Re: [SlimDevices: Audiophiles] Benchmark vs. Numerik

2008-10-22 Thread harmonic

http://www.empiricalaudio.com/


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Robin Bowes
DeVerm wrote:
 DCtoDaylight;351968 Wrote: 

 Look at it this way, everybody has taken an aspirin at some point in
 their life, but one pill won't reduce your risk of stroke.  Low
 dosages, over a long time, will.  So a short term ABX test would
 produce one result, a long term ABX would produce another.
 
 Exactly. We seem to agree ;-)

I've been saying this for years, i.e. that you can't always hear 
differences on short-term ABX tests, but can prefer A or B over the 
long-term

R.

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Re: [SlimDevices: Audiophiles] SB3 + Cambridge DacMagic ($400) Review

2008-10-22 Thread bugmenot

Have you had time to try out the USB input on the Dacmagic and, if so,
could you please share your impressions? I'm interested in how this
will match with a PS3's and PC's USB.


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Re: [SlimDevices: Audiophiles] SB3 Making Pop Sound through Speakers

2008-10-22 Thread Thanaset

Phil Leigh;351550 Wrote: 
 That pretty much nails it for me - sounds like there may be a tiny fault
 (probably a bad electrolytic capacitor) on the right channel of the
 Numerik output stage. If the popping  was on both channels that would
 have probably indicated a different problem.
 
 Good luck - the Numerik is a good DAC - and capable of great things if
 you fit a clock input to the SB!!!

Hi Phil

I hope you get this message.  After a long conversation on the phone,
my dealer agreed to send a courier to pick the Numerik up tomorrow.  I
had to try really hard to convince him that there is something wrong
with the Numerik.  He said he will ask an engineer to have a look at it
and I will have to include a note explaining the symptom.  If it turns
out there is nothing wrong with it, I'll have to pay for everything!

Well, the only thing I can do now is to make sure that the engineer
finds the fauty parts.  I think it's a good idea to narrow the list
down so he doesn't miss the spot.  If you don't mind, could you let me
know what I should ask the engineer to look at?  You help has been much
appreciated.

Thanaset


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Re: [SlimDevices: Audiophiles] SB3 Making Pop Sound through Speakers

2008-10-22 Thread Phil Leigh

Thanaset;352093 Wrote: 
 Hi Phil
 
 I hope you get this message.  After a long conversation on the phone,
 my dealer agreed to send a courier to pick the Numerik up tomorrow.  I
 had to try really hard to convince him that there is something wrong
 with the Numerik.  He said he will ask an engineer to have a look at it
 and I will have to include a note explaining the symptom.  If it turns
 out there is nothing wrong with it, I'll have to pay for everything!
 
 Well, the only thing I can do now is to make sure that the engineer
 finds the fauty parts.  I think it's a good idea to narrow the list
 down so he doesn't miss the spot.  If you don't mind, could you let me
 know what I should ask the engineer to look at?  You help has been much
 appreciated.
 
 Thanaset

Oh - well I hope that I haven't accidentally caused you any major
expense! That wasn't my intention at all. I was simply suggesting some
possibilities.

Personally I think it's a good idea to get items like this serviced or
at least checked over anyway since the Numerik must be quite old by now
(1999 was when it finished production). I've had some Linn gear that
aged rather quickly due to class A operation  and high internal
operating tempratures (Linn Aktiv crossover springs to mind).

If it was me I'd be looking for DC leakage on the right channel output
(the one that caused the popping. If present it will be really easy
to find.
However, I am only guessing the problem from a long way away!. If they
send it back and say  no fault found but you still get the popping, 
I don't know what to say.

However, while it is away/before they collect it you could try
connecting the SB to the Cyrus via its analogue outputs (removethe
Numerik completely) and see if the popping is still there... that would
indicate a problem in the amp (unlikely).

Do you have anyhting else connected to the Cyrus?
Regards
Phil


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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Phil Leigh

pablolie;351985 Wrote: 
 Are you measuring the right interface given the fact that what you are
 trying to explain is the different sound to your ears? Are you really,
 *REALLY* sure that that is nthe only interface that has possibly
 changed? Are there no other possible interactions between equipment in
 the change? Noise from power supplies or power reference points? No
 other changes made to the system? 
 
 I have read your posts for over 2 years now, and have the utmost
 respect for your opinions. So I'd rather trust what *you* hear rather
 than what you osc tells you... :-)


Pablolie - thank you for you kind words.

I'm torn between what I hear and what I see. Waht I hear sounds eally
good (although I'm sure it can be improved). What I see when I play a
squarewave through the sb into a dac looks pretty good. But when I pass
the same squarewave through the TACT it is clearly distorted. 

I am investigating PSU noise and earthing issues and also the various
interconnections in my system. The only change I have amde to my system
so far is to replace the SMPS in the TACT with a linear supply. This
seems to have made a nice improvement to my ears. The change is not
visible on the scope apart from the fact that the 5V into the TACT is
now visibly cleaner than from the old SMPS. From the TACT forum I have
no answer to my squarewav question yet - but lots of advice on
upgrading the SB and TACT in various ways. I am looking into all of
these options but it will take a long time.

I also want to try and clock-link my system to my DAC (which has a very
high quality Audicom clock in it) - which involves fitting clock
ins/outs to everything which will be expensive! This may have to
wait...
In the meantime I am concentrating on low-cost improvements (my linear
suppy was £6 from eBay - original retail was £85) such as cabling. 

I always use my easrs to test changes - the scope is just for fun and
repairing things that are broken really. Actually I wish I hadn't
stumbled across that square wave...

