Re: (313) Dale Lawrence
Hey Neil, That might be hard considering I sold my MPC2000xl to buy a laptop because I like shooting myself in the proverbial foot from time to time... haha I've gotten a few emails asking about the myspace address. I just made it so it's nothing special but it's at http://www.myspace.com/theoremthx Someone stole my name. If I were guns and roses* I could sue for it. Damn! *Sorry, I meant Guns'n'Roses At 06:14 PM 9/20/2005 -0400, you wrote: hey dale long time no hear words for you good to hear that you arestill at it and that you didnt fall for the old I grew up excuse, real life does some times take over but when your making music because you just like to make music it never leaves you as your just proved to everyone... :) we have to have you back up here in toronto some time again...
RE: (313) Dale Lawrence
They SHOULDN'T be able to steal your name if you can prove you were using it first. It's happened in hip hop a few times. Common had to drop the Sense from his name because of some obscure band named Common Sense who had been using it before him. The Notorious B.I.G. was originally Biggie Smalls, but another rapper had already been using the name, so he couldn't. -Original Message- From: Dale Lawrence [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:09 PM To: 313@hyperreal.org Subject: Re: (313) Dale Lawrence Hey Neil, That might be hard considering I sold my MPC2000xl to buy a laptop because I like shooting myself in the proverbial foot from time to time... haha I've gotten a few emails asking about the myspace address. I just made it so it's nothing special but it's at http://www.myspace.com/theoremthx Someone stole my name. If I were guns and roses* I could sue for it. Damn! *Sorry, I meant Guns'n'Roses™ At 06:14 PM 9/20/2005 -0400, you wrote: hey dale long time no hear words for you good to hear that you arestill at it and that you didnt fall for the old I grew up excuse, real life does some times take over but when your making music because you just like to make music it never leaves you as your just proved to everyone... :) we have to have you back up here in toronto some time again... -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005
Re: (313) German translation wanted for Debug review
It says The BP remix is the bomb and everybody on the 313 list should buy this record or else. Well, my German phrase book is a little old. SC Concrate Soul Collective: Electronical funk with soul vol 1 (Digital Soul SC records) SC Schon wirklich ein ziemliches Meisterwerk diese EP auf der das Concrete Soul SC Collective nicht einfach nur smoothe etroittracks macht, sondern sich so in SC die Melodien vertieft, dass man sofort auf eine andere Ebene geführt wird in SC der die Grooves und Melodien eine Allianz eingehen die einen die Augen SC schliessen lässt und bis zum nächsten Tag durchtanzen lassen dürfte. SC Magische Tracks die einfach nur immer deeper werden. Sehr schön. SC * -- Brian balistic Prince http://www.bprince.com - art and techno
RE: (313) Dale Lawrence
OOOH!!! I was thinking that someone stole the Theorem name professionally. Nevermind... I'm running on 5 cans of Rockstar right now... -Original Message- From: Derek Plaslaiko. [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:24 PM To: George Jones IV - Logic7 Cc: 'Dale Lawrence'; 313@hyperreal.org Subject: RE: (313) Dale Lawrence breathe deep, george. its only myspace. ;) derek. On Tue, 20 Sep 2005, George Jones IV - Logic7 wrote: They SHOULDN'T be able to steal your name if you can prove you were using it first. It's happened in hip hop a few times. Common had to drop the Sense from his name because of some obscure band named Common Sense who had been using it before him. The Notorious B.I.G. was originally Biggie Smalls, but another rapper had already been using the name, so he couldn't. -Original Message- From: Dale Lawrence [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:09 PM To: 313@hyperreal.org Subject: Re: (313) Dale Lawrence Hey Neil, That might be hard considering I sold my MPC2000xl to buy a laptop because I like shooting myself in the proverbial foot from time to time... haha I've gotten a few emails asking about the myspace address. I just made it so it's nothing special but it's at http://www.myspace.com/theoremthx Someone stole my name. If I were guns and roses* I could sue for it. Damn! *Sorry, I meant Guns'n'Roses™ At 06:14 PM 9/20/2005 -0400, you wrote: hey dale long time no hear words for you good to hear that you arestill at it and that you didnt fall for the old I grew up excuse, real life does some times take over but when your making music because you just like to make music it never leaves you as your just proved to everyone... :) we have to have you back up here in toronto some time again... -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005
RE: (313) Dale Lawrence
I prefer the Monster Assault drinks... the can just looks cool with all those grayscale camouflage shapes and it keeps me awake for a month straight. Rational reasoning goes out the door though... just ask my girlfriend. At 04:27 PM 9/20/2005 -0700, you wrote: OOOH!!! I was thinking that someone stole the Theorem name professionally. Nevermind... I'm running on 5 cans of Rockstar right now... -Original Message- From: Derek Plaslaiko. [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:24 PM To: George Jones IV - Logic7 Cc: 'Dale Lawrence'; 313@hyperreal.org Subject: RE: (313) Dale Lawrence breathe deep, george. its only myspace. ;) derek. On Tue, 20 Sep 2005, George Jones IV - Logic7 wrote: They SHOULDN'T be able to steal your name if you can prove you were using it first. It's happened in hip hop a few times. Common had to drop the Sense from his name because of some obscure band named Common Sense who had been using it before him. The Notorious B.I.G. was originally Biggie Smalls, but another rapper had already been using the name, so he couldn't. -Original Message- From: Dale Lawrence [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:09 PM To: 313@hyperreal.org Subject: Re: (313) Dale Lawrence Hey Neil, That might be hard considering I sold my MPC2000xl to buy a laptop because I like shooting myself in the proverbial foot from time to time... haha I've gotten a few emails asking about the myspace address. I just made it so it's nothing special but it's at http://www.myspace.com/theoremthx Someone stole my name. If I were guns and roses* I could sue for it. Damn! *Sorry, I meant Guns'n'Roses At 06:14 PM 9/20/2005 -0400, you wrote: hey dale long time no hear words for you good to hear that you arestill at it and that you didnt fall for the old I grew up excuse, real life does some times take over but when your making music because you just like to make music it never leaves you as your just proved to everyone... :) we have to have you back up here in toronto some time again... -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005
RE: (313) Dale Lawrence
hell... It takes me 2 cans of Rockstar to get me to the point of rational thought (I get very little sleep, 4 kids...). I need 3 to stay awake, the last two were 'cause I like the taste. -Original Message- From: Dale Lawrence [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:33 PM To: 313@hyperreal.org Subject: RE: (313) Dale Lawrence I prefer the Monster Assault drinks... the can just looks cool with all those grayscale camouflage shapes and it keeps me awake for a month straight. Rational reasoning goes out the door though... just ask my girlfriend. At 04:27 PM 9/20/2005 -0700, you wrote: OOOH!!! I was thinking that someone stole the Theorem name professionally. Nevermind... I'm running on 5 cans of Rockstar right now... -Original Message- From: Derek Plaslaiko. [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:24 PM To: George Jones IV - Logic7 Cc: 'Dale Lawrence'; 313@hyperreal.org Subject: RE: (313) Dale Lawrence breathe deep, george. its only myspace. ;) derek. On Tue, 20 Sep 2005, George Jones IV - Logic7 wrote: They SHOULDN'T be able to steal your name if you can prove you were using it first. It's happened in hip hop a few times. Common had to drop the Sense from his name because of some obscure band named Common Sense who had been using it before him. The Notorious B.I.G. was originally Biggie Smalls, but another rapper had already been using the name, so he couldn't. -Original Message- From: Dale Lawrence [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 4:09 PM To: 313@hyperreal.org Subject: Re: (313) Dale Lawrence Hey Neil, That might be hard considering I sold my MPC2000xl to buy a laptop because I like shooting myself in the proverbial foot from time to time... haha I've gotten a few emails asking about the myspace address. I just made it so it's nothing special but it's at http://www.myspace.com/theoremthx Someone stole my name. If I were guns and roses* I could sue for it. Damn! *Sorry, I meant Guns'n'Roses™ At 06:14 PM 9/20/2005 -0400, you wrote: hey dale long time no hear words for you good to hear that you arestill at it and that you didnt fall for the old I grew up excuse, real life does some times take over but when your making music because you just like to make music it never leaves you as your just proved to everyone... :) we have to have you back up here in toronto some time again... -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/106 - Release Date: 9/19/2005
Re: (313) Dale Lawrence
So judging by some of the other threads there have been a few others who have returned to the fold. While we're having a class reunion, what's everyone been doing?
Re: (313) German translation wanted for Debug review
the bp remix is dope tho! eddie fowlkes lookout -Original Message- From: Brian 'balistic' Prince [EMAIL PROTECTED] Sent: Sep 20, 2005 7:27 PM To: Stewart Caig [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Subject: Re: (313) German translation wanted for Debug review It says The BP remix is the bomb and everybody on the 313 list should buy this record or else. Well, my German phrase book is a little old. SC Concrate Soul Collective: Electronical funk with soul vol 1 (Digital Soul SC records) SC Schon wirklich ein ziemliches Meisterwerk diese EP auf der das Concrete Soul SC Collective nicht einfach nur smoothe etroittracks macht, sondern sich so in SC die Melodien vertieft, dass man sofort auf eine andere Ebene gef�hrt wird in SC der die Grooves und Melodien eine Allianz eingehen die einen die Augen SC schliessen l�sst und bis zum n�chsten Tag durchtanzen lassen d�rfte. SC Magische Tracks die einfach nur immer deeper werden. Sehr sch�n. SC * -- Brian balistic Prince http://www.bprince.com - art and techno
Re: (313) Ame - Rej - Sonar Kollektive
On Sep 14, 2005, at 9:33 AM, Derek Plaslaiko. wrote: Got a sample of the new Ame 12 to be released later this month. Thought I would share them with you, as its really blowing my mind. Not from detroit, but I think it fits either way. The first one is VERY Beau Mot Plage, but I dont think thats a bad thing at all. Seems like its got a life of its own outside of that particular shadow. Samples can be found here. Oh, and I might be wrong on the title being Rej. Its just what the file was called. *shrug* http://www.plaslaiko.net/AME_rej_a.mp3 http://www.plaslaiko.net/AME_rej_b.mp3 thoughts? Love it! both sides even. I picked up the LP from last year and also 'Kuma/Engoli'. They produce a wide variety of music, but its all good. Regards, Ramon PS: I've been neglecting the list lately, but I should be a regular semi-regular contributer again soon. derek.
