Re: LR 3.0 peculiarity

2010-08-28 Thread Boris Liberman

On 8/26/2010 8:14 PM, Godfrey DiGiorgi wrote:

Regards your crashing problems, your hardware looks up to snuff
although I'm not sure why you'd run Win XP 64-bit rather than Win 7
64-bit. Seems to me that Win 7 is a LOT better at 64bit operations
than anything out of the XP generation, but then I don't do Windows
so perhaps I'm missing some subtleties there.


Oh, the reasons are purely tangential. I bought WinXP64 when Win7 wasn't 
available yet in its final form. In the office my workstation runs 
WinXP64 so I kind of prefer my work computer (10 hours a day, 5 days a 
week) to be similar to my home computer. So, there is no any *real* 
reason, just my laziness and obsession with convenience...



... But you might try moving
that storage volume to a local connect and see if you still have
crashing problems. If you don't, that's the culprit.


I will pay special attention to this local connect suggestion, 
Godfrey, as it *seems* that once it crashes for the first time I doesn't 
crash any more until I reboot the computer, which would be well in line 
with some peculiarity of WinXP64 initialization of net interfaces.



(My own system is all direct connection via USB2 and FW400. My 'in
progress' catalog file has 78,000 images in it, is about 1.12Gbytes in
size. I move too much data for even 1G ethernet to handle efficiently,
that's why the direct connections.)


I see.


Lightroom 2.7 was bit-for-bit identical with Lightroom 2.7 RC. When
Adobe puts out an RC version for public consumption, it's typically
about a 98% probability that the release will be identical. I've been
running on 3.2 RC for the past week, it's very reliable and stable.
I've deleted 2.7 and 2.0 from my system now.


Oh! Fascinating... Well, and you also suggest, I suppose, that moving 
from 3.2RC is 3.2Rel is going to be fully seamless...


Boris

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Re: The Pentax Photo Gallery

2010-08-28 Thread Boris Liberman

On 8/26/2010 9:04 PM, Daniel J. Matyola wrote:

I continue to be mystified by the official Pentax Photo Gallery and
the process of reviewing submissions.  I find that I am unable to
predict what they will like and what they will promptly reject.


Oh, I find nothing to be mystified about, really, Daniel. Have a look, 
the process is simple - photos get distributed (as far as I can tell, 
purely at random) and fellow PPG'ers are given a chance to vote thumb up 
or thumb down. Then, whatever passes certain threshold is reviewed by 
some kind of board or whatever and then photos either get accepted or 
not. Given the randomness of the first stage of this process, I see 
nothing that cannot be explained here. One day you submit a photo and 
the bunch of guys looking at it favors photos of this genre, and the 
other day it is not the case. So, the same photo can be either through 
the peer review stage or not.


I should refrain however from passing a judgment on this process...

Boris

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Re: Buy My Book! was Re: what I've been doing

2010-08-28 Thread mike wilson

Doug Brewer wrote:

mike wilson wrote:


Doug Brewer wrote:


Totally unsolicited. Thanks, Stan.

And I agree. You should all order your own copy.

If you want, you can send me money, I'll order for you, sign it, and 
send it on to you. Send me your zip, I'll calculate shipping, and 
we'll all be deliriously happy.


Unless you don't want me to deface it.



Can we do that without a PP account via the donate button at 
www.pdml.net?  If so, send me a number for delivery to UK postcode 
NE38 0DX, please.




yeah, I =think= you can, by just using a credit card, but I don't know 
how it works internationally. If anyone on list has experience with 
this, please advise.


Worked for me when I donated.  At least, the money left _my_ account..



Looking at shipping rates from the USPS, UPS and Fedex, USPS looks 
cheapest. First class international mail for two books would be right 
around twenty bucks.


So, figure whichever version of the book(s) you want, add 6.99 to get to 
me, then another twenty to get to you.


If anyone else in your area wants one, I can probably package a few more 
for not much more money.


I will be doing this for Bob and myself no earlier than 48hours from 
now.  If anyone else in the UK wants, speak up before then.


Doug, can you PM me your address, please?

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RE: Anybody else going to burning man?

2010-08-28 Thread Bob W
  With the dust, people tend to wear dust masks or bandanas, which
  makes Black Rock City probably the only city where you are more
  likely to see a woman's breasts than her face. :-)
 
 
  you've never been to a whorehouse in Riyadh then?
 
 No I haven't.  Is it worth the trip?
 

it's a good way of getting stoned




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RE: GESO - A Walk Around Southampton, UK

2010-08-28 Thread Bob W
What I like about that one is the Friedlander / Eggleston thing that's going
on in the background

 
 Hey Miserere:  I like the gallery, very nice.  I really like this one:
 http://enticingthelight.com/wp-content/uploads/2010/08/SAM_1884-
 small.jpg
 but the whole gallery is very nice.  Cheers, Christine
 



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RE: Leica's done with film

2010-08-28 Thread Bob W
 A couple of years ago:  I took months to figure that I couldn't post in
RTF,
 then I figured that I had nothing much to say.  And if a man has nothing
to
 say, the very least he can do is to *shut up* (Lehrer).
 
 A friend of Godfrey's, lurking and learning.
 

Godders and Dunders. Sounds like a knockabout comedy duo. 

Well, you've already made a major contribution to the well-being of the
list. By using the phrase 'lurk and learn' you've reminded me of the great
British comic, er children's illustrated magazine, called 'Look and
Learn', my sole companion when I spent 6 weeks in the school sick room as a
13 year old, and I now discover it's online!

How to get a classical education and squeeze your pocks at the same time:
http://www.lookandlearn.com/
http://www.lookandlearn.com/about.php

Bob


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RE: Would you give up an eye to get one of these?

2010-08-28 Thread Bob W
 2010/8/27 Bob W p...@web-options.com:
  I don't think so. The 'cycl-' in cyclops refers to the shape of the
  eye, not to the number of eyes. 'cycl-' meaning round, as in, er,
  cycle. To talk about someone with 3 eyes you'd be more likely to refer
to
 them as a triops.
 
  Dioptic Bob
 
 how bout Binocular Bob then?
 

that would be a breach of the restraining order...




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Re: Leica's done with film

2010-08-28 Thread mike wilson

Bob W wrote:


Well, you've already made a major contribution to the well-being of the
list. By using the phrase 'lurk and learn' you've reminded me of the great
British comic, er children's illustrated magazine, called 'Look and
Learn', my sole companion when I spent 6 weeks in the school sick room as a
13 year old, and I now discover it's online!

How to get a classical education and squeeze your pocks at the same time:
http://www.lookandlearn.com/
http://www.lookandlearn.com/about.php


Unless my mother has had another manic throwing out phase, the first ten 
years' production is stored at my parents' house.


It's been difficult to find a modern equivalent, although there are some 
excellent DVDs.

http://www.magicofmaking.com/

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RE: Leica's done with film

2010-08-28 Thread Bob W
  Well, you've already made a major contribution to the well-being of
  the list. By using the phrase 'lurk and learn' you've reminded me of
  the great British comic, er children's illustrated magazine, called
  'Look and Learn', my sole companion when I spent 6 weeks in the school
  sick room as a
  13 year old, and I now discover it's online!
 
  How to get a classical education and squeeze your pocks at the same
time:
  http://www.lookandlearn.com/
  http://www.lookandlearn.com/about.php
 
 Unless my mother has had another manic throwing out phase, the first ten
 years' production is stored at my parents' house.
 
 It's been difficult to find a modern equivalent, although there are some
 excellent DVDs.
 http://www.magicofmaking.com/

the online sample of Look  Learn includes a piece about the Dover- London
Road (Watling Street, now the A2) - including a picture of the George, the
pub I mentioned to you last week where we once had a PDML session! I'm
theorising that the illustrator enjoyed the time he spent in there, drawing
the architecture :o)

http://www.lookandlearn.com/LookAndLearnMagazine.pdf

Next week's episode takes us to Deptford. And from there no doubt to
Greenwich. I must buy it!

Bob


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Re: Ot: a play on words a day keeps the doctor away PUN warning , one photo reference

2010-08-28 Thread Igor Roshchin

Thank you, Ann!
I enjoyed those.

A friend of mine replied with one of his:
Position at a publishing company: Pun Intendant.

Igor

Thu Aug 26 11:34:28 CDT 2010
Ann Sanfedele wrote:

 These may have been seen by some -- I have a particularly good source 
 for stuff like this
 Enjoy -
 
 ann


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Re: OT KBA vs LBA

2010-08-28 Thread Joseph McAllister


On Aug 27, 2010, at 06:41 , Paul Sorenson wrote:

ROLO?  I tried that but it didn't work too well.  Not enough grit, I  
guess. :-[


ROBO Jr. is what I should have typed. I have two! A red one I got in  
the early 70s, and a white one I bought at a yard sale in the late  
90s. The red one works very well. The white one is crap. Mild carbon  
steel knives take a good edge easily, they just don't keep it for more  
than a few months of use.


Found a photo of one - on eBay!

http://cgi.ebay.com/ws/eBayISAPI.dll?VISuperSizeitem=180520670243

And a red one like mine on CyberAttic.

http://www.cyberattic.com/stores/shaysplace/items/977817/item977817cyberattic.html

I like ROLOs as well.



http://roogdesign.com/rolo/rolo-1.gif

-p

On 8/27/2010 12:09 AM, Joseph McAllister wrote:



Chicago brand cheap carbon steel, two sets. Easy to sharpen,  
sharpen often with ROLO.   :-)



That's the way I roll, peeps!


Joseph McAllister
pentax...@mac.com

There is no off position to the genius switch.
Genius can, however, be observed as insanity.


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Re: PESO - The Lawn Ornament

2010-08-28 Thread David J Brooks
Ya looks like its being used for something other than intended.:-)

On my bike rides this summer i am seeing more of these being used.
Maybe not so much for the environment, but the new houses up here have
a front lawn the size of my ass. No need for a gas mower.

Dave

On Fri, Aug 27, 2010 at 10:24 PM, frank theriault
knarftheria...@gmail.com wrote:
 Perhaps they were thinking that by bringing it out and letting it sit
 on the grass for a day or two the lawn
  might be less traumatized when it starts the actual mowing process:

 http://knarfinthecity.blogspot.com/2010/08/lawn-ornament.html

 I just thought it looked kind of cool - you don't see those manual
 lawn mowers very often these days (although I think they may be making
 a bit of a come-back in these environmentally sensitive times).

 Hope you like.

 Comments welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada

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PESOs - Paddington Alive

2010-08-28 Thread Derby Chang


I know I should link them together in a gallery, but I was taking it 
easy today, and not shooting narrative. As part of the Fashion Festival, 
Paddington puts in her significant contribution. Then again, it's always 
a fashion festival in paddo


http://members.iinet.net.au/~derbyc/10/10_08/10_08_nikon/01.htm
http://members.iinet.net.au/~derbyc/10/10_08/10_08_1conversation/01.htm
http://members.iinet.net.au/~derbyc/10/10_08/10_08_lucette/01.htm
http://members.iinet.net.au/~derbyc/10/10_08/10_08_debbiemartha/01.htm

Actually three quarters on-topic this time. The Pentax 43mm L is such a 
nice lens to use. Don't know why I don't use it more often.


D

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Re: PESOs - Paddington Alive

2010-08-28 Thread Derby Chang

Derby Chang wrote:


I know I should link them together in a gallery, but I was taking it 
easy today, and not shooting narrative. As part of the Fashion 
Festival, Paddington puts in her significant contribution. Then again, 
it's always a fashion festival in paddo


http://members.iinet.net.au/~derbyc/10/10_08/10_08_nikon/01.htm
http://members.iinet.net.au/~derbyc/10/10_08/10_08_1conversation/01.htm
http://members.iinet.net.au/~derbyc/10/10_08/10_08_lucette/01.htm
http://members.iinet.net.au/~derbyc/10/10_08/10_08_debbiemartha/01.htm

Actually three quarters on-topic this time. The Pentax 43mm L is such 
a nice lens to use. Don't know why I don't use it more often.