Maybe someone else with a TACT and a scope can reproduce my results on
day.
Kind Regards
Phil


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] SB3 Making Pop Sound through Speakers

2008-10-22 Thread Thanaset

Phil Leigh;352102 Wrote: 
 
 However, while it is away/before they collect it you could try
 connecting the SB to the Cyrus via its analogue outputs (removethe
 Numerik completely) and see if the popping is still there... that would
 indicate a problem in the amp (unlikely).
 

Thanks for a very quick response, Phil.

I immediately disconnected the Numerik once you mentioned that it was
the source of the problem for fears of causing harms to the system. 
Since then I never heard any pop.  I am now fairly certain that the
Numerik is the suspect.

I've got my Musical Fidelity A3 player and a Samsung DVD player
connected to the Cyrus -- not one of them causes any noise.

I just really want to make sure that they discover the culprit(s).  The
dealer was very polite on the phone.  It's just that he insisted the
engineer tested the unit before it was shipped to me and he found no
problem.

No more E(vil)Bay for me!

Thanaset


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Re: [SlimDevices: Audiophiles] Loss from Ethernet Cable?

2008-10-22 Thread Phil Leigh

krochat;252228 Wrote: 
 It looks like we've discussed this before:
 http://forums.slimdevices.com/showthread.php?p=199365#post199365
 
 The GW Labs DSP uses a different sample rate converter (a Cirrus Logic
 8420) in an all-out design effort. Perhaps if the TacT RCS used a
 dedicated linear power supply with precision components for the ASRC
 like the GW Labs, it would work as well. Since it doesn't it sounds
 worse.
 
 It's also getting troublesome to keep two copies of my music around -
 one in 44.1 for backup/future use and one upsampled offline in Audition
 to 48kHz. 
 
 The GW Labs DSP gives me the best of all worlds - upsampling to 96kHz
 to feed to the TacT, as good sound as the 48kHz files upsampled
 offline, and it sounds best with the 44.1 input files so I can get rid
 of the duplicate 48kHz files.
 
 Regards,
 Kim
Sorry to resurrect this thread but it's germane to my recent journey
- does anyone know if/how the GW Labs device can actually be purchased
in the UK?
Thanks
Phil


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread opaqueice

DeVerm;352008 Wrote: 
 You are right that you have control and can listen to each sample as
 long as you want. But that is not the way it is done: samples are
 mostly 10-20 seconds long and intervals between two samples are often
 0.5-1 second.

Evidence for mostly?  I've done quite a few blind tests, and some
were done with quick switches, some with long.  Same goes with the ones
I've read about - in fact I think you're wrong and most blind tests
these days are done with long samples, just to address this complaint.

 All blind tests up until this one in Japan were trying to find out if
 humans can -hear- sounds of high frequencies. This was the scope for
 which the tests were designed. But it turns out that this scope was
 wrong because we indeed can't hear the difference but we can
 -experience- it and our brain registers it! 

Nope.  According to the paper (at least as far as I can see from what
they wrote), several very similar experiments were done in the past,
and the results disagree with theirs.  I gave the references above. 
That's why they bother to try to justify the difference.  Moreover the
recent SACD tests also apply to this (although one would have to check
how the high frequency response of the playback gear was).

 Furthermore, as explained in the research article, conventional abx
 testing is based on a questionaire where the tester notes his/her
 findings. 
 

That's *exactly* what they did in one major component of their
experiment.

 I'm afraid that my English isn't good enough because I can't follow you
 here. What they measured was no difference between silence and
 high pass only. This proves that the equipment used did not
 experience interference by the high-pass signals.

This has nothing to do with language.  Think about it - you're making
-precisely- the same assumption about the gear which this paper is
claiming was wrong for human hearing - that not being affected by the
HF signal alone means it will not have an effect when combined with LF.


 Last is the honesty of the researchers. Did you look at who was
 involved? This was not a laboratory doing this like so many funny
 research projects that you compare it to (tabacco industry etc) but
 there are 10 researchers from 10 organizations, none of them
 commercial. Do you really think that all of them collaborated in
 presenting a lie? How can you live your life if you truly believe that?

Again, you're attacking a straw man.  I said nothing of the sort. 
There are all sorts of ways in which research can be wrong, and lying
is dead last on the list.  It's quite rare - but wrong research is
very, very common.

 Also, you state that research is only right after some time and many
 other experiments that confirm the original one. So, the guy that first
 stated that the world wasn't flat was indeed a fraud? 
 The world was still flat at that point in time? 

Erecting straw men and knocking them down is a common technique of
internet (and real life) trolls.  It's not very effective.

So I'll give you credit and assume you're simply failing to comprehend
what I said.  I didn't say it's only right after other experiments have
confirmed it - that would be patently absurd.  I said one shouldn't take
it seriously until it's confirmed.  I repeat - that's standard practice
in every field of science, and for a very good reason:  much
ground-breaking research turns to be wrong.

 And he paid off the other 9 researchers to lie and throw away their
 careers...

More absurdities ignored.  

 Or that they never work for commercial projects at all? They don't have
 a choice because their employer will sign contracts anyway. Every
 university will do that.

You're wrong.  Many departments do that, and it's lead to countless
debates in universities across the US, at least (some of which I've
been involved with).

 wow... please elaborate on that first part; list some examples of
 research findings that were wrong and conducted by these big
 collaborations.

I could give tens of thousands of examples in my own field (physics). 
Pick any paper, the odds are good at least part of the conclusions are
wrong.  Papers that challenge a body of other research have much higher
odds of that.

 Also, you again write that the current findings go -against- previous
 results. They do not. They confirm the previous results: nobody can
 hear above 20 kHz. What they found was a missing link that many
 (professionals) thought was there but couldn't put their fingers on. It
 turned out that they were looking at the wrong spot: the ear, instead of
 the brain. This research definitely doesn't go against any previous
 research. 

