Re: [Videolib] streaming rights for TV series?
Please excuse the treatise, but there are a few things I wish to comment on! The TEACH Act (17 USC Section 110(2)) and fair use (17 USC Section 107) are two different statutes. Keep them separate! If you're going to apply fair use to a situation then work through the four factors found in Section 107. If you decide to consider the TEACH Act then work point-by-point through the requirements found in Section 110(2). Don’t try applying a court ruling on fair use to the application of the TEACH Act, and know that the compliance requirements of the TEACH Act have no bearing on fair use. Know all your options! Kevin Smith and Lisa Macklin have developed a wonderful “Framework for Analyzing any U.S. Copyright Problem” that librarians can use to work through copyright issues: http://lib.calpoly.edu/wp-content/uploads/2015/08/copyright_five_questions.pdf. Read it through and see if it can help you in making a decision with this particular situation. If you decide to utilize the TEACH Act… Types of Works Chris and Peter are right. The TEACH Act in no way precludes the use of feature films or fictional works. If you read Section 110(2) you'll see that mentions "non-dramatic literary or musical works" and "any other works." It doesn’t get any more specific than that. Amount You Can Use If you’re using "non-dramatic literary or musical works" Section 110(2) states that you may make a “performance” of it. Most copyright experts say this means you can share the whole thing with students. For everything that falls into the “any other works” category, Section 110(2) states that you can use “reasonable and limited portions” of it. Unfortunately the U.S. Copyright Act does not provide us with a definition of what a “reasonable and limited” portion of a work is, and as no case law has been settled on this issue (at least that I am aware of, if I’m wrong on this please let me know!) it is left to each user to make the most thoughtful decision they can when applying the TEACH Act. Watch Those Words! Performances and displays are two different things! Section 101 of the US Copyright Act provides definitions for both of these terms. In regards to the TEACH Act, Section 110(2) states that instructors may make a "display" of a work in "an amount comparable to that which is typically displayed in the course of a live classroom session." According to Section 101 a "display" can include showing a “television image” or, “in the case of a motion picture or other audiovisual work” nonsequential images (e.g., frames/stills). Performing an audiovisual or motion picture work usually involves hitting “play” on a device and watching the images move in sequence. Make sure you select the correct category for your situation! For example, say I'm teaching an online art history class. For my lesson on Frida Kahlo I want to show students images of Frida's most famous paintings and have them watch the movie Frida (2002). Under the TEACH Act I could share with my online students the same number of images that I normally show to students when I'm teaching the class in a face-to-face setting. For the movie, under the TEACH Act I could share "reasonable and limited" portions of it. Best, Carla Assistant Professor Faculty Director of Access Services and Scholarly Communications Kraemer Family Library The University of Colorado at Colorado Springs 719-255-3908 From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Andrew Horbal Sent: Wednesday, May 18, 2016 6:11 AM To: videolib@lists.berkeley.edu Subject: [Videolib] streaming rights for TV series? Hi Jessica, Many, if not most, of the questions you pose are answered in Butler's article. As my final word in this discussion, here's a brief summary of what I said yesterday: the law is not settled on this issue, and there is room for reasonable people to disagree about whether or not a use like the one described by Maureen requires a license. Andy On Wed, May 18, 2016 at 3:56 AM, Jessica Rosner mailto:maddux2...@gmail.com>> wrote: > > I honestly tried to read through the article when first posted but could not > really get through it, however I got the gist when in fact I was told at ALA > yeas ago (ironically I now recall it was Brandon Butler not Peter Jaszi who > said that) that there was no need to license CITIZEN KANE as any film > released in theaters was made "transformed" by being used in a class. > > So a few questions and citations > > If this is true why would schools be spending millions licensing from Swank, > Kanopy and other, why ask who owns The Bicycle thief or any other film? Just > digitize and stream it for classes. Why would there ever have been copyright > disputes and special laws governing "drama
[Videolib] streaming rights for TV series?
ictional film like Citizen Kane according to this argument. >> Andy >> On Tue, May 17, 2016 at 2:54 PM, Jessica Rosner wrote: >>> >>> I have heard this before ( at ALA conference among other places) and it is an absurd argument. In fact when I asked the person ( I think Peter Jaszi but not sure) claiming that using a work intended for "entertainment" for "educational purposes" mean you could stream the entire work ( in this case CITIZEN KANE) without any license or permission also applied to digitizing and streaming CATCHER ON THE RYE also written for "entertainment" he dodged it and claimed "that was an interesting question" In fact the claim is literally 180% from established copyright law that "creative" works enjoy far greater protection than factual works and that is one of the reasons "transformative" was not an issue with GSU since those were not largely creative works.If one accepted this insane theory then you would never need to license any theatrical film for streaming and you could digitize and stream any novel or short story ever written which again is exactly the opposite of the history of copyright law which gives greater protection to works of fiction. The law is very clear in Google Books, GSU and LOC DMCA guidelines as opposed to "best practices of an organization with a vested interest ( sorry but that is true) and literally no legal basis to make such a claim. >>> >>> Seriously this does not pass the smell test if you claim that any work ( theater, TV, Film, Novel) produced for "entertainment" can be used and copied free of charge for "classroom use" >>> >>> On Tue, May 17, 2016 at 2:35 PM, Andrew Horbal wrote: >>>> >>>> Hi everybody, >>>> It is worth mentioning as part of this discussion that ACRL's Code of Best Practices in Fair Use for Academic and Research Libraries states both that "w]orks intended for consumption as popular entertainment present a case for transformative repurposing when an instructor uses them (or excerpts from them) as the objects of commentary and criticism, or for purposes of illustration" and that “it will not infrequently be the case that access to the entire work (e.g., an illustrative song in a class on the history of popular music) will be necessary to fulfill the instructor’s pedagogical purpose" (p. 13). >>>> In her GSU decision, Judge Orinda Evans identifies the course reserves program at issue as being nontransformative. If one accepts the argument in the ACRL Code of Best Practices, though, the use described by Maureen is transformative. Thus, the percentage standards mentioned by Jessica wouldn't apply. For those who are interested, I wrote more about how the GSU decision might apply to online media reserves programs for a blog I edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. >>>> Andy >>>> On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan wrote: >>>>> >>>>> I can easily see an analysis of a series where a total run is “the work”—think of a season of “The Wire”, for example—and one could indeed make a logical case as showing one ep being “fair use.” I would be less likely to see an ep of something much more episodic like “AITF” in those terms, to be sure. >>>>> >>>>> >>>>> >>>>> From: videolib-boun...@lists.berkeley.edu [mailto: videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner >>>>> Sent: Tuesday, May 17, 2016 11:03 AM >>>>> >>>>> To: videolib@lists.berkeley.edu >>>>> Subject: Re: [Videolib] streaming rights for TV series? >>>>> >>>>> >>>>> >>>>> I doubt that would fly as each episode is totally self contained. Again in GSU case court rejected about 15% of the total for not being "fair use" and claiming a full episode is "fair use" would be a really high burden. ALL IN THE FAMILY ran for like a decade so why not claim one whole season is "fair use"? >>>>> >>>>> Each issue of a magazine is only one of hundreds if the not thousands so again same question. I don't think is any kind of close call. >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan wrote: >>>>> >>>>> My guess is that the definition of “portion of the work” is what is being debated here. The professor probably sees the entire run of the series as “the work” and that therefore one ep is a small portion. >>>>> >>>>> >>>>> >>>>>
Re: [Videolib] streaming rights for TV series?