D



Oh, one more

http://members.iinet.net.au/~derbyc/10/10_08/10_08_fineproduce/01.htm

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Re: Leica's done with film

2010-08-28 Thread mike wilson

Bob W wrote:


Well, you've already made a major contribution to the well-being of
the list. By using the phrase 'lurk and learn' you've reminded me of
the great British comic, er children's illustrated magazine, called
'Look and Learn', my sole companion when I spent 6 weeks in the school
sick room as a
13 year old, and I now discover it's online!

How to get a classical education and squeeze your pocks at the same


time:


http://www.lookandlearn.com/
http://www.lookandlearn.com/about.php


Unless my mother has had another manic throwing out phase, the first ten
years' production is stored at my parents' house.

It's been difficult to find a modern equivalent, although there are some
excellent DVDs.
http://www.magicofmaking.com/



the online sample of Look  Learn includes a piece about the Dover- London
Road (Watling Street, now the A2) - including a picture of the George, the
pub I mentioned to you last week where we once had a PDML session! I'm
theorising that the illustrator enjoyed the time he spent in there, drawing
the architecture :o)

http://www.lookandlearn.com/LookAndLearnMagazine.pdf

Next week's episode takes us to Deptford. And from there no doubt to
Greenwich. I must buy it!


Not to mention quoting McGonagall.  No wonder we are so erudite.

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Re: GESO: The Dream Cruise

2010-08-28 Thread paul stenquist
Thanks Frank. Your favorite and ugliest choices seem right on to me. 
Paul

On Aug 27, 2010, at 10:30 PM, frank theriault wrote:

 On Wed, Aug 25, 2010 at 10:10 PM, paul stenquist
 pnstenqu...@comcast.net wrote:
 The first 47 pics are new this year.
 
 http://photo.net/photodb/folder?folder_id=633960
 
 Runs the gamut from my favourite car of all time (AH Bugeye Sprite) to
 the ugliest car ever made (AMC Pacer).
 
 Terrific gallery, Paul!
 
 cheers,
 frank
 
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Leica's done with film

2010-08-28 Thread Sandy Harris
On Sat, Aug 28, 2010 at 4:16 AM, Cotty cotty...@mac.com wrote:
 On 27/8/10, Daniel J. Matyola, discombobulated, unleashed:

Accepted.  Let's be friends, but avoid this subject.

 Hang on mate - I didn't do anything wrong, I'm just apologising ;-)


Mark!

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Re: LR 3.0 peculiarity

2010-08-28 Thread Adam Maas
On Sat, Aug 28, 2010 at 2:11 AM, Boris Liberman bori...@gmail.com wrote:
 On 8/26/2010 8:14 PM, Godfrey DiGiorgi wrote:

 Regards your crashing problems, your hardware looks up to snuff
 although I'm not sure why you'd run Win XP 64-bit rather than Win 7
 64-bit. Seems to me that Win 7 is a LOT better at 64bit operations
 than anything out of the XP generation, but then I don't do Windows
 so perhaps I'm missing some subtleties there.

 Oh, the reasons are purely tangential. I bought WinXP64 when Win7 wasn't
 available yet in its final form. In the office my workstation runs WinXP64
 so I kind of prefer my work computer (10 hours a day, 5 days a week) to be
 similar to my home computer. So, there is no any *real* reason, just my
 laziness and obsession with convenience...

XP64 is pretty buggy, especially with consumer hardware. MS didn't get
a truly usable 64-bit version of Windows out until Vista 64 (Win7 64
is Vista 64 under the hood, there are no significant non-UI
differences in the 64 bit version) and driver support for XP 64 is
poor. Note that XP 64 is not officially supported by LR, official
support is XP SP3, Vista Home Premium or betetr (32  64) and Win7 (32
 64).

Personally I run XP 32 at work with Themes off and Vista 64 at home,
with Themes off. There's not that much in the way of difference aside
from Vista's better Explorer and Start menu organization. Both
otherwise look and act like Win2000.

-Adam

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Re: Leica's done with film

2010-08-28 Thread John Sessoms

From: mike wilson

John Sessoms wrote:


 From: David Savage
 

 Maybe so, but they gave us crumpets
 
 
 So, what's the difference between a crumpet and an English muffin?
 
 
 ... and Cotty, get your mind out of the gutter!


http://www.youtube.com/watch?v=MMNKh0Zp4pw


I didn't even know Kinkade had a YouTube channel.

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RE: The Pentax Photo Gallery

2010-08-28 Thread John Sessoms

From: Daniel J. Matyola

I continue to be mystified by the official Pentax Photo Gallery and
the process of reviewing submissions.  I find that I am unable to
predict what they will like and what they will promptly reject.


http://www.youtube.com/watch?v=VXMz4TKrL-A

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Re: GESO: The Dream Cruise

2010-08-28 Thread Christine Aguila
Lots of fun, Paul.  The cars look great, and your eye has really captured 
the whacky fun had during this event.  Weren't we supposed to have a PDML 
meet this year for the Dream Cruise?  :-)  Cheers, Christine



- Original Message - 
From: paul stenquist pnstenqu...@comcast.net

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, August 28, 2010 6:29 AM
Subject: Re: GESO: The Dream Cruise



Thanks Frank. Your favorite and ugliest choices seem right on to me.
Paul

On Aug 27, 2010, at 10:30 PM, frank theriault wrote:


On Wed, Aug 25, 2010 at 10:10 PM, paul stenquist
pnstenqu...@comcast.net wrote:

The first 47 pics are new this year.

http://photo.net/photodb/folder?folder_id=633960


Runs the gamut from my favourite car of all time (AH Bugeye Sprite) to
the ugliest car ever made (AMC Pacer).

Terrific gallery, Paul!

cheers,
frank


--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: GESO: The Dream Cruise

2010-08-28 Thread P N Stenquist


On Aug 28, 2010, at 10:09 AM, Christine Aguila wrote:

Lots of fun, Paul.  The cars look great, and your eye has really  
captured the whacky fun had during this event.  Weren't we supposed  
to have a PDML meet this year for the Dream Cruise?  :-)  Cheers,  
Christine


Wouldn't have been the best time for that. It rained most of Saturday,  
and I worked all day Sunday processing pics and writing a web article.  
Maybe next year!

Paul



- Original Message - From: paul stenquist pnstenqu...@comcast.net 


To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, August 28, 2010 6:29 AM
Subject: Re: GESO: The Dream Cruise



Thanks Frank. Your favorite and ugliest choices seem right on to me.
Paul

On Aug 27, 2010, at 10:30 PM, frank theriault wrote:


On Wed, Aug 25, 2010 at 10:10 PM, paul stenquist
pnstenqu...@comcast.net wrote:

The first 47 pics are new this year.

http://photo.net/photodb/folder?folder_id=633960


Runs the gamut from my favourite car of all time (AH Bugeye  
Sprite) to

the ugliest car ever made (AMC Pacer).

Terrific gallery, Paul!

cheers,
frank


--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: LR 3.0 peculiarity

2010-08-28 Thread Boris Liberman

On 8/28/2010 4:09 PM, Adam Maas wrote:

XP64 is pretty buggy, especially with consumer hardware. MS didn't get
a truly usable 64-bit version of Windows out until Vista 64 (Win7 64
is Vista 64 under the hood, there are no significant non-UI
differences in the 64 bit version) and driver support for XP 64 is
poor. Note that XP 64 is not officially supported by LR, official
support is XP SP3, Vista Home Premium or betetr (32  64) and Win7 (32
  64).


Well, courses for horses, obviously. Both at work and at home XP64 SP2 
has been very stable. If it breaks down or if I have to upgrade h/w, 
I'll give Win7 proper consideration. Meanwhile, especially at home I 
prefer to adhere to if it ain't broken, don't fix it mantra...


Boris

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Re: OT More local photogs rights controversy

2010-08-28 Thread John Sessoms

From: steve harley

On 2010-08-26 08:05 , William Robb wrote:


-- From: Rob
Studdert Subject: OT More local photogs rights controversy


http://www.abc.net.au/news/stories/2010/08/26/2993756.htm


Not unusual. I've run into that a few times in National Parks in
the USA, though not Canada as of yet.


i did not know there were any such restrictions in US national parks,
 but looking around i see for example in Denali there are special
access permits for professional photographers -- they allow use of a
private vehicle which is otherwise not permitted, so in contrast to a
 restriction, this seems like special access that others don't get

http://www.nps.gov/dena/parkmgmt/propho2.htm

in Capitol Reef NP, Utah, i see a different type of rule -- only 
commercial photography which may interfere with normal park

visitation requires a permit

http://www.nps.gov/care/planyourvisit/comfilmphoto.htm

obviously this is a small sample; are there national parks where 
photography is restricted in less reasonable ways?


the situation is different on some US Native American reservations;
for example i have visited Acoma Pueblo in New Mexico; while this is
a beautiful natural area, and contains also amazing historic
structures, it is also still the active residence of a large number
of people who also collectively own the land; so i fully understand
that camera permits are required as a way to make sure Acoma has a
contract with the photographer making clear rights and
responsibilities

in the case at hand, Ulura-Kata Tjuta National Park, seems to be a
bit of a hybrid -- respect for indigenous people is clearly the
objective, but the article questions whether the Australian
government is the perfect steward for that respect


The way I read it was the complaint in Ulura-Kata Tjuta National Park
was they were applying an overly restrictive interpretation to what was
commercial work, i.e. anyone with an SLR camera.

That happened a couple of times in U.S. National Parks back in the 90s,
but it seems like the National Park Service has made a real effort to
educate their employees.

The interfere with normal park visitation usually applies if you want 
to close off an area for your exclusive use during your shoot, or if 
you're bringing in so much equipment and crew that there's no room left 
for other visitors.



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Re: OT More local photogs rights controversy

2010-08-28 Thread John Sessoms

From: Ken Waller
he photo permits for professionals in Denali are severely restricted and 
not available to all that apply.
There is only one two lane road, around 90 miles long, in Denali and most of 
the road traffic is for the park run tour busses. In some places there is 
absolutely no place for a vehicle to park off road. The pros that do get 
permits are restricted to having their vehicles off the road during specific 
hours.


In the off season the park road is open for a short time to Alaska residents 
and their vehicles.


The restrictions are aimed at motor vehicles, not photographers. The 
professionals are not permitted to drive off road either; only to go 
beyond the gate at mile 15. It's basically a concession to allow the 
winners of the lottery to carry more equipment than you can fit into one 
bag  a tripod.


You can go every place the pros can go riding the park bus. You are 
limited by the physical dimensions of what you can carry on the bus, but 
they don't restrict what you can photograph with the equipment you are 
physically able to carry.


The fall road permit lottery is open to everyone ... you don't even have 
to be US citizen.


But you have to know to apply during the month of June. Most of the fall 
permits go to Alaska residents because they're right there at the park 
and more of them know when to apply for the lottery.


I looked at this year's published list for the first day and only 46 of 
the 400 winners were from out of state and it looked like 90% of the 
winners were from Anchorage.


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Re: GESO - A Walk Around Southampton, UK

2010-08-28 Thread frank theriault
On Tue, Aug 24, 2010 at 3:37 PM, Miserere miser...@gmail.com wrote:
 Hi Everyone,

 I'm back from my UK trip, and I'm happy to report that I both took
 photos, and was not stopped by the police for doing so. I'll have some
 from London in a few days, but for now here's a small gallery from a
 jet-lagged walk around Southampton:

 http://enticingthelight.com/2010/08/17/a-photowalk-with-the-samsung-nx10-and-30mm-f2/

 You'll excuse me for having taken them with the Sammy NX10 + 30mm f/2
 -- until Pentax delivers us to EVIL, it's all I've got.

 CC welcome, of course.