You disagree with the authors of the paper on that.  I'll let you argue
with them.  :)


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread DeVerm

I'm gonna split up in multiple posts a bit because it's just to diverse
to include it all into 1 post;

opaqueice;352132 Wrote: 
 Evidence for mostly?  I've done quite a few blind tests, and some were
 done with quick switches, some with long.  Same goes with the ones I've
 read about - in fact I think you're wrong and most blind tests these
 days are done with long samples, just to address this complaint.

Well, I just spent another 30 minutes searching the net for long
samples and I didn't find a single one! So I stick with my statement.
Here is what I find:

http://www.soundexpert.info/ 
samples about 15s each
---
http://www.hydrogenaudio.org/forums/index.php?showtopic=64991 
samples should be 8-15s
---
http://www.hydrogenaudio.org/forums/index.php?showtopic=4601
index of generally used test samples
---
http://lame.sourceforge.net/quality.php
LAME samples vary between 3 and 30s
---
http://sound.media.mit.edu/mpeg4/audio/sqam/
mit.edu recommended samples from SQAM disc: between 21 and 37s
---
http://ff123.net/samples.html
5-30s samples

My conclusion: in audio ABX testing, short 5-30s samples are used. The
reason is that they follow the CCIR recommendations from 1978. I do
believe that you use longer samples but I am referring to large scale
testing incl. the Muraoka et al. 1978; Plenge et al. 1979 tests.

Let me quote those citations again because you skipped that section:

The CCIR (1978), and the current International Telecommunication
Union-Radio communication sector (ITU-R 1997), have recommended that
sound samples used for the comparison of sound quality should not last
longer than 15-20 s (CCIR 1978; ITU-R 1997), and that intervals between
sound samples should be about 0.5-1 s (CCIR 1978) because of short-term
human memory limitations

I hope this is enough evidence for mostly ?

 Nope.  According to the paper (at least as far as I can see from what
 they wrote), several very similar experiments were done in the past,
 and the results disagree with theirs.  I gave the references above. 
 That's why they bother to try to justify the difference.

I can't agree. When I read the paper, it says that Muraoka et al. 1978;
Plenge et al. 1979 did NOT use EEG  PET but solely questionnaires. It
says so literally. Also, they state that their findings are in
agreement with Muraoka et al. (1978) and Plenge et al, --not--
disagreement. Quote:

We also examined the psychological evaluation using the same material
and sound presentation system as was used for the present study, but
followed the presentation method recommended by the CCIR, and confirmed
that the results were in agreement with the studies by Muraoka et al.
(1978) and Plenge et al. (1979).

 This has nothing to do with language.  Think about it - you're making
 -precisely- the same assumption about the gear which this paper is
 claiming was wrong for human hearing - that not being affected by the
 HF signal alone means it will not have an effect when combined with LF.

I am really sorry that I don't understand you and I also don't
understand what you write in the quote above. As my IQ is well above
130 I assure you that it must be either my limited comprehension of the
English language or your limited clarity in these statements. I know
you're talking about the gear used and assume you mean the EEG and PET
equipment so why don't you specify that? You also seam to state that
the EEG  PET gear is not suitable for this test because it is
interfered by the music that is played? These are assumptions I make
because I don't understand you, but when you indeed state this, you
should explain how that figures because I know of no such flaws with
this equipment.

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Loss from Ethernet Cable?

2008-10-22 Thread Kuro

musicinmind;250911 Wrote: 
 
 
 My files are primarily 16/44.1 aiff (Apple computer) that I have ripped
 from my own cd's. I also have a few hundred hours of 24 bit/48 aiff
 files that I've recorded at shows myself with two Neumann U89i's. 
 
 Thanks again...

The problem is your rip.  Apple iTune does rip CD tracks correctly as
it does not know the read offset of the DVD drive.  Use dbPowerAmp or
EAC with the correct read offset and rip the file in FLAC.

I know because I made the same mistake with Apple lossless and ended up
having to re-rip everything later for a bit accurate rip.


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Wombat

DeVerm;352167 Wrote: 
 
 5-30s samples
 
 My conclusion: in audio ABX testing, short 5-30s samples are used. The
 reason is that they follow the CCIR recommendations from 1978. I do
 believe that you use longer samples but I am referring to large scale
 testing incl. the Muraoka et al. 1978; Plenge et al. 1979 tests.
 

The fact these samples are that short are simply cause of copyright
laws. You can´t post samples longer.


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Re: [SlimDevices: Audiophiles] Loss from Ethernet Cable?

2008-10-22 Thread Forrest

musicinmind;250913 Wrote: 
 
 . . . Audio quality is still significantly inferior to CD transport.
 (Parasound CBD-2000 belt drive) . . .

Musicmind, 

I too have a Parasound CBD-2000 transport but coupled to a Levinson
No.36 DAC via AES/EBU.  I'm also running a SB Receiver via Toslink to
the same DAC playing back FLAC files created by dbpoweramp R13.1.  I've
always enjoyed the laid back but very open and detailed sound of the
Parasound belt-drive transport, but the SB Receiver does sound
remarkably good even with the Toslink connection and the factory
supplied $2 power-supply, but I also know that there is room for
improvement.  That being said, the CBD-2000 CD transport a tough one to
beat especially if you like its sound qualities, but mind you, some
folks don't care for the sound of the CDB-2000 saying that it's too
laid back, lacks impact, and other statements that I don't agree with. 
Even with all the tweaking in the world, I doubt that you will ever get
the same belt-drive-transport sound out of any Squeezebox product due
to the Parasound's unique qualities; however, I do think that you
should be able to get very listenable sound from your SB3 with just a
little tweaking.  Now, as for what tweaks will make your SB sound
better, I'll leave that to be answered by the knowledgeable tweakers on
this forum, and please let us know how it all comes out in the end.