ng a work intended for >> "entertainment" for "educational purposes" mean you could stream the >> entire work ( in this case CITIZEN KANE) without any license or permission >> also applied to digitizing and streaming CATCHER ON THE RYE also written >> for "entertainment" he dodged it and claimed "that was an interesting >> question" In fact the claim is literally 180% from established copyright >> law that "creative" works enjoy far greater protection than factual works >> and that is one of the reasons "transformative" was not an issue with GSU >> since those were not largely creative works.If one accepted this insane >> theory then you would never need to license any theatrical film for >> streaming and you could digitize and stream any novel or short story ever >> written which again is exactly the opposite of the history of copyright law >> which gives greater protection to works of fiction. The law is very clear >> in Google Books, GSU and LOC DMCA guidelines as opposed to "best >> practices of an organization with a vested interest ( sorry but that is >> true) and literally no legal basis to make such a claim. >> >> Seriously this does not pass the smell test if you claim that any work ( >> theater, TV, Film, Novel) produced for "entertainment" can be used and >> copied free of charge for "classroom use" >> >> On Tue, May 17, 2016 at 2:35 PM, Andrew Horbal wrote: >> >>> Hi everybody, >>> >>> It is worth mentioning as part of this discussion that *ACRL's Code of >>> Best Practices in Fair Use for Academic and Research Libraries >>> <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* >>> states both that "w]orks intended for consumption as popular >>> entertainment present a case for transformative repurposing when an >>> instructor uses them (or excerpts from them) as the objects of commentary >>> and criticism, or for purposes of illustration" and that “it will not >>> infrequently be the case that access to the entire work (e.g., an >>> illustrative song in a class on the history of popular music) will be >>> necessary to fulfill the instructor’s pedagogical purpose" (p. 13). >>> >>> In her GSU decision, Judge Orinda Evans identifies the course reserves >>> program at issue as being nontransformative. If one accepts the argument in >>> the ACRL Code of Best Practices, though, the use described by Maureen is >>> transformative. Thus, the percentage standards mentioned by Jessica >>> wouldn't apply. For those who are interested, I wrote more about how the >>> GSU decision might apply to online media reserves programs for a blog I >>> edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. >>> >>> Andy >>> >>> On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan >>> wrote: >>> >>>> I can easily see an analysis of a series where a total run is “the >>>> work”—think of a season of “The Wire”, for example—and one could indeed >>>> make a logical case as showing one ep being “fair use.” I would be less >>>> likely to see an ep of something much more episodic like “AITF” in those >>>> terms, to be sure. >>>> >>>> >>>> >>>> *From:* videolib-boun...@lists.berkeley.edu [mailto: >>>> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >>>> *Sent:* Tuesday, May 17, 2016 11:03 AM >>>> >>>> *To:* videolib@lists.berkeley.edu >>>> *Subject:* Re: [Videolib] streaming rights for TV series? >>>> >>>> >>>> >>>> I doubt that would fly as each episode is totally self contained. Again >>>> in GSU case court rejected about 15% of the total for not being "fair use" >>>> and claiming a full episode is "fair use" would be a really high burden. >>>> ALL IN THE FAMILY ran for like a decade so why not claim one whole season >>>> is "fair use"? >>>> >>>> Each issue of a magazine is only one of hundreds if the not thousands >>>> so again same question. I don't think is any kind of close call. >>>> >>>> >>>> >>>> >>>> >>>> On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan >>>> wrote: >>>> >>>> My guess is that the definition of “portion of the work” is what is >&g
Re: [Videolib] streaming rights for TV series?
I've discussed that paradox with our university counsel and he said that "portions" takes precedence over the part that says "an amount comparable..." so that's what we follow though I really doubt any copyright holder would ever pursue a case against a university because a professor used a 30-minute episode of All in the Family (via a password-protected CMS limited to her students for a limited amount of time) instead of a 15-minute segment. Regarding fair use, most of the episodes of All in the Family are unavailable for licensing hence there is little impact on the market. The intention of the copyright law is to make work available by giving the copyright holder a right to profit from it but if that isn't happening the law doesn't protect the right to keep the work from being used just for the hell of it. It sounds like three of the four fair use factors are sufficiently satisfied in this case enough so that I would probably take my chances on the "amount" factor. On Tue, May 17, 2016 at 3:59 PM, Peter Shirts wrote: > Hi all, > > Chris, thanks; I do not believe the TEACH act excludes dramatic or > fictional works, either. > > Just to clarify the "reasonable and limited portions" statement from the > TEACH Act. Unlike fair use, which specifically has a "whole or part" > argument, the TEACH Act's use of limited portions has little to do with > whether the program is presented in whole. Instead, "reasonable and limited > portions" refers to "an amount comparable to that typically displayed in > the course of a live classroom setting." Again, if you could show one or > two TV show episodes within 50–80 minutes, depending on how you define a > classroom session, it is my understanding you can justify it under the > TEACH Act. > > Peter > > Peter Shirts > Music and Audiovisual Librarian > Acting Department Head, Sinclair Library > University of Hawai'i at Mānoa > 808-956-5425 > pshi...@hawaii.edu > > On Tue, May 17, 2016 at 9:32 AM, Andrew Horbal wrote: > >> Hi Bryan, >> >> In my personal and (just to be clear, since I haven't mentioned it yet in >> this thread) non-lawyer opinion, that would depend on how the episode is >> being used by the instructor. It seems likely to me that a television >> episode will most often be used in such a way that it should be considered >> an independent work, not a portion of a larger work (the season): >> individual episodes typically have writers, directors, and titles, for >> instance. As I've hopefully outlined, this is not necessarily determinative >> when considering whether or not the use is fair. >> >> Andy >> >> On Tue, May 17, 2016 at 3:23 PM, Griest, Bryan >> wrote: >> >>> Which circles us back around to “what is the definition of a ‘complete >>> work’?” in the case of a television series? >>> >>> >>> >>> *From:* videolib-boun...@lists.berkeley.edu [mailto: >>> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Chris Lewis >>> *Sent:* Tuesday, May 17, 2016 12:21 PM >>> *To:* Videolib >>> >>> *Subject:* Re: [Videolib] streaming rights for TV series? >>> >>> >>> >>> There is no prohibition in the TEACH Act from using dramatic or >>> fictional works. There is however a prohibition against using complete >>> works as it specific mentions"reasonable and limited portions". >>> >>> >>> >>> On Tue, May 17, 2016 at 2:56 PM, Jessica Rosner >>> wrote: >>> >>> The TEACH ACT does not cover works of fiction like a TV show. Those are >>> covered by standard "fair use' which again per recent rulings does not >>> cover whole works or any lengh >>> >>> >>> >>> On Tue, May 17, 2016 at 2:51 PM, Peter Shirts >>> wrote: >>> >>> Hi everyone, >>> >>> I'm surprised that no one has mentioned justifying this use of one >>> episode not by fair use, but under the TEACH Act, which was specifically >>> designed for online classes. The TEACH Act, while not as expansive as the >>> educational exemption, transfers at least some of the education exemptions >>> to an online course scenario. See a summary on U of Minnesota's site. >>> <https://www.lib.umn.edu/copyright/teach-act> >>> >>> It seems to me that one or two episodes (depending on the episode >>> length, so as to not be longer than a class typical face-to-face class >>> session) on an online course management system and m
Re: [Videolib] streaming rights for TV series?
Hi all, Chris, thanks; I do not believe the TEACH act excludes dramatic or fictional works, either. Just to clarify the "reasonable and limited portions" statement from the TEACH Act. Unlike fair use, which specifically has a "whole or part" argument, the TEACH Act's use of limited portions has little to do with whether the program is presented in whole. Instead, "reasonable and limited portions" refers to "an amount comparable to that typically displayed in the course of a live classroom setting." Again, if you could show one or two TV show episodes within 50–80 minutes, depending on how you define a classroom session, it is my understanding you can justify it under the TEACH Act. Peter Peter Shirts Music and Audiovisual Librarian Acting Department Head, Sinclair Library University of Hawai'i at Mānoa 808-956-5425 pshi...@hawaii.edu On Tue, May 17, 2016 at 9:32 AM, Andrew Horbal wrote: > Hi Bryan, > > In my personal and (just to be clear, since I haven't mentioned it yet in > this thread) non-lawyer opinion, that would depend on how the episode is > being used by the instructor. It seems likely to me that a television > episode will most often be used in such a way that it should be considered > an independent work, not a portion of a larger work (the season): > individual episodes typically have writers, directors, and titles, for > instance. As I've hopefully outlined, this is not necessarily determinative > when considering whether or not the use is fair. > > Andy > > On Tue, May 17, 2016 at 3:23 PM, Griest, Bryan > wrote: > >> Which circles us back around to “what is the definition of a ‘complete >> work’?” in the case of a television series? >> >> >> >> *From:* videolib-boun...@lists.berkeley.edu [mailto: >> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Chris Lewis >> *Sent:* Tuesday, May 17, 2016 12:21 PM >> *To:* Videolib >> >> *Subject:* Re: [Videolib] streaming rights for TV series? >> >> >> >> There is no prohibition in the TEACH Act from using dramatic or fictional >> works. There is however a prohibition against using complete works as it >> specific mentions"reasonable and limited portions". >> >> >> >> On Tue, May 17, 2016 at 2:56 PM, Jessica Rosner >> wrote: >> >> The TEACH ACT does not cover works of fiction like a TV show. Those are >> covered by standard "fair use' which again per recent rulings does not >> cover whole works or any lengh >> >> >> >> On Tue, May 17, 2016 at 2:51 PM, Peter Shirts wrote: >> >> Hi everyone, >> >> I'm surprised that no one has mentioned justifying this use of one >> episode not by fair use, but under the TEACH Act, which was specifically >> designed for online classes. The TEACH Act, while not as expansive as the >> educational exemption, transfers at least some of the education exemptions >> to an online course scenario. See a summary on U of Minnesota's site. >> <https://www.lib.umn.edu/copyright/teach-act> >> >> It seems to me that one or two episodes (depending on the episode length, >> so as to not be longer than a class typical face-to-face class session) on >> an online course management system and meeting the other requirements, >> could be justified this way. More than that would probably start being >> questionable. >> >> Peter >> >> >> >> >> Peter Shirts >> Music and Audiovisual Librarian >> Acting Department Head, Sinclair Library >> >> University of Hawai'i at Mānoa >> 808-956-5425 >> >> pshi...@hawaii.edu >> >> >> >> On Tue, May 17, 2016 at 8:35 AM, Andrew Horbal wrote: >> >> Hi everybody, >> >> >> >> It is worth mentioning as part of this discussion that *ACRL's Code of >> Best Practices in Fair Use for Academic and Research Libraries >> <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* >> states both that "w]orks intended for consumption as popular >> entertainment present a case for transformative repurposing when an >> instructor uses them (or excerpts from them) as the objects of commentary >> and criticism, or for purposes of illustration" and that “it will not >> infrequently be the case that access to the entire work (e.g., an >> illustrative song in a class on the history of popular music) will be >> necessary to fulfill the instructor’s pedagogical purpose" (p. 13). >> >> >> >> In her GSU decision, Judge Orinda Evans iden
Re: [Videolib] streaming rights for TV series?
