Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread Phil Leigh

mswlogo;543643 Wrote: 
 Cool. Thanks.
 
 Do you know what aplies it? Hardware (Transporter) or SlimServer
 plugin?
 
 Does Transporter have to be below MAX in order for Replay Gain to
 boost? That's doee there have to headroom?
 
 Does it apply dither?
 
 I'd like to boost some CD's up to full scale (say +3dB or +6dB). But I
 will keep Transporter on Max.
 
 Can it still apply +6dB?

Replaygain quick 101:

1) using something like Foobar will calculate the correct RG tags to
achieve an RMS loudness of 89dB for each album. Separate tags are
written (in each track) for the track on its own and for the album as a
set of tracks.
2) Using the SmartGain option in SBS allows albums to play back with
the correct relative loudness between tracks AND for random tracks
across albums to play at equivalent loudness
3) Using Foobar to scan whole albums at a time avoids any clipping -
track peaks are scanned and the album gain for each track is set
accordingly
4) the RG tags are interpreted by SBS but applied in the player before
the volume control settings are applied. RG has no knowledge of the
volume settings. There is no need to dither as there is no change in
bit-depth connected to RG itself and no complex DSP is involved.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
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Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

Phil Leigh;543838 Wrote: 
 Replaygain quick 101:
 
 1) using something like Foobar will calculate the correct RG tags to
 achieve an RMS loudness of 89dB for each album. Separate tags are
 written (in each track) for the track on its own and for the album as a
 set of tracks.
 2) Using the SmartGain option in SBS allows albums to play back with
 the correct relative loudness between tracks AND for random tracks
 across albums to play at equivalent loudness
 3) Using Foobar to scan whole albums at a time avoids any clipping -
 track peaks are scanned and the album gain for each track is set
 accordingly
 4) the RG tags are interpreted by SBS but applied in the player before
 the volume control settings are applied. RG has no knowledge of the
 volume settings. There is no need to dither as there is no change in
 bit-depth connected to RG itself and no complex DSP is involved.
 
 You could apply a fixed RG tag of +6dB to all tracks (and risk much
 clipping) or you could let RG calculate the tags first and then edit
 them to suit you.

Thanks for the info.

I'd only apply +6dB gain if Replay Gain says I have that much headroom
in the whole album (i.e. Peak_Album  0.50)

To bad there is no mode to simply say Full Scale Album basically add
as much gain as the peak_album tag says there is room for. That's
exactly what the amplify in Audacity defaults to.

I use dbPowerAmp to add Replay Gain tags. dpPoweramp also has a Volume
Normalize that does what ReplayGain does but also has the option to set
Full Scale per track (not per album). They call it Peak to Peak.
Meaning put Peak Data at the Peak of the Word (or DAC). But I don't
want to do that per track. But per album.


-- 
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Re: [SlimDevices: Audiophiles] Another Transporter that will not power up...

2010-05-06 Thread NewBuyer

ntang;542451 Wrote: 
 I have yet another Transporter bought NIB that will not power up (no
 clicking sound). It was playing and powered up fine for about a week or
 so, then I powered down the mains so I could move the other equipment
 around on the rack.
 
 Now it simply wont start! Country runs 230v and is quite stable. I cant
 reset it by pressing add button and power it own as per the manual
 cause there simply does not seem to be any power to the unit.
 
 Any idea? I am about to send it back to the seller but this is costing
 me a lot in shipping (overseas).

Hi ntang,

I've been following these several 'Transporters with AC Power Problems'
incidents with much interest lately - did you buy your unit from
Logitech directly?


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread cliveb

mswlogo;543842 Wrote: 
 I'd only apply +6dB gain if Replay Gain says I have that much headroom
 in the whole album (i.e. Peak_Album  0.50)
 
 To bad there is no mode to simply say Full Scale Album basically add
 as much gain as the peak_album tag says there is room for. That's
 exactly what the amplify in Audacity defaults to.
It sounds as if you'd like to use ReplayGain as a way of peak
normalising your albums. That's not what RG is for - it is specifically
aimed at equalising the perceived loudness during playback amongst
albums (or tracks). Incidentally, RG doesn't just use RMS level to
calculate loudness - it uses the Fletcher-Munson response curve. If you
want to peak normalise, you can do that easily with an audio editor
(such as Audacity), and you won't then be dependant on having a
RG-aware playback device.

