RE: (313) Non Stop DJs (was RE: (313) two ghetto tech id's)
Congrats on this. I have to wonder though: Martin, Dave C said in his interview you that he wasn't really ever into electro... So what is he doing with an electro chart? -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 08 June 2004 20:26 To: 313@hyperreal.org Subject: (313) Non Stop DJs (was RE: (313) two ghetto tech id's) -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: 07 June 2004 19:58 On this note I must take this chance to big up our own Brelson and DJ Guy as Non-Stop DJs. Their (debut??? not sure as it's marked 002) EP is stellar. Lots of pure detroit techno chords and vibe atop booty beats. It's really unique! Thanks Tristan! Glad you liked it :) Now for a spot of shameless self-promotion... The record was charted at #1 by Dave Clarke last month (in his electro chart) and has been doing quite well - anyone who's interested in grabbing a copy can do so from the following places: http://www.juno.co.uk/IP/IF147606-01.htm (UK/Europe) and http://www.djnexus.com/main_view.cfm/a/114979/Non%20Stop%20DJs (US) There are sound samples on both sites, and more info about the release on our own site: http://www.non-stop-djs.com/ . Sorry for the spam! Brendan
RE: (313) Francois K track ID
Thanks this answers my question. Quest -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 04 June 2004 06:48 To: quest pond; KiDDy*RaVeR; ThReE-oNe-ThReE Subject: Re: (313) Francois K track ID din timing is kinda sketchy, ranging +/- 1bpm. a 3 bpm range is rough to mix in sometimes. -Joe - Original Message - From: quest pond [EMAIL PROTECTED] To: KiDDy*RaVeR [EMAIL PROTECTED]; ThReE-oNe-ThReE 313@hyperreal.org Sent: Thursday, June 03, 2004 9:57 AM Subject: RE: (313) Francois K track ID Yes but having said that its probably holds timing correctly, Just for information what the hell did they use for master timing on most detroit records that gives awful timing slip and inconsistencies? I know splicing is to blame somewhat but im sure there is a machine at fault in most early detoit stuff? Alesis mmt8 maybe? Analog master timing maybe? Quest Pond -Original Message- From: KiDDy*RaVeR [mailto:[EMAIL PROTECTED] Sent: 03 June 2004 23:32 To: ThReE-oNe-ThReE Subject: Re: (313) Francois K track ID I think its the one we have discussed lately (early May) named by the Danny Krivit Edit http://www.discogs.com/release/213500 But here's the precision by Tom Churchill : Just a small point: Krivit in fact only re-edited the track - the actual cover version/remix was done by Soul Central, who I believe are from Manchester. So I don't think he had a huge amount of input in terms of the production... I maintains that the strings are awful and kill the track...its not 'string' of life anymore !! I like the added latin-jazz piano pattern, though. - KiDDy - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, June 03, 2004 1:50 PM Subject: (313) Francois K track ID hi folks. which version of strings of life did francois play in his set at movement? the track came right after metro area's nerves. cheers, lrh
RE: (313) Dan Curtin djing in London
WOW this is so exciting, my absolute favourite recording artist ever and i'm going to be in London then! Nice choice outlet. Quest -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 05 June 2004 00:52 To: Paul Kendrick; 313@hyperreal.org Subject: RE: (313) Dan Curtin djing in London Looking forward to this one very much - there was Peal Seamus mix posted on here last year that is very tasty and Dan Curtin's 11th Hour mixes are sorted too - only a fiver too! -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: Friday, June 04, 2004 1:42 PM To: 313@hyperreal.org Subject: (313) Dan Curtin djing in London Sorry for the spam- The Outlet Collective in conjunction with Digital Soul Records present the first of 2 nights of... DIGITAL SOUL REBELS @ S.E.N.D. Featuring... Dan Curtin (Metamorphic, Peacefrog - Cleveland, USA) Peel Seamus (Delsin - Amsterdam, NL) Splinterfaction (Digital Soul - UK) ...alongside Digital Soul residents The Outlet DJ crew. Saturday 10th July 2004 - 8pm 'til late - At an intimate, un-announced East London location. Entrance: £5 IN ADVANCE - Available directly from [EMAIL PROTECTED] / www.outletcollective.com or by phoning 07967 332 964. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Free Movement Gear
The survey looks like they are looking for ways to justify state/council funding and/or sponsorships. I.e we brought X $ to the local economy therefore its worth your while keep us running type thing. This is probably why they are not interested in input from people who didn't go, they are after a cross section of money spent not ideas from improvement. Just my guess. Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 05 June 2004 01:43 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) Free Movement Gear yeah - exactly. Why not take a survey of last year as well. They could even take a survey of the DEMF years. It doens't have to be a huge survey with loads of questions for each year you've attended but it could just be a question of which years did you attend and info about the last year you went (which would include this past festival). well, maybe they have a specific reason for just asking about this past festival. MEK [EMAIL PROTECTED] nder.co.ukTo: [EMAIL PROTECTED], David Gillies [EMAIL PROTECTED] 06/04/04 10:15 AM cc: 313@hyperreal.org, [EMAIL PROTECTED] Subject: RE: (313) Free Movement Gear well to be honest, It wouldn't hurt would it...I mean you could base it on past experiences as I am sure it all helps for the future.. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Fri 04/06/2004 16:06 To: David Gillies Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Free Movement Gear yep - I agree. Just because I couldn't go this year doesn't mean I don't support the event or haven't gone at all. MEK David Gillies [EMAIL PROTECTED]To: [EMAIL PROTECTED] cc: 313@hyperreal.org 06/03/04 09:48 PMSubject: Re: (313) Free Movement Gear I wish this survey allowed those of us who couldn't go to be able to voice our support or input. [EMAIL PROTECTED] wrote: The survey is solely for the benefit of Movement and Michigan. There is no commercial, corporate agenda. The survey will help folks put on a better event next year. Thanks to everyone for helping. It'll help Movement keep going for years to come. The last page states this: We have received your completed questionnaire. Thank you for taking the time to complete this survey conducted by Davidson-Peterson Associates on behalf of the Movement Festival and the Michigan Office of Tourism. -Original Message- From: lisa [mailto:[EMAIL PROTECTED] Sent: Thursday, June 03, 2004 12:30 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Free Movement Gear I took the survey - the original link didn't work (it needed a .com after the digitalresearch part) - http://www.digitalresearch.com/movementmusic I am curious, who commissioned this survey? Was it Derrick company? The survey results could be very useful to build a case for keeping this thing alive. Hopefully the data collected will be used for purposes of good and not evil ;) Lisa [EMAIL PROTECTED] wrote: For those that attended Movement, here's your chance to win free Movement shirts, CDs, etc. and help the festival and the birthplace of techno, Detroit. Fill out the survey and let Movement organizers know about your visit to tha big D! Help them organize a better festival for next year by telling them about you. Go to: www.digitalresearch/movementmusic
RE: (313) Francois K track ID
Yes but having said that its probably holds timing correctly, Just for information what the hell did they use for master timing on most detroit records that gives awful timing slip and inconsistencies? I know splicing is to blame somewhat but im sure there is a machine at fault in most early detoit stuff? Alesis mmt8 maybe? Analog master timing maybe? Quest Pond -Original Message- From: KiDDy*RaVeR [mailto:[EMAIL PROTECTED] Sent: 03 June 2004 23:32 To: ThReE-oNe-ThReE Subject: Re: (313) Francois K track ID I think its the one we have discussed lately (early May) named by the Danny Krivit Edit http://www.discogs.com/release/213500 But here's the precision by Tom Churchill : Just a small point: Krivit in fact only re-edited the track - the actual cover version/remix was done by Soul Central, who I believe are from Manchester. So I don't think he had a huge amount of input in terms of the production... I maintains that the strings are awful and kill the track...its not 'string' of life anymore !! I like the added latin-jazz piano pattern, though. - KiDDy - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, June 03, 2004 1:50 PM Subject: (313) Francois K track ID hi folks. which version of strings of life did francois play in his set at movement? the track came right after metro area's nerves. cheers, lrh
RE: (313) Free Movement Gear
That seems to be wrong address, It seems to be here: http://digitalresearch.com/movementmusic/ -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 04 June 2004 00:20 To: 313@hyperreal.org Subject: (313) Free Movement Gear For those that attended Movement, here's your chance to win free Movement shirts, CDs, etc. and help the festival and the birthplace of techno, Detroit. Fill out the survey and let Movement organizers know about your visit to tha big D! Help them organize a better festival for next year by telling them about you. Go to: www.digitalresearch/movementmusic
RE: (313) my personal experience at movement
upwards of 500 euros for plane tix. LOL if only it were that cheap from here! with costs well over 1k euros from australia. First i want to know i'm going to get into the country and then secondly that a party is actually going be happening. A line up is important well well in advance. I'm not bagging the Movement, good on mr May and Co for such an excellent effort and im sorry i couldnt go. I'm just adding to others comments. Could there be a possibility of artists paying for stages if they don't already or charging for entry? I mean if i'm paying all that money of a stupid air-fare what is a bit extra to guarantee and event happens? It also keep out people who don't really give a damn, and would put rubish in money collection bins. Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 02 June 2004 19:08 To: 313@hyperreal.org Subject: Re: (313) my personal experience at movement TO start, , the festival planning should start in july, not in January. The timing issue is so important when you have a scaled festival like this, with such large out of town support. People in europe want to know they aren't throwing away their money before they spend upwards of 500 euros for plane tix. Even on top of that, the line-up wasn't even anounced until the week before the festival, which kept alot of the parties /people from being able to plan around it. I was talking to Mike from Threads, and he said that usually he gets a stream of customers during DEMF weekend, that is larger than his xmas crowd, but this year was just like a normal week for him. I'm not sure all of the implications of that statement, but I'm willing to bet that the lack of planning on the part of the festival played a major part. dense. On Tue, 1 Jun 2004 [EMAIL PROTECTED] wrote: Well, it's not just Derrick, Kevin Saunderson is part of it as well. So what part of the business do they need to run better? Is it the getting sponsors to support them during a crappy economy part? Is it the trying to convince the politicians/city to cough up some cash part? Is it the part about putting up even more of your own personal money or getting monstrous loans just to throw an event and go into major debt? I'd like to know... Derrick can take all the business classes in the world but if nobody is going to give up some money to support Movement - it ain't going to happen again. How long do we hold onto our checks before there isn't another festival? MEK Erin Bate [EMAIL PROTECTED]To: /0 [EMAIL PROTECTED] thms.comcc: 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: (313) my personal experience at movement 06/01/04 02:51 PM I would hold on to your check until derrick takes some business classes. ~E From the outside, Movement 2004 looked like a success. But Movement 2005 is in a precarious spot. Detroit can't let this slip away. this is an excellent article - really says it like it is. I think everyone who has ever enjoyed Movement or the DEMF should read this I didn't go this year but I'd like to make some donations so I can go again next year where do I send my check?
RE: (313) my personal experience at movement
Just been watching FK. He seems to have a go at everything i thought, just been glued to to the video. Bit of CD's i thought, vinyl definately and the laptop a lot. Looks like technical hell i would have thought but he seems to manage it, not quite sure how, i mean he's mousing the speed of tracks on the laptop to mix into the vinyl. Great track selection going on there, you can here his production skills coming through in way he mixes. Very classy set, only 1 cliche 'hits and memories track' the rest nice an minimal and quite obscure and very electronic. I'll pay to see this any day. Quest -Original Message- From: Jernej Marusic [mailto:[EMAIL PROTECTED] Sent: 02 June 2004 01:31 To: 'Ben Britz'; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) my personal experience at movement -Original Message- From: Ben Britz [mailto:[EMAIL PROTECTED] Sent: 1. junij 2004 15:30 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) my personal experience at movement francois k - wow. all i can think to say is that it was a once in a lifetime set. if you've heard his sonar set, you have an idea of the style, but this was just genius. There's a streaming video recording from Sunday of Main stage (including the amazing Fracois K set), available on the Movement page. Direct link is: http://www.sanghainteractive.com/movement/movement_stream.html Looks like Francois mostly played of laptop (Traktor or Ableton?). Jernej www.soundoflj.com/octex
(313) Sonar anyone?
I think some people are looking for a 'mailinglist punch up' today with all this politics and , i put it down to an unhappy bunch of people having no movement, myself included. Anyway i'm wondering now all the fuss of movement is over (well soon anyway-thank god), who is going to Sonar? Couple of us Aussies going and i understand a few UK peoplz. Quest Pond
RE: (313) Re: Koobla / Vinyl Junkies
Yeh i'm with you here Emile for electro and some techno this store was one of the best. I have never had an issue with service. Plenty of fine records. Vinly Junkies is okay if your after house but nothing much beyond this. Quest Pond -Original Message- From: Emile Facey (Plant43) [mailto:[EMAIL PROTECTED] Sent: 26 May 2004 19:28 To: Nicole Slavin; Robert Taylor; Brendan Nelson; Melody Ng Cc: 313@hyperreal.org Subject: Re: (313) Re: Koobla / Vinyl Junkies It's strange as I always found Koobla had a really good vibe. They also had a very large electro back catalogue where I picked up loads of things that I couldn't find anywhere else in London. Last time I was in there I got 'Transllusion - L.I.F.E' and 'Shifted Phases - the cosmic memoirs...'. They were also really helpful when we were selling tickets for Mike Grant at Bleep43. Know I'll miss 'em...