Hi Bryan, In my personal and (just to be clear, since I haven't mentioned it yet in this thread) non-lawyer opinion, that would depend on how the episode is being used by the instructor. It seems likely to me that a television episode will most often be used in such a way that it should be considered an independent work, not a portion of a larger work (the season): individual episodes typically have writers, directors, and titles, for instance. As I've hopefully outlined, this is not necessarily determinative when considering whether or not the use is fair. Andy On Tue, May 17, 2016 at 3:23 PM, Griest, Bryan wrote: > Which circles us back around to “what is the definition of a ‘complete > work’?” in the case of a television series? > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Chris Lewis > *Sent:* Tuesday, May 17, 2016 12:21 PM > *To:* Videolib > > *Subject:* Re: [Videolib] streaming rights for TV series? > > > > There is no prohibition in the TEACH Act from using dramatic or fictional > works. There is however a prohibition against using complete works as it > specific mentions"reasonable and limited portions". > > > > On Tue, May 17, 2016 at 2:56 PM, Jessica Rosner > wrote: > > The TEACH ACT does not cover works of fiction like a TV show. Those are > covered by standard "fair use' which again per recent rulings does not > cover whole works or any lengh > > > > On Tue, May 17, 2016 at 2:51 PM, Peter Shirts wrote: > > Hi everyone, > > I'm surprised that no one has mentioned justifying this use of one episode > not by fair use, but under the TEACH Act, which was specifically designed > for online classes. The TEACH Act, while not as expansive as the > educational exemption, transfers at least some of the education exemptions > to an online course scenario. See a summary on U of Minnesota's site. > <https://www.lib.umn.edu/copyright/teach-act> > > It seems to me that one or two episodes (depending on the episode length, > so as to not be longer than a class typical face-to-face class session) on > an online course management system and meeting the other requirements, > could be justified this way. More than that would probably start being > questionable. > > Peter > > > > > Peter Shirts > Music and Audiovisual Librarian > Acting Department Head, Sinclair Library > > University of Hawai'i at Mānoa > 808-956-5425 > > pshi...@hawaii.edu > > > > On Tue, May 17, 2016 at 8:35 AM, Andrew Horbal wrote: > > Hi everybody, > > > > It is worth mentioning as part of this discussion that *ACRL's Code of > Best Practices in Fair Use for Academic and Research Libraries > <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* > states both that "w]orks intended for consumption as popular > entertainment present a case for transformative repurposing when an > instructor uses them (or excerpts from them) as the objects of commentary > and criticism, or for purposes of illustration" and that “it will not > infrequently be the case that access to the entire work (e.g., an > illustrative song in a class on the history of popular music) will be > necessary to fulfill the instructor’s pedagogical purpose" (p. 13). > > > > In her GSU decision, Judge Orinda Evans identifies the course reserves > program at issue as being nontransformative. If one accepts the argument in > the ACRL Code of Best Practices, though, the use described by Maureen is > transformative. Thus, the percentage standards mentioned by Jessica > wouldn't apply. For those who are interested, I wrote more about how the > GSU decision might apply to online media reserves programs for a blog I > edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. > > > > Andy > > > > On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan > wrote: > > I can easily see an analysis of a series where a total run is “the > work”—think of a season of “The Wire”, for example—and one could indeed > make a logical case as showing one ep being “fair use.” I would be less > likely to see an ep of something much more episodic like “AITF” in those > terms, to be sure. > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Tuesday, May 17, 2016 11:03 AM > > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] streaming rights for TV series? > > > > I doubt that would fly as each episode is totally self contained. Again in > GSU case court rejected about
Re: [Videolib] streaming rights for TV series?
Which circles us back around to “what is the definition of a ‘complete work’?” in the case of a television series? From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Chris Lewis Sent: Tuesday, May 17, 2016 12:21 PM To: Videolib Subject: Re: [Videolib] streaming rights for TV series? There is no prohibition in the TEACH Act from using dramatic or fictional works. There is however a prohibition against using complete works as it specific mentions"reasonable and limited portions". On Tue, May 17, 2016 at 2:56 PM, Jessica Rosner mailto:maddux2...@gmail.com>> wrote: The TEACH ACT does not cover works of fiction like a TV show. Those are covered by standard "fair use' which again per recent rulings does not cover whole works or any lengh On Tue, May 17, 2016 at 2:51 PM, Peter Shirts mailto:pshi...@hawaii.edu>> wrote: Hi everyone, I'm surprised that no one has mentioned justifying this use of one episode not by fair use, but under the TEACH Act, which was specifically designed for online classes. The TEACH Act, while not as expansive as the educational exemption, transfers at least some of the education exemptions to an online course scenario. See a summary on U of Minnesota's site.<https://www.lib.umn.edu/copyright/teach-act> It seems to me that one or two episodes (depending on the episode length, so as to not be longer than a class typical face-to-face class session) on an online course management system and meeting the other requirements, could be justified this way. More than that would probably start being questionable. Peter Peter Shirts Music and Audiovisual Librarian Acting Department Head, Sinclair Library University of Hawai'i at Mānoa 808-956-5425 pshi...@hawaii.edu<mailto:pshi...@hawaii.edu> On Tue, May 17, 2016 at 8:35 AM, Andrew Horbal mailto:ahor...@umd.edu>> wrote: Hi everybody, It is worth mentioning as part of this discussion that ACRL's Code of Best Practices in Fair Use for Academic and Research Libraries<http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf> states both that "w]orks intended for consumption as popular entertainment present a case for transformative repurposing when an instructor uses them (or excerpts from them) as the objects of commentary and criticism, or for purposes of illustration" and that “it will not infrequently be the case that access to the entire work (e.g., an illustrative song in a class on the history of popular music) will be necessary to fulfill the instructor’s pedagogical purpose" (p. 13). In her GSU decision, Judge Orinda Evans identifies the course reserves program at issue as being nontransformative. If one accepts the argument in the ACRL Code of Best Practices, though, the use described by Maureen is transformative. Thus, the percentage standards mentioned by Jessica wouldn't apply. For those who are interested, I wrote more about how the GSU decision might apply to online media reserves programs for a blog I edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. Andy On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan mailto:bgri...@glendaleca.gov>> wrote: I can easily see an analysis of a series where a total run is “the work”—think of a season of “The Wire”, for example—and one could indeed make a logical case as showing one ep being “fair use.” I would be less likely to see an ep of something much more episodic like “AITF” in those terms, to be sure. From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Tuesday, May 17, 2016 11:03 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] streaming rights for TV series? I doubt that would fly as each episode is totally self contained. Again in GSU case court rejected about 15% of the total for not being "fair use" and claiming a full episode is "fair use" would be a really high burden. ALL IN THE FAMILY ran for like a decade so why not claim one whole season is "fair use"? Each issue of a magazine is only one of hundreds if the not thousands so again same question. I don't think is any kind of close call. On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan mailto:bgri...@glendaleca.gov>> wrote: My guess is that the definition of “portion of the work” is what is being debated here. The professor probably sees the entire run of the series as “the work” and that therefore one ep is a small portion. From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica
Re: [Videolib] streaming rights for TV series?