But something is bothering me. From what you say, it appears that you
believe that if you have a track/album that peaks at -6dB (ie. 50%),
and you apply 6dB of digital gain to it (whether by normalisation or
with ReplayGain), then you'll increase its dynamic range. It does
nothing of the sort, of course. It will increase the source file's
noise by 6dB along with the signal. And since the noise floor in the
file is almost certainly way higher than that in your DAC, you won't
gain any benefit from the fact that you're now using an extra bit in
the DAC.


-- 
cliveb

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

cliveb;543849 Wrote: 
 It sounds as if you'd like to use ReplayGain as a way of peak
 normalising your albums. That's not what RG is for - it is specifically
 aimed at equalising the perceived loudness during playback amongst
 albums (or tracks). Incidentally, RG doesn't just use RMS level to
 calculate loudness - it uses the Fletcher-Munson response curve. If you
 want to peak normalise, you can do that easily with an audio editor
 (such as Audacity), and you won't then be dependant on having a
 RG-aware playback device.
 
 But something is bothering me. From what you say, it appears that you
 believe that if you have a track/album that peaks at -6dB (ie. 50%),
 and you apply 6dB of digital gain to it (whether by normalisation or
 with ReplayGain), then you'll increase its dynamic range. It does
 nothing of the sort, of course. It will increase the source file's
 noise by 6dB along with the signal. And since the noise floor in the
 file is almost certainly way higher than that in your DAC, you won't
 gain any benefit from the fact that you're now using an extra bit in
 the DAC.

Using audacity would be insane. dbpoweramp can do a whole library to
full scale in 5 clicks. But I want to do it by album. I managed to find
all albums over 6dB attenuated and boost them by 6dB. Took a few more
clicks. But I'd be doing it for month using audacity.

You're really having a hard time grasping this full scale stuff aren't
you.

If what you're saying were true, this test would have the same dynamic
range for all attenuation levels. It doesn't. Notice dynamic range
DECREASES with digital attenuation.

http://mysite.verizon.net/forumwebspace/RightMark/Test%20Reports/Volume.htm

It will INCREASE with digital gain up to full scale.

You're not really increasing/decreasing, your just putting the data in
the best performing part of the DAC. Peak to Peak as dBPowerAmp calls
it. You're not getting more bits. If it's over attenuated they are gone.
But you can move them up to the best part of the DAC.

Yes, noise is a big part of it.

When you push your data down, your pushing low bits it into noisier
(poorer performing bits) of the DAC. Then you increase the gain in
analog to get the level you want to hear, amplifying that lower bit
NOISE. By bringing it up you move the data away from the noising bits
and you bring your analog gain down to the level you want attenuating
the noise of the low bits.

All bits of a DAC are not equal. If they were equal (perfect) that test
woould have the same dynamic range for all attenuation levels.

You are assuming a DAC is perfect, even at 20bits. It's not.


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread cliveb

mswlogo;543857 Wrote: 
 You're really having a hard time grasping this full scale stuff aren't
 you.
Er, no. *YOU* are having a hard time grapsing that all these
theoretical issues have NO BEARING WHATSOEVER in a normal listening
situation.

mswlogo;543857 Wrote: 
 You're not really increasing/decreasing, your just putting the data in
 the best performing part of the DAC.
Quite so. But:
a). The noise floor of the programme material is vastly higher than the
DAC's own noise floor (and the point where DAC linearity degrades).
b). The listening environment will have a background noise level vastly
higher than the DAC's.
These two factors completely mask any benefit gained by operating the
DAC in its most linear range. (Within reason, of course. As always, it
is important to get the gain staging correct).

Here's your fundamental problem: you are unable to distinguish
perfectly valid theoretical issues from their real-world consequences.
You have heard an improvement in sound quality where there is none.
There's a very rational explanation for this: it's called expectation
bias.

mswlogo;543857 Wrote: 
 You are assuming a DAC is perfect, even at 20bits. It's not.
I never said that. What I have been at pains to explain to you is that
the imperfections of DACs operating in their non-linear ranges are
beneath the threshold of audibility in a normal listening situation.

The only way you were able to objectively demonstrate the degradation
that happens when a DAC is operating in its non-linear range was to
prepare an artificial sample and boost the analogue gain to insane
levels. As I said in my very first response to you, no sh*t,
Sherlock!. This is hardly a surprise to anyone. It's simply an extreme
example of what happens when the gain staging is wrong - very wrong in
this case.


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] RC (Inguz etc.)

