hope u get this before I leave. Does that change anything? He seems to really be pushing me to get the Pro Control although the C| 24 is newer and doesn't come with that crazy desk. Is the price good for either one?
Re: Something else very very strange
Hi Kevin, This behavior happens to me when I have more than 12 tracks showing. Closing and re opening the window usually clears it up also. I posted on this very topic about a year ago it should be in the archives. YMMV CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust Happy Resurrection Day! :) On Apr 7, 2012, at 1:09 PM, Kevin Reeves wrote: Jason had this problem as well. It's voiceover being strange. Try restarting voiceover, Pro TOols, or your system. That should fix things. I was on a call, that's why I didn't answer, but I'm actually leaving soon to head out for the day. If you want to get together Monday or something, we can do that. Kevin
Play Edit Selection
Hi Nick Slau, to Play Edit SelectionHit option Left bracket to play the edit. Talk soon Chuck YMMV On Apr 5, 2012, at 8:59 PM, Slau Halatyn wrote: Hi Nick, Go under the setups menu to Preferences. In the Preferences dialog, check the box for Insertion Follows Scrub. Also, if you want the insertion to follow playback, there's a checkbox for that too but there's a keyboard shortcut which is Control-n. That'll toggle the behavior. One important thing to note about insertion following playback: If you make a selection within a range, playing back will lose your selection. When insertion does not follow playback, your selection range will be maintained. That said, an alternative is to use the Play Edit Selection shortcut (which I don't remember off the top of my head). HTH, Slau On Apr 5, 2012, at 8:45 PM, Nick Gawronski wrote: Hi, I finally got my digi 003 working by connecting it directly to the mac book pro rather then the hard drive as it has an e sata connector so I can buy an express card adapter to connect the drive this way and get faster transfer speeds. I like the fact that you can use the inserts and hear echos and other effects in real time then bus and use aux tracks to record them if you wish. One small issue I am having is if I stop a track it returns to the beginning of the session and not just pauses it and if I use the shuttle whele and go back or forward it always plays at a certain spot not where I stop the movement of the sound is this a known issue as I had to upgrade the firmware on my digi 003 when I first connected it? Are firmware updates still beeing released for this device or not? Nick Gawronski
Re: setting initial time signature
Hi Christopher Slau, The click/count off is located under Set UP menu. After the set up menu is open, hit the letter c and Click/Countoff … gets selected. Vo space on Click/Countoff … and have fun! ;) 1 thing to remember!!! You must use the tab key to get any thing happening once your in the window. At least in Sunrise FL! YMMV Chuck On Apr 6, 2012, at 12:03 PM, Slau Halatyn wrote: I don't use the Transport bar. I'm referring to the Transport window, Command-1 on the num pad. The button toggles the countoff feature. I don't know how to go about changing the number of bars for count-off as I rarely use that feature. I think that possibly a double-click just above that button might do it. I would route the mouse to the button and move it up slightly and try. Let us know if you're successful. HTH, slau On Apr 5, 2012, at 9:21 PM, Christopher-Mark Gilland wrote: I assume that transport bar is in my edit window? Also, what is it doing by hitting that button, is that actually doing the count off, or is that only toggling it, so when I hit F12 to record, it'll do it. Finally, if I need more than 2, how does one change it? Chris. - Original Message - From: Slau Halatyn To: ptaccess@googlegroups.com Sent: Thursday, April 05, 2012 4:58 PM Subject: Re: setting initial time signature Chris, I believe the default count-off is 2 bars. In the Transport window, go to the MIDI cluster and press the count-off button. Test it. See if it works. HTH, Slau On Apr 5, 2012, at 3:22 PM, Christopher-Mark Gilland wrote: Thank you Slau. That helps tremendously! I actually was wonderring myself how to do this. OK, one more thing I wanna know how to do: How do I set a count off event? so for example, I want the metronome to count on a 4/4 song, 2 bars. So, it won't even be recording the first two bars. This way I get a 1, 2, 3, 4! 1, 2, ready, go! Chris.
Re: A few very basic questions.