The legal basis for such a claim is comprehensively described by Brandon Butler in a 48-page article in the most recent issue of the *Connecticut Law Review* called "Transformative Teaching and Educational Fair Use After Georgia State." <http://connecticutlawreview.org/files/2016/04/10-Butler.pdf> He has summarized the highlights on his blog here: http://brandonbutler.info/post/112054748430/transformative-teaching-and-educational-fair-use . Neither the Google Books case, the GSU case, nor the triennial DMCA exemptions directly address the question of whether or not streaming a full-length film to students through a password-protected CMS is a fair use, so it is disingenuous to imply that the matter has been decided one way or the other. Jessica may not agree with it, but there* is* a legal argument for why this sort of activity should be considered a fair use, and until it's tried in court, it will largely be up to individuals to decide for themselves what they think. Hopefully with the advice of their college or university's legal counsel, of course! For the record, I agree with you that a novel like *Catcher in the Rye *should logically be treated the same as a fictional film like *Citizen Kane* according to this argument. Andy On Tue, May 17, 2016 at 2:54 PM, Jessica Rosner wrote: > I have heard this before ( at ALA conference among other places) and it is > an absurd argument. In fact when I asked the person ( I think Peter Jaszi > but not sure) claiming that using a work intended for "entertainment" for > "educational purposes" mean you could stream the entire work ( in this > case CITIZEN KANE) without any license or permission also applied to > digitizing and streaming CATCHER ON THE RYE also written for > "entertainment" he dodged it and claimed "that was an interesting question" > In fact the claim is literally 180% from established copyright law that > "creative" works enjoy far greater protection than factual works and that > is one of the reasons "transformative" was not an issue with GSU since > those were not largely creative works.If one accepted this insane theory > then you would never need to license any theatrical film for streaming and > you could digitize and stream any novel or short story ever written which > again is exactly the opposite of the history of copyright law which gives > greater protection to works of fiction. The law is very clear in Google > Books, GSU and LOC DMCA guidelines as opposed to "best practices of an > organization with a vested interest ( sorry but that is true) and literally > no legal basis to make such a claim. > > Seriously this does not pass the smell test if you claim that any work ( > theater, TV, Film, Novel) produced for "entertainment" can be used and > copied free of charge for "classroom use" > > On Tue, May 17, 2016 at 2:35 PM, Andrew Horbal wrote: > >> Hi everybody, >> >> It is worth mentioning as part of this discussion that *ACRL's Code of >> Best Practices in Fair Use for Academic and Research Libraries >> <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* >> states both that "w]orks intended for consumption as popular >> entertainment present a case for transformative repurposing when an >> instructor uses them (or excerpts from them) as the objects of commentary >> and criticism, or for purposes of illustration" and that “it will not >> infrequently be the case that access to the entire work (e.g., an >> illustrative song in a class on the history of popular music) will be >> necessary to fulfill the instructor’s pedagogical purpose" (p. 13). >> >> In her GSU decision, Judge Orinda Evans identifies the course reserves >> program at issue as being nontransformative. If one accepts the argument in >> the ACRL Code of Best Practices, though, the use described by Maureen is >> transformative. Thus, the percentage standards mentioned by Jessica >> wouldn't apply. For those who are interested, I wrote more about how the >> GSU decision might apply to online media reserves programs for a blog I >> edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. >> >> Andy >> >> On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan >> wrote: >> >>> I can easily see an analysis of a series where a total run is “the >>> work”—think of a season of “The Wire”, for example—and one could indeed >>> make a logical case as showing one ep being “fair use.” I would be less >>> likely to see an ep of something much more episodic like “AITF” in those >>> terms, to be sure. >>> >>>
Re: [Videolib] streaming rights for TV series?
There is no prohibition in the TEACH Act from using dramatic or fictional works. There is however a prohibition against using complete works as it specific mentions"reasonable and limited portions". On Tue, May 17, 2016 at 2:56 PM, Jessica Rosner wrote: > The TEACH ACT does not cover works of fiction like a TV show. Those are > covered by standard "fair use' which again per recent rulings does not > cover whole works or any lengh > > On Tue, May 17, 2016 at 2:51 PM, Peter Shirts wrote: > >> Hi everyone, >> >> I'm surprised that no one has mentioned justifying this use of one >> episode not by fair use, but under the TEACH Act, which was specifically >> designed for online classes. The TEACH Act, while not as expansive as the >> educational exemption, transfers at least some of the education exemptions >> to an online course scenario. See a summary on U of Minnesota's site. >> <https://www.lib.umn.edu/copyright/teach-act> >> >> It seems to me that one or two episodes (depending on the episode length, >> so as to not be longer than a class typical face-to-face class session) on >> an online course management system and meeting the other requirements, >> could be justified this way. More than that would probably start being >> questionable. >> >> Peter >> >> >> Peter Shirts >> Music and Audiovisual Librarian >> Acting Department Head, Sinclair Library >> University of Hawai'i at Mānoa >> 808-956-5425 >> pshi...@hawaii.edu >> >> On Tue, May 17, 2016 at 8:35 AM, Andrew Horbal wrote: >> >>> Hi everybody, >>> >>> It is worth mentioning as part of this discussion that *ACRL's Code of >>> Best Practices in Fair Use for Academic and Research Libraries >>> <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* >>> states both that "w]orks intended for consumption as popular >>> entertainment present a case for transformative repurposing when an >>> instructor uses them (or excerpts from them) as the objects of commentary >>> and criticism, or for purposes of illustration" and that “it will not >>> infrequently be the case that access to the entire work (e.g., an >>> illustrative song in a class on the history of popular music) will be >>> necessary to fulfill the instructor’s pedagogical purpose" (p. 13). >>> >>> In her GSU decision, Judge Orinda Evans identifies the course reserves >>> program at issue as being nontransformative. If one accepts the argument in >>> the ACRL Code of Best Practices, though, the use described by Maureen is >>> transformative. Thus, the percentage standards mentioned by Jessica >>> wouldn't apply. For those who are interested, I wrote more about how the >>> GSU decision might apply to online media reserves programs for a blog I >>> edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. >>> >>> Andy >>> >>> On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan >>> wrote: >>> >>>> I can easily see an analysis of a series where a total run is “the >>>> work”—think of a season of “The Wire”, for example—and one could indeed >>>> make a logical case as showing one ep being “fair use.” I would be less >>>> likely to see an ep of something much more episodic like “AITF” in those >>>> terms, to be sure. >>>> >>>> >>>> >>>> *From:* videolib-boun...@lists.berkeley.edu [mailto: >>>> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >>>> *Sent:* Tuesday, May 17, 2016 11:03 AM >>>> >>>> *To:* videolib@lists.berkeley.edu >>>> *Subject:* Re: [Videolib] streaming rights for TV series? >>>> >>>> >>>> >>>> I doubt that would fly as each episode is totally self contained. Again >>>> in GSU case court rejected about 15% of the total for not being "fair use" >>>> and claiming a full episode is "fair use" would be a really high burden. >>>> ALL IN THE FAMILY ran for like a decade so why not claim one whole season >>>> is "fair use"? >>>> >>>> Each issue of a magazine is only one of hundreds if the not thousands >>>> so again same question. I don't think is any kind of close call. >>>> >>>> >>>> >>>> >>>> >>>> On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan >&g
Re: [Videolib] streaming rights for TV series?