Re: (313) Dale Lawrence
i've been skimming many hundreds of 313 mails and commenting very rarely, as it's been for many years ;] On Sep 20, 2005, at 4:53 PM, rob theakston wrote: So judging by some of the other threads there have been a few others who have returned to the fold. While we're having a class reunion, what's everyone been doing?
(313) Rob's Class Reunion
Finishing my masters. Watching my best friend get married (front row seat). Getting adjusted to my first year of teaching (second grade- just came from a school board meeting.) Planning to travel. Getting myself out of debt.(doesn't coordinate with above) Trying to go out. Being excited that rob and dale are back on my crack habit- i mean 313. saying good night. --- rob theakston [EMAIL PROTECTED] wrote: So judging by some of the other threads there have been a few others who have returned to the fold. While we're having a class reunion, what's everyone been doing? __ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com
(313) proto techno
i haven't read simon reynolds book yet but planning to when it's available in australia later this month, but as far as proto detroit techno goes, you can hear it in lots of places, apart from kraftwerk. you can also hear it in 'technodelic' by ymo and even in 'sands of time' by the sos band (some of this is so 'landcruising') and 'control' by janet jackson, both produced by jam lewis. as we know, techno didn't just appear fully formed out of nowhere. philski
Re: (313) proto techno
btw: the book has a section on australian post-punk bands - some very obscure, but excellent bands are mentioned. very impressed by it's depth. who could forget the slug f*ckers? james www.jbucknell.com Philip [EMAIL PROTECTED] u To 313 313@hyperreal.org 09/21/05 04:15 PM cc Subject (313) proto techno i haven't read simon reynolds book yet but planning to when it's available in australia later this month, but as far as proto detroit techno goes, you can hear it in lots of places, apart from kraftwerk. you can also hear it in 'technodelic' by ymo and even in 'sands of time' by the sos band (some of this is so 'landcruising') and 'control' by janet jackson, both produced by jam lewis. as we know, techno didn't just appear fully formed out of nowhere. philski ForwardSourceID:NT00022D9A
(313) RE: [spam] Re: (313) FW: Black Dog Mix - Department of Dogma pt1
Top stuff Lance. Cheers. I'm already 10 minutes into part 2 and loving it. -Original Message- From: Lance @ Inaudible [mailto:[EMAIL PROTECTED] Sent: 20 September 2005 21:30 To: 313@hyperreal.org Subject: [spam] Re: (313) FW: Black Dog Mix - Department of Dogma pt1 Anyway, to business - I downloaded the Black Dog mix department of Dogma part 1. I think this came from the Little Detroit site. Does anyone know of, or have, the track listing? Also, was there ever a part 2? hello mark, after doing a bit of searching at The Black Dog Towers website i've discovered that the Department of Dogma pt 12 files are actually sides 12 of the The Black Dog - Live int Toronto 1997 demo cassette. Both files are still available for download at The Black Dog Towers as well as a few other goodies. Click the web addy blow then visit the 1997 demo link for the files two 'department of dogma files.' also check out the two other tbd tracks there as well as the bttb mix (Back to the Basics)? enjoy! http://techno.dogsquad.co.uk/tbd/ a proper tracklisting still would be nice! ; ) -- ---Lance 6099 Creekside Lane North Ridgeville, OH 44039 United States - Visit our Internet site at http://www.reuters.com To find out more about Reuters Products and Services visit http://www.reuters.com/productinfo Any views expressed in this message are those of the individual sender, except where the sender specifically states them to be the views of Reuters Ltd.
Re: (313) UR interview in DJ Mag
People always beat down on these kind of magazines but a lot of people get into the music via them and one could argue that anyone who has anything for sale is by its very nature commercial. I've got a lot of time for Kris and although the interview is very much like the one on WDET I'd rather UR got the space to be honest. On 21 Sep 2005, at 07:42, David Gillies wrote: Nice of them to put an up to date picture of the crew there. I can spot two people in that photo who aren't members anymore. Blaauw, Martijn de wrote: Interview done by Kris Needs...man, haven't seen that name in a loong time, thought he quit the musicbiz and went ton to write books or something?? here you go, UR interview in the most rubbish, commercial dance music magazine ever: http://www.djmag.com/newsfeat176.php
Re: (313) Simon Reynolds Rip It Up And Start Again
Hey Greg! You'd be surprised. There's a BEF track that Shake used to play out that I can never remember the name of - I think it's Uptown Apocalypse off thats it I think! although I should have explained myself a little better. I'm deffo not surprised in any way that heaven 17 could make a track like that, I'm more leaning towards the fact that mr reynolds lends so much weight to this genre being a blueprint (or this particular record) for detroit techno. Yeah, of course they must have listened to some of these records by whichever means, radio/club dj etc, but, whenever you read an interview with say, derrick may (aint that many interviews with juan discussing this sort of stuff?), its all about mojo, ron hardy in particular, wbmx too, and I must have listened to nearly 50 different ron hardy tapes, read almost everything I beleieve I can read about him and I don't see that much evidence of him in particular playing THAT much of this sort of music (yeah, sure the odd track, but it wasn't the norm). and then of course, with mojo, well, I just don't know anything about mojo. there's nothing about him anywhere, and no one ever seems to want to talk about him and I never heard a tape. maybe he used to cane this sort of stuff. dunno. Stowaways = Walkmans there was all about that in the book too! and the concept albums made around the stowaway! good book! although maybe you could pick tons of holes in it though greg having been around and that. maybe give it a try though! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Dale Lawrence
Where's Unsel Brown? JB On 20 Sep 2005, at 23:44, Klaas-Jan Jongsma wrote: I expect to see an e-mail on this list within 7 days from: Bill van Loo, Dave Walker and Robert Fixer Smith ;) KJ On 21-sep-2005, at 0:32, diana potts wrote: This is swt. Rob, Lance, Tim and Dale come out of the crypt and lurking space and this is the most exciting action we've had on 313 for a while. Man! Just think if Derrick May was on the list! Thanks Tosh! d ps.this is totally taking my mind off a school board meeting and Back to School Night. keep it up! --- rob theakston [EMAIL PROTECTED] wrote: oh. that's cool. you're an inspiration to us all. keep up the good work. On 9/20/05, Neil Wiernik [EMAIL PROTECTED] wrote: as a 37 year old with a full time professional IT job I think thats a lame excuse for you even to think Im still making and releasing and playing gigs... gorwing up is not even an excuse its just lame... On Tue, 20 Sep 2005, Tim Baker wrote: I think he just grew up! tb -Original Message- From: Tosh Cooey [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 7:42 AM To: 313@hyperreal.org Subject: (313) Dale Lawrence Yeah seriously, why did Dale just drop off the face of the earth? There was so much hope and promise... Subject: Re: (313) RE: So From: rob theakston [EMAIL PROTECTED] Date: Tue, 20 Sep 2005 07:31:00 -0400 To: 313@hyperreal.org Well it's nice to see everyone except Dale Lawrence has been busy*. Good to be back, I think. Time will tell on that one. It's been a few years since I've been on here. Anywhere I can go to catch up, or is that really even necessary? I can presume we're all still chasing Theo and Omar S records that were recorded under an I-96 underpass and mastered by Helen Keller, overpaying for obscure but woefully mediocre white label copies of Serious Grooves and UR 12's, and grasping at race straws via the Hawtin factor? -rob * Dale you know I love you, but you ain't Guns and Roses. Get back in the studio and make a damn record already. naw/neil wiernik artist site: www.naw.phoniq.net releases available on: www.noisefactoryrecords.com www.pertin-nce.com projects: www.vagueterrain.net www.phoniq.net __ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com
Re: (313) Ame - Rej - Sonar Kollektive
Ramon Crespo wrote: Love it! both sides even. I picked up the LP from last year and also 'Kuma/Engoli'. They produce a wide variety of music, but its all good. Ame remixed Roy Ayers - Tarzan, to be released on BBE and a new track called Excelsior (soon on Sonar Kollektiv), both played by jazzanova's alex barck on gilles peterson's show 2005-09-11, both tracks excellent as usual. you'll find a rip of that show on www.themixingbowl.org c*
(313) Ghosts + Popkomm
- Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Klaas-Jan Jongsma [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Wednesday, September 21, 2005 8:55 AM Subject: SPAM-LOW: Re: (313) Dale Lawrence Where's Unsel Brown? I wanna see the Luke Monteiro vs. Steve what's-his-face deathmatch. ;) Good to see lots of old faces back on here! OB313: Los Hermanos Live @ Panorama Bar last weekend were excellent for the two tracks I caught of them (unfortunately we got there too late to see the whole thing). Gerald Mitchell was baaad on the live keys. From what I saw, I'd say it blew the Timeline show out of the water. Much more live at any rate. But I'm not exactly Mr. UR so take that with a grain of salt. Also on my Popkomm expedition I caught Fat Freddys Drop for the third time, who were utterly fantastic. Possibly the best I've seen them. We almost caused a riot calling for a second encore. That was bloody intense. Saw A Guy Called Gerald and Sleep Archive at WMF, both of whom were not quite as good as when I've seen them previously. Zip and Soulphiction (I'm pretty sure that's who they were) were OK at Watergate. They played some really nice tracks but some the set didn't have much flow. Also caught Lindstromm (I think) at Panorama Bar (amazing venue BTW) and he was purty damn good. Berlin was great in general, although as you can tell I didn't really go all-out on the clubbing. I just really enjoyed the city though. Almost as much as London. ;) Thanks everyone who helped me find the good stuff! Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
RE: (313) The techno-reggae connection
Wow - oddly enough I was just having a drink with John on Monday night - he gave me a well tasty reggae/ragga/breakcore mic he'd done for BBC Lancashire -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 19 September 2005 20:43 To: Dan Bean; [EMAIL PROTECTED] Cc: list 313 Subject: Re: (313) The techno-reggae connection Check these: http://www.uncarved.org/dub/mix/two.html http://uncarved.org/blog/?p=648 http://uncarved.org/blog/?p=710 # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Simon Reynolds Rip It Up And Start Again
Yes, I loved this book - made me want to go spend lots of money I don't have on 'angular' post punk and New York punkfunk -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 20 September 2005 10:40 To: 313@hyperreal.org Subject: (313) Simon Reynolds Rip It Up And Start Again Has anyone read this book yet? I have, thought it was excellent, dying to talk about it with someone. p.s. its available in FOPP for a tenner UK folks, well worth it. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) ISoul8
as you know, I like the Isoul8 stuff alot. seems theres a new one just dropped. gonna go buy it at lunch. piccadilly describe it as like a carl craig meets larry heard wrapped up in a warm duvet or something. just a heads up anyway, more info when I've got one. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) ISoul8
as you know, I like the Isoul8 stuff alot. seems theres a new one just dropped. gonna go buy it at lunch. piccadilly describe it as like a carl craig meets larry heard wrapped up in a warm duvet or something. oh my! way to sell me a 12 Tim. :) robin...
