(313) Fine Tribute to AC
http://www.littlewhiteearbuds.com/feature/a-tribute-to-aaron-carl/
(313) Tribute Mix to Aaron Carl
http://soundcloud.com/dformer/tribute-to-our-beloved-aaron-carl-a-dj-mix-by- d-former
Re: (313) DEMF 2010 weekend
Thanks for the reports so far. Much appreciated. Cheers, Wes -- http://soundcloud.com/westonprince On 6/5/10 6:28 AM, Jacob Arnold ja...@gridface.com wrote: darnistle wrote: We arrived in Detroit late Friday morning and made our way to Submerge before checking into the hotel. For such a small store, it felt like there was a lot to delve into. I only made my way through half the stacks before I had to leave, but I found lots and lots of treats nonetheless. We also checked out the Detroit techno exhibit upstairs. I'm glad Cliff (I think that was his name) brought it to our attention. Great account! It's fun to see how everyone's experience is different. I regret not getting to Submerge this year. Cheers, J
(313) G. Mitchell/Hard Life Detroit Tech
Greetings, Don't sleep on this latest mix for free download from the phenomenal Mr. Mitchell of Los Hermanos: http://soundcloud.com/loshermanosdetroit/detroit-deep-ntha-attic Cheers, Wes -- http://soundcloud.com/westonprince
(313) http://citysounds.fm/detroit
Hi again, Good to see Kraig Love representing on the techno side, but as a genre it's not exactly prominent in the updates on this site. Yet there are two hip hop categories, one with the hyphen, one without. Sign of the times? Cheers, Wes -- http://soundcloud.com/westonprince
Re: (313) http://citysounds.fm/detroit
http://citysounds.fm/detroit On 3/27/10 1:26 PM, Wes Prince wespri...@clear.net.nz wrote: Hi again, Good to see Kraig Love representing on the techno side, but as a genre it's not exactly prominent in the updates on this site. Yet there are two hip hop categories, one with the hyphen, one without. Sign of the times? Cheers, Wes
(313) Dan Curtin - Mr. Bean Do An E
Enjoy! http://www.youtube.com/watch?v=iMebf8m6Ehw -- http://soundcloud.com/westonprince
Re: (313) The Long Arm Of DJ Rolando
See what you think: http://soundcloud.com/christianprommer/christian-prommer-jaguar Cheers, Wes -- http://soundcloud.com/westonprince On 2/22/10 4:31 PM, kent williams chaircrus...@gmail.com wrote: I've been digging this South African guy Black Coffee, but the track '100 Zulu Warriors' cracked me up -- listen and you'll know why: http://tinyurl.com/ya87zbu
(313) Drumlesson Zwei
The audacious Christian Prommer has another Drumlesson album coming out. The first album was a thing of rare beauty. Hoping to hearing some of the classics amongst these also injected with new life, or at least given a fresh twist: 01. Sandstorms 02. Groove La Chord 03. Sleepy Hollow 04. Acid Eiffel 05. Oxygène Part IV 06. Jaguar Pt 1 07. Jaguar Pt 2 08. Sueno Latino 09. High Noon 10. Sandcastles http://www.residentadvisor.net/news.aspx?id=11707 Cheers, Wes -- http://soundcloud.com/westonprince
(313) New Shake Mix
Just in case anyone misses this great podcast: http://www.littlewhiteearbuds.com/ Cheers, Wes -- http://soundcloud.com/westonprince
(313) New Kirk Degiorgio Mix
Check this great interview podcast from the artist fondly referred to as Kirk Detroitio: http://www.littlewhiteearbuds.com/lwe-podcast-36-kirk-degiorgio/ Cheers, Wes -- http://soundcloud.com/westonprince
Re: (313) new transmat
What was the story with Vince Watson Transmat? Is he still going to release something on the label? http://soundcloud.com/vincewatson/intuition-transmat-mix Thanks, Wes -- http://www.myspace.com/westonprince On 10/16/09 7:10 AM, Frank Glazer cpe1704...@gmail.com wrote: Personally, I think if The Bridge came out on any other label than Transmat, more people would be singing its praises as a better than average techno record with noticeable Detroit influences. It killed at DEMF this year, was definitely the highlight of Derrick's set, and sounded amazing on a huge soundsystem. I am the first to slag progressive garbage, but I really think everybody is being a little too harsh. I'm a fan. The rest of this Gow guy's tracks though aren't really anything special. I do agree with Kenny though. The fact that it came out digital at first is utter nonsense. On Thu, Oct 15, 2009 at 1:58 PM, Garrett McGrath g...@7mzdt.com wrote: some other record should make up for this one? No one's taking a thing away from what that Derrick and Transmat actually deserve. It's just that this music is terrible. On Oct 15, 2009, at 10:11 AM, ohanakin ... ohana...@gmail.com wrote: ease on up cowboys, have you guys heard dvs1's stuff? gonna be out on transmat (check his myspace for the tracks) On Thu, Oct 15, 2009 at 2:38 AM, JT Stewart etmach...@gmail.com wrote: I agree, but they're both super duper wack club sh*t-turds. So, so tired. I could give a f about 'innovation' but for crissakes Derrick! Bring on Arne's record. On Thu, Oct 15, 2009 at 2:08 AM, Joe Marougi jmaro...@gmail.com wrote: Black Sun The Bridge
(313) DJ3000 Mix on Bodytonic
Wow, devastating mix. Celebrate the roots... http://www.bodytonicmusic.com/podcasts/2009/sep/16/bodytonic-podcast-044-dj- 3000/ Tracklist 1. Marvin Gaye 'T Plays It Cool' 2. The Dramatics 'Get Up And Get Down' 3. Curtis Mayfield 'Freddie's Dead' 4. The Ojays 'Back Stabbers' 5. The Rolling Stones 'Under My Thumb' 6. The Temptations 'Papa Was A Rolling Stone' 7. Yarborough and Peoples 'Don't Stop The Music' 8. Divine Sounds 'Dollar Bill' 9. Divine Sounds 'What People Do For Money' 10. Ice T 'Reckless' 11. Captian Rock 'Return Of Captian Rock' 12. Whodini 'Freaks Come Out At Night' 13. Cameo 'Word Up' 14. Soul Sonic Force 'Planet Rock' 15. Cybotron 'Clear' 16. Nucleus 'Computer Age' (Push The Button) 17. A Number Of Names 'Sharevari' 18. Kano 'I'm Ready' 19. Prince 'Erotic City' 20. The Temptations 'Cloud Nine' -- http://www.myspace.com/westonprince
Re: (313) hedz up -- Monolake Atlas/Titan super-duper cheap
Cool...many thanks for this info. Nice idea. Wes http://www.myspace.com/westonprince http://network.technobass.net/profile/westonprince On 9/5/09 3:57 AM, kent williams chaircrus...@gmail.com wrote: I already bought the download for this from Boomkat for a whole lot more, but Amiestreet has it right now at a crazy price. Worth starting an account for. http://amiestreet.com/browse/music/monolake/atlas-titan/ If you haven't heard of Amiestreet, they have a pricing system where all tracks start out free, and the price goes up with popularity, topping out at 99 cents US. I don't know how it works out for the artist in the end but it's a good site for giving unfamiliar stuff a try. They also have a social networking aspect, where you 'friend' people, and a system where you earn store credit if you do reviews, but I already write reviews for a print publication and can't be bothered
Re: (313) DJ Surgeon @ Fabric, London 15-08-2009, 3hrs!
More than a smattering of Detroit-related goodness in this one...many thanks! Wes -- http://www.myspace.com/westonprince On 8/19/09 9:17 PM, Martijn de Blaauw martijn.de.bla...@woonconcept.nl wrote: Rocking set, one big file! Follow the link below: http://www.sendspace.com/file/e9ezbp Tracklist: Efdemin - Acid Bells (Martyn's Bittersweet mix) James Ruskin - Massa Phuture - We Are Phuture John Carpenter - The Bank Robbery (Lory D remix) Robert Hood - The Pace Outline meets Surgeon - Golden Age Surgeon - Floorshow 1 Live in Norway Surgeon - Klonk Part2 Untold - Discipline Orphx - First Light Joey Beltram - Metro Jellybean - Twilight Drone Mike Dehnert - Tagebedarf 4 British Murder Boys - Be Like I Am Zomby - Godzilla Surgeon - trak4 take2 Phanton Regiment - Untitled Orphx - Threshold (Substance remix) Jolka - Untitled Paul Bailey - Saturday Boy (Surgeon remix) Soundstream - Good Soul Trackman - Don't Stop Norman Nodge - Manmade Robert Hood - Museum Moodyman - Shades of Jae Part 1 2 Men On Wax - O-Zone Hiroaki Iizuka - Glow (Grovskopa remix) Surgeon - Compliance Momentum Shiver - Subsonic Sound Scape Matt Green - Final Straw Surgeon - Waiting For Me Part 1 Martyn - Natural Selection British Murder Boys - BMB4 bonus beats Jeff Mills - Humana Robert Hood - Acrylic Fran Harnett - Alpha Darkstar - Video Tape Surgeon - Screw The Roses Live in Norway Jeff Mills - Outsiders T-Polar - Little Colossus Starkey - Gutter Music (VIP) Infinity - Game One Dead Sound - Dead Slater Project Collabs feat. Chris Liebing Speedy J - Maggie Robert Armani - Basement Rats Robert Hood - Rhythm Of Vision The Advent - It One Jah (Surgeon remix) Basic Channel - Enforcement Mills mix Adnoise - Handwek 1 Millsart - Step To Enchantment (Stringent) The Subjects vs. Jeff Mills - Dark Matter Planetary Assault Systems - Mark Me Rhythim Is Rhythim - The Beginning Ben Sims - Jack Up, Work Your Body Surgeon - Midnight Club Tracks II iO - Eternal Sun Error 404 - Unity British Murder Boys - Don't Give Way To Fear part 1 The Martian - Search Your Feelings Nate Williams - Club Patrol Frankie Knuckles - Your Love -Oorspronkelijk bericht- Van: kent williams [mailto:chaircrus...@gmail.com] Verzonden: maandag 17 augustus 2009 22:28 Aan: atomly CC: 313@hyperreal.org Onderwerp: Re: (313) DJ Bone denied entry into UK You A) don't travel with a load of gear, beyond a laptop B) don't show up as re-entering the same country multiple times in the same year. In a sense, getting sent home is a sort of perverse sign you've arrived. I did find out this weekend how to get the hairy eyeball from everyone in uniform in the Salt Lake City airport yesterday: don't shave for a week, wear dark glasses and a Moodyman T Shirt. On Mon, Aug 17, 2009 at 3:03 PM, atomlyato...@atomly.com wrote: [Odeluga, Ken ken.odel...@dowjones.com] But if you haven't got a visa/work permit, you haven't got a visa/work permit. I'm no apologist for regulations or overzealous bureaucracy, but the fact that the rules have been re-tightened in recent years has been made crystal clear. If the paper work is not in your possession before you travel, you're making an unwise decision to get on that plane. It's the responsibility of the agent and the promoter to make sure that this paper work has been dealt with before the artist departs. If it's not been taken care of, this is not a very professional thing to let happen. You can't buck reality unfortunately. It's not a question of generosity or not on the part of the immigration staff. It just is. Nowadays, anyway. And the immigration regulations for Europeans wanting to do temporary work in the States are just as stringent, by the way. Well, this is all very easy to say, but the reality of the situation is such, then, that this means you'll be seeing a lot less artists (particularly smaller, up-and-coming artists) coming through your town. For example, I know there are many gigs I've played in the past where they simply would not have happened had I actually tried to do everything legally, because financially it just would not have been feasible. -- :: atomly :: [ ato...@atomly.com : www.atomly.com : http://blog.atomly.com/ ... [ atomiq records : new york city : +1.917.442.9450 ... [ e-mail atomly-news-subscr...@atomly.com for atomly info and updates ... Woningcorporatie Woonconcept zorgt voor veilige woonruimte van goede kwaliteit voor mensen, die daar zelfstandig niet in kunnen voorzien. En wij doen meer dan bouwen, zorgvuldig beheren en verhuren. We zetten ons in voor de leefbaarheid in de breedste zin van het woord.