2010-05-06 Thread krzys

To michael123, andywright and others I will resume the installation
process.
I installed 7.5, the Touch and manually installed the latest InguzEQ
and InguzDSP, modified Michael's plugin.pm as Andy suggested and
replaced the original plugin.pm with the modified one. Are those steps
correct and complete?
I'm asking since I haven't succeeded. The Inguz isn't visible neither
in the Touch menu nor in the web interface. Any further suggestions?
Thanks, Chris.


-- 
krzys

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

pfarrell;543694 Wrote: 
 
 Its not just rounding errors. Nearly all DSP is done by converting the
 time-doman signal to the frequency domain using a FFT. DSP chips are
 notable because they do a combined multiply-and-add function quickly,
 usually massively parallel processing. Nearly all of the time, they
 are
 actually working on floating point numbers, not the 16 or 24 bit
 integers that most audiophiles are used to talking about.
 
Yes, it's frequency domain stuff. Still, the Meridian document states
Meridian’s DSP loudspeakers utilise 48-bit internal fixed-point
resolution.
cliveb;543914 Wrote: 
 There's a very rational explanation for this: it's called expectation
 bias.
 
I've suggested this but to my mind, at this point, there is another
possibility.

It seems to me that any crossover will do EQ. This is in-band. I'm not
referring to difference in levels between bands - these might be
implemented with analogue gain. I'm talking in-band, the necessarily
DSP bit, assuming you have a DSP-based crossover. LOL.

Anyway, EQ via DSP is done by attenuation - you can't boost above 0db,
you can only push frequencies down.

I suggest (it's just a suggestion because I'm not an engineer) that
this might cause the Meridian system to be more sensitive to digital
volume control - because it's ALREADY got digital attenuation inherent
in the system. The digital volume control after the crossovers is
pushing the signal perhaps below the 20 bit level altogether.

I agree with mswlogo that the lower bits are lower performing - it's
not a black and white thing like we tend to discuss it. However I
believe with something like a TP, Benchark DAC1 or similar the effects
of digital volume - starting with 0db being a comfortable listening
maximum - are not audible. However, I don't think starting with 0db
is a valid assumption for the Meridian system since db are lost (for
certainly some and perhaps much of the frequencies) in the DSP
crossovers.

If someone can provide more technical information to refute my
suggestion I would be happy to see it.
Darren


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

darrenyeats;543926 Wrote: 
 
 I agree with mswlogo that the lower bits are lower performing - it's
 not a black and white thing like we tend to discuss it. However, in the
 initial part of the attenuation the degradation is relatively small.
 Even the Squeezebox test results show this and I believe better DACs
 will have even lower degradation overall and especially in the initial
 region of attenuation. I believe with something like a TP, Benchark
 DAC1 or similar the effects of reasonable digital volume - starting
 with 0db being a comfortable listening maximum - will be measurably
 small and not audible.
 
 Darren

The SqueezeBox test as I read it says the degration is HUGE !! 4bits of
attenution (Volume 20 is 24dB) drops to 75dB dynamic range. Nearly 4bits
lost for 4bits of attenuation. It's practically behaving like a 16bit
DAC, that the low 8 bits don't even exist !!! It's behaving like a
16.2bit DAC.

If I did have a Perfect 16bit DAC. And attenuated 4bits. And there by
lost every I attenuted by, I'd get 72dB dynamic range, right? SqueezeBox
gets 75dB. You can't get much worse.

I agree other DACs will do better. But people keep referencing this
squeezebox test in defense as showing all is fine and it's showing it
couldn't be much worse.


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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread Robin Bowes
On 06/05/10 14:33, mswlogo wrote:

 But people keep referencing this
 squeezebox test in defense as showing all is fine and it's showing it
 couldn't be much worse.

I actually pointed you at that test to point out that people were aware
of the digital volume degradation issue, rather than to demonstrate that
all is fine.

R.
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

mswlogo;543939 Wrote: 
 The SqueezeBox test as I read it says the degration is HUGE !! 4bits of
 attenution (Volume 20 is 24dB) drops to 75dB dynamic range. Nearly
 4bits lost for 4bits of attenuation. It's practically behaving like a
 16bit DAC, that the low 8 bits don't even exist !!! It's behaving like
 a 16.5bit DAC.
 
 If I did have a Perfect 16bit DAC. And attenuated 4bits. And there by
 lost every I attenuated by, I'd get 72dB dynamic range (that's absolute
 worse case), right? SqueezeBox gets 75dB. You can't get much worse.
 