RE: (313) Detroit and Geography
LOL- I remember that ;). I managed to hear a few tracks before you escorted Amy to the bus. He was in great form. Good night, got to hear Kenny again. Quest -Original Message- From: matt kane's brain [mailto:[EMAIL PROTECTED] Sent: 27 May 2004 02:54 To: 313@hyperreal.org Subject: Re: (313) Detroit and Geography At 12:47 PM 5/26/2004, [EMAIL PROTECTED] wrote: speaking of has anyone had an opportunity to see Kenny do his stand-up? I met him once when I was in France. He thought my hand-rolled cigarette was a joint and kept making fun of me. He seemed to think it was pretty funny. I never heard him play that night. It was 6 AM, so I went home. -- unsigned short int to_yer_mama; http://www.mkb-dj.org Matthew Kane : Software Engineer : Zebra Atlantek, Inc. [EMAIL PROTECTED] || [EMAIL PROTECTED]
RE: (313) Detroit and Geography
Correction, it was meant to be set in imaginary city somewhere halfway in-between where LA and San Fran would meet in an advanced urban sprawl. Regards, Quest -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 27 May 2004 04:30 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Detroit and Geography yep - let us not forget that Blade Runner was supposed to be set in L.A. - maybe that's why Juan moved out there? MEK [EMAIL PROTECTED] et To: 313@hyperreal.org cc: 05/26/04 12:37 PMSubject: Re: (313) Detroit and Geography there's going to be a duality anyplace you live- LA has that paradise, sunny, beautiful, poluted, third world, end of manifest destiny apocolypse thin going. SF has that hippie, homegrown, organic, foggy, rough ocean, wrath of nature vibe Detroit is all industrial, downtrodden, harsh, working class, salt-of-the-earth, overcoming, uplifting you can flip it however you want it On Wed, 26 May 2004, Greg Earle wrote: On Wed, 26 May 2004 02:45:59 +0100, James Bucknell wrote: I don't buy the geography argument. Neither do I. I live in LA, with one of the best climates in the world (OK OK, minus the smog bit), and I'm rockin' tha D all the time here. (Aside: I was probably the biggest Joy Division fan in the States back when they were extant, despite the fact that sometimes it doesn't rain here for months on end. I considered them uplifting, not doom n' gloom.) People don't become House-heads in San Francisco because of the change in climate from where they came from; it's because they're always surrounded by a bunch of [EMAIL PROTECTED]' Hippies once they get there ;) - Greg (whose [blonde] Kill The Hippies Punk roots are showing)
RE: (313) S.I.D Shop / Submerge
Yes but sweat electric is also in electro-funk records so its no loss to miss out on this one right? Quest -Original Message- From: Patrick Wacher [mailto:[EMAIL PROTECTED] Sent: 20 May 2004 07:16 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) S.I.D Shop / Submerge Sweat Electric! Peace, Patrick. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 20 May 2004 2:11 AM To: 313@hyperreal.org Subject: (313) S.I.D Shop / Submerge You know the S.I.D shop in Detroit? I presume some people on here shop there. Well, does anyone know if it's open during the Movement Festival? A mate is off to the festival, and I was planning on giving him a few quid to try and get me some of those S.I.D 12's. (I don't own any of them) Thing is, I guess he'll want to buy them as well. Does anyone know if they're one per customer? Also, can anyone recommend the essential ones? I think I'd like to get the Drexciya one, I heard that a few years back. But I can't afford them all, so is there one or two that are essential? Many Thanks Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) S.I.D Shop / Submerge
I'm okay- seems i was wrong, i always thought that sweat electric had x2 on it, DOH... I think i got the idea from a compilation that listed it as that ages ago, it should have been electric soul instead. Thank god for discogs to clear up the haze and fog that is detroit releases. Sorry about the misinformation. I'll shut up now. Quest -Original Message- From: Sean Creen [mailto:[EMAIL PROTECTED] Sent: 20 May 2004 18:30 To: quest pond; Patrick Wacher; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) S.I.D Shop / Submerge Yes but sweat electric is also in electro-funk records It is?! When did that come out?
RE: (313) S.I.D Shop / Submerge
Yeh this caught me out, After flying from australia to ohio then driving all the way to detroit to visit this shop, boy was i disapointed (understatement!) to find out you had to book and it was closed. Well those were the days when the website said opening hours mon-fri 9-5. Quest Pond -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 20 May 2004 02:13 To: Blackman, Ryan (UKEKT) Cc: 313@hyperreal.org Subject: Re: (313) S.I.D Shop / Submerge well no, you need to make an appointment. i think we've got that sorted out tho. robin... Blackman, Ryan (UKEKT) wrote: I don't know if you can just turn up and buy them
RE: (313) bad pressing alert
I think its 'equinox\nite and da' unfortunately i just ordered it from the Uk which works out quite expensive. Isn't the main reason the record would sound bad is someone pressed 1 whole album on to 1 piece of vinyl? I mean i have relics and i assume this is the original and it sounds real low/poor quality also. I mean if your gonna bootleg then lets improve on the original and make a nice sounding 3 record set. Or better stiill repress/re-release and keep the artists happy also. I wouldn't want to short change someone like Carl. Does anyone know what happens to the rights of defunct record lables like Buzz? Could Carl bootleg his own release? Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 06 May 2004 17:38 To: 313@hyperreal.org Subject: Re: (313) bad pressing alert panic in detroit? this one.. they probably did do it from the cd, I don't know. sounds s**t however they did it. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) bad pressing alert
Thanks everyone. How do we know Carl didn't re-release this copy then? Might be a silly question sorry, its just everyone is saying bootleg but i'm wondering. Quest -Original Message- From: matrix313 [mailto:[EMAIL PROTECTED] Sent: 06 May 2004 19:03 To: Martin Dust; 313@hyperreal.org Subject: Re: (313) bad pressing alert on 5/6/04 5:38 AM, Martin Dust at [EMAIL PROTECTED] wrote: Does anyone know what happens to the rights of defunct record lables like Buzz? Could Carl bootleg his own release? Carl still owns the rights, Buzz just licensed tracks... Martin exactly. Carl would not have to bootleg his own compilation. all licensing contracts state how long the licensing agreement will be in effect and what territories they cover. if you have your own label its best to maintain the rights to press in your own territory. in most cases the agreements are in effect for 60 months (five years) with the licensors rights and claims to the recordings expiring after that time. I've even seen some contracts for as little as 6 months :^) after the agreed upon time the artist/owner (licensee) is free to do with the master recordings what he or she wants in all territories (re-release, remix, re-license to someone else, bury in a landfill in Arizona). there are many other legal stipulations to licensing but I only mean to address why there is no need for Carl to bootleg this compilation. sean deason: contract killer
RE: (313) Anne Clark
Don't know this track but i like 'sleeper in metropolis', i dig the whole raw electronics and poetry type thing - i think cold/dark wave it might be called. I suppose being a fan of vladimir m/terrace production this is some of the only stuff i can file under my interpretation of this category. It's interesting how this dark view of the future contrast is in contrast to the early techno 'future is great' vibe as discussed recently. Maybe these thoughts are more relevant for today. Quest Pond -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: 04 May 2004 16:41 To: 313 Subject: Re: (313) Ann Clarke can someone explain to me the attraction people have to 'our darkness' ?I mean not EVERYTHING Hardy played was genuis... ;) err... I just don't feel it... too brittle or something for me? There is a re-edit of it on the Paul Raymond series (on the flip side of Chicago's Street Player, which i love.. by comparison) that you can probably still find http://www.discogs.com/release/153000 peace -- Matt MacQueen http://SonicSunset.com
RE: (313) Detroit In Effect/Whatever Happened To The Future?
Wouldn't that label be M.A.P? I think of them as more electro, which is a kinda retro thing i certain forms: Auxmen Mandroid or more of a future thing in other styles like: AI Carl Finlow Or an italo oldschool thing from the Dutch camp. It's all good to me. Quest -Original Message- From: kj at technotourist dot org [mailto:[EMAIL PROTECTED] Sent: Friday, April 30, 2004 10:48 PM To: Ken Odeluga Cc: 313 Mailinglist List Subject: Re: (313) Detroit In Effect/Whatever Happened To The Future? On 30-apr-04, at 14:29, Ken Odeluga wrote: This is long so beware: In a way, their sound is what techno would have turned out to sound like if Techno Kut had had the impact that Metroplex, Transmat etc ended up having. I'm quite interested in that parallel 'path' of post-electro stuff and the way that it started out calling itself techno before being superceded by what we *now* know as techno... There's a line in the track 'Men You'll Never See': 'Making techno tracks ...' Which I was bemused by. Incidentally, are these tracks new? Once again we meet that oft-talked about (currently) retro-future/future-retro thing. Are these old tracks released late or new tracks made in such a way that they sound old? D.I.E.'s the men you will never see is a re-release. I think i bought my copy on clone somewhere in the late nineties. Before that they had a couple of release on there own label (i can't remember the name of it). Also i don't think you can't call D.I.E. retro, they have been living isolated from the techno scene :) KJ
RE: (313) My take on Laurent Garnier
Wow give the guy a break, i mean i can understand a French Dj is not going to find to much favour in the UK, after centuries of disputes and all that but this is going to far. I had the pleasure of meeting him during a visit to Adelaide and he even managed to jilt me on gig i had arranged hastily for him to play it, but i'm not going to hold it against him. He's a decent enough guy and a great dj, i do remember him saying about hating the 'techno inteligencia' which category i think maybe some people fall under. I mean hes a great DJ but there is room for more great dj's with different styles. Oh and regarding running with the pack its easy to forget this pack is not that big, more like a few stray wolves - the pack is out there in the rb clubs, i try not to loose sight of the real enemies- those trash peddling programmers. Regards, Quest Pond
RE: (313) Re: cosmic
Hey - sorry for being really daft here but what is Cosmic? Is/was this a festival in Italy or a wacky club? If so where? and why? And what is the chicago references here? Just looking at all the pictures (impressive as they are) leaves me even more baffled. I dig that mix but then im a CBS junkie so its not far from my regular programming. Quest -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, April 23, 2004 7:26 AM To: 313@hyperreal.org Subject: (313) Re: cosmic Thanks for all this info on Comic music, guys. I find it fascinating. I know this is an obvious question, but does anyone have any recordings of these Baldelli/Mozart mixes? I would love to hear them, in any format. Hit me off list, if you'd prefer. Incidentally, the decoration in these nightclubs is pretty mindblowing. I love this picture of Baldelli and Moz Art with Grace Jones: http://www.discotecheafrofunky.it/immagini_baia_baldelli.htm e Date: Thu, 22 Apr 2004 11:00:29 +0100 To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) cosmic Message-ID: [EMAIL PROTECTED] om i've never been there at the garda lake because i was like 10 years old at the time, but i've heard tapes and lots of stories :) me too! thanks very much for sharing. just downloading your mix now, looking forward to it! their instantly recognisable sonic trademark was this original use of the eq. not in a chicago / us kind of way where you go down to the bass level then bring back the treble or the other way round (this bass phatness fetishism only started in the late 80s in the us, or am i wrong?) but in a very psychedelic way where they fvcked with the midrange and treble and kind of turned the tracks inside-out, you really have to hear this to get the idea.. I've heard loads of stories that are pretty interesting. In particular Bill Brewster is off to interview Baldelli and Mozart, theres a thread about it here with a few great bits on info - check it out! 2nd page is interesting! http://www.djhistory.com/message_board/index.php?board=2;action=display;thre adid=1130 also, I have to point you to this picture. Check that Dj booth out, now THAT is cosmic http://www.discotecheafrofunky.it/immagini_cosmic_enzino.htm Kosmiche my friends, Kosmiche. Alex
RE: (313) the future (Red Planet)
Ahh i love to disagree with you Rob...again.:) I don't think so here there are art works in australia with strange beings and craft, don't ask me for details- sorry. These could be anything up to 40,000 years old. Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 21, 2004 9:21 AM To: Blackman, Ryan (UKEKT); [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) the future (Red Planet) Native americans were the first to depict UFOs in their art - there is also a history of African-American writing centred around the idea of the black man as a lost alien race. -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 21, 2004 3:12 PM To: '[EMAIL PROTECTED]'; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) the future (Red Planet) How can Journey To The Martian Polar Cap have absolutely anything to do with native American Indian issues? Red Planet titles are all about native American Indian issues *** Opinions expressed in this email are those of the individual and not Entergy-Koch Trading Limited or its affiliated companies. This email and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from the Company, are confidential and solely for the use of the intended recipient. It may contain material protected by attorney-client privilege. If you are not listed on the To or Cc lines of the original email (or are not the person responsible for delivering to an intended recipient), then you are not an intended recipient and have received this email in error. Any use by an unintended recipient is strictly prohibited. If you have received this email in error please notify the IT manager by telephone on +44 (0)20 7337 8300 or via email to [EMAIL PROTECTED], attaching this message. Please then delete this email and all attachments, and destroy any copies thereof. Thank you. *** # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) new kenny larkin album
Magic stuff quite sublime with some nice production escpecially in the bass end and still some of that old school detroity rawness showing through- this is what i had hoped to hear. Sound like a must buy- it can battle it out with the dynarec user input album and raiders of the lost arp for album of the year so far. Thanks Maarten. Regards, Quest Pond -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Thursday, April 15, 2004 8:34 AM To: 313@hyperreal.org Subject: (313) new kenny larkin album out in japan: listen here (with realplayer): http://www.cisco-records.co.jp/cgi/item_detail.php?qId=100326 (sorry.. just saw it now.. otherwise I would have put it in my previous post) Cheers, Maarten - http://www.morthenkiang.com/
RE: (313) new Mills
Maybe this is just because his 909 is white! -Original Message- From: Andrew [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 3:58 AM To: 313@hyperreal.org Subject: RE: (313) new Mills Sorry to pile in here...philosophy background coming into play ;-) Mills chose the symbolic colour of white as the vinyl colour in the design to represent an unknown destination in space and/or time This is actually justified conceptually by thinking about a situation where you are in space which is completely white - no other information is being received by you. You therefore have no sense of change in your environment other than your inner sense of space and/or time, and so in an limited sense these things cease to exist. Philosophically I call this a 'white room' scenario, actually a very interesting situation which highlights certain things about how we perceive and know anything at all. So there! Peace, Andrew
RE: (313) new Mills
Well if we're going back to the old ways i'm hoping next we might see HM hood and mills return one day. Personally this is some of my favourite stuff from him. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 2:30 AM To: 313@hyperreal.org Subject: (313) new Mills just read the following on littledetroit.net there's a new Mills coming, and it's some follow-up to Growth! now there's a fierce record. I still remember where I was when I first heard that on a big system. what a track. conjured up visions of things in my head and all sorts. he's still talking a load of twaddle though - check the link. http://www.dancefrontdoor.co.uk/article2836.html alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) dutch stage on demf
