Re: Opinions please

2009-05-26 Thread Tim Øsleby
Here comes another vote from the Norwegian jury.

-- 
MaritimTim

2009/5/25 Bob W :
> A picture:
>
> http://www.web-options.com/L1000308.jpg
>
> The highlights, particularly the child's face, look blown out, but they're
> not really. Sometimes there is no detail in white.
>
> Bob

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RE: Opinions please

2009-05-26 Thread Bob W
> 
> Very good capture Bob. Agree white should not offer detail other than 
> any other colors or shades (didn't work so well this 
> transtation, but I 
> always get tired by this time of night).
> 
> I keep trying to adjust the horizon, CCW just a little bit... 
> minor nit 
> indeed. One shot or did you bracket?
> 

the buildings and road are not straight or level in any dimension. Plus I
took it with a why dangle lens, so things are a bit distorted.

I didn't bracket. I got one shot in just before this one, then he was gone
from the good background.

Bob


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RE: Opinions please

2009-05-26 Thread Bob W
> Bob W wrote:
> > A picture:
> >
> > http://www.web-options.com/L1000308.jpg
> >
> > The highlights, particularly the child's face, look blown 
> out, but they're
> > not really. Sometimes there is no detail in white.
> >
> > Bob
> >
> >
> >   
> 
> That is rather brilliant. I'd say, another surrealist shot in 
> the vein 
> of your girl in the park.
> 
> D

Thanks to everyone who opinionated - the picture was far better received
than I expected it to be.

Bob


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Re: Opinions please

2009-05-26 Thread Derby Chang

Bob W wrote:

A picture:

http://www.web-options.com/L1000308.jpg

The highlights, particularly the child's face, look blown out, but they're
not really. Sometimes there is no detail in white.

Bob


  


That is rather brilliant. I'd say, another surrealist shot in the vein 
of your girl in the park.


D


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Re: Opinions please

2009-05-25 Thread Boris Liberman
This has red hair. Therefore the way his face came out is only
natural... Or at least this is what I am thinking.

On Tue, May 26, 2009 at 12:55 AM, Bob W  wrote:
> A picture:
>
> http://www.web-options.com/L1000308.jpg
>
> The highlights, particularly the child's face, look blown out, but they're
> not really. Sometimes there is no detail in white.
>
> Bob
>
>
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Re: Opinions please

2009-05-25 Thread Ken Waller

What Godfrey said

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: "Godfrey DiGiorgi" 


Subject: Re: Opinions please




From: "Bob W" 

A picture:

http://www.web-options.com/L1000308.jpg

The highlights, particularly the child's face, look blown out, but  
they're

not really. Sometimes there is no detail in white.


I like it ... it looks like a figure in a diorama rather than a real  
child, makes that leap out of documentarian into abstrative perception.


Godfrey



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Re: Opinions please

2009-05-25 Thread paul stenquist
I like it. I'm looking at it on my laptop, so much is lost. But it  
projects a mood that I'd describe as mysterious if not dark. The child  
appears almost as a mannequin, and his position in frame and tightly  
programmed look contribute to a somewhat unnatural feeling. Strange,  
interesting, compelling.

Paul
On May 25, 2009, at 5:55 PM, Bob W wrote:


A picture:

http://www.web-options.com/L1000308.jpg

The highlights, particularly the child's face, look blown out, but  
they're

not really. Sometimes there is no detail in white.

Bob


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Re: Opinions please

2009-05-25 Thread Joseph McAllister
He's a red-head. Like me at his age, he has no color to his skin. But  
there are freckles, I'd wager. Move in closer!


On May 25, 2009, at 14:55 , Bob W wrote:


A picture:

http://www.web-options.com/L1000308.jpg

The highlights, particularly the child's face, look blown out, but  
they're

not really. Sometimes there is no detail in white.


Joseph McAllister
Pentaxian

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html


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Re: Opinions please

2009-05-25 Thread Nick Wright
Exposure looks fine to me. I like it.

On Mon, May 25, 2009 at 4:55 PM, Bob W  wrote:
> A picture:
>
> http://www.web-options.com/L1000308.jpg
>
> The highlights, particularly the child's face, look blown out, but they're
> not really. Sometimes there is no detail in white.
>
> Bob
>
>
> --
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Re: Opinions please

2009-05-25 Thread Cotty
On 25/5/09, Bob W, discombobulated, unleashed:

>http://www.web-options.com/L1000308.jpg
>
>The highlights, particularly the child's face, look blown out, but they're
>not really. Sometimes there is no detail in white.

Looks fine to me, I can see plenty of detail. Nice pic.

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___/\__
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||=|http://www.cottysnaps.com
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Re: Opinions please

2009-05-25 Thread Godfrey DiGiorgi


From: "Bob W" 

A picture:

http://www.web-options.com/L1000308.jpg

The highlights, particularly the child's face, look blown out, but  
they're

not really. Sometimes there is no detail in white.


I like it ... it looks like a figure in a diorama rather than a real  
child, makes that leap out of documentarian into abstrative perception.


Godfrey

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Re: Opinions please

2009-05-25 Thread Luiz Felipe
Very good capture Bob. Agree white should not offer detail other than 
any other colors or shades (didn't work so well this transtation, but I 
always get tired by this time of night).


I keep trying to adjust the horizon, CCW just a little bit... minor nit 
indeed. One shot or did you bracket?


LF

Bob W escreveu:

A picture:

http://www.web-options.com/L1000308.jpg

The highlights, particularly the child's face, look blown out, but they're
not really. Sometimes there is no detail in white.

Bob


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Re: Opinions please

2009-05-25 Thread Bran Everseeking
On Mon, 25 May 2009 22:55:07 +0100
Bob W  wrote:

> http://www.web-options.com/L1000308.jpg
> 
> The highlights, particularly the child's face, look blown out, but
> they're not really. Sometimes there is no detail in white.
> 
> Bob

would like a higher def version but...

I like how the shot works to emphasize how wee the lad is.  verticals
and the window sill is even over his head.

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Re: Opinions please

2009-05-25 Thread frank theriault
On Mon, May 25, 2009 at 5:55 PM, Bob W  wrote:
> A picture:
>
> http://www.web-options.com/L1000308.jpg
>
> The highlights, particularly the child's face, look blown out, but they're
> not really. Sometimes there is no detail in white.

Death, destruction, people with weapons - wait, that was another thread.