Re: (313) Live sets (was (313) ping)
Going on ten years now, but Theorem sticks in the mind as one of the most satisfying and sonically involving live techno acts I've witnessed, partly due to the warmth of personality/sound he generated. No flash, all the fireworks were in the music. As mentioned by others, Octave One/RNG can be incredible live from my experience, due to their understanding of the dynamics of the genre. Pacing like a good dj set, but jacked up to a truly moving level both emotionally and physically. Cheers, Wes -- http://www.myspace.com/westonprince On 8/7/09 2:24 AM, Matt Chester chesterm...@googlemail.com wrote: Lets talk about live sets for a change - who are your favourite Detroit live artists why? I saw Rob Hood live recently and was pretty disappointed - he was doing the whole 'play one track, stop, reprogram, play another track' thing. A lot of detroit artists seem to do that, performing more like a band, i've never really understood why. Does anyone here prefer that kind of show to a continuously evolving set? Carl Craig last year at the festival was phenomenal I thought - he gets plenty of criticism these days for various reasons but that totally blew me away...Scan 7 Octave One both do very tight shows too. NB -No chat about hardware vs laptop btw, this is strictly about talent! And first person to mention Jeff or Richie gets a severe beating... :p kent williams wrote: Sometimes when people went all quiet I posted something just to get a discussion going, but I've decided that as list admin it's kind of a cheesy thing to do, so I've stopped. Sometimes I think that pretty much every possible thing to be said about Detroit Techno has been said already on this list, multiple times, well and poorly, so we await new developments, which can be thin on the ground, especially in summer. It's like the contemporary authors whose books I read. There are 15 or 20 authors whose books I will read as soon as they're published. Most of the time I'm caught up, and I just want them to write faster.
(313) Aaron Carl's Latest EP (Free Download)
Just a heads up to help spread the word. It's available at his site: http://www.aaroncarl.com/ Here's some details from RA: Detroit producer Aaron-Carl has decided to make his latest EP available via his website, and it won't cost you a penny to download. The collection, entitled Electrevival, is comprised of two exclusive tracks as well as three new versions of previously released material. Speaking on his website in an official statement, Carl says that the most important thing I want you to do is ENJOY it! Some of these songs are new, some are not. But ALL of them represent various points in my life and careerthe different paths I've chosen, where I came from, where I'm going... You get the point. Of the new tracks featured, one is a remix of If There Is a Heaven by fellow Detroit residents Ican, whilst the other is a hip-hop collaboration with relative unknown Humility's Hand. Backed by new versions of Aaron-Carl's bona fide anthems Tears and Down, the collection is an insightful look into the work of the stalwart producer, who has previously released on labels such as Metroplex, Subject Detroit and Mahogani Music. Cheers, Wes -- http://www.myspace.com/westonprince
Re: (313) Patrice Scott
Speaking of Patrice Scott, check out his Deep In Detroit mixtape: http://www.megaupload.com/?d=ZC4GNQU2 Cheers, Wes -- http://www.myspace.com/westonprince
(313) Detroit Techno Mix (1988-92)
Hi all, This mix looks well worth checking...can't beat the track list. http://www.discogs.com/groups/topic/168251 1. Reel By Real- Aftermath (Album Version) 10 Records 1990 2. Rhythim Is Rhythim- Feel Surreal (Subconscious Mix) Transmat 1988 3. R-Tyme- R-Theme (Mayday Mix) Transmat 1989 4. Rhythim Is Rhythim- Beyond The Dance (Bizarro Mix) Transmat 1988 5. Mayday- Freestyle (Bongo Mix) Pheerce City 1988 6. Shakir- Sequence 10 (10 Records 1988) 7. Juan- Techno Music (10 Records 1988) 8. States Of Mind- Elements Of Tone (Richie's Dream Mix) Plus 8 Records 1990 9. We R Who We R- Derivative (Kirk Smith Techno Mix) 2020 Records 1990 10. Mayday- Wiggin' (Master Reese Mix) Pheerce Citi 1988 11. Shake- Sonar 123 (Interface Records 1990) 12. Reese- Inside Out (Fragile Records 1991) 13. Cybersonik- Technarchy (Plus 8 Records 1990) 14. States Of Mind- Destiny (Champion Records 1991) 15. Cybersonik- Cabaret 7 (Champion Records 1991) 16. F.U.S.E.- Refused (Champion Records 1991) 17. BFC- Evolution (Fragile Records 1990) 18. Cybersonik- Carousel (Plus 8 Records 1990) 19. Reese And Santonio- Groovin' Without A Doubt (Re-Mix) Kool Kat Records 1988 20. Kevin Saunderson- The Groove That Won't Stop (Kool Kat Records 1988) 21. Octave One- I Believe (Magic Juan Mix) Transmat 1990 22. Octave One- Nicolette (430 West 1991) 23. States Of Mind- Audio Q-5a (The Zone Out Mix) Plus 8 Records 1990 24. Reese- Just Want Another Chance (Mix 3) Incognito Records 1988 25. Yennek- Serena X (Inner Zone Mix) Buzz Records 1992 26. Kenny Larkin- Manik Man (Champion Records 1991) 27. World 2 World- Greater Than Yourself (Underground Resistance 1992) Cheers, Wes -- http://www.myspace.com/westonprince
Re: (313) C2 Does Bowie
Extremely interesting new group, Zoos of Berlin, not least for the fact that the drummer is Collin Dupuis, Carl's full-time recording engineer. Check them out: http://wmw.myspace.com/zoosofberlin Cheers, Wes -- http://www.myspace.com/westonprince On 6/20/08 3:16 PM, Dan Sicko [EMAIL PROTECTED] wrote: From what I hear, it's essentially the Detroit band Zoos of Berlin doing the cover (they've been recording in Carl's studio), and then Carl did a mix/edit/something-or-other on it. Can't wait to hear it either way. On Thu, Jun 19, 2008 at 9:59 PM, Cyclone Wehner [EMAIL PROTECTED] wrote: There is a cool new Bowie tribute Life Beyond Mars on Rapster. Apparently Carl Craig has contributed, as with Kelley Polar and Matthew Dear. You can hear audiofiles on Rapster's website (rapsterrecords.com?) I don't have a track list but it's probably online! This comp is from the same team behind Exit Music, the Radiohead tribute. - Dan Sicko Editor, Moodmat www.moodmat.com
Re: (313) John Foxx Influence On 313
Thought it worth mentioning that Mr Foxx adds his vocal prowess to Never Been Here Before, off Jori Hulkkonen's new album 'Errare Machinale Est'. http://www.discogs.com/release/1263553 Cheers, Wes -- http://www.myspace.com/westonprince On 5/12/08 6:32 AM, Cyclone Wehner [EMAIL PROTECTED] wrote: I went to his performance at ACMI here - he performs a live score to a collage of found film entitled Tiny Colour Movies - and it was superb! He produces the most beautiful melodic techno ambient sounds. He did a QA after and spoke of how, while he loves old film, he feels more comfortable with digital technology for music-making as analog is less reliable. That said, he uses both. I noticed that there were lots of Gary Numan fans there and everyone was discussing the Yaz(oo) reunion. I also saw a few dudes around 20 in Presets style stovepipes. ;) Interesting experience. I think you can buy the score to TCM on his website - definitely worth checking. He was also talking of how cityscapes inspire him - the brutalism of London architecture in the '70s inspired his Metamatic songs more than any contemplation of the future. He came from the gritty North to London in the '70s and it was real culture shock. That's all I recall for now!
Re: (313) carl craig in the wire
Brilliant, thanks for this link. Especially good to hear the full story of Recloose's 'demo tape on rye'! Wes -- http://www.myspace.com/westonprince On 4/30/08 6:44 AM, Matt Kane's Brain [EMAIL PROTECTED] wrote: Philip Sherburne interviews Carl Craig: http://www.thewire.co.uk/articles/948 Sherburne puts records on and CC has to guess what it is, and then they talk about stuff, or something. -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
Re: (313) contemporary academic music literature?
Have you checked out the lengthy list of books, articles etc. here? http://www.dancecult.net/bibliography.php Includes material published right up to 2007. BTW, there's a reference to: May, Beverly. 2006. Techno. In African American Music: An Introduction, edited by Mellonee V. Burnim and Portia K. Maultsby. New York: Routledge, 313-352. Would love to read this chapter some time, as Beverley May did some good, incisive writing on Detroit techno in the 90s. Cheers, Wes -- http://www.myspace.com/westonprince On 4/7/08 6:52 PM, Frank Glazer [EMAIL PROTECTED] wrote: i recently read this book http://www.amazon.com/This-Your-Brain-Music-Obsession/dp/0525949690 and enjoyed it quite a bit, but ideally i'm looking for something that's a bit less rock and a bit more techno. can anybody recommend any contemporary (21st century) academic-level critical writing and/or research on electronic music (or music in general) that is worth reading? as an example, i've been meaning to read this piece that martin posted a few months ago: http://folk.uio.no/hanst/Manchester/ChicagoHouse.htm not as interested in the cultural or historical aspects either (ala love saves the day and last night a dj saved my life, both of which i've read), but feel free to share if something is extraordinary. please no commentary from those who think music can't/shouldn't be discussed scientifically. :)
Re: (313) New Recloose
That Petone gig sounds like it had some fine chemistry between the players. He's playing soon with his full 8-piece live band at a little club in the heart of K Rd here in Auckland, 4:20. What about the pleasures of musical humour/irony he's stylistically mining in the new material on this album? I'm trying to think of other Detroit techno/electro acts who arguably might do the tongue-in-cheek thing apparent in 'Perfect Timing' compared to say other eras. First thought of the DGP, Aux 88, Gary Martin...anyway, here's more of Matt's thoughts from the interview: It is kind of a joke. The thing is, you listen to it and the whole album isn't an '80s funk record. There are definitely three, four, maybe five tunes that are influenced by that era. Think about it, those songs that influenced it ['Perfect Timing'] had to be taken with a grain of salt as well, cause they're pretty ridiculous. Look at Prince, look at the sh*t he's wearing, or what he used to wear. You think you're meant to take that dude totally seriously? No! There is a bit of irony going on there, Parliament, all of it. There is definitely somewhat of a comedic element going on. Cheers, Wes http://www.myspace.com/westonprince On 3/19/08 5:34 PM, Fred Heutte [EMAIL PROTECTED] wrote: I liked the band a year ago when I saw them in Petone (an outdoor gig not far from the corner, not making this up, of Jackson and Buick). Jazz-funk but not the usual cliched sound, they have a couple very catchy numbers and know how to work with a crowd. Matt may not have realized it but he's a natural-born band leader. It's not boundary-stretching music but it's always a pleasure to see something really well done. And they may have gone in some different directions since I saw them. Anyway, recommended from here... fh - Some insights (from local mag Groove Guide) on the eve of Recloose's NZ tour with live band. Responding to the interviewer's description of 'Perfect Timing' as full of 70s/80s funk echoes -- an album where Polynesian soul meets Detroit robo-funk, Matt reflects: It's just a phase man, I'm getting older and I miss the good old days of funky electronic noodling synth business. I was born in 1974 and I'm still at it at 33. I guess I'm at the point where you start getting nostalgic. So yeah, a bit of nostalgia and me trying to recreate my funky suburban childhood memories...coming from Detroit there is always, well not always, the impression you have to keep it real. You know, keep it dark, keep it melancholy. I like that side of music as well, and I've done it before. But, I mean, life's too short to always be serious. I think sometimes it's funny to make some 'tongue-in-cheek' sh*t that makes you want to move. More comments if people are interested... Cheers, Wes -- http://www.myspace.com/westonprince
(313) New Recloose
Some insights (from local mag Groove Guide) on the eve of Recloose's NZ tour with live band. Responding to the interviewer's description of 'Perfect Timing' as full of 70s/80s funk echoes -- an album where Polynesian soul meets Detroit robo-funk, Matt reflects: It's just a phase man, I'm getting older and I miss the good old days of funky electronic noodling synth business. I was born in 1974 and I'm still at it at 33. I guess I'm at the point where you start getting nostalgic. So yeah, a bit of nostalgia and me trying to recreate my funky suburban childhood memories...coming from Detroit there is always, well not always, the impression you have to keep it real. You know, keep it dark, keep it melancholy. I like that side of music as well, and I've done it before. But, I mean, life's too short to always be serious. I think sometimes it's funny to make some 'tongue-in-cheek' sh*t that makes you want to move. More comments if people are interested... Cheers, Wes -- http://www.myspace.com/westonprince
(313) M104 Hubble Remix
Has anyone else noticed how much this spiral galaxy resembles a giant, primordial slab of extraterrestrial vinyl suspended in the heavens? It even has cosmic dust lanes running concentrically toward its centre point. http://apod.nasa.gov/apod/ap080308.html Judging from this new optically 'remixed' photo, Tristan was definitely onto something when he called vinyl the template of the gods many 313 moons ago... Cheers, Wes -- http://www.myspace.com/westonprince
Re: (313) new recloose album