And what about Mr Blanco - legowelt? I suppose that is more live, but his live show is impressive. Quest Pond -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: Thursday, April 01, 2004 12:59 AM To: 313@hyperreal.org Subject: RE: (313) dutch stage on demf and why am i not surprised.. -Original Message- From: Dr. Nutcracker [mailto:[EMAIL PROTECTED] Sent: woensdag 31 maart 2004 16:51 To: 313@hyperreal.org Subject: Re: (313) dutch stage on demf Why do I have the feeling I am missing some other essential and very influential Dutch artists alike Electronome for example? Because he performed on the Eyes-Only afterparty in '02? And he also didn't released much lately either... Dr. Nutcracker The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) Fwd: Palette Newsletter 004
Matt, Quite a crunchy/hard little number not quite up with voice stealer or the album but all Carl Finlow is 'must buy' in my book and this is no exception. Quest Pond -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: Thursday, April 01, 2004 2:23 AM To: matt kane's brain Cc: jason kenjar; 313@hyperreal.org Subject: Re: (313) Fwd: Palette Newsletter 004 On Mar 31, 2004, at 10:19 AM, matt kane's brain wrote: At 11:17 AM 3/31/2004, Matt MacQueen wrote: Carl Finlow.. there's a name i haven't heard in awhile... what's he been up to? God I still play Broken Mirror, 6 years later still sounds wicked He came out with a 12 on Electrix called Format Wars last year: http://www.discogs.com/release/164271 all matrix numbers aside, how about a little editorial anyone? i.e. - how does it compare to his other stuff.. solidified, progressed or regressed ;) cheers -- Matt MacQueen http://SonicSunset.com
RE: (313) Discogs.com question
If you have plenty of rare Theo and Moodyman listed you might win a big golden sheep. Quest -Original Message- From: Ralf Gill (healthAlliance) [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 30, 2004 5:30 AM To: 313@hyperreal.org Subject: RE: (313) Discogs.com question Wondering why would one want to put up a list of all the records in their collection if they weren't for sale? Does the person with the best collection win something or get receive greater functionality from the website? -Original Message- From: Lee Herrington IV [mailto:[EMAIL PROTECTED] Sent: Tuesday, 30 March 2004 4:36 a.m. To: 313 Subject: RE: (313) Discogs.com question i've been solicited on a few occasions. however, when i have attempted to negotiate a sale at a price that i am happy with, i have received no response. i think some folks just give up on ebay and GEMM and make an effort at acquiring rare titles from collectors online. cheers, lrh -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, March 29, 2004 10:09 AM To: 313@hyperreal.org Subject: (313) Discogs.com question I've started building my collection on discogs and just got an email from someone wanting to buy one of my records - is this common? None of my records on there are for sale, I just use the website as a back-up to my library database I have at home. So do people use Discogs alot to sell and trade? MEK
RE: (313) Discogs.com question
I only got mine up a few days ago, sure enough the next day I got the same sort of email. ,seems like more people will email you about your want list though. What i do find annoying is people saying i have this record 'from your want list' without naming a price, then when you ask its like 60 pounds or something- pffft. http://www.discogs.com/~questpond Regards, Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 30, 2004 1:09 AM To: 313@hyperreal.org Subject: (313) Discogs.com question I've started building my collection on discogs and just got an email from someone wanting to buy one of my records - is this common? None of my records on there are for sale, I just use the website as a back-up to my library database I have at home. So do people use Discogs alot to sell and trade? MEK
RE: (313) things
And one to find out which brand of bulbs Theo Parrish uses. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Saturday, 20 March 2004 3:44 AM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) things How many 313 listers does it take to change a lightbulb? Five One to check the catalogue number of the bulb One to argue that it ain't no bulb if ain't from da 'D. One to argue that European light bulbs are made better. One to moan about how lightbulbs aren't as good as they used to be. And one to get off his arse and change it himself. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 18, 2004 2:54 PM To: 313@hyperreal.org Subject: (313) things anyone got any good jokes? bet Rob Taylor's got some belters bursting to get out. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) samples
Also that paperclip people track that uses a track from liasons dangerous album. I can't be bothered looking it up now but don't think this one is listed. This list is getting to long maybe we should list all detroit music that doesn't use samples :) Maybe its important to list artists that dont sample music- i can't see any dexciya there. Also my opinion of some of these artists hasn't changed because they sample, there are some fine works here (goes without saying) and many of them are used in a creative way rather then being a rip-off or rb type remix. Quest -Original Message- From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED] Sent: Friday, 12 March 2004 8:53 PM To: 313@hyperreal.org Subject: Re: (313) samples for other discoveries.. http://www.forcefield.org/guide.html === Nomorewords.net IJplein 262, 1021 LR, Amsterdam The Netherlands http://nomorewords.net phn +31-20-494-5535 fax +31-20-494-5510 - Original Message - From: Robert Taylor [EMAIL PROTECTED] To: jurren baars [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, March 12, 2004 10:41 AM Subject: RE: (313) samples I didn't realise Fix - Flash was based round a Funkadelic/Parliament sample until very recently -Original Message- From: jurren baars [mailto:[EMAIL PROTECTED] Sent: Friday, March 12, 2004 8:34 AM To: 313@hyperreal.org Subject: (313) samples anyone else that can think of a record that's based on a sample, but used so well, that you don't identify it as a sample? _ Hotmail en Messenger on the move http://www.msn.nl/communicatie/smsdiensten/hotmailsmsv2/ # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Friday Question
Okay i cheat a bit cause i back/back my djs: I-F Drexciyian stingray Larkin vs Shake Live Act: UR vs Carl Craig + i have free drinks all night and belgium beers -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Friday, 12 March 2004 10:24 PM To: 313 Subject: (313) Friday Question You've got an unlimited budget and a great club/PA. Which 3 artists do you book to play back to back and which one live act do you go for? DJ Di'jital vs Shake vs Surgeon Reeko live Martin
RE: (313) ot: berlin clubs
Just checked www.techno.de which has a club night section i have used b4. Saturday at globus - looks like you cant go wrong here: Berlin Globus Finlandia Fresh Styles Approved Tour 2004 DJs: Daniel Bell, John Tejada, Todd Bodine Live: Lucien-N-Luciano Start: 23.00 Regards, Quest Pond -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Friday, 12 March 2004 1:11 AM To: 313 Subject: (313) ot: berlin clubs i have some friends over berlin at the moment who need some pointers on anything happening, techno-wise, over this weekend. can anyone help? cheers robin...
RE: (313) ot: berlin clubs
Oh and friday night WOW: Berlin Globus Der Tresor Wird 13 DJs: Juan Atkins, Rob Hood, Andre Galluzzi Start: 23.00 Damn you germany!!! :)- Now im unhappy. -Original Message- From: Quest Pond [mailto:[EMAIL PROTECTED] Sent: Friday, 12 March 2004 1:27 AM To: robin; 313 Subject: RE: (313) ot: berlin clubs Just checked www.techno.de which has a club night section i have used b4. Saturday at globus - looks like you cant go wrong here: Berlin Globus Finlandia Fresh Styles Approved Tour 2004 DJs: Daniel Bell, John Tejada, Todd Bodine Live: Lucien-N-Luciano Start: 23.00 Regards, Quest Pond -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Friday, 12 March 2004 1:11 AM To: 313 Subject: (313) ot: berlin clubs i have some friends over berlin at the moment who need some pointers on anything happening, techno-wise, over this weekend. can anyone help? cheers robin...
(313) Detroit equipment (was do you*)
I beg to differ in you saying 727 is OT . I think what you are mentioning is the true essence of detroit music- Classics like roland 101,303,808, 909 and 727. I noticed on that interview with Carl Craig he talks about his first track and how he only used alesis mmt8 and prophet 600 to knock it together, i though this interesting. I noticed nice pics of most of this equipment in the submerge museum thingy, So im taking it this is Detroit related thread. Any other Detroit equipment i don't know about? Quest Pond -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Wednesday, 10 March 2004 1:04 AM To: Peteri, Jochem Cc: 313@hyperreal.org Subject: Re: (313) Do You Know Who You Are (was RE: (313) what's your favorite track/album right now?) the 727 and the rz1 are both big faves of mine...(then again i just love any kinda drum machine) i guess we're kinda heading off topic now :) robin... Peteri, Jochem wrote: That 727 is classic, it´s one of those machines i´ll always keep hooked up in the studio. Another Chicago track I'd suggest as something to bridge the gap is Essence Of A Dream by K-Alexi - very Detroit strings on that one, and the TR-727 Latin Module drum machine on there is definitely more of a Detroit sound than a Chicago sound. Brendan The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) what's your favorite track/album right now?
Yes i was going to say dreamfish- an old favourite of mine, even if some of those sounds used were abused by nameless commercial offerings elsewhere and later. My all-time favourite FAX release is orange by Atom Heart. Also Fire's of Orc which is on Apollo I think co authored by Biosphere on rs sublabel its still nice. On that subject of Apollo does anyone know where i can get a copy of Model 500 - the passage on vinyl? I heard it on an old mix tape recorded from Claude Young when he lived in Adelaide, and its been bugging me ever since. Timeless peace or ambient. Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, 10 March 2004 1:41 AM To: Robert Taylor; Paul Kendrick; robin; Andrew Cc: 313@hyperreal.org Subject: RE: (313) what's your favorite track/album right now? He had a project with Mixmaster Morris called 'Dreamfish' on Rising High. I like it quite a lot, though some people might find it archetypal ambient noodle in places. Very long slowly developing tracks with quirky samples as you might expect from these two. Can anyone suggest good 313 ambient? Detroit Escalator Co would be an obvious one I suppose? Some of the UR tracks e.g.Big Stone Lake Every Dog Has It's Day Any others? At 02:30 pm + 9/3/04, Robert Taylor wrote: From Within came in 2 volumes. Silence with Dr Atmo is another good one. He also did some interesting stuff with Atom Heart, and with Tetsue Inuo (sp?). He was very prolific and subsequently his quality control was almost non-existent - some of his releases seemed to consist of just one tone played on a dusty old analogue synth for 60 minutes
RE: (313) first techno record
haha- mines probably pump up the volume if it can be called techno. I only really started collecting (real) quality techno music after i purchased b12 electrosoma. Before then i was just going out to listen to it. But way before then i always had early proto techno :- Krafwerk Yello Tangerine Dream/Froese (mad collector) Art of Noise (whos afraid of) Breakdance soundtrack (complete with breakdancing instructions- it's were i learnt the banana roll) :) The house sound of chicago/london, early acd bad italo (numero uno) cringe I would say the track that rewired my brain was close to the edit by art of noise- that crazy video clip of a chainsaw cutting up cars and funky beats. Regards, Quest Pond -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Friday, 5 March 2004 2:58 AM To: 313@hyperreal.org Subject: (313) first techno record Just out of interestWhat was the first techno record you bought ? Mine was Inner City - Big Fun double packed with an Album of remixes. 88 ?? Man that makes me feel old. Thnks Rav
RE: (313) first techno record
Here's you go: http://www.detroitbumps.com/breakin.ram Quest Pond -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Friday, 5 March 2004 5:04 AM To: Quest Pond Cc: 313@hyperreal.org Subject: Re: (313) first techno record But way before then i always had early proto techno :- Krafwerk Yello Tangerine Dream/Froese (mad collector) Art of Noise (whos afraid of) Breakdance soundtrack (complete with breakdancing instructions- it's were i learnt the banana roll) :) lol, i had this toocover versions and all, euw...hmm where did i put it robin...
RE: (313) RS Records mix
Haha great one- I noticed from your website listing the mix you got some info from Gabriel (v-agent)- An old friend and fellow dj from Adelaide. I would expect him to know such things :) Brings back some memories. Regards, Quest Pond -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Thursday, 4 March 2004 1:33 AM To: 313@hyperreal.org Subject: (313) RS Records mix I've been meaning to do this for a while, and finally got it done. Recording it wasn't a problem... finding all the info was! The mix features early works/appearances by some of today's successful producers -Richie Hawtin, Cari Lekebusch, Joey Beltram, Aphex Twin, Dave Clarke, Kevin Saunderson, Speedy J, DJ Hell, Ken Ishii and more... For more info, and to download the mp3 - go to the mixes page at www.gerald-matrix.com all the records are originally from 1989-92, and it's just over an hour long. here's the tracklist... Artist - Title 1 - Fred 1 - A1 2 - Equitek - Stylus Flight 3 - Source - Eclipse 4 - Second Phase - Vortex 5 - Mescalinum United - We Have Arrived [Aphex Twin qqt mix] 6 - Directional Force - Parameter 7 - Mundo Muzique - Albido 8 - Tronik House - The Savage Beyond 9 - Nexus 21 - Logical Progression 10- C J Bolland - It's All In The Mind 11- The Project - Do That Dance 12- GreyHouse - New Beats The House 13- Joey Beltram - Energy Flash 14- DJ Hell - My Definition of House Music 15- Project 86 - Total Recall 16- Space Opera - Space 3001 [Out Of Control mix] 17- Mental Overdrive - 12000 AD [The Warning] 18- The Aphex Twin - Digeridoo 19- Ken Ishii - Prodome Cheers! G -- www.gerald-matrix.com
RE: (313) theo pin sydney
He is playing 12-5 i hear- See you there! Quest Pond -Original Message- From: ed612313 [mailto:[EMAIL PROTECTED] Sent: Thursday, 26 February 2004 7:21 PM To: 313 Detroit Subject: (313) theo pin sydney damn. ive got myself a ticket,but im working from 7pm till 7am that night. ive begged all week for a 2/3 hr break in the middle so i can see him does any1 know what time he starts? thanks ed
RE: (313) London this coming weekend
Wow i wish i could still be shunning a selection like that! Dump your friends i say! Find some house club and follow closely behind, once the're safely through the door run like hell to Lost. -Quest Pond -Original Message- From: Brendan Gregoriy [mailto:[EMAIL PROTECTED] Sent: Wednesday, 25 February 2004 3:57 AM To: 313@hyperreal.org Subject: (313) London this coming weekend I'll be in London from Thursday to Sunday. Shopping-wise I will be looking primarily for second hand records (electro/techno/house/non-electronic stuff). Can anyone recommend some good second hands shops in or around central london? Also, anything else on Saturday night? other than Mills in Lost and Rolando/Villalobos in Fabric. I'll be with some friends who aren't all into techno... so i'd appreciate any information on all other events on Saturday night... any genre at all, so we can make up our mind. Apologies if this has been asked a million times before. Thanks, Bren. -- blah blah blah ** IMPORTANT NOTICE:** This transmission has been issued by a member of Sportingbet Ireland for the information of the addressee only. It may contain information that is confidential and/or privileged and should not be reproduced and/or distributed to any other person without the consent of SBI. If you are not the intended recipient please contact the sender and delete the e-mail from your system. E-mails are susceptible to data corruption, interception, falsification, delay, unauthorised amendment and viruses. SBI does not accept liability for any such events or any consequences there of in respect of e-mails sent, or received, by us and whilst we have taken every reasonable precaution to ensure that any attachment to this e-mail has been swept for viruses, we cannot accept any liability for any loss or damage sustained as a result of software viruses and would advise that you carry out your own virus checks before opening any attachment. In circumstances where the content of this transmission is important you should not rely on its integrity without verifying it by telephone or facsimile. Any communications transmitted by telephone, facsimile and e-mail to, or by, you may be accessed, recorded, monitored and/or made available to SBI.
