Re: (313) peacefrog
At 11:26 pm -0400 27/4/05, darnistle wrote: Jason Brunton wrote: I've got mixed feelings on the matter- it's great when you finally track down a record you've been after (sometimes for YEARS), not so nice when you have to pay more than a "reasonable" amount for it (about £20-25 is the most I've ever paid for something, and rarely over a tenner). We had a guy call the shop last week who wanted a whole load of Chain Reaction releases but ONLY if they were in the original "brown card" sleeves and NOT the "new" black ones- that's when it gets a bit silly for me- we had them all so he was happy but it just struck me as strange that he would have knocked them back had they been in a different sleeve! Yes, that does sound a trifle silly. seems reasonable to me ;)
Re: (313) peacefrog
Jason Brunton wrote: I've got mixed feelings on the matter- it's great when you finally track down a record you've been after (sometimes for YEARS), not so nice when you have to pay more than a "reasonable" amount for it (about £20-25 is the most I've ever paid for something, and rarely over a tenner). We had a guy call the shop last week who wanted a whole load of Chain Reaction releases but ONLY if they were in the original "brown card" sleeves and NOT the "new" black ones- that's when it gets a bit silly for me- we had them all so he was happy but it just struck me as strange that he would have knocked them back had they been in a different sleeve! Yes, that does sound a trifle silly. I scour the used bins religiously, so I usually don't spend more than US$8 but some things are precious enough to me that I'd be willing to pay a lot for them. I've never paid more than US$50 for anything, and even then it was only for things I'd been searching for for so long that I would have been stupid to not buy it when I finally found it. It has only happened a few times that I've spent a lot of money on something only to have it show up in the budget bin for a few dollars or be reissued at a much lower price. But why get mad when I can just get another copy? At least then I know that I can play one as much as I want and still have a backup that's in good condition? ;)
Re: (313) peacefrog
> there's gonna be a bloodbath down piccadilly records at lunch. you know that film "american warewolf in london"? well I'm doing a re-make at lunch. "rootless loony pikey in record shop rampage" anyone got a video camera I can borrow? It's gonna be fun. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
On Wed, 27 Apr 2005 [EMAIL PROTECTED] wrote: I can assure you it's already on vinyl. And piccadilly has it. We're talking about the crosses single right? Thanks for the heads up Jari. Always a pleasure :) -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) peacefrog
>I can assure you it's already on vinyl. And piccadilly has it. We're >talking about the crosses single right? *FIRES UP FLAMETHROWER* OH BOY, SOMEONE IS GETTING IT BIGTIME AT LUNCH. THAT BIG PIKEY LONG HAIRED SKIP RAT WHO CALLS HIMSELF A RECORD SALESMAN FOR STARTERS. WATCH OUT SKIP-RAT, I KNOW YOU'RE THERE. Thanks for the heads up Jari. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
On Wed, 27 Apr 2005 [EMAIL PROTECTED] wrote: hope the weathers ok up there in the north pole Sunny, warm :) I can go outside without a cap etc. Good times. I dont think its been on vinyl yet, I keep waiting, but no sign. my friendly local record shop best not have had it, or I shall be firing up the flamethrower. I can assure you it's already on vinyl. And piccadilly has it. We're talking about the crosses single right? http://www.piccadillyrecords.com/mp3/Jose%20Gonzalez%20-%20Crosses%20Jori%20Hulkkonen%20Remix.mp3 Start your engines or flamethrowers. -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) peacefrog
>It's been out ages ago man :) Piccadilly had it almost a month ago. The promo circulated last year... The Jori Hulkkonen remix of Crosses makes me weep. It's so &¤#/ beautiful. hey jari! hope the weathers ok up there in the north pole ; ) I dont think its been on vinyl yet, I keep waiting, but no sign. my friendly local record shop best not have had it, or I shall be firing up the flamethrower. But yes, I believe it's on CD. I can't bring myself to buy cd's though really. I find it difficult. Not impossible, but I'd still rather buy a record I think. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
Oh, by the way Mike Veeck, the son of the Sox's promotion manager at the
time, now manages the St. Paul Saints (minor league) and their stadium is
right by my new house:
The Northern League St. Paul Saints, a team that Mike Veeck now presides
over, celebrated the 25th anniversary of Disco Demolition on Saturday [this
is a 2004 article]. The Saints allowed fans to bring disco records to the
ballpark in exchange for one Saints buck, and the records were destroyed
between innings of their game against Schaumburg.
"Disco Demolition Night has been a 10,000 pound gorilla on Mike's back for
25 years," Saints VP Derek Sharrer said. "We think revisiting that infamous
event will be a healthy exercise for him. Hopefully, we'll get it right
this time."
lovely :^/
MEK
Michael.Elliot-Kn
[EMAIL PROTECTED]
To
04/26/05 05:37 PM "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]>
cc
313@hyperreal.org
Subject
Re: (313) peacefrog
the majority of records that were brought in by attendees at Comiskey Park
weren't disco records but they were records by black artists. Seems it was
more of a racist "rock & roll white guy" event in violent reaction to black
pride and gay liberation. I recall either seeing or hearing a short
interview with a woman who was working the ticket gate that night and she
was surprised at what records they were bringing in to blow up. Being
black herself, she was getting quite afraid that the night would irrupt
into a race riot. I'll see if I can find the source.
MEK
"[EMAIL PROTECTED]
.com"
<[EMAIL PROTECTED] To
.com> 313@hyperreal.org
cc
04/26/05 04:56 PM
Subject
Re: (313) peacefrog
The thought of a stadium full of techno being burnt is horrible.
But for those that don't know the "Official end of disco" happened this
way, kinda.
http://promomagazine.com/news/breakingnews/disco_died/
...steve...
Stoddard, Kamal wrote:
>That's what the fxck I'm talkin 'bout! Me and curtis were talking about
this the other day. He goes, "if records are rare, who the fxck's got
'em?!! Cause they sure aren't playing 'em. Whether the stingy bxstards are
showing them off to friends/other geeks or waiting to cart the whole lot
out to comisky park again, It's the same motivation. Using records to
prove an ego-point. Not to move the body. They need to come off that shxt."
. 'Bout fell off my legs laughing, because I know more than my share of
house/disco "collectors" that go on about the comisky park incident and how
those people had no respect for the vinyl and all that. Hahahaha.
>
>Yo tom, I'm going down curtis' tomorrow, so...smoke 'em if you got 'em...
>
>Kamal K. Stoddard
>Turner Broadcasting Systems
>
>
>
>
>
>
>
>>-Original Message-
>>From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
>>Sent: Tuesday, April 26, 2005 5:32 PM
>>To: 313@hyperreal.org
>>Subject: Re: (313) peacefrog
>>
>>
>>-- Original Message --
>>From: Jason Brunton <[EMAIL PROTECTED]>
>>
>>
>>
>>>I've got mixed feelings on the matter- it's great when you finally
>>>track down a record you've been after (sometimes for YEARS), not so
>>>nice when you have to pay more than a "reasonable" amount
>>>
>>>
>>for it (about
>>
>>
>>>£20-25 is the most I've ever paid for something, and
>>>
&g
Re: (313) peacefrog
the majority of records that were brought in by attendees at Comiskey Park
weren't disco records but they were records by black artists. Seems it was
more of a racist "rock & roll white guy" event in violent reaction to black
pride and gay liberation. I recall either seeing or hearing a short
interview with a woman who was working the ticket gate that night and she
was surprised at what records they were bringing in to blow up. Being
black herself, she was getting quite afraid that the night would irrupt
into a race riot. I'll see if I can find the source.
MEK
"[EMAIL PROTECTED]
.com"
<[EMAIL PROTECTED] To
.com> 313@hyperreal.org
cc
04/26/05 04:56 PM
Subject
Re: (313) peacefrog
The thought of a stadium full of techno being burnt is horrible.
But for those that don't know the "Official end of disco" happened this
way, kinda.
http://promomagazine.com/news/breakingnews/disco_died/
...steve...
Stoddard, Kamal wrote:
>That's what the fxck I'm talkin 'bout! Me and curtis were talking about
this the other day. He goes, "if records are rare, who the fxck's got
'em?!! Cause they sure aren't playing 'em. Whether the stingy bxstards are
showing them off to friends/other geeks or waiting to cart the whole lot
out to comisky park again, It's the same motivation. Using records to
prove an ego-point. Not to move the body. They need to come off that shxt."
. 'Bout fell off my legs laughing, because I know more than my share of
house/disco "collectors" that go on about the comisky park incident and how
those people had no respect for the vinyl and all that. Hahahaha.
>
>Yo tom, I'm going down curtis' tomorrow, so...smoke 'em if you got 'em...
