AW: (313) Don't watch that, watch this!

[Kalle]

Jaw lost forever ! this truly is unbeatable. 

-Ursprüngliche Nachricht-
Von: Greg Earle [mailto:ea...@isolar.dyndns.org] 
Gesendet: Freitag, 15. Juni 2012 10:44
An: 313@hyperreal.org
Betreff: (313) Don't watch that, watch this!

Drop what you're doing and watch this now.

Rhythim Is Rhythim - Strings Of Life live at Town  Country, Detroit 1989

http://www.youtube.com/watch?v=HE8x4EZgOos

Now pick your jaw back up off the floor.

- Greg

Re: AW: (313) the face may 1988?

[Alex Lugo]

Ah, thanks for that. I was thinking it was the same Yaz that sang Situation, 
Upstairs at Eric's. 



- Original Message 
From: t3cnipr0ne t3cnipr...@gmx.de
To: Alex Lugo alugo...@yahoo.com
Sent: Mon, June 14, 2010 11:03:06 AM
Subject: AW: (313) the face may 1988?

It's the singer named Yasmin Evans of a group called Yazz. She's
British. 
They had quite a hit with the only way is up.

Cheers,


-Ursprüngliche Nachricht-
Von: Alex Lugo [mailto:alugo...@yahoo.com] 
Gesendet: Montag, 14. Juni 2010 16:55
An: 313
Betreff: Re: (313) the face may 1988?

Who is that on the cover?



- Original Message 
From: Mike Brown m...@hyperreal.org
To: 313@hyperreal.org
Cc: list 313 313@hyperreal.org
Sent: Sat, June 12, 2010 2:56:07 AM
Subject: Re: (313) the face may 1988?

ohanakin ... wrote:
 Anybody know where this lives on the net ? i think its the issue that
 broke detroit to the european masses

http://www.backspinpromo.com/DetroitTechnoTheFaceMay1988.pdf

Re: AW: (313) the face may 1988?

[Robin Pinning]

You're thinking of, what was known over here as, Yazoo.

robin...

On 14 Jun 2010, at 16:16, Alex Lugo wrote:

 Ah, thanks for that. I was thinking it was the same Yaz that sang Situation, 
 Upstairs at Eric's. 
 
 
 
 - Original Message 
 From: t3cnipr0ne t3cnipr...@gmx.de
 To: Alex Lugo alugo...@yahoo.com
 Sent: Mon, June 14, 2010 11:03:06 AM
 Subject: AW: (313) the face may 1988?
 
 It's the singer named Yasmin Evans of a group called Yazz. She's
 British. 
 They had quite a hit with the only way is up.
 
 Cheers,
 
 
 -Ursprüngliche Nachricht-
 Von: Alex Lugo [mailto:alugo...@yahoo.com] 
 Gesendet: Montag, 14. Juni 2010 16:55
 An: 313
 Betreff: Re: (313) the face may 1988?
 
 Who is that on the cover?
 
 
 
 - Original Message 
 From: Mike Brown m...@hyperreal.org
 To: 313@hyperreal.org
 Cc: list 313 313@hyperreal.org
 Sent: Sat, June 12, 2010 2:56:07 AM
 Subject: Re: (313) the face may 1988?
 
 ohanakin ... wrote:
 Anybody know where this lives on the net ? i think its the issue that
 broke detroit to the european masses
 
 http://www.backspinpromo.com/DetroitTechnoTheFaceMay1988.pdf
 
 
 

AW: (313) Questions for anyone running a vinyl only label

[riot_fuel_for_the_fire]

If I am not mistaken. Sound Signature, KDJ, Villalobos 
And sure some other peepz.

-Ursprüngliche Nachricht-
Von: JT Stewart [mailto:[EMAIL PROTECTED] 
Gesendet: Dienstag, 5. Februar 2008 17:53
An: Ronan Fitzgerald
Cc: Odeluga, Ken; 313@hyperreal.org
Betreff: Re: (313) Questions for anyone running a vinyl only label

does anybody run a vinyl-only label anymore? by choice? i don't know
of any vinyl-only labels off the top of my head, at least none that
aren't so small/esoteric that they just haven't tackled digital stuff
yet...

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09:44
 

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09:44
 

AW: (313) let's make a year end list!

[riot_fuel_for_the_fire]

My favourite 2007 picks (12“ and Albums mixed – in no particular order)

Terrence Dixon - train of thought (yore)
Scott Grooves - only 500 ( Natural Midi )
Robert Owens  Ron Trent - Movin on (need 2 soul) 
Patrice Scott - Beyond Deep (Sistrum)
Andy Vaz - Humanized (Yore)
Workshop 02
Arne Weinberg - Styrax Leaves 004
One - Slowhouse
Orlando Voorn - High Tech Soul (Finest Blend Recordings)
Fingers Inc - I'm strong (Classic Cuts) 
Made up Sound - Sleepwalk (Subsolo)
Mr. White - You Rock me (Alleviated)
Black Jazz Consortium - Soul People's God's Promise (SPM-014)
 



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14:13
 

AW: (313) new xtrak release

[[---]]

Anyone heard the new .XTRAK (Todd Sines) release? It’s been a decade since
the last one and I am as much into this new one

As into everything he’s done on /TH City / Peacefrog around `95 ….

 

www.yore-records.com

 

 

 



-Ursprüngliche Nachricht-
Von: Thor Teague [mailto:[EMAIL PROTECTED] 
Gesendet: Montag, 30. April 2007 20:50
An: 313@hyperreal.org
Betreff: Re: (313) another new mix by me

beautiful!

On 4/30/07, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:




 very much enjoying this - definitely a sunny mix

 thanks Kent for hosting Tom's backyard hootenanny!

 MEK

 Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote on 04/30/2007 12:29:42
 PM:

  i wanted to make a more dancefloor mix, so this one is for when youre
  having a BBQ, a pool party, etc this summer and you want people to get
  down. lots of vocals and summer vibes on this one...
 
  http://www.cornwarning.com/tomcox/Thomas_Cox_-
  _Summer_Dance_Party_Mixx_04-30-07.mp3
 
  David Joseph You Can't Hide (Your Love From Me) [Larry Levan Mix]
Mango
 12
  Amp Fiddler Ridin' (Carl Craig 12 Edit) Genuine 12
  G.Q. Disco Nights (Rock-Freak) Arista 12
  Project Love Rescue P.B.I. 12
  Spandau Ballet Chant No.1 (I Don't Need This Pressure On) Chrysalis
12
  Recloose Dust Peacefrog 12
  Weeks  Co. If You're Looking For Fun (Master Dub Version) Salsoul 12
  Escort A Bright New Life Escort 12
  K.I.D. Hupendi Muziki Wangu?! SAM 12
  The Nick Straker Band A Little Bit of Jazz Prelude 12
  Omar-S The Maker Fxhe 2xLP
  Plastic Mode Baya Imperial Discomagic 12
  Suzy Q I Can't Give You More Atlantic/RFC 12
  Galaxy 2 Galaxy Hi Tech Jazz (Live Version) Underground Resistance 12
  Alicia Myers I Want To Thank You MCA 12
 
  thanks yet again to kent for the hosting. youre the man.
 
  tom



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AW: (313) better hop on those netlabel downloads

[rp]

I think there's quite a bit of misinformation going on there. As far as
i know Thinner wasn't contacted nor warned by the GEMA. Sebastian was aware of 
these circumstances and due to the recent GEMA developments on the digital 
domain he doesn't want to take any risks.

It's currently not the situation that the GEMA is hunting netlabels in order to 
shoot them down. I doubt they'll ever have the internal capacities to handle it 
like this. If you were member of the GEMA for many years with several requests 
such as i had, you know that the left hand doesn't know what the right hand's 
up to there. 

Netlabel owners have to watch out and prepare themselves. Clear the situation 
between you and your artists.

Now for the important part.

IF YOU'RE GEMA MEMBER AND NETLABEL ARTIST THERE'S SOMETHING YOU CAN DO TO 
IMPROVE THE SITUATION IF YOU WANT TO KEEP YOUR TRACKS ONLINE.

You can restrict your membership contract by limiting it to physically 
reproduced media only. This means that only hard media will be taken into 
credit by the GEMA. I was about to limit my contract this way in correspondence 
with GEMA authorities but decided to quit anyway.


Last not least i think we as Artists and netlabel owners should RISE AND 
PROTEST. It can't be that we have to suffer under an ancient system that keeps 
looking backwards. I believe that every artist should have the right to decide 
how his copyrights are being handled and i regard the situation as is as 
inacceptable.

Join the chant.

Ronny

This just dropped into my inbox from the netaudio group, directed to 
netlabel owners:
snip
=
The German Institution GEMA www.gema.de (German equivalent to RIAA)
will NOT allow GEMA Acts on Netlabels for free, because they will bill
your DOWNLOADS (12,5 european Cent per Download) for their protecting
rights, because these Acts are members of the GEMA organisation.

To all Netlabels of Switzerland:
ask your SUISA Organisation, if you have the rights to offer
downloadiong tracks of SUISA members.
I think, they have similar rules like the German Organisation GEMA.

Thinner was the first Netlabel, they receive a warning from GEMA, so
read this on mnml.nl:

http://www.mnml.nl/phpBB2/viewtopic.php?t=10615 
http://www.mnml.nl/phpBB2/viewtopic.php?t=10615

Ask your Acts, if they are registered members of the German
Institution GEMA. If yes, its the only way to sell this stuff for a
minimum price on internet (on your pages/shop section, Beatport etc.)
and announce/register this tracks with GEMA) or to delete it.

Its only allowed to stream Stuff of GEMA Members on the Original Page.

Its also NOT allowed to offer some Promo DJ-Mixes or Podcasts with
GEMA Stuff in it (without registration to GEMA).

Here are (sorry, only in German) a good information site about music
rights on internet:
http://irights.de/index.php?id=461 http://irights.de/index.php?id=461
http://www.urheberrecht.org/news/ http://www.urheberrecht.org/news/
snip

ugh.

  jeff

AW: AW: (313) better hop on those netlabel downloads

[rp]

btw, this topic should currently not be posted in any more public places. As 
said, the gema is not yet on the hunt, i also doubt they'll ever start doing 
it. But by providing false or personally interpreted information we're not 
going to get much further in the situation.

ronny

I think there's quite a bit of misinformation going on there. As far as
i know Thinner wasn't contacted nor warned by the GEMA. Sebastian was aware of 
these circumstances and due to the recent GEMA developments on the digital 
domain he doesn't want to take any risks.

It's currently not the situation that the GEMA is hunting netlabels in order 
to shoot them down. I doubt they'll ever have the internal capacities to 
handle it like this. If you were member of the GEMA for many years with 
several requests such as i had, you know that the left hand doesn't know what 
the right hand's up to there. 

Netlabel owners have to watch out and prepare themselves. Clear the situation 
between you and your artists.

Now for the important part.

IF YOU'RE GEMA MEMBER AND NETLABEL ARTIST THERE'S SOMETHING YOU CAN DO TO 
IMPROVE THE SITUATION IF YOU WANT TO KEEP YOUR TRACKS ONLINE.

You can restrict your membership contract by limiting it to physically 
reproduced media only. This means that only hard media will be taken into 
credit by the GEMA. I was about to limit my contract this way in 
correspondence with GEMA authorities but decided to quit anyway.


Last not least i think we as Artists and netlabel owners should RISE AND 
PROTEST. It can't be that we have to suffer under an ancient system that keeps 
looking backwards. I believe that every artist should have the right to decide 
how his copyrights are being handled and i regard the situation as is as 
inacceptable.

Join the chant.

Ronny

This just dropped into my inbox from the netaudio group, directed to 
netlabel owners:
snip
=
The German Institution GEMA www.gema.de (German equivalent to RIAA)
will NOT allow GEMA Acts on Netlabels for free, because they will bill
your DOWNLOADS (12,5 european Cent per Download) for their protecting
rights, because these Acts are members of the GEMA organisation.

To all Netlabels of Switzerland:
ask your SUISA Organisation, if you have the rights to offer
downloadiong tracks of SUISA members.
I think, they have similar rules like the German Organisation GEMA.

Thinner was the first Netlabel, they receive a warning from GEMA, so
read this on mnml.nl:

http://www.mnml.nl/phpBB2/viewtopic.php?t=10615 
http://www.mnml.nl/phpBB2/viewtopic.php?t=10615

Ask your Acts, if they are registered members of the German
Institution GEMA. If yes, its the only way to sell this stuff for a
minimum price on internet (on your pages/shop section, Beatport etc.)
and announce/register this tracks with GEMA) or to delete it.

Its only allowed to stream Stuff of GEMA Members on the Original Page.

Its also NOT allowed to offer some Promo DJ-Mixes or Podcasts with
GEMA Stuff in it (without registration to GEMA).

Here are (sorry, only in German) a good information site about music
rights on internet:
http://irights.de/index.php?id=461 http://irights.de/index.php?id=461
http://www.urheberrecht.org/news/ http://www.urheberrecht.org/news/
snip

ugh.

  jeff

AW: (313) deep lables

[TOKOMAK]

... emphasis, mojuba records, feel music, meanwhile

kind regards
don

-Ursprüngliche Nachricht-
Von: henrique casanova [mailto:[EMAIL PROTECTED] 
Gesendet: Donnerstag, 27. Juli 2006 00:14
An: 313@hyperreal.org
Betreff: (313) deep lables


hi there. my name is henrique, I been in the list before but now I was away 
for years. I would apreciate some help here. Im making a list of lables 
releasing deep stuff, detroit techno oriented but also near deep house and 
electro, musicaly. so I mean lables like Delsin, Headspace. can you brothers

grow this list for me?

Delsin, Digital Soul, Rush Hour, Headscape

and what about detroit lables? it seems many of them had stop pressing 
records. I still canot beliave Transmat is stoped but I'll make a new topic 
on this.

_
Acompanhe os desfiles do evento São Paulo Fashion Week. !

FW: AW: (313) berlin, berlin wir fahren nach berlin :)

[[EMAIL PROTECTED]]

 -Original Message-
 From: Emiliano Zani [mailto:[EMAIL PROTECTED] 
 Sent: 26 May 2006 08:41
 
 yep, can't wait to go there in August...
 I hope that *not* every Berlin dj will move to Ibiza, at summer ;) Em

Yes I too will be there at that time so if list members know of anything
special going on word us up and it might help me choose which weekend in
August.

Re: AW: (313) berlin, berlin wir fahren nach berlin :)

[Emiliano Zani]

yep, can't wait to go there in August...
I hope that *not* every Berlin dj will move to Ibiza,
at summer ;)
Em

- Original Message - 
From: Jason Brunton [EMAIL PROTECTED]

To: Paul Kendrick [EMAIL PROTECTED]
Cc: Southern Outpost [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, May 25, 2006 7:29 PM
Subject: Re: AW: (313) berlin, berlin wir fahren nach berlin :)


It was indeed, complete chaos around the time that Vilialobos was on-  
he looked like he had been DJing for about a month when I got there  
(around 6ish) and most of the people were pretty mashed- everybody  
was very friendly though and I really enjoyed the general vibe- it's  
def. the most hedonistic place I've been this year though :)


Jason


On 25 May 2006, at 09:20, Paul Kendrick wrote:

DJ Pete and Sound Hack going B2B were on before Carl Craig, Ricardo  
V  RS and were the best of the night in the Panarama bar. I only  
got to hear the first bit of Ricardo's set and it was ok but my  
friends who stayed did say he banged it out. The music was hard all  
night and right through until 9pm ish when RS came on and took it  
right down.


The vibe in the place was wicked, but I can imagine if you walk in  
to the middle of it, it may take a bit of adjusting to..hahah


I was having the best time to be honest

Shame you didn't like it.

-Original Message-
From: Southern Outpost [mailto:[EMAIL PROTECTED]
Sent: 24 May 2006 18:52
To: 313@hyperreal.org
Subject: Re: AW: (313) berlin, berlin wir fahren nach berlin :)

RE: AW: (313) berlin, berlin wir fahren nach berlin :)

[Paul Kendrick]

DJ Pete and Sound Hack going B2B were on before Carl Craig, Ricardo V  RS and 
were the best of the night in the Panarama bar. I only got to hear the first 
bit of Ricardo's set and it was ok but my friends who stayed did say he banged 
it out. The music was hard all night and right through until 9pm ish when RS 
came on and took it right down.

The vibe in the place was wicked, but I can imagine if you walk in to the 
middle of it, it may take a bit of adjusting to..hahah

I was having the best time to be honest

Shame you didn't like it.

-Original Message-
From: Southern Outpost [mailto:[EMAIL PROTECTED] 
Sent: 24 May 2006 18:52
To: 313@hyperreal.org
Subject: Re: AW: (313) berlin, berlin wir fahren nach berlin :)


Just got back from Berlin and all in all had a pretty good time.

Theo was really rockin it hard at the Weekend club, making love to  
the turntables and the eq. Nothing better than hearing Theo and  
seeing the sun come up over a 12th floor view of Berlin, really nice  
stuff.

To tell you the truth, I wasn't ready for what I was about to see at  
the Sunday night Panarama bar (Rhythm  Sound label party). Turned up  
around 7pm to hear Ricardo V banging it out to what seemed like a  
crowd of Saturday night drug fuelled leftovers. Went searching for  
the outside courtyard where RS were supposed to be playing, to no  
luck. Bouncer said that they had to move them inside and weren't  
going to start until 8 or 9pm. Maybe i'm getting old, but I just  
couldn't put up with the Villalobos bang bang and the chem'd up party  
people at Panarama Bar for another two hours, so unfortunately I  
missed out. Personally, just didn't seem like the right venue for RS.

Maybe next time I get to Berlin, I'll be more used to the party vibe  
there.

Peace,
Patrick.
--
Southern Outpost - Sydney.
Distribution: Clone, NL.
http://www.southernoutpost.com
Infiltrating your sound systems.
--




On 24/05/2006, at 3:39 AM, De Block, Mario wrote:

 was there too and enjoyed the relaxed atmosphere at berghain/
 panorama sunday afternoon. You'd just stumble accross Theo Parrish  
 and Carl C and Buzz Goree (who'll promote a truck at the
 next Love Parade btw; which lost dr Motte as director, something i  
 didn't seem to have caught through 313)

 for another few tips; I enjoyed being at the Tacheles spot too
 (where A Guy Called Gerald has his own studio) it's something like  
 a worn-out building full of alternative art/goa scenery,
 and graffiti rebellion - alas their terrace features Coca Cola  
 parasols (which is really sod if you criticize and take a stand  
 against majors through art at all of your four floors i
 guess)
 (read more about the site and the link with Gerald on http:// 
 super.tacheles.de/cms/kuenstler/abfrag2_detail.php?id=37)

 Next to Wee12kend Club (which featured Theo Parrish and Dixon
 saturday night and is located on the twelveth floor of a building  
 overlooking the Alexanderplatz) I heard great comments on
 Watergate too, it's down Kreuzberg (Falckensteinstrasse). Their  
 party listings impressed me anyway. I only found it strange and odd  
 that two third of the Wee12kend club just didn't take
 too much notice of the music and its deejays - the place is a  
 little ill-designed for that too as the speakers surround just a  
 small part of the floor

 And close to Watergate, at the same street, you got a gallery
 called The Aquarium (a spin-off of its London's homeground) that  
 features Jimmy Cauty's slightly subversive art for another
 few weeks from now.

 I passed by Tresor's former address too - the whole place's
 devasted by a massive building project which erases anything it has  
 been - for which i would like to question www.3leipziger.de
 if they'd plan to eventually leave a marking spot for memorizing  
 the club - in their basement or something. I think that's something  
 Tresor would be appropriately memorized with, though i
 don't know if the Bauwert building experts really (would) take  
 interest in that - i'd only hope so. Anyone who'd follow me for  
 that at www.3leipziger.de? ;)
 Mario

 Simon Hindle schreef:

 Yup, this weekend seems to be the bomb time to be in Berlin - a
 friend is over there at the moment. Theo on Friday, Weatherall on  
 Saturday and Rhythm  Sound + Tikiman live on Sunday.