Hi Kevin, Just Command click on the solo for the track or tracks you want to keep soled and Bang! You can hide it and it will still be heard. I'v been using this method for the past 11 years for my Head set aux which is pre fader. My head set aux sometimes stays hidden for the whole session but keeps passing the audio to my studio rooms. Also works nice for checking the reverb for a snare to make sure its just right! ;) :) YMMV I have another extremely powerful method for doing this but thats all for now :) Talk soon CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Apr 2, 2012, at 10:51 PM, Kevin Reeves wrote: Hey man. When you hide tracks, they unsolo. That's actually a good feature, as it helps me 0 everything out if I get lost and not sure what is soloed and what isn't. When we do our training session this week, we'll focus on that and figure out what your needs are and how we can get the results you desire. Kevin
Re: best method for reading pro tools 10 documentation the accessible way with voiceover and navigating it
Hi Nick, When reading a pdf I use hot spots to come back to where i left off. :) I agree we all must keep letting Avid know were out here! YMMV CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Apr 1, 2012, at 11:33 PM, Nick Gawronski wrote: Hi, yes and it works but then again you lose the ability to move between sections of the manual. I guess one could then take that document and put it on a talking book player to read it is there a way to export it as html so you at least get the headings preserved? Nick Gawronski On 4/1/2012 9:42 PM, The Oreo Monster wrote: did u try the method suggested here of copying and pasting the text into text edit? - T.O.M On Apr 1, 2012, at 9:49 PM, Nick Gawronskin...@nickgawronski.com wrote: Hi, When trying to read the intro to pro tools document as well as all of the other manuals and start preview I hit voiceover and a and get chopt off words where the first charactor or sometimes half the word is not spoken. I don't want to have to hit the down errow everytime in order to read a document. Also when I try navigating the table of contence all I get is partial words and I have tried going all over the screen reading portions of words but can never find the item I need as when I find a section I want to read I get put back at the top of the document when I move back to the main text area and interact with it. I was trying to import a track from a CD to test out some basic moving around but again numbered buttons which do nothing in the work space window when pressed. Someone really needs to come out with some type of audio tutorial on basic steps for the new pro tools user either for the totally beginner or for those users who have done editing on a pc. I am not saying at all that the audio tutorials we have now are bad in any way as listening to those is what made me buy pro tools 10 in the first place but with nothing more to follow along with and trying to find someone who knows pro tools who can train me on it as I already know voiceover has been very tricky as if I could just find the training or tutorials and yes I would pay for good quality ones if they existted that would not only help me but lots of us new users who are trying to go to school or learn this for a job or in my case both. We really need to make Avid aware of these accessibility issues in the areas of pro tools that need improovment so I encourage everyone to write to avid about these as the more people who point them out to avid the more likely they will fix them. In helping developers make windows programs accessible I always point them at http://www.microsoft.com/enable and find that if you have sites for these developers to look at that explain accessibility for a ll screen readers not just one they are more likely to make their software accessible. I do think it is great that we can use pro tools but again these issues need to be handled quicker then they are currently getting handled and we need more resources including having them pointed out in the documentation that avid writes. I did mention this list to them in my survey I got about a month after I bought and registerd my pro tools system. We do need to be nice about the accessibility when we point out issues as well as appear at events where avid is showing off products and show the people there the issues as if they see it in action they are more likely to fix them. Does it matter in what order I install the software first pro tools then the drivers for my digi 003 and how do you open the bundles that appear in the documentation folder as when I select them I go into terminal with no pdf files when I do ls and or change into the directories? Nick Gawronski
Re: last week's conference call