>
>Kamal K. Stoddard
>Turner Broadcasting Systems
>
>
>
>
>
>
>
>>-Original Message-
>>From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
>>Sent: Tuesday, April 26, 2005 5:32 PM
>>To: 313@hyperreal.org
>>Subject: Re: (313) peacefrog
>>
>>
>>-- Original Message --
>>From: Jason Brunton <[EMAIL PROTECTED]>
>>
>>
>>
>>>I've got mixed feelings on the matter- it's great when you finally
>>>track down a record you've been after (sometimes for YEARS), not so
>>>nice when you have to pay more than a "reasonable" amount
>>>
>>>
>>for it (about
>>
>>
>>>£20-25 is the most I've ever paid for something, and
>>>
>>>
>>rarely over
>>
>>
>>>a tenner). We had a guy call the shop last week who wanted a whole
>>>load of Chain Reaction releases but ONLY if they were in the
>>>
>>>
>>original
>>
>>
>>>"brown card" sleeves and NOT the "new" black ones- that's when it
>>>
>>>
>>gets
>>
>>
>>>a bit silly for me- we had them all so he was happy but it just
>>>
>>>
>>struck
>>
>>
>>>me as strange that he would have knocked them back had they been
>>>
>>>
>>in a
>>
>>
>>>different sleeve!
>>>
>>>
>>thats just total nonsense. personally, i wish everyone who
>>made good music kept it in press all the time. change the
>>labels, i dont care. i dont like buying bootlegs so i wont.
>>legit reissues im super cool with, like all the transmats
>>and KMS that have come out in the last year. im less likely
>>to be down with comps since they probably only paid out a
>>flat fee to license those tunes, but in extreme cases (the
>>arthur russel one on soul jazz with "in the light of the
>>miracle" on it) ill go for that too. i dont give a crap about
>>a record's rarity. the number of deejays playing actually
>>good records already makes it a rarity to hear good stuff as
>>it is. i just play good music.
>>
>>tom
>>
>>
>>andythepooh.com
>>
>>
>>
>>
>>
>>
>>
Re: (313) peacefrog
-- Original Message -- From: Jason Brunton <[EMAIL PROTECTED]> >I agree, it's also nice to play music from well known artists that >isn't so well known as well though- like I doubt I'd ever play Flash >"Fix" out as I have whole bunch of other records by Orlando that are >equally good and don't get played by many people, so sometimes I'm >playing deliberately different without trying to be deliberately >"eclectic" or "underground"- if you know what I mean! hehe. i can relate to that for sure. i like to play all different kinds of cuts from my favorite artists, not just the obvious ones. there's so much stuff out there aside from the joints that everyone knows. i love digging for obscure records, not necessarily the rare joints or the anthems. ill pick those up too, but i really like playing the stuff no one is talking about and getting people to dance to it. >PS I'm afraid that economics dictates that I occasionally do buy >bootlegs though! i have maybe like 4 or 5 bootlegs, all of tunes i dont think ill be getting any time soon. id buy legit represses of them all if they were available. i dont usually spend much money on records (only ever spent more than $20 on a records 3 times) so i just wait for the good stuff to fall into my hands for cheap ;) tom andythepooh.com
Re: (313) peacefrog
The thought of a stadium full of techno being burnt is horrible. But for those that don't know the "Official end of disco" happened this way, kinda. http://promomagazine.com/news/breakingnews/disco_died/ ...steve... Stoddard, Kamal wrote: That's what the fxck I'm talkin 'bout! Me and curtis were talking about this the other day. He goes, "if records are rare, who the fxck's got 'em?!! Cause they sure aren't playing 'em. Whether the stingy bxstards are showing them off to friends/other geeks or waiting to cart the whole lot out to comisky park again, It's the same motivation. Using records to prove an ego-point. Not to move the body. They need to come off that shxt." . 'Bout fell off my legs laughing, because I know more than my share of house/disco "collectors" that go on about the comisky park incident and how those people had no respect for the vinyl and all that. Hahahaha. Yo tom, I'm going down curtis' tomorrow, so...smoke 'em if you got 'em... Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 26, 2005 5:32 PM To: 313@hyperreal.org Subject: Re: (313) peacefrog -- Original Message -- From: Jason Brunton <[EMAIL PROTECTED]> I've got mixed feelings on the matter- it's great when you finally track down a record you've been after (sometimes for YEARS), not so nice when you have to pay more than a "reasonable" amount for it (about £20-25 is the most I've ever paid for something, and rarely over a tenner). We had a guy call the shop last week who wanted a whole load of Chain Reaction releases but ONLY if they were in the original "brown card" sleeves and NOT the "new" black ones- that's when it gets a bit silly for me- we had them all so he was happy but it just struck me as strange that he would have knocked them back had they been in a different sleeve! thats just total nonsense. personally, i wish everyone who made good music kept it in press all the time. change the labels, i dont care. i dont like buying bootlegs so i wont. legit reissues im super cool with, like all the transmats and KMS that have come out in the last year. im less likely to be down with comps since they probably only paid out a flat fee to license those tunes, but in extreme cases (the arthur russel one on soul jazz with "in the light of the miracle" on it) ill go for that too. i dont give a crap about a record's rarity. the number of deejays playing actually good records already makes it a rarity to hear good stuff as it is. i just play good music. tom andythepooh.com
RE: (313) peacefrog
That's what the fxck I'm talkin 'bout! Me and curtis were talking about this the other day. He goes, "if records are rare, who the fxck's got 'em?!! Cause they sure aren't playing 'em. Whether the stingy bxstards are showing them off to friends/other geeks or waiting to cart the whole lot out to comisky park again, It's the same motivation. Using records to prove an ego-point. Not to move the body. They need to come off that shxt." . 'Bout fell off my legs laughing, because I know more than my share of house/disco "collectors" that go on about the comisky park incident and how those people had no respect for the vinyl and all that. Hahahaha. Yo tom, I'm going down curtis' tomorrow, so...smoke 'em if you got 'em... Kamal K. Stoddard Turner Broadcasting Systems > -Original Message- > From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] > Sent: Tuesday, April 26, 2005 5:32 PM > To: 313@hyperreal.org > Subject: Re: (313) peacefrog > > > -- Original Message -- > From: Jason Brunton <[EMAIL PROTECTED]> > > >I've got mixed feelings on the matter- it's great when you finally > >track down a record you've been after (sometimes for YEARS), not so > >nice when you have to pay more than a "reasonable" amount > for it (about > >£20-25 is the most I've ever paid for something, and > rarely over > >a tenner). We had a guy call the shop last week who wanted a whole > >load of Chain Reaction releases but ONLY if they were in the > original > >"brown card" sleeves and NOT the "new" black ones- that's when it > gets > >a bit silly for me- we had them all so he was happy but it just > struck > >me as strange that he would have knocked them back had they been > in a > >different sleeve! > > thats just total nonsense. personally, i wish everyone who > made good music kept it in press all the time. change the > labels, i dont care. i dont like buying bootlegs so i wont. > legit reissues im super cool with, like all the transmats > and KMS that have come out in the last year. im less likely > to be down with comps since they probably only paid out a > flat fee to license those tunes, but in extreme cases (the > arthur russel one on soul jazz with "in the light of the > miracle" on it) ill go for that too. i dont give a crap about > a record's rarity. the number of deejays playing actually > good records already makes it a rarity to hear good stuff as > it is. i just play good music. > > tom > > > andythepooh.com > > > > >
Re: (313) peacefrog
the number of deejays playing actually good records already makes it a rarity to hear good stuff as it is. i just play good music. I agree, it's also nice to play music from well known artists that isn't so well known as well though- like I doubt I'd ever play Flash "Fix" out as I have whole bunch of other records by Orlando that are equally good and don't get played by many people, so sometimes I'm playing deliberately different without trying to be deliberately "eclectic" or "underground"- if you know what I mean! Jason PS I'm afraid that economics dictates that I occasionally do buy bootlegs though! tom andythepooh.com
Re: (313) peacefrog
-- Original Message -- From: Jason Brunton <[EMAIL PROTECTED]> >I've got mixed feelings on the matter- it's great when you finally >track down a record you've been after (sometimes for YEARS), not so >nice when you have to pay more than a "reasonable" amount for it >(about £20-25 is the most I've ever paid for something, and rarely over >a tenner). We had a guy call the shop last week who wanted a whole >load of Chain Reaction releases but ONLY if they were in the original >"brown card" sleeves and NOT the "new" black ones- that's when it gets >a bit silly for me- we had them all so he was happy but it just struck >me as strange that he would have knocked them back had they been in a >different sleeve! thats just total nonsense. personally, i wish everyone who made good music kept it in press all the time. change the labels, i dont care. i dont like buying bootlegs so i wont. legit reissues im super cool with, like all the transmats and KMS that have come out in the last year. im less likely to be down with comps since they probably only paid out a flat fee to license those tunes, but in extreme cases (the arthur russel one on soul jazz with "in the light of the miracle" on it) ill go for that too. i dont give a crap about a record's rarity. the number of deejays playing actually good records already makes it a rarity to hear good stuff as it is. i just play good music. tom andythepooh.com
Re: (313) peacefrog
I've got mixed feelings on the matter- it's great when you finally track down a record you've been after (sometimes for YEARS), not so nice when you have to pay more than a "reasonable" amount for it (about £20-25 is the most I've ever paid for something, and rarely over a tenner). We had a guy call the shop last week who wanted a whole load of Chain Reaction releases but ONLY if they were in the original "brown card" sleeves and NOT the "new" black ones- that's when it gets a bit silly for me- we had them all so he was happy but it just struck me as strange that he would have knocked them back had they been in a different sleeve! cheers Jason On 26 Apr 2005, at 16:50, [EMAIL PROTECTED] wrote: if you collect music for any reason other than the fact that its good, you get what you deserve when it gets reissued. rubbish. did you never pay top dollar for something you really wanted? only to be gutted when someone re-issued it, so every tom dick and harry can have it to play? time, money and effort goes into finding bits and bobs that you can call your own. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