 Cheers,



Wonderful gallery, but this one in particular stands out:

http://enticingthelight.com/wp-content/uploads/2010/08/SAM_1878-small.jpg

The BWs are wonderfully rendered, BTW.

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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metering question

2010-08-28 Thread Christine Aguila
I'm going to plung into this project for the next year. I want to photograph 
people under the el tracks downtown.


I would like to know how folks might meter for this project.

The 1st 3 photos were taken with the K20D last year, and from the sax player 
on those photos were taken with the K7 this year.  All photos were at ISO 
1600 except the sax player, which was 800.  You can see I've some challanges 
with light and shadow.


All 7 photos here are *as shot* except for correction to level allignment 
for the K20D shots.


http://www.caguila.com/caguila/trackstest

Big thanks, Christine


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Re: peso - piano

2010-08-28 Thread Sasha Sobol
Thanks Frank and Steve for your comments.

--S

On Fri, Aug 27, 2010 at 7:33 PM, frank theriault
knarftheria...@gmail.com wrote:
 On Mon, Aug 23, 2010 at 1:37 AM, Sasha Sobol sa...@asobol.com wrote:
 http://www.flickr.com/photos/sobol/4917817657/#/photos/sobol/4917817657/lightbox/

 Angry comments are always welcome.

 I like it, even though I can't tell it's a piano.  Wonderful mood,
 intriguing composition.

 cheers,
 frank

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 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: OT More local photogs rights controversy

2010-08-28 Thread John Sessoms

From: steve harley

On 2010-08-26 14:22 , Ken Waller wrote:

 The photo permits for professionals in Denali are severely restricted
 and not available to all that apply.
 There is only one two lane road, around 90 miles long, in Denali and
 most of the road traffic is for the park run tour busses. In some places
 there is absolutely no place for a vehicle to park off road. The pros
 that do get permits are restricted to having their vehicles off the road
 during specific hours.


right, that corresponds closely to the info in the link i included; i 
was mainly trying to say that i learned Denali doesn't really restrict 
photographers -- it restricts everyone, and then it has a lottery to 
give a few pros special permissions that the general public doesn't have




Yeah, but it was worded so that it seemed to imply the professionals got 
additional rights to photograph in places where the general public can't 
get to, when in fact, all they get is a slight easing of vehicle 
restrictions to allow them to schlepp more equipment through the park. 
They cannot take those vehicles off road.


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Re: Anybody else going to burning man?

2010-08-28 Thread John Sessoms

From: Brian Walters

On Fri, 27 Aug 2010 00:31 -0400, Ann Sanfedele ann...@nyc.rr.com
wrote:

 Larry Colen wrote:
 
 I didn't get the job I interviewed for today, so WTF, I'm heading to burning man.  
 

 I don't expect so, but is anyone else going?



Well, I was going to ask but decided to Google instead.

It sounds like a fun event.  I note that, according to Wikipedia, there
is a ban on driving, except for approved mutant vehicles and that
Burning your own art must be done on an approved burn platform.

Hmmm

Apparently clothing is optional, which should make your photos
interesting.



They have VERY restrictive policies regarding photography.

The organizers claim ownership of any photography you create while there 
and you must obtain prior permission from the organizers before 
publishing. You have to agree to give up your rights before they will 
let you in.


I believe that's specifically aimed at preventing anyone from seeing 
those interesting photos.


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Re: Leica's done with film

2010-08-28 Thread John Sessoms

From: Cotty

On 26/8/10, John Sessoms, discombobulated, unleashed:


So, what's the difference between a crumpet and an English muffin?


The interesting bit is when the crumpet presents you with the muffin


So, it's some kind of bun?

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Re: GESO: The Dream Cruise

2010-08-28 Thread Bob Sullivan
I'm sorry to have missed it.
We should definitely do a PDML meet next year!
Keep us posted as to dates Paul.
Regards,  Bob S.

On Sat, Aug 28, 2010 at 9:30 AM, P N Stenquist pnstenqu...@comcast.net wrote:

 On Aug 28, 2010, at 10:09 AM, Christine Aguila wrote:

 Lots of fun, Paul.  The cars look great, and your eye has really captured
 the whacky fun had during this event.  Weren't we supposed to have a PDML
 meet this year for the Dream Cruise?  :-)  Cheers, Christine

 Wouldn't have been the best time for that. It rained most of Saturday, and I
 worked all day Sunday processing pics and writing a web article. Maybe next
 year!
 Paul


 - Original Message - From: paul stenquist
 pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, August 28, 2010 6:29 AM
 Subject: Re: GESO: The Dream Cruise


 Thanks Frank. Your favorite and ugliest choices seem right on to me.
 Paul

 On Aug 27, 2010, at 10:30 PM, frank theriault wrote:

 On Wed, Aug 25, 2010 at 10:10 PM, paul stenquist
 pnstenqu...@comcast.net wrote:

 The first 47 pics are new this year.

 http://photo.net/photodb/folder?folder_id=633960

 Runs the gamut from my favourite car of all time (AH Bugeye Sprite) to
 the ugliest car ever made (AMC Pacer).

 Terrific gallery, Paul!

 cheers,
 frank


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Re: Leica's done with film

2010-08-28 Thread John Sessoms

From: Mark Roberts

Larry Colen wrote:



On Aug 27, 2010, at 4:28 PM, Brian Walters wrote:


 On Sat, 28 Aug 2010 00:14 +0100, Paul Dunderdale dund...@mcb.net
 wrote:

 A couple of years ago:  I took months to figure that I couldn't post in
 RTF, then I figured that I had nothing much to say.  And if a man has
 nothing to say, the very least he can do is to *shut up* (Lehrer).
 
 Ah.  A Lehrer fan.  You'll get on well here
 
 A friend of Godfrey's, lurking and learning.


Better yet, a man that knows how to lurk. A skill that I need to acquire one 
of these days.

My old usenet haunt (alt.peeves) had a one word faq: lurk.


Whay wasn't there ever an newsgroup called alt.lurk? That woulda
been cool.


There was, but it got dropped from the hierarchy because no one ever 
posted to it.


BTW - alt does not stand for alternative.

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Re: metering question

2010-08-28 Thread Bob Sullivan
Christine,
Wow that is really challenging light when you're using a wide angle lens.
The bright sunlight beyond 'under the tracks' really biases the exposures.
The first 3 shots with the K-20 are just too dark.
It looks like the K-7 did better, but those blow out the sunlight to
see into the shadows.
I see a lot of 'chimping' in your future.  Or maybe HDR?
Regards,  Bob S.

On Sat, Aug 28, 2010 at 10:13 AM, Christine  Aguila
cagu...@earthlink.net wrote:
 I'm going to plung into this project for the next year. I want to photograph
 people under the el tracks downtown.

 I would like to know how folks might meter for this project.

 The 1st 3 photos were taken with the K20D last year, and from the sax player
 on those photos were taken with the K7 this year.  All photos were at ISO
 1600 except the sax player, which was 800.  You can see I've some challanges
 with light and shadow.

 All 7 photos here are *as shot* except for correction to level allignment
 for the K20D shots.

 http://www.caguila.com/caguila/trackstest

 Big thanks, Christine


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RE: PESO - The Lawn Ornament

2010-08-28 Thread John Sessoms

From: frank theriault

Perhaps they were thinking that by bringing it out and letting it sit
on the grass for a day or two the lawn
 might be less traumatized when it starts the actual mowing process:

http://knarfinthecity.blogspot.com/2010/08/lawn-ornament.html

I just thought it looked kind of cool - you don't see those manual
lawn mowers very often these days (although I think they may be making
a bit of a come-back in these environmentally sensitive times).


If you'd ever cut the grass with one of 'em, you'd know that's probably 
as far as they got before collapsing from exhaustion.


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Re: The Pentax Photo Gallery

2010-08-28 Thread John Sessoms

From: Boris Liberman

On 8/26/2010 9:04 PM, Daniel J. Matyola wrote:

 I continue to be mystified by the official Pentax Photo Gallery and
 the process of reviewing submissions.  I find that I am unable to
 predict what they will like and what they will promptly reject.


Oh, I find nothing to be mystified about, really, Daniel. Have a look, 
the process is simple - photos get distributed (as far as I can tell, 
purely at random) and fellow PPG'ers are given a chance to vote thumb up 
or thumb down. Then, whatever passes certain threshold is reviewed by 
some kind of board or whatever and then photos either get accepted or 
not. Given the randomness of the first stage of this process, I see 
nothing that cannot be explained here. One day you submit a photo and 
the bunch of guys looking at it favors photos of this genre, and the 
other day it is not the case. So, the same photo can be either through 
the peer review stage or not.


I should refrain however from passing a judgment on this process...


Sounds like a charlie-foxtrot to me. They've adopted the worst features 
of both systems.


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Re: PESOs - Paddington Alive

2010-08-28 Thread Bob Sullivan
Derby,
Those are just pictures without the girls.  :-)
Regards,  Bob S.

On Sat, Aug 28, 2010 at 6:08 AM, Derby Chang der...@iinet.net.au wrote:

 I know I should link them together in a gallery, but I was taking it easy
 today, and not shooting narrative. As part of the Fashion Festival,
 Paddington puts in her significant contribution. Then again, it's always a
 fashion festival in paddo

 http://members.iinet.net.au/~derbyc/10/10_08/10_08_nikon/01.htm
 http://members.iinet.net.au/~derbyc/10/10_08/10_08_1conversation/01.htm
 http://members.iinet.net.au/~derbyc/10/10_08/10_08_lucette/01.htm
 http://members.iinet.net.au/~derbyc/10/10_08/10_08_debbiemartha/01.htm

 Actually three quarters on-topic this time. The Pentax 43mm L is such a nice
 lens to use. Don't know why I don't use it more often.

 D

 --

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 http://members.iinet.net.au/~derbyc

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Re: Leica's done with film

2010-08-28 Thread Larry Colen

On Aug 27, 2010, at 11:19 AM, Bob W wrote:

 
 http://www.youtube.com/watch?v=MMNKh0Zp4pw
 
 
 Great work Mike - I love the way you got the pond to shimmer!
 
 
 pay attention - you could learn a few things

Aaaghh, it's a digital emetic. It's like being trapped in myspace!


 
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Larry Colen l...@red4est.com sent from i4est





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Re: The Pentax Photo Gallery

2010-08-28 Thread Jack Davis
Hear..Hear, Boris! Clearly stated.

Jack

--- On Fri, 8/27/10, Boris Liberman bori...@gmail.com wrote:

 From: Boris Liberman bori...@gmail.com
 Subject: Re: The Pentax Photo Gallery
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Friday, August 27, 2010, 11:16 PM
 On 8/26/2010 9:04 PM, Daniel J.
 Matyola wrote:
  I continue to be mystified by the official Pentax
 Photo Gallery and
  the process of reviewing submissions.  I find
 that I am unable to
  predict what they will like and what they will
 promptly reject.
 
 Oh, I find nothing to be mystified about, really, Daniel.
 Have a look, the process is simple - photos get distributed
 (as far as I can tell, purely at random) and fellow PPG'ers
 are given a chance to vote thumb up or thumb down. Then,
 whatever passes certain threshold is reviewed by some kind
 of board or whatever and then photos either get accepted or
 not. Given the randomness of the first stage of this
 process, I see nothing that cannot be explained here. One
 day you submit a photo and the bunch of guys looking at it
 favors photos of this genre, and the other day it is not the
 case. So, the same photo can be either through the peer
 review stage or not.
 
 I should refrain however from passing a judgment on this
 process...
 
 Boris
 
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RE: metering question

2010-08-28 Thread John Sessoms

From: Christine  Aguila
I'm going to plung into this project for the next year. I want to photograph 
people under the el tracks downtown.


I would like to know how folks might meter for this project.

The 1st 3 photos were taken with the K20D last year, and from the sax player 
on those photos were taken with the K7 this year.  All photos were at ISO 
1600 except the sax player, which was 800.  You can see I've some challanges 
with light and shadow.