FW: (313) Cybernetic Broadcast System... one crackhead's Eulogy
Yes matt is making a lot of sense here. I cant get my words together at this timeCBS is my life and its gone- just like that. I just need a replacement badly!! Can anyone suggest anything worth listening to streamingwise? Something on the electro or italio tip? Or maybe even detroit techno tip (god forbid). Not house please, im all housed out. Quest -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: Tuesday, 17 February 2004 3:28 PM To: 313 Cc: J. T. Subject: Re: (313) Cybernetic Broadcast System... one crackhead's Eulogy On Feb 16, 2004, at 9:41 PM, J. T. wrote: last time? which? that italo is too hyped? i dunno. guess i wasnt paying attention..too much dutch music politics to keep up with.. dr nutcracker should really sort it out for us...i heard things, like he is moving to berlin (or was it rome) but yeah...i dont really remember what i heard..but it sounded like he was serious about no more dj'ing. maybe he will get back in the studio and make some more angry music like superman, which i would welcome very much... yah JT.. that Superman track was nutzo! you gotta think, plus, keeping up a site like that up with a production schedule, equipment, constant squabbles/upgrades/fees and tweaks with your servers, hosting providers, other people you have to depend on to keep it up and humming properly.. it's exhausting. and expensive!Storage may be getting cheaper but bandwidth alway$ get$ ya end the end, yeeowch. When you have a site that gets nailed as much as CBS did, (OK, for a relatively small outfit such as those guys ran), you can bet there servers were getting a decent amount of of downloads and streams, all that fun stuff. So I'm thankful CBS lasted as long as it did, and maybe it will be revived someday. If not, maybe people can fan those awesome mixes out through the usual underground channels :) I-f has always had a flair for the dramatic, (esp. with announcements, public diss of Hell, etc.) but in true form he's still a major force in shaping underground dance music in his own dark wayl... and we're lucky to have him around in any capacity, IMHO. I have learned so so so much from Cybernetic Broadcast Systems and even before that the mixes he'd post from old crazy Intergalactic Gary tape edit mixes and italo fetishist stuff. and about italo being dead, or overblown, what!? pah!!If it ain't dead yet after 20+ years of weirdo collectors scouring it all.. it's not going to just up and die anytime soon.. I'd say by comparison, 'glitch' is rapidly approaching the terminally ill/boring stage, but that's just me :P If Italo (or whatever electro/disco variant you want to call it) gets more popular, it's just going to make the old school headz like Ferenc stronger and more of a Don in the end. And even if it blows up more, he'll keep burrowing deeper underground and cold-press some hard clear musical gemstones under all that pressure, while the rest of us Cocadisco the rest of the HOTT nights away.. I was just reading this article about Chip E who said italo was what the house guys were trying to copy/sample in early chicago jackin trax stuff, it was as much a blueprint to some of those guys as disco percussion was. So it's not like influences that important ever just evaporate or suddenly become uncool. People just stop making high profile CD compilations of it ;)It disappears into the mist of history.It appears as a backbeat, buried deep inside of a Purpose Maker track (I Remember). Shari Vari was a reply/answer to Kano's Holly Dolly!It all comes full circle, it's a snake eating it's tail and then puking up something better. In the big picture, Italo is a tiny tiny part of electronic dance music that most people who say they like Techno or House aren't even that familiar with.. so there's still lots of room for it's influences to keep sprouting new stuff. Ferenc is in many ways the flashpoint for a lot of that exposure, or at least championing it mightily in his own tracks and DJ sets. Speaking of new italo, some of those new Pigna records coming out of Italy are hot!! The Francisco tracks, and the Raiders of The Lost Arp tracks especially,, warm electronic dance techno, chugging analog basslines, top beats and beautiful electro melodies, count me in.. also you could argue the $tinkworx and Macho Cat Garage / Legowelt and etc. etc. are all connected in some way to that era... it's definitely living on. have i made utterly no sense yet?? Anyway, respect to I-f! whatever his reasons i think it's silly to just publicly speculate on what *might* have been his reasons.. hell it's his prerogative and I'm sure we've not seen the last of that madman... that you can bet on for sure. like william devaughn said: Be thankful for what you got! -- Matt MacQueen http://SonicSunset.com
RE: (313) what you listening to right now?
IT is run by BMG from ectomorph who has this mi address http://star67.com/ ©2002-2003 Interdimensional Transmissions, Inc. po box 8298, ann arbor, mi 48107, usa Rob i think your maybe thinking of the brilliant label Viewlexx. Which brings me to what i'm listing to now which is Cybernet broadcasting system http://www.cybernetic-broadcasting.net Regards, Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Wednesday, 28 January 2004 11:06 PM To: Odeluga, Ken; Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) what you listening to right now? GD Luxxe was rubbish at Sonar last year I thought Interdimensional Transmissions was Ferenc IF's label -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Wednesday, January 28, 2004 12:04 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) what you listening to right now? Snow Robots vol 3 ... some nice tracks, but I think I hate GD Luxxe. Gwendal Which GD Luxxe track do you hate and why? (I wuite like an EP of his which came out a couple of years ago but I passed on the LP. Also does anyone know if Interdimensional Transmissions (the label GDL's on) related to Detroit - maybe Keith Tucker and co? Cheers, k # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Ableton Live mixes
It seems one of many limitations of ableton, correct me if im wrong but these things irk me as these are things i automatically expected to be able to do. This is what you can't do: play mp3's be able to mix without having to put stupid markers into all tracks (unless its like banging 4/4) use both audo no midi play virtual instrument plugins I dont know who has time to put markers on all mp3 tracks especally with the clumbsy marker controls in ableton, not me. Quest Pond -Original Message- From: Ronny Pries [mailto:[EMAIL PROTECTED] Sent: Friday, 23 January 2004 2:07 PM To: '313' Subject: RE: (313) Ableton Live mixes i discovered ableton live a few days ago and have started to chop my vinyls into handy loops. it's really sick work but on the other hand i can't wait to add this to my vinyl/fs set. as far as i got it, most of you use ableton to play entire tracks with it? uhm, i can't open any mp3's here, you guys have got too much hd space for all the .wavs or ??? am i too dumb? cheers, ronny
RE: (313) Ableton Live mixes
Ah but my favourite sequencer is the yamaha rs7000, my point is you shouldnt need to load up bloatware like cubase to be able to play midi stuff. But anyway this is getting to techie to be on 313 i feel. Quest Pond -Original Message- From: kj at technotourist dot org [mailto:[EMAIL PROTECTED] Sent: Friday, 23 January 2004 2:34 PM To: Quest Pond Cc: [EMAIL PROTECTED]; '313' Subject: Re: (313) Ableton Live mixes On 24-jan-04, at 2:23, Quest Pond wrote: use both audo no midi play virtual instrument plugins Ableton is a rewire master and slave application AFAIK so you could play it along with your favorite sequencer... I dont know who has time to put markers on all mp3 tracks especally with the clumbsy marker controls in ableton, not me. Quest Pond -Original Message- From: Ronny Pries [mailto:[EMAIL PROTECTED] Sent: Friday, 23 January 2004 2:07 PM To: '313' Subject: RE: (313) Ableton Live mixes i discovered ableton live a few days ago and have started to chop my vinyls into handy loops. it's really sick work but on the other hand i can't wait to add this to my vinyl/fs set. as far as i got it, most of you use ableton to play entire tracks with it? uhm, i can't open any mp3's here, you guys have got too much hd space for all the .wavs or ??? am i too dumb? cheers, ronny
RE: (313) Ableton Live mixes/Namm
No don't stop because of me, just getting interesting i thought. And while im at it, did anyone else check out the interesting stuff at NAMM. Both Dj and music making equipment. http://www.fdiskc.com/usrsyn/namm/2004/ Quest Pond -Original Message- From: Martin [mailto:[EMAIL PROTECTED] Sent: Friday, 23 January 2004 2:40 PM To: Quest Pond; kj at technotourist dot org; '313'; [EMAIL PROTECTED] Subject: Re: (313) Ableton Live mixes 24/1/04 1:36 AM Quest [EMAIL PROTECTED] getting to techie to be on 313 i feel But isn't this where we are at - the future and technology, certainly beats people have a pop at Jeff Mills... Martin Dust
RE: (313) warprecords
i suppose if you are using final scratch to DJ its good to have reliable high quality rips, also some sites let you just download each track from am album so you don't end up with fillers kicking around, for 1$ its not much to pay if you only need 1 track. On that matter i never understand why people press albums like this anyway or 12vs. Why not put 100% good tracks on each release then people wouldn't question about buying releases or your labels. Quality controls are bad on a lot of labels although things are changing with stuff like downlow and pigna etc. Its good that now the market will change and now people will have to release good stuff as fillers just wont sell. I'm hoping more underground stuff goes the way of digital distribution. For us her in australia its getting to $$ to ship, wait and hope compared with having almost instantly. I would be buying if stuff if it is available. Someone mentioned it is too early for mp3 dj's, i disagree totally the djing is totally split now with FS and not FS dj's. There is just no way to compete with a dj with 10 days of selection and custom remixes, especially when you need to lug a huge box around and risk stuff being stolen. Things have changed already and there is no way to stop it,i think its a case of join in or loose out. Oh and another note- all those rare records you own that only got 100 releases well 2000 people have these now and can dj them, its easy to angry about this but i think there is now way to win the fight. Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 15 January 2004 11:52 AM To: 313@hyperreal.org Subject: RE: (313) warprecords Right, nice one Brendan - now I see. Was just wondering as I don't really have any mp3's or anything, or use the peer to peer (only because work won't let me I guess). _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) warprecords
Maybe im exaggerating a bit but my point i think is still valid. Actually thinking about it more, when cd's arrived everyone claimed the end of vinyl. Now maybe i fell for this for a bit, but not too long. Probably because there was still too many limitations for cd's to make them 100% okay for djs. IE: availability of new releases, pretty sleeves, easy of djing, street cred value etc. Now that things like FS exist it is really a further extension of the progression into digital that cd's failed to deliver to dj's. This time it is more irresistible because of speed of delivery, potential quality (can be higher then cd's), street cred value (laptop dj's) still look impressive :) and price. Quest Pond -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Thursday, 15 January 2004 12:40 PM To: Quest Pond; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) warprecords Oh and another note- all those rare records you own that only got 100 releases well 2000 people have these now and can dj them, its easy to angry about this but i think there is now way to win the fight. Quest Pond (Hey Quest!) This last point I can't quite see. - A major point about p2p etc is that on the whole, whilst they may have a wide range of tracks for download - in the areas in which we on this list are interested - the quality of such rips is generally not high, therefore whilst those '2000' djs (nominal number I know mate) might now have that rare track which you had to become a private detective to track down and a mortgage to buy, until 'legitimate' downloading services (like iTunes for instance) catch-up with the really specialist end, I can't see that FS, Traktor, Ableton etc folks have got the edge in our little area - unless they actually own the original vinyl ... I feel the real competition will start from people like iTunes when they ratchet up the sampling rate to 32 and even beyond. It will simply not be feasible I feel, for your soulseeks and limewires and kazaas to match that - at least for a while ... k
RE: (313) melodic techno
Nature and Pigna are putting out some hot stuff, my fav at the moment. Can't wait to get this one! Mario does amazing stuff. Quest Pond -Original Message- From: Katrin Richter [mailto:[EMAIL PROTECTED] Sent: Wednesday, 14 January 2004 3:19 PM To: 313@hyperreal.org Subject: AW: (313) melodic techno Check the new 'Raiders of the lost ARP' album on Nature. Very gentle. -Ursprüngliche Nachricht- Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Gesendet: Dienstag, 13. Januar 2004 18:39 An: 313@hyperreal.org Betreff: (313) melodic techno melodic techno I know someone asked the other day where is all the melodic techno now? well it just occurred to me that something I recorded this past week would probably qualify as melodic something, maybe electro more than techno? I don't know what you all consider to be the differences between the two. anyways, please listen and enjoy the following: www.emmrecords.com/~fux/fuxz__rehashed_melod33z.mp3 alternately, you can surf to www.emmrecords.com/~fux/web.php and download this audio plus anything else I'm currenly playing with... since none of its done, I encourage criticism and comments thanks, -Joe /0 [EMAIL PROTECTED] [EMAIL PROTECTED]
RE: (313) Techno clubs in Sydney
HAHA- Welcome to sydney- Yes Home is a complete joke for sure. Anyway forget techno clubs as they dont exist here, but i can say Madd Racket parties are okay for house type music with some detroit flavour sometimes, still i havent been to one for over a year as i've been in the UK. I think Simon's Hindle (list member) pub night on Saturday that Sofie, Simon and I played at would be one of the only techno gigs in town. This is sort of monthly though and not a club night. Other then that you might get the occasional one off parties. Like the ones My friends and I put on, Deepspace. Or maybe an international every now and again maybe one every 2 months. These are usually the same names eg. Herbert,Mills,May,Godfather, Garnier, Mills, May etc, only big 'been here' before 'sure bet' type things. Most people wont turn out on mass for local dj's so international nights are the only alternative. Except for deepspace parties :). The only reguar weekly techno gig 'technical' which closed last week. How long are they around for? Check here for events listings, but i think its pretty shaky at the moment except for big day out and aphex twin. Sydney is Generally pretty conservative in its music tastes and house music rules here. There is an underground movement here but its small at the moment. http://www.inthemix.com.au/whatson/?city=1 Regards, Quest Pond www.deepspace.net.au -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 13 January 2004 9:25 AM To: 313@hyperreal.org Subject: (313) Techno clubs in Sydney ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** A couple of friends are currently in Sydney are in need of some guidance (urgently !) They got guest-listed for Home said it was like being back at Camden Palace with Darren Emerson playing cheesy anthems from 95 ! Can anyone recommend any good techno nights going on out there at the mo? Thanks, G.