I'm fairly sure this had been pre-sold with us so it should be out in the next wee or so_ i'll double check tomorrow cheers Jason PS We sold the last of our Target releases (original pressings) recently for the grand sum of £7.50 each :( On 26 Apr 2005, at 16:50, Placid wrote: funnily enough i emailed them the other day asking the very same thing.. i got no response. I'm quite up for some joe r lewis on decent pressing to be honest. Not as if the targets are going to go down in value. p [EMAIL PROTECTED] wrote:
Re: (313) peacefrog
-- Original Message -- From: [EMAIL PROTECTED] >hmm. dunno. I confused meself. > >but, either way, don't tell him I MIGHT agree with him. > >; ) ha! im saving this email ;) tom andythepooh.com
Re: (313) peacefrog
-- Original Message -- From: robin <[EMAIL PROTECTED]> >[EMAIL PROTECTED] wrote: >>>if you collect music for any reason other than the fact that its >>>good, you get what you deserve when it gets reissued. >> >> >> rubbish. >> >> did you never pay top dollar for something you really wanted? >> only to be gutted when someone re-issued it, so every tom dick and harry >> can have it to play? >> >> time, money and effort goes into finding bits and bobs that you can call >> your own. >> > >i'm sure tom will answer for himself but you're buying it for the reason >it's good (and rare, but mainly cos it's good) > >so you agree with him no? > >:) for example, i paid a decent bit of cash for KDJ 003 with the non-repressed b sides on it. when 161 had the represses listed recently, they had the b sides listed on 003. my initial reaction was "sweet, now i can have a backup for only a couple dollars!" of course they werent on the repress anyway ;) but thats why i usually dont spend crazy cash on records. it has to be something i REALLY REALLY want, and its rarity no longer matters. tom tom andythepooh.com
Re: (313) peacefrog
>i'm sure tom will answer for himself but you're buying it for the reason >it's good (and rare, but mainly cos it's good) >so you agree with him no? hmm. dunno. I confused meself. but, either way, don't tell him I MIGHT agree with him. ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
[EMAIL PROTECTED] wrote: if you collect music for any reason other than the fact that its good, you get what you deserve when it gets reissued. rubbish. did you never pay top dollar for something you really wanted? only to be gutted when someone re-issued it, so every tom dick and harry can have it to play? time, money and effort goes into finding bits and bobs that you can call your own. i'm sure tom will answer for himself but you're buying it for the reason it's good (and rare, but mainly cos it's good) so you agree with him no? :) robin...
Re: (313) peacefrog
>funnily enough i emailed them the other day asking the very same >thing.. i got no response. hmm. Its been on promo a while now. since early feb? maybe even earlier. guess its imminent. nothing about it on their site tho. wonder if theres a 12 coming too. >I'm quite up for some joe r lewis on decent pressing to be honest. >Not as if the targets are going to go down in value. true. was only pulling your leg anyway. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
>if you collect music for any reason other than the fact that its >good, you get what you deserve when it gets reissued. rubbish. did you never pay top dollar for something you really wanted? only to be gutted when someone re-issued it, so every tom dick and harry can have it to play? time, money and effort goes into finding bits and bobs that you can call your own. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
funnily enough i emailed them the other day asking the very same thing.. i got no response. I'm quite up for some joe r lewis on decent pressing to be honest. Not as if the targets are going to go down in value. p [EMAIL PROTECTED] wrote: and, while we're on the subject of Paeacefrog, WHERES THE JOE LEWIS LP??/! it was promo-d ages ago, anyone seen it? didnt even hear about this, was it supposed to be old stuff or new? Old. Placid's just lost about 14 grand on his record collection. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
-- Original Message -- From: "Maarten Baute" <[EMAIL PROTECTED]> >It would be nice to have something like that Stasis retrospective. But that >wouldn't make the collectors happy, I guess. Placid? if you collect music for any reason other than the fact that its good, you get what you deserve when it gets reissued. tom andythepooh.com
Re: (313) peacefrog
>>and, while we're on the subject of Paeacefrog, WHERES THE JOE LEWIS >LP??/! > >it was promo-d ages ago, anyone seen it? >didnt even hear about this, was it supposed to be old stuff or new? Old. Placid's just lost about 14 grand on his record collection. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) peacefrog
> >and, while we're on the subject of Paeacefrog, WHERES THE JOE LEWIS > >LP??/! > > > >it was promo-d ages ago, anyone seen it? > > didnt even hear about this, was it supposed to be old stuff or new? It would be nice to have something like that Stasis retrospective. But that wouldn't make the collectors happy, I guess. Placid? Cheers, Maarten
Re: (313) peacefrog
- Original Message -- From: [EMAIL PROTECTED] >and, while we're on the subject of Paeacefrog, WHERES THE JOE LEWIS >LP??/! > >it was promo-d ages ago, anyone seen it? didnt even hear about this, was it supposed to be old stuff or new? on that giles peterson show with theo, giles drops this ridiculous new recloose joint that im guessing is forthcoming on the album. its not quite as hot as dust, but its still absolute bananas. recloose is on some sh*t these days. tom andythepooh.com
Re: (313) peacefrog on bleep.com
i can with my magic hack =P On Tue, 14 Dec 2004, Martin Dust wrote: > You can't be using the files from Bleep then *lol* > > > - Original Message - > From: <[EMAIL PROTECTED]> > To: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Tuesday, December 14, 2004 10:19 PM > Subject: Re: (313) peacefrog on bleep.com > > > >i find it easier to make my KDJ bootleg edits when i have a high quality > > digital file to work with. ;) > > > > >
Re: (313) peacefrog on bleep.com
You can't be using the files from Bleep then *lol* - Original Message - From: <[EMAIL PROTECTED]> To: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, December 14, 2004 10:19 PM Subject: Re: (313) peacefrog on bleep.com i find it easier to make my KDJ bootleg edits when i have a high quality digital file to work with. ;)
Re: (313) peacefrog on bleep.com
i find it easier to make my KDJ bootleg edits when i have a high quality digital file to work with. ;) On Tue, 14 Dec 2004, Thomas D. Cox, Jr. wrote: > -- Original Message -- > From: "jwan allen" <[EMAIL PROTECTED]> > > >What's so great about that? Call me old fashioned, but since I > already have the necessary titles on the list found below, as a > consumer, why would I care if these titles are now available on > bleep? > > news flash: not everyone has every record you have. i know there > are records you dont have too : P > > tom > > > andythepooh.com > > > > >
Re: (313) peacefrog on bleep.com
-- Original Message -- From: "jwan allen" <[EMAIL PROTECTED]> >What's so great about that? Call me old fashioned, but since I already have the necessary titles on the list found below, as a consumer, why would I care if these titles are now available on bleep? news flash: not everyone has every record you have. i know there are records you dont have too : P tom andythepooh.com
Re: (313) peacefrog on bleep.com
What's so great about that? Call me old fashioned, but since I already have the necessary titles on the list found below, as a consumer, why would I care if these titles are now available on bleep? As a label co-owner I would need to research if such a service would be beneficial for our small operation. But does this type of service actually dissuade those sites such as jet groove (or whatever they are called now) from pilfering legal mp3s (or other unauthorized mp3s from P2P networks) and selling them without permission? jwan "Bring the Fun In!" Shawn Rudiman "Synthesexual" Double EP & CD (TNA 005 & 006) coming soon! -- Original Message -- From: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> Date: Tue, 14 Dec 2004 19:15:05 + >moodyman - black mahogani i/ii, silence in the sercet garden, mahogany >brown > >kenny larkin - narcissist >lucien n luciano - blind behaviour >nouvelle vague - nouvelle vague >suburban knight - my sol dark direction >jello - voile, lungbone >stasis - inspiration, from the old to the new >theo parrish - first floor >luke slater - x tront vol. 2 (holy old school!!!) >v/a - 10.100, 10.100.02 >v/a - deletions i, ii, iii > > > >playhouse, klang, and ghostly. now this. good deal. i hope kompakt and >perlon are soon to follow... > > __ __ __ __ technoiraudio.com
RE: (313) Peacefrog on sale
anybody know what kind of duties one should expect to pay ordering from the UK to be shipped to the States? thanks, d > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Thursday, January 15, 2004 3:44 PM > To: 313@hyperreal.org > Subject: (313) Peacefrog on sale > > > > > > > Just landed in my mailbox > > Peacefrog are offering a 50% reduction on selected vinyl > releases > throughout January. > > Please visit http://www.peacefrog.com for more details. > _ > > MEK >
Re: (313) peacefrog
Wow Marsel- don't know who does your mastering, pressing, artwork, postage and promos but if they can do all that for 1000 Euros they would be my new best friend :) Jason Brunton On Tuesday, September 23, 2003, at 02:38 PM, Marsel van der Wielen wrote: a little more then 1000 euro should be enough to put out 500 records incl. promotion, promo postage etc and when you sell everything there's 400 euro profit that's life! :-) - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, September 23, 2003 3:32 PM Subject: RE: (313) peacefrog This business has to be from the heart yes, agreed. also agreed is Greg's point re making a living. but what worries me is that the average pikey off the street can't release his experimental music via vinyl very easily any more. I mean, finding £800/£900 ain't easy when you earn barely enough to live on. I know enough hardcore/rave kids who wouldn't mind getting 1000 e's and selling them to put money into studio gear or whatever, but not everyone is up for a stretch if caught and for me, that means the music is going to suffer big time. as you're always going to be at the mercy of what someone else wants. do you see what I mean?? or am I talking s**t? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