All 7 photos here are *as shot* except for correction to level allignment 
for the K20D shots.


http://www.caguila.com/caguila/trackstest

Big thanks, Christine


From my point of view, you don't have a metering problem. You *may* 
have a lighting problem depending on what you're trying to accomplish. 
Looks to me like you need to add light in your shadow areas to 
accomplish what I think you're trying to do.


I'd use a cheap radio slave  a Vivitar 285HV strobe held off camera (or 
on a stand) to provide fill light.  I can also do it with my dedicated 
Pentax flashes, but it takes more work because I have to think about it 
a lot harder to get them to do what I want them to do.


The 285 has a sensor mounted on the front and can automatically light 
the subject for a given exposure. If you set your camera at ISO 200 and 
set the 285 to the yellow band, it provides light to expose the subject 
at F/4. Your shutter speed then controls how much ambient light is 
combined with flash.


For the first one I'd have set the camera to ISO 200, set the 285's 
sensor to the yellow band, ignore the dial on the side of the 285, and 
pulled the flash head back for wide. I'd install the optional WA 
diffuser in the 285 if you can find one. Shoot manual at f/4  1/60 - 
bracketing 1/30 and 1/125.


And, there you have a four paragraph summation of my summer semester 
course in small format.


FWIW - at ISO 200 Yellow = F/4, Red = F/8, Cyan = F/11 and Magenta = F/16

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Re: metering question

2010-08-28 Thread paul stenquist
As expected, the k7 did a much better job of metering. I think you're about 
right with those. You have to expect the somewhat blown backgrounds if your 
subjects are properly exposed. I might shoot a test or two with multipoint 
metering, look at the histo, then adjust exposure comp if necessary. That's 
pretty much the way I approach every metering situation these days.
Paul 
On Aug 28, 2010, at 11:13 AM, Christine Aguila wrote:

 I'm going to plung into this project for the next year. I want to photograph 
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax player 
 on those photos were taken with the K7 this year.  All photos were at ISO 
 1600 except the sax player, which was 800.  You can see I've some challanges 
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level allignment for 
 the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 Big thanks, Christine
 
 
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Re: metering question

2010-08-28 Thread Larry Colen

On Aug 28, 2010, at 8:13 AM, Christine Aguila wrote:

 I'm going to plung into this project for the next year. I want to photograph 
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.

I might put the camera on spot metering and use that to set the exposure on the 
subject that I want to shoot, but I'd probably put the camera in manual, press 
the green button, chimp and adjust. At first, it'll take a long time, but 
pretty soon you'll look at it and say cloudy day, subject is under the tracks, 
background is in shade..., and know what setting to use.

John's suggestions seem spot on. The alternative is to shoot anytime that there 
isn't direct sunlight, or to find spots where your background is in shadows.  
I'd look for spots where the lighting works the best, or the least bad.  This 
may well mean shooting on a monopod late in the afternoon.

 
 The 1st 3 photos were taken with the K20D last year, and from the sax player 
 on those photos were taken with the K7 this year.  All photos were at ISO 
 1600 except the sax player, which was 800.  You can see I've some challanges 
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level allignment for 
 the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 Big thanks, Christine
 
 
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Re: metering question

2010-08-28 Thread George Sinos
Christine - this looks like an interesting project for many reasons.

I can't give you any specifics, but here are a few things to think about.

This is a situation where shooting in raw can be very helpful.  You'll
be able to squeeze more dynamic range from your images with raw
originals.  Maybe a stop or two.

The new processing engine and noise reduction in the latest versions
of Adobe Camera Raw and/or Lightroom have made a big difference when
shooting at high ISO settings.  I'm feeling like I can safely go at
least 1 full stop higher with the new software.

This is also one of those situations where a correct exposure is
defined by you and only you.  Even with Matrix metering, this isn't
exactly an average situation.  This might be one of those times when
you consider experimenting with the spot metering option.

This is a challenging situation and I'm looking forward to following
your progress.

Thanks, gs

George Sinos

gsi...@gmail.com
www.georgesphotos.net



On Sat, Aug 28, 2010 at 10:13 AM, Christine  Aguila
cagu...@earthlink.net wrote:
 I'm going to plung into this project for the next year. I want to photograph
 people under the el tracks downtown.

 I would like to know how folks might meter for this project.

 The 1st 3 photos were taken with the K20D last year, and from the sax player
 on those photos were taken with the K7 this year.  All photos were at ISO
 1600 except the sax player, which was 800.  You can see I've some challanges
 with light and shadow.

 All 7 photos here are *as shot* except for correction to level allignment
 for the K20D shots.

 http://www.caguila.com/caguila/trackstest

 Big thanks, Christine


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RE: Leica's done with film

2010-08-28 Thread Bob W
 Well, you've already made a major contribution to the well-being of
 the list. By using the phrase 'lurk and learn' you've reminded me of
 the great British comic, er children's illustrated magazine, called
 'Look and Learn', my sole companion when I spent 6 weeks in the
 school sick room as a
 13 year old, and I now discover it's online!
 
 How to get a classical education and squeeze your pocks at the same
 
  time:
 
 http://www.lookandlearn.com/
 http://www.lookandlearn.com/about.php
 
 Unless my mother has had another manic throwing out phase, the first
 ten years' production is stored at my parents' house.
 
 It's been difficult to find a modern equivalent, although there are
 some excellent DVDs.
 http://www.magicofmaking.com/
 
 
  the online sample of Look  Learn includes a piece about the Dover-
  London Road (Watling Street, now the A2) - including a picture of the
  George, the pub I mentioned to you last week where we once had a PDML
  session! I'm theorising that the illustrator enjoyed the time he spent
  in there, drawing the architecture :o)
 
  http://www.lookandlearn.com/LookAndLearnMagazine.pdf
 
  Next week's episode takes us to Deptford. And from there no doubt to
  Greenwich. I must buy it!
 
 Not to mention quoting McGonagall.  No wonder we are so erudite.

I suspect that was a deliberate attempt to warp young minds. At the Friday
afternoon editorial meeting someone jokingly suggested printing one, just to
mess with young heads, but in order to get it by they had to do a worthy
article about the Tay Bridge, which frankly no-one would remember but for
the great rhymster's magnum opus.

Bob


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RE: LR 3.0 peculiarity

2010-08-28 Thread Bob W
 On 8/28/2010 4:09 PM, Adam Maas wrote:
  XP64 is pretty buggy, especially with consumer hardware. MS didn't get
  a truly usable 64-bit version of Windows out until Vista 64 (Win7 64
  is Vista 64 under the hood, there are no significant non-UI
  differences in the 64 bit version) and driver support for XP 64 is
  poor. Note that XP 64 is not officially supported by LR, official
  support is XP SP3, Vista Home Premium or betetr (32  64) and Win7 (32
64).
 
 Well, courses for horses, obviously. Both at work and at home XP64 SP2 has
 been very stable. If it breaks down or if I have to upgrade h/w, I'll give
Win7
 proper consideration. Meanwhile, especially at home I prefer to adhere to
if
 it ain't broken, don't fix it mantra...
 

your LR problems suggest that it might be broke.




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RE: metering question

2010-08-28 Thread Bob W
 I'm going to plung into this project for the next year. I want to
photograph
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax
player
 on those photos were taken with the K7 this year.  All photos were at ISO
 1600 except the sax player, which was 800.  You can see I've some
challanges
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level allignment
for
 the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 

I would shoot at the sensor's 'natural' iso - 100, 160 or whatever, which
will give you the most dynamic range. Meter for the highlights and use the
histogram to make sure you're exposing as far to the right as you can. Then
use LR to pull the shadows to the left if that's needed. If you do this you
will ensure the maximum range without blowing out the highlights. If the
shadows turn to black then you've lost less then you would if you hadn't
expoised to the right.

If you want detail in the shadows then you need to be very careful that you
exclude extreme highlights from the frame. It's the same as shooting slides,
except for the histogram trick.

Bob


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RE: PESO - The Lawn Ornament

2010-08-28 Thread Bob W
 Ya looks like its being used for something other than intended.:-)
 
 On my bike rides this summer i am seeing more of these being used.
 Maybe not so much for the environment, but the new houses up here have
 a front lawn the size of my ass. No need for a gas mower.
 
 Dave

post a picture of your ass to we can see if that means big or small.



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Re: metering question

2010-08-28 Thread mike wilson

Christine Aguila wrote:
I'm going to plung into this project for the next year. I want to 
photograph people under the el tracks downtown.


I would like to know how folks might meter for this project.

The 1st 3 photos were taken with the K20D last year, and from the sax 
player on those photos were taken with the K7 this year.  All photos 
were at ISO 1600 except the sax player, which was 800.  You can see I've 
some challanges with light and shadow.


All 7 photos here are *as shot* except for correction to level 
allignment for the K20D shots.


http://www.caguila.com/caguila/trackstest

Big thanks, Christine


I like the first two more than the rest.  How bizarre is that?

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Re: Leica's done with film

2010-08-28 Thread mike wilson

Larry Colen wrote:


On Aug 27, 2010, at 11:19 AM, Bob W wrote:



http://www.youtube.com/watch?v=MMNKh0Zp4pw



Great work Mike - I love the way you got the pond to shimmer!



pay attention - you could learn a few things



Aaaghh, it's a digital emetic. It's like being trapped in myspace!


My work here is done.

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Re: Leica's done with film

2010-08-28 Thread mike wilson

Bob W wrote:


Well, you've already made a major contribution to the well-being of
the list. By using the phrase 'lurk and learn' you've reminded me of
the great British comic, er children's illustrated magazine, called
'Look and Learn', my sole companion when I spent 6 weeks in the
school sick room as a
13 year old, and I now discover it's online!

How to get a classical education and squeeze your pocks at the same


time:



http://www.lookandlearn.com/
http://www.lookandlearn.com/about.php


Unless my mother has had another manic throwing out phase, the first
ten years' production is stored at my parents' house.

It's been difficult to find a modern equivalent, although there are
some excellent DVDs.
http://www.magicofmaking.com/



the online sample of Look  Learn includes a piece about the Dover-
London Road (Watling Street, now the A2) - including a picture of the
George, the pub I mentioned to you last week where we once had a PDML
session! I'm theorising that the illustrator enjoyed the time he spent
in there, drawing the architecture :o)

http://www.lookandlearn.com/LookAndLearnMagazine.pdf

Next week's episode takes us to Deptford. And from there no doubt to
Greenwich. I must buy it!


Not to mention quoting McGonagall.  No wonder we are so erudite.



I suspect that was a deliberate attempt to warp young minds. At the Friday
afternoon editorial meeting someone jokingly suggested printing one, just to
mess with young heads, but in order to get it by they had to do a worthy
article about the Tay Bridge, which frankly no-one would remember but for
the great rhymster's magnum opus.


I think I'll try to find time tonight to watch the Peter Sellers/Spike 
Milligan film about WMc., that I have on DVD somewhere.


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Re: Cosina-Voigtlander joins micro-4/3

2010-08-28 Thread Brendan MacRae




- Original Message 
 From: Miserere miser...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thu, August 26, 2010 6:21:16 AM
 Subject: Cosina-Voigtlander joins micro-4/3
 
 It's made sense all along:
 
 http://www.olympus-global.com/en/news/2010b/nr100826mfourthirdse.html
 
 http://www.dpreview.com/news/1008/10082619cosinamicrofourthirds.asp
 
 They'll be releasing the Nokton 25mm f/0.95 next month as their first
 lens (for a little under $1,200). Talk about entering the arena with a
 bang  :-)
 
 
   --M.
 


For less money, if you can find one, try the old angenieux 25mm (1 inch) f.95 
lens in C-mount:

http://cctvmonitors.org/cctv-lens/the-mijonju-show-f0-95-c-mounts-lens-and-cctv-lens-for-micro-43-cameras-video-test


Skip to 2:23 in the video.