Forrest


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread DeVerm

opaqueice;352132 Wrote: 
 Again, you're attacking a straw man.  I said nothing of the sort.  There
 are all sorts of ways in which research can be wrong, and lying is dead
 last on the list.  It's quite rare - but wrong research is very, very
 common.

Well... okay, I'll go with that although you did talk about conflict
of interest etc. which was an unfounded, direct attack on the
researchers credibility but lets just leave that behind us.

So you say that wrong research is very, very common. Being a
researcher yourself, do you differentiate between making a claim and
demonstrating a phenomena ? My understanding of demonstrating is
that they repeatedly show something happening using established methods
of measurement, which is why I made the world is not flat comparison
as that would be a claim because nobody understood the methods used
to come to that statement. So, what exactly do you suspect is wrong in
this demonstration they described? Do you question the recorded brain
activities itself? (pls. answer so I understand your objections) or do
you question that those recordings are the result of listening to the
different sound-samples they used? If so, how do you feel about the
verification method they applied with two different measurement
techniques (PET and EEG)? Or do you question their possible
explanations for the demonstrated phenomena? If so, they question those
too but just include two -possible- explanations and mostly invalidate
one of these themselves describing it as unlikely.

 I said one shouldn't take it seriously until it's confirmed.  I repeat -
 that's standard practice in every field of science, and for a very good
 reason:  much ground-breaking research turns to be wrong.

I follow you here, I understand what you mean. But I feel different
about a clear and simple and repeatable demonstration vs a claim that
results from procedures that use never-used-before manipulations or
chemical reactions etc. I think the following quote is relevant:

Indeed, the Advanced Audio Conference organized by the Japan Audio
Society (1999) proposed two next-generation advanced digital audio
formats: super audio compact disk (SACD) and digital versatile disk
audio (DVD-audio). These formats have a frequency response of up to 100
kHz and 96kHz, respectively. However, the proposal was not based on
scientific data about the biological effects of the HFCs that would
become available with these advanced formats. Although recently there
have been several attempts to explore the psychological effect of
inaudible HFCs on sound perception using a digital audio format with a
higher sampling rate of 96 kHz (Theiss and Hawksford 1997; Yamamoto
1996; Yoshikawa et al. 1995, 1997), none of these studies has
convincingly explained the biological mechanism of the phenomenon. This
may reflect in part the limitations of the conventional audio
engineering approach for determining sound quality, which is solely
based on a subjective evaluation obtained via questionnaires.

So, this was the 5th study for explaining this phenomenon and as it was
published in 2000 and google-search lists it in every medical database
on-line and I can't find any follow-up studies, I take it that it was
convincingly enough for the research community to accept it. Nobody
questioned it and nobody did a follow-up study to show otherwise. So,
now, 8 years later, how much longer do you want to wait before taking
it serious? I think it's accepted as general knowledge already and as
the HD-audio was already in production, there was no big ground-braking
research as you call it. It was just a confirmation that the new SACD
and DVD-audio formats do make a difference and everybody moved on.

 You're wrong.  Many scientific departments refuse such funding, and that
 has lead to countless debates in universities across the US, at least
 (some of which I've been involved with).  My own research is funded by
 the US National Science Foundation, the Department of Energy, and a
 university which derives its income from tuition and private donations.

Okay, I stand corrected. My experience is with the Technical University
in Delft, Holland (worldwide recognized as a leading TU, also in your
field of expertise), where many, many student thesis (? final essay,
again my English is too limited to find the correct word..) is based on
a corporate customer or a project for something that was not done
before. I was involved with a design for a new way to operate a system
of locks (for ships) that was later built in Africa by the customer.

 You disagree with the authors of the paper on that.  I'll let you argue
 with them.  :)

My previous post already addressed this with the relevant quote that
shows that the findings are in agreement with the previous studies, but
again, I emphasize that they confirm that you can't hear above 20 kHz
and if you don't agree with that, show me a quote. The paper says that
the brain registers it, directly or indirectly, and only when in

Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread DeVerm

Wombat;352175 Wrote: 
 The fact these samples are that short are simply cause of copyright
 laws. You can´t post samples longer.

Look at the samples, lots of them are sounds, no commercial song
recordings. Also, the samples used in the Muraoka et al. 1978; Plenge
et al. 1979 studies were so short because of the CCIR recommendations
and had nothing to do with copyright laws because they didn't post them
nor distributed them in another form; they just had the test-subjects
listen to them.

For today's hobbyist testing, even if it is because of copyright laws,
that doesn't change the fact that they use these short samples.

ciao!
Nick.


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[SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-22 Thread Phil Leigh

Has anyone any experience of one of these?
I'd like to use something similar to up the 44.1 out of the SB to 96
for nput to my TACT...

http://www.sonifex.co.uk/redbox/rbsc1_ld.shtml


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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
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[SlimDevices: Audiophiles] Please delete

2008-10-22 Thread Phil Leigh

SORRY double post - please delete


-- 
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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
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Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Phil Leigh

:o(

My thread has been polluted (sob).

Can anyone with a scope and a TACT replicate my findings?

My analogue scope is 60Mhz. Hardly state of the art I know but is its
bandwidth too low to study spdif signals? (should I ever return to the
original question in the thread title!)
Cheers
Phil


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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
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Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Wombat

At least you posted to pages where some of the samples are found by me
myself :)
I offered these short samples cause they were long enough to show
isolated problems with specific mp3 encoders.
And yes, as i remember we used short samples also to avoid fatiguing
when testing more versions against each other.

I am btw. one of the persons who preferes long time listening. Short
abx may tell you advantages on small pasages of music but listening a
while with the setting was superior on one section may get nerving when
listening a while.