I've heard some of it -- superb stuff. Here's a review from the local paper: Recloose: Perfect Timing By Rebecca BarryHerald rating: * * * * Dance music may not be as fashionable these days but those still into its jazzy, funky strains will find loads of good times on the fourth album from Matt Chicoine. The Detroit native, who settled in New Zealand seven years ago, has been embraced as part of the local music scene, defying his name with music designed for socialising. A song like Deeper Waters, with Joe Dukie, Warren Maxwell and members of Fat Freddys Drop shows Recloose can balance the techy sound of his homeland with the laidback vibe of Aotearoa. No, it's not quite perfect timing for a release that could have been a summer slammer five years ago. But Recloose will revive your taste for noodly, bottom-heavy party tunes. Steeped in late 70s, early 80s funk, and coloured with bongos, brass and squelching Moog keys, it's a beautifully produced album that pays exquisite attention to detail, whether it's his consistently inventive beats, fun, spacey effects or clever use of vocal talent. And damn, he knows how to get his groove on, from the punchy nu-jazz of Can It Be, the deeply funky So Cool with Tyna, or the skittish Emotional Funk. Even when the lyrics are no more than a doo-doot-doo motif (Soloman's Alive) you'll find it difficult to sit still, which is just as well as he's about to set out on national tour with his band. Label: Loop Verdict: US expat will revive your inner beatnik Cheers all, Wes http://www.myspace.com/westonprince On 3/7/08 7:58 AM, paul mouser [EMAIL PROTECTED] wrote: Appologies if this has already come up, by i completely missed it. Any NZ people out there heard it? Shame hollie smith is not on it, as she has a great voice. http://www.myspace.com/mattchicoine looks like we have to wait to May, i take it hes no longer connected to peacefrog? cheers, have good fridays
Re: (313) podcasts
http://electronicexplorations.org/ Might be worth checking out...new Surgeon podcast here (along with Neil Landstrumm and others): Cheers, Wes http://www.myspace.com/westonprince On 3/7/08 12:38 PM, Benoît Pueyo [EMAIL PROTECTED] wrote: http://www.edensonic.com/edensonic_podcast.xml Sorry ;o)
Re: (313) babies/children techno
Forget FF's Drop -- 'Baby Dub' is the true sound of young New Zealand (Aotearoa): http://www.amplifier.co.nz/release/18520/baby_dub.html Wes http://www.soundworker.net On 11/1/06 5:13 AM, Matt Kane's Brain [EMAIL PROTECTED] wrote: One new dad I talk to every so often has reported good results from the Burial Mix back catalog. On Oct 31, 2006, at 10:33, Andrew Duke wrote: disco and electro and techno; can't wait to see the reaction to Drexciya, Terrence Dixon, Shake, Atkins, et al. Can you tell I'm excited? ;) -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
Re: (313) Luke Slater
Slater's album Fluids Amniotic under the name Morganistic (Input Neuron, 1994), is a bit of a neglected classic to my ears. Marbles still sounds incredibly powerful on the right system no doubt. You can hear the influence of Robert Hood et al. on some tracks, but he invariably does his own jacking minimal thing with it to great effect. http://www.discogs.com/release/1076 The remix of Kenny Larkin's Loop 2 he did for RS deserves special mention as well for its timeless funk killer strings. http://www.discogs.com/release/25993 --- Wes http://www.soundworker.net On 10/18/06 7:32 PM, David Gillies [EMAIL PROTECTED] wrote: Cyclone Wehner wrote: Luke Slater can be a bit hit or miss for me, but I have to say I always loved his Wireless album - some very eerie sounds, very space documentary. I played it last night and enjoyed it. I also enjoyed the album before with the song Love. Wondered what/if the essential Slater tunes for 313 listees would be? I definitely wasn't feeling his last electro project, though I'm not adverse to some of the new pop electro (love Kelley Polar, Goldfrapp, etc) I'm not a huge Slater fan, but I agree, Wireless is a pretty cool album. One of work of his that I really like is The 4 Cornered Room by Luke Slater's 7th Plain. http://www.discogs.com/release/85674
(313) New Luomo--Paper Tigers
http://www.luomoweb.com/ ...beautiful. -- Wes Prince, Ph.DAuckland, New Zealand ~
(313) DM Update
http://www.derrickmay.com/
Re: (313) Oliver Ho
Ho's music has a real sense of history embedded in its grooves, like a lot of the best Detroit techno. Some real mental energy spirit to complement the sensuality of the rhythms. That inner track flowing on from the Pure mix of Magick (Meta 19) always slays me with its sampled voiceover: I go with my feelings, you know, I love music...the only thing that makes me play continue (in) this business is my love for music. Sounds a bit like Miles in a good mood. Anyone have any idea who Ho's sampling here? http://www.discogs.com/release/252723 Wes
Re: (313) Richie Hawtin now Jeff Mills
On 6/29/06 10:47 PM, Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED] wrote: For those who still cry of happyness when listening to 'The Bells', there is nothing for you in 'Blue Potential'. For the others I think being able to say that you will buy one of the masterpiece of all time techno productions and will never regreat this. That's some major kudos you're claiming for Blue Potential. One thing's for sure: it's highly unlikely we'll see a hoard of imitators leeching off this particular brand of accomplishment, thank god. Mind you, original sonic thinkers like Hood, Beltran or Craig with orchestra would be something to hear. I'm certainly looking forward to checking BP out. Hope it's edgy dangerous sounding -- a bit demanding on the eardrums -- as I hate to think of Mills in 'pipe slippers' mode. Wes
Re: (313) Richie Hawtin now Jeff Mills
On 7/1/06 12:36 AM, Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED] wrote: At end, if they really understand the music and the philosophy behind artists like Jeff Mills or others, they will finally find their own way to produce and play, if not, they would be quickly forgotten by all. The discussion can be long... But where is the limit between copy and influence? It's never initially clear, as you say -- only time tells. I remember back in the mid-90s a lot of people came hard downwards on Surgeon for (badger) biting Mills and his style -- some of the more outraged even printed up I Hate Surgeon tees to advertise their dismay at his growing popularity. But look where Surgeon is now...steadily innovating in many directions, pushing the boundaries a little further outwards...still pi**ing off the naysayers. Yet he'll drop some UR into a set -- a pointer of respect to his forefathers, a point of departure into some twisted new sonic constellation. (Check the current mix on his site for proof). Surgeon's integrity was always there; most doubts about that have been laid to rest -- he just had to find [his] own way ultimately, as you put it. It was this underlying extremely high level of integrity (where he mirrors Mills), rather than its lack, that seems to have really intimidated and frustrated his critics. In a slightly different context, you could make the same argument re. Hawtin. Mills exemplifies that total dedication lack of compromise -- it's in the music all around it like an inspirational aura as well. It's still a relatively rare thing in techno, though ( becoming rarer): that original artistic spirits can evolve from 'copying' influence to be innovators in their own right, or even at least a little creatively independent in style. Not sure if this mix has been posted here before. There's a sublime moment when Maestro Mills brings in a certain spoken-word track intro over the orchestral strings round the 39:50 mark. True shivers-down-the-spine stuff for me, anyway: http://ia300228.us.archive.org/0/items/nicotitinehjeffmillsbluepotentialprom oSkyrave28052006/jeff_mills_blue_potential_promo__Skyrave_28052006_nicotitin eh.mp3 Cheers from the Antipodes, Wes
Re: (313) Mills Skyrave Mix
Sorry, that should have been the 34:50 mark, not 39:50! My excitement got the better of me... On 7/1/06 10:26 AM, Wes Prince [EMAIL PROTECTED] wrote: On 7/1/06 12:36 AM, Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED] wrote: At end, if they really understand the music and the philosophy behind artists like Jeff Mills or others, they will finally find their own way to produce and play, if not, they would be quickly forgotten by all. The discussion can be long... But where is the limit between copy and influence? It's never initially clear, as you say -- only time tells. I remember back in the mid-90s a lot of people came hard downwards on Surgeon for (badger) biting Mills and his style -- some of the more outraged even printed up I Hate Surgeon tees to advertise their dismay at his growing popularity. But look where Surgeon is now...steadily innovating in many directions, pushing the boundaries a little further outwards...still pi**ing off the naysayers. Yet he'll drop some UR into a set -- a pointer of respect to his forefathers, a point of departure into some twisted new sonic constellation. (Check the current mix on his site for proof). Surgeon's integrity was always there; most doubts about that have been laid to rest -- he just had to find [his] own way ultimately, as you put it. It was this underlying extremely high level of integrity (where he mirrors Mills), rather than its lack, that seems to have really intimidated and frustrated his critics. In a slightly different context, you could make the same argument re. Hawtin. Mills exemplifies that total dedication lack of compromise -- it's in the music all around it like an inspirational aura as well. It's still a relatively rare thing in techno, though ( becoming rarer): that original artistic spirits can evolve from 'copying' influence to be innovators in their own right, or even at least a little creatively independent in style. Not sure if this mix has been posted here before. There's a sublime moment when Maestro Mills brings in a certain spoken-word track intro over the orchestral strings round the 39:50 mark. True shivers-down-the-spine stuff for me, anyway: http://ia300228.us.archive.org/0/items/nicotitinehjeffmillsbluepotentialprom oSkyrave28052006/jeff_mills_blue_potential_promo__Skyrave_28052006_nicotitin eh.mp3 Cheers from the Antipodes, Wes
Re: (313) Mills Skyrave Mix
One last time: 33:35 moment. Too much Lavazza... On 7/1/06 10:34 AM, Wes Prince [EMAIL PROTECTED] wrote: Sorry, that should have been the 34:50 mark, not 39:50! My excitement got the better of me... On 7/1/06 10:26 AM, Wes Prince [EMAIL PROTECTED] wrote: On 7/1/06 12:36 AM, Wildtek Concept / DJ Dimitri Pike [EMAIL PROTECTED] wrote: At end, if they really understand the music and the philosophy behind artists like Jeff Mills or others, they will finally find their own way to produce and play, if not, they would be quickly forgotten by all. The discussion can be long... But where is the limit between copy and influence? It's never initially clear, as you say -- only time tells. I remember back in the mid-90s a lot of people came hard downwards on Surgeon for (badger) biting Mills and his style -- some of the more outraged even printed up I Hate Surgeon tees to advertise their dismay at his growing popularity. But look where Surgeon is now...steadily innovating in many directions, pushing the boundaries a little further outwards...still pi**ing off the naysayers. Yet he'll drop some UR into a set -- a pointer of respect to his forefathers, a point of departure into some twisted new sonic constellation. (Check the current mix on his site for proof). Surgeon's integrity was always there; most doubts about that have been laid to rest -- he just had to find [his] own way ultimately, as you put it. It was this underlying extremely high level of integrity (where he mirrors Mills), rather than its lack, that seems to have really intimidated and frustrated his critics. In a slightly different context, you could make the same argument re. Hawtin. Mills exemplifies that total dedication lack of compromise -- it's in the music all around it like an inspirational aura as well. It's still a relatively rare thing in techno, though ( becoming rarer): that original artistic spirits can evolve from 'copying' influence to be innovators in their own right, or even at least a little creatively independent in style. Not sure if this mix has been posted here before. There's a sublime moment when Maestro Mills brings in a certain spoken-word track intro over the orchestral strings round the 39:50 mark. True shivers-down-the-spine stuff for me, anyway: http://ia300228.us.archive.org/0/items/nicotitinehjeffmillsbluepotentialprom oSkyrave28052006/jeff_mills_blue_potential_promo__Skyrave_28052006_nicotitin eh.mp3 Cheers from the Antipodes, Wes
(313) track req -- d'n'b techno hybrids
Try to check some of these cuts out as well: Sean Deason, ³Razorback (Saxy Muthaf*ka Mix)² ³The Return² off his album Razorback (!K7) B12 3EP (Warp) Model 500 ³Incredible² ³Tipsy² off Mind Body¹ (R S) Kenny Larkin ³Loop 2 (Alex Reece Remix) (R S) System 7 ³Interstate² (Doc Scott Remix) (Butterfly) Dan Curtin ³Anxiety² Bonus track on the New World EP¹ (Sublime) John Beltran Moving Through Here¹ (Apollo?) Cheers, Wes http://www.soundworker.net
Re: (313) UR
It's also worth remembering that Mike Banks (like K. Larkin, S. Stoll, J. Hendrix) is an ex-armed services man who has chosen to wage war on oppression, injustice exploitation using alternate means which appear inconsequential to the unknowing unwitting. At the risk of stating the obvious, politics music remain inseparable in his book. UR's reaction to the bootlegger problem can't be divorced from the ongoing struggle to prevent George Orwell's vision from becoming the all-encompassing reality: The future of mankind is a jackboot stomping endlessly on a human face. UR has determined it will kick back, right to the bitter end. On Mon, 14 Apr 2003, Cyclone Wehner wrote: OK, I think I understand the context of this now. I think it's kinda a hip-hop way of expressing it, appropriating terms like 'shock and awe'. It's ironic, flipping terms to get people's attention and make them think. I would be surprised if UR supported this current conflict, com'on. But some 'wars' are necessary - struggles for self-determination, justice, equality, etc - and I am as pacifist as anyone. War here is figurative, it could be as much about people power on the streets or campaigning Sony as with the Jaguar 'cover'. UR have a compelling point on the bootlegging. Bootlegging affects their ability to run a business and look out for their families - and so achieve self-determination. I think KDJ has been very, very, very misunderstood. People shouldn't take it so personally, unless they're bootleggers! I think you'll find he just supports all people who keep it real and realness has no colour. Haven't really followed this thread, as I have been off for a while, but I am sure it's figurative, as is a lot of UR's music and imagery. Probably more a reference to The Struggle - civil rights, African-Americans, Indigenous peoples, working class, women... self-determination, equality, etc. It's there to make you think? While I do not support the rip-off, I think the footer message War when necessary sucks big time. Peace in the good times/War when necessary. What defines necessity. If the US economic situation continues to deteriorate does this necessatate enforcing control through trigger happy kick ass advanced technology toting red-necks - know what I'm sayin'?