-Brendan 


  

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Re: Cosina-Voigtlander joins micro-4/3

2010-08-28 Thread Brendan MacRae




- Original Message 
 From: Brendan MacRae brendanmacrae1...@yahoo.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Sat, August 28, 2010 11:32:38 AM
 Subject: Re: Cosina-Voigtlander joins micro-4/3
 
 
 
 
 
 - Original Message 
  From: Miserere miser...@gmail.com
  To: Pentax-Discuss Mail List pdml@pdml.net
  Sent: Thu, August 26, 2010 6:21:16 AM
  Subject: Cosina-Voigtlander joins micro-4/3
  
  It's made sense all along:
  
  http://www.olympus-global.com/en/news/2010b/nr100826mfourthirdse.html
  
  http://www.dpreview.com/news/1008/10082619cosinamicrofourthirds.asp
  
  They'll be releasing the Nokton 25mm f/0.95 next month as their first
  lens (for a little under $1,200). Talk about entering the arena with a
  bang  :-)
  
  
    --M.
  
 
 
 For less money, if you can find one, try the old angenieux 25mm (1 inch) f.95 
 lens in C-mount:
 
http://cctvmonitors.org/cctv-lens/the-mijonju-show-f0-95-c-mounts-lens-and-cctv-lens-for-micro-43-cameras-video-test
t
 
 
 Skip to 2:23 in the video.
 
 -Brendan 
 

Ok, well, maybe they used to be cheaper than 1200US, not anymore I suppose:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=270604946285

eeeks.

-Brendan


  

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Re: Cosina-Voigtlander joins micro-4/3

2010-08-28 Thread Adam Maas
On Sat, Aug 28, 2010 at 2:32 PM, Brendan MacRae
brendanmacrae1...@yahoo.com wrote:




 - Original Message 
 From: Miserere miser...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thu, August 26, 2010 6:21:16 AM
 Subject: Cosina-Voigtlander joins micro-4/3

 It's made sense all along:

 http://www.olympus-global.com/en/news/2010b/nr100826mfourthirdse.html

 http://www.dpreview.com/news/1008/10082619cosinamicrofourthirds.asp

 They'll be releasing the Nokton 25mm f/0.95 next month as their first
 lens (for a little under $1,200). Talk about entering the arena with a
 bang  :-)


   --M.



 For less money, if you can find one, try the old angenieux 25mm (1 inch) f.95
 lens in C-mount:

 http://cctvmonitors.org/cctv-lens/the-mijonju-show-f0-95-c-mounts-lens-and-cctv-lens-for-micro-43-cameras-video-test


 Skip to 2:23 in the video.

 -Brendan


Good bloody luck, the Angenieux's are regularly going for over $1000
these days and don't even fully cover m4/3rds. The 50/0.95's do cover
4/3rds but the 25's in C mount typically have mechanical vignetting in
the corners since they're designed to cover a smaller format


-Adam

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Re: metering question

2010-08-28 Thread Paul Sorenson
 I'll throw one more suggestion into the mix - especially since there's 
such a wide dynamic range between the highlights and shadows.  Consider 
getting and learning to use an incident meter.  Minolta, Gossen, Pentax, 
Sekonic are usually considered the standards.  I have a cheapy 
(relatively speaking) Shepherd Polaris and have found it to be quite 
accurate.  It will do incident and reflected light as well as flash and 
multiple flash measurements.  If you meter the highlights and shadows 
accurately to determine range of exposure you can shoot manual and 
adjust your exposure for highlights, shadows or somewhere in between.


http://www.adorama.com/SBP.html

-p

On 8/28/2010 10:13 AM, Christine Aguila wrote:
I'm going to plung into this project for the next year. I want to 
photograph people under the el tracks downtown.


I would like to know how folks might meter for this project.

The 1st 3 photos were taken with the K20D last year, and from the sax 
player on those photos were taken with the K7 this year.  All photos 
were at ISO 1600 except the sax player, which was 800.  You can see 
I've some challanges with light and shadow.


All 7 photos here are *as shot* except for correction to level 
allignment for the K20D shots.


http://www.caguila.com/caguila/trackstest

Big thanks, Christine




No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.851 / Virus Database: 271.1.1/3099 - Release Date: 08/28/10 
01:34:00




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RE: metering question

2010-08-28 Thread J.C. O'Connell
I use my istDS camera in manual mode most of the time.
I use the LCD and histogram as my meter and shoot
raw. Works good for me.

--
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Join the CD PLAYER  DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
http://launch.groups.yahoo.com/group/cdsound/ 


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
Sorenson
Sent: Saturday, August 28, 2010 2:54 PM
To: Pentax-Discuss Mail List
Subject: Re: metering question


  I'll throw one more suggestion into the mix - especially since there's 
such a wide dynamic range between the highlights and shadows.  Consider 
getting and learning to use an incident meter.  Minolta, Gossen, Pentax, 
Sekonic are usually considered the standards.  I have a cheapy 
(relatively speaking) Shepherd Polaris and have found it to be quite 
accurate.  It will do incident and reflected light as well as flash and 
multiple flash measurements.  If you meter the highlights and shadows 
accurately to determine range of exposure you can shoot manual and 
adjust your exposure for highlights, shadows or somewhere in between.

http://www.adorama.com/SBP.html

-p

On 8/28/2010 10:13 AM, Christine Aguila wrote:
 I'm going to plung into this project for the next year. I want to
 photograph people under the el tracks downtown.

 I would like to know how folks might meter for this project.

 The 1st 3 photos were taken with the K20D last year, and from the sax
 player on those photos were taken with the K7 this year.  All photos 
 were at ISO 1600 except the sax player, which was 800.  You can see 
 I've some challanges with light and shadow.

 All 7 photos here are *as shot* except for correction to level
 allignment for the K20D shots.

 http://www.caguila.com/caguila/trackstest

 Big thanks, Christine




 No virus found in this incoming message.
 Checked by AVG - www.avg.com
 Version: 9.0.851 / Virus Database: 271.1.1/3099 - Release Date: 
 08/28/10 01:34:00



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Re: OT : Bran Everseeking

2010-08-28 Thread Bran Everseeking
On Sun, 22 Aug 2010 20:59:50 -0400
Doug Brewer d...@alphoto.com wrote:

 Seems our buddy Bran has had a heart attack and is hospitalized. He 
 reports from his bed that he is OK. I know you'll join me in wishing
 him a quick recovery.
 
 Doug
 


Many Thanks Doug Et al.

I have returned home a bit more than a week after leaving.  6 new
drugs, and three metal stents in my heart are supposed to help keep me
well.  dietary is pretty much the same as the old diabetic one
excepting less fat and salt which i had started doing anyway.

I guess I will be shooting the place where  live as I do the required
build-up of activity.  I found out My son has been lurking here for a
bit 

thats it for now as there went through my wrist yesterday

Thanks again all.

Bran

-- 
Love is that condition in which the happiness of another person is
essential to your own... Jealousy is a disease, love is a healthy
condition.- Robert Heinlein

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Re: OT : Bran Everseeking

2010-08-28 Thread eckinator
2010/8/28 Bran Everseeking bran.everseek...@sasktel.net:

 Many Thanks Doug Et al.

 I have returned home a bit more than a week after leaving.  6 new
 drugs, and three metal stents in my heart are supposed to help keep me
 well.  dietary is pretty much the same as the old diabetic one
 excepting less fat and salt which i had started doing anyway.

 I guess I will be shooting the place where  live as I do the required
 build-up of activity.  I found out My son has been lurking here for a
 bit

 thats it for now as there went through my wrist yesterday

 Thanks again all.

 Bran

welcome back, Bran. good to have you here again. please be good to yourself

Cheers
Ecke

-
Cameras don’t shoot people.
Photographers shoot people.

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RE: Buy My Book! was Re: what I've been doing

2010-08-28 Thread Chris Mitchell
mike wilson wrote:
 Sent: 28 August 2010 07:38
 To: Pentax-Discuss Mail List
 Subject: Re: Buy My Book! was Re: what I've been doing
 
 I will be doing this for Bob and myself no earlier than 48hours from
 now.  If anyone else in the UK wants, speak up before then.
 
Mike - please add me to the UK list. Just so I'm clear, tell me who to pay,
when and how much

Thanks, Chris



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Re: PESO - Kids in a fountain

2010-08-28 Thread David Parsons
I've shot there a couple times and never had a problem.  It probably
helped that I've been with other photogs when I have shot it.

On Fri, Aug 27, 2010 at 10:38 PM, frank theriault
knarftheria...@gmail.com wrote:
 On Sun, Aug 22, 2010 at 6:21 PM, David Parsons parsons.da...@gmail.com 
 wrote:
 I went on a photowalk on Friday with a local group through Boston.

 http://www.flickr.com/photos/alohadave/4914522823/

 There's more on my stream, but this is one of the best IMO.

 That's a terrific photo!

 As an aside, I was taking photos at a similar type of fountain we have
 here in Toronto (Dundas Square, FWIW) and someone came up to me and
 asked if I'd asked permission of the parents of the kids.

 I nicely informed her that I didn't need to do that, and in any event
 I was not up to no good.  She started to argue with me so I walked
 away.  Wasn't worth the hassle.  The place is usually crawling with
 security guards and I didn't want to have to deal with one of those
 wallies.

 But, your photo's a real gem.

 cheers,
 frank
 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: OT : Bran Everseeking

2010-08-28 Thread Paul Sorenson
 Good to hear from you, Bran.  The stents seem to work...I had three 
done 10 years ago.  So far, so good. :-)


-p  (Trying not to temp fate.)

On 8/28/2010 2:14 PM, Bran Everseeking wrote:

Many Thanks Doug Et al.
I have returned home a bit more than a week after leaving.  6 new
drugs, and three metal stents in my heart are supposed to help keep me
well.  dietary is pretty much the same as the old diabetic one
excepting less fat and salt which i had started doing anyway.

I guess I will be shooting the place where  live as I do the required
build-up of activity.  I found out My son has been lurking here for a
bit

thats it for now as there went through my wrist yesterday

Thanks again all.

Bran




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Checked by AVG - www.avg.com
Version: 9.0.851 / Virus Database: 271.1.1/3099 - Release Date: 08/28/10 
01:34:00




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metering for film

2010-08-28 Thread Larry Colen
I decided to run a test roll through my Argus C3 to see if it still works.  I 
noticed that the hand held meter seemed to match the meter in my SRT-101 but 
was a stop or two off from the meter in the K-x.  If the K-x said 1/60 the hand 
held meter said 1/250 sometimes.  Other times reading off a grey card, they 
matched a bit more closely.

So, I tried shooting test shots with it both at the hand held metering, and 
using the metering from the K-x.  Oddly enough, there isn't an obvious, huge 
difference in the way that the prints look. I suspect that Walgreen's printer 
automatically corrects.

I'm not too thrilled with the way the kodacolor 400 that I had laying around 
looks.  Fortunately I still have a bunch of 200 and some 100.

It is so weird going back to the C3, which apart from a few shots with my dad's 
spotty was the camera I started with. Remembering to wind the film and cock the 
shutter separately. Having to look through a separate window to focus. The 
shutter only goes up to 1/300, and so forth.
--
Larry Colen l...@red4est.com sent from i4est





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Re: Leica's done with film

2010-08-28 Thread Rob Studdert
On 29 August 2010 01:37, John Sessoms jsessoms...@nc.rr.com wrote:

 So, it's some kind of bun?

Sort of, it's a very moist spongy thick pancake designed to have large
bubble holes, straight out of the toaster lavished with melted butter
and honey they are almost as good as ...

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Re: Leica's done with film

2010-08-28 Thread Rob Studdert
On 29 August 2010 07:53, Rob Studdert distudio.p...@gmail.com wrote:
 On 29 August 2010 01:37, John Sessoms jsessoms...@nc.rr.com wrote:

 So, it's some kind of bun?

 Sort of, it's a very moist spongy thick pancake designed to have large
 bubble holes, straight out of the toaster lavished with melted butter
 and honey they are almost as good as ...