 Damn!

 [EMAIL PROTECTED] 19/05/2006 6:45 am 
 hey B...

 you can get Theo Parrish there this weekend in Berlin.

 here's the data:

 20. Mai 2006 ab 23 Uhr
 Weekend, Alexanderplatz 5, Berlin-Mitte

 have fun !

 cheers
 dUb

 Hi list,

 i'm for some days in Berlin (this Saturday 20 - 23 May) and would
 like to
 know if somebody could give some hints where to find good discs  
 (new + 2nd
 hand), restaurants/bars, shoping etc... I was already in Hardwax,  
 WMF and
 Tresor (a bit too late now hehe) and that's all. Also parties  
 would be cool
 ! I heard about

Re: AW: (313) berlin, berlin wir fahren nach berlin :)

[Jason Brunton]

It was indeed, complete chaos around the time that Vilialobos was on-  
he looked like he had been DJing for about a month when I got there  
(around 6ish) and most of the people were pretty mashed- everybody  
was very friendly though and I really enjoyed the general vibe- it's  
def. the most hedonistic place I've been this year though :)


Jason


On 25 May 2006, at 09:20, Paul Kendrick wrote:

DJ Pete and Sound Hack going B2B were on before Carl Craig, Ricardo  
V  RS and were the best of the night in the Panarama bar. I only  
got to hear the first bit of Ricardo's set and it was ok but my  
friends who stayed did say he banged it out. The music was hard all  
night and right through until 9pm ish when RS came on and took it  
right down.


The vibe in the place was wicked, but I can imagine if you walk in  
to the middle of it, it may take a bit of adjusting to..hahah


I was having the best time to be honest

Shame you didn't like it.

-Original Message-
From: Southern Outpost [mailto:[EMAIL PROTECTED]
Sent: 24 May 2006 18:52
To: 313@hyperreal.org
Subject: Re: AW: (313) berlin, berlin wir fahren nach berlin :)

Re: AW: (313) berlin, berlin wir fahren nach berlin :)

[Southern Outpost]

Just got back from Berlin and all in all had a pretty good time.

Theo was really rockin it hard at the Weekend club, making love to  
the turntables and the eq. Nothing better than hearing Theo and  
seeing the sun come up over a 12th floor view of Berlin, really nice  
stuff.


To tell you the truth, I wasn't ready for what I was about to see at  
the Sunday night Panarama bar (Rhythm  Sound label party). Turned up  
around 7pm to hear Ricardo V banging it out to what seemed like a  
crowd of Saturday night drug fuelled leftovers. Went searching for  
the outside courtyard where RS were supposed to be playing, to no  
luck. Bouncer said that they had to move them inside and weren't  
going to start until 8 or 9pm. Maybe i'm getting old, but I just  
couldn't put up with the Villalobos bang bang and the chem'd up party  
people at Panarama Bar for another two hours, so unfortunately I  
missed out. Personally, just didn't seem like the right venue for RS.


Maybe next time I get to Berlin, I'll be more used to the party vibe  
there.


Peace,
Patrick.
--
Southern Outpost - Sydney.
Distribution: Clone, NL.
http://www.southernoutpost.com
Infiltrating your sound systems.
--




On 24/05/2006, at 3:39 AM, De Block, Mario wrote:

was there too and enjoyed the relaxed atmosphere at berghain/ 
panorama sunday afternoon. You'd just stumble accross Theo Parrish  
and Carl C and Buzz Goree (who'll promote a truck at the
next Love Parade btw; which lost dr Motte as director, something i  
didn't seem to have caught through 313)


for another few tips; I enjoyed being at the Tacheles spot too  
(where A Guy Called Gerald has his own studio) it's something like  
a worn-out building full of alternative art/goa scenery,
and graffiti rebellion - alas their terrace features Coca Cola  
parasols (which is really sod if you criticize and take a stand  
against majors through art at all of your four floors i

guess)
(read more about the site and the link with Gerald on http:// 
super.tacheles.de/cms/kuenstler/abfrag2_detail.php?id=37)


Next to Wee12kend Club (which featured Theo Parrish and Dixon  
saturday night and is located on the twelveth floor of a building  
overlooking the Alexanderplatz) I heard great comments on
Watergate too, it's down Kreuzberg (Falckensteinstrasse). Their  
party listings impressed me anyway. I only found it strange and odd  
that two third of the Wee12kend club just didn't take
too much notice of the music and its deejays - the place is a  
little ill-designed for that too as the speakers surround just a  
small part of the floor


And close to Watergate, at the same street, you got a gallery  
called The Aquarium (a spin-off of its London's homeground) that  
features Jimmy Cauty's slightly subversive art for another

few weeks from now.

I passed by Tresor's former address too - the whole place's  
devasted by a massive building project which erases anything it has  
been - for which i would like to question www.3leipziger.de
if they'd plan to eventually leave a marking spot for memorizing  
the club - in their basement or something. I think that's something  
Tresor would be appropriately memorized with, though i
don't know if the Bauwert building experts really (would) take  
interest in that - i'd only hope so. Anyone who'd follow me for  
that at www.3leipziger.de? ;)

Mario

Simon Hindle schreef:

Yup, this weekend seems to be the bomb time to be in Berlin - a  
friend is over there at the moment. Theo on Friday, Weatherall on  
Saturday and Rhythm  Sound + Tikiman live on Sunday.


Damn!


[EMAIL PROTECTED] 19/05/2006 6:45 am 

hey B...

you can get Theo Parrish there this weekend in Berlin.

here's the data:

20. Mai 2006 ab 23 Uhr
Weekend, Alexanderplatz 5, Berlin-Mitte

have fun !

cheers
dUb


Hi list,

i'm for some days in Berlin (this Saturday 20 - 23 May) and would  
like to
know if somebody could give some hints where to find good discs  
(new + 2nd
hand), restaurants/bars, shoping etc... I was already in Hardwax,  
WMF and
Tresor (a bit too late now hehe) and that's all. Also parties  
would be cool

! I heard about the one in berghain... looks good.

Any info welcome !

Please hit me back in private


Cheers,
B

Can be in English, German, French or Dutch



--

Mario De Block
Natuurinrichting/M.e.r./Beheerovereenkomsten PDPO
Agentschap voor Natuur en Bos
Buitendienst Antwerpen
Copernicuslaan 1 bus 7 te 2018 Antwerpen
Tel. 03-224 62 69Fax 03-224 60 87
E-mail: [EMAIL PROTECTED]

--

Sinds 1 april 2006 zijn de afdeling Natuur en de afdeling Bos   
Groen samengevoegd tot één agentschap:

Agentschap voor Natuur en Bos (ANB).

Re: AW: (313) berlin, berlin wir fahren nach berlin :)

[De Block, Mario]

was there too and enjoyed the relaxed atmosphere at berghain/panorama sunday 
afternoon. You'd just stumble accross Theo Parrish and Carl C and Buzz Goree 
(who'll promote a truck at the
next Love Parade btw; which lost dr Motte as director, something i didn't seem 
to have caught through 313)

for another few tips; I enjoyed being at the Tacheles spot too (where A Guy 
Called Gerald has his own studio) it's something like a worn-out building full 
of alternative art/goa scenery,
and graffiti rebellion - alas their terrace features Coca Cola parasols (which 
is really sod if you criticize and take a stand against majors through art at 
all of your four floors i
guess)
(read more about the site and the link with Gerald on 
http://super.tacheles.de/cms/kuenstler/abfrag2_detail.php?id=37)

Next to Wee12kend Club (which featured Theo Parrish and Dixon saturday night 
and is located on the twelveth floor of a building overlooking the 
Alexanderplatz) I heard great comments on
Watergate too, it's down Kreuzberg (Falckensteinstrasse). Their party listings 
impressed me anyway. I only found it strange and odd that two third of the 
Wee12kend club just didn't take
too much notice of the music and its deejays - the place is a little 
ill-designed for that too as the speakers surround just a small part of the 
floor

And close to Watergate, at the same street, you got a gallery called The 
Aquarium (a spin-off of its London's homeground) that features Jimmy Cauty's 
slightly subversive art for another
few weeks from now.

I passed by Tresor's former address too - the whole place's devasted by a 
massive building project which erases anything it has been - for which i would 
like to question www.3leipziger.de
if they'd plan to eventually leave a marking spot for memorizing the club - in 
their basement or something. I think that's something Tresor would be 
appropriately memorized with, though i
don't know if the Bauwert building experts really (would) take interest in that 
- i'd only hope so. Anyone who'd follow me for that at www.3leipziger.de? ;)
Mario

Simon Hindle schreef:

 Yup, this weekend seems to be the bomb time to be in Berlin - a friend is 
 over there at the moment. Theo on Friday, Weatherall on Saturday and Rhythm  
 Sound + Tikiman live on Sunday.

 Damn!

  [EMAIL PROTECTED] 19/05/2006 6:45 am 
 hey B...

 you can get Theo Parrish there this weekend in Berlin.

 here's the data:

 20. Mai 2006 ab 23 Uhr
 Weekend, Alexanderplatz 5, Berlin-Mitte

 have fun !

 cheers
 dUb

 Hi list,
 
 i'm for some days in Berlin (this Saturday 20 - 23 May) and would like to
 know if somebody could give some hints where to find good discs (new + 2nd
 hand), restaurants/bars, shoping etc... I was already in Hardwax, WMF and
 Tresor (a bit too late now hehe) and that's all. Also parties would be cool
 ! I heard about the one in berghain... looks good.
 
 Any info welcome !
 
 Please hit me back in private
 
 
 Cheers,
 B
 
 Can be in English, German, French or Dutch
 

--

Mario De Block
Natuurinrichting/M.e.r./Beheerovereenkomsten PDPO
Agentschap voor Natuur en Bos
Buitendienst Antwerpen
Copernicuslaan 1 bus 7 te 2018 Antwerpen
Tel. 03-224 62 69Fax 03-224 60 87
E-mail: [EMAIL PROTECTED]

--

Sinds 1 april 2006 zijn de afdeling Natuur en de afdeling Bos  Groen 
samengevoegd tot één agentschap:
Agentschap voor Natuur en Bos (ANB).

Re: AW: (313) berlin, berlin wir fahren nach berlin :)

[Simon Hindle]

Yup, this weekend seems to be the bomb time to be in Berlin - a friend is over 
there at the moment. Theo on Friday, Weatherall on Saturday and Rhythm  Sound 
+ Tikiman live on Sunday.

Damn!

 [EMAIL PROTECTED] 19/05/2006 6:45 am 
hey B...

you can get Theo Parrish there this weekend in Berlin.

here's the data:

20. Mai 2006 ab 23 Uhr
Weekend, Alexanderplatz 5, Berlin-Mitte

have fun !

cheers
dUb





Hi list,

i'm for some days in Berlin (this Saturday 20 - 23 May) and would like to
know if somebody could give some hints where to find good discs (new + 2nd
hand), restaurants/bars, shoping etc... I was already in Hardwax, WMF and
Tresor (a bit too late now hehe) and that's all. Also parties would be cool
! I heard about the one in berghain... looks good.

Any info welcome !

Please hit me back in private


Cheers,
B

Can be in English, German, French or Dutch

Re: AW: (313) berlin, berlin wir fahren nach berlin :)

[Carlos de Brito]

yep, i'll be there too.

btw: on saturday there's a redbullmusicacademy lecture with theo (and 
dixon, i suppose) at week-end club (alexanderplatz 5) from 17 to 20 h 
before the party.


the rhythmsound party at panoramabar (if the weather's good in the 
garden) on sunday starts at 12h noon, feat. ric villalobos, tikiman, 
soundhack and dj pete. a little bird told me that the very special 
guest from detroit will be CC!


see you there,
c*

Simon Hindle schrieb:

Yup, this weekend seems to be the bomb time to be in Berlin - a friend is over 
there at the moment. Theo on Friday, Weatherall on Saturday and Rhythm  Sound 
+ Tikiman live on Sunday.
Damn!



[EMAIL PROTECTED] 19/05/2006 6:45 am 

hey B...
you can get Theo Parrish there this weekend in Berlin.
here's the data:
20. Mai 2006 ab 23 Uhr
Weekend, Alexanderplatz 5, Berlin-Mitte

have fun !

cheers
dUb

AW: (313) berlin, berlin wir fahren nach berlin :)

[franky]

hey B...

you can get Theo Parrish there this weekend in Berlin.

here's the data:

20. Mai 2006 ab 23 Uhr
Weekend, Alexanderplatz 5, Berlin-Mitte

have fun !

cheers
dUb





Hi list,

i'm for some days in Berlin (this Saturday 20 - 23 May) and would like to
know if somebody could give some hints where to find good discs (new + 2nd
hand), restaurants/bars, shoping etc... I was already in Hardwax, WMF and
Tresor (a bit too late now hehe) and that's all. Also parties would be cool
! I heard about the one in berghain... looks good.

Any info welcome !

Please hit me back in private


Cheers,
B

Can be in English, German, French or Dutch

AW: (313) Track id

[TOKOMAK]

Hi R.,

it could be Ian Pooley - Numbers

maybe the Jazzanova RMX, check this one here

http://www.discogs.com/release/126

All the best
Thomas




-Ursprüngliche Nachricht-
Von: R. Vincent [mailto:[EMAIL PROTECTED] 
Gesendet: Montag, 3. Oktober 2005 06:05
An: 313@hyperreal.org
Betreff: (313) Track id

I would like to find out the artist and name of a track. It is
possibly entitled 'changes'...? It has female vocals that
repeat: 'changes, how things change' I remember Kenny Larkin
dropping it at Motor around '99. It is a housey soulful track
that almost sounds like it has a sample of birds chirping, but
not in a cheesy way...

Any help is much appreciated!

Re: AW: (313) Track id

[Ian Malbon]

On Oct 3, 2005, at 3:17 AM, TOKOMAK wrote:


Hi R.,

it could be Ian Pooley - Numbers

maybe the Jazzanova RMX, check this one here

http://www.discogs.com/release/126


I'm positive this is the track R. Vincent was looking for, but I was  
stunned to find how many compilations this has made it onto.


http://www.discogs.com/artist/Jazzanova

What's Your Number appears on something like 15 different CD comps  
and mixes.  My copies are Jedi's Night Out and Rootdown 99.  Both  
recommended.

--
Ian

AW: (313) Axis Wrist Sweat Bands

[rp]

cool, but they're not the first. i remember having a sweat band for snitzer  
mc coy's we will rock you release on superstition. 

http://www.axisrecords.com 

Is this going too far?

Re: AW: (313) Axis Wrist Sweat Bands

[Benoît Pueyo]

i almost bought the Axis tie at Sonar ...

very classy !

they had some nice performance shirts aswell hehe

--
Benoît.

[EMAIL PROTECTED] a écrit :
cool, but they're not the first. i remember having a sweat band for snitzer  mc coy's we will rock you release on superstition. 



http://www.axisrecords.com 


Is this going too far?

Re: AW: (313) Axis Wrist Sweat Bands

[matt kane's brain]

If you think this is bad, you should see the merchandise table at a Laibach 
show. Every conceivable piece of male dress can be made an official 
Laibach item. $50 for a tie. $100 for fez. BUT you can get your Laibach 
passport stamped for free.


At 03:44 PM 6/22/2005, Benoît Pueyo wrote:

i almost bought the Axis tie at Sonar ...

very classy !

they had some nice performance shirts aswell hehe

--
Benoît.

[EMAIL PROTECTED] a écrit :
cool, but they're not the first. i remember having a sweat band for 
snitzer  mc coy's we will rock you release on superstition.



http://www.axisrecords.com
Is this going too far?




--
/* Halley */ (Halley's comment.)
matt kane's brain
podcast | http://www.hydrogenproject.com | netradio | on-the-air
[EMAIL PROTECTED] || AIM: mkbatwerk

Re: AW: (313) Mike Huckaby

[Nathan]

FYI - don't know if it's still current cos it doesn't seem to have been 
updated lately, but on mike's site www.deeptransportation.com it says he has 
a show on cjam 91.5fm each monday 8-9pm.


www.cjam.ca archive the last 30 days, so can probably check out his program. 
i haven't had a chance to check it out yet, but thought i'd pass on for any 
one interested.


cheers

nath

- Original Message - 
From: Melody Ng [EMAIL PROTECTED]

To: 313@hyperreal.org
Sent: Thursday, April 14, 2005 8:58 AM
Subject: RE: AW: (313) Mike Huckaby



If anyone knows of any sets that are online... let us know. It's been a
while (3 years???) since that frequency detroit mix (which was more a
housey mix) 

RE: AW: (313) Mike Huckaby

[Melody Ng]

 If anyone knows of any sets that are online... let us know. It's been a
while (3 years???) since that frequency detroit mix (which was more a
housey mix)

-Original Message-
From: Erin Bate [mailto:[EMAIL PROTECTED] 
Sent: Thursday, 14 April 2005 07:59
To: 313@hyperreal.org
Subject: Re: AW: (313) Mike Huckaby

Huck is one of my favorite DJ's.and...He is NO secret out here in
Portland...infact I believe he should be here soon...within the next few
months..
~Erin

[EMAIL PROTECTED] wrote:

 huck is one of detroit best kept secrets. he's unfortunately secret 
 because it's impossible to adequately express his skills to those 
 outside of detroit who never get to hear him dj and only have his 
 small discography to go on.

 i will always remember huck for open set with joe claussell a few 
 years back. he was absolutely beating it! when clausell walked inot 
 the both i grabbed the promoter and offered to break clausell's arm so

 huck could keep playing. half the crowd left as soon as huck was 
 finished and in the words of one reveller 'i can go home now. huck 
 gave me what i needed tonight'










##
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solely for the addressee(s) and may be confidential and/or privileged.
If you have received this electronic mail in error, please delete it
from your system and kindly notify the sender. If you are not the
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Re: AW: (313) Mike Huckaby

[Jason Brunton]

If you are in the UK (or don't mind ordering from the UK) we have some 
of these left in stock at the moment



cheers

Jason


On 13 Apr 2005, at 15:54, [EMAIL PROTECTED] wrote:

great man from the D !!! very deep musical knowledge and pretty often 
the man in the background :)
released on Rick Wade's 'Harmonie Park' and runs also his own label 
Deep Transportation', which released 01 and 02 already.


btw: DT 02 is the only known picture 12 with a KDJ track on it ... 
great stuff not only for collectors!!!

... more info here: http://www.discogs.com/release/298778

you still should get it at some shops and I hardly suggest to get one 
of these, if you addicted to quality deep house from detroit


recently also re-released my personal favourite 'Jazz Republic' on 
french label 'Funky Chocolate'


irie
dUb

AW: (313) Mike Huckaby

[franky]

great man from the D !!! very deep musical knowledge and pretty often the man 
in the background :)
released on Rick Wade's 'Harmonie Park' and runs also his own label Deep 
Transportation', which released 01 and 02 already.

btw: DT 02 is the only known picture 12 with a KDJ track on it ... great stuff 
not only for collectors!!!
... more info here: http://www.discogs.com/release/298778

you still should get it at some shops and I hardly suggest to get one of these, 
if you addicted to quality deep house from detroit

recently also re-released my personal favourite 'Jazz Republic' on french label 
'Funky Chocolate'

irie
dUb 




 

Never heard this fella - isn't he from Detroit?
What's he like?
#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: AW: (313) Mike Huckaby

[yussel]

huck is one of detroit best kept secrets. he's unfortunately secret 
because it's impossible to adequately express his skills to those outside 
of detroit who never get to hear him dj and only have his small 
discography to go on.


i will always remember huck for open set with joe claussell a few years 
back. he was absolutely beating it! when clausell walked inot the both i 
grabbed the promoter and offered to break clausell's arm so huck could 
keep playing. half the crowd left as soon as huck was finished and in the 
words of one reveller 'i can go home now. huck gave me what i needed 
tonight'








On Wed, 13 Apr 2005 [EMAIL PROTECTED] wrote:


great man from the D !!! very deep musical knowledge and pretty often the man 
in the background :)
released on Rick Wade's 'Harmonie Park' and runs also his own label Deep 
Transportation', which released 01 and 02 already.

btw: DT 02 is the only known picture 12 with a KDJ track on it ... great stuff 
not only for collectors!!!
... more info here: http://www.discogs.com/release/298778

you still should get it at some shops and I hardly suggest to get one of these, 
if you addicted to quality deep house from detroit

recently also re-released my personal favourite 'Jazz Republic' on french label 
'Funky Chocolate'

irie
dUb






Never heard this fella - isn't he from Detroit?
What's he like?
#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent
those of Channel Four Television Corporation unless specifically stated. This 
email
and any files transmitted are confidential and intended solely for the use of 
the
individual or entity to which they are addressed. If you have received this 
email in
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: AW: (313) Mike Huckaby

[Erin Bate]

Huck is one of my favorite DJ's.and...He is NO secret out here in 
Portland...infact I believe he should be here soon...within the next few 
months..