Edit: Sorry Phil for going Off-Topic. Even me that writes seldom here
couldn´t overread the lng posts of these people on their mission.


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Phil Leigh

Wombat;352195 Wrote: 
 
 Edit: Sorry Phil for going Off-Topic. Even me that writes seldom here
 couldn´t overread the lng posts of these people on their mission.

's okay Wombat - you weren't the first :o)


-- 
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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
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Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Themis

I will personally stop polluting this thread. After all, I don't care
about convincing anybody about any facts, this was not the point of my
post -it was purely informative. Facts are the same whether some people
believe in them or not, we're all adults, and each one of us has his own
experience and/or consciousness.  ;)


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SB3 - North Star dac 192 - Denon 3808 - Sonus Faber Grand Piano Domus

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Phil Leigh

Themis;352208 Wrote: 
 I will personally stop polluting this thread. After all, I don't care
 about convincing anybody about any facts, this was not the point of my
 post -it was purely informative. Facts are the same whether some people
 believe in them or not, we're all adults, and each one of us has his own
 experience and/or consciousness.  ;)
 
 I apologize to the OP about my post, that I initially considered
 relevant.
Themis - no need to apologise!
I'm just seeking answers to increasingly complex questions.
Phil


-- 
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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread DeVerm

Same here, sorry Phil. Will start a separate thread next time and stop
off-topic posts here.

Actually, I have been thinking about your problem. My observation from
your photo's is that the tops from the 5th-7th harmonics are clearly
missing from the square wave. As the fundamental was 1 kHz, this is the
harmonics at 5, 7 and 9 kHz. I also read that you checked at different
amplitude levels and frequencies and that the pictures were the same. I
would propose this:

1. check those pictures for the different frequencies again or may be
you remember this detail clearly still. If that 5th-7th harmonic is
still the missing, it is not frequency related but algorithm related.
If it's also the same for lower amplitudes, we can assume that it's a
core-bug in the algorithm and not just an amplitude-related artifact of
overflow etc.

2. I am still curious on the TACT picture of a pure sine 21 kHz signal
because it will show what the TACT does with signals at the limits of
the 44 kHz sample rate. I mean, it will up-sample it, after which it
isn't close to the limit anymore. The question is if distortion appears
before, during or after the up-sampling. If we see any distortion here,
it would point to a bug before or during up-sampling.

3. test with a 21 kHz sine but in a 48 kHz sample-rate file. Again for
96 kHz rate. Just to make sure it isn't a frequency limit.

4. Did you do the 1 kHz squarewave with 48 and 96 kHz files? I assume
the TACT up-samples to 96 kHz? And I assume it doesn't up-sample if the
input is 96 kHz already because I wouldn't know how that would be done.
This will show several things:

The middle of the squarewave isn't the 5th-7th harmonics anymore
because we go beyond the 11f harmonic for the higher sample-rates. So,
if it's still missing the center tops instead of the 5th-7th tops,
the error is independent from input-signal

If the 5th-7th harmonic is still missing (the flattened part moves left
of center square-top), we must re-evaluate our thinking ;-)

A final set of test-signals would be a 10 and a 12 kHz squarewave as 44
kHz sample-rate. The 10 should show one big valley between two tops and
the 12 kHz should show... a sine? See if there still is that same
distortion.

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Whole house Amp

2008-10-22 Thread xanadu

I'm glad that a few people finally got it. Thanks for the input on the
other amps.

I do have another listening area for critical listening. I mentioned
this in this forum because I thought that some of the brighter members
would have an opinion on the amp. Instead a few found it necessary to
point out how antiquated it would be compared to buying 6 separate amps
and finding power for each amp/receiver throughout the house. Audiophile
doesn't mean As complicated as you can make it. 

Thanks again, I'll post pics when completed in another forum.

Landon


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Phil Leigh

DeVerm;352213 Wrote: 
 Same here, sorry Phil. Will start a separate thread next time and stop
 off-topic posts here.
 
 Actually, I have been thinking about your problem. My observation from
 your photo's is that the tops from the 5th-7th harmonics are clearly
 missing from the square wave. As the fundamental was 1 kHz, this is the
 harmonics at 5, 7 and 9 kHz. I also read that you checked at different
 amplitude levels and frequencies and that the pictures were the same. I
 would propose this:
 
 1. check those pictures for the different frequencies again or may be
 you remember this detail clearly still. If that 5th-7th harmonic is
 still the missing, it is not frequency related but algorithm related.
 If it's also the same for lower amplitudes, we can assume that it's a
 core-bug in the algorithm and not just an amplitude-related artifact of
 overflow etc.
 
 2. I am still curious on the TACT picture of a pure sine 21 kHz signal
 because it will show what the TACT does with signals at the limits of
 the 44 kHz sample rate. I mean, it will up-sample it, after which it
 isn't close to the limit anymore. The question is if distortion appears
 before, during or after the up-sampling. If we see any distortion here,
 it would point to a bug before or during up-sampling.
 
 3. test with a 21 kHz sine but in a 48 kHz sample-rate file. Again for
 96 kHz rate. Just to make sure it isn't a frequency limit.
 
 4. Did you do the 1 kHz squarewave with 48 and 96 kHz files? I assume
 the TACT up-samples to 96 kHz? And I assume it doesn't up-sample if the
 input is 96 kHz already because I wouldn't know how that would be done.
 This will show several things:
 
 The middle of the squarewave isn't the 5th-7th harmonics anymore
 because we go beyond the 11f harmonic for the higher sample-rates. So,
 if it's still missing the center tops instead of the 5th-7th tops,
 the error is independent from input-signal
 
 If the 5th-7th harmonic is still missing (the flattened part moves left
 of center square-top), we must re-evaluate our thinking ;-)
 
 A final set of test-signals would be a 10 and a 12 kHz squarewave as 44
 kHz sample-rate. The 10 should show one big valley between two tops and
 the 12 kHz should show... a sine? See if there still is that same
 distortion.
 
 cheers,
 Nick.