(313) Perspects
I was just nosing around the interdimensional transmissions site and noticed Perpects live pics- Possibly from a show in Detroit http://star67.com/gallery/gallery.php?g=bhm Did anyone here go?.. and what is that crazy drum synth hes using, looks like an interesting performace. I just really go for that raw synthetic sounds so more techy information please. Also they mention an album due.. any news? Quest Pond
RE: (313) Best of 2003 / Stasis
Ah fantastic- i would have put the new statis at the top of my list also if i had it. How are the unrelaeased tracks? I know the old ones and the are amazing. Quest Pond -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Sunday, 21 December 2003 9:21 PM To: 313@hyperreal.org Subject: Re: (313) Best of 2003 *** Maarten Baute Awards 2003 *** ;) best upcoming artist: aroy dee best new label: ann aimee best radio show: matt macQueen and dave siska - clinically inclined Radio Show - http://sonicsunset.com/ best mixes: alex bond the salford house association / theo parrish live @ culture club, ghent best jokes (we got at least one person laughing with these): 1. jeffrey van moortel - (in dutch) hoe oud moet je zijn om in frankrijk een tatou te mogen laten zetten? - tatou-age 2. maarten baute - (in dutch) - wat staat er op het antwoordapparaat van bert (van bert ernie). - ik ben er-nie 3. jeffrey van moortel - (in dutch) hoe noemt men de stuurman van een schip? - de boter 4. jeffrey van moortel - (in dutch) ober, er groeit klimop in mijn haar. (tested in the lunch garden in ghent) 5. steve mareyt - (in dutch) wat kreeg het blinde meisje voor haar 18de verjaardag? - kanker records of the year (more or less in order): 01. stasis - past movements [ peacefrog pfg046lp ] (3x12) 02. aroy dee - goddess [ mos 0001 ] 03. as one - so far (so good) ... twelve years of electronic soul [ ubiquity urlp133 ] (3x12) 04. 3 chairs - all over [ 3 chairs 04 ] 05. larry heard - loosefingers ep [ alleviated ml2221 ] 06. cim - do not multiply models [ ann aimee ann-cd2 ] (cd) 07. larry heard - where life begins [ trackmode tmlp046 ] (2x12) 08. aroy dee - kiss / the planets ep [ nwaq 03 ] 09. yesterdays new quintet - stevie vol.1 [ ibo001 (white) ] (lp) 10. pitch black city featuring roberta sweed - runaway [ mahogany 003 ] 11. the detroit experiment - s/t [ planet e pe65272 ] (2x12) 12. nu era - some think electronic version 1.0 [ twisted funk tf1203 ] (2x10) 13. esther phillips - anthology [ soul brother ] (2x12) 14. pub - surgery [ ampoule 007 ] 15. alex cortex - inwards [ ann aimee lp001 ] (2x12) 16. arne weinberg - romantic machinery [ headspace 014 ] 17. rusty waters - rotating assembly [ sound signature 017 ] 18. larry heard - space jungle [ track mode 045 ] 19. cim - noki bay ep [ ann aimee 002 ] 20. moodymann - silence in the secret garden [ peacefrog pfg036 ] (2x12) 21. arne weinberg - cupola ep [ keynote gz010 ] 22. n´dambi - tunin up cosignin [ soul brother lpsbpj15 ] (2x12) 23. yotoko - wet ink [ delsin 42dsr/ytklp1 ] (2x12) 24. charles webster - remixed on the 24th of july [ peacefrog pfg037lp ] (2x12) 25. dan curtin - distort.archive.desire [ down low 010 ] 26. n´dambi - call me (yam who reworks) [ dam1 (promo) ] 27. $tinkworx - los gatos lloros [ delsin 43dsr/$tw2 ] 28. aztec mystic - aguila [ underground resistance 059 ] 29. further details - volume one [ real soon 001 ] 30. low res - 5 [ aim records 100-5 ] (7) 31. pepe bradock feat. michelle weeks - distorted echoes [ kif sa 032 ] 32. roy ayers - searching (the africa 70 version) [ rapster rr0026ep ] 33. moodymann - silence in the secret garden (album sampler) [ peacefrog pfg032 ] 34. madlib - shades of blue [ blue note 7243 5 36447 1 0 ] (2x12) 35. georg levin - in your car [ sonar kollektiv 007 ] 36. amp fiddler - love war ep [ genuine 016t ] 37. theo parrish - friendly childeren [ sound signature 018 ] 38. $tinkworx - drexion caves [ keynote 008 ] 39. kemit sources - play [ versatile 028 ] 40. hugh masekela - mama (metro area mix) [ verve ] 41. erykah badu - worldwide underground [ motown motb739lp ] (lp) 42. andrés - lp [ mahogani 5lp ] (lp) 43. the congos - congoman (carl craig edit) [ honest jon´s p5 ] 44. basic bastard - cruising / shortcut 2 [ ignitor 02-7 ] 45. robert hood - omega [ peacefrog pfg043 ] 46. rhythm sound feat. jah batta - music hit you [ burial mix 013 ] (10) 47. john arnold with amp fiddler - get yourself togheter [ ubiquity ur12137 ] 48. moodymann - shattered dreams (private pressing) [ peacefrog pfg041 ] 49. manmade science - times and senses [ philpot 003 ] 50. tread - 3 [ third ear 3elp6 ] (2x12) 51. reggie dokes - a piece of afro ep [ psychostasia 005 ] 52. various - sjors pik n kut ep [ rockwell lp001 ] (lp) 53. the matthew herbert big band - goodbye swingtime [ accidental 05lp ] (2x12) 54. iz diz - unnnhhh [ classic cmc31 ] 55. pepe bradock - 4 / intrusion [ atavisme 004 ] 56. madlib - shades of blue (album sampler) [ blue note 877987 ] 57. jaylib - the official / the red [ stones throw sth2061 ] 58. alex cortex - ctrl ep [ ann aimee 001 ] 59. madlib - slim's return [ blue note bti53009 ] 60. shake - convalescence [ frictional 014 ] 61. krikor - pas de nom [ karat 09 ] 62. rei loci - the future is our time [ headspace 013 ] 63. lucky easy - pimp soul blister ep [ ann aimee 003 ] 64. charles webster - remixed on the 24th of july (dubs part 1) [ peacefrog pfg023 ] 65. robert hood - wire
RE: (313) Interview/Surgeon
I would like technical info (as always) like what processes go into producing his music: Is mastering in house? Other people involved in the processes of production? Processes used to create music- what approaches? Influences, techniques, influences, favourite equipment? My impression of surgeon is a solid understanding of frequencies and tones in music, does he agree and if so what does he attribute this to? Im not aware of much collaboration- why? (maybe this is not true?) Will he be following Luke Slaters lead anytime soon :) . Regards, Quest Pond p: +44 (0)1483 469 416 f: +44 (0)1483 469 408 w: http://www.aligned-assets.co.uk/ Aligned Assets Limited Bradstone Brook Christmas Hill, Shalford Surrey, GU4 8HR Aligned Assets The information contained in or attached to this message is the responsibility of the sender and is meant for the confidential use of the intended recipients. It does not necessarily represent the position of Aligned Assets. If you are not an intended recipient you are notified that you have received this communication in error and that review, dissemination or copying of this communication is prohibited. If you have received this in error, please notify us. -Original Message- From: ian cheshire [mailto:[EMAIL PROTECTED] Sent: 28 October 2003 10:05 AM To: Robert Taylor; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Interview/Surgeon I think counter balance is some of his best stuff.. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 28 October 2003 09:37 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Interview/Surgeon Yes! Tonnes! Force and Form Basic Tonal Vocabulary Magneze Badger Bite Muggerscum Out Balance Midnight Club Tracks most of his stuff in fact! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 28, 2003 9:33 AM To: 313@hyperreal.org Subject: RE: (313) Interview/Surgeon Maybe they are just referring to his abrasive style? gutted. I wanted juicy info. anyway, did he actually ever make a good record? I never heard one but then I haven't half his records. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring ## ## # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ## # --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.530 / Virus Database: 325 - Release Date: 22/10/03 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.530 / Virus Database: 325 - Release Date: 22/10/03
RE: (313) public life
Hey - thanks for putting on a great night- just so i dont get accused of being a club lurker and list lurker that is me in the #76 blue shirt looking real happy boogying on the dance floor and only after one vodka and cranberry ;). I managed to drag a few friends along who are more into trance music and they were blown away by the music on the night- great selections! and great vibe. Later i made it down to fabric to check out Fabrice Lig, Rolando and Steve Bug- i must say the 313 party was much better then fabric, there seems to be some bad crowd elements at fabric. Fabrice was doing the live thing with percussion accompaniments- very nice to hear this top class music in a commercial club. Rolando was spinning some Detroit classics and Chicago classics but wasn't quite as smoth as I have seen him b4 but still classic tracks. Steve bug was quite amazing for the small bit I heard him, funky as all hell, can't complain about Detroit options in this town. Anyway i will be checking out Ken and Toby's night this weekend at public life as scape1 is playing and because i plan to make the most of the UK before moving back to Sydney next month to help transfer the 313 vibe Sydney side. Nice to see all the 313 londoners again. Quest Pond -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 13 October 2003 11:14 AM To: Phonopsia; john harvey; 313 Subject: RE: (313) public life Thanks for the positive messages from everyone about Saturday's 313 party here in London - I think everyone involved can congratulate themselves on a job well done! As Tristan said, the venue was absolutely packed, and the dancefloor responded spectactularly. And to think that, at around 10pm, the venue was practically empty and I'd been seriously expecting the whole party to turn into a complete flop...! The football definitely had an effect on the time people arrived, though, and so only an hour later things were really getting going. I'd probably say that, if there was a point at which the night really kicked off (to stay on the football theme!) it was Matt Chester's devastating set at 11.30pm - the BPM and the volume were cranked up, much to the pleasure of the crowd. I was coming on afterwards and remember being quite worried about how I was going to sustain the energy Matt had built up! But luckily I managed not to completely kill the momentum and the scene was set for the rest of the party - Public Life stuffed full of people, from wall to wall, and each DJ that played dropping both classics and more obscure gems to an extremely responsive crowd. I only wish the night ran longer so that each DJ could have played a longer set; Ken, Dan, Toby, Tristan, Matt and Guy each did an amazing job, accomplishing the feat of delivering a programme of music where the BPM might go up and down over time but the energy on the dancefloor just keeps slowly building. It was also really good to meet even more 313ers who've previously just been names on a screen - big thanks to everyone who was able to make it down, and I hope you enjoyed the night even half as much as I did. I fully accept my half of the blame for the recording mess-up, of course, and I also have some of Tristan's adapters and a copy of someone's record to return (who lost a Network EP?). But it was very encouraging to see the 313 massive show its stuff in such spectacular fashion, to echo Tristan once again - and just *who* says the Detroit techno scene is on its last legs??? ;) We've got some photos from the night as well, which will be going online imminently. Thanks once again, to everyone who came down, and particularly to all of the DJs! I'm looking forward to the next one already! Brendan -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: 12 October 2003 12:49 To: john harvey; 313 Subject: Re: (313) public life - Original Message - From: john harvey [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Sunday, October 12, 2003 11:00 AM Subject: (313) public life great to meet everyone, really good night! fabric was good too. Good to meet you too John! I just got home after crazy birthday party shenanigans post-Public Life. I have much to report. First, it was a fantastic night. I don't think Public Life has been so rammed since NYE. WHO WERE ALL THOSE PEOPLE??? Regardless, the music was splendid all night, and the dancefloor responded (even if the nexus of activity seemed to be focus on the bar and the new barmaid ;). I have many pictures. I also have a recording. I also seriously f*cked the recording...
RE: (313) Recommend...