(313) Patrick Pulsinger
Had a quick listen to his new album on Cheap the other day. Anyone else startled by the extremely jazz-oriented concoction he's brewed up? Pretty hip stuff.
(313) D'n'B/Kraftwerk Live
Can't remember anyone mentioning Jonny L's darkly evocative track, Detroit, off his album 'Sawtooth'. Carl Craig remixed one of his earlier singles as well: This Time, on XL, wasn't it? L is one of the select few who could be mentioned in the same breath as Photek, IMHO, though he seems to have dropped off a bit during the last few years. Kraftwerk live the other night were devastatingly powerful. Slater finished his set with some of that overwhelmingly stringladen FSOL stuff off 'Lifeforms' (though there could have been some Orb in there as well). Then it was all on, non-stop, the 4 greying, grey-clad laptoppers pumping out the classics: Numbers, Pocket Calculator, the new UR/Rolando re/remix of Expo 2000, Neon Lights, Autobahn, TEE, Radioactivity etc. all the way through to Musique... as an encore. Best track was probably Tour de France though there really wasn't a weak moment bar the fact they left out Computer Love :-( Superb visuals clinical perfection all round, and defiantly uncompromising (in contrast to the crowd-pleasing antics of Underworld, who followed.) Best moment: getting caught up, with 5000 others, in the irresistible electro funkiness of Expo as the Detroit...Germany: Soul Electric refrain filled the pavilion. On Sat, 18 Jan 2003, Robert Taylor wrote: The Mighty Juan was involved with a track on JOS's LP wasn't he? He also got Wax Doctor and Alex Reece to remix I Wanna Be There and The Flow. -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, January 17, 2003 1:30 AM To: spw; 313@hyperreal.org Subject: RE: (313) Exploring Drum and Bass Yeah you really hear Detroits influence on projects like Jacob's Optical Stairway, and Inner City Life.
Re: (313) Kraftwerk's live version of the UR mix of expo 2000 (phew)
Hope they play this version tonight at Big Day Out, down here in Auckland, NZ. Slater is on before them, dj set. Should be a fine time indeed... On Thu, 16 Jan 2003, Toby Frith wrote: http://www.kraftwerkcenter.free.fr/pages/index.htm The above website has a real audio recording of the recent Paris shows. There's a live version of Expo2000, which was an amalgamation of both the UR and Rolando mixes, not their own version, which is v.unusual for the 'werk. Go to Concerts and then lire for the Paris shows. The quality is not great (ie bootleg) but it still gives the impression of being quite meaty sounding live, which it was. I'd check Neon Lights as well, the first time it was played live since 1981. The server capacity is v.limited, so don't all jump on there at once! cheers Toby www.bleep43.com
(313) Books on Detroit's Music
On Mon, 18 Nov 2002 [EMAIL PROTECTED] wrote: Pick up the book Before Motown to find out about Detroits jazz history before motown. Anything about Motown. Here's the details on that one for all those interested: Before Motown: A History of Jazz in Detroit, 1920-60, (2001). Lars Bjorn w/Jim Gallert. Check these as well, especially the first one: Dancing in the Street: Motown and the Cultural Politics of Detroit, (2000). Suzanne E. Smith. One Nation Under a Groove: Motown and American Culture, (1995). Gerald L. Early.
Re: (313) need...more....electro
Kind of in a similar vein, but a tad mental/abrasive with it: Michael Forshaw Mixes Chan'n'Mikes, latest in the Serial Scratch cd series (ss5). Have a listen here: www.chan-n-mikes.com/order/php?id=10 On Thu, 7 Nov 2002, Neil Wallace wrote: I find ive been listening to virtually nothing but electro lately in particular Drexciya, Dopplereffekt, Japanese telecom, Arpanet and Anthony Rother. Can anyone suggest any other stuff in a similar vein? (Preferably available on CD) Cheers neil
Re: (313) off topic
Have you tried the message board at Blood Fire? Always worth checking. www.bloodandfire.co.uk/ On Mon, 28 Oct 2002, henrique casanova wrote: forgive the OT but i think this must be a good place to ask it. do you guys know about a good roots reggae mail list? take care. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, October 28, 2002 4:28 PM Subject: Re: (313) NOV 15 @ GABES IN IOWA CITY : BUZZ GOREE FLYER: http://avalon.net/~kent/nov15flyer.jpg -- extra points for knowing where I got the African Warriors! burning spear - marcus garvey, one of my fav's how many points do I gat and what are the door prizes? scotto lansing, mi
Re: (313) Throbbing Gristle
On Thu, 17 Oct 2002, Jason Donnelly wrote: What did impress me was the synth's and sequencer action, from the sleeve notes these where down to Chris Carter can anyone point me to more of his electronic work?, any recommendations would be most welcome! I recommend the Chris Cosey remix album, Twist, which came out on T B in 1995. Mixes by Carl Craig, Fred Gianelli, Vapourspace, Coil Vs Elph others. Theres a review at http://archive.awrc.com/c/twist.html You can probably find it second hand on cd (not sure about vinyl though).
(313) Electrofunk
X Squared, Come On Baby several other Electrofunk tracks are featured on the DJ3000 Somewhere in Detroit mix (Vol. 1) cd, out recently on Submerge. Communication (Motech) is also on it. Pick up Rolando's Vibrations, DJ Dex's Depth Charge 5 Mix this one, you're set cd-wise on the electro-techno front. There's a cool Submerge poster advertising these 3 releases floating round as well. On Thu, 26 Sep 2002, rob webb wrote: KJ: The new Electric Soul on Electro Funk named X2 is brilliant. The Electric Soul records are just the usual UR quality electro. the new release on Electrofunk, EF-501, features the a-sides from the Come on Baby and X squared 12's on Direct Deat. frankly, you *need* this record! X squared is an absolute classic Detroit electro track! the original records are quite scarce nowadays, probably because anyone who bought them at the time wouldn't part with them for love nor money, so the re-release on Electrofunk is an absolute Godsend for anyone who missed out first time around. rob _ Join the world?s largest e-mail service with MSN Hotmail. http://www.hotmail.com
Re: (313) Electrofunk
Hang on, should of checked first: 'Electrofunk Presents S.I.D. Somewhere in Detroit Mix Series Vol.1 Mixed by DJ 3000' is actually on Electrofunk (EF-2008-2). On Sun, 29 Sep 2002, Wes wrote: X Squared, Come On Baby several other Electrofunk tracks are featured on the DJ3000 Somewhere in Detroit mix (Vol. 1) cd, out recently on Submerge. Communication (Motech) is also on it. Pick up Rolando's Vibrations, DJ Dex's Depth Charge 5 Mix this one, you're set cd-wise on the electro-techno front. There's a cool Submerge poster advertising these 3 releases floating round as well. On Thu, 26 Sep 2002, rob webb wrote: KJ: The new Electric Soul on Electro Funk named X2 is brilliant. The Electric Soul records are just the usual UR quality electro. the new release on Electrofunk, EF-501, features the a-sides from the Come on Baby and X squared 12's on Direct Deat. frankly, you *need* this record! X squared is an absolute classic Detroit electro track! the original records are quite scarce nowadays, probably because anyone who bought them at the time wouldn't part with them for love nor money, so the re-release on Electrofunk is an absolute Godsend for anyone who missed out first time around. rob _ Join the world?s largest e-mail service with MSN Hotmail. http://www.hotmail.com
Re: [313] ONE YEAR LATER
New Yorker Steve Stoll's album on Fine Audio, 'Windows on the World' (named after the ill-fated tower-top restaurant) comes to mind. Stoll's machine rhythms have never sounded angrier or more eloquent, especially on tracks like Jumping Off or I Erupt. Gaiden's 'Walking on Wires' (Music Man) was dedicated to the 9/11 victims as well, if memory serves. Gigolo artist Chris Korda's track 'I Like To Watch' (www.churchofeuthanasia.org) is about the only techno response to 9/11, which is also the date he's intending to release it. The track actually kind of echoes Dave's comment below about it almost seeming like a 'Made For TV event'. Oh, and check the video... TOM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] D. May Interview
Quite an enlightening interview with Derrick May (by Elizabeth Mitkos) in today's edition of Toronto weekly, eye (Beat section). Sample quote: I don't think we realized what we were really doing [...] We just followed our passion and it turned into something. And that's normally the way it happens. Good things happen because they're not thought out, they're just spontaneously combusted. Nobody was monitoring us. So when this music hit the world, it had such an influence, such a strange-sounding feeling, it seemed to latch on to hearts and minds that always seemed disillusioned, disenchanted and not necessarily satisfied. That's exactly what this music is doing today, because those people have kept the fire going. You can probably find the rest on www.eye.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Tresor has to close later this year (fwd)
-- Forwarded message -- Date: Thu, 20 Jun 2002 21:08:58 +0200 From: C-zam [EMAIL PROTECTED] Sad news, I'm afraid: Last week, renowned techno club Tresor (Berlin), received an announcement from the new owner of the Tresor property. Later this year, one of the most notorious techno locations ever, will be demolished. Of course Tresor is hoping for a miracle and needs support. A spokesman of Tresor said : 'Fight with us for Tresor's survival'. This means also, that Tresor will celebrate its last Love Parade and Tresor Park this year, which will be undoubtly legendarious. The theme this year is Solid. http://www.dance-guide.com/index.php?menu_id=2news_id=212 --- StripMime Report -- processed MIME parts --- multipart/alternative text/plain (text body -- kept) text/html --- ___ global-techno mailing list [EMAIL PROTECTED] http://lists.ffwd.cx/mailman/listinfo/global-techno FFWD Internet Community Project :: www.ffwd.cx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] BC Wackies
On Mon, 17 Jun 2002, LR2 wrote: Poking around a bit, I've been able to find a Wackies CD called African Roots Act 2 and that's it. What other CDs have been re-issued (or are going to be re-issued) and what sources stock them? Also, are there some that are more BC-esque than others? None of them are particularly BC-esque, apart from the grainy, eq-heavy production techniques used on the dub versions that accompany certain tracks on certain discs, like this one: Horace Andy Meets Naggo Morris Wayne Jarrett: Mini Showcase (Wackies 1716/1722) Others now out: The Meditations: I Love Jah (Wackies 510) Junior Delahaye: Showcase (Wackies 1382) Love Joys: Lovers Rock (Wackies 2383) Reggae Vibes (Wackies 3239) Try bentcrayon.com, as I seem to remember seeing them in stock there. Though not part of the recent re-releases organized by BC, don't miss one of the wickedest Horace Andy albums he's ever made: Dance Hall Style. Wayne Jarrett's Bubble Up is also a classic. From more recent years, an album by Japanese melodica player, Takashi, backed by Wackie's Riddim Force is well worth a listen (especially if you're a fan of the late Augustus Pablo). It's entitled Melodic Moods. Sugar Minnott's latest, From the Heart (on Black Wacks), also has some solid tracks. Lots of computer riddims, but in a different style to BC, R S. I live in a strongly West Indian area of Toronto, am lucky enough to have an old-style record store nearby--which could have been transplanted directly from Kingston--laden to the gills with 30 years of reggae history in almost total disarray. Digging round for an hour or two often yields a Wackies gem or two. These types of laid back, family-run store are where you should also look for this material. Support the originators. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] bc stuff
On Mon, 17 Jun 2002 [EMAIL PROTECTED] wrote: what are the wackies? Wackies is the label started in NYC over 20 years ago by Jamaican, Lloyd Bullwackie Barnes. Over 89 releases, still counting. BC has been re-releasing 12-inch singles, + CD/vinyl versions of select lps from the 80s over the past year or so (The Love Joys, Junior Delahaye, Wayne Jarrett, Horace Andy, The Meditations, Leroy Sibbles others). Rhythm Sound's Mango Drive is their remake/remodel of one of his Riddim Force tracks, if I'm not mistaken. Here's two sites well worth checking for more info.: http://freeradicalsounds.com/wackies.htm http://www.geocities.com/HotSprings/1392/Wackies.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] basic channel cd qs