Okay, keeping in mind that I have very low standards for myself, I'd
be very happy with this one.  You caught the child perfectly
mid-stride (not an easy thing to do with scooters and skateboards and
the like) and ~also~ in just the right position in the frame (between
the doors and those black poles).  The geometry in this is amazing.

Whether the face is blown out or not, I guess I'd prefer a bit more
detail in it, but that lack of detail isn't enough to turn take this
good photo and turn it into a bad one.

In other words (god I'm feeling inarticulate this evening!) I like it a lot.

Now I must leave the office, go home and eat dinner.

cheers,
frank
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Re: Opinions please

2007-12-12 Thread Doug Franklin
graywolf wrote:
> All photographs are ordinary. In the past 160 years everything has been done, 
> over, and over, and over again. So, they are all ordinary, but some are 
> interesting despite that.

Definitely deserves a "Mark!".

:-)

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Re: Opinions please

2007-12-12 Thread graywolf
All photographs are ordinary. In the past 160 years everything has been done, 
over, and over, and over again. So, they are all ordinary, but some are 
interesting despite that.

Graywolf
Website: http://www.graywolfphoto.com
Blog:http://www.graywolfphoto.com/journal/
---

Boris Liberman wrote:
> Bob, it is good but somehow ordinary...
> 
> Boris
> 
> 
> Bob W wrote:
>> This is a scene I've been familiar with for about 25 years, and have
>> photographed quite often - and been disappointed. I took this photo
>> last week, and quite like it. It's only occurred to me today why this
>> composition is (in my view) more successful than previous attempts.
>>
>> I'd be interested to hear what other people think about it, and why.
>>
>> http://www.web-options.com/_B296674.jpg
>>
>> --
>> Thanks,
>>  Bob 
>>
>>
> 
> 

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Re: Opinions please

2007-12-12 Thread Charles Robinson
On Dec 11, 2007, at 17:11, Bob Blakely wrote:

> Which one is the TARDIS and why isn't it blue?
>

(Digging into what I remember from 25 years ago...)

The TARDIS is a Police box, not a phone booth (that's why).

No idea what a police box is, though.  Maybe Wikipedia could help  
there.  Yes, it can.  http://en.wikipedia.org/wiki/Police_box

  -Charles

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Re: Opinions please

2007-12-11 Thread Bob Blakely
Which one is the TARDIS and why isn't it blue?

Regards,
Bob...
-
Note: No trees were killed in the sending of this message, 
but a large number of electrons were terribly inconvenienced.
 
From: "Boris Liberman" <[EMAIL PROTECTED]>


> Bob, it is good but somehow ordinary...
> 
> Boris
> 
> 
> Bob W wrote:
>> This is a scene I've been familiar with for about 25 years, and have
>> photographed quite often - and been disappointed. I took this photo
>> last week, and quite like it. It's only occurred to me today why this
>> composition is (in my view) more successful than previous attempts.
>> 
>> I'd be interested to hear what other people think about it, and why.
>> 
>> http://www.web-options.com/_B296674.jpg


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Re: Opinions please

2007-12-11 Thread Boris Liberman
Bob, it is good but somehow ordinary...

Boris


Bob W wrote:
> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
> 
> I'd be interested to hear what other people think about it, and why.
> 
> http://www.web-options.com/_B296674.jpg
> 
> --
> Thanks,
>  Bob 
> 
> 


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Re: Opinions please

2007-12-09 Thread Eactivist
In a message dated 12/9/2007 1:14:04 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Here's a version with no  people:
http://www.web-options.com/_B296673.jpg

As for the phone  boxes, I think they are probably listed. Listing is
something that one of the  cultural quangos can do to things of
architectural merit to prevent them  being destroyed or ruined. BT
tried a few years ago to do away with many of  the old Gilbert Scott K2
& K6 phone boxes, and many of them were promptly  listed because they
do make a pleasant contribution to the streetscape and  are very much
part of  Britain.
http://en.wikipedia.org/wiki/Red_telephone_box

--
Bob

===
Huh.  I like it better without people. More haunting.

Marnie aka Doe  

-
Warning: I am now  filtering my email, so you may be censored.  




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Re: Opinions please

2007-12-09 Thread ann sanfedele
Bob W wrote:

>This is a scene I've been familiar with for about 25 years, and have
>photographed quite often - and been disappointed. I took this photo
>last week, and quite like it. It's only occurred to me today why this
>composition is (in my view) more successful than previous attempts.
>
>I'd be interested to hear what other people think about it, and why.
>
>http://www.web-options.com/_B296674.jpg
>
>--
>Thanks,
> Bob 
>

I'd like it a lot if the people were not in it... they don't add 
anything  to it from a composition point of view and
while it might work if each was talking on a cell phone as a different 
kind of photo,  they aren't very intersting.

A very personal opinion - I love the phone booths and the light

ann

>
>
>  
>



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RE: Opinions please

2007-12-09 Thread Bob W
People would think I was an American tourist...

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> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
> Behalf Of Stan Halpin
> Sent: 09 December 2007 16:52
> To: Pentax-Discuss Mail List
> Subject: Re: Opinions please
> 
> I like the tighter composition, but I would rather have people in it

> as well. And the two walkeers in the other version wouldn't fit in  
> this frame. I think what would be idea would be to have this 
> version,  
> but have one person in each phone booth, talking on their respective

> phones, each looking out of the frame (i.e., the right hand one  
> looking to the right, the left hand one looking to the left.) So,  
> next time take some friends along or enlist a couple of
passers-by...
> 
> stan
> 
> On Dec 9, 2007, at 3:36 AM, Cotty wrote:
> 
> > On 09/12/07, Bob W, discombobulated, unleashed:
> >
> >> Here's a version with no people:
> >> http://www.web-options.com/_B296673.jpg
> >
> > I like that a lot more.
> >
> > -- 
> >
> >
> > Cheers,
> >   Cotty
> >
> >
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> >
> >
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Re: Opinions please

2007-12-09 Thread Stan Halpin
I like the tighter composition, but I would rather have people in it  
as well. And the two walkeers in the other version wouldn't fit in  
this frame. I think what would be idea would be to have this version,  
but have one person in each phone booth, talking on their respective  
phones, each looking out of the frame (i.e., the right hand one  
looking to the right, the left hand one looking to the left.) So,  
next time take some friends along or enlist a couple of passers-by...