Nick - you are a star! - this will take me some time to organise but I
WILL do it as you suggest.
Might have to wait until Friday afternoon or the weekend though.

I need the brains of this forum (you, Mr O and all the guys in the
band) to help me with this because I am well out of my depth here.
Analogue - yes ...digital - No!


-- 
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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
Kimber  Chord cables
Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread opaqueice

DeVerm;352167 Wrote: 
 
 Well, I just spent another 30 minutes searching the net for long
 samples and I didn't find a single one! So I stick with my statement.
 Here is what I find:
 snip
 My conclusion: in audio ABX testing, short 5-30s samples are used. 

You regard an internet search for copyright-constrained ABX samples as
evidence that most ABX testing uses short samples, and from there
conclude that the ABX protocol is invalid?  Don't be silly.

It is true that there is evidence that some differences are easier to
hear when switches take place relatively quickly.  In fact I can
confirm that this is true based on my own experience - it's much easier
to hear the differences between high and medium rate MP3s, for example,
if you first find a passage where you hear it, and then focus in on
that passage a switch back and forth relatively rapidly.  However I
have no reason to think -all- differences are easier to hear that way,
and often when audiophiles to ABX testing it's in fact impossible to
switch rapidly (if you're comparing two sets of cables, for example),
so I would say it's probably that most such tests are -not- done that
way.

 I hope this is enough evidence for mostly ?

Of -course- it's not!  Those are two tests out of thousands - and
you're trying to conclude something about MOST abx tests?

 I can't agree. When I read the paper, it says that Muraoka et al. 1978;
 Plenge et al. 1979 did NOT use EEG  PET but solely questionnaires. It
 says so literally. Also, they state that their findings are in
 agreement with Muraoka et al. (1978) and Plenge et al, --not--
 disagreement. Quote:
 
 We also examined the psychological evaluation using the same material
 and sound presentation system as was used for the present study, but
 followed the presentation method recommended by the CCIR, and confirmed
 that the results were in agreement with the studies by Muraoka et al.
 (1978) and Plenge et al. (1979).

PART of their results agree (the part that show that the HFS alone are
inaudible), and PART disagree.

 I am really sorry that I don't understand you and I also don't
 understand what you write in the quote above. As my IQ is well above
 130 I assure you that it must be either my limited comprehension of the
 English language or your limited clarity in these statements. I know
 you're talking about the gear used and assume you mean the EEG and PET
 equipment so why don't you specify that? You also seam to state that
 the EEG  PET gear is not suitable for this test because it is
 interfered by the music that is played? These are assumptions I make
 because I don't understand you, but when you indeed state this, you
 should explain how that figures because I know of no such flaws with
 this equipment.

I'll try one more time.  Everyone seems to agree that HFS alone are
inaudible based on PET brain scans etc.  But these guys find that
HFS+LFS is different from just LFS.  So there is something very bizarre
and non-linear going on if they are right.  My point was that we have no
way of knowing whether that bizarre non-linear thing is in their
equipment or in people's heads.  

To summarize:  we know that neither brains nor gear respond to HFS
alone, but that brains+gear respond to HFS+LFS differently than to LFS
alone.  But we don't - and can't - know whether that difference is due
to brains or due to gear.  The fact that gear doesn't respond to HFS
alone is irrelevant, because neither do brains!


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread DeVerm

Another thought:

Your scope should have a test-square-wave output on the front. It's
analog and you should calibrate your probes on it using the little
adjustment-screw (capacitor).

Also, something that Mr. O observed already
(http://forums.slimdevices.com/showpost.php?p=348946postcount=46) but
I'd like to repeat it here because it's the 2nd more obvious part of
the distortion:

1. phase distortion. When you bring that to the picture, it means that
the tops are not horizontal anymore. Look at fig. 6.7 here:
http://www.tpub.com/neets/book23/101a.htm
You normally get this when passing the signal through a filter and the
higher the order of the filter, the more tilted it gets. But where's
the filter in the TACT? (a digital software filter shouldn't do that
and I'm not familiar enough with DSP's to tell if they cause phase
distortion like this...)

2. AM modulation. The 2 kHz modulation is obvious and this is the 2nd
harmonic of the fundamental. Measuring at different frequencies will
show if it's a persistant 2nd harmonic modulation. I have no clue yet
where this can come from...

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread Phil Leigh

opaqueice;352224 Wrote: 
 You regard an internet search for copyright-constrained ABX samples as
 evidence that most ABX testing uses short samples, and from there
 conclude that the ABX protocol is invalid?  Don't be silly.
 
 It is true that there is evidence that some differences are easier to
 hear when switches take place relatively quickly.  In fact I can
 confirm that this is true based on my own experience - it's much easier
 to hear the differences between high and medium rate MP3s, for example,
 if you first find a passage where you hear it, and then focus in on
 that passage a switch back and forth relatively rapidly.  However I
 have no reason to think -all- differences are easier to hear that way,
 and often when audiophiles to ABX testing it's in fact impossible to
 switch rapidly (if you're comparing two sets of cables, for example),
 so I would say it's probably that most such tests are -not- done that
 way.
 
 
 
 Of -course- it's not!  Those are two tests out of thousands - and
 you're trying to conclude something about MOST abx tests?
 
 
 
 PART of their results agree (the part that show that the HFS alone are
 inaudible), and PART disagree.
 