~Erin

[EMAIL PROTECTED] wrote:

huck is one of detroit best kept secrets. he's unfortunately secret 
because it's impossible to adequately express his skills to those 
outside of detroit who never get to hear him dj and only have his 
small discography to go on.


i will always remember huck for open set with joe claussell a few 
years back. he was absolutely beating it! when clausell walked inot 
the both i grabbed the promoter and offered to break clausell's arm so 
huck could keep playing. half the crowd left as soon as huck was 
finished and in the words of one reveller 'i can go home now. huck 
gave me what i needed tonight'

AW: (313) Birthday greetings

[Katrin Richter]

It's my birthday today as welll How crazy is that?! Am 29 now.

Happy bday to you all cosmic brothers and sisters

Will be off to DEAF in Irland tonight, checking out Blake Baxter, the
legend... I love his old stuff he did on tresor in 1992 If any of you
shiney happy people go there, please hit me back asap

Peace
Kat




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 21. Oktober 2004 11:47
An: 313@hyperreal.org
Betreff: (313) Birthday greetings

Well, I'm off topic, but I'm past the point of caring.

Many Happy Returns to:

My Mate Bez (Last night) p.s. I met Bez's dad last night and he is the
world over 50's bog snorkelling champ. Beat that.

Greg Earle (today!)

Robin Pinning (tomorrow)

Me (tomorrow)

Danny Webb (25th) Danny's a lurker.

That is all.

Bye

Re: AW: (313) Birthday greetings

[alex . bond]

Happy bday to you all cosmic brothers and sisters

Hey, Happy birthday Kat! Enjoy your day.

Ahhh, the cosmic love.

Will be off to DEAF in Irland tonight

O. Send us a report! I read something in the Guardian at the weekend
about the DEAF, tried to find it on the site to post here, but couldn't
find it
Looks like a great event.

Alex


_

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telecommunications on its e-mail and
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to this e-mail you give your consent to such monitoring.

AW: AW: (313) Birthday greetings

[Katrin Richter]

Hey Alex and everyone,

I will report duely!!! I was there the last two years, it was one of the
most mindblowing experiences in my life which made me a true follower of the
Oirish scene! I love them. And their harwses!

Check www.deafireland.com

I posted this a while ago - and no one reacted on it, serious!!! I thought
there was some politics, and I am glad to hear it's not. So everyone must
have been sound asleep on that particular date!

Peace
Kat



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 21. Oktober 2004 12:02
An: 313@hyperreal.org
Betreff: Re: AW: (313) Birthday greetings

Happy bday to you all cosmic brothers and sisters

Hey, Happy birthday Kat! Enjoy your day.

Ahhh, the cosmic love.

Will be off to DEAF in Irland tonight

O. Send us a report! I read something in the Guardian at the weekend
about the DEAF, tried to find it on the site to post here, but couldn't
find it
Looks like a great event.

Alex


_

- End of message text 

Is your business ready for the new era of accounting? http://www.ifrs.co.uk


This e-mail is sent by the above named in
their individual, non-business capacity and
is not on behalf of PricewaterhouseCoopers LLP.

PricewaterhouseCoopers LLP may monitor
outgoing and incoming e-mails and other
telecommunications on its e-mail and
telecommunications systems. By replying
to this e-mail you give your consent to such monitoring.

AW: (313) looking for acid (house)

[Carlos de Brito]

-Ursprüngliche Nachricht-
Von: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] 
Gesendet: Dienstag, 21. September 2004 19:21
An: 313@hyperreal.org
Betreff: RE: (313) looking for acid (house)

i recently picked up this split he [henrik schwarz] did with some other
cat:

http://www.discogs.com/release/230974

which is kind of acidic and kind of jacking, and very deep and 
dirty. its one of my favorite new 12s

tom 
andythepooh.com


i agree, this twelve is absolutely brilliant! henrik's track is very
good, but i prefer the other side, the track from morten cargo  at
ease. check his (their?) latest 12: Morten Cargo  At Ease -
Generation of Swine (Diamonds and Pearls 002), especially those who dig
moodymann and theo stuff, incredible versatile stuff:
http://www.dnp-music.com/shop/?page=shop/flypageproduct_id=92category_
id=cf9a057b82ec39fe9dcf494647ebac0e

talking about acid: the new superdiscount 2 from etienne de crecy and
his mates (you surely remember superdiscount vol. 1 roundabout 6 years
ago...) seems to have a lot of acid and detroit techno influences,
totally different to the more downtempo/house vibe of vol.1 ... but
honestly i haven't heard it that properly yet to form an opinion.
anyone with some thoughts on this?

c.
 
   

AW: (313) If

[Katrin Richter]

Hey 313, wazzup...?

Mark, where did you get the city in the clouds quote from? Would be
interesting to know as city in the clouds could be a poetic translation
for the German word Wolkenkuckucksheim - clouds cuckoo's home: Someone
living there is something like a loopy lunatic. Wondr if this is what Oswald
tried to insinuate?

However, trying to find a quote of Oswald stating that, I stumbled across
this article about Berlin in 1998 which might be a good read furthering
Berlin as being a creative antipode to Detroit.

http://homestudio.thing.net/revue/content/eshun.htm (english) - it's about
Basic Channel, Chain Reaction and Porter Ricks.

And this page is about Berlin, Manchester and Detroit -
http://www.circonium.de/index.html  (english) - creative hubs that clearly
influence each other, no city, idea or person is isolated! It's all
intertwined!

Peace
Kat



-Ursprüngliche Nachricht-
Von: marc christensen [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 22. September 2004 07:04
An: Martin Dust; 313@Hyperreal.Org
Betreff: Re: (313) If

Why has no one mentioned Inkster?  Or Belleville itself?  Or Ann
Arbor?  They're cities too!

Sorry, alex has been such a cheeky devil in this thread, I wanted in
on the game too.

-m

PS my vote's for whatever special city in the clouds that Moritz
Von Oswald clearly lives in.  I assume (perhaps incorrectly) that
this means Berlin.  Every time I hear a Basic Channel / Maurizio /
3MB / Quadrant, I think I've been transported into a Mills set.


At 3:51 PM +0100 9/21/04, Martin Dust wrote:
If Detroit is the First City of Techno, which IYHO is the Second...

Cheers
Martin

AW: (313) If

[Katrin Richter]

Maybe this has been posted before... but in any case, it ties in nicely with
the If dicussion as it evaluates the role of delelict industry as a factor
for the emergence of Techno - in Berlin!!!


Peace from Dortmund - highly industrial, derelict but no Techno anywhere
Kat





 ---
-

SHRINKING CITIES MUSIC ///
Live Acts, lectures, discussion groups, films, parties

Thursday, September 23 - Saturday, September 25
Palast der Republik, Schlossplatz, 10187 Berlin
In the framework of the project Volkspalast (Aug. 20 - Nov. 9, 2004).
In cooperation with the WMF, visuals by Pfandfinderei, supported by the
British Council, Berlin, De:Bug, Geier-Tronic.

Music ///
Th, Sept. 23, from 10 p.m.
Messer für Frau Müller live (What's So Funny About, Solnze Rec. / St.
Petersburg)
Errors live (Glasgow)
Freeform live (Warp, Nonplace / Brighton),
Dave Haslam (Haçienda / Manchester),
triPhaze + Rev. Benn Schipper (Privatelektro / Leipzig),
Oleg Kostrov (Messer für Frau Müller / St. Petersburg)

Fr, Sept. 24, from 10 p.m.
Clueso live (Four Music / Erfurt)
Tim Wright live (Novamute / Glasgow)
808 State DJ-Team (Circus Rec. / Manchester)
EU/2h Company (Chebu Rec. / St. Petersburg)
Rec de Weirl (Lanetic / Leipzig)
Miss Mira (Lanetic / Leipzig)

Sa, Sept. 25, from 10 p.m.
Richard H. Kirk live (Cabaret Voltaire, Mute / Sheffield)
FSK live (Disko B / FFM)
Derrick May (Transmat / Detroit) TBC!
Dex (Underground Resistance, Detroit)
Franki Juncaj (Motech / Detroit)
AN 2 (Was Not Was, Izhevsk/St. Petersburg)
Lowtec (Playhouse, r.a.n.d. Muzik, Leipzig)

Lectures, Discussion Groups, Films /// Th, Sept. 23 and Sa, Sept. 25
In shrinking cities like Detroit (USA), Manchester, Liverpool, Sheffield
(UK), and Izhevsk (RUS), significant music cultures (Punk, House,
Hip-Hop,
Techno, and Electro) arose precisely in the times of urban crisis. They
have sometimes had a significant influence on the cities' development.
Shrinking Cities Music acoustically and theoretically addresses the
question how music production developed and established itself in
shrinking cities. Are shrinking cities especially productive sites for
music? How is the city reflected and thematized in music production?
Shrinking Cities Music comprises discussion groups, live performances,
and
parties.

Further information: http://www.shrinkingcities.com/music.html

Th, Sept. 23, 7-10 p.m.
Panel 1 /// Appropriating the City in the Post-Socialist Upheaval
(Ger.)
With Steffen Kache (Distillery, Leipzig), Ralf Donis (Ilses Erika,
Leipzig), Oleg Bogdanov (Light Music, St. Petersburg). Moderation: Jörg
Augsburg (POP UP, Leipzig).

Panel 2 /// Reinventing the City through Music (Eng.)
With Dave Haslam (DJ and author, Manchester), Drew Hemment (Future
Sonic,
Manchester), Jayne Casey (afoundation, Liverpool), Klaus Overmeyer
(landscape architect, Berlin). Moderation: Philipp Oswalt
(architect/journalist, Berlin).

Film Lounge ///
Made in Sheffield, Director: Eve Wood, USA 2004
Strange Früt, Detroit Culture Part 1, Rock Apocrypha, Destroy all
Monsters USA 1998 and other films, all orig. vers.

Sa, Sept. 25, 4-9 p.m.
Panel 1 /// The City as Originator (Independent Mainstream) (Eng.)
With Jeff Mills (DJ, Detroit/Berlin), Dimitri Hegemann (Tresor, Berlin),
Thomas Meinecke (journalist/musician, Eurasburg). Moderation: Alexis
Waltz
(music journalist, Berlin).

Panel 2 /// Black Brand? (Image of Techno) (Eng.)
With Nelson George (culture critic, New York), Justin Hoffmann
(curator/musician, Wolfsburg), Diedrich Diederichsen (pop theoretician,
Berlin). Moderation: Markus Müller (author/curator, Münster).

Film lounge ///
Modulations, Director: Iara Lee, USA 2003
The Last Angel of History, Director: John Akomfrah, Black Audio Film
Collective GB/D 1995


Admission /// to lectures/discussion/film lounge: 5 Euro per day
Admission to the music program (from 10 p.m.): Th: 8 Euro, Fr: 10 Euro,
Sa: 12 Euro
Advance ticket sales: Ticket Office HAU 2 daily Noon-19 p.m., Tel. 25 90
04 27, or Ticket Office Palast der Republik, Schlossplatz, daily 3-6
p.m.,
Tel. 030-20 91 46 80, and at all ticket outlets.

Music concept: Alexandra Dröner, Johanna Grabsch, Katrin Hallenberger;
Theory/Film Lounge concept: Doreen Mende, Philipp Oswalt; Production
manager: Andreas Sachwitz.

Press contact: Astrid Herbold, Shrinking Cities Project,
Eisenacherstraße
74, D-10823 Berlin, Phone +49 (0)30 81 82 19 06,
[EMAIL PROTECTED]

Shrinking Cities is a project of the Kulturstiftung des Bundes [Federal
Cultural Foundation] in cooperation with the Museum of Contemporary Art
Leipzig, the Bauhaus Dessau Foundation and the magazine archplus.



-Ursprüngliche Nachricht-
Von: Stewart Caig [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 21. September 2004 17:39
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) If

 us the whole
 warehouse/summer of love/rave/acid house/Orbital parties call it what you
 like scene bloomed over here first 

AW: (313) Kenny Larkin/Dark Comedy album

[Katrin Richter]

New Kenny Larkin album! For your interest... the official press release!

DARK COMEDY-MUSIC SAVES MY SOUL

SELF-OBSESSION, it's the 21st century epidemic. M-m-my generation has become
the me-me-me generation and reality has become a TV show which turns our
next door neighbours into stars that flicker and die in the blink of an eye.
It's Warhol's fifteen minutes reductio ad absurdum, Alice navel-gazing
through the looking glass. And while our cathode ray icons relentlessly
chant mirror, mirror on the wall ... the myth of Narcissus -  condemned to
waste away adoring his own image -  seems entirely apposite.

Earlier this year was perfect timing then for Detroit techno legend Kenny
Larkin to deliver his long-awaited new album. After all, it's was roughly
seven years since his last release. The Narcissist - 11 carefully considered
electronic gems guaranteed to provide an antidote to the superficial whirl.
From the swooning synthetics of Fake French to the seductive, undulating
groove of In The Meantime, it reflects both where he's been and where he's
coming from now.

Larkin returns with his second release for 2004, under his alter self, Dark
Comedy with, quite arguably, his most impressive, and important release to
date.

Titled, Funk Faker: Music Saves My Soul, Larkin wastes no time in
establishing himself as one of Detroit's most intriguing and multi-faceted
talents. Exploring the full range of his musical persona, Larkin pushes
himself to tap into a soulful side of him that although present in his
earlier releases, finds itself deeply entrenched in, and modeled after
African American music from years' past. He unapologetically leaves no
ambiguity about his intentions. Which, is to remind others how and why soul
music, in it's many shapes, sizes, and guises, undeniably taps the most
primal emotional and moral attributes that makes a human, a human being.

This is electronic black music in it's rawest, purest form. Stripped of
slick, modern day production techniques, polished vocals, and mechanically
quantized melodies, Larkin instead focuses on funky, laid back organ solo's,
James Brown-esque horn stabs,  bluesy guitar riffs reminiscent of John Lee
Hooker, and Larkin's self narrative, comical, blues-style vocals. Larkin
thrusts himself into a genre not yet discovered by his electronic
contemporaries from Detroit, or quite arguably anyone for that matter, by
mixing blues, funk, jazz, house, and a pinch of techno.

 Funk Faker: Music Saves My Soul 's aim is not to be dissected, and
analyzed, it's purpose is to be felt. Larkin's unique interpretation of the
many black genres of music, that inspired him as a child, leaves the
listener with only one option...tap your feet, and move your ass. Witness
why African American music, in any form, continues to influence almost every
genre of music today.

Dark Comedy- Funk Faker: Music Saves My Soul will be released on Poussez in
November.




-Ursprüngliche Nachricht-
Von: Greg Earle [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 16. September 2004 23:42
An: 313@hyperreal.org
Betreff: (313) Down-on-his-luck Techno artist forced to shill for
Afro-American product

HOLLYWOOD, CA (AP/313) -

  FOR IMMEDIATE RELEASE

  PHOTO CAPTION

  Former world-famous Techno DJ  Producer Kenny Larkin is shown here in
  this photograph, dated September 14th 2004, shilling for Afro-American
  product ``Black Again''.  ``After I moved to Los Angeles, I started
  losing my Blackness, Mr. Larkin stated.  ``I started dancing off-beat,
  like White people.  I needed to get my groove back.  I started using
  ``Black Again'' and was so impressed with the product that I am now
  a spokesman''.  Mr. Larkin would not comment when asked if his Techno
  fortunes were at such a low ebb that he was forced to shill for the
  product to support himself.

http://mine-mine.mine.nu/DarkComedian.jpg

AW: (313) Wighnomy Bros

[Katrin Richter]

Robag also releases as Beefcake



-Ursprüngliche Nachricht-
Von: Simon Hindle [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 14. September 2004 00:40
An: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Betreff: RE: (313) Wighnomy Bros

Yeah, Robag is one of the brothers; the other one is Soren Bodner,
though I don't know much about him or his solo releases (if there are
any).

 [EMAIL PROTECTED] 14/09/2004 3:30:17 am 
i'm quite certain rhobag is one of the whigomy bros.



On Wed, 8 Sep 2004, John Osselaer wrote:

 True! This Robag Wruhme guy certainly got my attention as well.
During my
 last 'hunting trip' at the Kompakt store in Cologne I found a number
of his
 releases and they are really good. Still need to check most of the
Wighnomy
 Bros material though.


 John
 ---
 http://www.technotourist.org
 [EMAIL PROTECTED]

 -Original Message-
 From: Simon Hindle [mailto:[EMAIL PROTECTED]
 Sent: woensdag 8 september 2004 1:08
 To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; [EMAIL PROTECTED]

 Cc: 313@hyperreal.org
 Subject: (313) Wighnomy Bros

 I just want to second this claim on the wighnomy bros' awesomeness -
 practically everything they're touching at the moment is gold. Also
Robag
 Wruhme (who I suspect is most definitely the business part of the
 brothers) is similarly aflame. Check their limited edition WB
releases on
 their own label, which feature a novelty bootleg on one side (so far
Born
 Slippy, Hide U by Kosheen and a Busta Rhymes vocal have been given
the WB
 treatment) and a quality click-tech cut on the flip.

 Robag's Wuzzelbud 'KK' album is solid, as is his Kopfnikker EP (both
on
 Musik Krause) and also check out his remix of P.Lauer's Free Entry
For
 Girls on Punkt. There's also a live set of the Wighnomy Bros at
Sputnik
 doing the rounds on soulseek and that's just wild.

 They're blowing up bigtime at the moment and their remixes are all
over the
 place right now - they're in serious danger of displacing Akufen at
the top
 of my list of 'Producers Madonna will get to do her next album for
her'

  Carlos de Brito [EMAIL PROTECTED] 8/09/2004 7:23:25 am


 oh and...: did i already mention that wighnomy bros. are doing it
every
 time, with every release? check' em out, they are incredible. imho,
actually
 the best minimal/maximal/micro/macro-house/techno-producers
 around...:)!
 www.wighnomy-brothers.de

 #euphoric mode off#

 c.

AW: (313) Re: new records

[Carlos de Brito]

Erm - couple I heard recently that are not bad:
Ame - Ame mini LP on Sonar Kollektiv

#euphoric mode on#

yeah, i second that! Âme lp is very, very good, especially the tunes
nia and hydrolic dog, both also out on 12. and they've done some
very good remixes too: www.discogs.com/artist/%C2me

also on hot rotation over here:

moonstarr - detRIOT (sonar kollektiv 037)
[i think this one has been mentioned before deep, epic track, superb
breakdown, warm keys, excellent!]

magnet/wighnomy bros. - kisskisskiss/wurzblosse (kompakt speicher 19)
[both tracks sound like an hommage to maurizio/basic channel, magnet's
track is a slow building minimal track, very danceable. wighnomy bros.
come along with some lush filtered synths, echoed and dubbed out,
perfect.]

oh and...: did i already mention that wighnomy bros. are doing it every
time, with every release? check' em out, they are incredible. imho,
actually the best minimal/maximal/micro/macro-house/techno-producers
around...:)!
www.wighnomy-brothers.de

#euphoric mode off# 

c.