stan

On Dec 9, 2007, at 3:36 AM, Cotty wrote:

> On 09/12/07, Bob W, discombobulated, unleashed:
>
>> Here's a version with no people:
>> http://www.web-options.com/_B296673.jpg
>
> I like that a lot more.
>
> -- 
>
>
> Cheers,
>   Cotty
>
>
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> _
>
>
>
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Re: Opinions please

2007-12-09 Thread Charles Robinson
On Dec 9, 2007, at 3:14, Bob W wrote:

>>> http://www.web-options.com/_B296674.jpg
> The 2 men make the picture more successful than previous attempts.
> With noone in the frame it is too flat and static for me. Other
> versions have people walking parallel with the picture plane, and lack
> life or dynamism. The fact that these men break the picture plane give
> it another dimension and some movement, which is heightened by them
> being mid-stride, stepping off the pavement. Their obvious enjoyment
> of each other's company gives it a nice human touch, I think.
>
> Here's a version with no people:
> http://www.web-options.com/_B296673.jpg
>

I guess I'm just odd - I prefer the "static with no people" shot myself.

  -Charles

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Re: Opinions please

2007-12-09 Thread Godfrey DiGiorgi
I like both of these photos, Bob. Sans people, it presents more of a  
formal study. Quite different photos, really, and both good. Lots to  
look at and enjoy.

Which do I like more? I don't think I can say without more context to  
pose the question.

Godfrey


On Dec 9, 2007, at 1:14 AM, Bob W wrote:

>>> http://www.web-options.com/_B296674.jpg
>
> Thanks to everyone for replying to this - I've been very surprised by
> the size of the response. I think generally others have the same view
> of it that I have.
>
> It's in a very funny spot, light-wise. It seems to be really difficult
> to find a time when there is some sunlight on the scene. I happened to
> get lucky with this one because I've never seen that dappled light
> there before, and that's why I stopped to try again.
>
> I've photographed it before when the trees have been in full foliage.
> They are figs, so the foliage is quite spectacular and tends to
> overwhelm the composition. In particular they take away the graphic
> lines of the windows, which I think are an important part of the
> composition. They divide the space; the leftmost phone box continues
> the line of the left window, the tree continues the line of the next
> one, then the young man continues the line and finally the right-hand
> phone box makes an equal division and an implied line upwards. So
> cropping the windows would, in my view, weaken the composition.
>
> The 2 men make the picture more successful than previous attempts.
> With noone in the frame it is too flat and static for me. Other
> versions have people walking parallel with the picture plane, and lack
> life or dynamism. The fact that these men break the picture plane give
> it another dimension and some movement, which is heightened by them
> being mid-stride, stepping off the pavement. Their obvious enjoyment
> of each other's company gives it a nice human touch, I think.
>
> Here's a version with no people:
> http://www.web-options.com/_B296673.jpg
>
> As for the phone boxes, I think they are probably listed. Listing is
> something that one of the cultural quangos can do to things of
> architectural merit to prevent them being destroyed or ruined. BT
> tried a few years ago to do away with many of the old Gilbert Scott K2
> & K6 phone boxes, and many of them were promptly listed because they
> do make a pleasant contribution to the streetscape and are very much
> part of Britain.
> http://en.wikipedia.org/wiki/Red_telephone_box
>
> --
>  Bob
>

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RE: Opinions please

2007-12-09 Thread Jack Davis
I'm sure it will be no surprise, but I prefer the people-less version.
I've never needed a living being, of any sort, included in a photo to
give it "life". Especially when there is not even an implied
connection.
This is a (nicely leveled) strong image that allows a pleasing
uninterrupted visual experience.
Nicely rendered as well!

Jack
--- Bob W <[EMAIL PROTECTED]> wrote:

> > > http://www.web-options.com/_B296674.jpg
> 
> Thanks to everyone for replying to this - I've been very surprised by
> the size of the response. I think generally others have the same view
> of it that I have. 
> 
> It's in a very funny spot, light-wise. It seems to be really
> difficult
> to find a time when there is some sunlight on the scene. I happened
> to
> get lucky with this one because I've never seen that dappled light
> there before, and that's why I stopped to try again.
> 
> I've photographed it before when the trees have been in full foliage.
> They are figs, so the foliage is quite spectacular and tends to
> overwhelm the composition. In particular they take away the graphic
> lines of the windows, which I think are an important part of the
> composition. They divide the space; the leftmost phone box continues
> the line of the left window, the tree continues the line of the next
> one, then the young man continues the line and finally the right-hand
> phone box makes an equal division and an implied line upwards. So
> cropping the windows would, in my view, weaken the composition.
> 
> The 2 men make the picture more successful than previous attempts.
> With noone in the frame it is too flat and static for me. Other
> versions have people walking parallel with the picture plane, and
> lack
> life or dynamism. The fact that these men break the picture plane
> give
> it another dimension and some movement, which is heightened by them
> being mid-stride, stepping off the pavement. Their obvious enjoyment
> of each other's company gives it a nice human touch, I think.
> 
> Here's a version with no people:
> http://www.web-options.com/_B296673.jpg
> 
> As for the phone boxes, I think they are probably listed. Listing is
> something that one of the cultural quangos can do to things of
> architectural merit to prevent them being destroyed or ruined. BT
> tried a few years ago to do away with many of the old Gilbert Scott
> K2
> & K6 phone boxes, and many of them were promptly listed because they
> do make a pleasant contribution to the streetscape and are very much
> part of Britain.
> http://en.wikipedia.org/wiki/Red_telephone_box
> 
> --
>  Bob
>  
> 
> > -Original Message-
> > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
> > Behalf Of graywolf
> > Sent: 08 December 2007 20:06
> > To: Pentax-Discuss Mail List
> > Subject: Re: Opinions please
> > 
> > OK, I think that if it were my photo, I would crop it just 
> > below the top of the 
> > window sills. I might crop a bit off the left too, making the 
> > phone booths 
> > balanced and letting the people and the tree give it 
> > dynamics; although I would 
> > have to try that to know if I would really like it that way.
> > 
> > Phone booths are pretty much a thing of the past over on this 
> > side of the 
> > Alantic. Sad, but then almost anyone can afford a prepaid 
> > cel-phone. Speaking of 
> > which, I have to remember to get a new card as my time is running
> out.
> > 
> 
> 
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RE: Opinions please

2007-12-09 Thread Bob W
Forgot to answer the q about the lens in my previous reply. The lens
used was the Olympus 14-54, at 28mm. That's the equivalent of 56mm in
35mm terms. The converging verticals are probably the result of me
framing it so that the line of the pavement was in the right place -
it would leave the camera pointing slightly upwards.