A quick look at the web site has shown up Dj 3000 - Somewhere In Detroit: Vol1 Cant go wrong with this one. I've been digging the AFX mixes for cash also. Regards, Quest -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: 12 September 2003 10:39 AM To: '313' Subject: (313) Recommend... OKIve got a unwanted gift CD from HMV, its worth £16.99. I went last night on my way home and try to get a refund on it only to be told that I cant have one (ill miss out the rest of the conversation, but I wasn't happy) All I can do is do a swap for another CD. So somewhat irate I looked around but couldn't find anything in the 10 mins I had before they shut. Planning on going again later...any recommendations for me that I can pick from the somewhat non specailist HMV Ps no looped bangers please :) On heavy rotation atm are the Emoticon Sampler, The Irma Soul in Motion comp and anything on Archive. So Deep Techno. Thanks In Advance. Rav
RE: (313) Spundae Chicago
I love some of Ken Ishii's early releases,minimal, funky and wierd, he is sort of like a Japanese style Dan Bell type in my mind. Unfortunately last time i saw him playing in Sydney expecting him to dig out 'garden in the palm' and 'Pneuma' style stuff, he bludgeoned me to boredom with 4/4 average house music instead. Does he always do this? Another legend disappoints... Quest Pond -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 11 September 2003 7:26 PM To: FC2 Richards Cc: '313@hyperreal.org' Subject: RE: (313) Spundae Chicago Ken is a Japanese techno artist who had worked with Inner City and does some pretty cool sh*t - has released several iK7 records (including an X mix) and used to be on RS, Reel, and Sublime you might know him as Flare MEK FC2 Richards [EMAIL PROTECTED]To: '313@hyperreal.org' 313@hyperreal.org .navy.mil cc: Subject: RE: (313) Spundae Chicago 09/11/03 04:47 AM o...Dave Ralph! MY Hero!! I'm just s sad that I can't get out of town this weekend, because I'd really like to waste my money and go see him! And who is this Ken Ishi guy? ;) Jeff -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, September 11, 2003 3:01 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Spundae Chicago Bloody Spundae Chicago! Anyone know how to stop those people from e-mailing their Spam? [EMAIL PROTECTED] on 11/09/2003 15:44:38 To: 313@hyperreal.org cc: Subject: (313) Ken Ishii in Chicago Ken Ishii is playing this Saturday (9/13) at Spundae in Chicago which is really cool but look who they've paired him up with Saturday 9/13: Ken Ishi, Dave Ralph Szmurlo and Sanchez *special birthday set* AND they spelled his name wrong - on the email flyer there is a picture of Ken with the same spelling of his name. What the hell is wrong with these people? they should stick with people like Tiesto or who ever DJ magazine readers end up picking as their top 5 DJs this year. oh, if you want to go to this, here is the info Vision Nightclub visionnightclub.com 640 N Dearborn Chicago, IL 10pm - 5am, 21+ to enter Tix Also Available at WANTICKETS.COM and Another Level MEK
RE: (313) Support Techno
Fantastic news Martin good on you. Can i please make one suggestion to improve on overload- can you please separate or allow to sort the club night/event listings by some criteria IE location and/or date. I and others that are geographically challenged (not my fault im Australian) have trouble finding event listings quickly or at all. Quest Pond -Original Message- From: Martin [mailto:[EMAIL PROTECTED] Sent: 04 September 2003 4:22 PM To: 313 Subject: (313) Support Techno Afternoon 313ers, This is a bit of a begging mail for your help, as many UK and European techno-heads will know, the boys at Overload have decided to call it a day - this site has I believe been vital in it's support of electronic music over the years and to lose the hard work and people would be a big blow to us all, I've lost count of the number of records and clubs I've visited because of this site :) So, the boys and girls at DUST have stepped in and have offered to continue the work the boys at Overload started. The site will run on it's own with dust playing no other part than paying the bills... We have a new URL, Loads of disk space and enough bandwidth to almost be pornographic! The format of the site will pretty much stay as it is, but if you have any new ideas, please shout. We'll have: Forums Links Radio Downloads Reviews Live Chat Movies I'm looking for help on writing reviews of gigs and records, and of course people to support the site by joining and posting. V1 of the site will be available next week, if you are interested in joining or helping support this project please drop me a line. Many thanks in advance Martin
RE: (313) Excuse my ignorance... pad sound?
I hate to bring this up but i totally disagree with Rob, I think too many interview are non technical. This might be quite controversial but I see little point about asking producers about the weather, politics and the club scene. Might it be the case that the main source of inspiration is racks full of funky analog equipment? Or a mad sound made by feedback loops? What is important is the music and how they made it, not what colour underwear they have. Personally i want equipment and methods, am i the only one who feels like this? Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 05 September 2003 12:43 PM To: Tom Churchill; Lee Herrington IV; 313 Subject: RE: (313) Excuse my ignorance... pad sound? I wondered what that meant - I've always read about lush pads in techno reviews, especially of Detroit sh!t. I hate the fact that many electronic music reviews assume you know all about the technology involved in making the music. -Original Message- From: Tom Churchill [mailto:[EMAIL PROTECTED] Sent: Friday, September 05, 2003 10:40 AM To: Lee Herrington IV; 313 Subject: Re: (313) Excuse my ignorance... pad sound? hi folks. i've read the term, pad sound, from time to time on this list. could someone provide me with a definition of this phrase? In synthesiser terminology, a pad is a sustained, warm, string-like sound normally heard in long chords. Synthetic strings, basically... Cheers, Tom ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ###
RE: (313) Excuse my ignorance... pad sound?
Okay Rob - I apologise for being defensive. I like the techy speak in reviews, but it is not for everyone you are right. These reviewers need to walk a fine line here. Really my point is slightly related though really about interviews. I do think there should be more emphasis on the music and equipment and less on lifestyle in interviews with producers, I'm interested to see if anyone else agrees. Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 05 September 2003 4:49 PM To: Quest Pond; Tom Churchill; Lee Herrington IV; 313 Subject: RE: (313) Excuse my ignorance... pad sound? Not being a producer or a DJ, I couldn't give two figs how something is made, I just wanna hear it. Maybe I should give a sh!t but it bores me when I hear such talk. I wasn't talking about interviews anyway, I was talking about reviews and if I can't understand what the reviewer is referring to when he's talking about gates and flanges, I'm not going to get a good idea of what it sounds like. Not that I pay much attention to reviews anyway - I tend to just use them as a guide to what's out. -Original Message- From: Quest Pond [mailto:[EMAIL PROTECTED] Sent: Friday, September 05, 2003 2:42 PM To: Robert Taylor; Tom Churchill; Lee Herrington IV; 313 Subject: RE: (313) Excuse my ignorance... pad sound? I hate to bring this up but i totally disagree with Rob, I think too many interview are non technical. This might be quite controversial but I see little point about asking producers about the weather, politics and the club scene. Might it be the case that the main source of inspiration is racks full of funky analog equipment? Or a mad sound made by feedback loops? What is important is the music and how they made it, not what colour underwear they have. Personally i want equipment and methods, am i the only one who feels like this? Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 05 September 2003 12:43 PM To: Tom Churchill; Lee Herrington IV; 313 Subject: RE: (313) Excuse my ignorance... pad sound? I wondered what that meant - I've always read about lush pads in techno reviews, especially of Detroit sh!t. I hate the fact that many electronic music reviews assume you know all about the technology involved in making the music. -Original Message- From: Tom Churchill [mailto:[EMAIL PROTECTED] Sent: Friday, September 05, 2003 10:40 AM To: Lee Herrington IV; 313 Subject: Re: (313) Excuse my ignorance... pad sound? hi folks. i've read the term, pad sound, from time to time on this list. could someone provide me with a definition of this phrase? In synthesiser terminology, a pad is a sustained, warm, string-like sound normally heard in long chords. Synthetic strings, basically... Cheers, Tom ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ### ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ###
RE: (313) jeff mills at lost yesterday + free mix
Lost was pretty cool night no doubt, great atmosphere, better venue then heaven, except for one thing. I was dancing around then i saw Jeff on the screen, went closer to the front and noticed he was actually wearing a different shirt to the video. The music was in time with the video and fader movements, so wtf was happening at the decks? Where they even on? Was that even Jeff there? At that point i and others felt cheated and just left. Now i knew nothing about this DVD thing, but as far as im concerned its just cheating and being *^*^* lazy. Why didn't they just put up a cardboard cut-out and play a DAT tape? Sorry but pre-recorded just doesn't cut it. Quest -Original Message- From: m a t t [d] [mailto:[EMAIL PROTECTED] Sent: 25 August 2003 7:01 PM To: 313@hyperreal.org Subject: (313) jeff mills at lost yesterday + free mix last night's Lost was fantastic as ever... john kennedy played one of the best sets I[ve heard him do, including attend 2 :) just wish he'd played #1 I would have exploded. plaid did a nice set of messed up electronica, but it didn't really move the crowd apart from some amazing techno oriented electronic power funk - if anyone knows what those crazy tunes he was playing are please let me know! :) steve bicknell played a good set, but mills was the star of the night - another amazing set, including playing exerts from his new dvd showing him mixing, and jeff was mixing live into it and back out again so for a while we were watching the projection of mills mixing up close :) the crowd were fantatic - really up for it - lots of great dancing at the front. we took some pix, check http://hoc.finevinyl.co.uk/lost some happy faces in there + a couple of jeff mixing. when we got back we didn't sleep but carried on partying - I played some techno and the mix has come out really well, so please have a listen and give me some feedback - it features some classics and some new stuff, can do a tracklist if anyone wants it. the mix is at http://hoc.finevinyl.co.uk/mix-2003-08-26-post_lost_techno_mix.mp3 about 109 meg in size. the box its hosted on is only 4 mbit, so my appologies if it's a tad slow. matt :) . [EMAIL PROTECTED]
RE: (313) jeff mills at lost yesterday + free mix
10 mins at a time hey?-well i didn't time it but i remember it being longer then that. Are you sure he was djing or just switching the video display off? How do you know? There was no camera on the decks and you couldn't see the desks way back and up on the stage. Quest -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 26 August 2003 1:08 PM To: Quest Pond; m a t t [d]; 313@hyperreal.org Subject: RE: (313) jeff mills at lost yesterday + free mix I don't understand why you felt cheated. They only showed the DVD twice for about 10 minutes at a time - Mills mixed into and out of the DVD segments live. The publicity claimed that Mills would be previewing his DVD and that's exactly what he what he was doing - he wasn't cheating. Only the DVD segments were pre-recorded - the rest was Mills mixing live, though it wasn't the most inspiring of sets -Original Message- From: Quest Pond [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 26, 2003 11:02 AM To: m a t t [d]; 313@hyperreal.org Subject: RE: (313) jeff mills at lost yesterday + free mix Lost was pretty cool night no doubt, great atmosphere, better venue then heaven, except for one thing. I was dancing around then i saw Jeff on the screen, went closer to the front and noticed he was actually wearing a different shirt to the video. The music was in time with the video and fader movements, so wtf was happening at the decks? Where they even on? Was that even Jeff there? At that point i and others felt cheated and just left. Now i knew nothing about this DVD thing, but as far as im concerned its just cheating and being *^*^* lazy. Why didn't they just put up a cardboard cut-out and play a DAT tape? Sorry but pre-recorded just doesn't cut it. Quest -Original Message- From: m a t t [d] [mailto:[EMAIL PROTECTED] Sent: 25 August 2003 7:01 PM To: 313@hyperreal.org Subject: (313) jeff mills at lost yesterday + free mix last night's Lost was fantastic as ever... john kennedy played one of the best sets I[ve heard him do, including attend 2 :) just wish he'd played #1 I would have exploded. plaid did a nice set of messed up electronica, but it didn't really move the crowd apart from some amazing techno oriented electronic power funk - if anyone knows what those crazy tunes he was playing are please let me know! :) steve bicknell played a good set, but mills was the star of the night - another amazing set, including playing exerts from his new dvd showing him mixing, and jeff was mixing live into it and back out again so for a while we were watching the projection of mills mixing up close :) the crowd were fantatic - really up for it - lots of great dancing at the front. we took some pix, check http://hoc.finevinyl.co.uk/lost some happy faces in there + a couple of jeff mixing. when we got back we didn't sleep but carried on partying - I played some techno and the mix has come out really well, so please have a listen and give me some feedback - it features some classics and some new stuff, can do a tracklist if anyone wants it. the mix is at http://hoc.finevinyl.co.uk/mix-2003-08-26-post_lost_techno_mix.mp3 about 109 meg in size. the box its hosted on is only 4 mbit, so my appologies if it's a tad slow. matt :) . [EMAIL PROTECTED] ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ###
(313) Alexander Kowalski's (was RE: (313) thanks, y'all)
I don't know much of his stuff but i did happen to catch him live in Hamburg a few months ago. Damn fine live set with the microphone and live vocoding. One of the more impressive live sets i have seen. Funky sounds also. Quest -Original Message- From: Dennis DeSantis [mailto:[EMAIL PROTECTED] Sent: 13 August 2003 5:25 PM To: 313@hyperreal.org Subject: (313) thanks, y'all Thanks everyone for the flurry of suggestions. I came home and my box was stuffed. Now, to bring it back on topic: Alexander Kowalski's new album |response| is coming out soon on Kanzleramt. It's fantastic. Go buy it. -- Dennis DeSantis www.dennisdesantis.com
RE: (313) Technics MK5's
At a guess, the pots that control the voltages for the pitch might have been coroded or loose giving a poor connection which could cause inconsistant voltage and hence speed for the slider. I think replacing the sliders would include the pots fixing the problem. Quest -Original Message- From: FC2 Richards [mailto:[EMAIL PROTECTED] Sent: 29 July 2003 8:22 AM To: 'Jonny McIntosh'; Langsman, Marc; 313 Subject: RE: (313) Technics MK5's I have had that happen to me on a friends set of 1200's. They are a set from about 10 years ago, and they have only done that once. Technics are Technics...I'll take any set I can get my hands on. Jeff -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Monday, July 28, 2003 2:15 PM To: Langsman, Marc; 313 Subject: Re: (313) Technics MK5's I'm not sure if these are the new Technics I used in Liverpool (Scott?) but something very weird happened with the pitch at one point. Basically it started wavering all over the place. When I mixed out, which was like mixing out of a badly drummed disco record, the new record was at about -6, which was not right at all but prior to that I thought I'd maybe had a wee bit too much to drink. I've heard other people have experienced similar things (Tristan?). Personally I'd buy a mkII. J - Original Message - From: Langsman, Marc [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Monday, July 28, 2003 10:24 AM Subject: (313) Technics MK5's Didn't know these existed until I saw the posts here today... Has anyone used these badboys yet ? Some 'interesting' sounding features : Stylus Kick Cancel and Anti-Skip [??] Arm-end Scale for Quick Weight Setting [??] High Grade Audio Cable in Arm [do they sound noticeably diff now?] ... I notice theres still no mention of detachable phono cables tho - grr ! Peace, marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) 10 days off mixes
I'm disappointed ,the three best sets from the fantastic Ghent party, namely I-F's and Dj Stingray and DJ 3000's sets are missing!!! Its a crime. Damn good party(s), some nice people and a great city. Respect to Ghent. Quest -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: 28 July 2003 11:07 AM To: 313@hyperreal.org Subject: (313) 10 days off mixes hi all, for a limited time the mp3'd mixes of some of the 10 days off stuff (Metro Area live, included) is available on the _emotion electric_ site at: http://people.man.ac.uk/~zzcgurp/extra Note: the mills, carl craig and bone radio1 stuff will also soon be taken down to make way for some new mixes. robin...