 I agree other DACs will do better. But people keep referencing this
 squeezebox test in defense as showing all is fine and it's showing it
 couldn't be much worse.
mswlogo,
Where do you get 4 bits of dynamic range lost from? Volume 20 is 25db
down (slightly more than 4 bits in fact) and 19.4db less dynamic range
(which is far nearer to 3 bits, isn't it?)

Much more importantly I suggest you look at the detail - the
degradation is not linear!
darrenyeats;543576 Wrote: 
 I think I see where you're coming from.
 
 If you look at the tests volume 30 is 12.5db of attenuaton but the
 result is only 7.1db reduction in dynamic range from 40 (max). This is
 noticeably different to stepping from volume 30 to volume 20, a further
 12.5db attenuation but which results in a more expected 11.7db reduction
 in dynamic range.
 
 Why is the initial drop off nowhere near 12.5db decibels?
 
 I'm not an engineer but I do know this test was performed on a
 Squeezebox which has an SNR of over 100db. Perhaps someone can step
 in and explain why the initial drop off is less than 12.5db. Perhaps it
 is to do with the DAC noise being a further 4db or so lower than -96db
 (compared to a digital 0db signal)?
 
That's why I'm betting better DACs will do a lot better - in the
Squeezbox test I see the difference between going from 0db to -12.5db
(7.1 db dynamic range lost) and going from -12.5db to -25db (11.7db
dynamic range lost)...the effect is markedly different. I note that the
gap between 12.5db and 7.1db is about the difference between 96db and
the SNR of the Squeezebox (a bit more than 100db). Maybe someone can
explain if this is a real connection or not.

But it's not as simple as you say. Better DACs will degrade very
slightly to begin with, I think.
Darren


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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread Robin Bowes
On 06/05/10 14:51, darrenyeats wrote:
 
 Much more importantly I suggest you look at the detail - the
 degradation is not linear!

I seem to recall that the 0-40 attenuation curve was non-linear - it
changed a bit over the years, from what I recall.

That would explain why the degradtion is non-linear.

R.
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

mswlogo;543939 Wrote: 
 It's practically behaving like a 16bit DAC, that the low 8 bits don't
 even exist !!! It's behaving like a 16.5bit DAC.
Of course, it has a SNR of a bit more than 100db. Nearly 1 bit better
than 16 bits. The results make sense, nothing to do with how many bits
are in the DAC.

With such a SNR it could be 48 bit DAC digitally speaking but the
results would be the same! It is precisely an improved SNR (not more
bits) that will enable the extra bits to become meaningful. And reduce
the dynamic range lost from attenuation. Like in a TP or Bennchark
DAC1.

Robin Bowes;543951 Wrote: 
 On 06/05/10 14:51, darrenyeats wrote:
  
  Much more importantly I suggest you look at the detail - the
  degradation is not linear!
 
 I seem to recall that the 0-40 attenuation curve was non-linear - it
 changed a bit over the years, from what I recall.
 
 That would explain why the degradtion is non-linear.
 
 R.
I don't think that's it. I checked and the steps were 1.25 db each. (As
we all know, db are themselves not linear). Also the percentages look
right.
Darren


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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

darrenyeats;543954 Wrote: 
 It has a SNR of a little more than 100db. Approaching 1 bit better
 than 16 bits. The results make sense to me, nothing to do with how many
 bits are in the DAC.
 
 With such a SNR it could be 48 bit DAC digitally speaking but the
 results would be the same! It is precisely an improved SNR (not more
 bits) that will improve performance to something like a 20 or 21 bit
 DAC. Like in a TP or Benchmark DAC1. The Squeezebox and TP/Benchmark
 DAC1 all use 24 bit DACs...isn't the difference between them down to
 something else?
 

I totally agree and that is probably a better way to look at it. It has
a fixed total SNR. 100dB. By attenuating digitally your sliding within a
100dB window. Which is what I said, 100dB is about 16.5bits. I think we
are on the same page there. I agree you can call it what ever you want
and what ever number of bits. It's 100dB window on taht DAC. And
basically you want to stay with in it (keep the bits of your CD within
it).

So on that unit you can attenuate about 3dB for free. That's all the
elbow room there is. Big whoop.