--
 Bob
 

> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
> Behalf Of Alastair Robertson
> Sent: 08 December 2007 22:31
> To: Pentax-Discuss Mail List
> Subject: Re: Opinions please
> 
> I like this a lot.  The two people match the two boxes well, and I
> like the overarching tree and the patches of light which adds depth.
> It looks level to me though with slight converging verticals
> presumably a wide-angle lens was used?
> 
> Alastair
> > > >
> > > > http://www.web-options.com/_B296674.jpg
> > > >


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Re: Opinions please

2007-12-09 Thread Cotty
On 09/12/07, Bob W, discombobulated, unleashed:

>Here's a version with no people:
>http://www.web-options.com/_B296673.jpg

I like that a lot more.

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_



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RE: Opinions please

2007-12-09 Thread Bob W
> > http://www.web-options.com/_B296674.jpg

Thanks to everyone for replying to this - I've been very surprised by
the size of the response. I think generally others have the same view
of it that I have. 

It's in a very funny spot, light-wise. It seems to be really difficult
to find a time when there is some sunlight on the scene. I happened to
get lucky with this one because I've never seen that dappled light
there before, and that's why I stopped to try again.

I've photographed it before when the trees have been in full foliage.
They are figs, so the foliage is quite spectacular and tends to
overwhelm the composition. In particular they take away the graphic
lines of the windows, which I think are an important part of the
composition. They divide the space; the leftmost phone box continues
the line of the left window, the tree continues the line of the next
one, then the young man continues the line and finally the right-hand
phone box makes an equal division and an implied line upwards. So
cropping the windows would, in my view, weaken the composition.

The 2 men make the picture more successful than previous attempts.
With noone in the frame it is too flat and static for me. Other
versions have people walking parallel with the picture plane, and lack
life or dynamism. The fact that these men break the picture plane give
it another dimension and some movement, which is heightened by them
being mid-stride, stepping off the pavement. Their obvious enjoyment
of each other's company gives it a nice human touch, I think.

Here's a version with no people:
http://www.web-options.com/_B296673.jpg

As for the phone boxes, I think they are probably listed. Listing is
something that one of the cultural quangos can do to things of
architectural merit to prevent them being destroyed or ruined. BT
tried a few years ago to do away with many of the old Gilbert Scott K2
& K6 phone boxes, and many of them were promptly listed because they
do make a pleasant contribution to the streetscape and are very much
part of Britain.
http://en.wikipedia.org/wiki/Red_telephone_box

--
 Bob
 

> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
> Behalf Of graywolf
> Sent: 08 December 2007 20:06
> To: Pentax-Discuss Mail List
> Subject: Re: Opinions please
> 
> OK, I think that if it were my photo, I would crop it just 
> below the top of the 
> window sills. I might crop a bit off the left too, making the 
> phone booths 
> balanced and letting the people and the tree give it 
> dynamics; although I would 
> have to try that to know if I would really like it that way.
> 
> Phone booths are pretty much a thing of the past over on this 
> side of the 
> Alantic. Sad, but then almost anyone can afford a prepaid 
> cel-phone. Speaking of 
> which, I have to remember to get a new card as my time is running
out.
> 


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Re: Opinions please

2007-12-08 Thread Godfrey DiGiorgi
It has nice balance, color, tonality and sharpness.
A good one. :-)

Godfrey

On Dec 8, 2007, at 11:37 AM, Bob W wrote:

> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
>
> I'd be interested to hear what other people think about it, and why.
>
> http://www.web-options.com/_B296674.jpg

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Re: Opinions please

2007-12-08 Thread Paul Stenquist
A lot to like here. The light is very nice. The rays of light  
splashing across the sidewalk and hitting the phone booth and  
beautiful are excellent. While there is balance to the composition,  
you didn't try to make it symmetrical. And it's far enough removed  
from symmetrical to make it apparent that you didn't try and fail.  
And the two smiling boys are a huge plus. They give live to the  
scene. Excellent photo.
Paul
On Dec 8, 2007, at 2:37 PM, Bob W wrote:

> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
>
> I'd be interested to hear what other people think about it, and why.
>
> http://www.web-options.com/_B296674.jpg
>
> --
> Thanks,
>  Bob
>
>
> -- 
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Re: Opinions please

2007-12-08 Thread Alastair Robertson
I like this a lot.  The two people match the two boxes well, and I
like the overarching tree and the patches of light which adds depth.
It looks level to me though with slight converging verticals
presumably a wide-angle lens was used?

Alastair

On Dec 9, 2007 10:48 AM, Brian Walters <[EMAIL PROTECTED]> wrote:
> Yes, I agree with Peter on this.  Without the two men it would be a nice 
> scene but those two guys are obviously enjoying themselves and it adds a 
> great deal more interest to the image.
>
>
> Cheers
>
> Brian
>
> ++
> Brian Walters
> Western Sydney, Australia
> http://members.westnet.com.au/brianwal/SL/
> http://www.blognow.com.au/peso1/
> http://www.pentaxphotogallery.com/brianwalters
>
>
>
> Quoting "P. J. Alling" <[EMAIL PROTECTED]>:
>
> > Since I don't remember seeing any of the others you may have been
> > disappointed with, but I'd venture to guess that having the two
> > young
> > men walking through the scene in just about the right place helps
> > quite
> > a bit.
> >
> > Bob W wrote:
> > > This is a scene I've been familiar with for about 25 years, and
> > have
> > > photographed quite often - and been disappointed. I took this
> > photo
> > > last week, and quite like it. It's only occurred to me today why
> > this
> > > composition is (in my view) more successful than previous
> > attempts.
> > >
> > > I'd be interested to hear what other people think about it, and
> > why.
> > >
> > > http://www.web-options.com/_B296674.jpg
> > >
> > > --
> > > Thanks,
> > >  Bob
> >
>
> --
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Re: Opinions please

2007-12-08 Thread Stan Halpin
I like it. And I asked my resident photo critic (aka wife) and she  
mostly likes it.
1. The red phone booths work well as the color contrast against an  
otherwise monochromatic scene.
2. Nice dynamics of the two guys walking and talking and seeming to  
enjoy themselves.
3. Nice framing of the two guys with the arch of the tree branches.
4. I don't think it would work as well with leaves on the tree or  
green grass on the ground. Unless you rendered it in B&W.
5. Which, by the way, would be interesting to see.