AW: (313) Apparently, drums don't suck anymore

[Carlos de Brito]

this weeks bbc's breezeblock is featuring 
***LIVE SET FROM TDK CROSS CENTRAL- CARL CRAIG***
***LIVE SET FROM TDK CROSS CENTRAL- DERRICK MAY***
http://www.bbc.co.uk/radio1/dance/breezeblock/tracklistings.shtml

c.



-Ursprüngliche Nachricht-
Von: Phonopsia [mailto:[EMAIL PROTECTED] 
Gesendet: Montag, 30. August 2004 17:04
An: 313@hyperreal.org
Betreff: (313) Apparently, drums don't suck anymore


Carl Craig's Tres Demented played London Express's room at the Cross
Festival last night. The lineup =

2 drummers with full trap kits
1 pianist on two Korg keyboards
1 trumpet blown by Marcus Belgrave
1 conductor who sometimes played keys, triggered a few sequences,
screamed in a microphone, looked moody for a while then started smiling
a lot

The three songs that lasted about an hour were Tres Demented, the Climax
and Throw, loosely. The intro had bits that vaguely sounded like Chaz
Vincent's 'Dream Zenith' synths and there was one part in the middle
that sounded kinda like Landcruising. The drummers pounded the whole
time w/o a break - both extremely competent and complimentary. The
keyboardist was really good - he knew when to take the fore and when to
accompany. Marcus Belgrave was clearly the star though, and everyone on
stage seemed thrilled to be playing with him. He seemed to be having a
blast too. There was relatively little electronics involved, except a
looping synth and bassline, and some beats that Carl Craig tweaked a
little. It still felt really thechno though! Some people asked if he did
anything at all up there, but he did conduct some (as much as you can
given the improvisational nature of the show), and he bitched a lot
about some early sound/organisational problems. ;) They all seemed to be
loving it about 1/2-way though though. Not sure where the next stop is,
but I would say it's worth a hefty cover + substantial travel if it's
not coming near you. Probably not everyone's cup of tea, but that room
was about twice as full (and happy) as 1/2-hour later for Derrick May
(mostly in loop-mode).

Didn't catch a lot of other stuff. Gilles Peterson was good, not great.
Idjut Boys were pretty tight. Unabombers were dope until about the last
twenty minutes when I just really wanted to see Carl Craig. Brooks Live
was a bit too slow to develop for the first half, but was excellent for
the second. Luke Vibert did a great HDJ set as well, of which I only
caught maybe 40 minutes before severe fatigue took over. In that time he
pulled out YMO, LFO, Meat Beat Manifesto, the Knight Rider theme song,
some acid I couldn't spot, and a bunch of other really good stuff.
Boundaryless. The overall vibe was pretty good given I'd seen adverts
for the festival on TV. There were definitely some sketchy people
around, but on the whole it was a surprisingly good vibe. If there's a
next year I will not be playing football the day before... This was
probably the best weekend for music in London so far this year. Would
love to hear how the 14-hour Co-op session was yesterday if anyone made
it!

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]

AW: (313) for the Madlib fans

[Carlos de Brito]

speaking of madlib vs. azymuth:
i downloaded a cd-r, which is quite good, in a yesterdays new quintet
style...
comes with the following info-txt:

this is one of only 100 cd-r's in existence
of madlib interpreting the works of Azymuth.
Please do not share this on soulseek or other p2p platforms.
There are more tracks to follow...

well, check slsk, you might find it there, though :)

c.


-Ursprüngliche Nachricht-
Von: dave cronin [mailto:[EMAIL PROTECTED] 
Gesendet: Montag, 30. August 2004 20:28
An: jurren baars; 313@hyperreal.org
Betreff: RE: (313) for the Madlib fans


good infos. thanks.

speaking of madlib and azymuth, there's something
floating around on slsk called madlib vs. azymuth.
that appears to be unreleased.. does anyone know
anything about it?

there is mention of something like this on the madlib
mix for gp's worldwide, which is a pretty hot mix
(featuring some of that spectrum77) and apparently is
available on cd quality with purchase of stevie:

http://www.stonesthrow.com/news/madlib_worldwide/

also, that's some pretty good trainspotting out of
making beats.. i had no idea all that backstory
behind daylight-- sure adds to my respect for
madlib. how's that book? worth a read?

oh, and you look fantastic in your glasses and
anorak-- a refreshing change from eighties shlock and
little band buttons on the shirtpocket.(speaking of
the anorak-- why bite liam when you could be biting
Roddy Frame and kicking an anorak and like 7 layers of
clothes:
http://www.discogs.com/viewimages?what=Robid=206600 )

--- jurren baars [EMAIL PROTECTED] wrote:

 my guess would be that the rels stuff is sample
 based, and the yesterdays
 new quintet related material is at least partially
 sample based (so that 
 includes the monk hughes) covers of songs by Roy
 Ayers, Azymuth, Weldon 
 Irvine, etc.
 
 from Making Beats, the art of sample based hip-hop
 by Joseph G. Schloss:
   An unusually overt example of this philoshophy
 can be found in a cover
 version of the song Daylight that appears on the
 2001 album Angles without 
 Edges by Yesterday's New Quintet. The original
 version of the song was 
 recorded in 1977 by RAMP on their album Come into
 Knowledge. It is best 
 known among producers because a two-bar sample of
 its melody provided the 
 basis for the classic hip-hop song Bonita
 Applebaum by A Tribe Called 
 Quest on their 1990 album People's Instinctive
 Travels and the Paths of 
 Rhythm.
   As a result of being sampled, the previously
 obscure RAMP album became 
 highly prized by hip-hop producers, sometimes
 selling for hundreds of 
 dollars, untill it was reissued on vinyl in the late
 1990s. On the 
 Yesterday's New Quintet album, Madlib constructs a
 cover version of 
 Daylight from samples of other songs (augmented by
 his own keyboardwork). 
 Moreover, the rhythm of Madlib's drum track is not
 based on the rhythm of 
 the original version of Daylight, but on the drum
 loop that A Tribe Called 
 Quest combined it with to make Bonita Applebaum,
 taken from the blues-rock 
 band Little Feat. In short, Madlib's version of
 Daylight is a virtuoso 
 demonstration of production technique and knowledge,
 referencing the social 
 and economic history of a commodity (the RAMP
 album), its use in the hip-hop 
 community (Bonita Applebaum), and Madlib's own
 relationship to both.
 
 ... ok, i'll get my glasses (formerly owned by Elvis Costello!!), and 
 my new annorak (bought off ebay, used to be owned by
 Liam Gallagher).
 
 jurren
 

_
 MSN Search, for accurate results!
 http://search.msn.nl
 
 

RE: AW: (313) for the Madlib fans

[jurren baars]

Carlos de Brito wrote:

speaking of madlib vs. azymuth:
i downloaded a cd-r, which is quite good, in a yesterdays new quintet
style...
comes with the following info-txt:

check the video of madlib at the redbull music academy. he plays one or two 
azymuth covers off cd-r. both in his YNQ alterego. one song is a cover of 
'young embrace'. personally i don't quite see the point of releasing all 
that YNQ stuff. i like the idea, and applaud madlib for the effort and 
determination, but i rather listen to the original songs. but that's just 
imho.


jurren

_
Play online games with your friends with MSN Messenger 
http://messenger.msn.nl/

AW: (313) Which Techno Track - Grex MFX8

[Katrin Richter]

Hey Peepz,

Check the page. Ben Long (Space DJz) invested some money too:

http://www.grexultra.com/erol.html

Peace
Kat



-Ursprüngliche Nachricht-
Von: Martin Dust [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 18. August 2004 12:01
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) Which Techno Track

What we talking about AK-47?

Chris McCormack is on fire at the moment - he's got a blistering track
called Skyline coming out on Flux - proper jacking belter.

The MFX unit is out, Claude and James Ruskin are doing stuff with it at
the moment...

Martin

On 18 Aug 2004, at 10:39, [EMAIL PROTECTED] wrote:


 it's t
 opening track of that Paula Temple Live At Supercollider mix that was
 up on Little Detroit ... er, ah ... oh dear

 had a dig around on Little Detroit to see Greg but couldn't find the
 mix,
 maybe Martin still has it?
 Looks like the evil imperialists win again. Oh well.

 Speaking of Paula Temple, that posh mixer box she had, has it been
 released
 yet does any know?
 also can anyone remember the link for it?

 Ta

 Alex
 _

 - End of message text 

 This e-mail is sent by the above named in their
 individual, non-business capacity and is not on
 behalf of PricewaterhouseCoopers.

 PricewaterhouseCoopers may monitor outgoing and incoming
 e-mails and other telecommunications on its e-mail and
 telecommunications systems. By replying to this e-mail you
 give your consent to such monitoring

AW: (313) Ugly Edits 6 7 8

[Carlos de Brito]

can you post a link to the clips, please. can't wait to hear them...

thx, c.



-Ursprüngliche Nachricht-
Von: robin [mailto:[EMAIL PROTECTED] 
Gesendet: Mittwoch, 28. Juli 2004 12:58
An: 313 Org
Betreff: (313) Ugly Edits 6 7 8



so i see the ugly edits (6,7,8) have landed in the UK. anyone got em 
yet?

i've heard clips which sound promising.

so what's the cheapest uk price for em then? anyone know?

robin...

  

Re: AW: (313) Ugly Edits 6 7 8

[robin]

hey c,

yep

www.piccadillyrecords.co.uk

have em

robin...

AW: AW: (313) Ugly Edits 6 7 8

[Carlos de Brito]

thx!

found the im the just in-section. but the first copies are already
gone...:(

not currently available - sorry! First batch sold out, second batch
expected end of the week...

do you know the price for them? it's actually not listed there. is this
another $20 for a 12inch-bizz?


-Ursprüngliche Nachricht-
Von: robin [mailto:[EMAIL PROTECTED] 
Gesendet: Mittwoch, 28. Juli 2004 13:25
An: Carlos de Brito
Cc: '313 Org'
Betreff: Re: AW: (313) Ugly Edits 6 7 8


hey c,

yep

www.piccadillyrecords.co.uk

have em

robin...

Re: AW: AW: (313) Ugly Edits 6 7 8

[robin]

the heads have a lot of money in Manchester it seems. they were 14 quid.

that's 42 quid for three bits of vinyl. so for the americans that's 
roughly 80 bucks.


robin...


found the im the just in-section. but the first copies are already
gone...:(

not currently available - sorry! First batch sold out, second batch
expected end of the week...

do you know the price for them? it's actually not listed there. is this
another $20 for a 12inch-bizz?

AW: (313) miss kitten ?

[Carlos de Brito]

nah, don't expect only electro clash/boring 80s redux.
her lastest album is excellent, diverse. try this as a review:
http://www.allmusic.com/cg/amg.dll?p=amgsql=10:pgeq97ydkrjt~T1. and if
she's djing (she can definetely pump the floor) with matthew dear, it
might also go this way round: http://www.discogs.com/release/135858. at
end, you might hope that there is no door to leave. ;)

c.



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Gesendet: Donnerstag, 22. Juli 2004 02:18
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) miss kitten ?


my advice:  go see matthew dear, then make for the door quickly.

- jobot



- Original Message -
From: [EMAIL PROTECTED]
Date: Wednesday, July 21, 2004 7:15 pm
Subject: (313) miss kitten ?

 Hey I was hoping that folks on this list would have an opinion
 about whether it is worth going out of my way to see miss kitten?  
 It is a pricey show, mathew dear is opening, but it is one of only 
 a couple of techno-esque shows that have come to San Francisco 
 this year.  I don't like electro clash/boring 80s redux at all 
 (but i like anthony rother), so I haven't really checked out her 
 records before.  I generally like to support anything that 
 happens, just because it is happening, but for 20 bones and some 
 scheduling conflicts, I need to know if this is something that 
 will  pump the floor and inspire me musically or be chin 
 scratching paradise and   bore me.  Any thoughts?  Off list.  
 thanks, 
 

Re: AW: (313) miss kitten ?

[Ben Britz]

Miss Kitten is definitely worth seeing in my book. I dont care for
her production stuff or that 80s/electroclash junk, but she is a
very talented dj. Her sets are mostly euro-techno, with little bits
of electro and more eclectic stuff thrown in to spice it up. More
technasia than larry tee. I'm seeing her friday in DC and am quite
excited about it actually. 
 -bsb


Quoting Carlos de Brito [EMAIL PROTECTED]:

 nah, don't expect only electro clash/boring 80s redux.
 her lastest album is excellent, diverse. try this as a review:
 http://www.allmusic.com/cg/amg.dll?p=amgsql=10:pgeq97ydkrjt~T1.
 and if
 she's djing (she can definetely pump the floor) with matthew
 dear, it
 might also go this way round:
 http://www.discogs.com/release/135858. at
 end, you might hope that there is no door to leave. ;)
 
 c.
 
 
 
 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 Gesendet: Donnerstag, 22. Juli 2004 02:18
 An: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Betreff: Re: (313) miss kitten ?
 
 
 my advice:  go see matthew dear, then make for the door quickly.
 
 - jobot
 
 
 
 - Original Message -
 From: [EMAIL PROTECTED]
 Date: Wednesday, July 21, 2004 7:15 pm
 Subject: (313) miss kitten ?
 
  Hey I was hoping that folks on this list would have an opinion
  about whether it is worth going out of my way to see miss
 kitten?  
  It is a pricey show, mathew dear is opening, but it is one of
 only 
  a couple of techno-esque shows that have come to San Francisco
 
  this year.  I don't like electro clash/boring 80s redux at all
 
  (but i like anthony rother), so I haven't really checked out
 her 
  records before.  I generally like to support anything that 
  happens, just because it is happening, but for 20 bones and
 some 
  scheduling conflicts, I need to know if this is something that
 
  will  pump the floor and inspire me musically or be chin 
  scratching paradise and   bore me.  Any thoughts?  Off list.  
  thanks, 
  
 
 

Re: AW: (313) miss kitten ?

[Michael . Elliot-Knight]

I'm no fan of electroclash (search the archives for my opinion), however, I
do think her new CD is alright
I've heard mix CDs by her - quite hard techno

I doubt she'll play electroclash all night if at all - is anyone anymore?

MEK


   
  Ben Britz
  [EMAIL PROTECTED]To:   Carlos de Brito 
[EMAIL PROTECTED]
  .educc:   [EMAIL PROTECTED], 
313@hyperreal.org
   Subject:  Re: AW: (313) miss 
kitten ?
  07/21/04 07:54 PM
   
   





Miss Kitten is definitely worth seeing in my book. I dont care for
her production stuff or that 80s/electroclash junk, but she is a
very talented dj. Her sets are mostly euro-techno, with little bits
of electro and more eclectic stuff thrown in to spice it up. More
technasia than larry tee. I'm seeing her friday in DC and am quite
excited about it actually.
 -bsb


Quoting Carlos de Brito [EMAIL PROTECTED]:

 nah, don't expect only electro clash/boring 80s redux.
 her lastest album is excellent, diverse. try this as a review:
 http://www.allmusic.com/cg/amg.dll?p=amgsql=10:pgeq97ydkrjt~T1.
 and if
 she's djing (she can definetely pump the floor) with matthew
 dear, it
 might also go this way round:
 http://www.discogs.com/release/135858. at
 end, you might hope that there is no door to leave. ;)

 c.



 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Gesendet: Donnerstag, 22. Juli 2004 02:18
 An: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Betreff: Re: (313) miss kitten ?


 my advice:  go see matthew dear, then make for the door quickly.

 - jobot



 - Original Message -
 From: [EMAIL PROTECTED]
 Date: Wednesday, July 21, 2004 7:15 pm
 Subject: (313) miss kitten ?

  Hey I was hoping that folks on this list would have an opinion
  about whether it is worth going out of my way to see miss
 kitten?
  It is a pricey show, mathew dear is opening, but it is one of
 only
  a couple of techno-esque shows that have come to San Francisco

  this year.  I don't like electro clash/boring 80s redux at all

  (but i like anthony rother), so I haven't really checked out
 her
  records before.  I generally like to support anything that
  happens, just because it is happening, but for 20 bones and
 some
  scheduling conflicts, I need to know if this is something that

  will  pump the floor and inspire me musically or be chin
  scratching paradise and   bore me.  Any thoughts?  Off list.
  thanks,
 

RE: AW: (313) miss kitten ?

[Robert Taylor]

Agreed - seen her twice, at Sonar and Fabric and she rocked it to my surprise.
Her mix from Sonar last year is here: 
http://www.lekkerlui.nl/LandDownUnder/plug.php?p=downloads

-Original Message-
From: Ben Britz [mailto:[EMAIL PROTECTED]
Sent: Thursday, July 22, 2004 12:55 AM
To: Carlos de Brito
Cc: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: AW: (313) miss kitten ?



Miss Kitten is definitely worth seeing in my book. I dont care for
her production stuff or that 80s/electroclash junk, but she is a
very talented dj. Her sets are mostly euro-techno, with little bits
of electro and more eclectic stuff thrown in to spice it up. More
technasia than larry tee. I'm seeing her friday in DC and am quite
excited about it actually. 
 -bsb


Quoting Carlos de Brito [EMAIL PROTECTED]:

 nah, don't expect only electro clash/boring 80s redux.
 her lastest album is excellent, diverse. try this as a review:
 http://www.allmusic.com/cg/amg.dll?p=amgsql=10:pgeq97ydkrjt~T1.
 and if
 she's djing (she can definetely pump the floor) with matthew
 dear, it
 might also go this way round:
 http://www.discogs.com/release/135858. at
 end, you might hope that there is no door to leave. ;)
 
 c.
 
 
 
 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 Gesendet: Donnerstag, 22. Juli 2004 02:18
 An: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Betreff: Re: (313) miss kitten ?
 
 
 my advice:  go see matthew dear, then make for the door quickly.
 
 - jobot
 
 
 
 - Original Message -
 From: [EMAIL PROTECTED]
 Date: Wednesday, July 21, 2004 7:15 pm
 Subject: (313) miss kitten ?
 
  Hey I was hoping that folks on this list would have an opinion
  about whether it is worth going out of my way to see miss
 kitten?  
  It is a pricey show, mathew dear is opening, but it is one of
 only 
  a couple of techno-esque shows that have come to San Francisco
 
  this year.  I don't like electro clash/boring 80s redux at all
 
  (but i like anthony rother), so I haven't really checked out
 her 
  records before.  I generally like to support anything that 
  happens, just because it is happening, but for 20 bones and
 some 
  scheduling conflicts, I need to know if this is something that
 
  will  pump the floor and inspire me musically or be chin 
  scratching paradise and   bore me.  Any thoughts?  Off list.  
  thanks, 
  
 
 


#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

RE: AW: (313) miss kitten ?

[Toby Frith]

If you can appreciate a little bit of cheese, yeah she's top. Exudes fun. And 
yep, the sonar mix is lovely, if you can appreciate that it was at 4pm on a 
Friday afternoon...I think.



-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 22 July 2004 10:47
To: Ben Britz; Carlos de Brito
Cc: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: RE: AW: (313) miss kitten ?


Agreed - seen her twice, at Sonar and Fabric and she rocked it to my surprise.
Her mix from Sonar last year is here: 
http://www.lekkerlui.nl/LandDownUnder/plug.php?p=downloads

-Original Message-
From: Ben Britz [mailto:[EMAIL PROTECTED]
Sent: Thursday, July 22, 2004 12:55 AM
To: Carlos de Brito
Cc: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: AW: (313) miss kitten ?