It's like they felt a deliberate need to atone for the metal box design hitch by releasing both the Rhythm Sound CD comps. in hemp[?]-based biodegradable holders, which look good enough to smoke. (Though, of course, the BC comp. originally came out in a cardboard sleeve, so there goes that theory.) Has anyone ever had any trouble getting through customs with the R S comps? Does the compressed greenery give off any sus. aroma to those drug-loving dogs they employ? :=//! Remember the Plastikman CD cover that looked like a sheet of acid got someone into strife in the Mid-West a few years back? To fly in N. America with the Chain Reaction/BC metal box collection of albums (all seven or so) in one's luggage these days would be asking for trouble, no? I decided against it--just taking two at most next flight. A question for Rene from Scion: has he taken a close listen to the title track of G-Man's latest on Force Inc., Avanti? The legacy of Lyot lives on with a vengeance! Any plans for more Vainquer material? Substance? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Basic Channel
Ask about the re-release of all the wonderful Wackies material with which they're currently heavily involved, how BC continues to tie in with Rhythm Sound. Who else from the Jamaican pantheon of reggae singers players might they collaborate with in the future? Any chance of more remixes of Carl Craig material (a la Climax, Quadrant)? To what extent do they feel the superb laptop mac stylings of Scion (live, at any rate) match (or uneasily rub up against) the obsessive analog ethos of BC? Does the upcoming Scion/BC Tresor set represent a techno. 'soundclash' in that respect? On Fri, 14 Jun 2002, Tom Robbins/Magic Feet wrote: I'm interviewing Basic Channel on Monday (!), so does anyone have any suggestions for pertinent questions? Of course I have a few in mind already, but I'd welcome the list's thoughts all the same. I'll also be talking to Scion, too, so the same applies. TOM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Hebert - Secondhand Sounds
P. Sherburne writes a good article re-evaluating Herbert's Around the House in the latest installment of Needledrops, his weekly column, at www.neumu.com Check it out...one of the finer things the web has to offer in this vein. On Fri, 17 May 2002 [EMAIL PROTECTED] wrote: Are there any articles or reviews that go into what Hebert did on the remix and additional production on Secondhand Sounds? mediadrome - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Speedy J
Guess he may beshowcasing his new album, Loudboxer. CD version is mixed; vinyl version consists of numerous locked grooves. He may lay down his recent remix of Gaiden's Point Blank as well. If you're familiar with what he did with that track, the last thing you're likely to hear is IDM-style noodling... Wes On Mon, 20 May 2002, fab wrote: Hi and sorry if this is slightly off-topic, Speedy J will be playing here in Rome on the 31st and i wanted to know what sorrta music he spins lately. thanks fab. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Speedy J
More info: 'Bugmod', his next single, will be released next Monday. http://www.mute.com/speedyj/bugmod.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] tronic treatment @ DEMF (fwd)
Venue: The old UR Building 2030 w Grand River Detroit MI Located Downtown Detroit behind the State Theater. Less then 4 blocks from Hart Plaza Contact Info : 248-988-1058 DJs Sunday: may 26 G-Flame a.k.a. ADVENT (live) - Alphawave,UK Steve Rachmad - Music Man, Holland Bryan Never a.k.a Bryan Zentz - Electrix, UK/VA Nigel Richards - 611, Philly James Pennington - UR, Detroit Punisher - Seismic, Detroit Cosmic Spore - Seismic, Detroit Shortround - Real, Detroit Jay Langa aka Green Hornet - Incecticyde, Detroit Automan - Hypothesis, Detroit Monday - may 27 Special guest (Drumcode, Sweden) + Marco Carola (Zenit, Italy) tagging on 4 tables Christian Smith - Tronic, Sweden John Selway - Tronic, NY Lynxx - DEM Records, Detroit Neil V - Techno City Records, Detroit Dillion and Allistar Todd - Changing Faces, Detroit Cop A Feel - Feel This, Detroit Presales - $20 Record Time Roseville 586-775-1550 Ferndale 248-336-8463 Detroit Threads 313-872-1777 More $ @ Door www.TronicTreatment.com www.SeismicDetroit.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Jaguar Video
You can find it on CD ROM video, on Part 2 of the 430 West CD single version (430WUKTCD2), which also has the May Octave One remixes. Well worth seeking out. On Thu, 9 May 2002, Giles Dickerson wrote: What kind of visual representation did Jaguar get, was there an official video? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Tim Maughan Sent: Thursday, May 9, 2002 12:39 PM To: Giles Dickerson; Tom Robbins/Magic Feet; 313 mailing list Subject:Re: [313] OT: Fw: Fischerspooner live in the UK hahah:0 what you got to understand is that MTv over here is slightly different to the US. we've got a lot of different MTV channels and I think a bit more variety of music. jaguar got some pretty heavy rotation over here when it was first released, as is GV's la la land at the moment - as well as that awesome Roni Size/Cypress Hill track. A few months ago even Funk D'void's bass Invaders was getting played. And anyways, just a few days ago wasn't Mr Sean Deason saying he was getting some of those MTV dollars;) on 9/5/02 5:30 pm, Giles Dickerson at [EMAIL PROTECTED] wrote: That's your fault for watching MTV :) - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Tim Maughan Sent: Thursday, May 9, 2002 12:21 PM To: Tom Robbins/Magic Feet; 313 mailing list Subject: Re: [313] OT: Fw: Fischerspooner live in the UK on 9/5/02 1:27 pm, Tom Robbins/Magic Feet at [EMAIL PROTECTED] wrote: Like Siegfried Roy meets a drunken Cirque de Soleil. no, they actually sound WORSE than that. that single of theres was on MTV last night, god it was f**k awful. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tikiman+scion in toronto
On Mon, 29 Apr 2002, Kim B wrote: Another duo that will be playing in Toronto this weekend. This threesome is actually due in town on Saturday, May 11. Should be a fine time in store for all... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Akufen
On Thu, 25 Apr 2002, Bill Van Loo wrote: I've just been checking out this Akufen live set on Klubradio and was wondering if anybody could ID the track that starts at 16:00. It starts out with what sounds like someone skipping through different stations on a radio, picking up random bits of pop tunes speech You may be interested in these comments from an interview with Marc Leclair aka Akufen/Anna Kaufen in local TO weekly, NOW: I sample hours of radio air waves every morning and dissect fractions of it to a point where samples aren't recognizable [...] Then I assemble all the bits, like a puzzle or a collage. My approach is inspired by the Surrealists' techniques and the French Canadian Automatistes like painter Jean-Paul Riopelle and writer Claude Gauvreau. I like the error margin and the unexpected factor, which creates something that makes a lot of sense subconsciously. My Way, his new album, is set to drop May 7 (in Canada). Cheers, Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Akufen
On Fri, 26 Apr 2002, Grammenos, Peter wrote: Minus his new album, can I get any Akufen on cd? Off the top of my head, he has tracks on the following cds: Ricardo Villalobos: Live at Love Parade (this is brilliant all round) V/A: Mutek (a comp. of tracks from visitors to last year's festival) DJ Mighty Kat: Confidence (a fair few Montreal/TO acts, top notch mix, along the lines of Mayer's Immer set. I think this has a contribution by another Akufen alias, as well: Jack Champion, or something--have to check later) V/A: Montreal Smoked Meat I don't think Quebec Nightclub (Perlon) came out on cd, though I may be wrong on that count. And this new thing by Farben, Textstar--is it a 12 or a whole album? Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Electro CDs - Recommendations Pls
Mindgames: Mindgames (H-Productions) Came out about 6 months ago only to get rather lost in the shuffle. Cari Lekebusch on a futuristic UR-styled hi-tech electro funk mission to bring the breakdance back. Lots of tongue-in-cheek humour basslines to die for (all IMHO, of course). The Aux-88 Electroboogie mix slams hard as well. Grab the Aux-88 meets Alien FM cd comp. with Bass Magnetic, My AUX Mind if you ever see it, along with VA: Origins of a Sound/The Electro-Bass Sound of Detroit. Wes np: Adam Beyer: Stockholm Mix Sessions 3 (Turbo)--great to hear the Slater mix of Kenny Larkin's Loop 2 dropped in here, along with a few other Detroit goodies, a stupendous Soul Designer track. One of the best mixes I've heard in ages, to corroborate what others have already said. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Info on this record... Plz
I picked up this wicked record the other day... its older...some wicked old banging acid... the Label is Orange with Green wrtting... its says PopSickle on the B side... its detroit 009 head in the Clouds - Blurred Vision 4 Artists Dj Hi-Speed I think its David Spaans abstract Reality Land of the lost can anyone help me find more info on these artists and lable... Thanks Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Dan Bell vs. Josh Wink (fwd)
-- Forwarded message -- Date: Fri, 12 Apr 2002 15:22:47 -0400 From: David Bitterman [EMAIL PROTECTED] Is there another web source for viewing winks reply? Technotourist has taken the articles down to avoid conflict and damages... D ___ global-techno mailing list [EMAIL PROTECTED] http://lists.ffwd.cx/mailman/listinfo/global-techno FFWD Internet Community Project :: www.ffwd.cx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] FWD: Letter from Daniel Bell
Is the track on Audiogalaxy definitely DBX's Superphreak? I haven't had a chance to listen, but a couple of people on global-techno are wondering if it's mislabeled, as the similarities aren't particularly pronounced (apart from the 808 etc.) Anyone know for sure if that is indeed the DBX track in question? Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: 23 Skidoo/ACR
Seven Songs The Culling is Coming Urban Gamelan [?] ...were the titles of their first, classic releases. The new stuff pales by comparison, even with Pharoah Sanders lending his talents. The first A Certain Ratio album was called To Each... (Factory) And let's not forget Vini Reilly's mind-altering opus: The Return of the Durutti Column, also on Factory. On Tue, 9 Apr 2002, Super Coffee Beans wrote: from what i know 23 skidoo have an hip hop label called ronin - great stuff they put there. i think the site of the label is down. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] OT: 23 Skidoo/ACR
Well, right...Durutti Column hardly carried the urban funk terrorist flag in the manner of Skidoo! But I also mentioned ACR, where there is the obvious label connection with DC. As for things in common, let's just say Skidoo, ACR, DC were each breaking new ground in their own right, creating classics never bettered by their later recordings. They each cut first, cut deep. Hence we can talk about them in the same breath as among the leading pioneers/innovators of cutting-edge music during that dark, distant time. Must check out that compilation you mentioned earlier. Does it have Rip, Rig, Panic or Skidoo's Kundalini on it? Wes On Tue, 9 Apr 2002, Gwendal Cobert wrote: And let's not forget Vini Reilly's mind-altering opus: The Return of the Durutti Column, also on Factory. I really love Durutti Column, but what do they have in common with 23 Skidoo ? Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: JOHN BELTRAN: Americano Album Details (fwd)
So far he's produced four albums JB: Earth Nightfall (RS) JB: Ten Days of Blue (Peacefrog) JB: Moving Through Here (Apollo) Placid Angles: The Cry (Peacefrog) + Indio: Indio (Transmat) Do people agree this was essentially a Beltran production? Or strictly a 'group' (as opposed to solo) side-venture? Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Obscure film info?