My wife's comments - she would have preferred the two guys a bit  
closer together and slightly to the left. I thik she doesn't want  
anyone blocking the view of the phone booths. I actually think it  
gains this way - the phone booths are there as a significant element,  
but the eye quickly gets drawn to the people. If the right-hand booth  
were also unblocked, the booths would be too prominent.

stan

On Dec 8, 2007, at 1:37 PM, Bob W wrote:

> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
>
> I'd be interested to hear what other people think about it, and why.
>
> http://www.web-options.com/_B296674.jpg
>
> --
> Thanks,
>  Bob
>
>
> -- 
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Re: Opinions please

2007-12-08 Thread Brian Walters
Yes, I agree with Peter on this.  Without the two men it would be a nice scene 
but those two guys are obviously enjoying themselves and it adds a great deal 
more interest to the image.


Cheers

Brian

++
Brian Walters
Western Sydney, Australia
http://members.westnet.com.au/brianwal/SL/
http://www.blognow.com.au/peso1/
http://www.pentaxphotogallery.com/brianwalters



Quoting "P. J. Alling" <[EMAIL PROTECTED]>:

> Since I don't remember seeing any of the others you may have been 
> disappointed with, but I'd venture to guess that having the two
> young 
> men walking through the scene in just about the right place helps
> quite 
> a bit.
> 
> Bob W wrote:
> > This is a scene I've been familiar with for about 25 years, and
> have
> > photographed quite often - and been disappointed. I took this
> photo
> > last week, and quite like it. It's only occurred to me today why
> this
> > composition is (in my view) more successful than previous
> attempts.
> >
> > I'd be interested to hear what other people think about it, and
> why.
> >
> > http://www.web-options.com/_B296674.jpg
> >
> > --
> > Thanks,
> >  Bob 
>

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Re: Opinions please

2007-12-08 Thread Ken Waller
Nice crisp image, but it doesn't work for me, not sure why.

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: "Bob W" <[EMAIL PROTECTED]>

-Subject: Opinions please


> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
> 
> I'd be interested to hear what other people think about it, and why.
> 
> http://www.web-options.com/_B296674.jpg
> 
> --
> Thanks,
> Bob 
.

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Re: Opinions please

2007-12-08 Thread Polyhead
It would have more contrast of color if taken in late spring.  Some green with 
the bright red phone booths would look nice.  That asside I like the shot 
anyway.

> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
> 
> I'd be interested to hear what other people think about it, and why.
> 
> http://www.web-options.com/_B296674.jpg
> 
> --
> Thanks,
>  Bob 
> 
> 
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Re: Opinions please

2007-12-08 Thread P. J. Alling
Since I don't remember seeing any of the others you may have been 
disappointed with, but I'd venture to guess that having the two young 
men walking through the scene in just about the right place helps quite 
a bit.

Bob W wrote:
> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
>
> I'd be interested to hear what other people think about it, and why.
>
> http://www.web-options.com/_B296674.jpg
>
> --
> Thanks,
>  Bob 
>
>
>   


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Re: Opinions please

2007-12-08 Thread Jack Davis
I like the graphic aspect of it, but the people aren't needed.
I'd level it the little bit it needs.
I may be a shot to put away for it's historic value. I understand those
coin operated pay phones are no longer being produced in the US.

Jack
--- Bob W <[EMAIL PROTECTED]> wrote:

> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
> 
> I'd be interested to hear what other people think about it, and why.
> 
> http://www.web-options.com/_B296674.jpg
> 
> --
> Thanks,
>  Bob 
> 
> 
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Re: Opinions please

2007-12-08 Thread graywolf
OK, I think that if it were my photo, I would crop it just below the top of the 
window sills. I might crop a bit off the left too, making the phone booths 
balanced and letting the people and the tree give it dynamics; although I would 
have to try that to know if I would really like it that way.

Phone booths are pretty much a thing of the past over on this side of the 
Alantic. Sad, but then almost anyone can afford a prepaid cel-phone. Speaking 
of 
which, I have to remember to get a new card as my time is running out.


Graywolf
Website: http://www.graywolfphoto.com
Blog:http://www.graywolfphoto.com/journal/
---

Bob W wrote:
> This is a scene I've been familiar with for about 25 years, and have
> photographed quite often - and been disappointed. I took this photo
> last week, and quite like it. It's only occurred to me today why this
> composition is (in my view) more successful than previous attempts.
> 
> I'd be interested to hear what other people think about it, and why.
> 
> http://www.web-options.com/_B296674.jpg
> 
> --
> Thanks,
>  Bob 
> 
> 

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RE: Opinions, please

2005-11-09 Thread Markus Maurer
Hi Luben
I would love to see the results of your Tamron SP 17mm shooting later
here... ;-)
greetings
Markus

>(I have just recieved Tamron SP
>>17/3.5 and I will give it a try tomorrow because I have to trade the
>>adapter with a friend).
>>
>>Best regard
>>luben



Re: Opinions, please

2005-11-09 Thread Adam Maas
My bad, I was thinking of the Flektogon, the german lens naming scheme 
is still a little foreign to me. The 18 is just a little too wide for me 
on 35mm and not wide enough on Digital. Might keep an eye out for the 
SMC 20.


-Adam

luben karavelov wrote:





Carl Zeiss Jena never made Distagon lens, they are made by western part
of Zeiss. Easern part of Zeiss, located in Jena, made Flektogon 20/2.8
on M42 and Praktika B mount - nice lens, I have one and I am really
happy with it.

I think that Distagons are in Contax mount. How could you use one on
Pentax K mount body like LX?

Why don't you try SMC 20/2.8 (similar to Flekotgon design) or SMC 18/3.5
lens. For me the wide in never too wide (I have just recieved Tamron SP
17/3.5 and I will give it a try tomorrow because I have to trade the
adapter with a friend).