Hi David, Its not the Eagle pun that counts! Its when the Eagle flies! :) Always remember to watch out for that Garget Note when Navigating!!! ;) Chuck On Mar 29, 2012, at 8:54 AM, David Eagle wrote: Aaah, the old Eagle puns. As a form of comedy I'm not sure that Eagle puns will really take off hahaha! Take off. O yes I've heard them all before so don't get in a flap if you can't think of any more. Flap, hahahahaha! When it comes to thinking up Eagle puns, you can pretty much say anything, just say it with confidence and people will believe it's a rock-solid pun. Trust me, when it comes to coming up with Eagle puns you can just wing it. Wing it, hahahahaha! Although if you think you can come up with an Eagle pun that I've never heard before then you're on a flight of fancy. Hahahaha! flight! hahahah! etc etc. Thanks for the invite Scott, I am now honoured to be a member of the conference call folder. I have been waiting eagerly - hahaha, eagerly, sounds like Eagle but with a bit extra on the end - - to hear the first conference call. Thanks again my friend On 29/03/2012, Scott Chesworth scottcheswo...@gmail.com wrote: David and Jean-Phillippe both invited now. On 3/29/12, Jean-Philippe Rykiel jpryk...@gmail.com wrote: Me to, please. Best, JPR http://www.facebook.com/jprykiel http://myspace.com/jeanphilipperykiel - Original Message - From: David Philip Martin Babula Hole To: ptaccess@googlegroups.com Sent: Thursday, March 29, 2012 1:09 PM Subject: Re: last week's conference call Hi. Could I also get access to it? Sendt fra min iPhone Den 29. mars 2012 kl. 12:21 skrev Scott Chesworth scottcheswo...@gmail.com: Hey Brian, Mike set up a Dropbox folder for the conference calls. I've jsut added you to the list of members, so you should be getting an email from Dropbox any second now. Hth Scott On 3/29/12, Brian Howerton bshowert...@gmail.com wrote: Hello folks, I tried replying to a message earlier regarding this, but wasn't sure if it went through. If anyone has the mp3 of the conference call from last wee, would someone mind please emailing it to me? Thank you! Brian -- http://www.davideagle.co.uk
Elastic audio is usable! :)
Elastic audio is usable! :) Long explanation Read the PT manual! ;) Short story! Import a drum loop in to PT. Click on the Elastic Audio Plug-in selector button in the edit window. Select ✓ Rhythmic from the list, because it's a Drum loop. Next click on the Timebase selector and choose (ticks) allowing the audio to dynamically change along with the tempo as if it were midi. OK thats it! :) Now the fun!!! Go to Regions menu and select Conform to Tempo and bang the drum loop is now playing back in time with your pt session tempo! If you want to transpose say a melodic elastic audio loop just go to transpose window and bang it up or down to taste! Also quantization of the elastic audio is available if you want. Just a note I accomplished this using a PT HD3 system running pt 9.3.. Chuck's USA proverb! Never Listen to People that say it can't be done LOL That's it for now have fun. GUFFAWING :) :) :) YMMV! CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust
Re: Elastic audio is usable! :)
Hi Kevin, How goeth it? I'm not sure about just a region because it was just a drum loop the second time i tried it. The first time the loop had keys in it and transposed just fine for the little snip i had in the session. Even quantizing worked! Talk soon YMMV On Mar 27, 2012, at 1:09 PM, Kevin Reeves wrote: Weird thing is, I figured out how to just make it a static elastic track where you could change tempo here and there. But that was during the beta cycle, and I couldn't duplicate it. Changing pitch, now that's important. Can we do this to a region of audio, or just the whole track. This would be good for quick tuning and such. Kevin
Re: Automation snap shots
Hi Steve, First thing to do is to only show that track you want to work on to avoid confusion. Next find the Track View selector button in the edit window for that track. VO space bar on the Track View selector button and choose Volume Next Hit command 4 on the num pad to get in to the automation window and make sure that Volume automation is checked. Next scrub in the track and then hit command A to select the Volume for the entire track. Now hit Write to Current the key command is command slash This will write the currently displayed volume setting across the whole track so when you write automation to that track it will return to the original volume you set. Now find the section of your track you want to change the volume and set edit in and edit out points or in other words make a selection! Change the volume fader for that track but do not hit play Un till you do this next step. Hit the key command Trim to Current by hitting command shift slash this will set the track to that new volume change you chose only for the selected section of your track. Bang your done hit play! :) If you don't like hit command z! ;) and try it again until you reach the desired level! LOL YMMV Call me for fine details if you want. I'm sure others have varying methods but this has been working for the past 11 years for me?! GUFFAWING :) YMMv On Mar 18, 2012, at 2:55 PM, Steve Martin wrote: Hello, Been reading the manual trying to figure out how to do automation snapshots. Basically i have a project i am working on that starts out with 2 instruments and i want to drop the volume of one when the third instrument kick in. I cand so far see how to do fade in/out and volume automation using the fader and moving it during playback. But is there a way to set the volume at specific levels and have it automatically snap to those different levels during playback withough using the fader approach?