RE: (313) I nearly forgot... a shortish London report
Wha? I have no memory of this. 'It wasn't me' -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 20 September 2005 15:44 To: 313@hyperreal.org Subject: (313) I nearly forgot... a shortish London report PS - pictures of Rob Taylor shredding on the air guitar soon to arrive on my new Flickr page # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) paging guilherme!
your email's bouncing! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) slsk
Hey A while back when I was debating experimenting with filesharing (and can we please miss discussing the morality of this this one time - we've done it before and the points have been made, I use it for one thing only: checking out records I have an inclination to buy before doing so, usually older pieces which are only available second hand and so don't have mp3s up on shop sites) everybody recommended Soulseek. I've been using it for a while now but to be honest I'm not finding it as useful for listening to rarities as I hoped. For example right now I'm searching for Aquarian Project, t'n' i (I'm after tracks by these 2 I was tipped off about by posts on this list!) and Instant House and coming up with zero results and for Insync and only getting 3 results (but that does prove my setup is actually working in some fusion). At the time someone recommended leaving the search going for a little while, these have been going for days. I remember at the time someone saying you can get anything you want - Bulgarian folk bands etc., obviously this isn't what I'm finding, what is other people's experience? F
Re: (313) slsk
hi slsk's searching abilities are not as good as they used to be and i dont have a clue why. it maybe that it depends on whether oyu have donated money or not, but im not completely sure. but i have been able to find lots of rare and obscure stuff in the past, and nowadays i mainly use the search in userlist function but that depends on the size and quality of your userlist ;) hanging out in the rooms also puts you in contact with people with good collections. anyway, hit me up,my nick is fab137 and im on during weekends and some week days. fab np: Eyehategod - Take as Needed For Pain - Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 21, 2005 11:54 AM Subject: (313) slsk Hey A while back when I was debating experimenting with filesharing (and can we please miss discussing the morality of this this one time - we've done it before and the points have been made, I use it for one thing only: checking out records I have an inclination to buy before doing so, usually older pieces which are only available second hand and so don't have mp3s up on shop sites) everybody recommended Soulseek. I've been using it for a while now but to be honest I'm not finding it as useful for listening to rarities as I hoped. For example right now I'm searching for Aquarian Project, t'n' i (I'm after tracks by these 2 I was tipped off about by posts on this list!) and Instant House and coming up with zero results and for Insync and only getting 3 results (but that does prove my setup is actually working in some fusion). At the time someone recommended leaving the search going for a little while, these have been going for days. I remember at the time someone saying you can get anything you want - Bulgarian folk bands etc., obviously this isn't what I'm finding, what is other people's experience? F
(313) Re: () ISoul8 - further reports
Just bought it! top house record, description isn't far off. Top fingers-esque bassline of old, ace keywork from Kaidi T, bringing a musical techno flavour, nice synth washes ala recent carl craig. top record!!! clips on piccadilly site - just in page, recommended by me for sure. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) slsk
If you donate money u get more priviliges (dunno if i spelled it right but u might get the point:-) and making it easier for u to find stuff, also u get to jump over the peeps waiting in the qand yes, the search abilities have gone a bit downhill that's true, it could be that lots of peeps have wondered of to other p-2-p stuff?? Question: any other p-2-p programm that u find good besides Soulseek? Martijn Ps. I'm quite digging this new Hard Fi album called ' stars of cctv'...it's non-techno but very the Clash! Anyone else? -Oorspronkelijk bericht- Van: fab. [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 12:07 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: Re: (313) slsk hi slsk's searching abilities are not as good as they used to be and i dont have a clue why. it maybe that it depends on whether oyu have donated money or not, but im not completely sure. but i have been able to find lots of rare and obscure stuff in the past, and nowadays i mainly use the search in userlist function but that depends on the size and quality of your userlist ;) hanging out in the rooms also puts you in contact with people with good collections. anyway, hit me up,my nick is fab137 and im on during weekends and some week days. fab np: Eyehategod - Take as Needed For Pain - Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 21, 2005 11:54 AM Subject: (313) slsk Hey A while back when I was debating experimenting with filesharing (and can we please miss discussing the morality of this this one time - we've done it before and the points have been made, I use it for one thing only: checking out records I have an inclination to buy before doing so, usually older pieces which are only available second hand and so don't have mp3s up on shop sites) everybody recommended Soulseek. I've been using it for a while now but to be honest I'm not finding it as useful for listening to rarities as I hoped. For example right now I'm searching for Aquarian Project, t'n' i (I'm after tracks by these 2 I was tipped off about by posts on this list!) and Instant House and coming up with zero results and for Insync and only getting 3 results (but that does prove my setup is actually working in some fusion). At the time someone recommended leaving the search going for a little while, these have been going for days. I remember at the time someone saying you can get anything you want - Bulgarian folk bands etc., obviously this isn't what I'm finding, what is other people's experience? F
RE: (313) slsk
I'm quite digging this new Hard Fi album called ' stars of cctv'...it's non-techno but very the Clash! Anyone else? ooh, will give that a try! thanks! think they're from leeds maybe? on the non-techno band tip, theres a good few tracks on the clor lp I like. sorta talking heads-y/echo the bunnymen a bit. maybe. rubbish comparisons, but well, I kinda like em. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) slsk
on the non-techno band tip, theres a good few tracks on the clor lp I like. sorta talking heads-y/echo the bunnymen a bit. maybe. rubbish comparisons, but well, I kinda like em. oh yeah, and on topic I like the new white stripes single! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) RE: Non-techno (was slsk)
Actually they are from Staines (where ever that might be?)... What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? I like Editors, Hard Fi, the Magic Numbers and some Franz Ferdinand tracks, but some of the bands sound like 'hey i've heard that before!', i mean listen to Kaiser Chiefs and there's ur example Sorry to be off-techno-topic... -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 14:14 Aan: 313@hyperreal.org Onderwerp: RE: (313) slsk I'm quite digging this new Hard Fi album called ' stars of cctv'...it's non-techno but very the Clash! Anyone else? ooh, will give that a try! thanks! think they're from leeds maybe? on the non-techno band tip, theres a good few tracks on the clor lp I like. sorta talking heads-y/echo the bunnymen a bit. maybe. rubbish comparisons, but well, I kinda like em. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) slsk
Three or so years ago, the general search results in slsk were always amazing. I think that over the years slsk users have closed up their collections and only offer downloads to folks on their user list. I have to agree with Fab. You are much better off getting' to know people in the chat rooms... a friendly exchange will almost always lead to an invite to check out mp3's. By the way, my slsk user name is faceless_corporation. Feel free to have a look-see. Cheers, lrh -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 5:55 AM To: 313@hyperreal.org Subject: (313) slsk Hey A while back when I was debating experimenting with filesharing (and can we please miss discussing the morality of this this one time - we've done it before and the points have been made, I use it for one thing only: checking out records I have an inclination to buy before doing so, usually older pieces which are only available second hand and so don't have mp3s up on shop sites) everybody recommended Soulseek. I've been using it for a while now but to be honest I'm not finding it as useful for listening to rarities as I hoped. For example right now I'm searching for Aquarian Project, t'n' i (I'm after tracks by these 2 I was tipped off about by posts on this list!) and Instant House and coming up with zero results and for Insync and only getting 3 results (but that does prove my setup is actually working in some fusion). At the time someone recommended leaving the search going for a little while, these have been going for days. I remember at the time someone saying you can get anything you want - Bulgarian folk bands etc., obviously this isn't what I'm finding, what is other people's experience? F
Re: (313) RE: Non-techno (was slsk)
What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) RE: Non-techno (was slsk)
They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:37 To: 313@hyperreal.org Subject: Re: (313) RE: Non-techno (was slsk) What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) RE: Non-techno (was slsk)
Yeah, that's true..some give a good listen and n-joyment for sure so that's allright and NME has to fill it's pages as well don't they:-) Anyway the Ashley Beedle remix of Hard Fi's 'hard to beat' is a great track so if if u get a change try and give it a listen.. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 14:37 Aan: 313@hyperreal.org Onderwerp: Re: (313) RE: Non-techno (was slsk) What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) RE: Non-techno (was slsk)
So, my guess is that u don't like any of them? -Oorspronkelijk bericht- Van: Robert Taylor [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 15:38 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: RE: (313) RE: Non-techno (was slsk) They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:37 To: 313@hyperreal.org Subject: Re: (313) RE: Non-techno (was slsk) What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) RE: Non-techno (was slsk)
They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four well, you aint wrong, but I'm trying a new postive outlook on life. gonna see what happens. I give it till saturday. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) RE: Non-techno (was slsk)
Not one that I've heard yet, no. I'd be interested to hear Clor How OT is this? -Original Message- From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:42 To: Robert Taylor; 313@hyperreal.org Subject: RE: (313) RE: Non-techno (was slsk) So, my guess is that u don't like any of them? -Oorspronkelijk bericht- Van: Robert Taylor [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 15:38 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: RE: (313) RE: Non-techno (was slsk) They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:37 To: 313@hyperreal.org Subject: Re: (313) RE: Non-techno (was slsk) What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) RE: Non-techno (was slsk)
U've impressed me already with ur new positive vibe Alex, keep up the good work:-) -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 14:42 Aan: 313@hyperreal.org Onderwerp: RE: (313) RE: Non-techno (was slsk) They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four well, you aint wrong, but I'm trying a new postive outlook on life. gonna see what happens. I give it till saturday. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) RE: Non-techno (was slsk)
How OT is this? I'd rather have OT than no one saying nowt persionally. music talk innit. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) RE: Non-techno (was slsk)
you know how OT I can get you're the OG OT innit. *bling* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Juan Maclean tracks
http://www.emichrysalis.co.uk/players/juan/player3/ Three reasons I'm posting this: 1. Track has been compared to Kraftwerk, Funkadelic, and Arthur Baker. 2. The Putsch 79 remix (track four.) 3. The site design is pretty cool. Enjoy! Leslie PS. I think it sounds a bit like Prince.