Best regard
luben






Re: Opinions, please

2005-11-09 Thread luben karavelov
Adam Maas wrote:
> 
> LX + lens. Probably a 24 or 20, If the 20, I'm likely to grab a CZJ 20mm
> Distagon.
> 
>
> -Adam
> 

Carl Zeiss Jena never made Distagon lens, they are made by western part
of Zeiss. Easern part of Zeiss, located in Jena, made Flektogon 20/2.8
on M42 and Praktika B mount - nice lens, I have one and I am really
happy with it.

I think that Distagons are in Contax mount. How could you use one on
Pentax K mount body like LX?

Why don't you try SMC 20/2.8 (similar to Flekotgon design) or SMC 18/3.5
lens. For me the wide in never too wide (I have just recieved Tamron SP
17/3.5 and I will give it a try tomorrow because I have to trade the
adapter with a friend).

Best regard
luben


-- 
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Re: Opinions, please

2005-11-09 Thread Gonz



Adam Maas wrote:
Ironically, I can justify the purchase of the LX but not an MX. The MX 
isn't sufficiently different from my little Ricoh (Better build, winder, 
but lower max shutter than the Ricoh). The LX has sufficient advantages 
to make it justifiable.


But I really would like the DA14, of course, I could wait for the 12-24.

Wait for the 12-24.  You could order one now, and you will get it at the 
end of Nov or beg of Dec.


rg



Re: Opinions, please

2005-11-09 Thread Shel Belinkoff
I can't speak to color issues - never ran a roll of color through the LX
when making long exposures (and rarely did so when making normal
exposures).  However, the Tri-X / LX combination produced very good
exposures in automatic mode in low light, with no thought to, or adjustment
because of, reciprocity failure.

Shel 
"You meet the nicest people with a Pentax" 


> [Original Message]
> From: Rob Studdert 

> I believe that the LX is one of the best ever low light cameras, the pity
is of 
> course that it doesn't have a pixel array.  The LX seems to get the
exposure 
> pretty much in the ball park during long exposures as other have
indicated.
>
> Reciprocity failure can be a pain to manage and should be more so if you
are 
> using auto exposure with off the film metering as in the LX. The subject 
> colour, the scene illuminants and the surface colour of the film all
effect 
> exposure times,  however after much testing over many years I simply
learned to 
> trust the camera and bracket when it all looked too hard, I made a lot of
great 
> exposures that way. :-)




Re: Opinions, please

2005-11-09 Thread Adam Maas
Ironically, I can justify the purchase of the LX but not an MX. The MX 
isn't sufficiently different from my little Ricoh (Better build, winder, 
but lower max shutter than the Ricoh). The LX has sufficient advantages 
to make it justifiable.


But I really would like the DA14, of course, I could wait for the 12-24.

Decisions, Decisions.

-Adam


Shel Belinkoff wrote:


The LX is an amazingly good camera for low light work.  I've made perfect
exposures in a room that was completely dark but for a flickering TV
screen, the light from which was constantly changing.  The LX, with the
shutter open, just kept measuring the light until the proper exposure was
made, times varied between around twenty to forty seconds.  That evening I
got 36 perfectly exposed shots.  Portraits by TV light ... y'gotta love it!
Add the new, brighter focusing screens and a fast lens, and you've got a
real low-light shooter.  The nice thing with the LX is that if the light
changes during exposure, the metering system adjust while the exposure is
being made.

Although I prefer the MX for daily shooting, it doesn't hold a candle to
the LX in low light situations.

Shel 
"You meet the nicest people with a Pentax" 



 


[Original Message]
From: Godfrey DiGiorgi <
   



 

Hmm. Honestly, I'd go for an MX over an LX but then I always  
preferred the Nikon FM/FE over the F2-3 as well (except for the hp  
viewfinder). In truly low light, I never bother with the meter ... I  
use a Kodak Pocket Photo Guide with its table of available light  
exposure suggestions. :-)
   




 


On Nov 8, 2005, at 7:31 PM, Adam Maas wrote:

   

Couple of Reasons. The LX meters down to EV-6.5 (I shoot a lot of  
low-light stuff), offers aperture priority, a winder (I've been  
spoiled by my AF Nikons), solid build and TTL flash. It's also  
likely to still work in 5 years.
 



 





Re: Opinions, please

2005-11-09 Thread William Robb


- Original Message - 
From: "Peter Fairweather"

Subject: Re: Opinions, please



I tend to make long exposures in RAW and sort in out in Photoshop. How
does the LX cope with reciprocity failure? I've often wondered whether
there is a digital sensor equivalent


No camera can cope with reciprocity failure. The photographer has to come 
armed with soem technical knowledge if he is going to go outside the linear 
part of the film's exposure range.
The LX meter is quite linear, relatively colour blind, and when working 
well, is amazingly accurate.


William Robb 





Re: Opinions, please

2005-11-09 Thread Rob Studdert
On 9 Nov 2005 at 9:15, Peter Fairweather wrote:

> I tend to make long exposures in RAW and sort in out in Photoshop. How
> does the LX cope with reciprocity failure? I've often wondered whether
> there is a digital sensor equivalent

I believe that the LX is one of the best ever low light cameras, the pity is of 
course that it doesn't have a pixel array.  The LX seems to get the exposure 
pretty much in the ball park during long exposures as other have indicated.

Reciprocity failure can be a pain to manage and should be more so if you are 
using auto exposure with off the film metering as in the LX. The subject 
colour, the scene illuminants and the surface colour of the film all effect 
exposure times,  however after much testing over many years I simply learned to 
trust the camera and bracket when it all looked too hard, I made a lot of great 
exposures that way. :-)

I think that without special equipment (cryo-cooling systems etc) sensor noise 
tends to start to swamp the wanted signal in digital sensors, film is still 
much better at longer exposures, it has pretty low self noise :-)

Cheers,


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



RE: Opinions, please

2005-11-09 Thread Malcolm Smith
Shel Belinkoff wrote:

> The LX is an amazingly good camera for low light work.  I've 
> made perfect exposures in a room that was completely dark but 
> for a flickering TV screen, the light from which was 
> constantly changing.  The LX, with the shutter open, just 
> kept measuring the light until the proper exposure was made, 
> times varied between around twenty to forty seconds.  That 
> evening I got 36 perfectly exposed shots.  Portraits by TV 
> light ... y'gotta love it!
> Add the new, brighter focusing screens and a fast lens, and 
> you've got a real low-light shooter.  The nice thing with the 
> LX is that if the light changes during exposure, the metering 
> system adjust while the exposure is being made.
> 
> Although I prefer the MX for daily shooting, it doesn't hold 
> a candle to the LX in low light situations.