Matt Chester wrote: I think the main reason for a small slump in sales is pretty much due to the huge increase in artists clamouring for attention, and most of them only exist now because of the relative ease of them setting up their own labels and putting out their own records. A major reason for the sale slump is people being out of work , or working for less then they did a few years ago. The record industry likes to put a lot of blame on downloading for their record sales slumping, and don't even mention the economy. United Airlines and all of the other Airlines are having troubles, not because people downloaded their tickets from a p2p network, but because people don't have as much discrectionary spending as they once did. Dave
Re: (313) peacefrog
>I definitely see your point Alex, it would be very cool if releasing could >at the very least be self sufficient! However, I can't really see the scene >suffering because of it, simply because this is the way it's always been OK, agreed! I'm just moaning because I'm feeling sorry for myself today as me and my mate are struggling to find some cash. I should shut-up really, I'm sure there's many many people far worse off than me. so, I apologise, it helps to rant though. alex (who probably needs some sort of mental help for talking to his computer all day) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
I definitely see your point Alex, it would be very cool if releasing could at the very least be self sufficient! However, I can't really see the scene suffering because of it, simply because this is the way it's always been - if fact in the past it took a hell of a lot more capital input to release a record, particularly before the advent of cheap CD burning and email etc (for promotion that is). I think the main reason for a small slump in sales is pretty much due to the huge increase in artists clamouring for attention, and most of them only exist now because of the relative ease of them setting up their own labels and putting out their own records. However, I agree that things like these Peacefrog releases can be pretty damaging, as any accepted increase in price is going to have the effect of increasing costs to distributors, stores, artists etc, making releasing cuts less and less affordable to the labels (any benefit from increasing the sales price of an EP is going to be lost in these costs almost immediately - just look at the outrageous price CDs go for - none of that hike has been passed on the artists, even at the most commercial end of the spectrum). - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, September 23, 2003 2:32 PM Subject: RE: (313) peacefrog >This business has to be from the heart yes, agreed. also agreed is Greg's point re making a living. but what worries me is that the average pikey off the street can't release his experimental music via vinyl very easily any more. I mean, finding £800/£900 ain't easy when you earn barely enough to live on. I know enough hardcore/rave kids who wouldn't mind getting 1000 e's and selling them to put money into studio gear or whatever, but not everyone is up for a stretch if caught and for me, that means the music is going to suffer big time. as you're always going to be at the mercy of what someone else wants. do you see what I mean?? or am I talking s**t? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
Im surprised that noone has mentioned the price for Ugly Edit 5 and signed Mahogani 2 @ Submerge - $50 and $75 respectively. I could understand a serious collector paying the extra for a signed KDJ but the Theo one doesnt look any different to the ones that Rushhour are selling as far as I can see. Cheers BT > > i bought the moodymann private pressing, because i loved that track on > theo's 'eclectic asthetic' mix-cd. > haven't bought the robert hood [yet], partially because i hardly ever buy > something i haven't heard yet, and partially because i'm broke, and rather > spend 20 euro's on records i know i'll love, instead of taking a gamble, > just because it's limited. > > it's funny how on one digest i read heartbraking stories about recordstores > and labels suffering from mp3's, and on the very same digest, the story of a > label that has come up with a way to ensure itself from at least a couple of > sold out records every year, to make sure the label can carry on doing what > it's been doing for the past 10 years. > the limited nature of these records will create a need amongst the public > for the actual item, people won't settle for just the mp3. > > UR is [imho] doing the same with those 7"s: giving it's 'customers' an added > reason to buy their product, and not settle for a digital copy. > > as for limited releases; > i've been thinking about this over the weekend, and listening to a couple of > sets on the deephousepage has strengthened this feeling, i came to the > conclusion that we need more limited releases, unreleased tracks, and > different versions of 'well-known' tracks. > nowadays everyone can find just about every worthwhile release through > mailinglists like this, messageboards and online stores and ebay. hearing > something 'new' is therefore quite rare. > in my opinion it would be great to hear your favorite dj play, and all of a > sudden hear him or her play an unreleased version of a song, along with a > couple of songs he/she always plays, but are impossible to find. it all adds > to the excitement of hearing a certain dj play. > UR dj's have their z-tracks, lil louis tried out his new tracks for months > before releasing a definitive version, the whole west-london crew at co-op, > all those unreleased versions of classics ron hardy would play. people are > still talking about the original 'acid trax', the real 'blackout' and so on. > > i say: press more limited releases! [or should that be 'press less limited > releases'?] > > jurren > > _ > Tired of spam? Get advanced junk mail protection with MSN 8. > http://join.msn.com/?page=features/junkmail >
Re: (313) peacefrog
a little more then 1000 euro should be enough to put out 500 records incl. promotion, promo postage etc and when you sell everything there's 400 euro profit that's life! :-) - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, September 23, 2003 3:32 PM Subject: RE: (313) peacefrog >This business has to be from the heart yes, agreed. also agreed is Greg's point re making a living. but what worries me is that the average pikey off the street can't release his experimental music via vinyl very easily any more. I mean, finding £800/£900 ain't easy when you earn barely enough to live on. I know enough hardcore/rave kids who wouldn't mind getting 1000 e's and selling them to put money into studio gear or whatever, but not everyone is up for a stretch if caught and for me, that means the music is going to suffer big time. as you're always going to be at the mercy of what someone else wants. do you see what I mean?? or am I talking s**t? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) peacefrog
>This business has to be from the heart yes, agreed. also agreed is Greg's point re making a living. but what worries me is that the average pikey off the street can't release his experimental music via vinyl very easily any more. I mean, finding £800/£900 ain't easy when you earn barely enough to live on. I know enough hardcore/rave kids who wouldn't mind getting 1000 e's and selling them to put money into studio gear or whatever, but not everyone is up for a stretch if caught and for me, that means the music is going to suffer big time. as you're always going to be at the mercy of what someone else wants. do you see what I mean?? or am I talking s**t? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
i bought the moodymann private pressing, because i loved that track on theo's 'eclectic asthetic' mix-cd. haven't bought the robert hood [yet], partially because i hardly ever buy something i haven't heard yet, and partially because i'm broke, and rather spend 20 euro's on records i know i'll love, instead of taking a gamble, just because it's limited. it's funny how on one digest i read heartbraking stories about recordstores and labels suffering from mp3's, and on the very same digest, the story of a label that has come up with a way to ensure itself from at least a couple of sold out records every year, to make sure the label can carry on doing what it's been doing for the past 10 years. the limited nature of these records will create a need amongst the public for the actual item, people won't settle for just the mp3. UR is [imho] doing the same with those 7"s: giving it's 'customers' an added reason to buy their product, and not settle for a digital copy. as for limited releases; i've been thinking about this over the weekend, and listening to a couple of sets on the deephousepage has strengthened this feeling, i came to the conclusion that we need more limited releases, unreleased tracks, and different versions of 'well-known' tracks. nowadays everyone can find just about every worthwhile release through mailinglists like this, messageboards and online stores and ebay. hearing something 'new' is therefore quite rare. in my opinion it would be great to hear your favorite dj play, and all of a sudden hear him or her play an unreleased version of a song, along with a couple of songs he/she always plays, but are impossible to find. it all adds to the excitement of hearing a certain dj play. UR dj's have their z-tracks, lil louis tried out his new tracks for months before releasing a definitive version, the whole west-london crew at co-op, all those unreleased versions of classics ron hardy would play. people are still talking about the original 'acid trax', the real 'blackout' and so on. i say: press more limited releases! [or should that be 'press less limited releases'?] jurren _ Tired of spam? Get advanced junk mail protection with MSN 8. http://join.msn.com/?page=features/junkmail
RE: (313) peacefrog