A pic, not mine:

http://img.buzznet.com/assets/imgx/1/6/8/2/0/3/1/orig-1682031.jpg

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Re: GESO: Duathlon

2010-08-28 Thread Rick Womer
I'm getting 404s on both your gallery and your site.

Rick

http://photo.net/photos/RickW


--- On Sun, 8/22/10, David Mann d...@multisport.net.nz wrote:

 From: David Mann d...@multisport.net.nz
 Subject: GESO: Duathlon
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Sunday, August 22, 2010, 2:04 AM
 Hi all,
 
 Here's another sporting event gallery.  I haven't done
 one in a while as the events calendar tends to be very quiet
 over winter.  But this one was being held close to
 where I live so I decided that I really should check it
 out.  Nevermind the fact that I'm trying to have a rest
 day today.
 
 http://www.multisport.net.nz/photos/1051-2010-08-22-contact-duathlon-series-chch-photos.html
 
 This race was a duathlon which involves a run, then a bike,
 then a shorter run.  This one was part of the Contact
 Duathlon Series which consists of two races (seems to be a
 very short series if you ask me). This race also doubled as
 the Oceania Duathlon Championships.
 
 I was thoroughly unprepared but the event was very well
 run.  The only thing that caught me out was that I
 became slightly lost trying to find the start line for one
 of the races.  Each age group was started separately,
 which is why the ordering looks all mixed up.
 
 I had trouble with AF on the bike section because I was
 shooting into the sun... which meant the parts I was wanting
 to focus on were in shadow and the camera wasn't able to
 keep up.  Yes I'm blaming the camera, it's never my
 fault.
 
 The metering was also giving me grief as it was exposing
 for the background.  I had no choice as the bike course
 was long enough that it really wasn't practical for me to
 find a better spot and with so many events on at once I had
 to stay close to the start / transition / finish area. 
 I managed to find a setting in the camera which apparently
 links the meter to the focus point but I need to read the
 manual as it still seemed a bit hit and miss.
 
 Cheers,
 Dave
 
 David Mann
 d...@multisport.net.nz
 http://www.multisport.net.nz/
 
 
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Re: OT : Bran Everseeking

2010-08-28 Thread Stan Halpin
Good to have you back!

On Aug 28, 2010, at 2:14 PM, Bran Everseeking wrote:

 On Sun, 22 Aug 2010 20:59:50 -0400
 Doug Brewer d...@alphoto.com wrote:
 
 Seems our buddy Bran has had a heart attack and is hospitalized. He 
 reports from his bed that he is OK. I know you'll join me in wishing
 him a quick recovery.
 
 Doug
 
 
 
 Many Thanks Doug Et al.
 
 I have returned home a bit more than a week after leaving.  6 new
 drugs, and three metal stents in my heart are supposed to help keep me
 well.  dietary is pretty much the same as the old diabetic one
 excepting less fat and salt which i had started doing anyway.
 
 I guess I will be shooting the place where  live as I do the required
 build-up of activity.  I found out My son has been lurking here for a
 bit 
 
 thats it for now as there went through my wrist yesterday
 
 Thanks again all.
 
 Bran
 
 -- 
 Love is that condition in which the happiness of another person is
 essential to your own... Jealousy is a disease, love is a healthy
 condition.- Robert Heinlein
 
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RE: Leica's done with film

2010-08-28 Thread Bob W
  So, it's some kind of bun?
 
 Sort of, it's a very moist spongy thick pancake designed to have large
bubble
 holes, straight out of the toaster lavished with melted butter and honey
they
 are almost as good as ...
 

Saint Delia, Our Lady of the Oven Gloves, shows you how:
http://www.deliaonline.com/recipes/type-of-dish/sweet/home-made-crumpets.ht
ml

B


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Re: PESO - The Lawn Ornament

2010-08-28 Thread Daniel J. Matyola
Looks like that lawn could easily eat up that lawnmower.

Dan

On Fri, Aug 27, 2010 at 10:24 PM, frank theriault
knarftheria...@gmail.com wrote:
 Perhaps they were thinking that by bringing it out and letting it sit
 on the grass for a day or two the lawn
  might be less traumatized when it starts the actual mowing process:

 http://knarfinthecity.blogspot.com/2010/08/lawn-ornament.html

 I just thought it looked kind of cool - you don't see those manual
 lawn mowers very often these days (although I think they may be making
 a bit of a come-back in these environmentally sensitive times).

 Hope you like.

 Comments welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: metering question

2010-08-28 Thread paul stenquist
As a footnote to this, flash would do a lot here to bring the foreground 
exposure closer to the background. I'd probably start with a full measure and 
then try maybe a minus half stop. You won't even see it in the results, but the 
results will be better.
Paul

On Aug 28, 2010, at 1:01 PM, paul stenquist wrote:

 As expected, the k7 did a much better job of metering. I think you're about 
 right with those. You have to expect the somewhat blown backgrounds if your 
 subjects are properly exposed. I might shoot a test or two with multipoint 
 metering, look at the histo, then adjust exposure comp if necessary. That's 
 pretty much the way I approach every metering situation these days.
 Paul 
 On Aug 28, 2010, at 11:13 AM, Christine Aguila wrote:
 
 I'm going to plung into this project for the next year. I want to photograph 
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax player 
 on those photos were taken with the K7 this year.  All photos were at ISO 
 1600 except the sax player, which was 800.  You can see I've some challanges 
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level allignment 
 for the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 Big thanks, Christine
 
 
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RE: metering for film

2010-08-28 Thread Bob W
 I decided to run a test roll through my Argus C3 to see if it still works.
I
 noticed that the hand held meter seemed to match the meter in my SRT-101
 but was a stop or two off from the meter in the K-x.  If the K-x said 1/60
the
 hand held meter said 1/250 sometimes.  Other times reading off a grey
card,
 they matched a bit more closely.
 

The man with one watch always knows the time; the man with two watches,
never. As it is with watches, so it is with lightmeters.


 So, I tried shooting test shots with it both at the hand held metering,
and
 using the metering from the K-x.  Oddly enough, there isn't an obvious,
huge
 difference in the way that the prints look. I suspect that Walgreen's
printer
 automatically corrects.
 
 I'm not too thrilled with the way the kodacolor 400 that I had laying
around
 looks.  Fortunately I still have a bunch of 200 and some 100.
 
 It is so weird going back to the C3, which apart from a few shots with my
 dad's spotty was the camera I started with. Remembering to wind the film
 and cock the shutter separately. Having to look through a separate window
 to focus. The shutter only goes up to 1/300, and so forth.
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: metering question

2010-08-28 Thread paul stenquist

On Aug 28, 2010, at 2:01 PM, Bob W wrote:

 I'm going to plung into this project for the next year. I want to
 photograph
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax
 player
 on those photos were taken with the K7 this year.  All photos were at ISO
 1600 except the sax player, which was 800.  You can see I've some
 challanges
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level allignment
 for
 the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 
 I would shoot at the sensor's 'natural' iso - 100, 160 or whatever, which
 will give you the most dynamic range. Meter for the highlights and use the
 histogram to make sure you're exposing as far to the right as you can.

If she meters for the highlights in this situation, she'll have nice pics of 
the background, but the main subjects will be lost. If she pumps up the shadows 
to restore them, they'll be noisy as hell.
Paul


 Then
 use LR to pull the shadows to the left if that's needed. If you do this you
 will ensure the maximum range without blowing out the highlights. If the
 shadows turn to black then you've lost less then you would if you hadn't
 expoised to the right.
 
 If you want detail in the shadows then you need to be very careful that you
 exclude extreme highlights from the frame. It's the same as shooting slides,
 except for the histogram trick.
 
 Bob
 
 
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Re: metering question

2010-08-28 Thread Derby Chang

Christine Aguila wrote:
I'm going to plung into this project for the next year. I want to 
photograph people under the el tracks downtown.


I would like to know how folks might meter for this project.

The 1st 3 photos were taken with the K20D last year, and from the sax 
player on those photos were taken with the K7 this year.  All photos 
were at ISO 1600 except the sax player, which was 800.  You can see 
I've some challanges with light and shadow.


All 7 photos here are *as shot* except for correction to level 
allignment for the K20D shots.


http://www.caguila.com/caguila/trackstest

Big thanks, Christine




Good project idea. I quite like the first two, graphic and understated.

It's just me, but I wouldn't like it if there was too much fiddling with 
the light. Maybe with a short tele, take closer shots that are easier to 
meter, while still keeping those noir-ish shadows.




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http://members.iinet.net.au/~derbyc

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Re: Leica's done with film

2010-08-28 Thread paul stenquist

On Aug 28, 2010, at 5:54 PM, Rob Studdert wrote:

 On 29 August 2010 07:53, Rob Studdert distudio.p...@gmail.com wrote:
 On 29 August 2010 01:37, John Sessoms jsessoms...@nc.rr.com wrote:
 
 So, it's some kind of bun?
 
 Sort of, it's a very moist spongy thick pancake designed to have large
 bubble holes, straight out of the toaster lavished with melted butter
 and honey they are almost as good as ...

Yes, a crumpet soaks up more butter than an english muffin, and it has a richer 
flavor -- perhaps more egg. All in all, it's superior.
Paul


 
 A pic, not mine:
 
 http://img.buzznet.com/assets/imgx/1/6/8/2/0/3/1/orig-1682031.jpg
 
 -- 
 Rob Studdert (Digital  Image Studio)
 Tel: +61-418-166-870 UTC +10 Hours
 Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio
 
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RE: metering question

2010-08-28 Thread Bob W
 
  I'm going to plung into this project for the next year. I want to
  photograph
  people under the el tracks downtown.
 
  I would like to know how folks might meter for this project.
 
  The 1st 3 photos were taken with the K20D last year, and from the sax
  player
  on those photos were taken with the K7 this year.  All photos were at
  ISO
  1600 except the sax player, which was 800.  You can see I've some
  challanges
  with light and shadow.
 
  All 7 photos here are *as shot* except for correction to level
  allignment
  for
  the K20D shots.
 
  http://www.caguila.com/caguila/trackstest
 
 
  I would shoot at the sensor's 'natural' iso - 100, 160 or whatever,
  which will give you the most dynamic range. Meter for the highlights
  and use the histogram to make sure you're exposing as far to the right
as
 you can.
 
 If she meters for the highlights in this situation, she'll have nice pics
of the
 background, but the main subjects will be lost. If she pumps up the
shadows
 to restore them, they'll be noisy as hell.
 Paul

it's a trade-off between that and blown highlights. 

 
 
  Then
  use LR to pull the shadows to the left if that's needed. If you do
  this you will ensure the maximum range without blowing out the
  highlights. If the shadows turn to black then you've lost less then
  you would if you hadn't expoised to the right.
 
  If you want detail in the shadows then you need to be very careful
  that you exclude extreme highlights from the frame. It's the same as
  shooting slides, except for the histogram trick.
 
  Bob
 
 
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Re: metering question

2010-08-28 Thread Larry Colen

On Aug 28, 2010, at 3:44 PM, Derby Chang wrote:

 Christine Aguila wrote:
 I'm going to plung into this project for the next year. I want to photograph 
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax player 
 on those photos were taken with the K7 this year.  All photos were at ISO 
 1600 except the sax player, which was 800.  You can see I've some challanges 
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level allignment 
 for the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 Big thanks, Christine
 
 
 
 Good project idea. I quite like the first two, graphic and understated.
 
 It's just me, but I wouldn't like it if there was too much fiddling with the 
 light. Maybe with a short tele, take closer shots that are easier to meter, 
 while still keeping those noir-ish shadows.

I like the suggestion of using a longer lens and showing less background.

In any case, I am certain that this will be a very educational project to 
embark upon, and I'm very interested to read and see what Christine learns in 
the process.