 
 
 I'll try one more time.  Everyone seems to agree that HFS alone are
 inaudible based on PET brain scans etc.  But these guys find that
 HFS+LFS is different from just LFS.  So there is something very bizarre
 and non-linear going on if they are right.  My point was that we have no
 way of knowing whether that bizarre non-linear thing is in their
 equipment or in people's heads.  
 
 To summarize:  we know that neither brains nor gear respond to HFS
 alone, but that brains+gear respond to HFS+LFS differently than to LFS
 alone.  But we don't - and can't - know whether that difference is due
 to brains or due to gear.  The fact that gear doesn't respond to HFS
 alone is irrelevant, because neither do brains!


Mr O - with the greatest of respect (and that is NOT a phrase I use
lightly) - could I beg you to apply your brain power to my question and
to take your discussions on the ABX issue with Nick to another thread.

I need both of your different wisdoms applied to my problem - sorry to
appear selfish, but I'm sure you know what I mean?
Best regards
Phil


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ain't what you'd call minimal...SB3+Stontronics PSU - Altmann
JISCO/UPCI - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods)- Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters,
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Outdoors: Boombox+Creative Sub (If I remember to turn it on...)

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Re: [SlimDevices: Audiophiles] SB3 + Cambridge DacMagic ($400) Review

2008-10-22 Thread ajmitchell

Sorry this is not a priority for me right now, but I did just post some
pics

http://forums.slimdevices.com/showthread.php?p=352250#post352250


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[SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-22 Thread DeVerm

This thread is a continuation of off-topic posts that started with post
#96 on this page:
http://forums.slimdevices.com/showthread.php?t=53345page=10

It's about the research done in Japan that was published in 2000 of
which you can find a copy here:
http://jn.physiology.org/cgi/content/full/83/6/3548
Better PDF copies that include more tables with data can be found on
the web.

So, here we pick it up:

opaqueice;352224 Wrote: 
 You regard an internet search for copyright-constrained ABX samples as
 evidence that most ABX testing uses short samples, and from there
 conclude that the ABX protocol is invalid?  Don't be silly.

Okay, I'll drop that because I seem incapable of explaining the
difference between the ABX protocol (okay) and the wide-spread
implementation (not okay) of it. It's not the core-issue here.

 Of -course- it's not!  Those are two tests out of thousands - and you're
 trying to conclude something about MOST abx tests?

The first of these two studies (Muraoka et al. 1978) is more important
in our current context than all the others because the current Redbook
specification is a result of it. Also, this study used the CCIR
recommendation of 15-20 second samples and 0.5 second interval between
samples. Also, the test subjects did a subjective listening test and
noted their findings in a questionnaire; all input for the conclusions
was taken from these questionnaires and the subjects did not have their
brains scanned. When I say that it was flawed, it's because it turned
out that by using that procedure, it is not possible to find any
evidence for perception of  20 kHz harmonics by human listeners. They
checked that by repeating it with the same music-samples and
sound-equipment (presentation system)used for their new method and
the results were in agreement with these of Muraoka et al. (1978). 

 PART of their results agree (the part that show that the HFS alone are
 inaudible), and PART disagree.

No, that disagreed part you mention was never tested before. The
subjects still can't hear the HFS part even when it's played together
with the LFS part... but --their brains react to it--. The scope of
previous tests never included that possibility and thus did not monitor
the brains of the subjects. When working from two different scopes like
that, you can't say that there is disagreement as the first test didn't
include this part. You can say that the first test missed it.

 I'll try one more time.  Everyone seems to agree that HFS alone are
 inaudible based on PET brain scans etc.

Ack.

 But these guys find that HFS+LFS is different from just LFS.  So there
 is something very bizarre and non-linear going on if they are right.

Nack. Why is this bizarre? The HFS component is what is in the original
sound as from the instruments: high freq. harmonics. When you move the
20 kHz line down to lets say 12 kHz and take a recording of an acoustic
instrument without it's harmonics above the 12 kHz everyone hears the
difference between HFS+LFS vs just LFS. When you play just the HFS, it
might even be totally un-recognizable as the instrument. In other
words: high harmonics add to the fundamental+low harmonics but are
utterly senseless on their own. That's why a very expensive violin
sounds better than a plastic toy.

The next step up is to make the LFS  20 kHz and the HFS  20 kHz and
the interesting thing is that humans can't hear the HFS anymore... but
their brains register the presence of it anyway! If you call that
bizarre it is because you can't let go of the notion that only your
ears feed your brain with information when listening to music. Other
research like mentioned in other threads has already showed that this
is not the case, like even memories of hearing this song or smell or
seeing how someone else reacts to the music are all factors for what
happens in your brain while listening and thus change the listening
experience. These are established facts. Also, very low freq's you will
have a hard time of hearing them but you feel them and that changes your
listening experience too. So, somehow, no-one knows yet exactly how,
very high harmonics are sensed by humans as demonstrated in this study.
If you can only accept that after they prove exactly --how-- that is
done, that's fine with me, but we all sense it while you're waiting for
that proof. (I know, I do it again but I just can't help myself, sorry
;-)

 My point was that we have no way of knowing whether that bizarre
 non-linear thing is in their equipment or in people's heads.

That is a question that must be answered for all research done. The
established method is by using multiple and totally different methods
of measuring. The primary method they used here was the EEG scan, in
the alpha range. These are electrodes that measure brain-patterns in
the couple Hz range, like 6 Hz or so. But you are right, the EEG
scanner or electrodes could have interference by the high frequency
sounds in the room. It is very unlikely because the 

Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread DeVerm

opaqueice;352224 Wrote: 
 You regard an internet search for copyright-constrained ABX samples as
 evidence that most ABX testing uses short samples, and from there
 conclude that the ABX protocol is invalid?  Don't be silly.

continued here:
http://forums.slimdevices.com/showthread.php?p=352261#post352261

ciao!
Nick.