Perfect Point! If you are making records to save for your kids college fund in the future. Its not going to happen. This business has to be from the heart. tb Tim Baker c/o *** Real Estate - Elephanthaus Records 2544 W. North Ave. Suite 2B Chicago, IL 60647 USA 773-862-9652 fax 773-862-9662 www.elephanthaus.com www.realestaterecords.com *** -Original Message- From: Matt Chester [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 23, 2003 6:58 AM To: 313@hyperreal.org Subject: Re: (313) peacefrog Of course that's true - the amount of money we are talking about is pitiful if you view it as an income - but if it's money that drives you, then Detroit Techno and the like is not, and never will be, the place to find it. If you want to make money from music, then you have to have a product that more people can latch onto, ie something more mainstream. Or, as previously mentioned, you can try to make money as a performer - for example, even if Jeff Mills were to sell 10,000 copies of each Axis release, it would still leave him with less money than a single big gig. The point is, in my opinion, that we produce, sell and buy this music because we love it - music, like all art, is something to spend our money on, not a way of making it. To be an independant label manager, you basically have to accept that you will never see any more money from a release than you would get from a nights work in a bar, at best. You do it because you want to, not because you can make a living from it. And most people lose badly - in another example, word has it that Andy Weatherall lost over £60,000 over the lifetime of his excellent Emissions label... Not wishing to be overly idealistic about it, but the fact is, there is no money in our scene - so it's a waste of time and energy trying to find it (IMO!) - Original Message - From: Greg Earle To: 313@hyperreal.org Sent: Tuesday, September 23, 2003 1:34 PM Subject: Re: (313) peacefrog Matt Chester wrote: > That's true - the mark-up on 400 records at that price would be about £14 - > take away £1 for postage and admin etc, they'd still make about £5000 > for selling through all copies, which they will undoubtedly do. Split > between the label and the artist, it's still a pretty hefty cut, much > more than they'd ever get on a standard 12" release... I don't know what the split is (I assume it's not 50-50, but for the sake of argument ... ), but if what you're saying is true, I'd have to put out a record (in this way) every two weeks to match a decent (read: long-term, many years of experience) Engineer's salary. What a conundrum. We (rightfully) piss and moan about 16-quid record prices, but even in the best of circumstances (the aforementioned scenario), it doesn't even provide a (slightly) comfortable living. And I don't see any solution to this situation, either. No wonder KDJ doesn't get out of bed for less. Sure glad I'm not trying to live as a musician ... *phew* - Greg
Re: (313) peacefrog
Of course that's true - the amount of money we are talking about is pitiful if you view it as an income - but if it's money that drives you, then Detroit Techno and the like is not, and never will be, the place to find it. If you want to make money from music, then you have to have a product that more people can latch onto, ie something more mainstream. Or, as previously mentioned, you can try to make money as a performer - for example, even if Jeff Mills were to sell 10,000 copies of each Axis release, it would still leave him with less money than a single big gig. The point is, in my opinion, that we produce, sell and buy this music because we love it - music, like all art, is something to spend our money on, not a way of making it. To be an independant label manager, you basically have to accept that you will never see any more money from a release than you would get from a nights work in a bar, at best. You do it because you want to, not because you can make a living from it. And most people lose badly - in another example, word has it that Andy Weatherall lost over £60,000 over the lifetime of his excellent Emissions label... Not wishing to be overly idealistic about it, but the fact is, there is no money in our scene - so it's a waste of time and energy trying to find it (IMO!) - Original Message - From: Greg Earle To: 313@hyperreal.org Sent: Tuesday, September 23, 2003 1:34 PM Subject: Re: (313) peacefrog Matt Chester wrote: > That's true - the mark-up on 400 records at that price would be about £14 - > take away £1 for postage and admin etc, they'd still make about £5000 for > selling through all copies, which they will undoubtedly do. Split between > the label and the artist, it's still a pretty hefty cut, much more than > they'd ever get on a standard 12" release... I don't know what the split is (I assume it's not 50-50, but for the sake of argument ... ), but if what you're saying is true, I'd have to put out a record (in this way) every two weeks to match a decent (read: long-term, many years of experience) Engineer's salary. What a conundrum. We (rightfully) piss and moan about 16-quid record prices, but even in the best of circumstances (the aforementioned scenario), it doesn't even provide a (slightly) comfortable living. And I don't see any solution to this situation, either. No wonder KDJ doesn't get out of bed for less. Sure glad I'm not trying to live as a musician ... *phew* - Greg
Re: (313) peacefrog
Matt Chester wrote: > That's true - the mark-up on 400 records at that price would be about £14 - > take away £1 for postage and admin etc, they'd still make about £5000 for > selling through all copies, which they will undoubtedly do. Split between > the label and the artist, it's still a pretty hefty cut, much more than > they'd ever get on a standard 12" release... I don't know what the split is (I assume it's not 50-50, but for the sake of argument ... ), but if what you're saying is true, I'd have to put out a record (in this way) every two weeks to match a decent (read: long-term, many years of experience) Engineer's salary. What a conundrum. We (rightfully) piss and moan about 16-quid record prices, but even in the best of circumstances (the aforementioned scenario), it doesn't even provide a (slightly) comfortable living. And I don't see any solution to this situation, either. No wonder KDJ doesn't get out of bed for less. Sure glad I'm not trying to live as a musician ... *phew* - Greg
Re: (313) peacefrog
Odeluga, Ken wrote: the expectation for an artist to _have_ to get a job is unrealistic IMO (many do i know but that is not the point) .the logical thing then is to make your name known as a dj and earn that way..the exact opposite of the above surely. Not really Robin - nowadays and for (I would contend) many decades, most recording artists have made more money out of performances than record sales. The example I always like to give is The Grateful Dead. wires crossed a little i think. i meant exact opposite to the death of the superstar dj i agree with your point tho, so will electronic music have to move in a direction where performance is a lot more important (other than djing)? You could also say the same abt people like Bowie, who's records have not made any money for about 15 years - yet he still has a massive deal - why? Partly royalties (plus it helps to keep the artist on board if you want to still benefit from their back catalogue) but also toaring, plus everything that goes with it. It's big business. So is Derrick May et al. you're right. robin... Ken
Re: (313) peacefrog
>anyway, i don't really have an answer... well me either, but here's a good 'un... 12's sales decline rapidly (for about 20 different reasons), your record label has relied in the past on them to make a few quid to keep going. so, a record that used to sell, say, 3000, now does 1000. bit of a problem no? so, you see that ltd things go for cash money on ebay, and also that an increasing number of records are bought by people when they're released, just for the "I don't want to pay double for it in the future" factor. right? probably stemming from all that skam madness, amongst other things. so, you do a super ltd series with artists who people clamour after releases from, you charge £16 a record, give up a grand for manufacturing, say two grand to the artist (who's thinking "f**k me, this is easy money"), and the three grand goes in your a*se pocket to help keep your label going, and everyones a winner right? you got to hand it to 'em, it's a bit of a masterstroke. and a good way of getting round current problems. certainly more than my pea sized brain could concoct that's for sure. am I right in thinking that's it now for the standard 12" release from peacefrog? There was the moodyman, but that was an album promo thing right? & it was moodymann, and he could sell sand to the arabs...? thing is, I don't even begrudge peacefrog a right to make money, they got staff to employ, artists to pay,and lets face it, we've all had plenty of enjoyment from peacefrog through the years (far more than £16 worth). so, f**k it, I'll buy 'em. Maybe I'm a mug though, but I'm not arsed. thats it, I'll shut up for the day.. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) peacefrog
>the expectation for an artist to _have_ to get a job is unrealistic IMO >(many do i know but that is not the point) >.the logical thing then is to make your name known as a dj and earn >that way..the exact opposite of the above surely. > Not really Robin - nowadays and for (I would contend) many decades, most recording artists have made more money out of performances than record sales. The example I always like to give is The Grateful Dead. You could also say the same abt people like Bowie, who's records have not made any money for about 15 years - yet he still has a massive deal - why? Partly royalties (plus it helps to keep the artist on board if you want to still benefit from their back catalogue) but also toaring, plus everything that goes with it. It's big business. So is Derrick May et al. Ken
Re: (313) peacefrog
i don't believe now is the time for labels to start increasing the cost of vinyl you're right. thing is, how are they/we going to survive otherwise? e.g. if you press 500, you got to sell them all to break even. and that ain't going to happen because you need to send some out etc... oh yeah i totally see it from that point of view too, so a price rise is inevitable. the other option is to run the label and sell direct from a website (cutting out any middle men)... maybe this will be the way forward. bad situation really... (for small labels wanting to do this sort of thing) so more and more of these labels are gonna have to be run as a labour of love, which not all can afford to do. >BakerBA wrote: Thee max I will pay for vinyl is around $10 US. With production costs and manufacturing I do feel that leaves the artist to make enough money continue to make music. If they have to work a job to do this then so be it. If the mu>sic is that important to them for them to struggle then the music might just be worth listening to. I am so glad for the downfall of the superstar DJ. the expectation for an artist to _have_ to get a job is unrealistic IMO (many do i know but that is not the point) the logical thing then is to make your name known as a dj and earn that way..the exact opposite of the above surely. anyway, i don't really have an answer...only observations robin...