Miss Kitten is definitely worth seeing in my book. I dont care for
her production stuff or that 80s/electroclash junk, but she is a
very talented dj. Her sets are mostly euro-techno, with little bits
of electro and more eclectic stuff thrown in to spice it up. More
technasia than larry tee. I'm seeing her friday in DC and am quite
excited about it actually. 
 -bsb


Quoting Carlos de Brito [EMAIL PROTECTED]:

 nah, don't expect only electro clash/boring 80s redux.
 her lastest album is excellent, diverse. try this as a review:
 http://www.allmusic.com/cg/amg.dll?p=amgsql=10:pgeq97ydkrjt~T1.
 and if
 she's djing (she can definetely pump the floor) with matthew
 dear, it
 might also go this way round:
 http://www.discogs.com/release/135858. at
 end, you might hope that there is no door to leave. ;)
 
 c.
 
 
 
 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 Gesendet: Donnerstag, 22. Juli 2004 02:18
 An: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Betreff: Re: (313) miss kitten ?
 
 
 my advice:  go see matthew dear, then make for the door quickly.
 
 - jobot
 
 
 
 - Original Message -
 From: [EMAIL PROTECTED]
 Date: Wednesday, July 21, 2004 7:15 pm
 Subject: (313) miss kitten ?
 
  Hey I was hoping that folks on this list would have an opinion
  about whether it is worth going out of my way to see miss
 kitten?  
  It is a pricey show, mathew dear is opening, but it is one of
 only 
  a couple of techno-esque shows that have come to San Francisco
 
  this year.  I don't like electro clash/boring 80s redux at all
 
  (but i like anthony rother), so I haven't really checked out
 her 
  records before.  I generally like to support anything that 
  happens, just because it is happening, but for 20 bones and
 some 
  scheduling conflicts, I need to know if this is something that
 
  will  pump the floor and inspire me musically or be chin 
  scratching paradise and   bore me.  Any thoughts?  Off list.  
  thanks, 
  
 
 


#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

AW: (313) records

[Carlos de Brito]

from piccadillyrecords.com:

The second CD features Theo Parrish's white label 12 only, 9/11
tribute Instant Insanity, Rick Wilhite's Good Kiss, plus four
previously unreleased (we think) tracks!

c.

-Ursprüngliche Nachricht-
Von: theREALmxyzptlk [mailto:[EMAIL PROTECTED] 
Gesendet: Donnerstag, 22. Juli 2004 17:26
An: 313-hyperreal.org
Betreff: Re: (313) records


At 11:31 AM 7/22/2004, you wrote:
-- Original Message --
From: robin [EMAIL PROTECTED]

 well the 3 chairs triple is pretty good (though could have been a
12
 and had the tracks u need on it.

The 2xCD has a track not on the vinyl (Instant Insanity), which I
believe 
to be SS 014 (Major Moments...) - can anyone confirm?


 
jeff 

AW: (313) Some of Claus Bachor's Tracklist from the weekend

[ko broken electronica industries]

.
Jeff Mills - Mosainga - Motor City Dayz ( was on purpose Maker I believe
though I could be wrong,, it has 3 loops as well JM has cut up and
re-edit'd)- TH
.

nope, this was released on Roland Casper's label essence in 1997 (promo
198 - http://www.discogs.com/release/34270).
Claus had the 'brilliant' idea to re-edit it now instead of taking another
unreleased jm track :(

there's no bigger laugh then Claus Bachor ! but ok, it's maybe because we
know him overhere...

best,
d

AW: (313) Not A joke

[Carlos de Brito]

no, don't leave it. i'm interested as well.
especially for: ...because the reason I've been told makes me feel
uncomfortable.

so, what's the deal?

c.




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Gesendet: Mittwoch, 30. Juni 2004 15:01
An: 313@hyperreal.org
Betreff: RE: (313) Not A joke






So what's TP's reason for DJing behind a screen??

Or should I just leave it?!?  :  )




 

  Peteri, Jochem

  [EMAIL PROTECTED]To:   Ken Odeluga
[EMAIL PROTECTED]  
  ridge.nlcc:
313@hyperreal.org

   Fax to:

  30/06/2004 10:12 Subject:  RE: (313) Not A
joke  
 

 





and i was just starting to enjoy the quarrelJERRY JERRY JERRY!
-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: woensdag 30 juni 2004 11:09
To: Martin Dust; 313@hyperreal.org
Subject: RE: (313) Not A joke


Sorry things got this way list, I should have taken it off list a while
ago. I will now scrap with Mr Dust in private.

Cheers,

k


The information contained in this e-mail communication is solely
intended for the person/legal person to whom it  has been sent, and as
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Re: AW: (313) Not A joke

[Gary . Girard]

That's the line that hooked me as well, I deleted the original e-mail tho
so couldn't quote it.

The carrot has been dangled ...



   
  Carlos de Brito 
   
  [EMAIL PROTECTED]To:   [EMAIL PROTECTED], 
313@hyperreal.org
  mx.de   cc:  
   
   Fax to:  
   
  30/06/2004 14:35 Subject:  AW: (313) Not A joke   
   

   

   




no, don't leave it. i'm interested as well.
especially for: ...because the reason I've been told makes me feel
uncomfortable.

so, what's the deal?

c.




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 30. Juni 2004 15:01
An: 313@hyperreal.org
Betreff: RE: (313) Not A joke






So what's TP's reason for DJing behind a screen??

Or should I just leave it?!?  :  )






  Peteri, Jochem

  [EMAIL PROTECTED]To:   Ken Odeluga
[EMAIL PROTECTED]
  ridge.nlcc:
313@hyperreal.org

   Fax to:

  30/06/2004 10:12 Subject:  RE: (313) Not A
joke








and i was just starting to enjoy the quarrelJERRY JERRY JERRY!
-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: woensdag 30 juni 2004 11:09
To: Martin Dust; 313@hyperreal.org
Subject: RE: (313) Not A joke


Sorry things got this way list, I should have taken it off list a while
ago. I will now scrap with Mr Dust in private.

Cheers,

k


The information contained in this e-mail communication is solely
intended for the person/legal person to whom it  has been sent, and as
it may contain information of a personal or confidential nature, it may
not be made public by virtue of law, regulations or agreement. If
someone other than the intended recipient should receive or come into
possession of this e-mail communication, he/she will not be entitled to
read, disseminate, disclose or duplicate it. If you are not the intended
recipient, you are requested to inform the sender of this e-mail message
of this immediately, and to destroy the original e-mail communication.
Neither Randstad Holding nv nor its subsidiaries accept any liability
for incorrect and incomplete transmission or delayed receipt of this
e-mail.

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This email has been scanned by the MessageLabs Email Security System.
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AW: (313) Berlin Digital dvd

[roman]

Hi!
As a german speaker i found one small piece of information.
It says english subtitles on the german amazon.de website.
http://www.amazon.de/exec/obidos/tg/stores/detail/-/dvd-de/B0002AOP9A/te
ch-info/ref=ed_tec_dp_2_1/302-7471042-6190432
Btw. Is any of you guys coming to berlin around the 10th of july?
Blake baxter will be on the tresor truck at the fight-the-power
parade.
Later on he'll be at tresor with kevin s., tyree c. and others. Sweet
Magda will be doing her set there on the 9th - friday night. And...
richie h. is in town as well - on the 10th at watergate.
Cheers
Roman/berlin/germany

www.energylab.de

-Ursprüngliche Nachricht-
Von: Garrett [mailto:[EMAIL PROTECTED] 
Gesendet: Montag, 28. Juni 2004 19:29
An: Toby Frith
Cc: J. T.; 313@hyperreal.org
Betreff: Re: (313) Berlin Digital dvd


wondered the same thing. sorta has to be german.. but the english 
descrip gives me a little hope.  any german speakers able to figure it
out?

Toby Frith wrote:
 Probably a pointless question, but does anyone know whether or not 
 this is in English or German?
 
 
 
 -Original Message-
 From: J. T. [mailto:[EMAIL PROTECTED]
 Sent: 25 June 2004 23:59
 To: 313@hyperreal.org
 Subject: (313) Berlin Digital dvd
 
 
 new dvd which focuses on electronic music in berlin, including good 
 stuff
 like Tresor, D + M, K7, Ableton, etc etc ...sounds promising!
 
 http://www.digitalvd.de/dvd/11622.html
 
 _
 MSN Movies - Trailers, showtimes, DVD's, and the latest news from 
 Hollywood!
 http://movies.msn.click-url.com/go/onm00200509ave/direct/01/
 
 

AW: (313) you listen to techno?

[Katrin Richter]

I work for a Techno magazine and get raised eyebrows for not wanting to
listen to the commercial radio my co workers are all okay with it.
That's really bad methinks but for that kind of elitist thinking I get
even more raised eyebrows. I feel quite misunderstood.



-Ursprüngliche Nachricht-
Von: Sean Creen [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 15. Juni 2004 14:50
An: [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: RE: (313) you listen to techno?

My co-workers don't seem too phased by my techno listening habits - its when
I take off my headphones to talk to people and Whitehouse or Merzbow is
blaring out that I get a few raised eyebrows :))

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 15 June 2004 13:25
To: 313@hyperreal.org
Subject: (313) you listen to techno?



  ...just started working with my current employer about a month ago.  desk
job, cubicle, plenty o' coffee.  anyway, there's a fairly relaxed policy
towards music in cubicles.  as a result, i spend most of my 8hrs. with great
house and techno pumpin' out of my little PC speakers.  naturally, this
being suburban america, i am the only commuter listening to the music of
this list for about 60 miles in all directions.
   i get my fair share of raised eyebrows and cheeky comments from
co-workers that are not familiar with my weird bass music.  i'm all alone
in a sea of alarmist talk radio, and toby keith anthems.  i'm just curious
if any other list-members are immersed in a similar environment.

cheers,
lrh

AW: (313) om 2004 june 18-24 full details

[Katrin Richter]

Hey Neil,

I love the Om concept and would love to go there (and help as a volunteer).
Don't let the city kid get on your nerves :)! He might be heading to some
hippie do like Glastonbury in the UK and then tell his yuppie mate how
wicked it was to camp in the Somerset fields shouting bollox! Off his 'ead
on shrooms.

Peace
Kat



-Ursprüngliche Nachricht-
Von: Neil Wiernik [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 11. Juni 2004 17:59
An: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Betreff: Re: (313) om 2004 june 18-24 full details


what ever man I didnt write this sorry om isnt cool enough for you but I
have to sayt as far as candidian promoters go these people are solid
people Ive played for them 3 years in arow now and not one time have I had
a problem and when I did the clonk stage fro them 3 years ago they
supported the project well beyond what they needed to...
I didnt see people sticking up thier snotty techno noses in past years
when I had them book todd sines, kerri o, machine, kero (hows playing this
year also) and so on... so get a life and grow up


On Fri, 11 Jun 2004 [EMAIL PROTECTED] wrote:





 entwined amidst the magical Canadian wilderness.

 sorry but who the hell talks like this anymore?
 all seems a bit too Baggins don't it?

 MEK




   Neil Wiernik
   [EMAIL PROTECTED]To:   313@hyperreal.org
   g   cc:
Subject:  (313) om 2004
june 18-24 full details
   06/11/04 07:57 AM








 OM Summer Solstice Festival 2004, June 18-21, Ontario, CANADA

 The OM Summer Solstice Festival is an annually anticipated gathering of
 global and local networks in rural Ontario, Canada. It is the opportunity
 to unite as one movement in celebration of music, art, activism and
 forward thinking.

 Its a place to create and inspire, a space to educate and empower and most
 importantly, a chance to unite and celebrate the strength of our
 community. We invite you to join us for 4 days together under the sun and
 stars while the midsummer night and longest day of the year converge.

 This year, OM will include diverse sights and sounds. Eight sound villages
 will feature a cross-section of live musical and visual performances, djs,
 and workshops - all presented in a comprehensive edutainment environment.
 In addition to the creativity YOU bring, we will host inspiring talks, art
 installations, theme villages, a healing annex, a freeskool, a film
 festival, an art gallery, and a free community kitchen all entwined amidst
 the magical Canadian wilderness.

 The OM Festival was born 7 years ago and as each year passes, it continues
 to organically develop into a thriving and radiant entity of free
 expression.

 Spread the sound

 Yes! Om has a NEW location for this year! One we have never used before.
 The amazing site features lots of shade for camping, a spectacular pine
 forest, gently rolling green hills and open fields, and of course, water
 for swimming.

 We realize many of you want to know where Om is. However, we will not be
 disclosing the location of Om until closer to the solstice.

 The location of the festival is accessible by foot, bike, BUS or car. It
 is located in the Ottawa Valley corridor conveniently between Toronto
 Ottawa and Montreal. It is a 3.5 hour drive from Toronto. 2.5 hours from
 Ottawa and 4 hours from Montreal. For planning sake, aim in the direction
 of Bancroft, Ontario, and imagine a 30 minute to 40 minute drive along
 back roads from there. keep checking www.omfestival.ca for the location
 details closer to the festival date.

 In the sprit of the non-spectator, participant economy that we try to
 cultivate at OM, while attempting to build some sort of year round
 sustainable member based community, weve really tried to keep prices fair
 this year, by offering the following annual membership options:

 OMERS - $90 advance
 These are Memberships for general participants of the festival.

 VILLAGERS - $80 (limited supply - SOLD OUT!)
 To encourage community involvement, these Memberships are reserved for
 those groups who organize and participate as part of a Theme Village.
 These Memberships are in limited supply. **Unfortunately the deadline for
 Theme Villages has passed for 2004. Hope to hear from you next year!**

 OMIES - $30 (limited supply - SOLD OUT!)
 To further encourage community involvement, these Memberships are reserved
 for those participants who wish to take on volunteer shifts at this years
 festival. We offer these Memberships in exchange for 8 hours of work (2 4
 hour shifts). These Memberships are also in limited supply. **The deadline
 to register was June 3 and we have filled all volunteer positions. For
 more information on volunteer memberships click here and look under
 participate  volunteer.**

 **This year there will be a car tax for every vehicle. If you dont plan to
 share costs 

Re: AW: (313) om 2004 june 18-24 full details

[Neil Wiernik]

you should contact om people about that...
as for the city kid...
hahahahahaha 


On Fri, 11 Jun 2004, Katrin Richter wrote:

 Hey Neil,

 I love the Om concept and would love to go there (and help as a volunteer).
 Don't let the city kid get on your nerves :)! He might be heading to some
 hippie do like Glastonbury in the UK and then tell his yuppie mate how
 wicked it was to camp in the Somerset fields shouting bollox! Off his 'ead
 on shrooms.

 Peace
 Kat



 -Ursprüngliche Nachricht-
 Von: Neil Wiernik [mailto:[EMAIL PROTECTED]
 Gesendet: Freitag, 11. Juni 2004 17:59
 An: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Betreff: Re: (313) om 2004 june 18-24 full details


 what ever man I didnt write this sorry om isnt cool enough for you but I
 have to sayt as far as candidian promoters go these people are solid
 people Ive played for them 3 years in arow now and not one time have I had
 a problem and when I did the clonk stage fro them 3 years ago they
 supported the project well beyond what they needed to...
 I didnt see people sticking up thier snotty techno noses in past years
 when I had them book todd sines, kerri o, machine, kero (hows playing this
 year also) and so on... so get a life and grow up


 On Fri, 11 Jun 2004 [EMAIL PROTECTED] wrote:

 
 
 
 
  entwined amidst the magical Canadian wilderness.
 
  sorry but who the hell talks like this anymore?
  all seems a bit too Baggins don't it?
 
  MEK
 
 
 
 
Neil Wiernik
[EMAIL PROTECTED]To:   313@hyperreal.org
g   cc:
 Subject:  (313) om 2004
 june 18-24 full details
06/11/04 07:57 AM
 
 
 
 
 
 
 
 
  OM Summer Solstice Festival 2004, June 18-21, Ontario, CANADA
 
  The OM Summer Solstice Festival is an annually anticipated gathering of
  global and local networks in rural Ontario, Canada. It is the opportunity
  to unite as one movement in celebration of music, art, activism and
  forward thinking.
 
  Its a place to create and inspire, a space to educate and empower and most
  importantly, a chance to unite and celebrate the strength of our
  community. We invite you to join us for 4 days together under the sun and
  stars while the midsummer night and longest day of the year converge.
 
  This year, OM will include diverse sights and sounds. Eight sound villages
  will feature a cross-section of live musical and visual performances, djs,
  and workshops - all presented in a comprehensive edutainment environment.
  In addition to the creativity YOU bring, we will host inspiring talks, art
  installations, theme villages, a healing annex, a freeskool, a film
  festival, an art gallery, and a free community kitchen all entwined amidst
  the magical Canadian wilderness.
 
  The OM Festival was born 7 years ago and as each year passes, it continues
  to organically develop into a thriving and radiant entity of free
  expression.
 
  Spread the sound
 
  Yes! Om has a NEW location for this year! One we have never used before.
  The amazing site features lots of shade for camping, a spectacular pine
  forest, gently rolling green hills and open fields, and of course, water
  for swimming.
 
  We realize many of you want to know where Om is. However, we will not be
  disclosing the location of Om until closer to the solstice.
 
  The location of the festival is accessible by foot, bike, BUS or car. It
  is located in the Ottawa Valley corridor conveniently between Toronto
  Ottawa and Montreal. It is a 3.5 hour drive from Toronto. 2.5 hours from
  Ottawa and 4 hours from Montreal. For planning sake, aim in the direction
  of Bancroft, Ontario, and imagine a 30 minute to 40 minute drive along
  back roads from there. keep checking www.omfestival.ca for the location
  details closer to the festival date.
 
  In the sprit of the non-spectator, participant economy that we try to
  cultivate at OM, while attempting to build some sort of year round
  sustainable member based community, weve really tried to keep prices fair
  this year, by offering the following annual membership options:
 
  OMERS - $90 advance
  These are Memberships for general participants of the festival.
 
  VILLAGERS - $80 (limited supply - SOLD OUT!)
  To encourage community involvement, these Memberships are reserved for
  those groups who organize and participate as part of a Theme Village.
  These Memberships are in limited supply. **Unfortunately the deadline for
  Theme Villages has passed for 2004. Hope to hear from you next year!**
 
  OMIES - $30 (limited supply - SOLD OUT!)
  To further encourage community involvement, these Memberships are reserved
  for those participants who wish to take on volunteer shifts at this years
  festival. We offer these Memberships in exchange for 8 hours of work (2 4
  hour shifts). These Memberships are also in limited supply. **The deadline
  to register 

AW: (313) Berlin

[roman]

Hi party people!
To all of you who feel the need to come to berlin now, read the post in
my weblog about the berlin loveweek:
http://www.energylab.de/wordpress/wp-trackback.php/282
nice lineup of dj's - i think about a hundred or so by now - many more
to follow!
Alex's experiences - one of the many reasons i chose to live here :)
Cheers
Roman/berlin/germany

-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Gesendet: Dienstag, 8. Juni 2004 11:31
An: 313@hyperreal.org
Betreff: (313) Berlin


Berlin is ace.
All the people dead polite and friendly, even to a drunken englishman.

I wrote a massive long post about it, but after reading back through it,
it details more about how much I drank than anything else. So I'm not
posting it

Briefly..

Made it to Hardwax, after drinking for about 6 hours straight and a load
of tequila. We virtually fell in there, must have stank of booze as
well.

anyway, great techno shop. Ken, you were 100% correct.

Managed to get to 2 clubs as well.

Water-Gate (fantastic place and views) till about 4/5 ish Tresor from
about 5.30 am till about 9.30 am.

That place is mental. Glad I went, nearly didn't bother.

Brilliant brilliant city, I need to go back, going to start saving
straight away. We barely scratched the surface of the place, feel like I
pretty much missed everything.

Massive thanks to all on here who gave me tips on where to go.

Alex _

- End of message text 

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AW: (313) no (ellen) alliens in nyc

[Katrin Richter]

Hey Resistance,

all Ellen did was trying to enter through Canada. I phoned Bpitch to ask for
the details. If she would have tried to enter from Germany, apparantly, her
visa would be okay. Does anyone know why the US is so restrictive with
people coming from just across the boarder Shema to see that the bookers
cannot react to the quick changes of law and order and custums. It's totally
random and no one knows what's going on.