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[SlimDevices: Audiophiles] Dead end or not...

2008-10-22 Thread bhaagensen

Hi,

lots of forum-activity recently on some pretty serious topics such as
spdif on a scope, new dac from Cambridge etc. All interesting. On
a, literally lighter, note you might now that the chains, cog wheels,
and levers that will allow us to play back audio on the Controller are
being forged in the deep dungeons of svn as we speak. 

While fooling around with the half done bits and pieces of this
machinery I decided to point my digicam at the mini-jack hole hoping
that this would allow me to see the light. Ahh, not so. It seems Round
1 rules out the Controller as a transport for my super-duper dac which
outperforms everything in its class... and which I don't actually have.
I guess I'll head over to the DIY forum and get someone to come up with
a solution for tapping into the i2c-bus, feed the signal to an spdif
interface (which they also have to provide blueprints for), and finally
replace the minijack with a more enlighted one. Then I'll come back here
so we can make fun of all the jitter the thing would produce. Should all
be doable, right?

(No insults intended, I learn alot from the folks posting on these
forums).

Bjorn


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-22 Thread sebp

You said that :
opaqueice;351963 Wrote: 
  DeVerm;351942 Wrote: 
  The document clearly states that Pioneer is the manufacturer and not
  Tsutomu Oohashi. Oohashi works for 1) Department of KANSEI Brain
  Science, ATR Human Information Processing Research Laboratories, Kyoto;
  and 2) Department of Network Science, Chiba Institute of Technology,
  Narashino. So he's a researcher that developed a speaker for Pioneer
  which is very normal and done by many researchers when a manufacturer
  doesn't have the knowledge in-house.  If he designed the speaker he was 
  paid by Pioneer, and may well
 receive royalties on sales.  This article will promote sales of
 speakers with supertweeters.  That's about as clear a conflict of
 interest as you can get.

I read that :
 Then, LFCs and HFCs were separately amplified with P-800 and P-300L
 power amplifiers (Accuphase, Yokohama, Japan), respectively, and
 presented through a speaker system consisting of twin cone-type woofers
 and a horn-type tweeter for the LFCs and a dome-type super tweeter with
 a diamond diaphragm for the HFCs. The speaker system was designed by
 one of the authors (T. Oohashi) and manufactured by Pioneer Co., Ltd.
 (Tokyo, Japan).

Could it be simply possible that Mr Oohashi, for this experiment, asked
Pioneer to manufacture speakers according to his specs?


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on a ReadyNAS NV+
Living room : Squeezebox 3  North Star Model 192  NuForce IA-7 v2 
KEF iQ9
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Re: [SlimDevices: Audiophiles] Looking at SPDIF with a scope...

2008-10-22 Thread opaqueice

Phil Leigh;352232 Wrote: 
 Mr O - with the greatest of respect (and that is NOT a phrase I use
 lightly) - could I beg you to apply your brain power to my question and
 to take your discussions on the ABX issue with Nick to another thread.
 
 I need both of your different wisdoms applied to my problem - sorry to
 appear selfish, but I'm sure you know what I mean?
 Best regards
 Phil

Absolutely - sorry!

It's all DeVerm's fault :-).


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Re: [SlimDevices: Audiophiles] Dead end or not...

2008-10-22 Thread funkstar

bhaagensen;352271 Wrote: 
 ...and please forgive me this post.
I don't even *understand* this post :)

What were you expecting, or hoping for, when you took a photo of the
mini jack?


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-22 Thread DeVerm

sebp;352273 Wrote: 
 Could it be simply possible that Mr Oohashi, for this experiment, asked
 Pioneer to manufacture speakers according to his specs?

I even suspect that these speakers were never sold at all but just
manufactured for this test. I see that Pioneer does sell speakers that
can produce up to 100 kHz sound but none have two tweeters as described
in the paper. This diamond diaphragm can't produce lower high-range (if
it would, there wouldn't have been two tweeters) so it's not in the
line of speakers sold by Pioneer today.

cheers,
Nick.


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Re: [SlimDevices: Audiophiles] Hardware Upsamplers

2008-10-22 Thread DCtoDaylight

It would be interesting to know what chip it uses for the data rate
conversion.  There are only a handful of devices on the market that do
this, unless they've taken in inboard on an FPGA, and I would think you
can draw some broad similarities between products using the same IC's.


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Re: [SlimDevices: Audiophiles] Hypersonic effect: high frequency spectrum listening experience

2008-10-22 Thread DCtoDaylight

Hope this moves over to the new thread properly...
DCtoDaylight;351968 Wrote: 
 Medical ABX tests routinely run for months and sometimes years, in order
 to properly evaluate the results. It may not be convenient to do that
 with audio gear, but I personally believe that's what's required.
DeVerm;352010 Wrote: 
 Explain me how to do that? you can't sit and listen to a sample for
 months or years...?? 
Why not?  Two full, album length recordings, each at different sample
rates.  You are given two years to decide which is better...  I didn't
say it was easy, what I said was it's possible.  

I see too many cases of people claiming ABX testing is flawed or can't
reveal the truth, when in fact, it isn't ABX testing that's at fault,
but rather it's a specific implementation that's at fault.

Cheers,  Dave


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Re: [SlimDevices: Audiophiles] Dead end or not...

2008-10-22 Thread seanadams

OP wants a mini-jack with toslink, like apple uses. Interesting mod
opportunity I guess, but I fail to imagine any general appeal for that
in a mobile product. This is why it's usually bundled with an SBR.


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Re: [SlimDevices: Audiophiles] Dead end or not...

2008-10-22 Thread seanadams

But I give you props for creativity.  :)


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