The TEACH ACT does not cover works of fiction like a TV show. Those are covered by standard "fair use' which again per recent rulings does not cover whole works or any lengh On Tue, May 17, 2016 at 2:51 PM, Peter Shirts wrote: > Hi everyone, > > I'm surprised that no one has mentioned justifying this use of one episode > not by fair use, but under the TEACH Act, which was specifically designed > for online classes. The TEACH Act, while not as expansive as the > educational exemption, transfers at least some of the education exemptions > to an online course scenario. See a summary on U of Minnesota's site. > <https://www.lib.umn.edu/copyright/teach-act> > > It seems to me that one or two episodes (depending on the episode length, > so as to not be longer than a class typical face-to-face class session) on > an online course management system and meeting the other requirements, > could be justified this way. More than that would probably start being > questionable. > > Peter > > > Peter Shirts > Music and Audiovisual Librarian > Acting Department Head, Sinclair Library > University of Hawai'i at Mānoa > 808-956-5425 > pshi...@hawaii.edu > > On Tue, May 17, 2016 at 8:35 AM, Andrew Horbal wrote: > >> Hi everybody, >> >> It is worth mentioning as part of this discussion that *ACRL's Code of >> Best Practices in Fair Use for Academic and Research Libraries >> <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* >> states both that "w]orks intended for consumption as popular >> entertainment present a case for transformative repurposing when an >> instructor uses them (or excerpts from them) as the objects of commentary >> and criticism, or for purposes of illustration" and that “it will not >> infrequently be the case that access to the entire work (e.g., an >> illustrative song in a class on the history of popular music) will be >> necessary to fulfill the instructor’s pedagogical purpose" (p. 13). >> >> In her GSU decision, Judge Orinda Evans identifies the course reserves >> program at issue as being nontransformative. If one accepts the argument in >> the ACRL Code of Best Practices, though, the use described by Maureen is >> transformative. Thus, the percentage standards mentioned by Jessica >> wouldn't apply. For those who are interested, I wrote more about how the >> GSU decision might apply to online media reserves programs for a blog I >> edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. >> >> Andy >> >> On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan >> wrote: >> >>> I can easily see an analysis of a series where a total run is “the >>> work”—think of a season of “The Wire”, for example—and one could indeed >>> make a logical case as showing one ep being “fair use.” I would be less >>> likely to see an ep of something much more episodic like “AITF” in those >>> terms, to be sure. >>> >>> >>> >>> *From:* videolib-boun...@lists.berkeley.edu [mailto: >>> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >>> *Sent:* Tuesday, May 17, 2016 11:03 AM >>> >>> *To:* videolib@lists.berkeley.edu >>> *Subject:* Re: [Videolib] streaming rights for TV series? >>> >>> >>> >>> I doubt that would fly as each episode is totally self contained. Again >>> in GSU case court rejected about 15% of the total for not being "fair use" >>> and claiming a full episode is "fair use" would be a really high burden. >>> ALL IN THE FAMILY ran for like a decade so why not claim one whole season >>> is "fair use"? >>> >>> Each issue of a magazine is only one of hundreds if the not thousands so >>> again same question. I don't think is any kind of close call. >>> >>> >>> >>> >>> >>> On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan >>> wrote: >>> >>> My guess is that the definition of “portion of the work” is what is >>> being debated here. The professor probably sees the entire run of the >>> series as “the work” and that therefore one ep *is* a small portion. >>> >>> >>> >>> *From:* videolib-boun...@lists.berkeley.edu [mailto: >>> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >>> *Sent:* Tuesday, May 17, 2016 10:51 AM >>> *To:* videolib@lists.berkeley.edu >>> *Subject:* Re: [Videolib] streaming rights for TV series? &
Re: [Videolib] streaming rights for TV series?
I have heard this before ( at ALA conference among other places) and it is an absurd argument. In fact when I asked the person ( I think Peter Jaszi but not sure) claiming that using a work intended for "entertainment" for "educational purposes" mean you could stream the entire work ( in this case CITIZEN KANE) without any license or permission also applied to digitizing and streaming CATCHER ON THE RYE also written for "entertainment" he dodged it and claimed "that was an interesting question" In fact the claim is literally 180% from established copyright law that "creative" works enjoy far greater protection than factual works and that is one of the reasons "transformative" was not an issue with GSU since those were not largely creative works.If one accepted this insane theory then you would never need to license any theatrical film for streaming and you could digitize and stream any novel or short story ever written which again is exactly the opposite of the history of copyright law which gives greater protection to works of fiction. The law is very clear in Google Books, GSU and LOC DMCA guidelines as opposed to "best practices of an organization with a vested interest ( sorry but that is true) and literally no legal basis to make such a claim. Seriously this does not pass the smell test if you claim that any work ( theater, TV, Film, Novel) produced for "entertainment" can be used and copied free of charge for "classroom use" On Tue, May 17, 2016 at 2:35 PM, Andrew Horbal wrote: > Hi everybody, > > It is worth mentioning as part of this discussion that *ACRL's Code of > Best Practices in Fair Use for Academic and Research Libraries > <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* > states both that "w]orks intended for consumption as popular > entertainment present a case for transformative repurposing when an > instructor uses them (or excerpts from them) as the objects of commentary > and criticism, or for purposes of illustration" and that “it will not > infrequently be the case that access to the entire work (e.g., an > illustrative song in a class on the history of popular music) will be > necessary to fulfill the instructor’s pedagogical purpose" (p. 13). > > In her GSU decision, Judge Orinda Evans identifies the course reserves > program at issue as being nontransformative. If one accepts the argument in > the ACRL Code of Best Practices, though, the use described by Maureen is > transformative. Thus, the percentage standards mentioned by Jessica > wouldn't apply. For those who are interested, I wrote more about how the > GSU decision might apply to online media reserves programs for a blog I > edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. > > Andy > > On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan > wrote: > >> I can easily see an analysis of a series where a total run is “the >> work”—think of a season of “The Wire”, for example—and one could indeed >> make a logical case as showing one ep being “fair use.” I would be less >> likely to see an ep of something much more episodic like “AITF” in those >> terms, to be sure. >> >> >> >> *From:* videolib-boun...@lists.berkeley.edu [mailto: >> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >> *Sent:* Tuesday, May 17, 2016 11:03 AM >> >> *To:* videolib@lists.berkeley.edu >> *Subject:* Re: [Videolib] streaming rights for TV series? >> >> >> >> I doubt that would fly as each episode is totally self contained. Again >> in GSU case court rejected about 15% of the total for not being "fair use" >> and claiming a full episode is "fair use" would be a really high burden. >> ALL IN THE FAMILY ran for like a decade so why not claim one whole season >> is "fair use"? >> >> Each issue of a magazine is only one of hundreds if the not thousands so >> again same question. I don't think is any kind of close call. >> >> >> >> >> >> On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan >> wrote: >> >> My guess is that the definition of “portion of the work” is what is being >> debated here. The professor probably sees the entire run of the series as >> “the work” and that therefore one ep *is* a small portion. >> >> >> >> *From:* videolib-boun...@lists.berkeley.edu [mailto: >> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >> *Sent:* Tuesday, May 17, 2016 10:51 AM >> *To:* videolib@lists.berkeley.edu >> *Subject:* Re: [Videolib] streaming rights for TV series? >> >
Re: [Videolib] streaming rights for TV series?
Hi everyone, I'm surprised that no one has mentioned justifying this use of one episode not by fair use, but under the TEACH Act, which was specifically designed for online classes. The TEACH Act, while not as expansive as the educational exemption, transfers at least some of the education exemptions to an online course scenario. See a summary on U of Minnesota's site. <https://www.lib.umn.edu/copyright/teach-act> It seems to me that one or two episodes (depending on the episode length, so as to not be longer than a class typical face-to-face class session) on an online course management system and meeting the other requirements, could be justified this way. More than that would probably start being questionable. Peter Peter Shirts Music and Audiovisual Librarian Acting Department Head, Sinclair Library University of Hawai'i at Mānoa 808-956-5425 pshi...@hawaii.edu On Tue, May 17, 2016 at 8:35 AM, Andrew Horbal wrote: > Hi everybody, > > It is worth mentioning as part of this discussion that *ACRL's Code of > Best Practices in Fair Use for Academic and Research Libraries > <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* > states both that "w]orks intended for consumption as popular > entertainment present a case for transformative repurposing when an > instructor uses them (or excerpts from them) as the objects of commentary > and criticism, or for purposes of illustration" and that “it will not > infrequently be the case that access to the entire work (e.g., an > illustrative song in a class on the history of popular music) will be > necessary to fulfill the instructor’s pedagogical purpose" (p. 13). > > In her GSU decision, Judge Orinda Evans identifies the course reserves > program at issue as being nontransformative. If one accepts the argument in > the ACRL Code of Best Practices, though, the use described by Maureen is > transformative. Thus, the percentage standards mentioned by Jessica > wouldn't apply. For those who are interested, I wrote more about how the > GSU decision might apply to online media reserves programs for a blog I > edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. > > Andy > > On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan > wrote: > >> I can easily see an analysis of a series where a total run is “the >> work”—think of a season of “The Wire”, for example—and one could indeed >> make a logical case as showing one ep being “fair use.” I would be less >> likely to see an ep of something much more episodic like “AITF” in those >> terms, to be sure. >> >> >> >> *From:* videolib-boun...@lists.berkeley.edu [mailto: >> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >> *Sent:* Tuesday, May 17, 2016 11:03 AM >> >> *To:* videolib@lists.berkeley.edu >> *Subject:* Re: [Videolib] streaming rights for TV series? >> >> >> >> I doubt that would fly as each episode is totally self contained. Again >> in GSU case court rejected about 15% of the total for not being "fair use" >> and claiming a full episode is "fair use" would be a really high burden. >> ALL IN THE FAMILY ran for like a decade so why not claim one whole season >> is "fair use"? >> >> Each issue of a magazine is only one of hundreds if the not thousands so >> again same question. I don't think is any kind of close call. >> >> >> >> >> >> On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan >> wrote: >> >> My guess is that the definition of “portion of the work” is what is being >> debated here. The professor probably sees the entire run of the series as >> “the work” and that therefore one ep *is* a small portion. >> >> >> >> *From:* videolib-boun...@lists.berkeley.edu [mailto: >> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >> *Sent:* Tuesday, May 17, 2016 10:51 AM >> *To:* videolib@lists.berkeley.edu >> *Subject:* Re: [Videolib] streaming rights for TV series? >> >> >> >> Yes indeed digitizing and streaming a complete episode would violate >> copyright law. This is not if you will excuse the pun an "academic" >> question, there are two recent Federal Court rulings and recent ruling by >> Library of Congress governing the Digital Millennium Copyright act. In both >> Google Books and Georgia State cases which were hailed as huge wins for >> educational institutions the rulings were very specific that only portions >> of longer works could be considered "fair use". In Google the court clearly >> stated that because onl
Re: [Videolib] streaming rights for TV series?