Peace
Kat



-Ursprüngliche Nachricht-
Von: Carissa Tintinalli [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 18. Mai 2004 01:54
An: 313@hyperreal.org
Betreff: Re: (313) no (ellen) alliens in nyc

P.S. Also no CLaude Young.

From his post on DetroitLuv.com:

There was a misunderstanding with the booking for movement / demf. I am
only playing at the 7th City event, it is my label after all and the main
reason i decided to come home in the first place. Movement will be
spectacular and i will be there in the streets (probably with Shake  Dan
having a good time and visiting friends and family). but the festival
doesn't need me to be there to happen. Im only involved in my labels event
due to time constraints on my schedule in the USA. I fully support the
Movement festival 100%. So check it out if you can and ill see you down town
for a beer and a chat, 4 SURE!!! C out..

(link:
http://www.detroitluv.com/index.php?board=31;action=display;threadid=14685;s
tart=90)

_

RE: AW: (313) no (ellen) alliens in nyc

[Carissa Tintinalli]

Okay, that makes sense. That decision to deny her based on her entry point 
may seem a bit anal, I'm telling you, I live in Windsor and attend school in 
Detroit and deal with these people every day. They can get very nitpicky. 
I've been pulled over, asked to show all my documents, asked my entire 
coursehistory (with grades!!) and shown my student that IMMIGRATION HAD 
STAMPED AND SIGNED and had an officer STILL say he didn't believe I was 
enrolled in school. It's almost hilarious at times.


It is ultimately then responsibility of Ellen and her agents to know details 
like having to enter at the port that is specified on her visa, but I can 
completely undertsand them not knowing. There is ZERO consistency with 
immigration procedures right now, and it's an extremely confusing process.




From: Katrin Richter [EMAIL PROTECTED]
To: Carissa Tintinalli [EMAIL PROTECTED],313@hyperreal.org
Subject: AW: (313) no (ellen) alliens in nyc
Date: Tue, 18 May 2004 14:01:41 +0200

Hey Resistance,

all Ellen did was trying to enter through Canada. I phoned Bpitch to ask 
for

the details. If she would have tried to enter from Germany, apparantly, her
visa would be okay. Does anyone know why the US is so restrictive with
people coming from just across the boarder Shema to see that the 
bookers
cannot react to the quick changes of law and order and custums. It's 
totally

random and no one knows what's going on.

Peace
Kat



-Ursprüngliche Nachricht-
Von: Carissa Tintinalli [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 18. Mai 2004 01:54
An: 313@hyperreal.org
Betreff: Re: (313) no (ellen) alliens in nyc

P.S. Also no CLaude Young.

From his post on DetroitLuv.com:

There was a misunderstanding with the booking for movement / demf. I am
only playing at the 7th City event, it is my label after all and the main
reason i decided to come home in the first place. Movement will be
spectacular and i will be there in the streets (probably with Shake  Dan
having a good time and visiting friends and family). but the festival
doesn't need me to be there to happen. Im only involved in my labels event
due to time constraints on my schedule in the USA. I fully support the
Movement festival 100%. So check it out if you can and ill see you down 
town

for a beer and a chat, 4 SURE!!! C out..

(link:
http://www.detroitluv.com/index.php?board=31;action=display;threadid=14685;s
tart=90)

_




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Re: AW: (313) no (ellen) alliens in nyc

[Dennis DeSantis]

Carissa Tintinalli wrote:

There is ZERO 
consistency with immigration procedures right now, and it's an extremely 
confusing process.


This shouldn't come as a surprise.  These are largely people with room 
temperature IQs who, prior to 2001, were treated like something less 
than your average Wal-Mart rent-a-cop and now are treated like they're 
the front line of defense for Protecting The Homeland.


In March, I played a gig in Detroit and came through Canada via a car 
rented in Toronto.  They were mystified as to why an American citizen 
would be coming into the country from somewhere else and, since I was 
driving some foreigners (Germans and Canadians from Thinner) as well, we 
were a prime target for a more intrusive check.
We had to get out, wait in lines, get eyed suspiciously, fill out forms, 
pay processing fees, etc.  What they didn't do, however, is ask for my 
keys and actually search the car.  They thought they did though, and 
told me to pick up my keys from the front office before leaving, despite 
the fact that I was holding them the whole time.


The moral of the story is that it's all smoke and mirrors.  The stern 
glances from the ex-janitors running border security are supposed to 
make you feel like It's All Under Control.


None of these people have a clue what's going on, which is why seemingly 
arbitrary decisions like the situation with Ellen are commonplace in The 
New America.


Rant over,

--
Dennis DeSantis
www.dennisdesantis.com

RE: AW: (313) no (ellen) alliens in nyc

[Odeluga, Ken]

 

The moral of the story is that it's all smoke and mirrors.  The stern 
glances from the ex-janitors running border security are supposed to 
make you feel like It's All Under Control. 

None of these people have a clue what's going on, which is why seemingly 
arbitrary decisions like the situation with Ellen are commonplace in The 
New America. 
[Ken Odeluga] 

 Oh well, at least it makes you feel reassured that no terrorist will ever
be able to penetrate the United States through the inland borders.

k

Re: AW: (313) no (ellen) alliens in nyc

[Dennis DeSantis]

[EMAIL PROTECTED] wrote:

 During that whole period I was only stopped once

Oh, I've also gone through WITHOUT stopping the car at all.  Literally, 
I was waved through by a border guard without a question ever being asked.


My point was simply that it's random and entirely unorganized.  One day, 
it's total lockdown.  The next day, it's Al Qaeda Open House.


--
Dennis DeSantis
www.dennisdesantis.com

Re: AW: (313) no (ellen) alliens in nyc

[alugo]

LOLOL! You do have a point! I too have gotten the wave through. How in the hell 
can they consider waving cars secure?!? You're absolutely right...there is no 
method to their madness...

--

Peace,
Alex


 [EMAIL PROTECTED] wrote:
 
   During that whole period I was only stopped once
 
 Oh, I've also gone through WITHOUT stopping the car at all.  Literally, 
 I was waved through by a border guard without a question ever being asked.
 
 My point was simply that it's random and entirely unorganized.  One day, 
 it's total lockdown.  The next day, it's Al Qaeda Open House.
 
 -- 
 Dennis DeSantis
 www.dennisdesantis.com

Re: AW: (313) no (ellen) alliens in nyc

[alex . bond]

Al Qaeda Open House

is this on NuGroove?

Mark Wilson with Bin Laden on vocals?

sounds good.
_

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RE: AW: (313) no (ellen) alliens in nyc

[Blackman, Ryan (UKEKT)]

I think Bin Laden was the producer.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 18 May 2004 2:32 
To: 313@hyperreal.org
Subject: Re: AW: (313) no (ellen) alliens in nyc



Al Qaeda Open House

is this on NuGroove?

Mark Wilson with Bin Laden on vocals?

sounds good.
_

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telecommunications systems. By replying to this e-mail you
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Re: AW: (313) no (ellen) alliens in nyc

[robin]

it's all about getting you used to not having any civil liberties. the 
terrorist threat is just a useful excuse for the authorities to do this.


you'll never stop terrorism as you can always think up schemes to get 
around any control in place.


the same is true over here (UK)

ok i'm off topic now so i'll shut up


robin...

Dennis DeSantis wrote:

[EMAIL PROTECTED] wrote:

  During that whole period I was only stopped once

Oh, I've also gone through WITHOUT stopping the car at all.  Literally, 
I was waved through by a border guard without a question ever being asked.


My point was simply that it's random and entirely unorganized.  One day, 
it's total lockdown.  The next day, it's Al Qaeda Open House.

Re: AW: (313) no (ellen) alliens in nyc

[Carissa Tintinalli]

Even better than waving cars through - flirting with young Canadian girls on 
their way to school. Unless asking people on dates is some secret 
immigration technique to weed out terrorists...




From: [EMAIL PROTECTED]

LOLOL! You do have a point! I too have gotten the wave through. How in the 
hell can they consider waving cars secure?!? You're absolutely 
right...there is no method to their madness...


--
 [EMAIL PROTECTED] wrote:

   During that whole period I was only stopped once

 Oh, I've also gone through WITHOUT stopping the car at all.  Literally,
 I was waved through by a border guard without a question ever being 
asked.


 My point was simply that it's random and entirely unorganized.  One day,
 it's total lockdown.  The next day, it's Al Qaeda Open House.

 --
 Dennis DeSantis
 www.dennisdesantis.com


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Re: AW: (313) no (ellen) alliens in nyc

[Dennis DeSantis]

[EMAIL PROTECTED] wrote:



is this on NuGroove?

Mark Wilson with Bin Laden on vocals?



I think so.  The Al-Zawahiri remix on the flip is the real floor burner, 
IMO, especially with that killer conga groove by Karl Rove.



--
Dennis DeSantis
www.dennisdesantis.com

RE: AW: (313) no (ellen) alliens in nyc

[alex . bond]

I think Bin Laden was the producer.

more underground than Underground Resistance that lad.
_

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This e-mail is sent by the above named in their
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e-mails and other telecommunications on its e-mail and
telecommunications systems. By replying to this e-mail you
give your consent to such monitoring

RE: AW: (313) no (ellen) alliens in nyc

[John Coleman]

Security at Federal buildings is equally inconsistent.

I'm a contractor with the DoD right now, and the other day I got stopped
and questioned on the way in from lunch because there was a fork in my
lunch bag. The same fork I strolled right through security with on the way
in that morning.

I guess forks are a major potential security risk. I know if I were to
attack a large federal building my first choice of tools would be a fork.
:)

john.


 The moral of the story is that it's all smoke and mirrors.  The stern
 glances from the ex-janitors running border security are supposed to
 make you feel like It's All Under Control.

 None of these people have a clue what's going on, which is why seemingly
  arbitrary decisions like the situation with Ellen are commonplace in
 The  New America.
 [Ken Odeluga]

  Oh well, at least it makes you feel reassured that no terrorist will
 ever
 be able to penetrate the United States through the inland borders.

 k

Re: AW: (313) no (ellen) alliens in nyc

[alugo]

Well, I have to draw the line there..! I can't anyone for that..I too have a 
special fondness in my heart for Canadian girls..:)

But to keep this somwaht OT..what is the current climate over in Windsor when 
it comes to techno..any good events happening over there as of late? Is 
thinkbox still around?

Peace,
Alex


 Even better than waving cars through - flirting with young Canadian girls on 
 their way to school. Unless asking people on dates is some secret 
 immigration technique to weed out terrorists...
 
 
 From: [EMAIL PROTECTED]
 
 LOLOL! You do have a point! I too have gotten the wave through. How in the 
 hell can they consider waving cars secure?!? You're absolutely 
 right...there is no method to their madness...
 
 --
   [EMAIL PROTECTED] wrote:
  
 During that whole period I was only stopped once
  
   Oh, I've also gone through WITHOUT stopping the car at all.  Literally,
   I was waved through by a border guard without a question ever being 
 asked.
  
   My point was simply that it's random and entirely unorganized.  One day,
   it's total lockdown.  The next day, it's Al Qaeda Open House.
  
   --
   Dennis DeSantis
   www.dennisdesantis.com
 
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 hotmail.com/encaHL=Market_MSNIS_Taglines
 

RE: AW: (313) no (ellen) alliens in nyc

[iancheshire]

properly forked then.

-Original Message- 
From: John Coleman [mailto:[EMAIL PROTECTED] 
Sent: Tue 18/05/2004 14:58 
To: 313@hyperreal.org 
Cc: 
Subject: RE: AW: (313) no (ellen) alliens in nyc



Security at Federal buildings is equally inconsistent.

I'm a contractor with the DoD right now, and the other day I got stopped
and questioned on the way in from lunch because there was a fork in my
lunch bag. The same fork I strolled right through security with on the 
way
in that morning.

I guess forks are a major potential security risk. I know if I were to
attack a large federal building my first choice of tools would be a 
fork.
:)

john.


 The moral of the story is that it's all smoke and mirrors.  The stern
 glances from the ex-janitors running border security are supposed to
 make you feel like It's All Under Control.

 None of these people have a clue what's going on, which is why 
seemingly
  arbitrary decisions like the situation with Ellen are commonplace in
 The  New America.
 [Ken Odeluga]

  Oh well, at least it makes you feel reassured that no terrorist will
 ever
 be able to penetrate the United States through the inland borders.

 k

Re: AW: (313) no (ellen) alliens in nyc

[Carissa Tintinalli]

Techno in Windsorgood question.

Thinkbox is definitely shaping up to be a major member, especially with 
their upcoming gig at Mutek, although I can't say they play out very often 
in Windsor except for the odd show at Noi or art galleries.


Velvet Lounge always has a solid deep house lineup, but the major clubs have 
been mainly sticking the more progressive sounds (big suprise). The more 
grass roots evants have been centered around drum and bass, and ironically 
the DB scene in Windsor seems more unified and consisten than its Detroit 
counterpart.


But yeahtechno hasn't really had a consisten presence in Windsor for 
awhile. The days of Plus 8 parties at the Loop and Dan Bell playing in dingy 
back alley basements are unfortunately over. :-/



From: [EMAIL PROTECTED]

But to keep this somwaht OT..what is the current climate over in Windsor 
when it comes to techno..any good events happening over there as of late? 
Is thinkbox still around?


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Re: AW: (313) no (ellen) alliens in nyc

[Kent williams]

On the frontlines of the anti-terrorism war: My wife just flew back from
Phoenix AZ. At the security checkpoint they stopped her and searched her
carry on bag because they said it looked like there was a knife in it.
After poking around the security guy found a toothbrush and decided it was
what had shown up on the X Ray.

When she got home, she dumped out her purse to find something and what do
you know, there was a restaurant butter knife in it. One of her mildly
nutso friends in Phoenix thinks it's funny to sneak restaurant cutlery into
other people's purses.

That doesn't make me feel any safer.

Re: AW: (313) no (ellen) alliens in nyc

[Dennis DeSantis]

Kent williams wrote:


When she got home, she dumped out her purse to find something and what do
you know, there was a restaurant butter knife in it. 



The moral of the story is that it's far far easier to make people feel 
safer by putting on a look how safe you are carnival than it is to 
actually make people safer.


This is the same sort of thinking that leads generals in Iraq to tell us 
we're making progress 97 times a day in press conferences, despite the 
fact that there's only evidence to the contrary.


And it's why Ellen Allien doesn't get to play in the US.  Because it 
allows someone to fulfill some sort of immigration rejection quota 
without actually having to do any work.



--
Dennis DeSantis
www.dennisdesantis.com

Re: AW: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

Very 1984 isn't it?

MEK



  
  robin 
  
  [EMAIL PROTECTED]To:   Dennis DeSantis 
[EMAIL PROTECTED]  
  ctric.com   cc:   313@hyperreal.org 
313@hyperreal.org  
   Subject:  Re: AW: (313) no 
(ellen) alliens in nyc  
  05/18/04 08:33 AM 
  

  

  





it's all about getting you used to not having any civil liberties. the
terrorist threat is just a useful excuse for the authorities to do this.

you'll never stop terrorism as you can always think up schemes to get
around any control in place.

the same is true over here (UK)

ok i'm off topic now so i'll shut up


robin...

Dennis DeSantis wrote:
 [EMAIL PROTECTED] wrote:

   During that whole period I was only stopped once

 Oh, I've also gone through WITHOUT stopping the car at all.  Literally,
 I was waved through by a border guard without a question ever being
asked.

 My point was simply that it's random and entirely unorganized.  One day,
 it's total lockdown.  The next day, it's Al Qaeda Open House.

Re: AW: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

We'll soon have all your secrets to where you keep your mooses of mass
destruction and maple syrup production - then we'll launch Operation Slap
Shot
Canada will soon be under our rather loose and inconsistent control.

MEK



  
  Carissa  
  
  Tintinalli  To:   313@hyperreal.org  
  
  [EMAIL PROTECTED]cc: 
   
  mail.comSubject:  Re: AW: (313) no 
(ellen) alliens in nyc  

  
  05/18/04 08:35 AM 
  

  

  




Even better than waving cars through - flirting with young Canadian girls
on
their way to school. Unless asking people on dates is some secret
immigration technique to weed out terrorists...


From: [EMAIL PROTECTED]

LOLOL! You do have a point! I too have gotten the wave through. How in the

hell can they consider waving cars secure?!? You're absolutely
right...there is no method to their madness...

--
  [EMAIL PROTECTED] wrote:
 
During that whole period I was only stopped once
 
  Oh, I've also gone through WITHOUT stopping the car at all.  Literally,
  I was waved through by a border guard without a question ever being
asked.
 
  My point was simply that it's random and entirely unorganized.  One
day,
  it's total lockdown.  The next day, it's Al Qaeda Open House.
 
  --
  Dennis DeSantis
  www.dennisdesantis.com

_
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RE: AW: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

Fork it over...


groan

MEK



  
  John Coleman
  
  [EMAIL PROTECTED]To:   313@hyperreal.org   
   
  ic.com  cc:  
  
   Subject:  RE: AW: (313) no 
(ellen) alliens in nyc  
  05/18/04 08:58 AM 
  

  

  




Security at Federal buildings is equally inconsistent.

I'm a contractor with the DoD right now, and the other day I got stopped
and questioned on the way in from lunch because there was a fork in my
lunch bag. The same fork I strolled right through security with on the way
in that morning.

I guess forks are a major potential security risk. I know if I were to
attack a large federal building my first choice of tools would be a fork.
:)

john.


 The moral of the story is that it's all smoke and mirrors.  The stern
 glances from the ex-janitors running border security are supposed to
 make you feel like It's All Under Control.

 None of these people have a clue what's going on, which is why seemingly
  arbitrary decisions like the situation with Ellen are commonplace in
 The  New America.
 [Ken Odeluga]

  Oh well, at least it makes you feel reassured that no terrorist will
 ever
 be able to penetrate the United States through the inland borders.

 k

Re: AW: (313) no (ellen) alliens in nyc

[ubergirl]

As a US citizen and 'tourist' traveler - last summer I got hassles because I 
flew from Newark to Seattle, then took a train from Seattle to Vancouver, then 
flew from Vancouver back to Newark. Apparently the computers are setup to flag 
what they consider suspicious activity or patterns (who knows what criteria 
they base that on). I had to explain multiple times why I chose to take the 
train vs. flying (um, I wanted a nice relaxing ride up the coast to see the 
birds  water), why I went to the cities I did, etc. Then baggage search, etc. 
So with all this for just me, I shudder to think what others (esp 
artists/performers) have to go thru. It's a shame it's come to this.

:(

- Original Message -
From: Katrin Richter [EMAIL PROTECTED]
Date: Tuesday, May 18, 2004 8:01 am
Subject: AW: (313) no (ellen) alliens in nyc

 Hey Resistance,
 
 all Ellen did was trying to enter through Canada. I phoned Bpitch 
 to ask for
 the details. If she would have tried to enter from Germany, 
 apparantly, her
 visa would be okay. Does anyone know why the US is so restrictive with
 people coming from just across the boarder Shema to see that 
 the bookers
 cannot react to the quick changes of law and order and custums. 
 It's totally
 random and no one knows what's going on.
 
 Peace
 Kat
 
 
 
 -Ursprüngliche Nachricht-
 Von: Carissa Tintinalli [EMAIL PROTECTED]
 Gesendet: Dienstag, 18. Mai 2004 01:54
 An: 313@hyperreal.org
 Betreff: Re: (313) no (ellen) alliens in nyc
 
 P.S. Also no CLaude Young.
 
 From his post on DetroitLuv.com:
 
 There was a misunderstanding with the booking for movement / 
 demf. I am
 only playing at the 7th City event, it is my label after all and 
 the main
 reason i decided to come home in the first place. Movement will be
 spectacular and i will be there in the streets (probably with 
 Shake  Dan
 having a good time and visiting friends and family). but the festival
 doesn't need me to be there to happen. Im only involved in my 
 labels event
 due to time constraints on my schedule in the USA. I fully support the
 Movement festival 100%. So check it out if you can and ill see you 
 down town
 for a beer and a chat, 4 SURE!!! C out..
 