--
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Re: metering question

2010-08-28 Thread paul stenquist

On Aug 28, 2010, at 6:46 PM, Bob W wrote:

 
 I'm going to plung into this project for the next year. I want to
 photograph
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax
 player
 on those photos were taken with the K7 this year.  All photos were at
 ISO
 1600 except the sax player, which was 800.  You can see I've some
 challanges
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level
 allignment
 for
 the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 
 I would shoot at the sensor's 'natural' iso - 100, 160 or whatever,
 which will give you the most dynamic range. Meter for the highlights
 and use the histogram to make sure you're exposing as far to the right
 as
 you can.
 
 If she meters for the highlights in this situation, she'll have nice pics
 of the
 background, but the main subjects will be lost. If she pumps up the
 shadows
 to restore them, they'll be noisy as hell.
 Paul
 
 it's a trade-off between that and blown highlights. 

The highlights are insignificant background elements.With film, exposing for 
highlights is okay. With digital, it's a no-no, because boosting shadows turns 
them to shit. In any case, boosting the shadows during exposure is the best 
solution here.
Paul

 
 
 
 Then
 use LR to pull the shadows to the left if that's needed. If you do
 this you will ensure the maximum range without blowing out the
 highlights. If the shadows turn to black then you've lost less then
 you would if you hadn't expoised to the right.
 
 If you want detail in the shadows then you need to be very careful
 that you exclude extreme highlights from the frame. It's the same as
 shooting slides, except for the histogram trick.
 
 Bob
 
 
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Re: metering question

2010-08-28 Thread paul stenquist

On Aug 28, 2010, at 7:35 PM, paul stenquist wrote:

 
 On Aug 28, 2010, at 6:46 PM, Bob W wrote:
 
 
 I'm going to plung into this project for the next year. I want to
 photograph
 people under the el tracks downtown.
 
 I would like to know how folks might meter for this project.
 
 The 1st 3 photos were taken with the K20D last year, and from the sax
 player
 on those photos were taken with the K7 this year.  All photos were at
 ISO
 1600 except the sax player, which was 800.  You can see I've some
 challanges
 with light and shadow.
 
 All 7 photos here are *as shot* except for correction to level
 allignment
 for
 the K20D shots.
 
 http://www.caguila.com/caguila/trackstest
 
 
 I would shoot at the sensor's 'natural' iso - 100, 160 or whatever,
 which will give you the most dynamic range. Meter for the highlights
 and use the histogram to make sure you're exposing as far to the right
 as
 you can.
 
 If she meters for the highlights in this situation, she'll have nice pics
 of the
 background, but the main subjects will be lost. If she pumps up the
 shadows
 to restore them, they'll be noisy as hell.
 Paul
 
 it's a trade-off between that and blown highlights. 
 
 The highlights are insignificant background elements.With film, exposing for 
 highlights is okay. With digital, it's a no-no, because boosting shadows 
 turns them to shit. In any case, boosting the shadows during exposure is the 
 best solution here.
 Paul
 
I meant to say, boosting the shadows during exposure with flash is the best 
solution here. Given the distances, one is not likely to overlight them. But a 
simple check of the results and adjustment of flash exposure comp can control 
that.
Paul

 
 
 
 Then
 use LR to pull the shadows to the left if that's needed. If you do
 this you will ensure the maximum range without blowing out the
 highlights. If the shadows turn to black then you've lost less then
 you would if you hadn't expoised to the right.
 
 If you want detail in the shadows then you need to be very careful
 that you exclude extreme highlights from the frame. It's the same as
 shooting slides, except for the histogram trick.
 
 Bob
 
 
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RE: metering question

2010-08-28 Thread Bob W
 
  http://www.caguila.com/caguila/trackstest
 
 
  I would shoot at the sensor's 'natural' iso - 100, 160 or whatever,
  which will give you the most dynamic range. Meter for the highlights
  and use the histogram to make sure you're exposing as far to the
  right
  as
  you can.
 
  If she meters for the highlights in this situation, she'll have nice
  pics
  of the
  background, but the main subjects will be lost. If she pumps up the
  shadows
  to restore them, they'll be noisy as hell.
  Paul
 
  it's a trade-off between that and blown highlights.
 
 The highlights are insignificant background elements.With film, exposing
for
 highlights is okay. With digital, it's a no-no, because boosting shadows
turns
 them to shit. In any case, boosting the shadows during exposure is the
best
 solution here.
 Paul

when the highlights are blown they become very significant background
elements. 

Exposing to the right of the histogram is all about exposing for the
highlights, and a very important element of digital photography. Far from
being a no-no. Furthermore, I did not recommend boosting the shadows, I
recommended dragging them to the left of the histogram to make most use of
the dynamic range if the shadows weren't already hard up to the left.

I did suggest later in my original reply that Christine should be looking to
exclude highlights from the frame when the contrast is too great. Personally
I would try to avoid shooting under such extreme ranges of contrast unless I
was deliberately trying to make something of them.

Anyway, she has a range of options and would be well advised to try them all
and see what works best for her


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Re: Leica's done with film

2010-08-28 Thread Daniel J. Matyola
I thought that a crumpet was the mate of a strumpet.

Dan

On Sat, Aug 28, 2010 at 6:45 PM, paul stenquist pnstenqu...@comcast.net wrote:

 On Aug 28, 2010, at 5:54 PM, Rob Studdert wrote:

 On 29 August 2010 07:53, Rob Studdert distudio.p...@gmail.com wrote:
 On 29 August 2010 01:37, John Sessoms jsessoms...@nc.rr.com wrote:

 So, it's some kind of bun?

 Sort of, it's a very moist spongy thick pancake designed to have large
 bubble holes, straight out of the toaster lavished with melted butter
 and honey they are almost as good as ...

 Yes, a crumpet soaks up more butter than an english muffin, and it has a 
 richer flavor -- perhaps more egg. All in all, it's superior.
 Paul



 A pic, not mine:

 http://img.buzznet.com/assets/imgx/1/6/8/2/0/3/1/orig-1682031.jpg

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Re: metering question

2010-08-28 Thread Rob Studdert
On 29 August 2010 09:55, Bob W p...@web-options.com wrote:

 I did suggest later in my original reply that Christine should be looking to
 exclude highlights from the frame when the contrast is too great. Personally
 I would try to avoid shooting under such extreme ranges of contrast unless I
 was deliberately trying to make something of them.

This is similar to my perspective, basically shoot with significant
highlights behind if you want to achieve silhouettes, otherwise flash
fill would be a requisite otherwise the highlights will become a
significant distraction IMO. Flash fill probably isn't desirable given
the project outline.

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Re: Leica's done with film

2010-08-28 Thread Paul Dunderdale
Crumpets are a North(west) of England thing.  They are made from a yeast 
batter, and cooked in such a way that the upper surface is pitted with holes 
(from the fermentation).  Mum always says that crumpets should be served with 
an egg in every hole.  She served them with an excess of butter (they don't so 
much soak up more butter as act as a sump (the vertical holes) and a 
lightly poached egg (hence the egg (yolk) in every hole

The crumpets that brave the Irish Sea and arrive at my table are a pale shadow 
of those delectable Crumpets Of My Youth.  I have tried to make my own, but 
haven't yet achieved adequacy.  There are hidden depths to crumpets.  I'm sure 
Cotty would concur.

Paul


On 28 Aug 2010, at 23:45, paul stenquist wrote:

 
 So, it's some kind of bun?
 
 Sort of, it's a very moist spongy thick pancake designed to have large
 bubble holes, straight out of the toaster lavished with melted butter
 and honey they are almost as good as ...
 
 Yes, a crumpet soaks up more butter than an english muffin, and it has a 
 richer flavor -- perhaps more egg. All in all, it's superior.
 Paul

Paul Dunderdale
dund...@mcb.net
pauldunderd...@mac.com


http://www.flickr.com/photos/dunders/


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Re: metering question

2010-08-28 Thread paul stenquist

On Aug 28, 2010, at 8:02 PM, Rob Studdert wrote:

 On 29 August 2010 09:55, Bob W p...@web-options.com wrote:
 
 I did suggest later in my original reply that Christine should be looking to
 exclude highlights from the frame when the contrast is too great. Personally
 I would try to avoid shooting under such extreme ranges of contrast unless I
 was deliberately trying to make something of them.
 
 This is similar to my perspective, basically shoot with significant
 highlights behind if you want to achieve silhouettes, otherwise flash
 fill would be a requisite otherwise the highlights will become a
 significant distraction IMO. Flash fill probably isn't desirable given
 the project outline.

I think flash fill is the obvious answer. You'll rarely find a pro PJ 
photographer shooting in daylight without a good flash mounted. It's the best 
way to bring light to the foreground.
Paul

 
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Re: GESO - A Walk Around Southampton, UK

2010-08-28 Thread Christine Aguila


- Original Message - 
From: Bob W p...@web-options.com

To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Saturday, August 28, 2010 2:36 AM
Subject: RE: GESO - A Walk Around Southampton, UK


What I like about that one is the Friedlander / Eggleston thing that's 
going

on in the background


I'd agree with that, though I think Miserere's shot, and gallery, is a bit 
kinder and gentler.  :-)  Cheers, Christine






Hey Miserere:  I like the gallery, very nice.  I really like this one:
http://enticingthelight.com/wp-content/uploads/2010/08/SAM_1884-
small.jpg
but the whole gallery is very nice.  Cheers, Christine





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Re: GESO: The Dream Cruise

2010-08-28 Thread Christine Aguila


- Original Message - 
From: P N Stenquist pnstenqu...@comcast.net

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, August 28, 2010 9:30 AM
Subject: Re: GESO: The Dream Cruise




On Aug 28, 2010, at 10:09 AM, Christine Aguila wrote:

Lots of fun, Paul.  The cars look great, and your eye has really  
captured the whacky fun had during this event.  Weren't we supposed  
to have a PDML meet this year for the Dream Cruise?  :-)  Cheers,  
Christine


Wouldn't have been the best time for that. It rained most of Saturday,  
and I worked all day Sunday processing pics and writing a web article.  
Maybe next year!



Yep, we'll try for next year :-).  Cheers, Christine

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Re: GESO: The Dream Cruise

2010-08-28 Thread David J Brooks
Actually, for me any way, a trip to Detroit for Dream Cruise, is a lot
easier than trying to get to GFM for some of those events. Lets ponder
a WDC one year.

Dave

On Sat, Aug 28, 2010 at 8:49 PM, Christine  Aguila
cagu...@earthlink.net wrote:

 - Original Message - From: P N Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, August 28, 2010 9:30 AM
 Subject: Re: GESO: The Dream Cruise



 On Aug 28, 2010, at 10:09 AM, Christine Aguila wrote:

 Lots of fun, Paul.  The cars look great, and your eye has really
  captured the whacky fun had during this event.  Weren't we supposed  to
 have a PDML meet this year for the Dream Cruise?  :-)  Cheers,  Christine

 Wouldn't have been the best time for that. It rained most of Saturday,
  and I worked all day Sunday processing pics and writing a web article.
  Maybe next year!


 Yep, we'll try for next year :-).  Cheers, Christine

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Re: metering for film

2010-08-28 Thread David J Brooks
I have tested my hand helds with my istD and K10D and my D1. Digital
cameras always showed a difference of several stops from the hand
held.

I use the meter on the camera now.

Dave

On Sat, Aug 28, 2010 at 5:51 PM, Larry Colen l...@red4est.com wrote:
 I decided to run a test roll through my Argus C3 to see if it still works.  I 
 noticed that the hand held meter seemed to match the meter in my SRT-101 but 
 was a stop or two off from the meter in the K-x.  If the K-x said 1/60 the 
 hand held meter said 1/250 sometimes.  Other times reading off a grey card, 
 they matched a bit more closely.

 So, I tried shooting test shots with it both at the hand held metering, and 
 using the metering from the K-x.  Oddly enough, there isn't an obvious, huge 
 difference in the way that the prints look. I suspect that Walgreen's printer 
 automatically corrects.

 I'm not too thrilled with the way the kodacolor 400 that I had laying around 
 looks.  Fortunately I still have a bunch of 200 and some 100.