Re: (313) Juan Maclean tracks
1. Track has been compared to Kraftwerk, Funkadelic, and Arthur Baker. ha! nowt like a bit of hype eh? check the delia/gavin stuff on the same label. i reckon its alright, pretty trippy cosmic tackle. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Juan Maclean tracks
1. Track has been compared to Kraftwerk, Funkadelic, and Arthur Baker. ha! nowt like a bit of hype eh? check the delia/gavin stuff on the same label. i reckon its alright, pretty trippy cosmic tackle. yeah defo worth checking. robin...
Re: (313) slsk
I find that the 'wishlist' feature works much better than the regular search. Go to wishlist, add a search string and leave it running all day or more. Try leaving the same search runnign in wishlist and normal search and you'll see a huge difference sometimes. Definitely people aren't sharing as much. For some people their collection maybe is too big, for others maybe they want to give bandwidth to their buddies over random strangers but I've almost never gotten a cold shoulder from someone I talked to online. Jamil Lee Herrington wrote: Three or so years ago, the general search results in slsk were always amazing. I think that over the years slsk users have closed up their collections and only offer downloads to folks on their user list. I have to agree with Fab. You are much better off getting' to know people in the chat rooms... a friendly exchange will almost always lead to an invite to check out mp3's. By the way, my slsk user name is faceless_corporation. Feel free to have a look-see. Cheers, lrh -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 5:55 AM To: 313@hyperreal.org Subject: (313) slsk Hey A while back when I was debating experimenting with filesharing (and can we please miss discussing the morality of this this one time - we've done it before and the points have been made, I use it for one thing only: checking out records I have an inclination to buy before doing so, usually older pieces which are only available second hand and so don't have mp3s up on shop sites) everybody recommended Soulseek. I've been using it for a while now but to be honest I'm not finding it as useful for listening to rarities as I hoped. For example right now I'm searching for Aquarian Project, t'n' i (I'm after tracks by these 2 I was tipped off about by posts on this list!) and Instant House and coming up with zero results and for Insync and only getting 3 results (but that does prove my setup is actually working in some fusion). At the time someone recommended leaving the search going for a little while, these have been going for days. I remember at the time someone saying you can get anything you want - Bulgarian folk bands etc., obviously this isn't what I'm finding, what is other people's experience? F
Re: (313) Juan Maclean tracks
the single tito's way is pretty good too... http://www.emirecords.co.uk/players/juan/player2/index.html track 2 is lindstrom/thomas remix track 4 is reverso68 remix (my fave) c* lr2 wrote: http://www.emichrysalis.co.uk/players/juan/player3/ Three reasons I'm posting this: 1. Track has been compared to Kraftwerk, Funkadelic, and Arthur Baker. 2. The Putsch 79 remix (track four.) 3. The site design is pretty cool. Enjoy! Leslie PS. I think it sounds a bit like Prince.
Re: (313) Juan Maclean tracks
track 4 is reverso68 remix (my fave) I like that one too. is reverso 68 phil mison? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Juan Maclean tracks
it's phil mison and pete herbert http://www.discogs.com/artist/Reverso+68 c* [EMAIL PROTECTED] wrote: track 4 is reverso68 remix (my fave) I like that one too. is reverso 68 phil mison? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) HOW TO WRITE AN ARTIST BIO
http://www.combination-rec.de/index.php?id=143 Had me in tears of laughter at work, love the bit about dogs and cats. Norken's new LP out soon and its absolutely Detroit minimal house lush. Maxim [MXM] www.amp-art.com NP: Jneiro Jarel - Soul Starr
Re: (313) Juan Maclean tracks
On Wed, September 21, 2005 8:01 am, lr2 said: http://www.emichrysalis.co.uk/players/juan/player3/ Three reasons I'm posting this: All that DFA stuff is not very exciting to me. Most people around me spin it as the next revolution in dance music, the punk rock knight that is going to slay the dragon progressive house once and for all. I don't get it. All I hear is OK dance music that doesn't sound especially punky to me. Maybe I just shouldn't listen to anyone else. -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Juan Maclean tracks
-- Original Message -- From: Matt Kane's Brain [EMAIL PROTECTED] Most people around me spin it as the next revolution in dance music, the punk rock knight that is going to slay the dragon progressive house once and for all. if i wanted to hear punk, id play my punk records! does anyone else really care what happens with prog house? i mean its so far removed from what im into and what i do that i dont think i could even tell you where to hear some in my own city, though im sure its out there. maybe people should spend more time making good music than trying to conquer some nonsense music listened to by a bunch of jokers. i havent heard a single DFA/modern dance punk record ive liked. even that morgan geist rmx of the rapture wasnt a favorite of mine. im still wondering why people play that !!! me and guiliani cut. ugh, that track is terrible. to andythepooh.com
(313) Dale Lawrence tracks at MySpace
Dale, I just listened to the tracks on at MySpace and boy oh boy are they yummy! I was immediately transmitted back to some of your great live sets...the first track in there in particular brought back some really pleasant memories of the show y'all did at the Masonic Temple in Pontiac. Keep up the great work...the world can always use more of your tracks. Leslie
(313) DFA/Juan McLean
I deleted the previous message, but then remembered something. tom, the only DFA 12 i could see you being into is the Pixeltan 12 from about 10 months ago. If you havent checked that, you should. Other than that, Im only really into LCD Soundsystem's stuff. Bits of things here and there, but most of it ends up boring me. derek.
(313) Gzowski interviews Iggy Pop (Re: (313) RE: Non-techno (was slsk))
since we're so OT talking about Punk-Rock! and stuff...enjoy this: Gzowski interviews Iggy Pop (1977) http://archives.cbc.ca/400d.asp?id=1-68-102-761 c* Robert Taylor wrote: Not moaning like, you know how OT I can get -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:46 To: 313@hyperreal.org Subject: RE: (313) RE: Non-techno (was slsk) How OT is this? I'd rather have OT than no one saying nowt persionally. music talk innit. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Juan Maclean tracks
I agree that most of it is pretty average, certainly not groundbreaking! But there are a few tracks in amongst the average ones that are actually rather good. DFA,s remix of The Juan Maclean's 'Dance With Me' is a great piece of slowed down tripped out mesmeric house music, and Luomo has just done a good job of remixing Black Dice's 'Smiling Off'. Unlike for Tom, Trance is very much a feature of my life, I hear it on the radio, see coverage of it in the press and get blasts of it pumping out of people's cars all the time. It fills the clubs and generally pollutes my musical life, so I'd actually be very glad if someone came along to kill it off. Unfortunately, if this were to happen, it would just be replaced by another genre created with the exclusive aim of making piles of cash, which is the root of the problem really. Maybe I'll join Tom and bury my head in the sand after all... On 21 Sep 2005, at 13:08, Matt Kane's Brain wrote: On Wed, September 21, 2005 8:01 am, lr2 said: http://www.emichrysalis.co.uk/players/juan/player3/ Three reasons I'm posting this: All that DFA stuff is not very exciting to me. Most people around me spin it as the next revolution in dance music, the punk rock knight that is going to slay the dragon progressive house once and for all. I don't get it. All I hear is OK dance music that doesn't sound especially punky to me. Maybe I just shouldn't listen to anyone else. -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
(313) track req
'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio
Re: (313) track req
titonton did one a nuncha years back... no way ill rememeber the title though. that really didnt help at all, did it? :( derek. On Wed, 21 Sep 2005, Antonio Alves Felizardo wrote: 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio
Re: (313) Juan Maclean tracks
DFA,s remix.. .of Nine Inch Nails is pretty alright too. prog rock goes cosmic/trippy/electronic _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Juan Maclean tracks
Unlike for Tom, Trance is very much a feature of my life, I hear it on the radio, see coverage of it in the press and get blasts of it pumping out of people's cars all the time. It fills the clubs and generally pollutes my musical life, so I'd actually be very glad if someone came along to kill it off. Unfortunately, if this were to happen, it would just be replaced by another genre created with the exclusive aim of making piles of cash, which is the root of the problem really. Maybe I'll join Tom and bury my head in the sand after all... i was thinking about this this morning funnily enoughi think trance has a lot more in common with pop music than the kind of electronic stuff typically discussed on this list. as pop music it just doesn't really warrant a discussion really. i just ignore it like i ignore boy bands etc. robin...