Does anyone have any info. on a film by John Akomfrah by the name of The Last Angel of History (1995), which has D. May talking about technology? Artists must, if they are putting new technology to its correct use, take it to the level of human instinct. Is it available on video or DVD? The movie's mentioned in the book DJ Culture. Thanks, Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Obscure film info?
Managed to locate the vid. here at the uni where I work. Akomfrah is a member of the Black Audio Film Collective based in Birmingham, UK. He's been involved making movies on the Handsworth Riots Malcolm X. The Last Angel of History (45 mins.) info: Explores the relationships between Pan-African culture, science fiction, space exploration expanding computer technology. Posits science fiction as a metaphor for the Pan-African experience of forced displacement, cultural alienation otherness by exploring the work of musicians G. Clinton, D. May, DJ Spooky, sf authors S.R. Delaney O. Fields, astronaut Dr. B.A. Harris Jr., actress N. Nichols, cultural critics G. Tate K. Eshun, novelist I. Reed. Wonder if Drexciya are mentioned. Wes On Fri, 5 Apr 2002, Wes wrote: Does anyone have any info. on a film by John Akomfrah by the name of The Last Angel of History (1995), which has D. May talking about technology? Artists must, if they are putting new technology to its correct use, take it to the level of human instinct. Is it available on video or DVD? The movie's mentioned in the book DJ Culture. Thanks, Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] dave angel djing (was Re: [313] Dave Angel mixtape ID needed)
I think it depends on the venue crowd what kind of set he spins. DA has a versatile range. For example, he says this new 'Trust the DJ' mix cd, DA-01, represents his more clubby style he plans to release another 3 mix comps. this year. They'll presumably show off the remaining strings to his bow. The DA-01 mix features producers like Francois Lauren, Mr. G, The Reaver, Nick Holder, Sebastian Leger, The Ambush, Francesco Pico, DJ Sandy Vs Sinesweeper, Redhead, and Bryan Zentz amongst others. Plenty of superb DA reworks, plus a few by Jamie Anderson. A really well compiled, energy-filled set, though damn expensive to buy here in Canada. (The Saunderson 'Trust the Dj' one will set you back over $40 with tax too. Maybe it's cheaper on the net?) Wes On Thu, 28 Mar 2002, henrique casanova wrote: i'll see him djing next month up in S?o Paulo and want to know what sgould i aspect. will i hear something like that epic set on k7 (x- mix 4)? i hope so.. but something in my mind says that i'll hear techy-disco-funky-freaky tracks.. (correction: in this case, i wont hear it..) anyone have seen him spining latly? i just dug out this Dave Angel studio mix that somone dubbed for me years ago -in like 95 -i don't know when it came out though -probably around 93-95 i hadn't really dug it till now - probably cuz it was really really fast. however on my tape player i have a pitch adjust so when it was slowed all the way down it sounded proper! - i have no idea what tunes he was playing or what style of techno it is, but the selection is wicked. can anyone help me ID what mixtape it is it so i can possibly find a tracklisting? e-mail me privately and i can send you a clip of the intro thanks Liam _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Porter ricks - query
Porter Ricks have been spotted hanging out with Thomas Brinkmann on his floating studio somewhere in the Mediterranean, sampling dolphin calls generally going deep. That's when they're not busy with remixes for acts like Nine Inch Nails legendary punk group, Flipper... Seriously though, Thomas Koner has been releasing material on Mille Plateaux (Daikan), and Die Stadt (2 live albums with Asmus Tietchens as Kontakt der Junglinge), + some vinyl-only projects. If you're looking for material in the PR vein, check Andi Melwig's solo disc as Continuous Mode on Klang Elektronik, Disinformation Design. A future classic: hyperfunk rules! Wes On Thu, 28 Mar 2002, N H-H wrote: Anybody up with what Porter Ricks have been doing in the last year? (release wise) - and is Porter Ricks Thomas Koner? Nicolai _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Porter ricks - query
You're welcome. But if you stopped buying after Biokinetics then you may have missed hearing the following superb releases which took the Ricks sound in a slightly different direction: Porter Ricks: Porter Ricks (Mille Plateaux, 1997. Contains the great Scuba Lounge, Spoiled various versions of Redundance) Porter Ricks Techno Animal: Symbiotics (Force Inc., 1999. Wicked bottom end, stellar tracks) Melwig also remixed an old Tuxedomoon track or two last year. Check the Thomas Koner website for more discographical info. Oh yeah, the NINails remix is worth a listen--a bit formulaic sounding, mind you. On Thu, 28 Mar 2002, N H-H wrote: arrh great, i stopped buying PR after biokenetics CR release,, I interestingly also have andy mellwig (older releasee) on Telepathic recs ,, connect the dots ;-) thanks wes. N From: Wes [EMAIL PROTECTED] To: N H-H [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: [313] Porter ricks - query Date: Thu, 28 Mar 2002 09:33:57 -0500 Porter Ricks have been spotted hanging out with Thomas Brinkmann on his floating studio somewhere in the Mediterranean, sampling dolphin calls generally going deep. That's when they're not busy with remixes for acts like Nine Inch Nails legendary punk group, Flipper... Seriously though, Thomas Koner has been releasing material on Mille Plateaux (Daikan), and Die Stadt (2 live albums with Asmus Tietchens as Kontakt der Junglinge), + some vinyl-only projects. If you're looking for material in the PR vein, check Andi Melwig's solo disc as Continuous Mode on Klang Elektronik, Disinformation Design. A future classic: hyperfunk rules! Wes On Thu, 28 Mar 2002, N H-H wrote: Anybody up with what Porter Ricks have been doing in the last year? (release wise) - and is Porter Ricks Thomas Koner? Nicolai _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] other music mailing lists?
The Wire run their own mailing list. I'm not sure if it's as eclectic as the mag (where you can find artists of the calibre/diversity you mention, sometimes all in the same issue). May be more what you're after. I picked up the Vladislav Delay: Naima cd on Staubgold a while back, still haven't had a chance to listen to it, let alone review the thing. Seems like he's sourcing the Anima material from his last release as VD for this live extemporization. Love the credits: vocals: girlfriend Wes On Fri, 22 Mar 2002, Grammenos, Peter wrote: Try [EMAIL PROTECTED] , it's moderated by Kim Cascone. -pete -Original Message- From: Mike Taylor [mailto:[EMAIL PROTECTED] Sent: Friday, March 22, 2002 12:32 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: [313] other music mailing lists? Actually, if there is a mailing list that represents exactly what I am not looking for, it is the [EMAIL PROTECTED] list. ;) To be even more specific, what I am looking for is a list that is pretty broad in range, something that encompasses the whole of electronic music. I am looking for a list that will discuss Vladislav Delay, Electric Tones Records, Edgard Varese and Derrick May during the course of a single day. Basically, a big mailing list that covers the whole of electronic music and is more content than chatter. I want a list with more discussions about why Ionisation was better or worse than Deserts, what is happening with obscure amsterdam IDM labels, and what were the 12s to pick up this week. Ideally, it will be low traffic high content. mt From: Pryor, Ryan N [EMAIL PROTECTED] To: 'Mike Taylor' [EMAIL PROTECTED] CC: '313@hyperreal.org' 313@hyperreal.org Subject: RE: [313] other music mailing lists? Date: Fri, 22 Mar 2002 00:17:33 -0500 IDM http://music.hyperreal.org/lists/idm/ -Original Message- From: Mike Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, March 21, 2002 11:48 PM To: 313@hyperreal.org Subject: [313] other music mailing lists? Hello, Does anybody have any recommendations for music mailing lists that are interesting and informative? I am looking for something that covers 313, ambient and IDM without a lot of OT opinion posts, and other gratuitous traffic that seems to plague this list. Something web based would be nice as well, something like I Love Music, but with more electronic content. As much as I love this list and the people that I have met through it, it is taking up to much of time time for too little information. Take care, mt _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] vladislav delay?
This Naima has nothing to do with the Coltrane ballad afaIk (unless perhaps, Naima is the name of our Finnish friend's vocalist). Apparently VD did spend some time learning to play jazz drums when he was younger. Love the credits: vocals: girlfriend Very droll... Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] takkyu ishino - ghost in the shell
Two mixes of To Be or Not to Be on the double CD pack: Off the Cuff Mix (May) The Mix of a Mix Mix (Atkins May). Two Brother From Another Planet tracks as well (C. Young): Ishikawa Surfs the System Section 9 Theme. I still see it round at places like HMV; great poster too! Wes On Fri, 15 Mar 2002, LR2 wrote: Sony Japan did a limited edition run of a 2 CD version. Mine says Sony Japan 1997 01-488290-11. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Matthew KANE Sent: Thursday, March 14, 2002 4:57 AM To: 313@hyperreal.org Subject: [313] takkyu ishino - ghost in the shell Takkyu Ishino did this fantastic track for the Ghost in the Shell playstation game. I have the soundtrack CD, but was this ever released anywhere else? In addition, CDDB says there was a second CD with another remix of Derrick May's To Be Or Not To Be but I have never seen it anywhere. Does it even exist? -- sawsquaresinepulsetriangle [EMAIL PROTECTED] weekdays || [EMAIL PROTECTED] weekends matt kane's brain - http://mkb.n3.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Exos - my home is sonic
SND = a duo, afaik. Tender Love is a tad more beat-oriented less cerebrally chilled than previous releases. Less obvious Detroit influences than the Exos album (which is stunningly good), but they're there if you listen. Reminds me of Derrick May locked in an elevator with Autechre in places. On Wed, 13 Mar 2002, Gwendal Cobert wrote: SND: Tender Love (Mille Plateaux) really ? I know a couple of his earlier releases, and they kind of disappointed me, couldn't see what all the fuss was about... anything new in this one ? Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Exos - my home is sonic
These go deep too: SND: Tender Love (Mille Plateaux) Benjamin Wild: With Compliments (Forcetracks) On Tue, 12 Mar 2002, Jake wrote: Steve Stoll - Windows on the World is pretty good! interested in checking out that exos album.. on 3/12/02 1:08 PM, Grammenos, Peter at [EMAIL PROTECTED] wrote: I just heard the new album from exos 'my home is sonic', it's a cross between basic channel dubby-ness and plastikman-esque hollow dark sounds that go on forever ! Very interesting indeed and quite a different sound from his earlier albums. I definitely recommend picking it up. Another notable cd is the new forcelab mix by algorightm. Same concept as the hawtin de9 'closer to the edit' ... His tracks are somewhat funky and sticky, with the originals glowing in opalescent, tiny fragments within. As each track contains at least four other tracks,... Anybody have any other new release cd recommendations? -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] pronounce this...