[Fwd: RE: (313) peacefrog]
Original Message Subject: RE: (313) peacefrog Date: Tue, 23 Sep 2003 11:01:05 - From: BakerBA <[EMAIL PROTECTED]> To: 'robin' <[EMAIL PROTECTED]> Thee max I will pay for vinyl is around $10 US. With production costs and manufacturing I do feel that leaves the artist to make enough money continue to make music. If they have to work a job to do this then so be it. If the music is that important to them for them to struggle then the music might just be worth listening to. I am so glad for the downfall of the superstar DJ. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 23, 2003 3:48 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) peacefrog i was actually going to start a post regarding the rising prices of new records... Hmm, yes good point. I reckon we're all going to have to dig a little deeper in our pockets if we want the small independants to survive. i don't believe now is the time for labels to start increasing the cost of vinylthere are too many other things for people to spend their money on and competition from things like FS, ableton live, CD players etc this is a worrying trend from a vinyl lovers perspective. talking about the PF LTD stuff, i think 16 quid is too much for a one-sided piece of vinyl (even if they put it in an extra plastic sleeve!), the rob hood thing (omega) is nice but not worth that. i still bought it tho for the same reasons placid lists about regretting not-buying stuff later on. robin...
Re: (313) peacefrog
>i don't believe now is the time for labels to start increasing the cost >of vinyl you're right. thing is, how are they/we going to survive otherwise? e.g. if you press 500, you got to sell them all to break even. and that ain't going to happen because you need to send some out etc... hmm. bad situation really... (for small labels wanting to do this sort of thing) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
i was actually going to start a post regarding the rising prices of new records... Hmm, yes good point. I reckon we're all going to have to dig a little deeper in our pockets if we want the small independants to survive. i don't believe now is the time for labels to start increasing the cost of vinylthere are too many other things for people to spend their money on and competition from things like FS, ableton live, CD players etc this is a worrying trend from a vinyl lovers perspective. talking about the PF LTD stuff, i think 16 quid is too much for a one-sided piece of vinyl (even if they put it in an extra plastic sleeve!), the rob hood thing (omega) is nice but not worth that. i still bought it tho for the same reasons placid lists about regretting not-buying stuff later on. robin...
Re: (313) peacefrog
That's true - the mark-up on 400 records at that price would be about £14 - take away £1 for postage and admin etc, they'd still make about £5000 for selling through all copies, which they will undoubtedly do. Split between the label and the artist, it's still a pretty hefty cut, much more than they'd ever get on a standard 12" release... Matt Chester 11th Hour Technology www.11-hour.com [EMAIL PROTECTED] - Original Message - From: Vinyl Underground To: 313@hyperreal.org Sent: Tuesday, September 23, 2003 11:26 AM Subject: RE: (313) peacefrog they make the same amount on selling 400 directly at this silly price as they do selling 3000 12" through the distributors and shops . why cant they sell "LTD 12's"at decent price? because they wouldnt make any MONEY money money money Vinyl Underground c/o Watts 80 Abington Street Northampton , UK NN1 2BB Tel: 44(0)1604 634433 Fax: 44(0)1604 626828 http://www.vinylunderground.co.uk -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2003 11:04 To: 313@hyperreal.org Subject: (313) peacefrog so, this has possibly been done to death but I'm quite interested to know what people think of these limited releases. I mean, both of 'em so far have been very very nice. I don't have the rob hood one yet, but I had a listen to a friends. so is it a rip-off? I guess I feel a little aggreived at paying so much, but I would reguarly pay that much for a second hand record I guess. and, I guess they have to pay the artist a considerable amount, and there's only 400 of them - so £16, I doubt they're even making much on them? whaddya think? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) peacefrog
well, f**k me, is that you adrian? this is BAZ!! you fancy that Carl Craig/Amp Fiddler Electric Chair do up this end or what?? >they make the same amount on selling 400 directly at this silly price as >they do selling 3000 12" through the distributors and shops . >why cant they sell "LTD 12's"at decent price? because they wouldnt make any >MONEY >money money money. Yeah, but think about it, Kenny Dixon ain't even getting out of bed for less than 'x' amount is he? + manufacturing and all that, I just can't figure how they're making? mind you.. 400 x £16? = £6400. d'oh, the thieving gits. whats their phone number??!! (I guess I didn't think about doing the maths before shooting me gob off) but do they sell alll of them direct, or do they have distributors, retailers to go through or what? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
>i was actually going to start a post regarding the rising prices of new >records... Hmm, yes good point. I reckon we're all going to have to dig a little deeper in our pockets if we want the small independants to survive. I was costing up getting some records pressed the other week (only 500), and I was just thinking. s**t, how are we going to do this? I know what the distributor will pay, and the sums don't add up! so I guess we're due soon for a price hike? cos other people must be having the same problem? are people happy with that I wonder? >and i learned a lesson >along time ago to buy things when they come out or you will end up >paying twice as much. yeah, thats always on the back of my mind too. do you think people play on that though (i.e pay the £16 now, or its only going to cost you double in the future), do they get away with it? the peacefrog releases are good though... >i dontmind spending 15 20 £ on a record. i can do that in a pub in an >hour and i get alot more satisfaction from listening to music... agreed. for sure. although spending £20 in a pub in an hour is very fun too.. : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) peacefrog
they make the same amount on selling 400 directly at this silly price as they do selling 3000 12" through the distributors and shops . why cant they sell "LTD 12's"at decent price? because they wouldnt make any MONEY money money money Vinyl Underground c/o Watts 80 Abington Street Northampton , UK NN1 2BB Tel: 44(0)1604 634433 Fax: 44(0)1604 626828 http://www.vinylunderground.co.uk -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2003 11:04 To: 313@hyperreal.org Subject: (313) peacefrog so, this has possibly been done to death but I'm quite interested to know what people think of these limited releases. I mean, both of 'em so far have been very very nice. I don't have the rob hood one yet, but I had a listen to a friends. so is it a rip-off? I guess I feel a little aggreived at paying so much, but I would reguarly pay that much for a second hand record I guess. and, I guess they have to pay the artist a considerable amount, and there's only 400 of them - so £16, I doubt they're even making much on them? whaddya think? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) peacefrog
i was actually going to start a post regarding the rising prices of new records... i bought them because a, they are actually quite good, b, i know i can always sell them on ebay , c i am a vinyl junkie and i learned a lesson along time ago to buy things when they come out or you will end up paying twice as much. i think ebay is the main culprit of rising prices of records to be honest... whenever i see someone selling records not on ebayanything rare nearly always has a 'bid' next to it and on further inquiries always get a reply along the lines of 'this goes for £x on ebay so i cant let it go cheaper than that) i guess record labels want abit of the money that people will inevitably get from buying them and then selling them immediately on ebay. having said that..i sell alot of stuff on ebay and buy alot of stuff on ebay and without it i wouldn't have a quarter of the records i thought i'd never be able to get hold of. i dontmind spending 15 20 £ on a record. i can do that in a pub in an hour and i get alot more satisfaction from listening to music... placid www.acid-house.net - Everything you wanted to know about acid house
Re: (313) Peacefrog website
I just found this in catching up on e-mails. I am supposed to get a promo here any day. He did some of that in Melbourne, so I am curious to see how it sounds!!! I will hopefully have some more info on this real soon. Alton is such an incredible DJ too. I will be very excited to hear this. > -- Original Message -- > From: Tom Churchill <[EMAIL PROTECTED]> > >>At long last: >> >>http://www.peacefrog.com > > i was wondering what was up with that alton miller. i got a promo > CD of it from my local shop the other day, and its really really > sweet. i hadnt heard anyone on here talk about it, but it was on > discogs and allmusic. whatever, ill be amped. and that moodymann > definitely isnt worth 16 pounds plus shipping to the US. thats > just ridiculous. > > tom > > > andythepooh.com > > > >
RE: (313) Peacefrog
has anyone heard the pepe mix of this. any good??? ryan From: "Langsman, Marc" <[EMAIL PROTECTED]> To: "'Jason Brunton'" <[EMAIL PROTECTED]>, 313 <313@hyperreal.org> Subject: RE: (313) Peacefrog Date: Fri, 29 Aug 2003 11:03:48 +0100 > Charles Webster's remixed dubs ; feat Pepe Bradocks version > of "falling" and Ian O'Briens mix of "I understand you" is > now available to pre order to arrive on your doorstep 9/9/03. Ooh is that remix of Julee Cruise - Falling ??!?! [/me wets pants] :) Peace, marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. _ Get MSN 8 and enjoy automatic e-mail virus protection. http://join.msn.com/?page=features/virus
RE: (313) Peacefrog
> Charles Webster's remixed dubs ; feat Pepe Bradocks version > of "falling" and Ian O'Briens mix of "I understand you" is > now available to pre order to arrive on your doorstep 9/9/03. Ooh is that remix of Julee Cruise - Falling ??!?! [/me wets pants] :) Peace, marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) Peacefrog Shattered Dreams Now Available
Looks like it's no longer available from the Web site. Anyone willing to sell me theirs? > For all those waiting and haven't noticed: Shattered Dreams is now > available on the Peacefrog site. > > Brent >
RE: (313) Peacefrog Shattered Dreams Now Available
correction... WAS available. looks like it's all gone now. drat! well, at least i can make my car payment now. :-) cheers, lrh -Original Message- From: Brent Kirkwood [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 26, 2003 5:31 AM To: 313@hyperreal.org Subject: (313) Peacefrog Shattered Dreams Now Available For all those waiting and haven't noticed: Shattered Dreams is now available on the Peacefrog site. Brent