(313) New music vs. New old music (was Juan Maclean)
Perhaps some folks play the tracks 'cuz they weren't around during the first wave of that sort of music. If they haven't heard anything like it before it's not hard to believe that this new output could excite them. It's always interesting to me that there are people I meet who are really into something they think is new but they are completely unaware of a previous artist who did something similar. It happened to me when I first got into the Orb...I was excitingly playing it for a crusty-hippie-co-worker I had and I was enthusing on how different and fresh it sounded to me. He suggested (with a slightly pained look of a parent trying to correct a child's bad behavior) that I check out some dub. Up until that part I never even knew dub existed. The Orb's rehashing of something that had already been done (albeit combined creatively with new elements) set me on a delightful path of rediscovery. That's actually one of my favorite elements of listening to music and why I appreciate labels like Soul Jazz Records so much...they help me unearth stuff I missed the first time. On a related note I get grumpy when artists actually cover a track and don't bother to acknowledge the original performer...I always see that as a missed opportunity to educate people on music they're into...granted most of the bigger acts will at least acknowledge the writing credits or sample credits but I'd love it if they used some of their booklet space to expound on who the artist was and why they covered it...imagine if Missy had done something like the with Clear. Though they're not techno, some of you might know BR54-9 or Squirrel Nut Zippers...they're two acts that rose to some degree of fame by clever incorporation of OLD material. When I first heard them I thought they were so fresh and interesting never realizing that they were trawling through the back catalogues of obscure country and jazz tunes respectively. It would have been nice if they'd worn their influences a little more openly on their sleeves so I could have had a better context to place their music in. Whew...sorry, that kind of went on a bit eh? Leslie -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 8:44 AM To: 313@hyperreal.org Subject: Re: (313) Juan Maclean tracks -- Original Message -- From: Matt Kane's Brain [EMAIL PROTECTED] Most people around me spin it as the next revolution in dance music, the punk rock knight that is going to slay the dragon progressive house once and for all. if i wanted to hear punk, id play my punk records! does anyone else really care what happens with prog house? i mean its so far removed from what im into and what i do that i dont think i could even tell you where to hear some in my own city, though im sure its out there. maybe people should spend more time making good music than trying to conquer some nonsense music listened to by a bunch of jokers. i havent heard a single DFA/modern dance punk record ive liked. even that morgan geist rmx of the rapture wasnt a favorite of mine. im still wondering why people play that !!! me and guiliani cut. ugh, that track is terrible. to andythepooh.com
Re: (313) track req
-- Original Message -- From: Derek Plaslaiko. [EMAIL PROTECTED] titonton did one a nuncha years back... no way ill rememeber the title though. that really didnt help at all, did it? :( its on the selections for intercourse LP if that helps any. i cant remember the track title because i copied my vinyl to cassette and thats how i listen to it mostly, and i didnt write down the tracklisting. doh! tom andythepooh.com
Re: (313) New music vs. New old music (was Juan Maclean)
On Wed, September 21, 2005 8:47 am, lr2 said: Though they're not techno, some of you might know BR54-9 or Squirrel Nut Zippers...they're two acts that rose to some degree of fame by clever incorporation of OLD material. When I first heard them I thought they were so fresh and interesting never realizing that they were trawling through the back catalogues of obscure country and jazz tunes respectively. It would have been nice if they'd worn their influences a little more openly on their sleeves so I could have had a better context to place their music in. I started listening to the Zippers while they were being hyped on MTV, and I remember them being very firmly placed in the retro/revival arena along with Big Bad Voodoo Daddy, the Brian Setzer Orchestra, and ska-band-turned-swing-band Cherry Poppin Daddies. All the press I read in that period made sure to mention either a return to big band and swing, and some articles went so far to point out that the zippers played jump blues, not big band. Even interviews with the band were like I wear a tux when I play out out of respect for the audience, too bad nobody else does that these days. -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
RE: (313) New music vs. New old music (was Juan Maclean)
I missed most of the press/TV related stuff at the time (erm, living in a cave) and was pretty much limited to what came with the actual product. It's encouraging to know that they were giving pointers in other mediums. Thanks for the information. Leslie -Original Message- From: Matt Kane's Brain [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 7:39 AM To: lr2 Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) New music vs. New old music (was Juan Maclean) On Wed, September 21, 2005 8:47 am, lr2 said: Though they're not techno, some of you might know BR54-9 or Squirrel Nut Zippers...they're two acts that rose to some degree of fame by clever incorporation of OLD material. When I first heard them I thought they were so fresh and interesting never realizing that they were trawling through the back catalogues of obscure country and jazz tunes respectively. It would have been nice if they'd worn their influences a little more openly on their sleeves so I could have had a better context to place their music in. I started listening to the Zippers while they were being hyped on MTV, and I remember them being very firmly placed in the retro/revival arena along with Big Bad Voodoo Daddy, the Brian Setzer Orchestra, and ska-band-turned-swing-band Cherry Poppin Daddies. All the press I read in that period made sure to mention either a return to big band and swing, and some articles went so far to point out that the zippers played jump blues, not big band. Even interviews with the band were like I wear a tux when I play out out of respect for the audience, too bad nobody else does that these days. -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Juan Maclean tracks
-- Original Message -- From: Dan Bean [EMAIL PROTECTED] Unlike for Tom, Trance is very much a feature of my life, I hear it on the radio, see coverage of it in the press and get blasts of it pumping out of people's cars all the time. It fills the clubs and generally pollutes my musical life these are all very good reasons why you should: not listen to the radio read music press listen to headphones when walking around town not go to clubs that play terrible music im not joking when i say that nothing makes me more irritated than hearing wack music. ill just leave a club if someone is playing garbage, and show up late if the garbage player is on before whomever i wanna see. i just cant submit myself to that. so I'd actually be very glad if someone came along to kill it off. Unfortunately, if this were to happen, it would just be replaced by another genre created with the exclusive aim of making piles of cash, which is the root of the problem really. this is also very true, of course. this is why im very satisfied with techno and house music's place right now; no one really has any serious pop aspirations. sure, some artists might make poppy music but i dont think theyre actually shooting to get mainstream radio play. Maybe I'll join Tom and bury my head in the sand after all... im a dance music ostrich. tom andythepooh.com
(313) RE: HOW TO WRITE AN ARTIST BIO
norks left a girl for dead in my house - true story.. -Original Message- From: max [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 14:23 To: 313@HYPERREAL.ORG Subject: HOW TO WRITE AN ARTIST BIO http://www.combination-rec.de/index.php?id=143 Had me in tears of laughter at work, love the bit about dogs and cats. Norken's new LP out soon and its absolutely Detroit minimal house lush. Maxim [MXM] www.amp-art.com NP: Jneiro Jarel - Soul Starr
RE: (313) I nearly forgot... a shortish London report
Rob, you're just going to make this harder on yourself... ;) MEK Robert Taylor [EMAIL PROTECTED] 4.co.uk To [EMAIL PROTECTED], 09/21/05 04:59 AM 313@hyperreal.org cc Subject RE: (313) I nearly forgot... a shortish London report Wha? I have no memory of this. 'It wasn't me' -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 20 September 2005 15:44 To: 313@hyperreal.org Subject: (313) I nearly forgot... a shortish London report PS - pictures of Rob Taylor shredding on the air guitar soon to arrive on my new Flickr page # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Hieroglyphic Being live
Fxcking BANANA'S! first track out and it's all into the deep wonk. Nice one. KKS -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 20, 2005 5:44 PM To: 313 Subject: (313) Hieroglyphic Being live nice so farvery nice http://www.naughtybadfun.org/nbfmixes/Hieroglyphic08172005.mp3 robin...