Re: Selecting more than one track
Hi Sonar, After working with different producers on sessions the length of the track name seems to be a factor also. In other words the shorter the track name the less the Track List Table has to be moved. I came up with 30% to the right about 2 years ago and it works even for my long winded track names! :) I half to try that VO resize window command and see if it works for me! Thats 1 of the reasons I work from templates. When the clock is ticking there is no time for guesswork! LOL Since 2001 when I started using PT 5.1 resizing windows was a NO NO because my Outspoken go to marks would get messed up! ;) Thats probably why I didn't try that. YMMV again GUFFAWING :) CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Mar 16, 2012, at 4:39 PM, Sonar Switcher wrote: david, I had the same problem and Chuck was the one to get it to work. I understand Slau's idea but it's not very practical if you have to move fast. I can have 40 tracks loaded and thanks to Chuck select any of them in seconds for example track 1-6-10-20-36 can be selected while leaving the others untouched without hiding, grouping etc. Use an actual mouse, go to the track table, interact with it, click the mouse or VO spacebar on the first track then just move through the table and command click the actual mouse on each track you want to select. The biggest prob I had at the beginning was not understanding you need a mouse and not VO spacebar for this. Chuck, the answer to not needing sighted help for the gray bar is to use the VO resize window command until you are sure the mouse is always where you need it to be. In my case I've had to resize different ways for different sessions because of too many tracks. Usually I get it in 2 or three tries of resizing. You also need the true mouse to do other things like solo safe and general commands that won't work with VO and mouse modifier keys. David Eagle wrote: Hi, I have just listened to Kevin's tutorial on ProTools. He talks about selecting tracks. I am finding it a bit of a challenge. I am in the tracks table. I can select one track with VO space, but pressing Shift and semi-colon or Shift and P does not select the next track. Also, Kevin mentions not being able to select consecutive tracks. He mentions being able to do this using a control surface but not with the keyboard. Is there anyway to select - say - track 3, 5 and 7 with the keyboard. It's a shame that PT haven't built it into the control click menu for the track. It would be so easy to do. Any thoughts would be much appreciated. -- http://www.davideagle.co.uk
Re: Authorisation success
Hi David. Success at last! Nothing like a PT session that boots up doesn't bail out! :) Just watch out for that Garget note When using Auto-tune7! ;) Chuck Talk soon On Mar 12, 2012, at 2:04 PM, David Eagle wrote: Hi, just to let you know that I managed to get ProTools registered. I called customer support because my registration failed and they have given me the information I needed. I have successfully upgraded to Pt10.01 and it is running. Now I just need to remember how to use this thing. I've only used it very minimally before. -- http://www.davideagle.co.uk
Re: Can't read level meters with Voiceover.
Hi Jason, Short answer is only show the tracks your recording to. When there are to many tracks showing I have noticed this behavior. It seems when I am showing 12 or 16 tracks or more the meter plays hide and SeeK! GUFFAWING :) Something else to try is to scroll track in to view from its contextual menu. Try hitting page up to clear up this also. Also close and reopen all windows. Last ditch effort close the session and reopen session this almost always clears up whack behavior! ;) I use hotspots to monitor levels so when I am off in other pt places I always have the meter being read out to me. ;) Jason did you get my emails? Give me a call? CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Mar 11, 2012, at 6:26 AM, studiojay wrote: Hi everyone, Can some one please help me with the following problem? When I interact with an audio track, then voiceover over to the track meter, voiceover just says Level Meter. But does not read out the value? I am trying to set my recording level. I have the correct input set from my audio interface, and when I record, I am getting audio playback, my sighted help can actually see the meter moving. It's just that voiceover can't see the value. I am using Pro Tools 10 with Lion. Thanks in advance for any help. Jason
Re: Scratching
Hi Jon, I have a friend that does scratching this way. Bounce the vocal rap track and burn a cd then put it into a DJ cd player that can scratch and take audio out from dj box and bang it in to pt! Now you can move it into position in pt if you don't scratch in time! :) Its quick but works fine. May be someone has a better way but this will get er done! :) YMMV On Mar 8, 2012, at 12:26 PM, Jon Solitro wrote: Hey all, Does anyone know how to put the effect on vocals like a DJ is holding the spinning record and stopping it to give it that scratching and quick repeating effect? I'm doing an album for a hip hop artist and he asked if I could do that to one section of the vocals and I have no ideabut of course I said Sure! Thanks!