 It is so weird going back to the C3, which apart from a few shots with my 
 dad's spotty was the camera I started with. Remembering to wind the film and 
 cock the shutter separately. Having to look through a separate window to 
 focus. The shutter only goes up to 1/300, and so forth.
 --
 Larry Colen l...@red4est.com sent from i4est





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Re: PESO - The Lawn Ornament

2010-08-28 Thread David J Brooks
On Sat, Aug 28, 2010 at 2:04 PM, Bob W p...@web-options.com wrote:
 Ya looks like its being used for something other than intended.:-)

 On my bike rides this summer i am seeing more of these being used.
 Maybe not so much for the environment, but the new houses up here have
 a front lawn the size of my ass. No need for a gas mower.

 Dave

 post a picture of your ass to we can see if that means big or small.

Give me a sec to put the 16mm on the camera.
Dave



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Re: metering question

2010-08-28 Thread Christine Aguila
Everyone has made good suggestions, and I aim to try all of them.  I'd like 
to do a small gallery of this subject following the seasons and holidays. 
In the next month or so, I'll post my 1st go round.  I see this as a 
challenging project, but hopefully the ole'college try will help to overcome 
the difficulties.  We'll see how it goes.


Thanks everyone--very much appreciated.  Cheers, Christine 



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Re: OT : Bran Everseeking

2010-08-28 Thread Christine Aguila
Great to hear from you, Bran.  Glad you're feeling better.  Cheers, 
Christine



- Original Message - 
From: Bran Everseeking bran.everseek...@sasktel.net

To: pdml@pdml.net
Sent: Saturday, August 28, 2010 2:14 PM
Subject: Re: OT : Bran Everseeking



On Sun, 22 Aug 2010 20:59:50 -0400
Doug Brewer d...@alphoto.com wrote:


Seems our buddy Bran has had a heart attack and is hospitalized. He
reports from his bed that he is OK. I know you'll join me in wishing
him a quick recovery.

Doug




Many Thanks Doug Et al.

I have returned home a bit more than a week after leaving.  6 new
drugs, and three metal stents in my heart are supposed to help keep me
well.  dietary is pretty much the same as the old diabetic one
excepting less fat and salt which i had started doing anyway.

I guess I will be shooting the place where  live as I do the required
build-up of activity.  I found out My son has been lurking here for a
bit

thats it for now as there went through my wrist yesterday

Thanks again all.

Bran

--
Love is that condition in which the happiness of another person is
essential to your own... Jealousy is a disease, love is a healthy
condition.- Robert Heinlein

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Re: GESO: The Dream Cruise

2010-08-28 Thread Bob Sullivan
Dave,
What is WDC?
Regards,  Bob S.

On Sat, Aug 28, 2010 at 8:05 PM, David J Brooks pentko...@gmail.com wrote:
 Actually, for me any way, a trip to Detroit for Dream Cruise, is a lot
 easier than trying to get to GFM for some of those events. Lets ponder
 a WDC one year.

 Dave

 On Sat, Aug 28, 2010 at 8:49 PM, Christine  Aguila
 cagu...@earthlink.net wrote:

 - Original Message - From: P N Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, August 28, 2010 9:30 AM
 Subject: Re: GESO: The Dream Cruise



 On Aug 28, 2010, at 10:09 AM, Christine Aguila wrote:

 Lots of fun, Paul.  The cars look great, and your eye has really
  captured the whacky fun had during this event.  Weren't we supposed  to
 have a PDML meet this year for the Dream Cruise?  :-)  Cheers,  Christine

 Wouldn't have been the best time for that. It rained most of Saturday,
  and I worked all day Sunday processing pics and writing a web article.
  Maybe next year!


 Yep, we'll try for next year :-).  Cheers, Christine

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Re: OT : Bran Everseeking

2010-08-28 Thread dylyn

On 28/08/2010 13:14, Bran Everseeking wrote:

On Sun, 22 Aug 2010 20:59:50 -0400
Doug Brewerd...@alphoto.com  wrote:

   

Seems our buddy Bran has had a heart attack and is hospitalized. He
reports from his bed that he is OK. I know you'll join me in wishing
him a quick recovery.

Doug

 


Many Thanks Doug Et al.

I have returned home a bit more than a week after leaving.  6 new
drugs, and three metal stents in my heart are supposed to help keep me
well.  dietary is pretty much the same as the old diabetic one
excepting less fat and salt which i had started doing anyway.

I guess I will be shooting the place where  live as I do the required
build-up of activity.  I found out My son has been lurking here for a
bit

thats it for now as there went through my wrist yesterday

Thanks again all.

Bran

   
hi dad/ pdml people i am the son of which he speaks. oops i broke the 
first rule of lurking *hides*


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Re: metering for film

2010-08-28 Thread Adam Maas
On Sat, Aug 28, 2010 at 9:10 PM, David J Brooks pentko...@gmail.com wrote:
 I have tested my hand helds with my istD and K10D and my D1. Digital
 cameras always showed a difference of several stops from the hand
 held.

 I use the meter on the camera now.

 Dave


Reflective and incident meters read differently. If you want to
compare, compare a spot meter (like the Pentax unit) to the spot meter
in the camera. Expect the handheld to overexpose by a bit because your
lenses have a T stop slower than their F stop so you lose a bit of
light.

Note that Nikon in particular tunes their meters to the sensor and may
be well off what the expected reading is. The notional ISO on a
digital isn't necessarily the actual ISO you're getting. Older Canon's
and at least some Panasonic m43 bodies understate the ISO, with the
actual value being 1/3-1/2 stop faster than expected. Some Nikon's
(cough*D300*cough) are more than a little bit optimistic at high ISO
ratings (the D300's Hi1, notionally ISO 6400, is in fact about ISO
4000)

-Adam.

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Re: metering question

2010-08-28 Thread Jack Davis
Best of outcomes, Christine! I haven't read but a snippet or two of the many 
suggestions, but I'd gather that you'll work pretty much exclusively with a 
flash either mounted or in hand and with a variety of compensation settings. In 
my case it would be a complete crap shoot.

Jack

--- On Sat, 8/28/10, Christine Aguila cagu...@earthlink.net wrote:

 From: Christine Aguila cagu...@earthlink.net
 Subject: Re: metering question
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, August 28, 2010, 6:15 PM
 Everyone has made good suggestions,
 and I aim to try all of them.  I'd like to do a small
 gallery of this subject following the seasons and holidays.
 In the next month or so, I'll post my 1st go round.  I
 see this as a challenging project, but hopefully the
 ole'college try will help to overcome the
 difficulties.  We'll see how it goes.
 
 Thanks everyone--very much appreciated.  Cheers,
 Christine 
 
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 directly above and follow the directions.
 


  

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Re: GESO: The Dream Cruise

2010-08-28 Thread paul stenquist

On Aug 28, 2010, at 10:11 PM, Bob Sullivan wrote:

 Dave,
 What is WDC?

Woodward Dream Cruise


 Regards,  Bob S.
 
 On Sat, Aug 28, 2010 at 8:05 PM, David J Brooks pentko...@gmail.com wrote:
 Actually, for me any way, a trip to Detroit for Dream Cruise, is a lot
 easier than trying to get to GFM for some of those events. Lets ponder
 a WDC one year.
 
 Dave
 
 On Sat, Aug 28, 2010 at 8:49 PM, Christine  Aguila
 cagu...@earthlink.net wrote:
 
 - Original Message - From: P N Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, August 28, 2010 9:30 AM
 Subject: Re: GESO: The Dream Cruise
 
 
 
 On Aug 28, 2010, at 10:09 AM, Christine Aguila wrote:
 
 Lots of fun, Paul.  The cars look great, and your eye has really
  captured the whacky fun had during this event.  Weren't we supposed  to
 have a PDML meet this year for the Dream Cruise?  :-)  Cheers,  Christine
 
 Wouldn't have been the best time for that. It rained most of Saturday,
  and I worked all day Sunday processing pics and writing a web article.
  Maybe next year!
 
 
 Yep, we'll try for next year :-).  Cheers, Christine
 
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I just found a Tamron -F AF 1.4x teleconverter in my stuff

2010-08-28 Thread Larry Colen
I probably got it when I bought someones bag of gear, saw that it was a TC and 
just tossed it in the drawer without looking at it.

I just tried it out and it seems to work fine on autofocus.  Does anyone have 
any experience with one of these? Would it degrade an image less than cropping 
it by a factor of 1.4?

Another cool realization I had was that my Sigma 20/1.8 will work just fine on 
a K1000 body that I've got lying around, and it'll give me a view that is 
wider, and faster, than my 16-50 on the digital body.  Albeit, that ASA 400 
film doesn't seem to be nearly as good as ASA 400 on the sensor.

In any case, it should be fun to play with.

--
Larry Colen l...@red4est.com sent from i4est





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Re: LR 3.0 peculiarity

2010-08-28 Thread Boris Liberman

On 8/28/2010 8:39 PM, Bob W wrote:

your LR problems suggest that it might be broke.


It *might* indeed.

Boris


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Re: metering for film

2010-08-28 Thread Boris Liberman

On 8/29/2010 12:51 AM, Larry Colen wrote:

I decided to run a test roll through my Argus C3 to see if it still
works.  I noticed that the hand held meter seemed to match the meter
in my SRT-101 but was a stop or two off from the meter in the K-x.
If the K-x said 1/60 the hand held meter said 1/250 sometimes.  Other
times reading off a grey card, they matched a bit more closely.

So, I tried shooting test shots with it both at the hand held
metering, and using the metering from the K-x.  Oddly enough, there
isn't an obvious, huge difference in the way that the prints look. I
suspect that Walgreen's printer automatically corrects.


Methinks that with negative film the precision of metering is less 
important than with digital. I am not saying that meter can show you any 
number, but that the tolerance or leeway is more with film than with 
digital, even if you shoot raw. Perhaps, it has to do with the 
difference in how film and sensor react to over and/or underexposure.


Also, my understanding was (at the time I was shooting film) that if you 
give 'em a roll that is constantly over/under exposed, they might be 
able to compensate for it in a uniform way...


I may be totally wrong on both counts as well...

Boris

P.S. I still remember going out with my Voigtlander Perkeo I folder and 
not having much problems with exposure at all. I'd take one reading just 
before I go out with my camera meter (MZ-6) and then set the exposure 
accordingly. Little folder has no meter of its own...



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Re: OT : Bran Everseeking

2010-08-28 Thread Boris Liberman

On 8/29/2010 5:43 AM, dylyn wrote:

hi dad/ pdml people i am the son of which he speaks. oops i broke the
first rule of lurking *hides*


How many lurking rules are there then? ;-)

Bran, glad to have you back on list. Dear lurker, please take care of 
your dad.


Boris


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Re: metering question

2010-08-28 Thread Boris Liberman
Christine, here is a number of ideas that came to my mind, numbered in 
total randomness...


1. All shots you presented seem exposed ok to me.

2. K7 is more prone to burning highlights, therefore you might want to 
go like this:

a. set it to spot metering
b. choose the point in the scene that you would want to be the 
brightest, measure off this point, add a bit of positive exposure 
compensation ('cause meter will make it gray, while you'd want it 
brighter) and take a shot.

c. take care of the shadow areas in post

3. Why not to just bracket based on what your favorite metering mode 
gives you?


4. Also, in K7 in liveview mode you can see the histogram in real time. 
So you can probably be in hyper-p or hyper-m mode and play with exposure 
by the histogram as you go. You might have to revert to manual focusing 
though.


5. K7 has extended dynamic range mode, that proved useful to me, for 
example, when I was in States this February and taking pictures in the 
snowy park...


Personally, I'd simply take many shots and rely on my camera's matrix 
metering.


Finally, cranking up ISO reduces your camera effective dynamic range 
(easier to get blown highlights or totally black shadows), so perhaps 
you might want to keep ISO below ISO 400...


HTH.

Boris

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