I recently heard someone (actually a well-known Force Inc./Mille Plateaux producer) ask in a local shop for the new album by Drexciya, pronouncing it 'Dreck-sigh-yah'. Suddenly I thought: have I been pronouncing it wrong (i.e. 'Dreck-sea-yah') all these years?! It is the latter, isn't it? ;-) On Fri, 8 Mar 2002, Holly MacDonald-Korth wrote: in miami they say odd-a-cur it used to drive me nuts. -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Friday, March 08, 2002 2:57 AM To: '313' Subject: [313] pronounce this... Went to the record shop to buy a CD (LP5) by Autechre Me : 'Do you the CD called LP5 by Ought-tek-ra ?' Shop Fella : 'Oh you mean Ought-Chure' (think torture without the t) So what is the correct pronoucition ? And is Monolake...simply Mono - lake as in non-stereo - large inland water mass ? Thanks Rav - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RH Single
Someone mentioned Richie Hawtin. Recently picked up Closer to the (Re-)Edit on CD single. 2 cuts totalling just 11 or so mins., (Re-)edit #1: freak'd which is actually rather subdued, (Re-)edit #2: ranged. This last one uses Rhythm Sound, some Bluetrain/Mosaic track(s) to quite devastating effect. Definitely worth a listen on a serious system, though it's hard to top the original source materials. Dean de Costa can do no wrong in my book. Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Jeff Mills: Archiv 4
Alright, nice one. Sooner hear JM waxing nostalgic than most anyone else...Here's something else in a reminiscing vein from back in the day. Note the presence in the set list of a certain chap who helped bring the Winter Olympics to a glorious close the other night... Wes (with thanks to Stephen, wherever you may be) -- Forwarded message -- Date: Wed, 21 Nov 2001 23:45:46 -0600 From: stephen [EMAIL PROTECTED] Do I got a story to tell, I was actually around to experience some of that era, brings back memories of seeing a young Jeff Mills when he was with UR back in 91 during the Punisher tour. I think it was his only Texas appearance, he played Deep Elem Live in Dallas and his mixing was I geuss you could say wizard like and flawless (no train wrecks) of course he had some kid with him that would hand him a record every 30 sec or so. He followed up the next day on a local radio show playing the same exact set. Here's playlist for all you old school trainspotters, man I wish I still had that on tape. Those were the memories the early rave and techno scene. I wouldn't be caught dead going out to a rave these days unless someone paid me to spin. stephen. EDGE CLUB 94 with JEFF K 94.5 THE EDGE PLAYLIST FOR DECEMBER 21, 1991. 10:00pm-11:00pm GEUST DJ : JEFF MILLS - UNDERGROUND RESISTANCE - DETROIT UNDERGROUND RESISTANCE THE PUNISHER UR FAST EDDIE YO YO GET FUNKY DJ INTERNATIONAL VENOM TOTAL RECALL CREATIVE RHYTHM UNDERGROUND RESISTANCE RIOT UR BELTRAM MY SOUND RS SECOND PHASE MENTASM RS X-101 SONIC DESTROYER UR MOBY G0(rainforest mix) OUTER RHYTHM REESE FUNKY FUNK FUNK NETWORK TRACID POSSE C'MON SQUIRE OVERDRIVE T99 ANASTHASIA WHO'S THAT BEAT UNDERGROUND RESISTANCE UNTITLED UR F.U.S.E. FU +8 UNDERGROUND RESISTANCE PANIC UR ANDROMEDA DA BUZZ INTRIGUE THE PSYCHOPATHS NIGHTMARES ELICIT RAZOR BOY CUTTER RABBIT CITY 80 AUM MINDCONTROLLER IMC MISSION X GOOD MORNING VIETNAM INDISC UNDERGROUND RESISTANCE UNDERGROUND RESISTANCE UR UNDERGROUND RESISTANCE THE PUNISHER UR UNDERGROUND RESISTANCE UNTITLED UR F 14 F 14 PIRATE BIZARRE INC SUCH A FEELING(rmx) white label FORMICULA 4 FORMIC ACID TRANCE ATLANTIC TRONIKHOUSE UP TEMPO KMS BELTRAM ENERGY FLASH TRANSMAT MESSIAH THERE IS NO LAW KICKIN' FINAL EXPOSURE VORTEX +8 UNDERGROUND RESISTANCE QUADRASINC UR CEEJAY BOLLAND HORSEPOWER RS THE UNLIMITED NAKED OVERDRIVE UNDERGROUND RESISTANCE UNTITLED UR THIS IS BUG F**K THE INDUSTRY MF RADIO MAN BUG DJ DOC SCOTT SUGERY ABSOLUTE 2 RAVE TO THE MAXIMUM RAVE TO THE MAXIMUM HARDWAX UNDERGROUND RESISTANCE THE PUNISHER UR 11:00pm-12:00am GEUST DJ : DJ REPETE - LIMELIGHT CLUB - NEW YORK CITY WOOD ALLEN AIRPOT 89' BCM APOTHEOSIS O FORTUNA INDISC INFAMIA THE MAXXAM ZONE POWER TRACKS TECHNO TRASH VOL. 2 NOISE TOTAL RECALL N-JOI MINDFLUX RCA 80 AUM MINDCONTROLLER(rmx) IMC AFTER DARK ASYLUM ORBITAL MOBY GO(low spirit mix) INSTINCT PROGRAM2/BELTRAM THE OMEN RS MASTER TECHNO VOL. 2 MY NOISE STD BELTRAM MY SOUND RS MESSIAH IS ANYONE STILL ALIVE KICKIN' INFAMIA DISTORTO POWERTRACKS PRAGA KHAN RAVE ALARM BEAT BOX INFAMIA PLASMATIKA POWERTRACKS WESTBAM I CAN'T STOP LOW SPIRIT STATESIDE CONNECTION WANNA BE FREE RADIKAL MNO GOD OF ABRAHAM AM/PM MASTER TECHNO VOL. 2 CAPONE STAGE STD TL DJ ROTATION GOTHAM ALTERN 8 MOVE MY BODY(hard hardcore mix) NETWORK THE TABS HARD TECH NBS SPIRIT OF ADVENTURE SPIRIT OF ADVENTURE HITHOUSE INTERSTELLAR OVERDRIVE MUSIC MAN NEVRMIND NEVERMIND white label TONE DEF TONE DEF MOVING SHADOW PHENOMANIA WHO IS ELVIS? NO RESPECT PHENIX MASS HYSTERIA ATMOSPHERE X ES ROLLER COSTER FACTORY ROZALLA EVRYBODY'S FREE PULSE 8 THE GATEWAY EXPERIENCE TWIN FREAKS STR 1:00am-2:00am GEUST DJ : JIMMY CRASH - BROOKLYN GROOVE PROD.- BROOKLYN HOLY NOISE FATHER FORGIVE THEM HITHOUSE FULL ON SOUND MAYHEM BEATTECH AFTER DARK ASYLUM ORBITAL PHENIX MASS HYSTERIA ATMOSPHERE DREAM FREQUENCY STEP OFF CITYBEAT URBAN HYPE DESTINY PERCEPTION HARLOT SINS OF THE FLESHPOIDS MONOCHROME QUARTERMAN THERE IS NO COKE NO RESPECT WE WERE IN THE FUTURE INDUSTRIAL OVERFLOW SOUNDS NEVER SEEN MULTI COLORLAZEE EP white label COMPRESSION COMPRESSION POWERTRAX JIMMY CRASH CRASH COURSE(rmx) reel tape LORDS OF ACID LETS GET HIGH CAROLINE SKIN UP IVORY(ebony mix) LOVE THE R RAVE THE PLANET ESP ADAM-X LOST IN HELL RAVE AGE ENERGY STORM VOL. 2 DARKNESS BEYOND ESP TRILITHON CHILDREN OF THE FUTURE white label RAVE TO THE MAXIMUM RAVE TO THE MAXIMUM HARDWAX THE WARRIOR THE WARRIOR STRICTLY U/G X-101 G-FORCE UR RISING HIGH GEUSS WHO'S BACK JACK TAM TAM THE PRODIGY G-FORCE XL TEXAS AUDIO ASSASSIN +8 THE MACKENZIE CYCLOTRON MACKENZIE CIRCUIT
Re: [313] Rob Hood/Eleven Phases?
The Rob Hood track = Mystique (Mix 2) on this comp. Here's a listing: Eleven Phases: Detroit Compilation (Sublime, 1998) 01. K. Hand Roots 02. Lark Daddy Flip Flop K. Larkin 03. Knowledge Supreme Gusto E. Fowlkes 04. Will Web Cosmic Kung-Fu Funk 05. Hood Scientific: Mystique (Mix 2) 06. De-Yang Crew Bad Luck Kid C. Young 07. Thomas Barnett Ravish 08. Daniel Bell In The Park (Original Mix) 09. Graffiti Graffiti's Theme S. Pullen 10. Shake Can't Turn Back 11. Sean Deason Hip Hop Jazz !K7 attempted something along similar lines round the same time if memory serves: V/A: Three-Minute Blunts. On Thu, 21 Feb 2002, Odeluga, Ken wrote: You need someone with a better memory than me my friend, but I have the compilation this came on. Vinyl sleeve is a black/white design of quite a menacing robotic figure, belying the mostly sweet grooves to be had within ...there's a Stacey Pullen thing on there called 'Graffiti's Theme' which (imho - that phrase gets a man off any statement) he hasn't bettered ... I think the label is either Subjective or Subvoice - I know it's Japanese. The project had some ace liner notes and to me ranks as the last great Detroit all round compilation, albeit of artists (inc, Hood, Shake, Kenny Larkin, Eddie Fowlkes, Thom Barnett) doing breaks and hip hop rather than their traditional stuff. Hunt it down, it is sublime I will have to dig it out tonight and implant it in my memory - I am dumb as f'~*. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, February 21, 2002 2:29 PM To: 313@hyperreal.org Subject: RE: [313] dan bell - in the park I'd like more info on this release as well. On a broader scale, what is Dan Bell up to these days? Last time I saw Theo Parrish he mentioned Dan was living in Germany, is this still the case? dK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: it takes a millions of questions
Just curious: I remember someone mentioned that Juan Atkins had worked with the late Aaliyah at some stage, or am I getting my wires crossed? Antoinette Cohill, lead vocalist on the Mind Body album, has a fine RnB style voice. Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] John Beltran:::Ten Days Of Blue
On Tue, 12 Feb 2002, Lee Herrington wrote: hi folks. can anyone fire off a track listing for ten days of blue on peacefrog? Flex Collage of Dreams Gutaris Breeze (6000 km to Amsterdam) Ten Days of Blue Venim (sic) and Wonder Deluge December's Tragedy Soft Summer Collage of Dreams (Outro) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Elements Of Jazz CD
Don't forget the several Synewave New York comps. they released (Damon Wild's label), the whole Techno Nations series Vols. 1-8, which often featured exclusive tracks Detroit artists. Just looking at Vol. 7, with tracks by Drexciya (Depressurization) Claude Young/Twine (Scarred). There was a second Elements of Jazz cd as well, though not quite as stellar as the first if memory serves. That Dave Angel track Lagoon slams on a good system. On Thu, 7 Feb 2002, Sakari Karipuro wrote: Phonopsia wrote on Thu, 7 Feb 2002 about following: It was on Kickin' Records from 1996 KICK CD41. Anyone know if this label is still aroundIf so a biblio pls. Kickin' records started out doing a lot of rave compilations in the early '90s AFAIK. At the time, that was the only techno I knew, so I was quite i remember kickin' licensed some house-based stuff in mid 90's i think - i know i've seen some deep dish on this label. sakke -- there has been like 5000 acid house records after that and nobody made it like pierre, pierre did it in a musical way that followed the mood of the song, everybody else just turned knobs. - marshall jefferson, about phuture's acid trax - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] p-funk
A couple of years ago Derrick May took a turn at The Wire's Invisible Jukebox. He listened tried to identify tracks by Herbie Hancock, Olly Wilson, First Choice, Dade Krama, UR, Kraftwerk, Depeche Mode, Ice Cube, A Guy Called Gerald (one of the unsung heroes of future music), The Williams Fairey Brass Band (Acid Brass version of Strings...) Last track up was Funkadelic's (Not Just) Knee Deep, from Uncle Jam Wants You (Warners). Here's a transcription of what followed: DM: Hell, yeah! [Starts singing along] You can go to Detroit now and this stuff is still on rotation on the radio. This is a big part of my youth. M. Shallcross: So is this your favourite track from today's selection? DM: Yeah, everything else is kind of okey-doke. I wouldn't mind playing this at a party now, just to see what happens. I've heard Rob Hood play this, but I don't think he played enough of it. MS: Your famous and somewhat over-repeated equation for Techno was 'Kraftwerk and George Clinton meeting in an elevator'. Does Techno sometimes forget its funk roots? DM: Yes, I think so. It was never meant to be just about technology. It was the sound of man and machine making love. I would love to see Kraftwerk and George Clinton on the same stage, playing one after another. That would be cool. I'm still looking out for something like this today. Wes On Wed, 6 Feb 2002, Samuel Hobbs wrote: please suggest some parliament funkadelic albums which would help solidify in my mind what Derrick May means when he says detroit techno is kraftwerk and george clinton in an elevator. -sam - Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] FW: What's in a name?