Re: How to select multiple tracks without a controller.
Hi Sonar, VO space bar also works when the Track List Table is expanded to the right. Call if you want. I'm on the east coast of the USA! :) CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Mar 8, 2012, at 3:10 PM, Sonar Switcher wrote: Hello Chuck and thanks very much for the great tip. Unfortunately my mouse doesn't seem to be responding to your suggestion. I had a person change the gray bar between 30% and more but still the mouse always announces apple menu is under the mouse when I check it with VO F5. If the offer still stands about giving you a phone call maybe that would be a good idea to not fill up this board with posts. I'm in LA so let me know what your time schedule is and your number please. CHUCK REICHEL wrote: Hi Sonar, All you half to do is to Command Click the track with the mouse while in the Track List Table and bang discontiguous tracks will be selected! :) Heres the Rub! ;) You half to make sure the Track List Table Is resized over to the right about 30% by having some one grab the gray bar at top right of Track List Table. Thats it! No sweat? YMMV Give a call if you want. On Mar 7, 2012, at 4:08 PM, Sonar Switcher wrote: Hi Kevin, I'm a big fan of your music, really awesome, especially the metal stuff. :) I found 1 podcast from you explaining Pro Tools basics and 2 more about editing. Are there any more around, please do more because you explain things in a way that's more logical than reading through these messages. When you say show only the tracks you're working with do you mean go through every track and hide the others in order to select the tracks you want to edit? That seems like it would take forever if you were working with 30 or more tracks and wanted to edit say 2, 10, 17, 23 etc. Is this the main reason people on here have control surfaces? I don't get why Pro Tools doesn't have an easy way to select tracks that aren't right next to each other. Also, can you please tell me where I have to be to use the command A option and highlight all of the tracks? I've tried the mix and edit windows and the track table but command A doesn't work for me yet. Kevin Reeves wrote: One way to do it is to show only the tracks you are working with. Then, in the track list, when you are using shift, control, P or Semi Colon, only the tracks that are showing will be selected. Hope this helps. Kevin On Mar 7, 2012, at 12:04 PM, Sonar Switcher wrote: Hello is that really the only way? With sonar it was so easy to just move down and select any track you want in any order. Is there no way in Pro Tools to shift click or anything like that? If I want to highlight all tracks for editing with command A what section of Pro Tools do I have to be in? Sonar Switcher wrote: Hello how can I select tracks for editing that aren't next to each other with the keyboard. It's a standard keyboard, not a laptop. I read about selecting tracks with control p and semicolon but what if they're not next to each other?
Re: Scratching
Hi Chris, Vari-Fi does a great job of slowing down the track, but does not scratch to my knowledge. My Hip-Hop clients love it. Just make a selection on the word or phrase and bang! CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Mar 8, 2012, at 5:22 PM, Chris Norman wrote: Also you could try VarIfi or whatever it's called in the audio sweet menu, but not sure how much milage you'll get out of that. Goldwave to perhaps? Not sure, it does seem a bit of a tall order LOL, but huh anyways. Take care, Chris Norman Email and MSN: chris.norm...@googlemail.com Feel free to follow my music, either by following @cnproject on Twitter (www.twitter.com/cnproject), or by liking my Facebook page at www.facebook.com/thechrisnormanproject. On 8 Mar 2012, at 18:45, CHUCK REICHEL wrote: Hi Jon, I have a friend that does scratching this way. Bounce the vocal rap track and burn a cd then put it into a DJ cd player that can scratch and take audio out from dj box and bang it in to pt! Now you can move it into position in pt if you don't scratch in time! :) Its quick but works fine. May be someone has a better way but this will get er done! :) YMMV On Mar 8, 2012, at 12:26 PM, Jon Solitro wrote: Hey all, Does anyone know how to put the effect on vocals like a DJ is holding the spinning record and stopping it to give it that scratching and quick repeating effect? I'm doing an album for a hip hop artist and he asked if I could do that to one section of the vocals and I have no ideabut of course I said Sure! Thanks!