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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

mswlogo;543960 Wrote: 
 I totally agree and that is probably a better way to look at it. It has
 a fixed total SNR. 100dB. By attenuating digitally your sliding within
 a 100dB window. Which is what I said, 100dB is about 16.5bits. I think
 we are on the same page there. I agree you can call it what ever you
 want and what ever number of bits. It's 100dB window on taht DAC. And
 basically you want to stay with in it (keep the bits of your CD within
 it).
 
 So on that unit you can attenuate about 3dB for free. That's all the
 elbow room there is. Big whoop.
mswlogo,
Yes. I think this is the predominant effect, anyway. Of course, moving
bits down in any DAC brings the DAC's noise floor up but the point is,
if that's low enough to begin with (say -120db like in a TP) that's
still not a big effect compared to quantisation noise in a 16 bit
signal. So you lose a tad of fidelity but this has little impact
because the limitation of the 16 bit signal is the dominant factor in
that situation.

You're right though - the Squeezebox is limited. With my SB3 digital
attenuation will hurt dynamic range measurably. I don't hear it - but I
accept one might with certain systems and music. I will probably get
round to buying a Benchmark DAC1 or something but only when I upgrade
the rest!
Darren


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread cliveb

mswlogo;543960 Wrote: 
 I totally agree and that is probably a better way to look at it. It has
 a fixed total SNR. 100dB. By attenuating digitally your sliding within
 a 100dB window. Which is what I said, 100dB is about 16.5bits. I think
 we are on the same page there. I agree you can call it what ever you
 want and what ever number of bits. It's 100dB window on taht DAC. And
 basically you want to stay with in it (keep the bits of your CD within
 it).
 
 So on that unit you can attenuate about 3dB for free. That's all the
 elbow room there is. Big whoop.
You appear to be making the classic mistake of assuming you need as
much dynamic range when listening at low levels as you do when
listening at high levels. You don't.

If you need 100dB of dynamic range when listening at a peak level of
100dB SPL, then you only need 90dB dynamic range when listening at a
peak level of 90dB SPL. When you attenuate by 10dB to reduce the
listening level that much, you can afford to lose 10dB of dynamic
range. That's why it doesn't matter whether you do the attenuation by
digital or analogue means.


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

cliveb;543993 Wrote: 
 You appear to be making the classic mistake of assuming you need as much
 dynamic range when listening at low levels as you do when listening at
 high levels. You don't.
 
 If you need 100dB of dynamic range when listening at a peak level of
 100dB SPL, then you only need 90dB dynamic range when listening at a
 peak level of 90dB SPL. When you attenuate by 10dB to reduce the
 listening level that much, you can afford to lose 10dB of dynamic
 range. That's why it doesn't matter whether you do the attenuation by
 digital or analogue means.

But you're making the classic mistake that music uses the full (or a
fixed) dynamic range all the time (Marching Bands and Brahms at the
same time). I don't care about that situation. I may have a Full
Scale tune blasting away at 90dB and it may change to using ANY number
of bits at ANY time. That's why I posted that Audacity screen shot a
dozen posts back. It swings from steady 6dB down to a steady 30dB down.
That tune shows it very visibly. But all tunes do that at a higher
frequency than that example shows.

Stop looking at it, as one sample at time.

Sure, the really LOUD samples will still have plenty of SNR. But the
quiet ones will get harmed more.

Now how fast ones ear responds to those changes in levels (how fast is
humans Automatic Gain Control) is up for debate. But the example I gave
shows it can be pretty darn slow and be needed.

So yeah if you have a tune that is bashing you at full scale all the
time, you won't notice a couple bits lost.

One smash of a symbol will start full scale and decay in amplitude. As
it decays the performance of those lower bits get more important.


-- 
mswlogo

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

cliveb;543993 Wrote: 
 You appear to be making the classic mistake of assuming you need as much
 dynamic range when listening at low levels as you do when listening at
 high levels. You don't.
 
 If you need 100dB of dynamic range when listening at a peak level of
 100dB SPL, then you only need 90dB dynamic range when listening at a
 peak level of 90dB SPL. When you attenuate by 10dB to reduce the
 listening level that much, you can afford to lose 10dB of dynamic
 range. That's why it doesn't matter whether you do the attenuation by
 digital or analogue means.
I'm not sure about that, Clive. I think mswlogo has a point although I
would put it this way: human hearing adjusts to new sound levels. So
turning down the volume could actually enable you to hear quieter
sounds!