On Mon, 4 Feb 2002, FC3 Richards wrote: would the guy fit in better over at the Disko B stable??? You mean alongside Artist Unknown? Can't get over how their first album has grown on me, I hear they're working on new stuff/remixes. Keep hearing echoes of Elecktroids even The Other People Place on certain tracks--maybe it's just the equipment, but who knows? Isn't there a German label run by a guy called Muller, that releases tracks by him, DJ Rok, Beroshima and others? I remember hearing a wicked Claude Young remix of something a while back on it... Anyone heard the Alter Ego remix of the recent Human League single? Sure looking forward to the new Vladislav Delay album Naima, Soul Center*: III, out soon. Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] list party/gathering in the UK
No, it's not me who works at Groovetech, someone else. I work at a university teaching contemporary Native American literature First Nations' resistance to ethnocide, amongst other things. Toronto's bloody freezing at the moment, but Todd Sines has recently moved here to record/perform, so things are always on the up. Wes On Tue, 5 Feb 2002 [EMAIL PROTECTED] wrote: The beauty of it is that I'm sure everything we need is here on this list. I know that some one from Groovetech is on it (Wes is it you?) so that would hopefully be the broadcast sorted. There are plenty of DJs, maybe even some PAs. List members who run websites could promote it, anyone working for a printing company could run off fliers etc Maybe some of the listmembers with labels could sponser the party (myself included) to raise some funds. The other thing to consider is will this be a midweek night or a weekend. Hiring a decent venue isn't too much of a problem midweek, but will be more difficult and more expensive at the weekends. [EMAIL PROTECTED] www.digital-soul.co.uk From: Mark Hughes [EMAIL PROTECTED] Date: Tue 05/Feb/2002 15:40 CET To: [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: RE: [313] list party/gathering in the UK LOL - nice one Stewart, what about compulsory glow sticks on entry? This does sound a rather good idea though, I am sure people (myself included) would be willing to chip in with the money, or help in anyway possible to get a decent event sorted. Lets get the ideas flowing and see what we come up with. Cheers Mark __ Do You Yahoo!? Everything you'll ever need on one web page from News and Sport to Email and Music Charts http://uk.my.yahoo.com ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only ?12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] theo id
According to the mailout I received, the represses go from Musical Metaphors to SS 13, missing out SS 09. On Tue, 5 Feb 2002, Rob Theakston wrote: that track is KDJ 30 JAN. i don't know if that got repressed in the latest slew of re-issues. anyone? -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 05, 2002 4:10 PM To: Lester Kenyatta Spence; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: [313] theo id which mix was this anyhow? 156? 160? Thanks, Dan At 1:03 PM -0500 12/31/2001, Lester Kenyatta Spence wrote: On Mon, 31 Dec 2001 [EMAIL PROTECTED] wrote: Hi, Can anyone identify what is going at the 51.40 mark of theo parrish's mixoftheweek.com mix? Its got a spooky string line and vocal and rhodes + samples of a man being interviewed: it's been said that you work on the road, carry a studio round with you some people call you the workaholic that has insisted on doing things one way, your way detroit Anyone bored enough at work this NYE? Cheers, Al Me...but then again intellectuals don't ever STOP working. ;) Someone else has id'd this song before...I can't do that. What I CAN do is talk about the snippet...it's Mojo (detroit dj influential in the development of techno and the b52s as a sidenote) interviewing Prince back in the mid to late eighties. I remember hearing the interview when I was younger. Prince's responses have been taken out and the Detroit part taken from another portion of the interview and spliced into the new version - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] theo id
Sorry, getting my artists mixed up. On Tue, 5 Feb 2002, Wes wrote: According to the mailout I received, the represses go from Musical Metaphors to SS 13, missing out SS 09. On Tue, 5 Feb 2002, Rob Theakston wrote: that track is KDJ 30 JAN. i don't know if that got repressed in the latest slew of re-issues. anyone? -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 05, 2002 4:10 PM To: Lester Kenyatta Spence; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: [313] theo id which mix was this anyhow? 156? 160? Thanks, Dan At 1:03 PM -0500 12/31/2001, Lester Kenyatta Spence wrote: On Mon, 31 Dec 2001 [EMAIL PROTECTED] wrote: Hi, Can anyone identify what is going at the 51.40 mark of theo parrish's mixoftheweek.com mix? Its got a spooky string line and vocal and rhodes + samples of a man being interviewed: it's been said that you work on the road, carry a studio round with you some people call you the workaholic that has insisted on doing things one way, your way detroit Anyone bored enough at work this NYE? Cheers, Al Me...but then again intellectuals don't ever STOP working. ;) Someone else has id'd this song before...I can't do that. What I CAN do is talk about the snippet...it's Mojo (detroit dj influential in the development of techno and the b52s as a sidenote) interviewing Prince back in the mid to late eighties. I remember hearing the interview when I was younger. Prince's responses have been taken out and the Detroit part taken from another portion of the interview and spliced into the new version - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Jaun Atkins
On Sun, 3 Feb 2002, Luna wrote: At any rate, this article made me lose respect for him. Is that the reason you mis-spelt his first name throughout your post? The thing is, many unprincipled journalists have made a dark artform out of taking the comments of those whom they interview provocatively twisting their words to suit an agenda. Usually, that agenda is to stir s**t up with little regard for the consequences, especially whether it could reflect negatively on the person kind enough to speak to them in the first place. So take it with a grain of salt. As the lines from an old Soft Boys track go, they tell you what to think / and it's very good indeed. Wes Seek the company of those who seek the truth. Avoid the company of those who have found it. (Vaclav Havel) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Juan Atkins - then having a break
Nobody is denying the fact that Black artists like Juan or Stacey have had a raw deal when it comes to gaining anything like widespread commercial acceptance with their particular brand of techno--you're preaching to the converted there, I'm afraid. Going unrecognized in one's homeland is part of the price all artists whose work proves ahead of its time must pay, like it or not. At least we support their cause by buying their material turning people on to it whenever possible. In terms of true activism the creation of what Pullen calls thinking machines, impassioned music will always speak louder than impassioned words. Venting one's spleen in a self-righteous attempt to blame the woes of some Black techno artists _solely_ on race can appear a little reductive has caused a few firestorms on the list (mea culpa!) You may choose to disagree, but things are usually vastly more complex than they appear on the surface, over-simplified arguments (beguiling as they may be), are often alienating to others and the kiss of death to (constructive) dialogue. Please respond off-list if you feel you must. Keep the faith, spread the sounds, Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Track ID
Soul Center*, Let's Go, from the first album on W.v.B. Enterprises/NL. No idea where Brinkmann sampled the vocal, but he's awfully fond of The Undisputed Truth, The Temptations, The Four Tops. On Thu, 24 Jan 2002, nathan goode wrote: Hi guys yes it is I asking for someone out there to identify ANOTHER track ID for me! it's from Rick Wade set @ Staple on Betalounge. has the lyric: C'mon yall, let's go Down to the Disco (repeated) thanks a bunch! nath - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Baxter mix?
Any opinions on the Blake Baxter Globus mix that came out on Tresor a number of years ago with tracks by Basic Bastard etc. on it? I'm not a huge fan, but have a definite soft spot for Visions of You that wicked old track on the Made in Detroit comp. Has this mix stood the test of time? Thanks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fourth World aid
Has anybody any opinions on the Fourth World remix album, Return Journey, on Melt 2000? How do you rate the 4 Hero 16b remixes? Thanks, Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Theo Parrish - These days times - tracklisting
I was glancing at the latest Straight No Chaser (with 4 Hero on the cover) in a shop today, which has a top ten in it from Theo...some stuff there which may help fill in a few more gaps. He also had Love's Arrival listed. On Fri, 11 Jan 2002, sqrrt wrote: Here's what I had already, plus my blanks that your email filled. Almost complete now...: Part 1 01. Those Guys feat. Ras Baraka - An American Poem 02. Theo Parrish - Unreleased 03. (Sounds like Larry Heard) - ? 04. ? ? Just Another Lonely Night [majorIV ?] 05. Theo Parrish - Unreleased 06. Round Four feat. Tikiman ? Find a Way 07. Blakk Society Just Another Lonely Day 08. Lil' Louis War Games 09. Theo Parrish ? China Trax (Sound Signature 012) 10. ? (very nice!) 11. New Sector Movements ? The Sun (Dwele's Motorcity Remix) 12. ? - (Sounds like Herbie Hancock) 13. Dinosaur L ? Go Bang! (Francois K mix) 14. Fela Kuti - ? 15. Tony Allen ? Afro Disco Beat 16. ? - (Sounds like Fela Kuti) 17. Roy Ayers ? Running Away 18. Donald Byrd ? Lansanas Priestess 19. Dexter Wansel Life On Mars Part 2 20. Ashford Simpson One More Try 21. ? ? keep on doing what you do, cause it feels so good 22. ? ? never let you go 23. Eddie Kendricks Goin' Up In Smoke 24. ? - family 25. ? - why don't you spread love 26. ? - high on your love/mean to be so free 27. Charles Earland Leaving This Planet 28. ? 29. Jill Scott ? Slowely Surely (Theo Parrish rmx) 30. Fela Kuti ? Who No Know Go Now 31. New Sector Movements - The Sun (Dwelogy remix) 32. ? - precious love (sounds like Larry Heard) 33. ? ? trying to prove my love [ned doheny ?] (I know Al Hudson The Partners have a song called Prove My Love...) 34. Fela Kuti - ? 35. Theo Parrish ? Dirty Rhodes (Sound Signature 015) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Trainwrecks/blue notes
A while back on the Global Techno list, Max Duley was talking about the phenomenal energy Mills brought to the tables clubs he played at in the UK in 94-95, how (like the Liquid Room cd), the mistakes simply magnified the intensity of an already supercharged atmosphere. Isn't a trainwreck in the hands of a Mills simply the techno equivalent of a blue note (in jazz)? The skilled musician's imagination triumphs over the technician's 'mistake' converts it into a previously unknown sonic form. Any slip always has the potential to be so much more in the right hands. Chance + ingenuity = dynamic tension. Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Jeff Mills Every Dog Has His Day CD
Well, that's a little harsh though you're entitled to your opinion. The cover notes for Every Dog Has Its Day state that the music is designed to ease impatience and restlessness, but I guess it doesn't work for everyone in some programatic way. What about Now is the Time? How anyone can describe that as an example of lazy production is beyond me. Is it because the vocals sound improvised the structure is rather free-form? Not sure what vol. that track was on--have you listened to it? Wes On Thu, 22 Nov 2001, werner wrote: Not to take the wind out of your sails, but I found Every Dog... vol. 2 (the 12) to be quite a lazy production - both in intent and execution. As someone who loved the Other Day and Metropolis I can't help feeling that perhaps the title reveals some of the intention behind the compilation(s) - giving each dog of a track a day to be spun. hmmm... -- 'The business of the World is Trade and Death, and you must engage with that unpleasentness, as the price of your not-at-all-assur'd Moment of Purity.-Fool.' - Thomas Pynchon - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