Hi everybody, It is worth mentioning as part of this discussion that *ACRL's Code of Best Practices in Fair Use for Academic and Research Libraries <http://www.arl.org/storage/documents/publications/code-of-best-practices-fair-use.pdf>* states both that "w]orks intended for consumption as popular entertainment present a case for transformative repurposing when an instructor uses them (or excerpts from them) as the objects of commentary and criticism, or for purposes of illustration" and that “it will not infrequently be the case that access to the entire work (e.g., an illustrative song in a class on the history of popular music) will be necessary to fulfill the instructor’s pedagogical purpose" (p. 13). In her GSU decision, Judge Orinda Evans identifies the course reserves program at issue as being nontransformative. If one accepts the argument in the ACRL Code of Best Practices, though, the use described by Maureen is transformative. Thus, the percentage standards mentioned by Jessica wouldn't apply. For those who are interested, I wrote more about how the GSU decision might apply to online media reserves programs for a blog I edit for CCUMC here: https://ccumc.site-ym.com/page/GA_State_Decision. Andy On Tue, May 17, 2016 at 2:08 PM, Griest, Bryan wrote: > I can easily see an analysis of a series where a total run is “the > work”—think of a season of “The Wire”, for example—and one could indeed > make a logical case as showing one ep being “fair use.” I would be less > likely to see an ep of something much more episodic like “AITF” in those > terms, to be sure. > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Tuesday, May 17, 2016 11:03 AM > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] streaming rights for TV series? > > > > I doubt that would fly as each episode is totally self contained. Again in > GSU case court rejected about 15% of the total for not being "fair use" and > claiming a full episode is "fair use" would be a really high burden. ALL IN > THE FAMILY ran for like a decade so why not claim one whole season is "fair > use"? > > Each issue of a magazine is only one of hundreds if the not thousands so > again same question. I don't think is any kind of close call. > > > > > > On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan > wrote: > > My guess is that the definition of “portion of the work” is what is being > debated here. The professor probably sees the entire run of the series as > “the work” and that therefore one ep *is* a small portion. > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Tuesday, May 17, 2016 10:51 AM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] streaming rights for TV series? > > > > Yes indeed digitizing and streaming a complete episode would violate > copyright law. This is not if you will excuse the pun an "academic" > question, there are two recent Federal Court rulings and recent ruling by > Library of Congress governing the Digital Millennium Copyright act. In both > Google Books and Georgia State cases which were hailed as huge wins for > educational institutions the rulings were very specific that only portions > of longer works could be considered "fair use". In Google the court clearly > stated that because only a portion of the work was accessible , scanning > the entire work did not violate "fair use'. GSU was even clearer. While the > court ruled that the majority of the works were indeed "fair use" it also > ruled that 7 of 48 were NOT "fair use' either because they used too much > material or used the heart of the work. Also long forgotten is that when > the case was originally filed GSU had been digitizing and uploading > complete works but they ceased immediately after the case was filed. > > When the DMCA came up for review by the Library of Congress this past > November, many restrictions were removed in terms of who could break > encryption and for what purpose but a request by academic institutions to > be able to digitize and stream entire works was flatly rejected with the > following wording > * " Audiovisual works, for broad-based space-shifting and format-shifting > (declined due to lack of legal and factual support for exemption)"* > > Not sure if you can get much clearer than that. I think saying one > complete episode of a TV show does not violate "fair use" considering the > above is simply not accurate > > The larger issue though is that if you include TV, feature
Re: [Videolib] streaming rights for TV series?
I can easily see an analysis of a series where a total run is “the work”—think of a season of “The Wire”, for example—and one could indeed make a logical case as showing one ep being “fair use.” I would be less likely to see an ep of something much more episodic like “AITF” in those terms, to be sure. From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Tuesday, May 17, 2016 11:03 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] streaming rights for TV series? I doubt that would fly as each episode is totally self contained. Again in GSU case court rejected about 15% of the total for not being "fair use" and claiming a full episode is "fair use" would be a really high burden. ALL IN THE FAMILY ran for like a decade so why not claim one whole season is "fair use"? Each issue of a magazine is only one of hundreds if the not thousands so again same question. I don't think is any kind of close call. On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan mailto:bgri...@glendaleca.gov>> wrote: My guess is that the definition of “portion of the work” is what is being debated here. The professor probably sees the entire run of the series as “the work” and that therefore one ep is a small portion. From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Tuesday, May 17, 2016 10:51 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] streaming rights for TV series? Yes indeed digitizing and streaming a complete episode would violate copyright law. This is not if you will excuse the pun an "academic" question, there are two recent Federal Court rulings and recent ruling by Library of Congress governing the Digital Millennium Copyright act. In both Google Books and Georgia State cases which were hailed as huge wins for educational institutions the rulings were very specific that only portions of longer works could be considered "fair use". In Google the court clearly stated that because only a portion of the work was accessible , scanning the entire work did not violate "fair use'. GSU was even clearer. While the court ruled that the majority of the works were indeed "fair use" it also ruled that 7 of 48 were NOT "fair use' either because they used too much material or used the heart of the work. Also long forgotten is that when the case was originally filed GSU had been digitizing and uploading complete works but they ceased immediately after the case was filed. When the DMCA came up for review by the Library of Congress this past November, many restrictions were removed in terms of who could break encryption and for what purpose but a request by academic institutions to be able to digitize and stream entire works was flatly rejected with the following wording " Audiovisual works, for broad-based space-shifting and format-shifting (declined due to lack of legal and factual support for exemption)" Not sure if you can get much clearer than that. I think saying one complete episode of a TV show does not violate "fair use" considering the above is simply not accurate The larger issue though is that if you include TV, feature films, educational films and other types of AV there are likely millions of works that are simply not currently available for classroom streaming. A fairly large chunk may be available through commercial sites but an even bigger number are simply unavailable for streaming and many may either be out of print or never have been released on any format other than film. The reasons are various, rights disputes, lack or material or the expense of making good enough copies, cranky rights holders etc. Instructors simply have to look for legal options when material they want is not available to stream because bluntly there is no legal right to stream anything you want or need. If the titles is available via Netflix, Hulu, Amazon or similar I wonder if asking students to pay fo that is any different than having them by books for a class ( which I assume even online students do) I understand librarians want to help instructors get what they want but it is not always possible. Sometimes you just have to tell them to be creative and find either another legal method to view the material or substitute something they can get rights for. Jessica On Tue, May 17, 2016 at 11:28 AM, Griest, Bryan mailto:bgri...@glendaleca.gov>> wrote: I imagine our content providers are saying, "Even one episode (if shown in its entirety in this manner) violates copyright law." -Original Message- From: videolib-boun...@lists.berkeley.edu<mailto:videolib-bo
Re: [Videolib] streaming rights for TV series?