I very very rarely use a flash and this was a major plus point to LX
ownership, in how well it handled low light situations. I would far sooner
carry a tripod and use a remote shutter release and have long exposures,
than use a flash. 

Malcolm




Re: Re: Opinions, please

2005-11-09 Thread mike wilson

> 
> From: Peter Fairweather <[EMAIL PROTECTED]>
> Date: 2005/11/09 Wed AM 09:15:28 GMT
> To: pentax-discuss@pdml.net
> Subject: Re: Opinions, please
> 
> I tend to make long exposures in RAW and sort in out in Photoshop. How
> does the LX cope with reciprocity failure? I've often wondered whether
> there is a digital sensor equivalent

The equivalent is probably noise.  Not quite the same thing.  With the LX, you 
would have to test the situation and insert exposure compensation as required.

mike


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Re: Opinions, please

2005-11-09 Thread Peter Fairweather
I tend to make long exposures in RAW and sort in out in Photoshop. How
does the LX cope with reciprocity failure? I've often wondered whether
there is a digital sensor equivalent

Peter


On 11/9/05, Shel Belinkoff <[EMAIL PROTECTED]> wrote:
> The LX is an amazingly good camera for low light work.  I've made perfect
> exposures in a room that was completely dark but for a flickering TV
> screen, the light from which was constantly changing.  The LX, with the
> shutter open, just kept measuring the light until the proper exposure was
> made, times varied between around twenty to forty seconds.  That evening I
> got 36 perfectly exposed shots.  Portraits by TV light ... y'gotta love it!
> Add the new, brighter focusing screens and a fast lens, and you've got a
> real low-light shooter.  The nice thing with the LX is that if the light
> changes during exposure, the metering system adjust while the exposure is
> being made.
>
> Although I prefer the MX for daily shooting, it doesn't hold a candle to
> the LX in low light situations.
>
> Shel
> "You meet the nicest people with a Pentax"
>
>
> > [Original Message]
> > From: Godfrey DiGiorgi <
>
> > Hmm. Honestly, I'd go for an MX over an LX but then I always
> > preferred the Nikon FM/FE over the F2-3 as well (except for the hp
> > viewfinder). In truly low light, I never bother with the meter ... I
> > use a Kodak Pocket Photo Guide with its table of available light
> > exposure suggestions. :-)
>
>
> > On Nov 8, 2005, at 7:31 PM, Adam Maas wrote:
> >
> > > Couple of Reasons. The LX meters down to EV-6.5 (I shoot a lot of
> > > low-light stuff), offers aperture priority, a winder (I've been
> > > spoiled by my AF Nikons), solid build and TTL flash. It's also
> > > likely to still work in 5 years.
>
>
>



Re: Opinions, please

2005-11-09 Thread Shel Belinkoff
The LX is an amazingly good camera for low light work.  I've made perfect
exposures in a room that was completely dark but for a flickering TV
screen, the light from which was constantly changing.  The LX, with the
shutter open, just kept measuring the light until the proper exposure was
made, times varied between around twenty to forty seconds.  That evening I
got 36 perfectly exposed shots.  Portraits by TV light ... y'gotta love it!
Add the new, brighter focusing screens and a fast lens, and you've got a
real low-light shooter.  The nice thing with the LX is that if the light
changes during exposure, the metering system adjust while the exposure is
being made.

Although I prefer the MX for daily shooting, it doesn't hold a candle to
the LX in low light situations.

Shel 
"You meet the nicest people with a Pentax" 


> [Original Message]
> From: Godfrey DiGiorgi <

> Hmm. Honestly, I'd go for an MX over an LX but then I always  
> preferred the Nikon FM/FE over the F2-3 as well (except for the hp  
> viewfinder). In truly low light, I never bother with the meter ... I  
> use a Kodak Pocket Photo Guide with its table of available light  
> exposure suggestions. :-)


> On Nov 8, 2005, at 7:31 PM, Adam Maas wrote:
>
> > Couple of Reasons. The LX meters down to EV-6.5 (I shoot a lot of  
> > low-light stuff), offers aperture priority, a winder (I've been  
> > spoiled by my AF Nikons), solid build and TTL flash. It's also  
> > likely to still work in 5 years.




Re: Opinions, please

2005-11-08 Thread Godfrey DiGiorgi
Hmm. Honestly, I'd go for an MX over an LX but then I always  
preferred the Nikon FM/FE over the F2-3 as well (except for the hp  
viewfinder). In truly low light, I never bother with the meter ... I  
use a Kodak Pocket Photo Guide with its table of available light  
exposure suggestions. :-)


But I really really like the DA14 on the DS.

Godfrey


On Nov 8, 2005, at 7:31 PM, Adam Maas wrote:

Couple of Reasons. The LX meters down to EV-6.5 (I shoot a lot of  
low-light stuff), offers aperture priority, a winder (I've been  
spoiled by my AF Nikons), solid build and TTL flash. It's also  
likely to still work in 5 years.


My current K mount film body is El Plastic Cosina (Aka the Ricoh  
KR-5sv). Sure it offers better flash sync than the LX at 1/125 and  
it's actually a good performer for the cost ($66CDN), but it's  
cheaply built, the metering is more of a suggestion than anything  
else, the mirror slap is incredible and it's just plasticky. I'd  
not be looking elsewhere if I had an MX or K1000. Ever since my  
Nikon FA died, I've been wanting a solid MF SLR anyways.


-Adam


Godfrey DiGiorgi wrote:


If you already have a good film body, why buy another?

I like the DA14 a lot.

Godfrey

On Nov 8, 2005, at 5:51 PM, Adam Maas wrote:

I'm going to have some disposable income next week, and am  
planning  on some acquisitions.


Possibilities include:

14mm DA for my *istD (Giving me an ultra-wide, right now my  
widest  options are the 18-55 on the D and a 28mm on my little  
Ricoh KR-5sv)


or

LX + lens. Probably a 24 or 20, If the 20, I'm likely to grab a  
CZJ  20mm Distagon.


And I'm also looking at maybe getting a 45-125/4 SMCP for the   
digital. It would be essentially a 70-185 on the D. Anybody  
tried  this lens on a Digital?