 (link:
 http://www.detroitluv.com/index.php?board=31;action=display;threadid=14685;s
 tart=90)
 
 _
 
 

Re: AW: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

Maybe if we all just get them something like a refrigerator magnet, or some
of those collectable tea spoons from a gift shop on our trips the customs
agents won't be so ornery.

MEK


   
  [EMAIL PROTECTED]
  e.netTo:   Katrin Richter [EMAIL 
PROTECTED]
   cc:   Carissa Tintinalli 
[EMAIL PROTECTED], 313@hyperreal.org
  05/18/04 10:42 AMSubject:  Re: AW: (313) no 
(ellen) alliens in nyc
   
   




As a US citizen and 'tourist' traveler - last summer I got hassles because
I flew from Newark to Seattle, then took a train from Seattle to Vancouver,
then flew from Vancouver back to Newark. Apparently the computers are setup
to flag what they consider suspicious activity or patterns (who knows what
criteria they base that on). I had to explain multiple times why I chose to
take the train vs. flying (um, I wanted a nice relaxing ride up the coast
to see the birds  water), why I went to the cities I did, etc. Then
baggage search, etc. So with all this for just me, I shudder to think what
others (esp artists/performers) have to go thru. It's a shame it's come to
this.

:(

- Original Message -
From: Katrin Richter [EMAIL PROTECTED]
Date: Tuesday, May 18, 2004 8:01 am
Subject: AW: (313) no (ellen) alliens in nyc

 Hey Resistance,

 all Ellen did was trying to enter through Canada. I phoned Bpitch
 to ask for
 the details. If she would have tried to enter from Germany,
 apparantly, her
 visa would be okay. Does anyone know why the US is so restrictive with
 people coming from just across the boarder Shema to see that
 the bookers
 cannot react to the quick changes of law and order and custums.
 It's totally
 random and no one knows what's going on.

 Peace
 Kat



 -Ursprüngliche Nachricht-
 Von: Carissa Tintinalli [EMAIL PROTECTED]
 Gesendet: Dienstag, 18. Mai 2004 01:54
 An: 313@hyperreal.org
 Betreff: Re: (313) no (ellen) alliens in nyc

 P.S. Also no CLaude Young.

 From his post on DetroitLuv.com:

 There was a misunderstanding with the booking for movement /
 demf. I am
 only playing at the 7th City event, it is my label after all and
 the main
 reason i decided to come home in the first place. Movement will be
 spectacular and i will be there in the streets (probably with
 Shake  Dan
 having a good time and visiting friends and family). but the festival
 doesn't need me to be there to happen. Im only involved in my
 labels event
 due to time constraints on my schedule in the USA. I fully support the
 Movement festival 100%. So check it out if you can and ill see you
 down town
 for a beer and a chat, 4 SURE!!! C out..

 (link:

http://www.detroitluv.com/index.php?board=31;action=display;threadid=14685;s

 tart=90)

 _

Re: AW: (313) no (ellen) alliens in nyc

[yussel]

i dunno about that, but i've definately flirted with a couple of them
hottie canadian border guards.

i told one that i was going to the Minus offices, and she said she loved
Richie Hawtin and i should look for her at the party that weekend.i think
i even gave her some Motor fliers.

i swear- they must get college credit for
working there.



On Tue, 18 May 2004, Carissa Tintinalli wrote:

 Even better than waving cars through - flirting with young Canadian girls on
 their way to school. Unless asking people on dates is some secret
 immigration technique to weed out terrorists...


 From: [EMAIL PROTECTED]
 
 LOLOL! You do have a point! I too have gotten the wave through. How in the
 hell can they consider waving cars secure?!? You're absolutely
 right...there is no method to their madness...
 
 --
   [EMAIL PROTECTED] wrote:
  
 During that whole period I was only stopped once
  
   Oh, I've also gone through WITHOUT stopping the car at all.  Literally,
   I was waved through by a border guard without a question ever being
 asked.
  
   My point was simply that it's random and entirely unorganized.  One day,
   it's total lockdown.  The next day, it's Al Qaeda Open House.
  
   --
   Dennis DeSantis
   www.dennisdesantis.com

 _
 Add photos to your messages with MSN Premium. Get 2 months FREE*
 http://join.msn.com/?pgmarket=en-capage=byoa/premxAPID=1994DI=1034SU=http://hotmail.com/encaHL=Market_MSNIS_Taglines

Re: AW: (313) no (ellen) alliens in nyc

[Neil Wiernik]

the reason why the boarder is so tight and the rules keep changing is not
becasue the candian govt want to make it hard to criss cross the boarder
its the US govt who feels that canada is a terrosit holding ground, ever
since 9/11 criss corssing the boarder has been a pain in the ass.
the us govt decied to impose restictions not only on us customes  but on
canadian customes and your fraidy cat govt followed suit for the most part
that is. also the rules for candian artists going over the boarder to
perform has changed also and in fact its a pretty heafty tax that
unfortuntly has to fall on the promotures and in term on the paying public
for the shows it makes tours of the us a very unappealing venture for
us canadians...



On Tue, 18 May 2004 [EMAIL PROTECTED] wrote:

 i dunno about that, but i've definately flirted with a couple of them
 hottie canadian border guards.

 i told one that i was going to the Minus offices, and she said she loved
 Richie Hawtin and i should look for her at the party that weekend.i think
 i even gave her some Motor fliers.

 i swear- they must get college credit for
 working there.



 On Tue, 18 May 2004, Carissa Tintinalli wrote:

  Even better than waving cars through - flirting with young Canadian girls on
  their way to school. Unless asking people on dates is some secret
  immigration technique to weed out terrorists...
 
 
  From: [EMAIL PROTECTED]
  
  LOLOL! You do have a point! I too have gotten the wave through. How in the
  hell can they consider waving cars secure?!? You're absolutely
  right...there is no method to their madness...
  
  --
[EMAIL PROTECTED] wrote:
   
  During that whole period I was only stopped once
   
Oh, I've also gone through WITHOUT stopping the car at all.  Literally,
I was waved through by a border guard without a question ever being
  asked.
   
My point was simply that it's random and entirely unorganized.  One day,
it's total lockdown.  The next day, it's Al Qaeda Open House.
   
--
Dennis DeSantis
www.dennisdesantis.com
 
  _
  Add photos to your messages with MSN Premium. Get 2 months FREE*
  http://join.msn.com/?pgmarket=en-capage=byoa/premxAPID=1994DI=1034SU=http://hotmail.com/encaHL=Market_MSNIS_Taglines
 
 


--
[neil adam wiernik aka naw]
 [EMAIL PROTECTED]
[music available on]
 http://www.noisefactoryrecords.com
 http://www.pieheadrecords.com
 http://www.worthyrecords.com
 http://www.complot.ca
[artist features]
 http://www.clevermusic.net
 http://www.newmusiccanada.com
 http://www.cognitionaudioworks.com
--

Re: AW: (313) no (ellen) alliens in nyc

[Michael . Elliot-Knight]

I suppose that's one reason why Claude Young said that he wouldn't be
coming back to the US for some time as well
I can imagine we're going to be seeing less and less non-US based artists
coming to the states. Unless things change of course.
Promoters just aren't going to be able to afford it.

MEK



  
  Neil Wiernik  
  
  [EMAIL PROTECTED]To:   313@hyperreal.org 
   
  g   cc:  
  
   Subject:  Re: AW: (313) no 
(ellen) alliens in nyc  
  05/18/04 02:10 PM 
  

  

  





the reason why the boarder is so tight and the rules keep changing is not
becasue the candian govt want to make it hard to criss cross the boarder
its the US govt who feels that canada is a terrosit holding ground, ever
since 9/11 criss corssing the boarder has been a pain in the ass.
the us govt decied to impose restictions not only on us customes  but on
canadian customes and your fraidy cat govt followed suit for the most part
that is. also the rules for candian artists going over the boarder to
perform has changed also and in fact its a pretty heafty tax that
unfortuntly has to fall on the promotures and in term on the paying public
for the shows it makes tours of the us a very unappealing venture for
us canadians...



On Tue, 18 May 2004 [EMAIL PROTECTED] wrote:

 i dunno about that, but i've definately flirted with a couple of them
 hottie canadian border guards.

 i told one that i was going to the Minus offices, and she said she loved
 Richie Hawtin and i should look for her at the party that weekend.i think
 i even gave her some Motor fliers.

 i swear- they must get college credit for
 working there.



 On Tue, 18 May 2004, Carissa Tintinalli wrote:

  Even better than waving cars through - flirting with young Canadian
girls on
  their way to school. Unless asking people on dates is some secret
  immigration technique to weed out terrorists...
 
 
  From: [EMAIL PROTECTED]
  
  LOLOL! You do have a point! I too have gotten the wave through. How in
the
  hell can they consider waving cars secure?!? You're absolutely
  right...there is no method to their madness...
  
  --
[EMAIL PROTECTED] wrote:
   
  During that whole period I was only stopped once
   
Oh, I've also gone through WITHOUT stopping the car at all.
Literally,
I was waved through by a border guard without a question ever being
  asked.
   
My point was simply that it's random and entirely unorganized.  One
day,
it's total lockdown.  The next day, it's Al Qaeda Open House.
   
--
Dennis DeSantis
www.dennisdesantis.com
 
  _
  Add photos to your messages with MSN Premium. Get 2 months FREE*
 
http://join.msn.com/?pgmarket=en-capage=byoa/premxAPID=1994DI=1034SU=http://hotmail.com/encaHL=Market_MSNIS_Taglines

 
 


--
[neil adam wiernik aka naw]
 [EMAIL PROTECTED]
[music available on]
 http://www.noisefactoryrecords.com
 http://www.pieheadrecords.com
 http://www.worthyrecords.com
 http://www.complot.ca
[artist features]
 http://www.clevermusic.net
 http://www.newmusiccanada.com
 http://www.cognitionaudioworks.com
--

Re: AW: (313) no (ellen) alliens in nyc

[Thomas D. Cox, Jr.]

-- Original Message --
From: [EMAIL PROTECTED]

I suppose that's one reason why Claude Young said that he 
wouldn't be
coming back to the US for some time as well
I can imagine we're going to be seeing less and less non-US based 
artists
coming to the states. Unless things change of course.
Promoters just aren't going to be able to afford it.

oh well. maybe people will start supporting good domestic talent. 
the lack of support certain individuals from the US get in their 
own country is ludicrous. 

tom 


andythepooh.com


 
   

Re: AW: (313) no (ellen) alliens in nyc

[Neil Wiernik]

I think its also one of the main reasons why so many NA artists have made
the move over to europe. I know that more and more canadian artists have
done or are thinking of doing so. its just to much trouble to both with
crossing the boarders all the time to plays shows, I know its the costs
and the boarder issues that have kept me from playing shows in the US and
even europe. when ever a promoture realises all the over head costs, of
work visa's and travel and what not they become very dissinterested very
fast. I can same the same from my perspective when doing shows out here
if I have to ocver all the costs I might as well just have the artist play
in my living room as Im gonna take a bath regarless of if I put it on in a
venue or in my living room. :)
sad but true... some thing has to give as more and more events will be
locals only. Not that locals only events are bad things but there comes a
point and time when an artist would like to play for more then the
converted and turn a few new heads on to his or hers music, and if these
costs dont come down soon that will not be happening any time soon


On Tue, 18 May 2004 [EMAIL PROTECTED] wrote:





 I suppose that's one reason why Claude Young said that he wouldn't be
 coming back to the US for some time as well
 I can imagine we're going to be seeing less and less non-US based artists
 coming to the states. Unless things change of course.
 Promoters just aren't going to be able to afford it.

 MEK



   Neil Wiernik
   [EMAIL PROTECTED]To:   313@hyperreal.org
   g   cc:
Subject:  Re: AW: (313) no 
 (ellen) alliens in nyc
   05/18/04 02:10 PM







 the reason why the boarder is so tight and the rules keep changing is not
 becasue the candian govt want to make it hard to criss cross the boarder
 its the US govt who feels that canada is a terrosit holding ground, ever
 since 9/11 criss corssing the boarder has been a pain in the ass.
 the us govt decied to impose restictions not only on us customes  but on
 canadian customes and your fraidy cat govt followed suit for the most part
 that is. also the rules for candian artists going over the boarder to
 perform has changed also and in fact its a pretty heafty tax that
 unfortuntly has to fall on the promotures and in term on the paying public
 for the shows it makes tours of the us a very unappealing venture for
 us canadians...



 On Tue, 18 May 2004 [EMAIL PROTECTED] wrote:

  i dunno about that, but i've definately flirted with a couple of them
  hottie canadian border guards.
 
  i told one that i was going to the Minus offices, and she said she loved
  Richie Hawtin and i should look for her at the party that weekend.i think
  i even gave her some Motor fliers.
 
  i swear- they must get college credit for
  working there.
 
 
 
  On Tue, 18 May 2004, Carissa Tintinalli wrote:
 
   Even better than waving cars through - flirting with young Canadian
 girls on
   their way to school. Unless asking people on dates is some secret
   immigration technique to weed out terrorists...
  
  
   From: [EMAIL PROTECTED]
   
   LOLOL! You do have a point! I too have gotten the wave through. How in
 the
   hell can they consider waving cars secure?!? You're absolutely
   right...there is no method to their madness...
   
   --
 [EMAIL PROTECTED] wrote:

   During that whole period I was only stopped once

 Oh, I've also gone through WITHOUT stopping the car at all.
 Literally,
 I was waved through by a border guard without a question ever being
   asked.

 My point was simply that it's random and entirely unorganized.  One
 day,
 it's total lockdown.  The next day, it's Al Qaeda Open House.

 --
 Dennis DeSantis
 www.dennisdesantis.com
  
   _
   Add photos to your messages with MSN Premium. Get 2 months FREE*
  
 http://join.msn.com/?pgmarket=en-capage=byoa/premxAPID=1994DI=1034SU=http://hotmail.com/encaHL=Market_MSNIS_Taglines

  
  
 

 --
 [neil adam wiernik aka naw]
  [EMAIL PROTECTED]
 [music available on]
  http://www.noisefactoryrecords.com
  http://www.pieheadrecords.com
  http://www.worthyrecords.com
  http://www.complot.ca
 [artist features]
  http://www.clevermusic.net
  http://www.newmusiccanada.com
  http://www.cognitionaudioworks.com
 --





--
[neil adam wiernik aka naw]
 [EMAIL PROTECTED]
[music available on]
 http://www.noisefactoryrecords.com
 http://www.pieheadrecords.com
 http://www.worthyrecords.com
 http://www.complot.ca
[artist features]
 http://www.clevermusic.net
 http://www.newmusiccanada.com
 http://www.cognitionaudioworks.com
--

Re: AW: (313) no (ellen) alliens in nyc

[Neil Wiernik]

and this I agree with also very much... for example we are about to loose
jeff milligan from canada for ever hes sick of the lack of respect he gets
as an artist locally to toronto and nationaly in canada, wh would he want
to stay here when in europe he gets to play all the time and can make a
living off of it...
strange folk we are here in north america as we tend not to support our
own...


On Tue, 18 May 2004, Thomas D. Cox, Jr. wrote:

 oh well. maybe people will start supporting good domestic talent.
 the lack of support certain individuals from the US get in their
 own country is ludicrous.

 tom

 
 andythepooh.com






--
[neil adam wiernik aka naw]
 [EMAIL PROTECTED]
[music available on]
 http://www.noisefactoryrecords.com
 http://www.pieheadrecords.com
 http://www.worthyrecords.com
 http://www.complot.ca
[artist features]
 http://www.clevermusic.net
 http://www.newmusiccanada.com
 http://www.cognitionaudioworks.com
--

AW: (313) Workout Tracks

[Katrin Richter]

I don't work out. I go in clubs and dance. Which makes me get drenched in
sweat. I tried to go to a gym but it bored me to death.
Even with a music playing device I could not entrance myself to the degree I
didn't know how I got there. So I started doing sports outdoors. With real
people.




-Ursprüngliche Nachricht-
Von: Marc Langsman [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 14. Mai 2004 18:37
An: doris; Thorin Teague
Cc: 313@hyperreal.org
Betreff: Re: (313) Workout Tracks

It'd have to be some Funk/Deeon - Shake what yo mama gave ya !

I have to confess I have actually listened to ghetto in a gym before - makes
the whole experience a lot more amusing :)

peace,
marc

- Original Message -
From: doris [EMAIL PROTECTED]
To: Thorin Teague [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Friday, May 14, 2004 5:35 PM
Subject: Re: (313) Workout Tracks


 carl craig's 'the workout' - duh =P


 On Fri, 14 May 2004, Thorin Teague wrote:

  Dunno if this ground has already been covered, but I'm curious to know
who
  likes what tracks/artists for working out? Do you like the more
loud/banging
  stuff, or more subdued music? I can go either way.
 
  I find myself listening to:
 
  Dale Lawrence, Plastikman, Green Velvet, Jay Denham, Dopplereffekt, Daft
  Punk, Suburban Knight, Mad Mike, Rob Hood (c. 1994-1996), and who knows
what
  else.
 
  I generally look to go into sort of a trance (pardon the expression, I'm
in
  no way referencing euro-cheesehead techno), not unlike what Mr. Cox is
  describing here.
 
  Thomas D. Cox, Jr. writes:
 
   ive been listening to that CD when im working out, it can get
   really intense, i close my eyes and when im done, im drenched in
   sweat and cant remember how the time went by. its also good for
 
 
 

Re: AW: (313) Workout Tracks

[Thomas D. Cox, Jr.]

-- Original Message --
From: Katrin Richter [EMAIL PROTECTED]

I don't work out. I go in clubs and dance. Which makes me get 
drenched in
sweat. I tried to go to a gym but it bored me to death.
Even with a music playing device I could not entrance myself to 
the degree I
didn't know how I got there. So I started doing sports outdoors. 
With real
people.

thats why you should do all 3! i go to the gym to work on my 
endurance and leg strength for playing basketball, which i do at 
least once a week with my friends. and then when theres good music 
at a club, i go dance. if i had to wait for good music to come 
here for me to get some physical exercise, it would never happen. 

tom 


andythepooh.com


 
   

AW: (313) Laurent Garnier

[Katrin Richter]

Here's bits of the Laurent Garnier newsletter in case someone is interested
in Laurent's hot picks..

Check the website You will find a long long long playlist with 40
dancefloor tracks of BRYAN ZENTZ, FABRICE LIG, FUNK D VOID, JORIS VOORN or
VINCE WATSON... And always the selection of electronic albums and other cool
stuff... 2 months without playlist, Laurent was late... So... Enjoy !
www.laurentgarnier.com



-Ursprüngliche Nachricht-
Von: Robert Taylor [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 27. April 2004 17:53
An: Kent williams; 313 list
Betreff: RE: (313) My take on Laurent Garnier

I was at the gig Martin was at and he was quite disappointing - He played a
'party' section as if he was a at a student's union. He played Out Of Space,
which was welcome last year at Sonar, but when he drops it in set after set,
the novelty wears off a bit. He played an inexusable half hour of execrable
nuskoolbreaks.  He also played some excellent stuff but he certainly seemed
a shadow of his former self -  every set was full of surprises in the old
days and he did seemed to be treading water on this occasion - last year's
Sonar set was one of my favourite clubbing experiences ever, so I am not
'hating' him, just demonstrating why Martin made those comments about him

-Original Message-
From: Kent williams [mailto:[EMAIL PROTECTED]
Sent: Tuesday, April 27, 2004 2:45 PM
To: 313 list
Subject: (313) My take on Laurent Garnier


After all the hooting and hollering, I think a couple of things need
to be said:

1. Laurent is one of the O.G. Technotourists, who started coming to Detroit
to hang out and play years and years ago. He is every bit the fan as you or
I. He LOVES Detroit -- the music and the city and the people.