RE: (313) Re: Good Life
Oh oh this is version i heard either recloose or Juan play last year and have been wondering about ever since. Thats one classy remix.. So understated. Quest -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: 18 July 2003 11:33 AM To: 313@hyperreal.org Subject: Re: (313) Re: Good Life K Alexi and Gene Hunt played here friday night and Gene Hunt played a white label 'Good Life' remix I'd neve heard before -- jazzy breakbeats, the vocal with loads of echo, very sparing use of samples of the original. What the eff was that? i wonder if this was the same version stacey pullen played in melbourne a few weeks ago - sounds like it might be. it was pretty cool. p There was a bootleg I got last year (or maybe the year before) that has a jazzy remix of Good Life on it, with trippy Japanese? vocals in it. It says 'Schumacher Good Life and Paul Hardcastle - King Tut on one side and Keiji Shimazaki - Under the Moon on the other. I've heard Doc Martin and Francois K play it out before... Here is a .rm sample courtesy of planetX: http://www.planetxusa.com/pub/audio/djram/2001/93856.ram yep i id'd this when kent asked about it.kaori i also posted the discogs.com ref wicked wicked tune robin
RE: (313) Best lines to the DJ
Great time to mix into UR- kamikaze , me thinks. Quest -Original Message- From: MM [mailto:[EMAIL PROTECTED] Sent: 16 July 2003 4:34 PM To: Langsman, Marc Cc: '[EMAIL PROTECTED]'; Jernej Marusic; 'Robert Taylor'; 'Martin'; '[EMAIL PROTECTED]'; 'Dennis DeSantis'; '313' Subject: Re: (313) Best lines to the DJ yea that is almost as good as the time when we had our friend jon williams (organised noise) play here in like 95...he was just banging the hell out of old circuit breaker tracks and seawolf, UR acid rain 3 , stuff like that...and this kid asked him to stop right now (he was messed up)and turn it all offnow this was in a warehouse at around 3:00am with like 1500 people... jon told him no, he was doing his thing... so the kid took a running start and jumped over the turntables and tried to grab the monitors behind him and put his own head into them, and knocking one of the turntables overneedless to say the music did not stop cause the record was playing on the other turntable, and i am not sure what ever happened to that kid;-) michael www.renegaderhythms.com Langsman, Marc wrote: Sounds like you were well in there !! .. and with a girl with possible turntablist abilitities... I wouldn't have been complaining ;) Peace, marc -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, July 16, 2003 3:48 PM To: Jernej Marusic Cc: 'Robert Taylor'; 'Martin'; '[EMAIL PROTECTED]'; 'Dennis DeSantis'; '313' Subject: Re: (313) Best lines to the DJ i was playing a club one time mostly techno, and this girl came up to me, and told me that it ( i assume she ment the music) needed more scratching in it, and then asked me to step aside so she could show me how to do it when i asked her what records she planned to use ( i always like to let them think they might have a chance with their requests) she said oh it looks like you have enough for US to play all nightthen she got mad cause she actually thought i was gonna let her scratch my records.it was pretty funny michael www.renegaderhythms.com Jernej Marusic wrote: I also don't DJ (well sometimes with laptop), just do live acts. Once I was playing on chill out floor in a club and I started my set with mostly glitchy/ambient stuff, and after ~30min someone comes to me and starts complaining that it's about time for some beats to come in. The weirdest gig I had was playing at new years party of Slovenian ministry of culture. I got all weird kind of requests. The funniest one was a girl that came to me and asked me if I could play something more danceable, like foxtrot :) Jernej www.soundoflj.com/octex -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 16. julij 2003 12:07 To: Martin; [EMAIL PROTECTED]; Dennis DeSantis Cc: 313 Subject: RE: (313) Best lines to the DJ I'm not a DJ but I have heard of the following enquiries: Can you play something with more breakdowns? Have you got anything more uplifting? Play some Meatloaf (OK - that was me but I was only joking - or was I?) -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) 313 Weekend in London
I think both dj's who only play techno and dj's who mix it are both valid approaches. Its just a style thing and this is some dj's style and they are good at it and can get away with it while some dj's i would prefer to hear play techno all night because this is what they play best. Neither is wrong, and really i can enjoy both just depending on what i feel like. I think the important thing is going to see a DJ's interpretation of the music and as long as its done tastefully and i'm in the mood for it then fine by me. Also techno doesn't haven't to be all 4/4 tyranny, there does exist techno without 4/4 beats. One more spanner in the works here-maybe peoples interpretation of dance music and or techno can differ from their exposure depending on their age and locality so its going to be impossible to come to a general consensus. Its all good if its good. Quest
(313) 10 day off festival
Anyone off to the ten day fesitval in Ghent?. Just booked my tickets. Monday's day off festival looks like the detroit day with mr de and dj 3000. More info at
(313) RE: 10 days off festival
Sorry email hiccups that was meant to be: http://www.10daysoff.be/ Just have to keep in my habit of sending badly typed and misspelled emails to this list. ;) Quest Pond
(313) 313-know
Hi, Does anyone have the mailing address to subscribe to the 313-Know list please? Thanks. Quest Pond
RE: (313) for London 313ers Blake Baxter
This sounds cool but i think im going to Miss Kitten, Ellen Alien and Andy Weatherall on saturday instead. Ahh the choices!! Anyone else headed to this gig? Quest -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Thursday, May 29, 2003 5:01 PM To: 313@hyperreal.org Subject: RE: (313) for London 313ers Blake Baxter Oh yeah - this is tomorrow night isn't it! I had forgotten about that... Any London 313ers who plan on going fancy meeting up in a nearby pub for some drinks beforehand? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 29 May 2003 17:01 To: 313@hyperreal.org Subject: (313) for London 313ers Blake Baxter I'm not associated with this but it landed in my hotmail box MEK ::RETRO_VERT 003:: ::VENUE:: THE ROCKET. 166 HOLLOWAY ROAD.LONDON ::DATE:: FRIDAY MAY 30TH 2003.10PM-6AM. ::LINE UP:: BLAKE BAXTER - DJ AND LIVE VOCALS!!! CROWNED THE PRINCE...
RE: (313) for London 313ers Blake Baxter
Anyone know what is blake playing lately? Prince or techno style or 'suit case at the door' style ? Quest -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, May 29, 2003 6:27 PM To: Quest Pond; 313@hyperreal.org Subject: RE: (313) for London 313ers Blake Baxter I would have liked to have gone to it cos both Alien and Kittin are fantastic DJs - not at all electrogash - they play a lot of German glitch like Kompakt and Perlon . Unfortunately no fun for me until Sonar! -Original Message- From: Quest Pond [mailto:[EMAIL PROTECTED] Sent: Thursday, May 29, 2003 4:28 PM To: 313@hyperreal.org Subject: RE: (313) for London 313ers Blake Baxter This sounds cool but i think im going to Miss Kitten, Ellen Alien and Andy Weatherall on saturday instead. Ahh the choices!! Anyone else headed to this gig? Quest -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Thursday, May 29, 2003 5:01 PM To: 313@hyperreal.org Subject: RE: (313) for London 313ers Blake Baxter Oh yeah - this is tomorrow night isn't it! I had forgotten about that... Any London 313ers who plan on going fancy meeting up in a nearby pub for some drinks beforehand? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 29 May 2003 17:01 To: 313@hyperreal.org Subject: (313) for London 313ers Blake Baxter I'm not associated with this but it landed in my hotmail box MEK ::RETRO_VERT 003:: ::VENUE:: THE ROCKET. 166 HOLLOWAY ROAD.LONDON ::DATE:: FRIDAY MAY 30TH 2003.10PM-6AM. ::LINE UP:: BLAKE BAXTER - DJ AND LIVE VOCALS!!! CROWNED THE PRINCE... ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ###
RE: (313) Here we go....
Start by trimming off the excess bits of vinyl around the label. This bit is mostly useless and contains wavy lines and fuzzy noise. Next you need to boost your laser power of the cd player to read the new cd sized vinyl as its denser then normal cd. Try maybe 500Volts instead of the usual 240v for your cd player. Now your you can place the vinyl in the cd player and its ready to play no problem Quest -Original Message- From: Data General [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 5:21 PM To: Grammenos, Peter Cc: 'Rob Theakston'; 313 list Subject: RE: (313) Here we go yeah? name one. On Thu, 1 May 2003, Grammenos, Peter wrote: -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:10 PM To: 313 list Subject: RE: (313) Here we go it's a good idea, considering that no one has come up with an idea to transfer vinyl onto a CD yet. PG Huh? There are lots-of-ways to do this...
RE: (313) Juan at Lost
Juan didn't play techno that i noticed - it was more deepish house in keeping with what alex mentioned and pretty similar style to the last two sets i heard him play - one in Sydney and another in Grenoble last year. Sounded very tight. Rob hood was very hard playing lots of his own stuff, techno no mistaking this. At one point he mellowed out and dropped some old Djax like Majic Feet which was a highlight but then soon after back to 4*4 banging. Actually come to think of it i spent more time upstairs as Mr Weatherall was playing some storming electro. Detroit, dutch and UK mixed all up. All up a fantastic selection of music. Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Friday, April 25, 2003 2:46 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Juan at Lost From what I've been told, he played quite a hard techno set and his mixing was tighter than usual -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, April 25, 2003 12:41 PM To: 313@hyperreal.org Subject: (313) Juan at Lost Did anyone see him at Lost? I'd be interested to know what sort of thing he was playing. every time I've seen him, he's played Martin Circus 'Disco Circus' which is a pretty camp record and stuff like Moodymann and also I've heard him play Liasons Dangeruses quite a few times too. Can you get away with this sort of stuff in the front room at Lost? Interested to know if anyone went Alex _ - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, print or rely on this e-mail. PricewaterhouseCoopers LLP is a limited liability partnership registered in England with registered number OC303525. The registered office of PricewaterhouseCoopers LLP is 1 Embankment Place, London WC2N 6RH. All partners in PricewaterhouseCoopers UK Associates A are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ## ###
RE: (313) London Easter Saturday
I think this qualifies, what more do do we need? Can' wait for this one. LOST EASTER SUNDAY 20th APRIL NEW LOCATION STEVE BICKNELL will be joined by a host of highly reputable djs/producers including - JUAN ATKINS (METROPLEX, DETROIT) ROBERT HOOD (M.PLANT, DETROIT) ANDREW WEATHERALL (LONDON, U.K) FUMIYA TANAKA (JAPAN) more t.b.c. FURTHER INFO email:[EMAIL PROTECTED] 020 7791 0402 www.lost.co.uk Quest Pond -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, April 10, 2003 3:28 PM To: '[EMAIL PROTECTED]'; Brendan Nelson Cc: 313@hyperreal.org Subject: RE: (313) London Easter Saturday The list's very own Tristan Watkins is playing at Adult Youth Club @ The Cricketers, Northwold Road, Stoke Newington on Good Friday and on the Saturday, there is: Clever Music @ Public Life Saturday April 19th 2003 8pm-2am(ish) Outside Christchurch Spitalfields 82a Commercial Street London E1 6LY (Nearest tube: Liverpool Street) *** LINEUP: Jamie Thomson - Basic Level, Glasgow Mr. Thomson needs no introduction for all you regular OL's - he's behind the infamous Basic Level and Nurture @ Club 69 events (www.basiclevel.com) and is gonna entertain us with his finest hoose, techno electro. This is his debut London gig some come and support! Nick Craddock Nick's a bit of a hobo (that's a 'B'!) on the DJ front, having held residencies at both the Valvo and Public Heroes / Third Ear nights in London, as well as putting in appearances at Fabric, SEND, and a forthcoming slot at a novamute party at Plastic People. Expect a deep and minimal house set from him, to warm things up nicely. Mark-Henning Live- Clever Music Mashing up his own tracks and sampled favourites on an Ableton Live tip. Alex Stephen - Clever Music Spinning some deep trippy tech-house. Zistan - Clever Music Check out clever's Zistan performing his debut London set of funky techno. Visuals by circuit_c clevermusic.net - an online network promoting underground talent. [EMAIL PROTECTED] www.clevermusic.net Don't forget May and Kevorkian doing their Cosmic Twins thing at Crash in Vauxhall on the Thursday and Lost, with Rob Hood, Juan Atkins, Fumiya Tanaka, Andrew Weatherall, Andrea Parker AND Mark Broom at Heaven on the Sunday! A very very busy weekend! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 10, 2003 1:23 PM To: Brendan Nelson Cc: 313@hyperreal.org Subject: Re: (313) London Easter Saturday Greetings London 313ers, Any decent 313-related events on in your fair city on Easter Saturday or even Good Friday? Any info greatly appreciated... James ** ** ** The information in this e-mail is confidential and may be legally privileged. It is intended solely for the addressee. Access to this e-mail by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution, or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. Please note that emails to, from and within RTÉ may be subject to the Freedom of Information Act 1997 and may be liable to disclosure. ** ** ** Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) UR
Why not just repress the records, that will stop the bootlegging and we can all get a copy without feeling guilty. Quest
RE: (313) Planet E/Eevolute?
from eevolute website: Wladimir M. Wladimir founded the Eevo Lute label back in 1991 together with Stefan Robbers, and they worked together in Stefan's studio to produce some of the most peculiar output on the label. Later on, Wladimir developed poem skills, as well short live perfomances and releases with label mate Max404. he currently resides in Eindhoven (NL), and occupies himself with philosophical aspects of life and a small art gallery business. Regards, Quest Pond p: +44 (0)1483 469 400 f: +44 (0)1483 469 408 w: http://www.aligned-assets.co.uk/ Aligned Assets Bradstone Brook Christmas Hill, Shalford Surrey, GU4 8HR Aligned Assets The information contained in or attached to this message is the responsibility of the sender and is meant for the confidential use of the intended recipients. It does not necessarily represent the position of Aligned Assets. If you are not an intended recipient you are notified that you have received this communication in error and that review, dissemination or copying of this communication is prohibited. If you have received this in error, please notify us. -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Thursday, April 03, 2003 10:43 AM To: 313 Subject: Re: (313) Planet E/Eevolute? :-)) Wladimir M is from Eindhoven as well as far as I know, that's Western Europe - Original Message - -Original Message- From: Max Duley / ARCart [mailto:[EMAIL PROTECTED] Sent: 03 April 2003 10:39 Eevo 1 is by Florence (aka Stefan Robbers) but Eevo 2 is under the name of Wladimir M., does anyone know if this is actually Robbers under one of his many monikers (Terrace, Acid Junkies etc.)? I am almost totally convinced that Wladimir M is not Stefan but another guy (a poet from Eastern Europe I think)... Incidentally, I have Eevo 1 but I'm not sure if I've got Eevo 5 (Beyond Tomorrow?). If I did, might some trade action be in order? (it would take a lot for me to give up Eevo 1 though! :) Brendan
RE: (313) Planet E/Eevolute?