It's a bit academic for you though...you've got a TP so the limiting
factor for dynamic range will be the 16 bit signal noise, even with
20db of digital attenuation. DAC noise floor is incredibly low.


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

darrenyeats;543999 Wrote: 
 I'm not sure about that, Clive. I think mswlogo has a point (crazy
 thread mswlogo, crazy thread!) although I would put it this way: human
 hearing adjusts to new sound levels. So turning down the volume could
 actually enable you to hear quieter sounds!
 
 It's a bit academic for you though...you've got a TP so by far the
 dominant factor for dynamic range will be the 16 bit signal noise, even
 with 20db of digital attenuation. DAC noise floor is incredibly low.

They say humans have 120dB dynamic range. But that probably is not
instantanious. It can hear something very loud. And hear some very soft
a short time later.


-- 
mswlogo

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread Phil Leigh

darrenyeats;543999 Wrote: 
 I'm not sure about that, Clive. I think mswlogo has a point (crazy
 thread mswlogo, crazy thread!) although I would put it this way: human
 hearing adjusts to new sound levels. So turning down the volume could
 actually enable you to hear quieter sounds!
 
 It's a bit academic for you though...you've got a TP so by far the
 dominant factor for dynamic range will be the 16 bit signal noise, even
 with 20db of digital attenuation. DAC noise floor is incredibly low.

Human AGC is quite slow to act. It won't track the levels in that
Offenbach example. It's not intended to be a fast-acting compressor -
we have an evolutionary need to differentiate loud/quiet to stay alive
(loud=near, quiet=far away to misquote Father Ted...) The rate at which
level changes tells us something about how fast the source is moving.
Two ears helps us determine direction of movement...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread cliveb

mswlogo;543997 Wrote: 
 One smash of a symbol will start full scale and decay in amplitude. As
 it decays the performance of those lower bits get more important.
Yes, absolutely. As the cymbal crash dies away, the lower level detail
is no longer masked by the loud crash. Therefore you need accurate
reproduction of the lower bits to hear the subtle aspects. So we are in
agreement? Er, no...

Let's say you're listening to a piece of music and there's a cymbal
crash peaking at 100dB SPL, then it decays. Let's be extreme about this
and say there are decay details at 4dB SPL you need to be able to hear.
(We'll ignore for the moment that your lisening room can't possibly be
quiet enough). In order to hear those details, you need a system
capable of a 96dB dynamic range (ie. a full 16 bits). The voltage of
the signal at 4dB is 1/65536th of the voltage at 100dB. If the voltage
that delivers 100dB is 10V, the voltage that gives you 4dB is 0.152mV.

So far so good. Now turn the volume down, so the cymbal crash is at
94dB. The voltage to generate that level is half that required for
100dB: 5V. And so the subtle detail in the decay will now be playing at
0.076mV, which will give an output level 6dB lower than it was before,
ie. at -2dB SPL. But hang on - you can't hear anything beneath 0dB SPL.
Those subtle details that were audible in the decay when the peak level
was 100dB are not audible when the peak level is 94dB.

Once again: as you turn the volume down, the required dynamic range
reduces. I'm not talking about the changing levels within a track, I'm
talking about adjusting the playback level with a volume control. If 16
bits of resolution is enough when you're listening at 100% on the volume
control, then 15 bits will be enough when it's at 50% (assuming a linear
scale for simplicity). On the other hand, if your system/ear is
wonderful enough that you need 20bits at 100%, then you'll need 19 bits
at 50%. But the principle remains the same: to retain the same amount of
audibility of fine detail, as you reduce the playback level you can
afford to lose dynamic range.


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

Phil Leigh;544008 Wrote: 
 Human AGC is quite slow to act. It won't track the levels in that
 Offenbach example. It's not intended to be a fast-acting compressor -
 we have an evolutionary need to differentiate loud/quiet to stay alive
 (loud=near, quiet=far away to misquote Father Ted...) The rate at which
 level changes tells us something about how fast the source is moving.
 Two ears helps us determine direction of movement...
Agreed. As I said I was referring to turning down the volume, which is
a long-term change.

I've moved my position since the beginning of the thread on this point,
because of what I've read. No doubt.

I'm probably somewhere between your/Clive's position and mswlogo's in
that (a) I think the lower the volume the less requirement for dynamic
range but (b) I think human hearing does adjust to a certain degree
(not perfectly).