I doubt that would fly as each episode is totally self contained. Again in GSU case court rejected about 15% of the total for not being "fair use" and claiming a full episode is "fair use" would be a really high burden. ALL IN THE FAMILY ran for like a decade so why not claim one whole season is "fair use"? Each issue of a magazine is only one of hundreds if the not thousands so again same question. I don't think is any kind of close call. On Tue, May 17, 2016 at 1:54 PM, Griest, Bryan wrote: > My guess is that the definition of “portion of the work” is what is being > debated here. The professor probably sees the entire run of the series as > “the work” and that therefore one ep *is* a small portion. > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Tuesday, May 17, 2016 10:51 AM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] streaming rights for TV series? > > > > Yes indeed digitizing and streaming a complete episode would violate > copyright law. This is not if you will excuse the pun an "academic" > question, there are two recent Federal Court rulings and recent ruling by > Library of Congress governing the Digital Millennium Copyright act. In both > Google Books and Georgia State cases which were hailed as huge wins for > educational institutions the rulings were very specific that only portions > of longer works could be considered "fair use". In Google the court clearly > stated that because only a portion of the work was accessible , scanning > the entire work did not violate "fair use'. GSU was even clearer. While the > court ruled that the majority of the works were indeed "fair use" it also > ruled that 7 of 48 were NOT "fair use' either because they used too much > material or used the heart of the work. Also long forgotten is that when > the case was originally filed GSU had been digitizing and uploading > complete works but they ceased immediately after the case was filed. > > When the DMCA came up for review by the Library of Congress this past > November, many restrictions were removed in terms of who could break > encryption and for what purpose but a request by academic institutions to > be able to digitize and stream entire works was flatly rejected with the > following wording > * " Audiovisual works, for broad-based space-shifting and format-shifting > (declined due to lack of legal and factual support for exemption)"* > > Not sure if you can get much clearer than that. I think saying one > complete episode of a TV show does not violate "fair use" considering the > above is simply not accurate > > The larger issue though is that if you include TV, feature films, > educational films and other types of AV there are likely millions of works > that are simply not currently available for classroom streaming. A fairly > large chunk may be available through commercial sites but an even bigger > number are simply unavailable for streaming and many may either be out of > print or never have been released on any format other than film. The > reasons are various, rights disputes, lack or material or the expense of > making good enough copies, cranky rights holders etc. Instructors simply > have to look for legal options when material they want is not available to > stream because bluntly there is no legal right to stream anything you want > or need. If the titles is available via Netflix, Hulu, Amazon or similar I > wonder if asking students to pay fo that is any different than having them > by books for a class ( which I assume even online students do) > > I understand librarians want to help instructors get what they want but it > is not always possible. Sometimes you just have to tell them to be > creative and find either another legal method to view the material or > substitute something they can get rights for. > > Jessica > > > > On Tue, May 17, 2016 at 11:28 AM, Griest, Bryan > wrote: > > I imagine our content providers are saying, "Even one episode (if shown in > its entirety in this manner) violates copyright law." > > > -Original Message- > From: videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] On Behalf Of Maureen Tripp > Sent: Tuesday, May 17, 2016 7:32 AM > To: Videolib@lists.berkeley.edu > Subject: [Videolib] streaming rights for TV series? > > Would like some feedback on the following scenario: The complete first > season of All in the Family is part of the library's media collection. A > TV writing faculty member wants to show a single episode to students > en
Re: [Videolib] streaming rights for TV series?
My guess is that the definition of “portion of the work” is what is being debated here. The professor probably sees the entire run of the series as “the work” and that therefore one ep is a small portion. From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Tuesday, May 17, 2016 10:51 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] streaming rights for TV series? Yes indeed digitizing and streaming a complete episode would violate copyright law. This is not if you will excuse the pun an "academic" question, there are two recent Federal Court rulings and recent ruling by Library of Congress governing the Digital Millennium Copyright act. In both Google Books and Georgia State cases which were hailed as huge wins for educational institutions the rulings were very specific that only portions of longer works could be considered "fair use". In Google the court clearly stated that because only a portion of the work was accessible , scanning the entire work did not violate "fair use'. GSU was even clearer. While the court ruled that the majority of the works were indeed "fair use" it also ruled that 7 of 48 were NOT "fair use' either because they used too much material or used the heart of the work. Also long forgotten is that when the case was originally filed GSU had been digitizing and uploading complete works but they ceased immediately after the case was filed. When the DMCA came up for review by the Library of Congress this past November, many restrictions were removed in terms of who could break encryption and for what purpose but a request by academic institutions to be able to digitize and stream entire works was flatly rejected with the following wording " Audiovisual works, for broad-based space-shifting and format-shifting (declined due to lack of legal and factual support for exemption)" Not sure if you can get much clearer than that. I think saying one complete episode of a TV show does not violate "fair use" considering the above is simply not accurate The larger issue though is that if you include TV, feature films, educational films and other types of AV there are likely millions of works that are simply not currently available for classroom streaming. A fairly large chunk may be available through commercial sites but an even bigger number are simply unavailable for streaming and many may either be out of print or never have been released on any format other than film. The reasons are various, rights disputes, lack or material or the expense of making good enough copies, cranky rights holders etc. Instructors simply have to look for legal options when material they want is not available to stream because bluntly there is no legal right to stream anything you want or need. If the titles is available via Netflix, Hulu, Amazon or similar I wonder if asking students to pay fo that is any different than having them by books for a class ( which I assume even online students do) I understand librarians want to help instructors get what they want but it is not always possible. Sometimes you just have to tell them to be creative and find either another legal method to view the material or substitute something they can get rights for. Jessica On Tue, May 17, 2016 at 11:28 AM, Griest, Bryan mailto:bgri...@glendaleca.gov>> wrote: I imagine our content providers are saying, "Even one episode (if shown in its entirety in this manner) violates copyright law." -Original Message- From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Maureen Tripp Sent: Tuesday, May 17, 2016 7:32 AM To: Videolib@lists.berkeley.edu<mailto:Videolib@lists.berkeley.edu> Subject: [Videolib] streaming rights for TV series? Would like some feedback on the following scenario: The complete first season of All in the Family is part of the library's media collection. A TV writing faculty member wants to show a single episode to students enrolled in an online course. The faculty member would borrow the DVD from the Library, take it to media/instructional services and ask that it be digitized and uploaded to an internal streaming service so that it could be streamed via a course management system. However, if this TV writing faculty member wants to stream more than one episode, then the fair use analysis would weigh against fair use, and they would need to seek streaming rights. And speaking of streaming rights for TV series, does anyone have any tips on how to proceed? Thank you, Collectively Wise Ones. Maureen VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic con
Re: [Videolib] streaming rights for TV series?
Yes indeed digitizing and streaming a complete episode would violate copyright law. This is not if you will excuse the pun an "academic" question, there are two recent Federal Court rulings and recent ruling by Library of Congress governing the Digital Millennium Copyright act. In both Google Books and Georgia State cases which were hailed as huge wins for educational institutions the rulings were very specific that only portions of longer works could be considered "fair use". In Google the court clearly stated that because only a portion of the work was accessible , scanning the entire work did not violate "fair use'. GSU was even clearer. While the court ruled that the majority of the works were indeed "fair use" it also ruled that 7 of 48 were NOT "fair use' either because they used too much material or used the heart of the work. Also long forgotten is that when the case was originally filed GSU had been digitizing and uploading complete works but they ceased immediately after the case was filed. When the DMCA came up for review by the Library of Congress this past November, many restrictions were removed in terms of who could break encryption and for what purpose but a request by academic institutions to be able to digitize and stream entire works was flatly rejected with the following wording * " Audiovisual works, for broad-based space-shifting and format-shifting (declined due to lack of legal and factual support for exemption)"* Not sure if you can get much clearer than that. I think saying one complete episode of a TV show does not violate "fair use" considering the above is simply not accurate The larger issue though is that if you include TV, feature films, educational films and other types of AV there are likely millions of works that are simply not currently available for classroom streaming. A fairly large chunk may be available through commercial sites but an even bigger number are simply unavailable for streaming and many may either be out of print or never have been released on any format other than film. The reasons are various, rights disputes, lack or material or the expense of making good enough copies, cranky rights holders etc. Instructors simply have to look for legal options when material they want is not available to stream because bluntly there is no legal right to stream anything you want or need. If the titles is available via Netflix, Hulu, Amazon or similar I wonder if asking students to pay fo that is any different than having them by books for a class ( which I assume even online students do) I understand librarians want to help instructors get what they want but it is not always possible. Sometimes you just have to tell them to be creative and find either another legal method to view the material or substitute something they can get rights for. Jessica On Tue, May 17, 2016 at 11:28 AM, Griest, Bryan wrote: > I imagine our content providers are saying, "Even one episode (if shown in > its entirety in this manner) violates copyright law." > > -Original Message- > From: videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] On Behalf Of Maureen Tripp > Sent: Tuesday, May 17, 2016 7:32 AM > To: Videolib@lists.berkeley.edu > Subject: [Videolib] streaming rights for TV series? > > Would like some feedback on the following scenario: The complete first > season of All in the Family is part of the library's media collection. A > TV writing faculty member wants to show a single episode to students > enrolled in an online course. The faculty member would borrow the DVD from > the Library, take it to media/instructional services and ask that it be > digitized and uploaded to an internal streaming service so that it could be > streamed via a course management system. > > However, if this TV writing faculty member wants to stream more than one > episode, then the fair use analysis would weigh against fair use, and they > would need to seek streaming rights. > > And speaking of streaming rights for TV series, does anyone have any tips > on how to proceed? > Thank you, Collectively Wise Ones. > Maureen > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, a
Re: [Videolib] streaming rights for TV series?