Re: How to select multiple tracks without a controller.
Hi Sonar, All you half to do is to Command Click the track with the mouse while in the Track List Table and bang discontiguous tracks will be selected! :) Heres the Rub! ;) You half to make sure the Track List Table Is resized over to the right about 30% by having some one grab the gray bar at top right of Track List Table. Thats it! No sweat? YMMV Give a call if you want. On Mar 7, 2012, at 4:08 PM, Sonar Switcher wrote: Hi Kevin, I'm a big fan of your music, really awesome, especially the metal stuff. :) I found 1 podcast from you explaining Pro Tools basics and 2 more about editing. Are there any more around, please do more because you explain things in a way that's more logical than reading through these messages. When you say show only the tracks you're working with do you mean go through every track and hide the others in order to select the tracks you want to edit? That seems like it would take forever if you were working with 30 or more tracks and wanted to edit say 2, 10, 17, 23 etc. Is this the main reason people on here have control surfaces? I don't get why Pro Tools doesn't have an easy way to select tracks that aren't right next to each other. Also, can you please tell me where I have to be to use the command A option and highlight all of the tracks? I've tried the mix and edit windows and the track table but command A doesn't work for me yet. Kevin Reeves wrote: One way to do it is to show only the tracks you are working with. Then, in the track list, when you are using shift, control, P or Semi Colon, only the tracks that are showing will be selected. Hope this helps. Kevin On Mar 7, 2012, at 12:04 PM, Sonar Switcher wrote: Hello is that really the only way? With sonar it was so easy to just move down and select any track you want in any order. Is there no way in Pro Tools to shift click or anything like that? If I want to highlight all tracks for editing with command A what section of Pro Tools do I have to be in? Sonar Switcher wrote: Hello how can I select tracks for editing that aren't next to each other with the keyboard. It's a standard keyboard, not a laptop. I read about selecting tracks with control p and semicolon but what if they're not next to each other?
Re: Protools busy and interacting?
Hi John, Give a call tomorrow if you want and we'll walk through some of the stuff faster. I am on the east coast of the USA CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust Talk soon On Feb 29, 2012, at 7:53 PM, John Boral wrote: Hey all, thanks so much for the great replies. Slau, no, I can't use a control surface in a live club situation. These are large venues 5000 + people and usually 5 engineers. I'm required to be quick while bands are setting up which is why my posts keep talking about doing things in a fast way. I'm trying not to interact as much as I can so I can quickly move through tracks and select them. Chuck's idea is the one I'd love but it's not working for me. Chuck, I had my GF resize the window many different ways but unfortunately VO is not catching your selection idea. Again, it seems however the window is resized when I press VO space on a track it just beeps. Slau, I'm not sure what you mean about scrubbing through a track but I can't use a control surface until I'm home and then I can use a motor mix which I hope someone out there can let me know if that will do the job. It worked great in PT 5. Gord and Chris, the Protools is busy message is totally nuts. It doesn't stop until I actually force quit and restart the machine. I did try turning VO on and off but nothing. I have 2 machines, 1 with Lion 7.2 and 1 with SL 6.8. They are both new 8 and 12 core machines and the same behavior with everything happens on both. I'm using PT HD9 in case anyone thinks that could be giving me trouble. Lots of ppl talk about making sure the mouse is routed correctly but when I have someone look at where my cursor is many times it's nowhere near where it should be. For example, when I'm in a track list VO is reading stuff to me that the mouse is not even close to. I do rout the mouse to VO and tried VO to mouse but it seems many locations don't move together. I've tried multiple ways of cursor tracking on and off and it's also not all of the time. Our ideas here seem to be that VO goes out of a window sometimes while interacting and the mouse isn't able to get to it.