I would like to see more evidence or resources on this particular point
before saying any more. As I say, given 16 bit source material on a high
performing DAC this question is effectively moot.
Darren


-- 
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http://www.amazon.co.uk/gp/richpub/listmania/byauthor/A3H57URKQB8AQO/ref=cm_pdp_content_listmania/203-7606506-5721503.

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

cliveb;544011 Wrote: 
 Yes, absolutely. As the cymbal crash dies away, the lower level detail
 is no longer masked by the loud crash. Therefore you need accurate
 reproduction of the lower bits to hear the subtle aspects. So we are in
 agreement? Er, no...
 
 Let's say you're listening to a piece of music and there's a cymbal
 crash peaking at 100dB SPL, then it decays. Let's be extreme about this
 and say there are decay details at 4dB SPL you need to be able to hear.
 (We'll ignore for the moment that your lisening room can't possibly be
 quiet enough). In order to hear those details, you need a system
 capable of a 96dB dynamic range (ie. a full 16 bits). The voltage of
 the signal at 4dB is 1/65536th of the voltage at 100dB. If the voltage
 that delivers 100dB is 10V, the voltage that gives you 4dB is 0.152mV.
 
 So far so good. Now turn the volume down, so the cymbal crash is at
 94dB. The voltage to generate that level is half that required for
 100dB: 5V. And so the subtle detail in the decay will now be playing at
 0.076mV, which will give an output level 6dB lower than it was before,
 ie. at -2dB SPL. But hang on - you can't hear anything beneath 0dB SPL.
 Those subtle details that were audible in the decay when the peak level
 was 100dB are not audible when the peak level is 94dB.
 
 Once again: as you turn the volume down, the required dynamic range
 reduces. I'm not talking about the changing levels within a track, I'm
 talking about adjusting the playback level with a volume control. If 16
 bits of resolution is enough when you're listening at 100% on the volume
 control, then 15 bits will be enough when it's at 50% (assuming a linear
 scale for simplicity). On the other hand, if your system/ear is
 wonderful enough that you need 20bits at 100%, then you'll need 19 bits
 at 50%. But the principle remains the same: to retain the same amount of
 audibility of fine detail, as you reduce the playback level you can
 afford to lose dynamic range. (Edit - or rather: as you turn the
 playback level down, you can't hear as much fine detail, so you don't
 need as much dynamic range).

When you turn it down in analog your noise floor goes down with it (for
the most part). When you turn it down in digital it does not !!


-- 
mswlogo

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

One thing I think we are hung up on is.

Your saying the noise floor of the room is the limitation and I'm
saying it's the DAC.

You're also considering that floor as a discrete wall.

It's not really, that's the problem.

As you shift down ALL the bits perform progressively worse. Not just
the least significant one(s).


-- 
mswlogo

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread Phil Leigh

mswlogo;544022 Wrote: 
 When you turn it down in analog your noise floor goes down with it (for
 the most part). When you turn it down in digital it does not !!

Not exactly - with digital attenuation, the noise floor of the
recording does go down but the noise floor of the DAC stays fixed. I
think this is the crux.
I think the noise floor of the recording always swamps that of the DAC.
This is certainly true of any recordings made before 1980, and most
recordings made up to the point when the SONY PCM1 recorder stopped
being state-of-the-art...

I'd go further and bet that no recordings made until the late 90's
achieved better that an 80dB noise floor.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread mswlogo

Phil Leigh;544035 Wrote: 
 Not exactly - with digital attenuation, the noise floor of the recording
 does go down but the noise floor of the DAC stays fixed. I think this is
 the crux.
 I think the noise floor of the recording always swamps that of the DAC.
 This is certainly true of any recordings made before 1980, and most
 recordings made up to the point when the SONY PCM1 recorder stopped
 being state-of-the-art...
 
 I'd go further and bet that no recordings made until the late 90's
 achieved better that an 80dB noise floor.

I can't argue that.

But keep in mind every attenuation shift cost is relative to what you
have.


-- 
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Re: [SlimDevices: Audiophiles] Another Transporter that will not power up...

2010-05-06 Thread gizek

Happened once to my unit. It turned out to be the simplest reason ever.
I use power conditioner/surge protector with switchable power outlets.
Transporter outlet was off. 
Make sure to eliminate those simple glitches before going with your
investigation ;_)
I have also read somewhere about Transporter's stuck relays.
If you confident with multimeter you can measure AC inside unit. Be
careful those voltages could be lethal. Don't do it if you're not 100%
sure what you're doing.