-Adam







Re: Opinions, please

2005-11-08 Thread Adam Maas
Couple of Reasons. The LX meters down to EV-6.5 (I shoot a lot of 
low-light stuff), offers aperture priority, a winder (I've been spoiled 
by my AF Nikons), solid build and TTL flash. It's also likely to still 
work in 5 years.


My current K mount film body is El Plastic Cosina (Aka the Ricoh 
KR-5sv). Sure it offers better flash sync than the LX at 1/125 and it's 
actually a good performer for the cost ($66CDN), but it's cheaply built, 
the metering is more of a suggestion than anything else, the mirror slap 
is incredible and it's just plasticky. I'd not be looking elsewhere if I 
had an MX or K1000. Ever since my Nikon FA died, I've been wanting a 
solid MF SLR anyways.


-Adam


Godfrey DiGiorgi wrote:


If you already have a good film body, why buy another?

I like the DA14 a lot.

Godfrey

On Nov 8, 2005, at 5:51 PM, Adam Maas wrote:

I'm going to have some disposable income next week, and am planning  
on some acquisitions.


Possibilities include:

14mm DA for my *istD (Giving me an ultra-wide, right now my widest  
options are the 18-55 on the D and a 28mm on my little Ricoh KR-5sv)


or

LX + lens. Probably a 24 or 20, If the 20, I'm likely to grab a CZJ  
20mm Distagon.


And I'm also looking at maybe getting a 45-125/4 SMCP for the  
digital. It would be essentially a 70-185 on the D. Anybody tried  
this lens on a Digital?


-Adam





Re: Opinions, please

2005-11-08 Thread Godfrey DiGiorgi

If you already have a good film body, why buy another?

I like the DA14 a lot.

Godfrey

On Nov 8, 2005, at 5:51 PM, Adam Maas wrote:

I'm going to have some disposable income next week, and am planning  
on some acquisitions.


Possibilities include:

14mm DA for my *istD (Giving me an ultra-wide, right now my widest  
options are the 18-55 on the D and a 28mm on my little Ricoh KR-5sv)


or

LX + lens. Probably a 24 or 20, If the 20, I'm likely to grab a CZJ  
20mm Distagon.


And I'm also looking at maybe getting a 45-125/4 SMCP for the  
digital. It would be essentially a 70-185 on the D. Anybody tried  
this lens on a Digital?


-Adam





Re: Opinions, please

2005-11-08 Thread Adam Maas
I still shoot B&W, stopped for a bit while the D was new, but I'm on my 
2nd roll of Tri-X this week (Least I hope it's Tri-X, it's labelled 
Tri-X 24exp, but I'm up to exp33 and the rewind know indicates it's 
feeding, so no idea what's actually in the can)


I'm also up to a nice number of lenses. I've got a 200mm f4 XR Rikenon, 
135mm f2.8 Kenlock in M42, 50mm f2 SMC-M, 50mm f1.4 Super Takumar, 28mm 
f2.8 Formula 5 and the 18-55 SMC-DA. I need something wider than 28mm 
for digital and film and something in the 77-100mm gap, but for the 
latter I'm holding out for a 77 Limited.


-Adam

cbwaters wrote:

the LX would be nice but, man...you shooting any film anymore?  I 
probably can't justify having one with the pitiful lens collection 
I've got...I need more glass before I can buy another body.

CW

- Original Message - From: "Adam Maas" <[EMAIL PROTECTED]>
To: 
Sent: Tuesday, November 08, 2005 8:51 PM
Subject: Opinions, please


I'm going to have some disposable income next week, and am planning 
on some acquisitions.


Possibilities include:

14mm DA for my *istD (Giving me an ultra-wide, right now my widest 
options are the 18-55 on the D and a 28mm on my little Ricoh KR-5sv)


or

LX + lens. Probably a 24 or 20, If the 20, I'm likely to grab a CZJ 
20mm Distagon.


And I'm also looking at maybe getting a 45-125/4 SMCP for the 
digital. It would be essentially a 70-185 on the D. Anybody tried 
this lens on a Digital?


-Adam



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11/5/2005







Re: Opinions, please

2005-11-08 Thread cbwaters
the LX would be nice but, man...you shooting any film anymore?  I probably 
can't justify having one with the pitiful lens collection I've got...I need 
more glass before I can buy another body.

CW

- Original Message - 
From: "Adam Maas" <[EMAIL PROTECTED]>

To: 
Sent: Tuesday, November 08, 2005 8:51 PM
Subject: Opinions, please


I'm going to have some disposable income next week, and am planning on 
some acquisitions.


Possibilities include:

14mm DA for my *istD (Giving me an ultra-wide, right now my widest options 
are the 18-55 on the D and a 28mm on my little Ricoh KR-5sv)


or

LX + lens. Probably a 24 or 20, If the 20, I'm likely to grab a CZJ 20mm 
Distagon.


And I'm also looking at maybe getting a 45-125/4 SMCP for the digital. It 
would be essentially a 70-185 on the D. Anybody tried this lens on a 
Digital?


-Adam



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Checked by AVG Free Edition.
Version: 7.1.362 / Virus Database: 267.12.8/162 - Release Date: 11/5/2005






Re: Opinions, please

2002-01-24 Thread Christian Skofteland

Wendy;  

Try some Fuji Provia 100 or 400 (depending on what kind of speed you are 
looking for.  I like Velvia but it's VERY slow.

I've never tried photographing black subjects on a white background with the 
LX or MX but I'm sure it would be difficult to say the least.  I'd be tempted 
to stop down for the black dog but then wouldn't that under-expose the white 
snow leaving me with grey snow?  If I opened up for the snow would the dog 
look dark grey rather than rich black?  That's why i was impressed with the 
Matrix metering.  Very impressed indeed!

Christian

On Wednesday 23 January 2002 20:47, Wendy wrote:
>
> Hi Christian,
> Thanks for your comments
>
> I actually used fuji superia 200 (got a money off voucher with the Shrek
> DVD!) You're right, I should give slide film a try, that would give me a
> better idea of how close the exposure is.
> Trouble is, I wouldn't know which to choose as the last time I used slide
> film, agfa was my film of choice and it's something I've never seen here or
> even know if is available any more.
>
> I used the multi-segment metering mode and have to say, I am wildly
> impressed. I'm used to the centre-weighted average of the MX and I'm pretty
> sure the results would have been a lot different if I'd been using the MX.
>
> thanks,
> Wendy
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