On this subject did anyone go to the party in Holland where Terrace played live earlier this year? If so how was it? Quest Pond -Original Message- From: Quest Pond Sent: Thursday, April 03, 2003 10:46 AM To: 313 Subject: RE: (313) Planet E/Eevolute? from eevolute website: Wladimir M. Wladimir founded the Eevo Lute label back in 1991 together with Stefan Robbers, and they worked together in Stefan's studio to produce some of the most peculiar output on the label. Later on, Wladimir developed poem skills, as well short live perfomances and releases with label mate Max404. he currently resides in Eindhoven (NL), and occupies himself with philosophical aspects of life and a small art gallery business. Regards, Quest Pond p: +44 (0)1483 469 400 f: +44 (0)1483 469 408 w: http://www.aligned-assets.co.uk/ Aligned Assets Bradstone Brook Christmas Hill, Shalford Surrey, GU4 8HR Aligned Assets The information contained in or attached to this message is the responsibility of the sender and is meant for the confidential use of the intended recipients. It does not necessarily represent the position of Aligned Assets. If you are not an intended recipient you are notified that you have received this communication in error and that review, dissemination or copying of this communication is prohibited. If you have received this in error, please notify us. -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Thursday, April 03, 2003 10:43 AM To: 313 Subject: Re: (313) Planet E/Eevolute? :-)) Wladimir M is from Eindhoven as well as far as I know, that's Western Europe - Original Message - -Original Message- From: Max Duley / ARCart [mailto:[EMAIL PROTECTED] Sent: 03 April 2003 10:39 Eevo 1 is by Florence (aka Stefan Robbers) but Eevo 2 is under the name of Wladimir M., does anyone know if this is actually Robbers under one of his many monikers (Terrace, Acid Junkies etc.)? I am almost totally convinced that Wladimir M is not Stefan but another guy (a poet from Eastern Europe I think)... Incidentally, I have Eevo 1 but I'm not sure if I've got Eevo 5 (Beyond Tomorrow?). If I did, might some trade action be in order? (it would take a lot for me to give up Eevo 1 though! :) Brendan
RE: (313) Online record shopping
Personally i have order and can recommend: www.vinylunderground.co.uk www.smallfish.co.uk www.formic.de and www.clone.nl. I have always wanted to use nuloop but the totally outrageous shipping cost makes it impossible. I have used groovetech in the past because they have great deals on shipping but if possible i would always support the independents. I find these stores have a good selection but i mostly order electro and a bit of older Detroit. I haven't ordered from rushhour but the instore selection of house music is quite tasty. Also is anyone going to Legowelt in london this weekend? Quest Pond -Original Message- From: Mark S. Krüx [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 26, 2003 10:29 PM To: Jered Stork; 313 Subject: Re: (313) Online record shopping I'll second that recommendationNuloop's selection and service are incredibly good. SHipping costs are outlandish but they got me my order in 36 hours Planet X is also VERY good. Peace, m* - Original Message - From: Jered Stork [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Wednesday, March 26, 2003 5:25 PM Subject: Re: (313) Online record shopping I know other record shop in france http://www.nuloop.com/home_e.php. They have nice up-to-date list of electro - techno and house, and classics and they also have real audio . You can choose between french and english language. Just have a look an you and you wil??? see. GREETINGS jered - Original Message - From: Brian 'balistic' Prince [EMAIL PROTECTED] To: Brent Kirkwood [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, March 26, 2003 5:28 PM Subject: (313) Online record shopping BK I would be happy to hear any recommendations from others on the list of BK online record stores that have an accurate stock list! A good BK selection is a nice bonus, but I value an up-to-date stock list most. http://www.planetxusa.com is decent. There's an indicator next to each record showing how likely it is to be in stock, and Real Audio samples of just about everything. The site works best in IE (certain things go flaky in Phoenix/Mozilla). My only complaint about them is that they don't seem as personalized as they were a couple years ago. They used to surprise me with random promo records, posters, t-shirts and the like (much as Submerge is known to do), but ever since they went Internet-only there's been less and less of that. I mean, yeah, it's not like I can complain about not getting free swag, but it's definitely one of the things that will keep me going back for more. - Brian balistic Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon.
RE: (313) 808 State
I think the 'ninety' album is worth checking out if only for the 'pacific 202' track. A classic chill out tracks and a fine example of early ninety's vibe. Quest -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: 13 December 2002 09:15 To: Mann, Ravinder [CCS]; '313' Subject: RE: (313) 808 State Try New Build (their first album, hard to find), Pacific State or Ex:El M. -Oorspronkelijk bericht- Van: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 13 december 2002 11:03 Aan: '313' Onderwerp: (313) 808 State Just been reading the Blake Baxter interview on Overloads and there seems to be an loads of references to 808 State in Detroit techno, so I like to hear some of thier material - which albums would you readers recomend ? thanks
FW: (313) [EMAIL PROTECTED] tonight: Ed DMX
There is also a mix set of his that can be listened to on the groovetech.com archives. Also on this subject is there any news of and decent 313 events closer to london in the next few weeks? I have recently relocated from Sydney to London and am not quite in touch with happenings. Quest Pond www.deepspace.net.au -Original Message- From: dj337is [mailto:[EMAIL PROTECTED] Sent: 12 December 2002 15:20 To: '313 mailing list' Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX Probably, no one needs to be told this, but Ed DMX is a mighty fine DJ. He really had the crowd enjoying themselves here in Detroit when he rolled through for the Ghostly International party celebrating the release of the excellent Disco Nouveau. I was stunned and very delighted to see the hardcore elite of the D singing along with don't you want me baby, don't you want me o? and slow dancing to Prince at the end of the night. Ed himself was fun to watch because when the spirit moved him and he really was feeling the tune, off came the headphones and he'd do the disco shuffle from side to side in the booth with his long hair exploding in motion around him and his fine, green sports tee (was it a Saucony?) At any rate, I'm jealous and would love to go to this event. For free no less. If you have the chance, don't miss it. You'll leave with a big smile on your face if it's anything like the show we were treated to here in Detroit. Thanks again Sam, that was a quality evening. Leslie Rollins -Original Message- From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 5:20 AM To: 313 mailing list Subject: (313) [EMAIL PROTECTED] tonight: Ed DMX Quick post to remind anyone in the Midlands of the UK that at Sunglasses At Night tonight (our last event of 2002) we have special guest DJ Ed DMX (of DMX Krew/Computor Rockers/Rephlex/Breakin'/Gigolo etc fame). Entrance is FREE, the event runs 8pm-midnight, the drinks are cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM
(313) [SYD-AU] deepspace surgery party this Saturday 19th October
For all 313 members in Sydney: A detroit Techno, Electro party this weekend in Katoomba Blue mountains. This Saturday two DeepSpace DJ surgeons will be slicing, stitching and mixing some sexy electro with three others in the post operative recovery room of the Gearins Hotel, Katoomba. Several nurses have been trained specially to assist throughout the procedure, and a priest will be on hand just in case. The surgeons are: Phil Chan [DeepSpace, Southern Outpost Records] Quest from [DeepSpace] N-Zed Dave [Beef, Technikal] Mamafox [Surgery] Admission is from 10pm and costs $10 at the door. Lighting design by bullbar. Sound by blazon. Take the weekend off. Accommodation is available at the Gearins Hotel, at a reduced rate if you mention surgery. Phone 47824395 to book accommodation. Check http://www.ozemail.com.au/~qpond/surgeryemail.jpg for flyer and more info. Regards, Quest (www.deepspace.net.au)
Re: (313) Hawtin in Melbourne - ride needed
Don't expect too much from him, i have seen ritchie about 4 or more times and he is nothing like he used to be. I even went to melbourne on nye 2 years ago just for this gig and loved it. I Saw him in sydney on wednesday and he played really boring and dare i say almost progressive bouncy loop techno and not even the good stuff. He went quite hard on the chiche mid range sweeps on the allen and heath mixer. Since when did ritchie hawtin smile??? What is going on? too much ibiza? This is coming from a die-hard former ritchie hawtin fan. Im not the only one complaining also. Beware!!! Quest On Fri, 27 Sep 2002, kent christopher wrote: This Yank techno-dweeb could use a ride from St. Kilde out to the venue if anyone from the city has a spot. Looking forward to dancing my ass off for the duration of Richie's set. Email me or call/SMS 040703 6164. -Kent http://www.midwestbass.com/kc --
RE: [313] vinyl press
I checked out the Vestax and because of the cost of replacing the saphire stylus which only lasts a limited number of records each record worked out to be 40$ australian (20us). This doesn't include buying the machine just the cost of the blanks and the stylus. Quest Pond -Original Message- From: seth ... [mailto:[EMAIL PROTECTED] Sent: 13 March, 2001 7:39 To: 313@hyperreal.org Subject: [313] vinyl press can't remember who wanted this but, there's a competitor to the vestax one... I don't know how they're supposed to shape up but here's a url: http://www.mixmachines.com/products/kingston.html it seems like a lot to ask of a technics to put up the kind of torque to cut vinyl (even special vinyl or whatever) but I'm still interested... there's a cottage industry just waiting for the first record shop to buy one of these, or the Vestax, and churn out dubplates for all their wannabe DJ / producer customers. seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Kraftwerk
This is Kraftwerk (as in Kraftwerk 1) not 2. Looks like you have the rare record buyers mismatched cover version :) Quest -Original Message- From: Tom Robbins [mailto:[EMAIL PROTECTED] Sent: 28 February, 2001 22:38 To: 313 mailing list Subject: [313] Kraftwerk Couple of questions: 1. Went to see this record dealer the other week and, apart from picking up a 12 of Shannon 'Let The Music Play' for just £2 (bargain!), I bought a mint copy of 'Kraftwerk 2' for £4 (another bargain!). Or at least, I thought I did: when I got the record home and pulled out the vinyl, I noticed that the tracklisting on the centre sticker didn't match that on the album sleeve. Instead of 'Klingklang' etc, I have a 4-tracker on Philips with 'Ruckzuck', 'Stratovarius', 'Megaherz' and 'Vom Himmel Hoch', all credited to Ralf Hutter and Florian Schneider-Esteban. So the question is, what the hell have I got here? And does anyone have any background info on the record? (He sells via the web and had a couple more copies left if anyone's interested - mail me for contact info). 2. Has anyone heard Gayle San's record on Black Nation? I, like many others I suspect, had her down as a known trance offender, but I'll hazard a wild guess that this record isn't trance if it's on BNR. So what's it like? BTW, the Dedbeat weekender was fantastic - I'll post a review sometime this week. Anyone else from the list make it? C-ya, Tom MF - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[Syd, Aus] Deep Space
Hi all, Sorry to use this mailing list for shameless promotion. This is the next instalment of Deep Space for Sydney siders. Quest Pond Deep Space Where: Frontier Nightclub 2G Roslyn St, Kings Cross, Sydney- Australia 10pm til Late $10 entry@ Door ID required What: underground techno, house and electro from the farthest reaches of space (with a high Detroit content). When: Friday 02 March 10PM till late. Guests FAX (Flash) ZOOTIE (Mad Racket Deep End) Residents Patrick HAF (Southern Outpost, Dark Energy) XXX (Space Container) Quest Pond (Adl/Syd)
Sutekh in Sydney @ Frigid on Sunday!!
Well i've been waiting a while to see this guy! Oh and BTW im not the promoter. -Quest From SBS site: SUTEKH DIRECT FROM USA SUB BASS SNARL / SIR ROBBO LIVE - SUTEKH (USA) Sutekh hails from San Francisco and runs the Context label as well as releasing tracks for Drop Beat, Force Tracks (the [EMAIL PROTECTED] compilation), an album on Force Inc titled Periods Make Sense, Mille Plateaux (a track on Clicks Cuts), Source, and Tektite. He'll be playing live and also doing a long DJ set which will cover his minimalist techno and experimental work.
RE: [313] Rolando
Yup! Saw his Sydney concert and this was truly amazing!!. I would say 95% of people were dancing all though the set. A smth mix of classic UR and new techno and not scared to get a little dark at times and certainly no grilled cheese. A few highlights for me was kwerk numbers during a short electro tip, and final frontier. Technically he was near perfect- fast on those EQ's. He goes near the top of my all time fav dj's. Quest -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 15 August, 2000 1:45 To: 313 Detroit Subject: [313] Rolando Did anyone go to check out DJ Rolando in Sydney and Adelaide? I heard they were amazing. Peace Cyclone - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] intro
Well hi ya Phil... Good to see your getting things grooving up there. Quest Friend from Sydney -Original Message- From: Phil Chan [mailto:[EMAIL PROTECTED] Sent: 25 July, 2000 19:11 To: 313@hyperreal.org Subject: [313] intro hi all, i've just signed up and am doing the introduction thing. i'm phil chan, an australian living in seattle. i play and produce techno/electro and am 1/3 of a label called southern outpost (http://www.southernoutpost.com) - hi patrick. i know it's not the most polite thing to advertise an event in the introduction email, but if there are people in the north-west then you know about the lack of techno nights in seattle and may be interested in the following event that some friends here and i are doing in seattle. ...beneath the surface... an evening of techno and tribal experimentation w/ special guest OLIVER HO (UK - Meta / Blueprint / Surface) additional harmonic tension _crafted under the sublime guidance of: tobias (CA - st) phil chan (AU - southern outpost) brahman (US - gr0k studios) iron monkey (US - gr0k studios) - more to be announced... hi again, phil. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