RE: (313) Dale Lawrence
You didn't need to go THAT far back... Might as well ask where Uber is too. -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 12:55 AM To: Klaas-Jan Jongsma Cc: 313 Subject: Re: (313) Dale Lawrence Where's Unsel Brown? JB On 20 Sep 2005, at 23:44, Klaas-Jan Jongsma wrote: I expect to see an e-mail on this list within 7 days from: Bill van Loo, Dave Walker and Robert Fixer Smith ;) KJ -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005
Re: (313) New music vs. New old music (was Juan Maclean)
On Wed, September 21, 2005 10:02 am, [EMAIL PROTECTED] said: Now what happens is that the media picks up on this and focuses on a small number of groups from the 80s and soon you have kids running around thinking that these were the only bands around when, for those who are old enough to remember, know that there was much more going on. You mena like Atkins, Saunderson, and May? *runs and hides* :) -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) New music vs. New old music (was Juan Maclean)
well yeah. like music played at the Paradise Garage becoming vocal house and not Van Halen. so when Derrick May plays a wicked jazz tune as a downtempo break towards the end of his set you get people b*tching about how it sucks MEK Matt Kane's Brain [EMAIL PROTECTED] wrote on 09/21/2005 08:49:47 AM: On Wed, September 21, 2005 10:02 am, [EMAIL PROTECTED] said: Now what happens is that the media picks up on this and focuses on a small number of groups from the 80s and soon you have kids running around thinking that these were the only bands around when, for those who are old enough to remember, know that there was much more going on. You mena like Atkins, Saunderson, and May? *runs and hides* :) -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) track req
there is some stuff on the new electronic moods CD (oldish... maybe smile comm or liquid sky) that fit this description. I just ripped it for my mp3 player, I'll at the CD tonight to zero you in on it, if you'd like -Joe From: Antonio Alves Felizardo [EMAIL PROTECTED] Date: 2005/09/21 Wed AM 09:39:53 EDT To: 313@hyperreal.org Subject: (313) track req 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio
Re: (313) track req
Any recs? not really turning from techno into db, but maybe hybrids. maybe not tho. model 500 - the passage juan atkins - track ten photek - kjz sorta _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) track req
There was an old Alex Kid tune that did it on fcomm back in about 98, think it was on the castlesmadeofsand EP . Really nice, but it started more deep-house than techno/electro. So this probably doesn't help to much either! Maxim [MXM] www.amp-art.com NP: John Tejada - This Fake Place -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 16:23 To: Antonio Alves Felizardo; 313@hyperreal.org Subject: Re: (313) track req there is some stuff on the new electronic moods CD (oldish... maybe smile comm or liquid sky) that fit this description. I just ripped it for my mp3 player, I'll at the CD tonight to zero you in on it, if you'd like -Joe From: Antonio Alves Felizardo [EMAIL PROTECTED] Date: 2005/09/21 Wed AM 09:39:53 EDT To: 313@hyperreal.org Subject: (313) track req 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio
Re: (313) track req
On Wed, September 21, 2005 10:29 am, [EMAIL PROTECTED] said: model 500 - the passage there's also an alex reece mix of 'the flow' maybe you will also like nookie's steppin back (made in detroit mix) not really dnb, but a dnb dude making a techno track or something. leave me alone, i didn't have enough coffee this morning -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) track req
check Nubian Mindz Black Science EP on Archive. i don't have the record in front of me, but iirc a couple of the tracks start with electro moods and then work in the edited breaks. --- Antonio Alves Felizardo [EMAIL PROTECTED] wrote: 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio
Re: (313) track req
check more stuff on RS records - they had a good number of records that straddled the techno/db fence. Darren Price comes to mind (on NovaMute) also. MEK Antonio Alves Felizardo [EMAIL PROTECTED] To t313@hyperreal.org cc 09/21/05 08:39 AM Subject (313) track req 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio
RE: (313) track req
The easiest way I've found to do it is by incorporating some ghettotech in the set. The flow would then be TechnoElectroGhettotechJungle/DnB. A good transition track is Hoes Take Off Your Clothes by DJ Assault. -Original Message- From: Antonio Alves Felizardo [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 6:40 AM To: 313@hyperreal.org Subject: (313) track req 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005
Re: (313) track req
madman off this? http://www.discogs.com/release/27749 kinda db well all the db heads used to like it when i was trying to convert them to more interesting musics :) (this kinda thing then into Direct Beat style electroy'know somat by will web or the like... :) ) robin... On 21 Sep 2005, at 16:53, George Jones IV - Logic7 wrote: The easiest way I've found to do it is by incorporating some ghettotech in the set. The flow would then be TechnoElectroGhettotechJungle/DnB. A good transition track is Hoes Take Off Your Clothes by DJ Assault. -Original Message- From: Antonio Alves Felizardo [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 6:40 AM To: 313@hyperreal.org Subject: (313) track req 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005
Re: (313) New music vs. New old music (was Juan Maclean)
i have to say that i'm generally in the grumpy old man camp: i've heard this before-- can't you kids play something new? but one positive side effect of the New Old Music phenomena right now is the reintroduction of grit into some of the music. even though most of the neo-acid and neo-punk funk are waaay to clean for my taste, the revival has had the effect of dirtying up a lot of stuff. here in san francisco, the ubiquitous disco house sound has become a lot less sterile and is (can be) more distorted and dischordant. another good side effect is that as much as i love my 80's punk funk, LCD Soundsystem sounds much better on a modern sound system than A Certain Ratio. -d
(313) what's up? was Re: (313) Dale Lawrence
rob theakston wrote: So judging by some of the other threads there have been a few others who have returned to the fold. While we're having a class reunion, what's everyone been doing? I was running myself ragged doing the show, music journo-ing, and being a musician and eventually had to stop the show, cut down down on the music journo-ing, and re-adjust my musician schedule (2000 was the year I ended up with 5 albums released due to a variety of schedule changes) when I started a full time job at CKDU in Halifax as the program manager in spring 2000. Fully intended to keep doing the show and writing full-on, but nothing like getting calls from the station at 2am and 7am on a regular basis (after working a long day as it was) to take away the energy. Also put a huge damper in my getting-my-own-music-done. I resigned at the station in November 2003 and have been getting back into the music journo-ing more and doing a lot more scoring and sound design work (that's my bread and butter now, actually). Great to see older 313 names coming out of the woodwork. Andrew -- Andrew Duke scoring/sound design/source http://andrew-duke.com Cognition Audioworks label [Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com
Re: (313) ISoul8
'Dinner', Mr Bond, 'Dinner'. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 21, 2005 9:45 AM Subject: (313) ISoul8 as you know, I like the Isoul8 stuff alot. seems theres a new one just dropped. gonna go buy it at lunch. piccadilly describe it as like a carl craig meets larry heard wrapped up in a warm duvet or something. just a heads up anyway, more info when I've got one. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) slsk
over the years ive used it ive never had good luck finding what I want on slsk. but i can always find stuff that i did want at some other time. slsk is good at expanding your musical tastes in ways you wouldn't normaly do. but not good at getting the stuff you crave. my simple test for most p2p's is to find breton bagad music (e.g. Bagad Kemper). they nearly always fail. unfortunately i don't have any alternatives for you. but i am a pretty big emusic.com user, always can get something worth having there. ...steve... [EMAIL PROTECTED] wrote: Hey A while back when I was debating experimenting with filesharing (and can we please miss discussing the morality of this this one time - we've done it before and the points have been made, I use it for one thing only: checking out records I have an inclination to buy before doing so, usually older pieces which are only available second hand and so don't have mp3s up on shop sites) everybody recommended Soulseek. I've been using it for a while now but to be honest I'm not finding it as useful for listening to rarities as I hoped. For example right now I'm searching for Aquarian Project, t'n' i (I'm after tracks by these 2 I was tipped off about by posts on this list!) and Instant House and coming up with zero results and for Insync and only getting 3 results (but that does prove my setup is actually working in some fusion). At the time someone recommended leaving the search going for a little while, these have been going for days. I remember at the time someone saying you can get anything you want - Bulgarian folk bands etc., obviously this isn't what I'm finding, what is other people's experience? F
Re: (313) track req
Thanks all. I'll try to check those out. Antonio On Sep 21, 2005, at 5:02 PM, robin wrote: madman off this? http://www.discogs.com/release/27749 kinda db well all the db heads used to like it when i was trying to convert them to more interesting musics :) (this kinda thing then into Direct Beat style electroy'know somat by will web or the like... :) ) robin... On 21 Sep 2005, at 16:53, George Jones IV - Logic7 wrote: The easiest way I've found to do it is by incorporating some ghettotech in the set. The flow would then be TechnoElectroGhettotechJungle/DnB. A good transition track is Hoes Take Off Your Clothes by DJ Assault. -Original Message- From: Antonio Alves Felizardo [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 21, 2005 6:40 AM To: 313@hyperreal.org Subject: (313) track req 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Thanks, Antonio -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.344 / Virus Database: 267.11.3/107 - Release Date: 9/20/2005
(313) [REMINDER] vague terrain presents september 24th 2005 toronto