Re: (313) Peacefrog website
- Original Message - From: "The REAL Mxyzptlk" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, August 25, 2003 11:35 PM Subject: (313) Peacefrog website > How does one venture to buy on-line from there? Thx. >From http://www.peacerog.com navigate to a release and add it to your basket. Supply credit card and shipping info. Voila! Tristan === Text/Mixes/Pics: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) Peacefrog website
Agreed.but there should be a pause/off button Maybe I'm blind but I didn't see one. - Original Message - From: "Lee Herrington IV" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Monday, August 18, 2003 9:17 PM Subject: RE: (313) Peacefrog website >the streaming tunes are an inspired idea. great atmosphere to shop to. > :-) > >lrh > > -Original Message- > From: Phonopsia [mailto:[EMAIL PROTECTED] > Sent: Monday, August 18, 2003 6:06 PM > To: Benn Glazier; 313 > Subject: Re: (313) Peacefrog website > > > - Original Message - > From: "Benn Glazier" <[EMAIL PROTECTED]> > To: "313" <313@hyperreal.org> > Sent: Monday, August 18, 2003 10:45 PM > Subject: Re: (313) Peacefrog website > > > > Better late than ever? > > Yeah. And hopefully people will use the feedback for re-pressing too. That > is a really good idea, especially with such a coveted catalogue. > > > Also, how many of you knew you could order a selected back catalogue from > > them?? > > Yep. I picked up the Project 27 (Wayne Gardner) w/Dan Curtin remix, that > I've wanted for a while but never seen in person. > > Tristan > === > Text/Mixes/Pics: http://www.phonopsia.co.uk > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > >
RE: (313) Peacefrog website
the streaming tunes are an inspired idea. great atmosphere to shop to. :-) lrh -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: Monday, August 18, 2003 6:06 PM To: Benn Glazier; 313 Subject: Re: (313) Peacefrog website - Original Message - From: "Benn Glazier" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Monday, August 18, 2003 10:45 PM Subject: Re: (313) Peacefrog website > Better late than ever? Yeah. And hopefully people will use the feedback for re-pressing too. That is a really good idea, especially with such a coveted catalogue. > Also, how many of you knew you could order a selected back catalogue from > them?? Yep. I picked up the Project 27 (Wayne Gardner) w/Dan Curtin remix, that I've wanted for a while but never seen in person. Tristan === Text/Mixes/Pics: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) Peacefrog website
- Original Message - From: "Benn Glazier" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Monday, August 18, 2003 10:45 PM Subject: Re: (313) Peacefrog website > Better late than ever? Yeah. And hopefully people will use the feedback for re-pressing too. That is a really good idea, especially with such a coveted catalogue. > Also, how many of you knew you could order a selected back catalogue from > them?? Yep. I picked up the Project 27 (Wayne Gardner) w/Dan Curtin remix, that I've wanted for a while but never seen in person. Tristan === Text/Mixes/Pics: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) Peacefrog website
Better late than ever? Also, how many of you knew you could order a selected back catalogue from them?? bg On Mon, 18 Aug 2003 08:48:04 -0500, [EMAIL PROTECTED] said: > > > > > Regarding the website - it's nice but why now? The label has been around > for so long without one. Not that I don't like it - it's a nice site. > > MEK > > > > > "Thomas D. Cox, > Jr." To: > <313@hyperreal.org> > <[EMAIL PROTECTED]cc: > h.com> Subject: Re: (313) > Peacefrog website > > > 08/17/03 11:32 AM > Please respond to > death > > > > > > > > > -- Original Message -- > From: Tom Churchill <[EMAIL PROTECTED]> > > >At long last: > > > >http://www.peacefrog.com > > i was wondering what was up with that alton miller. i got a promo > CD of it from my local shop the other day, and its really really > sweet. i hadnt heard anyone on here talk about it, but it was on > discogs and allmusic. whatever, ill be amped. and that moodymann > definitely isnt worth 16 pounds plus shipping to the US. thats > just ridiculous. > > tom > > > andythepooh.com > > > > > > > > -- Benn Glazier email: [EMAIL PROTECTED] phone: +61 (0)413 316 618 http://www.royaltech.net
Re: (313) Peacefrog website
Regarding the website - it's nice but why now? The label has been around for so long without one. Not that I don't like it - it's a nice site. MEK "Thomas D. Cox, Jr." To: <313@hyperreal.org> <[EMAIL PROTECTED]cc: h.com> Subject: Re: (313) Peacefrog website 08/17/03 11:32 AM Please respond to death -- Original Message -- From: Tom Churchill <[EMAIL PROTECTED]> >At long last: > >http://www.peacefrog.com i was wondering what was up with that alton miller. i got a promo CD of it from my local shop the other day, and its really really sweet. i hadnt heard anyone on here talk about it, but it was on discogs and allmusic. whatever, ill be amped. and that moodymann definitely isnt worth 16 pounds plus shipping to the US. thats just ridiculous. tom andythepooh.com
Re: (313) Peacefrog website
-- Original Message -- From: Tom Churchill <[EMAIL PROTECTED]> >At long last: > >http://www.peacefrog.com i was wondering what was up with that alton miller. i got a promo CD of it from my local shop the other day, and its really really sweet. i hadnt heard anyone on here talk about it, but it was on discogs and allmusic. whatever, ill be amped. and that moodymann definitely isnt worth 16 pounds plus shipping to the US. thats just ridiculous. tom andythepooh.com
Re: (313) Peacefrog Private Pressings
Hi Jeff, I know someone answered already, but I'd try and get one saved through a shop - I think there's only 300, and I know my mate in one of the shops here in Manchester has had a load of people asking already. You could try rushhour, but also I know that Piccadilly records in Manchester will maybe get 10, but I also know that www.boomkat.com are deffo getting some. Problem is that they may be inclined to sort out regular customers only as I think people are already arguing Good luck Alex FC2 Richards <[EMAIL PROTECTED] To: "'313@hyperreal.org'" <313@hyperreal.org> h.navy.mil> cc: Subject: (313) Peacefrog Private Pressings 23/01/2003 08:54 I got the post last week on the Peacefrog Private Pressings...I need more info though. There is a local record store in San Diego trying to order them and is running into problems figuring out how. If any one has any more info let me know pleaseASAP!! Thanks Jeff _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) peacefrog private pressing
> just want to mention that the last sentence "..will only be available > direct from the Peacefrog offices" was sent out to record shops, meant for > them. meaning that they cannot order the records from the regular > distributors. so it's not meant as 'normal' record buyers to buy the > records at peacefrog. > > excuses. . oh ok.. now my questuion is answered .. sorry should have read this post before I sent the mail. cheers, Maarten
Re: (313) peacefrog private pressing
> > > "Also look out for the Peacefrog 'Private Pressing' series which are > one-sided 12" ltd to 300! These are tracks that we feel are totally unique > & will only be available direct from the Peacefrog offices. The first two > are from Moodymann & Robert Hood." > > ... has peacefrog a website or something? Would it be possible for a moodymann adict to reserve a copy? Thanks, Maarten
Re: (313) peacefrog private pressing
just want to mention that the last sentence "..will only be available direct from the Peacefrog offices" was sent out to record shops, meant for them. meaning that they cannot order the records from the regular distributors. so it's not meant as 'normal' record buyers to buy the records at peacefrog. excuses. . At 14-1-2003 +0100 10:02, you wrote: "Also look out for the Peacefrog 'Private Pressing' series which are one-sided 12" ltd to 300! These are tracks that we feel are totally unique & will only be available direct from the Peacefrog offices. The first two are from Moodymann & Robert Hood." ... .. . :: http://nomorewords.net
RE: (313) peacefrog private pressing
bastards sigh W - Original Message - From: "marsel" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, January 14, 2003 4:02 AM Subject: (313) peacefrog private pressing > > > > "Also look out for the Peacefrog 'Private Pressing' series which are > one-sided 12" ltd to 300! These are tracks that we feel are totally unique > & will only be available direct from the Peacefrog offices. The first two > are from Moodymann & Robert Hood." > > ... > >
Re: (313) peacefrog private pressing
Rowrr. =) m* - Original Message - From: "marsel" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, January 14, 2003 4:02 AM Subject: (313) peacefrog private pressing > > > > "Also look out for the Peacefrog 'Private Pressing' series which are > one-sided 12" ltd to 300! These are tracks that we feel are totally unique > & will only be available direct from the Peacefrog offices. The first two > are from Moodymann & Robert Hood." > > ... > >
RE: (313) peacefrog schedule
> >Jan 2003: PFG028 Jello EP for lovers of exceedingly well-constructed, british electronica rooted in Detroit, Jello is D Fitton aka Bola, and last year's album was very great... eager to get that EP. > >Feb 2003: PFG030 Plaid Remix > >2LP PT1 505029413431-3 / 2LP PT2 505029413441-2 / 2CD > 505029413452-8 the same Plaid as those on Warp ??? Stupid question : what is the reason behind their changing of catalogue numbering ? is it just the 10th anniversary ? and also : I loved their 10.100 and 10.100.2 comps, haven't seen any 10.100.3, has there been one released ? Gwendal
RE: (313) peacefrog schedule
Speaking of Peacefrog, didn't they put out a tune out a while back... say, seven or so years ago... called 'Empath'? I'm pretty sure that was the only vocal snippet, just the one word, 'empath' layered with efx, fairly minimal, housey, tech? Anyone else remember this? m -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Monday, January 06, 2003 12:58 PM To: 313@hyperreal.org Subject: (313) peacefrog schedule guess several would be interested rough schedule >Jan 2003: PFG028 Jello EP > >Jan 2003: PFG023 Suburban Knight EP > >Jan 2003: PFG025 Suburban Knight Album >2LP 505029413411-5 / CD 505029413422-1 > >Jan 2003: PFG034 New World Aquarium EP > >Feb 2003: PFG030 Plaid Remix >2LP PT1 505029413431-3 / 2LP PT2 505029413441-2 / 2CD 505029413452-8 > >Feb 2003: PFG032 Moodymann EP > >Mar 2003: PFG035 Ian 0'Brien EP > >Mar 2003: PFG036 Moodymann Album >2LP 505029413461-0 / CD 505029413472-6 > >Apr 2003: PFG037 Charles Webster Remixed >(Born on the 24th July Remixes) > >May 2003: PFG038 Ian O'Brien Album >2LP 505029413481-8 / CD 505029413492-4 >Also signed for 2003 release: New Charles Webster studio album, & a Swag >remix album.