-- 
gizek

Transporter  Adcom GFP-750  Monarchy Audio SM-70Pro monoblocks  Proac
Studio 100; Cardas Neutral Reference all over

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-06 Thread darrenyeats

mswlogo;544033 Wrote: 
 As you shift down ALL the bits perform progressively worse. Not just the
 least significant one(s).
Yes, yes, mswlogo, all the bits perform progressively worse! LOL.

May I add once more, if the quantisation noise of a 16 bit signal is at
-96db and you have a DAC with noise of -120db, that badness inherent
in the 16 bit signal utterly dominates the tiny degree of worseness
because of the DAC bit shift.

But we all agree on that I think? It depends how good the DAC is and
how far you shift down whether fidelity is affected (ranging from very
insignificantly to significantly).

I reckon a TP can perform the same as the squeeze...@100% in that
test after at least 3 bits shift downward. Will it perform better at
full range? My guess would be yes but only insignificantly so, assuming
a 16 bit signal.

Good night all!
Darren


-- 
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Re: [SlimDevices: Audiophiles] Another Transporter that will not power up...

2010-05-06 Thread ntang

Hi...

No...Bought mine new in box from ebay.  What difference would it
make?



NewBuyer;543845 Wrote: 
 Hi ntang,
 
 
 I've been following these several 'Transporters with AC Power Problems'
 incidents with much interest lately - did you buy your unit from
 Logitech directly?


-- 
ntang

Transporter, SB3, Duet playing ALAC through Mcintosh preamp, amp and
Musical Fidelity gear...

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Re: [SlimDevices: Audiophiles] Another Transporter that will not power up...

2010-05-06 Thread ntang

Yup...sounds like mine has a stuck relay (no click). I have just sent it
back to the seller and he is shipping me a new one.

I plug mine directly into a dedicated circuit...nothing in-between


gizek;544139 Wrote: 
 Happened once to my unit. It turned out to be the simplest reason ever.
 I use power conditioner/surge protector with switchable power outlets.
 Transporter outlet was off. 
 Make sure to eliminate those simple glitches before going with your
 investigation ;_)
 I have also read somewhere about Transporter's stuck relays.
 If you confident with multimeter you can measure AC inside unit. Be
 careful those voltages could be lethal. Don't do it if you're not 100%
 sure what you're doing.


-- 
ntang

Transporter, SB3, Duet playing ALAC through Mcintosh preamp, amp and
Musical Fidelity gear...

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Re: [SlimDevices: Audiophiles] Another Transporter that will not power up...

2010-05-06 Thread ntang

Yup...sounds like mine has a stuck relay (no click). I have just sent it
back to the seller and he is shipping me a new one.

I plug mine directly into a dedicated circuit...nothing in-between


gizek;544139 Wrote: 
 Happened once to my unit. It turned out to be the simplest reason ever.
 I use power conditioner/surge protector with switchable power outlets.
 Transporter outlet was off. 
 Make sure to eliminate those simple glitches before going with your
 investigation ;_)
 I have also read somewhere about Transporter's stuck relays.
 If you confident with multimeter you can measure AC inside unit. Be
 careful those voltages could be lethal. Don't do it if you're not 100%
 sure what you're doing.


-- 
ntang

Transporter, SB3, Duet playing ALAC through Mcintosh preamp, amp and
Musical Fidelity gear...

ntang's Profile: http://forums.slimdevices.com/member.php?userid=11710
View this thread: http://forums.slimdevices.com/showthread.php?t=78170

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[SlimDevices: Audiophiles] Testing of Transporter using Digital Attenuation

2010-05-06 Thread mswlogo

Enjoy.

http://meridianunplugged.com/downloads/ComparisonTransporterDigitalAttenutionTest/Comparison.htm


-- 
mswlogo

XP  Cat5  Transporter/DuetController  SPDIF  Meridian G68  DSP6000,
DSP5500HC, DSP5000
XP  Cat5  SB3  SPDIF  Meridian DSP5000
XP  Cat5  DuetReceiver  SPDIF  Meridian G91  DSP5000

'My Transporter Setup'
(http://forums.slimdevices.com/showpost.php?p=350741postcount=45)
'Hitch Hikers Guide to Meridian' (http://www.meridianunplugged.com)

mswlogo's Profile: http://forums.slimdevices.com/member.php?userid=9090
View this thread: http://forums.slimdevices.com/showthread.php?t=78408

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