Hello, this is just a reminder about our event on Saturday September 24th at the artbar. Saturday Sept. 24th vague terrain presents... granny'ark - vancouver / zora lanson / interdisco naw - noise factory / vague terrain akumu - spider records video / patricia rodriguez - substance communications art bar / the gladstone hotel limited capacity $5 / doors open @ 9pm 1214 queen st. west toronto, canada http://www.vagueterrain.net Hope to see you out on the 24th! Neil Wiernik Greg Smith vagueterrain.net editors/curators -- artist info Granny'Ark is the music project of nomadic media artist Michelle Irving. Although officially a resident of Vancouver, Granny'Ark spends the other part of her time at Zora Lanson Label's home base in Berlin. Her first release Resurgo (2004) garnered praise from The Wire, XLR8R, De-Bug, and was featured on the late John Peel's legendary Radio One show. Granny'Ark's music can be described as a blend of explorations in electroacoustic sampling, and musical structures of rhythm and melody. Generally, Granny'Ark attempts to transform sounds into a progressive soundscape that evokes a sense of mood or place in the listener. Sometimes this might mean enticing them to dance. Her music is featured in the internationally acclaimed documentary The Corporation and another award winning Canadian documentary Scared Sacred. In the fall Granny'Ark will be releasing her follow-up EP on Zora Lanson Label as well as a collaborative project with Si Cut.db on Biphop. Granny'Ark's Three Seas and One Bottle EP is available for download at http://www.interdisco.net Neil Wiernik (aka naw) has been extremely busy over the 12 months. The last year has seen the release of two naw albums; Green Nights, Orange Days on Noise Factory and Terrain Vague on Pertin_nce, as well as an extensive European tour. Neil's production was recently described by The Wire as having the kind of sharpness and clarity usually lost amid the murk and decay of clicks and cuts and digital delays. Neil recently moved back to Toronto and began working with long-time collaborator Greg Smith in the creation of Vague Terrain, an entity which will promote a series of eclectic electronic music showcases and the website of which will act as a digital arts journal. More information on naw is available at http:/www.noisefactoryrecordings.com Akumu is Torontos Deane Hughes, composer of atmospheric ambiance, shadowy beats and minimal manipulations. Formed as a solo project in 2000, Akumu has released three full-length albums on his own Spider Records imprint. His newest CD, Magmas (2005) was conceived and written in Guatemala, Honduras and Mexico; it is the follow-up to 2004s Fluxes, an ambient, zero-BPM recording of unflinching minimalism that The Wire says raises neat hackles across the skin. For six months, Deane traveled throughout remote locations, making binaural recordings from which he created the drone- and loop-based instruments that form the spine of material on both CDs. Akumu has performed live across Ontario and Quebec, including 2005s Mutek festival in Montréal, featuring visual projections of original photography, animated collages and 2D/3D digital experiments. His live sets highlight and improvise on Magmas and Fluxes to create an immersive, flowing soundscape of micro-sonics, ambient drones and low-frequency pulses. More information is available on Akumu at http://spiderrecords.com/ Keeping with our mandate of integrating electronic music with digital art, Vague Terrain will be welcoming back one of our earliest collaborators, video artist Patricia Rodriguez. Formally trained in the visual arts, Patricia is a multidisciplinary specialist, integrating analog and digital technologies. She delights in playing with perception and problem-solving. A keen synaesthete, Patricia enjoys the neurological mixing of the senses. Her love for improvisation translates into performances using movement, sound and light (including video and film), as well as real-time collaborations with musicians and other artists. She has shown her work alongside Richie Hawtin, Monolake, Kit Clayton, Derrick May, Steve Bug, and Damo Suzuki of Can to name a few. She has worked with several collectives including Clonk, Eight, Wabi, Whipit, Die Lux, and Geekend. Patricia is currently the Art Director for Substance Communications. Extensive artist event information, album reviews and artist links are available at http://www.vagueterrain.net
Re: RE: (313) RE: Non-techno (was slsk)
From: Blaauw, Martijn de [EMAIL PROTECTED] Date: 2005/09/21 Wed AM 08:45:44 EDT To: Robert Taylor [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) RE: Non-techno (was slsk) Very OT!!! But being openminded as this 313 list is it shouldn't be a problem:-) -Oorspronkelijk bericht- Van: Robert Taylor [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 15:43 Aan: Blaauw, Martijn de ; 313@hyperreal.org Onderwerp: RE: (313) RE: Non-techno (was slsk) Not one that I've heard yet, no. I'd be interested to hear Clor How OT is this? -Original Message- From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:42 To: Robert Taylor; 313@hyperreal.org Subject: RE: (313) RE: Non-techno (was slsk) So, my guess is that u don't like any of them? -Oorspronkelijk bericht- Van: Robert Taylor [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 15:38 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: RE: (313) RE: Non-techno (was slsk) They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:37 To: 313@hyperreal.org Subject: Re: (313) RE: Non-techno (was slsk) What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) slsk
Thanks to all for the replies on this particularly Giannis, Fab, Martijn, Jamil, Briggs, O, you're all on my user list (where you've priovided a name, O you already were - we've talked before!). Here's a reply I made to Giannis earlier today: As far as the slsk thing goes what your answer indicates is that really I should find another filesharing utility as I really don't have the time to follow your advice! This isn't meant in any snobby way: I'd really love to be able to do so but in any given week on top of using my PC for it's legitimate work purposes I usually manage to read my 313 mail, deal with any mail pertaining to my night and check Piccadilly's mailout. If I have anytime left I may hunt on Gemm for older stuff I'm after. On top of this I'd love to watch Little Detroit, check out other online shops (particularly Vinyl Underground here in the UK and Submerge and Big50 stateside), buy records off e-bay, look for books I'm after, visit yet more sites that sound brilliant (Technotourist?) but I've never been to. The reason I don't do all these things is because I just don't have time. For me to be able to I'd have to find a way to give up either eating, sleeping or working. The first 2 seem impossible to get round (and I'm not sure I'd really want to!). Now where's that lottery ticket.. Francis hey francis :) i dont know if u know this, but most ppl in slsk who have intresting files are on strict user list sharing only. So when u distribute a global search , this function cannot access their files. So as u understand it's all about getting to know the right ppl. A way to do this is by entering intresting rooms and getting to know ppl who share same intrest in music. One room i recommend is this- 313 .And believe me, some real diamonds float in the slsk network Giannis gave me a reply with a few good tips and thanks to the rest of you I've got others to try too - particularly the Wishlist. To answer some of the other points I do already donate to get privileges but this doesn't help. There seems to be 3 things: Some people have moved on from slsk. Many only share with others on their list. Some new versions of Soulseek are incompatible with older ones or themselves! Question: any other p-2-p programm that u find good besides Soulseek? No I haven't tried others, I'm a greenhorn with little time for experimentation - I need you lot to do the hard work for me : ) Recommendations anyone?
Re: (313) Simon Reynolds Rip It Up And Start Again
Excuse me, but I didn't understand what this book is about. I'm a bit slow, y'know. Is it a book about music? And is it the same Simon Reynolds who wrote Energy Flash in which he keeps going on and on and on and on and on about drugs and drugs and hardcore and other bad music and drugs and... :s Greets
RE: RE: (313) slsk
Mine is: [EMAIL PROTECTED] Drop me message or drop by while on slsk... -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: woensdag 21 september 2005 19:49 Aan: 313@hyperreal.org Onderwerp: RE: (313) slsk Thanks to all for the replies on this particularly Giannis, Fab, Martijn, Jamil, Briggs, O, you're all on my user list (where you've priovided a name, O you already were - we've talked before!). Here's a reply I made to Giannis earlier today: As far as the slsk thing goes what your answer indicates is that really I should find another filesharing utility as I really don't have the time to follow your advice! This isn't meant in any snobby way: I'd really love to be able to do so but in any given week on top of using my PC for it's legitimate work purposes I usually manage to read my 313 mail, deal with any mail pertaining to my night and check Piccadilly's mailout. If I have anytime left I may hunt on Gemm for older stuff I'm after. On top of this I'd love to watch Little Detroit, check out other online shops (particularly Vinyl Underground here in the UK and Submerge and Big50 stateside), buy records off e-bay, look for books I'm after, visit yet more sites that sound brilliant (Technotourist?) but I've never been to. The reason I don't do all these things is because I just don't have time. For me to be able to I'd have to find a way to give up either eating, sleeping or working. The first 2 seem impossible to get round (and I'm not sure I'd really want to!). Now where's that lottery ticket.. Francis hey francis :) i dont know if u know this, but most ppl in slsk who have intresting files are on strict user list sharing only. So when u distribute a global search , this function cannot access their files. So as u understand it's all about getting to know the right ppl. A way to do this is by entering intresting rooms and getting to know ppl who share same intrest in music. One room i recommend is this- 313 .And believe me, some real diamonds float in the slsk network Giannis gave me a reply with a few good tips and thanks to the rest of you I've got others to try too - particularly the Wishlist. To answer some of the other points I do already donate to get privileges but this doesn't help. There seems to be 3 things: Some people have moved on from slsk. Many only share with others on their list. Some new versions of Soulseek are incompatible with older ones or themselves! Question: any other p-2-p programm that u find good besides Soulseek? No I haven't tried others, I'm a greenhorn with little time for experimentation - I need you lot to do the hard work for me : ) Recommendations anyone?
RE: (313) Simon Reynolds Rip It Up And Start Again
It's his take on post-punk - PIL, Gang Of Four, Devo, Talking Heads etc - much better than Energy Flash, less pretentious and much more thoughtful. Mind you, I thought Reynolds was spot on about drugs and hardcore -Original Message- From: Simon Vrebos [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 17:53 To: 313@hyperreal.org Subject: Re: (313) Simon Reynolds Rip It Up And Start Again Excuse me, but I didn't understand what this book is about. I'm a bit slow, y'know. Is it a book about music? And is it the same Simon Reynolds who wrote Energy Flash in which he keeps going on and on and on and on and on about drugs and drugs and hardcore and other bad music and drugs and... :s Greets # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) slsk
Mine (at work) is MondayTuseday, and at home... I think it's dbodb or oodboo... Jamil [EMAIL PROTECTED] wrote: Thanks to all for the replies on this particularly Giannis, Fab, Martijn, Jamil, Briggs, O, you're all on my user list (where you've priovided a name, O you already were - we've talked before!). Here's a reply I made to Giannis earlier today: As far as the slsk thing goes what your answer indicates is that really I should find another filesharing utility as I really don't have the time to follow your advice! This isn't meant in any snobby way: I'd really love to be able to do so but in any given week on top of using my PC for it's legitimate work purposes I usually manage to read my 313 mail, deal with any mail pertaining to my night and check Piccadilly's mailout. If I have anytime left I may hunt on Gemm for older stuff I'm after. On top of this I'd love to watch Little Detroit, check out other online shops (particularly Vinyl Underground here in the UK and Submerge and Big50 stateside), buy records off e-bay, look for books I'm after, visit yet more sites that sound brilliant (Technotourist?) but I've never been to. The reason I don't do all these things is because I just don't have time. For me to be able to I'd have to find a way to give up either eating, sleeping or working. The first 2 seem impossible to get round (and I'm not sure I'd really want to!). Now where's that lottery ticket.. Francis hey francis :) i dont know if u know this, but most ppl in slsk who have intresting files are on strict user list sharing only. So when u distribute a global search , this function cannot access their files. So as u understand it's all about getting to know the right ppl. A way to do this is by entering intresting rooms and getting to know ppl who share same intrest in music. One room i recommend is this- 313 .And believe me, some real diamonds float in the slsk network Giannis gave me a reply with a few good tips and thanks to the rest of you I've got others to try too - particularly the Wishlist. To answer some of the other points I do already donate to get privileges but this doesn't help. There seems to be 3 things: Some people have moved on from slsk. Many only share with others on their list. Some new versions of Soulseek are incompatible with older ones or themselves! Question: any other p-2-p programm that u find good besides Soulseek? No I haven't tried others, I'm a greenhorn with little time for experimentation - I need you lot to do the hard work for me : ) Recommendations anyone?