RE: [313] peacefrog 100 compilation 2nd part
thanks - I guess this means more shopping to do... ;-) Gwendal > It was released on CD. Just as good as the first. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] peacefrog 100 compilation 2nd part
It was released on CD. Just as good as the first. On 02/04/02 12:23 PM, "Gwendal Cobert" <[EMAIL PROTECTED]> wrote: > Do they also release it on CD ? I hope it's as good as the first volume > was... > Gwendal > >> -Original Message- >> From: Maarten Baute [mailto:[EMAIL PROTECTED] >> Sent: Monday, February 04, 2002 6:08 PM >> To: 313@hyperreal.org >> Subject: [313] peacefrog 100 compilation 2nd part >> >> >> Peacefrog 100.2 >> Various Artists: 10.100.2 (UK 5x LP Box) @ EUR 65,00 #36289 >> (2nd part, luxury 180g pressing, 20 rare tunes by DBX, Shake, Theo >>Parrish a.o.) >> >> >> Does anyone have a complete tracklisting? I am very curious >> wich shake track >> they selected for the compilation... >> >> Cheers, >> Maarten >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] peacefrog 100 compilation 2nd part
Do they also release it on CD ? I hope it's as good as the first volume was... Gwendal > -Original Message- > From: Maarten Baute [mailto:[EMAIL PROTECTED] > Sent: Monday, February 04, 2002 6:08 PM > To: 313@hyperreal.org > Subject: [313] peacefrog 100 compilation 2nd part > > > Peacefrog 100.2 > Various Artists: 10.100.2 (UK 5x LP Box) @ EUR 65,00 #36289 > (2nd part, luxury 180g pressing, 20 rare tunes by DBX, Shake, Theo >Parrish a.o.) > > > Does anyone have a complete tracklisting? I am very curious > wich shake track > they selected for the compilation... > > Cheers, > Maarten > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] peacefrog 100 compilation 2nd part
Track listing CD THEO PARRISH-Sky Walking CHICAGO UNDERGROUND COUNCIL-Groove Thang DBX-City On The Edge Of Forever INSYNC vs MYSTERON-Exit 9 LUKE SLATER-The Secret Garden ST VITAS DANCE-Mystic Vibrations MOODYMANN-Telephone Blue STASIS-View From The Rille APOGEE-Inside Above RON TRENT-Morning Factory GLENN UNDERGROUND-Keep The Hidden Treasures IAN O'BRIEN-Where Does The Past End And The Present Begin? DAN CURTIN-It Tastes Like PLANETART ASSAULT SYSTEMS-Gruve SHAKE-Sonar 123 JOHN BELTRAN-Ten Days Of Blue GEMINI-Freefall WAMDUE KIDS-Optimistique ROY DAVIS JR-Someday Maarten Baute <[EMAIL PROTECTED]> escribió: Peacefrog 100.2 Various Artists: 10.100.2 (UK 5x LP Box) @ EUR 65,00 #36289 (2nd part, luxury 180g pressing, 20 rare tunes by DBX, Shake, Theo Parrish a.o.) Does anyone have a complete tracklisting? I am very curious wich shake track they selected for the compilation... Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - Do You Yahoo!? Yahoo! Messenger! Comunicación instantánea gratis con tu gente.
Re: [313] Peacefrog 100th release
stephen kelly wrote: > wonder how much it's gonna cost?... Knowing Peacefrog, the price for distributors will be at least 12 UKP / 18 USD, so you can guess what the retail price will be :( Otto, the cynic...
Re: [313] Peacefrog 100th release
Just think about all the other people who've recorded for Peacefrog who AREN'T included here, amongst them Neil Landstrumm, Adam X & Jimmy Crash, Eddie Fowlkes, Wyndell Long, Stacy Kidd, Insync Vs Mysteron, Max Brennan, Gemini, Josh Brent and Roy Davis Jr. When you consider that they don't do adverts or even have a website, you have to admit that Peacefrog really is an unbelievable label. > Stephen wrote: > > >maybe - but it's bound to be on the album isn't it... also would have been > >nice to see one of the otherworld collective tracks on there > > yeah, The Otherworld Collective's 'Artificial World' 12" is amazing - > classic soulful techno... one of my favourite Peacefrog releases! > > > > > rob > > _ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Peacefrog 100th release
Stephen wrote: maybe - but it's bound to be on the album isn't it... also would have been nice to see one of the otherworld collective tracks on there yeah, The Otherworld Collective's 'Artificial World' 12" is amazing - classic soulful techno... one of my favourite Peacefrog releases! rob _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Peacefrog 100th release
previously... but strictly old material.what a shame. that norma jean bell is new.. isn't it?? maybe - but it's bound to be on the album isn't it... also would have been nice to see one of the otherworld collective tracks on there or a bit more dan curtin... wonder how much it's gonna cost?... [EMAIL PROTECTED] http://nortroute.net _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Peacefrog 100th release
At 17-4-01 +0200 16:48, you wrote: but strictly old material.what a shame. that norma jean bell is new.. isn't it?? :) cheers .. . :: http://nomorewords.net
Re: [313] Peacefrog 100th release
but strictly old material.what a shame. 154
Re: [313] Peacefrog 100th release
No, unmixed - a good thing in this case if you ask me. TOM > is this mixed? and if so, by whom? > Look what popped through the door today... mmm, Peacefrog... > > Peacefrog presents: 10.100 > Released 28th May (UK) > Cat. no. PF100. Format: 2XCD (doesn't say if is coming out on vinyl, but I > assume it will) > > Tracklisting: > > CD1: > Purveyors Of Fine Funk: Ashes Smashing Red > Paul Johnson: Caught Up In Your Love > David Alvarado: Beautification > Ron trent: Love > Theo Parrish: Heal Yourself And Move > Dan Curtin: Spliffed > Norma Jean Bell: Your Perfect > Chris Brann: Journey To The Centre > Charles Webster: Sweet Butterfly > Planetary Assault Systems: Booster > Infiniti: Sunlight > > CD2: > John Beltran: Collage Of Dreams > Sunchildren: The Flow > Wamdue Kids: Whirlwind > Glenn Underground: Entercourse Of The New Age > DBX: LosingControl > Neuropolitique: Mind You Don't Trip > Placid Angles: Everything Under The Sun > Ian O'Brien: Midday Sunshine > Moodymann: Mahogany Brown > Detroit Escalator Co.: Gathering Light > Luke Slater: Industive Channels > Stasis: Moody Ol' Teacher > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Peacefrog 100th release
is this mixed? and if so, by whom? -Original Message- From: Tom Robbins [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 17, 2001 5:18 AM To: 313 mailing list Subject: [313] Peacefrog 100th release Look what popped through the door today... mmm, Peacefrog... Peacefrog presents: 10.100 Released 28th May (UK) Cat. no. PF100. Format: 2XCD (doesn't say if is coming out on vinyl, but I assume it will) Tracklisting: CD1: Purveyors Of Fine Funk: Ashes Smashing Red Paul Johnson: Caught Up In Your Love David Alvarado: Beautification Ron trent: Love Theo Parrish: Heal Yourself And Move Dan Curtin: Spliffed Norma Jean Bell: Your Perfect Chris Brann: Journey To The Centre Charles Webster: Sweet Butterfly Planetary Assault Systems: Booster Infiniti: Sunlight CD2: John Beltran: Collage Of Dreams Sunchildren: The Flow Wamdue Kids: Whirlwind Glenn Underground: Entercourse Of The New Age DBX: LosingControl Neuropolitique: Mind You Don't Trip Placid Angles: Everything Under The Sun Ian O'Brien: Midday Sunshine Moodymann: Mahogany Brown Detroit Escalator Co.: Gathering Light Luke Slater: Industive Channels Stasis: Moody Ol' Teacher - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Peacefrog 100th release
> Peacefrog presents: 10.100 . . . > Infiniti: Sunlight If this isn't on vinyl I will cry...