2. While he's not the only producer in France, or the first, he is one of
France's true pioneers in Dance music, and is a hero to French kids. France
is in its own way as insular and conservative as the US, and Laurent
introduced
and championed US house and techno to an audience that isn't always
receptive
to new music from elsewhere. His infectious enthusiasm for the music, and
his skills in reading and motivating a crowd, allows him to lead and educate
an audience.

If you don't like him, or were underwhelmed when you saw him, that's fine..
It's horses for courses.  I only like some of what he's done as a producer.
But I will always have huge respect for what he's accomplished


#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated.
This email
and any files transmitted are confidential and intended solely for the use
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error, please notify [EMAIL PROTECTED]

Thank You.

#

AW: (313) More Records

[ko broken electronica industries]

-
Also has an (I think) unreleased Jeff Mills track

Mosaigna - awesome tune, phat kicks. :0D
-


got released in '97 on essence records.
http://www.discogs.com/release/34270

cheers,
d

AW: (313) jeff mills

[Katrin Richter]

Does the real Mills know :)?



-Ursprüngliche Nachricht-
Von: robin [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 22. April 2004 16:44
An: [EMAIL PROTECTED]
Cc: Neil Tomlinson; [EMAIL PROTECTED]; 313@hyperreal.org
Betreff: Re: (313) jeff mills


and did he know his name was rhyming slang? lol

robin...


[EMAIL PROTECTED] wrote:
 yeah I reckon we should all sign it and say how much we appreciate his
contribution to electronic
 music :)

   -Original Message-
   From: Neil Tomlinson [mailto:[EMAIL PROTECTED]
   Sent: Thu 22/04/2004 15:22
   To: [EMAIL PROTECTED]; 313@hyperreal.org
   Cc:
   Subject: RE: (313) jeff mills



   Guestbook is very funny



   -Original Message-
   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
   Sent: 22 April 2004 14:36
   To: 313@hyperreal.org
   Subject: (313) jeff mills


   http://www.jeffmills.co.uk/

   : )
   _

   - End of message text 

   This e-mail is sent by the above named in their
   individual, non-business capacity and is not on
   behalf of PricewaterhouseCoopers.

   PricewaterhouseCoopers may monitor outgoing and incoming
   e-mails and other telecommunications on its e-mail and
   telecommunications systems. By replying to this e-mail you
   give your consent to such monitoring

AW: (313) Future

[Katrin Richter]

I think space has become a dated concept as people realise that not even the
present is really enjoyable. Wars, poverty, debts, pollution... Why being
exited about the future? It might suck even more...

Maybe it's time for some Post-Futurism. Or maybe not... this is what I found
about Futurism as an art form:


Futurism was an international art movement founded in Italy in 1909. It was
(and is) a refreshing contrast to the weepy sentimentalism of Romanticism.
The Futurists loved speed, noise, machines, pollution, and cities; they
embraced the exciting new world that was then upon them rather than
hypocritically enjoying the modern world's comforts while loudly denouncing
the forces that made them possible. Fearing and attacking technology has
become almost second nature to many people today; the Futurist manifestos
show us an alternative philosophy. Too bad they were all Fascists.
http://www.unknown.nu/futurism/
Manifesto of Futurism
1. We intend to sing the love of danger, the habit of energy and
fearlessness.
2. Courage, audacity, and revolt will be essential elements of our poetry.
3. Up to now literature has exalted a pensive immobility, ecstasy, and
sleep. We intend to exalt aggresive action, a feverish insomnia, the racer's
stride, the mortal leap, the punch and the slap.
4. We affirm that the world's magnificence has been enriched by a new
beauty: the beauty of speed. A racing car whose hood is adorned with great
pipes, like serpents of explosive breath-a roaring car that seems to ride on
grapeshot is more beautiful than the Victory of Samothrace.
5. We want to hymn the man at the wheel, who hurls the lance of his spirit
across the Earth, along the circle of its orbit.
6. The poet must spend himself with ardor, splendor, and generosity, to
swell the enthusiastic fervor of the primordial elements.
7. Except in struggle, there is no more beauty. No work without an
aggressive character can be a masterpiece. Poetry must be conceived as a
violent attack on unknown forces, to reduce and prostrate them before man.
8. We stand on the last promontory of the centuries!... Why should we look
back, when what we want is to break down the mysterious doors of the
Impossible? Time and Space died yesterday. We already live in the absolute,
because we have created eternal, omnipresent speed.
9. We will glorify war-the world's only hygiene-militarism, patriotism, the
destructive gesture of freedom-bringers, beautiful ideas worth dying for,
and scorn for woman.
10. We will destroy the museums, libraries, academies of every kind, will
fight moralism, feminism, every opportunistic or utilitarian cowardice.
11. We will sing of great crowds excited by work, by pleasure, and by riot;
we will sing of the multicolored, polyphonic tides of revolution in the
modern capitals; we will sing of the vibrant nightly fervor of arsenals and
shipyards blazing with violent electric moons; greedy railway stations that
devour smoke-plumed serpents; factories hung on clouds by the crooked lines
of their smoke; bridges that stride the rivers like giant gymnasts, flashing
in the sun with a glitter of knives; adventurous steamers that sniff the
horizon; deep-chested locomotives whose wheels paw the tracks like the
hooves of enormous steel horses bridled by tubing; and the sleek flight of
planes whose propellers chatter in the wind like banners and seem to cheer
like an enthusiastic crowd.
http://www.unknown.nu/futurism/manifesto.html



-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 21. April 2004 10:50
An: 313@hyperreal.org
Betreff: (313) the future

whatever happened to the future?
did it become an outdated concept?

as I sat watching Matthew Herbert and his bag of crisps band last night, I
realised I was watching a 50 year old (at least) show.

then, I thought, all the bands I've seen lately have harked to the past,
really heavily. All the records I buy are obsessed with the past, or are
old.

even techno isn't futuristic any more. Jeff Mills scores films from the
'20's, Red Planet titles are all about native american indian issues,
instead of sex in zero gravity or journey to the martian polar
cap.. There's no time, space, transmat business anymore. I mean,
even the word transmat was made up wasn't it? No one does that any more,
there's no dreamers left, just flippin' historians.

so why? is it too scary to contemplate any more?

AW: (313) the future

[Katrin Richter]

I agree. I prefer art that is self explanatory and appeals to the
onlooker/listener without needing a theory to support it.



-Ursprüngliche Nachricht-
Von: Dennis DeSantis [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 21. April 2004 13:24
An: ha
Cc: 313@hyperreal.org
Betreff: Re: (313) the future

ha wrote:

  maybe it
 wouldn't be very entertaining and maybe you wouldn't even have to actually
 see / hear it to get the idea

To get the idea of the concept, maybe.  But to get the idea of the
artistic experience?  Absurd.

THIS is the sort of reductio ad absurdum situation that purely
conceptual art can lead to.  If the entire weight of the art can be
summarized in the writings about the art, then where's the art?

If the real meat of your work is in your program
notes/explanations/justifications, then why call yourself a
composer/painter/sculptor?

That particular breed of artist is worth absolutely nothing to me.

--
Dennis DeSantis
www.dennisdesantis.com

AW: (313) the future (a different approach)

[Katrin Richter]

I am really exited about the fact that anything is possible. I am my own
future.



-Ursprüngliche Nachricht-
Von: Ronny Pries [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 21. April 2004 14:02
An: 313
Betreff: Re: (313) the future (a different approach)

since this thread seems to be related to the things we know for a long
time, i'd be interested in your 2 latest discoveries of which you think
they are new (you didn't know them before). may it be websites,
movements, phenomenas or a band you just discovered, whatever. i'm
pretty sure there are things to discover others didn't know before but
are worth beeing checked out. i'm curious about the results.

ronny

AW: (313) Loveparade 2004?

[Katrin Richter]

To your information: The Love Parade is a parade which is only during the
day from 2 to ten pm. You are probably talking about all the other events
that take place during the whole weekend in numerous clubs around Berlin




-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 19. April 2004 20:40
An: Blackman, Ryan (UKEKT)
Cc: Robert Taylor; Jari Tolkkinen; 313@hyperreal.org
Betreff: RE: (313) Loveparade 2004?

but are the promarily dace events?

we can debate the meanng of 'festival' all day to no avail.

i was mearly pointing out the some of hat people call 'festivals' are just
big night long events- hardly the same a full weekend offered up by love
parade or movement

On Mon, 19 Apr 2004, Blackman, Ryan (UKEKT) wrote:

 I don't know about that - take Glastonbury Festival, or Reading, Isle Of
 Wight, all the Virgin rubbish they do here too - none of those are free,
but
 they're definately festivals.

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Sent: 16 April 2004 6:04
 To: Robert Taylor
 Cc: Jari Tolkkinen; 313@hyperreal.org
 Subject: RE: (313) Loveparade 2004?


 my point was- aren't awakenings just giant raves where you pay ticket and
 walk through security and have you 10-12 hours of technoy goodness and go
 home?

 as opposed to festivals like love parade and movement that arr free and
 open to the public. they take place in a public space as opposed to a
 'venue' and encompass a whole weekends worth of happenings as opposed to
 just one long night out.

 On Fri, 16 Apr 2004, Robert Taylor wrote:

  Eryes. That's what festivals are, Yussel!
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 15, 2004 5:31 PM
  To: Robert Taylor
  Cc: Jari Tolkkinen; 313@hyperreal.org
  Subject: RE: (313) Loveparade 2004?
 
 
  am i wrong, or arent' these more just giant parties?
 
 
 
 
 
  On Thu, 15 Apr 2004, Robert Taylor wrote:
 
   I can think of two off the top of my head.
  
   Primavera: http://www.primaverasound.com/
 !!! (SMOG) 12TWELVE 24 GRANA A TOUCH OF CLASS (DJ'S) ALEXANDER
 ROBOTNICK ASCII.DISKO ATOM RHUMBA B. FLEISCHMANN BENJAMIN BIOLAY BLACK
 STROBE CASIOTONE FOR THE PAINFULLY ALONE CHICKS ON SPEED AND THE NO HEADS
 CHUCHO COLDER CRISTIAN VOGEL (DJ) DAVID HOLMES (DJ) DAYNA KURTZ DEVENDRA
 BANHART DIZZEE RASCAL DJ/RUPTURE DOMINIQUE A EDISON WOODS ELBOW
ELECTRELANE
 EROL ALKAN (DJ) FANNYPACK FERENC FERNANDO ALFARO  NACHO VEGAS FRANZ
 FERDINAND FUNK D'VOID (DJ) GINFERNO HUMBERT HUMBERT JAMES CHANCE  THE
 CONTORTIONS JAMES MURPHY (DJ) JASON FORREST/ DONNA SUMMER JULIE DELPY
JULIE
 DOIRON KID 606 LA BUENA VIDA LAS PERRAS DEL INFIERNO LIARS LLOYD COLE
LLUÍS
 LLACH LOVE OF LESBIAN LUKE SLATER (DJ) MARCO PASSARANI (DJ) MATMOS MICHAEL
 GIRA MISS KITTIN (DJ) MUDHONEY NINA NASTASIA NUMBERS PAT MacDONALD PIXIES
PJ
 HARVEY PLAID PREFUSE 73 PRETTY GIRLS MAKE GRAVES PRIMAL SCREAM REFREE
RHYTHM
  SOUND featuring Paul St. Hilaire RUPER ORDORIKA SCISSOR SISTERS SUN KIL
 MOON TÉLÉFAX TECHNASIA (DJ) THE BUG THE DIVINE COMEDY THE FALL THE GLIMMER
 TWINS DJ'S THE HIDDEN CAMERAS THE LADYBUG TRANSISTOR THE MODERNIST THE
 RAVEONETTES THE RUSSIAN FUTURISTS VERACRUZ WILCO WILLARD GRANT CONSPIRACY
 XIU XIU
  
   Awakenings: http://www.awakenings.nl/
  
LIVE:
   Alexander Kowalski
   Carlos Rios  Vincent de Wit
   Jacek Sienkiewics
   Joris Voorn
   Luciano
   Regis  James Ruskin
  
   DJ'S:
   Acid Maria  Electric Indigo
   Adam Beyer
   Bart Skils
   Cari Lekebusch
   Cristian Varela  Marco Bailey
   Chris Liebing
   Estroe  Shinedoe
   Gayle San
   Heiko Laux
   Herr ARTer  Terry Toner
   Koze
   Lars Klein  Jan Liefhebber
   Lucca
   Marco Remus
   Lauhaus  Melon
   Michel de Hey
   Miss Djax
   Misstress Barbara
   Monica Electronica
   Oscar Mulero
   PET Duo
   Petar Dundov  Steve Rachmad
   Phonopunk
   Ricardo Villalobos
   Rumenige  Loktibrada
   Steve Bug
   Tobi Neumann
   Vin-iLL
   Wighnomy Brothers
  
   I Love Techno:
  
  
  
   -Original Message-
   From: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
   Sent: Thursday, April 15, 2004 9:53 AM
   To: 313@hyperreal.org
   Subject: (313) Loveparade 2004?
  
  
  
   I read from the local newspaper that this years Loveparade will be
   cancelled. Does anybody here on the list have more information about
 this?
  
   Any other festivals besides LP and Sonar that are taking place in
Europe
   this summer?
  
   Cheers,
  
   --
   Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
   --
  
  


 #
   Note:
  
   Any views or opinions are solely those of the author and do not
 necessarily represent
   those of Channel Four Television Corporation unless specifically
 stated.. This email
   and any files transmitted are 

Re: AW: (313) Loveparade 2004?

[yussel]

double post?
my point is- the 'festival' that someone posted we're just large single
events. Love Parade is a whole weekend of activity surrounding the actual
parade itself. Same with Movement. Those sorts of weekends are rare.

On Tue, 20 Apr 2004, Katrin Richter wrote:

 To your information: The Love Parade is a parade which is only during the
 day from 2 to ten pm. You are probably talking about all the other events
 that take place during the whole weekend in numerous clubs around Berlin




 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Gesendet: Montag, 19. April 2004 20:40
 An: Blackman, Ryan (UKEKT)
 Cc: Robert Taylor; Jari Tolkkinen; 313@hyperreal.org
 Betreff: RE: (313) Loveparade 2004?

 but are the promarily dace events?

 we can debate the meanng of 'festival' all day to no avail.

 i was mearly pointing out the some of hat people call 'festivals' are just
 big night long events- hardly the same a full weekend offered up by love
 parade or movement

 On Mon, 19 Apr 2004, Blackman, Ryan (UKEKT) wrote:

  I don't know about that - take Glastonbury Festival, or Reading, Isle Of
  Wight, all the Virgin rubbish they do here too - none of those are free,
 but
  they're definately festivals.
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
  Sent: 16 April 2004 6:04
  To: Robert Taylor
  Cc: Jari Tolkkinen; 313@hyperreal.org
  Subject: RE: (313) Loveparade 2004?
 
 
  my point was- aren't awakenings just giant raves where you pay ticket and
  walk through security and have you 10-12 hours of technoy goodness and go
  home?
 
  as opposed to festivals like love parade and movement that arr free and
  open to the public. they take place in a public space as opposed to a
  'venue' and encompass a whole weekends worth of happenings as opposed to
  just one long night out.
 
  On Fri, 16 Apr 2004, Robert Taylor wrote:
 
   Eryes. That's what festivals are, Yussel!
  
   -Original Message-
   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
   Sent: Thursday, April 15, 2004 5:31 PM
   To: Robert Taylor
   Cc: Jari Tolkkinen; 313@hyperreal.org
   Subject: RE: (313) Loveparade 2004?
  
  
   am i wrong, or arent' these more just giant parties?
  
  
  
  
  
   On Thu, 15 Apr 2004, Robert Taylor wrote:
  
I can think of two off the top of my head.
   
Primavera: http://www.primaverasound.com/
  !!! (SMOG) 12TWELVE 24 GRANA A TOUCH OF CLASS (DJ'S) ALEXANDER
  ROBOTNICK ASCII.DISKO ATOM RHUMBA B. FLEISCHMANN BENJAMIN BIOLAY BLACK
  STROBE CASIOTONE FOR THE PAINFULLY ALONE CHICKS ON SPEED AND THE NO HEADS
  CHUCHO COLDER CRISTIAN VOGEL (DJ) DAVID HOLMES (DJ) DAYNA KURTZ DEVENDRA
  BANHART DIZZEE RASCAL DJ/RUPTURE DOMINIQUE A EDISON WOODS ELBOW
 ELECTRELANE
  EROL ALKAN (DJ) FANNYPACK FERENC FERNANDO ALFARO  NACHO VEGAS FRANZ
  FERDINAND FUNK D'VOID (DJ) GINFERNO HUMBERT HUMBERT JAMES CHANCE  THE
  CONTORTIONS JAMES MURPHY (DJ) JASON FORREST/ DONNA SUMMER JULIE DELPY
 JULIE
  DOIRON KID 606 LA BUENA VIDA LAS PERRAS DEL INFIERNO LIARS LLOYD COLE
 LLUÍS
  LLACH LOVE OF LESBIAN LUKE SLATER (DJ) MARCO PASSARANI (DJ) MATMOS MICHAEL
  GIRA MISS KITTIN (DJ) MUDHONEY NINA NASTASIA NUMBERS PAT MacDONALD PIXIES
 PJ
  HARVEY PLAID PREFUSE 73 PRETTY GIRLS MAKE GRAVES PRIMAL SCREAM REFREE
 RHYTHM
   SOUND featuring Paul St. Hilaire RUPER ORDORIKA SCISSOR SISTERS SUN KIL
  MOON TÉLÉFAX TECHNASIA (DJ) THE BUG THE DIVINE COMEDY THE FALL THE GLIMMER
  TWINS DJ'S THE HIDDEN CAMERAS THE LADYBUG TRANSISTOR THE MODERNIST THE
  RAVEONETTES THE RUSSIAN FUTURISTS VERACRUZ WILCO WILLARD GRANT CONSPIRACY
  XIU XIU
   
Awakenings: http://www.awakenings.nl/
   
 LIVE:
Alexander Kowalski
Carlos Rios  Vincent de Wit
Jacek Sienkiewics
Joris Voorn
Luciano
Regis  James Ruskin
   
DJ'S:
Acid Maria  Electric Indigo
Adam Beyer
Bart Skils
Cari Lekebusch
Cristian Varela  Marco Bailey
Chris Liebing
Estroe  Shinedoe
Gayle San
Heiko Laux
Herr ARTer  Terry Toner
Koze
Lars Klein  Jan Liefhebber
Lucca
Marco Remus
Lauhaus  Melon
Michel de Hey
Miss Djax
Misstress Barbara
Monica Electronica
Oscar Mulero
PET Duo
Petar Dundov  Steve Rachmad
Phonopunk
Ricardo Villalobos
Rumenige  Loktibrada
Steve Bug
Tobi Neumann
Vin-iLL
Wighnomy Brothers
   
I Love Techno:
   
   
   
-Original Message-
From: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 15, 2004 9:53 AM
To: 313@hyperreal.org
Subject: (313) Loveparade 2004?
   
   
   
I read from the local newspaper that this years Loveparade will be
cancelled. Does anybody here on the list have more information about
  this?
   
Any other festivals besides LP and Sonar that are taking place in
 Europe
this summer?
   
Cheers,
   
--
Jari Tolkkinen | dj 

AW: (313) putsch 79 LP on Clone

[ko broken electronica industries]

i loved DCS !

Sami Liuski is also Bankok Impact and Pauli had recently his solo album on
Klakson.

greetz,
d

-

produced by 2 finnish guys, one of them - Sami - a long time demoscener on
amiga (DCS!) - and this lp sounds really chippy and really funky at that,
whatta groove! and great, fat sound - true earcandy. havnt heard anything so
moving, it sounds fresh and original even thought its kinda not (and not
meant
to)


/z99




Citēju [EMAIL PROTECTED]:

:: the Putsch 79 LP on Clone landed while I was in the record shop.
::
:: had a quick flick through, and on first impression, it sounded pretty
nice.
::
:: well worth checking I think.






























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