Re: (313) RE: Non-techno (was slsk)
The Jam? Gang of Four? Ooh, now THAT could be fun Robert Taylor wrote: They're all pish as our Scottish friends would say - all trying to sound like The Jam or Gang Of Four -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 12:37 To: 313@hyperreal.org Subject: Re: (313) RE: Non-techno (was slsk) What do u all think off this so-called 'new new wave' of british bands which currently seem to be popping up everywhere? well, like you, its kind of like you've heard it all before. and its over hyped. but hey, I can listen to some of it and take some enjoyment out of it, so, well, thats all that matters I guess : )
Re[2]: (313) slsk
mine is Zergi.man (mind the dot) i have loads of different styles. Ales
(313) T-funkshun with Rolando this Friday
T-Funkshun Friday 23rd September 2005 The Cavern Club, 8-10 Matthew St, Liverpool, L2 6RE DJ Rolando (aka The Aztec Mystic) //Los Hermanos//formerly UR assault DJ Scott 'NoctURne' McGill Mark Forshaw10:00-3:00 £8 advanced tickets//more on door (tickets available at www.ticketline.co.uk by close of play this week) Following on from our riotous 1st night at our new home, The Cavern Club, with Chicago's own Larry Heard, T-Funkshun are proud to present, DJ Rolando. DJ Rolando's return to Liverpool on September 23rd will rock The Cavern to the core of it's rather deep foundations! He'll be flanked on the night by T-funkshun's very own Motor City controller, Scott McGill, who has represented Detroit's musicology over in the UK for so long, despite never making it anywhere geographically near the home of Ford, unless you count Speke Boulervard's car-plant. The Larry Heard night will take some beating, but with the usual electric atmosphere in place, and regular friendly crowd should make this one close contender. There's more to the legendary Cavern club than the Beatles.
(313) T-funkshun with Rolando this Friday
T-Funkshun Friday 23rd September 2005 The Cavern Club, 8-10 Matthew St, Liverpool, L2 6RE DJ Rolando (aka The Aztec Mystic) //Los Hermanos//formerly UR assault DJ Scott 'NoctURne' McGill Mark Forshaw 10:00-3:00 £8 advanced tickets//more on door (tickets available at www.ticketline.co.uk by close of play this week) Following on from our riotous 1st night at our new home, The Cavern Club, with Chicago's own Larry Heard, T-Funkshun are proud to present, DJ Rolando. DJ Rolando's return to Liverpool on September 23rd will rock The Cavern to the core of it's rather deep foundations! He'll be flanked on the night by T-funkshun's very own Motor City controller, Scott McGill, who has represented Detroit's musicology over in the UK for so long, despite never making it anywhere geographically near the home of Ford, unless you count Speke Boulervard's car-plant. The Larry Heard night will take some beating, but with the usual electric atmosphere in place, and regular friendly crowd should make this one close contender. More to the legendary Cavern club than the Beatles.
RE: Re[2]: (313) slsk
Me Lektrix, Normally in the rooms; 313, Detroit Techno or Worldwide Max [MXM] www.amp-art.com -Original Message- From: Aleš Hieng / Zergon [mailto:[EMAIL PROTECTED] Sent: 21 September 2005 21:14 To: 313@hyperreal.org Subject: Re[2]: (313) slsk mine is Zergi.man (mind the dot) i have loads of different styles. Ales
(313) re:RE: (313) Simon Reynolds Rip It Up And Start Again
It's his take on post-punk - PIL, Gang Of Four, Devo, Talking Heads etc - much better than Energy Flash, less pretentious and much more thoughtful. Mind you, I thought Reynolds was spot on about drugs and hardcore I wouldn't say 'spot on'. He had a view and that view was open for discussion. In the beginning of the book his remarks on drugs made sense, but were more prominent then needed. But near the end it became too much. All that talk about hardcore and whatever came after... it became boring... and made me stop reading it. There are very good parts in the book and he made sense most of the time, but it's just too long and too much.
Re: (313) track req - d'n'b techno hybrids
'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? There are a few Jacobs Optical Stairway releases worth checking out. JOS have quite a bit of detroit relavence as well. A few other JOS's other guises include 4Hero, Tek9, and the very detroit-esque Nu Era (check their amazing Beyond Gravity album if you can find it). Ok back to the JOS info you were after... * Jacob's Optical Stairway - s/t cd/2xlp (RS) 1996 (including a track co-produced by Juan Atkins) * Jacob's Optical Stairway - solar feelings cdep/12 (RS) 1996 (including two mixes by Claude Young) * Jacob's Optical Stairway - jacob's story cdep/12 (RS) 1997 (including Juan Atkins+Dave Angel mix) Other tech-d'n'b-jazz tracks i might recommend... * Innerzone Orchestra - bug in a bassbin rmxs cd, 3x12, 10 (MoWax) (includes mixes by carl craig, claude young, 4hero [sound familiar], future/past, and peshay) - the best mix is claude's 31st Century Jazz Mix on the 10 all released in 1996 * Florence - the vinyard 12 (Eevolute) 1995 (with nice peter ford mix) * Reload - autoreload vol 2 cdep (Infonet) 1993 (with amazing mixes by Black Dog and Global Communications) * Lamb - cottonwool rmxs (Fontana) 1996 (with nice fila brazilia guy called gerald mixes) * Sensorama - Zu Gast auf der Welcome Insel cd/2xlp (Ladomat) 1996 (claude mix is the d'n'b-ish track but highlights also include mixes by Born Under a Rhyming Planet and Move D) And last but hardly least... * A Guy Called Gerald: black secret technology (Juice Box) (one of the great d'n'b tech releases) * A Guy Called Gerald: essence (Studio K7!) (a few highlights like 'humanity' and 'fever' - good rmxs by black dog, ashley beedle, too) * A Guy Called Gerald: to all things what they need (Studio K7!) (new one. nice spacy ambient moods and less vocals) While on the topic of AGCG, anybody know if the Juice Box represses of the back catalog ever came out? gerald mentioned on his website last year that he was planning represses of them all but i have yet to see them. i've always wanted copies of hot lemonade, 28 gun bad boy, and all the other early Juice Box 12s i was never able to find. Also any reviews on Gerald's new Sugoi Recordings label? supposedly it will be more on the detroit-techno-acid tip. The first release on the label 'Flo-Ride' was due out this month. Any details or reviwes out there? ok, class dismissed. back to work for me... -- ---Lance 6099 Creekside Lane North Ridgeville, OH 44039 United States
Re: (313) track req - d'n'b techno hybrids
At 06:11 PM 9/21/2005 -0400, you wrote: 'lo list, I'm doing this mixed compilation for some friends and I'm looking for a good techno/electro track that halfway through changes to drum'n'bass. I have one from the Jacob's Optical Stairway album on RS, but I'm looking for others. Any recs? Not sure if anyone has mentioned Recloose but he has a few tracks that fit this bill... notably a track Landscaping off the top of my head and a few others worth looking into. * Lamb - cottonwool rmxs (Fontana) 1996 (with nice fila brazilia guy called gerald mixes) I just listened to cottonwool from their album 2 days ago and the original still makes my hair stand on end when the choppy rhythms really get going. No structure on the surface, yet somehow it all just syncopates in the abstract... It's an ADHD dream come true!
(313) Galaxy II Galaxy in DUBLIN ..........
Cheap Ryanair tickets to Dublin for anyone interested in a weekend away !! Sunday 30th October 2005 - DEAF : Dublin Electronic Arts Festival www.deafireland.com Galaxy 2 Galaxy [UR] Live, Los Hermanos [UR] live. DJ S2 [UR] PLUS Mark Broom [Pureplastic UK] PLUS D1 Japanese showcase Featuring Kan Shimomura [D1-Toyko] Bayion [D1-Koyto] Support from Eamonn Doyle [D1] Special guests 7 hours of techno from Detroit, Dublin and Japan Visual programming from Underground Resistance, Del 9 and Metal Dragon Venue: Village Venue, Wexford Street, Dublin 2 www.thevillagevenue.com ONLINE: Tickets available from www.tickets.ie Time: this is an EARLY SHOW !! 7.30 PM SHARP - 3AM ALSO at DEAF this year - Kool Keith Kutmaster Kurt Goldie Perlon Records showcase featuring Akufen Dimbiman I-F D1SCO Steve Bicknell Pamelia Kurstin Mixmaster Morris / The Irresistible Force Lisle Ellis Roger Doyle / Operating Theatre Ensemble # Max Tundra Anne Garner Sean Quinn Keith Downey Crash Ensemble Dreyblatt Somadrone Schroedersound Ray Merriweather Andre Womack William Pope Esteban Adame Santiago Salazar Delinquent Dialect Dr Skunkenstein Heuristic Audio Ikeaboy Magnetize I am exit Northstation Splitloop Corrugated tunnel Afronova Toirse Chequerboard DJ Scope Darklight Film Festival / Darklight Symposium Les Bien, Moth Complex Ophelia Deep Burial Simon McDermot Colin Shields Greg Marshall Desy Balmer Darren Allen T-Polar ISO9 Live Berimbodhran Charles Brand Fairlights More TBC DEAF Halloween night closing party loads and loads of Irish and International DJs / Live PAs playing at the DEAF DJ Weekender @ The Globe / Hogans / Bia Bar