I imagine our content providers are saying, "Even one episode (if shown in its entirety in this manner) violates copyright law." -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Maureen Tripp Sent: Tuesday, May 17, 2016 7:32 AM To: Videolib@lists.berkeley.edu Subject: [Videolib] streaming rights for TV series? Would like some feedback on the following scenario: The complete first season of All in the Family is part of the library's media collection. A TV writing faculty member wants to show a single episode to students enrolled in an online course. The faculty member would borrow the DVD from the Library, take it to media/instructional services and ask that it be digitized and uploaded to an internal streaming service so that it could be streamed via a course management system. However, if this TV writing faculty member wants to stream more than one episode, then the fair use analysis would weigh against fair use, and they would need to seek streaming rights. And speaking of streaming rights for TV series, does anyone have any tips on how to proceed? Thank you, Collectively Wise Ones. Maureen VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for TV series?
Swank licenses some of the episodes for streaming though just a selection. On Tue, May 17, 2016 at 10:32 AM, Maureen Tripp wrote: > Would like some feedback on the following scenario: The complete first > season of All in the Family is part of the library's media collection. A > TV writing faculty member wants to show a single episode to students > enrolled in an online course. The faculty member would borrow the DVD from > the Library, take it to media/instructional services and ask that it be > digitized and uploaded to an internal streaming service so that it could be > streamed via a course management system. > > However, if this TV writing faculty member wants to stream more than one > episode, then the fair use analysis would weigh against fair use, and they > would need to seek streaming rights. > > And speaking of streaming rights for TV series, does anyone have any tips > on how to proceed? > Thank you, Collectively Wise Ones. > Maureen > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > -- Chris Lewis American University Library 202.885.3257 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights for TV series?
Would like some feedback on the following scenario: The complete first season of All in the Family is part of the library's media collection. A TV writing faculty member wants to show a single episode to students enrolled in an online course. The faculty member would borrow the DVD from the Library, take it to media/instructional services and ask that it be digitized and uploaded to an internal streaming service so that it could be streamed via a course management system. However, if this TV writing faculty member wants to stream more than one episode, then the fair use analysis would weigh against fair use, and they would need to seek streaming rights. And speaking of streaming rights for TV series, does anyone have any tips on how to proceed? Thank you, Collectively Wise Ones. Maureen VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Am American Friend and The Servant?
I am pretty sure but are Criterion Janus but perhaps not licensed for streaming I would email Ben ( who you might know from when he was at Zeitgeist) and he can check for you. b...@janusfilms.com On Fri, Mar 4, 2016 at 11:10 AM, Maureen Tripp wrote: > Hi Everyone, > I've searched the usual places (Swank, Kanopy) but can't find Wender's > American Friend or Joseph Losey's The Servant available for streaming--any > suggestions? > thank you, > Maureen > > From: videolib-boun...@lists.berkeley.edu < > videolib-boun...@lists.berkeley.edu> on behalf of fellin...@aol.com < > fellin...@aol.com> > Sent: Thursday, March 3, 2016 3:05 PM > To: videolib@lists.berkeley.edu > Subject: [Videolib] 16 MMs > > I just wanted to thank everyone for their help in regards to our 16 mm > film collections. > > We have decided to keep ours and fashion out a little theatre so they can > be viewed. > > Long Live 16mm babies. Long Live 16 mm afficionados. > YAY! > > > Lisa Flanzraich > Media and Reference Librarian > Benjamin S. Rosenthal Library > Queens College > 65-30 Kissena Blvd. > Flushing , NY 11367 > 718-997-3673 > Room 344 > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights for Am American Friend and The Servant?
Hi Everyone, I've searched the usual places (Swank, Kanopy) but can't find Wender's American Friend or Joseph Losey's The Servant available for streaming--any suggestions? thank you, Maureen From: videolib-boun...@lists.berkeley.edu on behalf of fellin...@aol.com Sent: Thursday, March 3, 2016 3:05 PM To: videolib@lists.berkeley.edu Subject: [Videolib] 16 MMs I just wanted to thank everyone for their help in regards to our 16 mm film collections. We have decided to keep ours and fashion out a little theatre so they can be viewed. Long Live 16mm babies. Long Live 16 mm afficionados. YAY! Lisa Flanzraich Media and Reference Librarian Benjamin S. Rosenthal Library Queens College 65-30 Kissena Blvd. Flushing , NY 11367 718-997-3673 Room 344 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song
Well OK some good news. My contact at IFC says Swank can handle WHITE MATERIAL and if they have any issue with it he will confirm it is OK. You can contact me off list for more info if you need it. Jessica On Wed, Sep 16, 2015 at 1:31 PM, Wochna, Lorraine wrote: > Thanks Jessica, > > I have contacted Criterion and it looks like India Song is a no go. > > Best, > > lorraine > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, September 16, 2015 1:16 PM > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights, Denis-White Material and > Duras-India Song > > > > Criterion has the DVD so while they may not own the rights , they know who > does. I think the best contact there is in Toronto but I would check with > them. > > > > > > > > On Wed, Sep 16, 2015 at 1:12 PM, Wochna, Lorraine wrote: > > Hi all, > > I meant Claire Denis, White Material. > > Thank you, > > Best, > > lorraine > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, September 16, 2015 12:19 PM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights, Denis-White Material and > Duras-India Song > > > > I am pretty sure India Song does not have distribution in the US. There is > enough info out there to track down the rights holder but I can pretty much > guarantee they will either turn you down flat or want an insane amount of > money. You can buy DVD from Canada or France but it does not look like it > has English subtitles, > > > > I do not know Denis- White, do you more information? > > > > On Wed, Sep 16, 2015 at 11:49 AM, Wochna, Lorraine > wrote: > > Hello all, > > > > Faculty asking for streaming rights for White Material (USA dist, IFC and > Criterion Collection) and India Song (USA dist, ? Olivi or Sunchild? Or > Films Armorial? - these are listed in our catalog record as well as > Worldcat). > > > > Not even sure if I can get these streaming. Any advice is appreciated. > > Thank you, > > lorraine wochna > > > > lorraine wochna > > African American Studies, English, Performing Arts > > Alden Library, 2nd floor > > Ohio University > > Athens OH 45701 > > W 740-597-1238 > > CHAT/info: http://libguides.library.ohiou.edu/prf.php?account_id=7943 > > > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song
Thanks Jessica, I have contacted Criterion and it looks like India Song is a no go. Best, lorraine From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, September 16, 2015 1:16 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song Criterion has the DVD so while they may not own the rights , they know who does. I think the best contact there is in Toronto but I would check with them. On Wed, Sep 16, 2015 at 1:12 PM, Wochna, Lorraine mailto:woc...@ohio.edu>> wrote: Hi all, I meant Claire Denis, White Material. Thank you, Best, lorraine From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Wednesday, September 16, 2015 12:19 PM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song I am pretty sure India Song does not have distribution in the US. There is enough info out there to track down the rights holder but I can pretty much guarantee they will either turn you down flat or want an insane amount of money. You can buy DVD from Canada or France but it does not look like it has English subtitles, I do not know Denis- White, do you more information? On Wed, Sep 16, 2015 at 11:49 AM, Wochna, Lorraine mailto:woc...@ohio.edu>> wrote: Hello all, Faculty asking for streaming rights for White Material (USA dist, IFC and Criterion Collection) and India Song (USA dist, ? Olivi or Sunchild? Or Films Armorial? - these are listed in our catalog record as well as Worldcat). Not even sure if I can get these streaming. Any advice is appreciated. Thank you, lorraine wochna lorraine wochna African American Studies, English, Performing Arts Alden Library, 2nd floor Ohio University Athens OH 45701 W 740-597-1238 CHAT/info: http://libguides.library.ohiou.edu/prf.php?account_id=7943 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song
Criterion has the DVD so while they may not own the rights , they know who does. I think the best contact there is in Toronto but I would check with them. On Wed, Sep 16, 2015 at 1:12 PM, Wochna, Lorraine wrote: > Hi all, > > I meant Claire Denis, White Material. > > Thank you, > > Best, > > lorraine > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, September 16, 2015 12:19 PM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights, Denis-White Material and > Duras-India Song > > > > I am pretty sure India Song does not have distribution in the US. There is > enough info out there to track down the rights holder but I can pretty much > guarantee they will either turn you down flat or want an insane amount of > money. You can buy DVD from Canada or France but it does not look like it > has English subtitles, > > > > I do not know Denis- White, do you more information? > > > > On Wed, Sep 16, 2015 at 11:49 AM, Wochna, Lorraine > wrote: > > Hello all, > > > > Faculty asking for streaming rights for White Material (USA dist, IFC and > Criterion Collection) and India Song (USA dist, ? Olivi or Sunchild? Or > Films Armorial? - these are listed in our catalog record as well as > Worldcat). > > > > Not even sure if I can get these streaming. Any advice is appreciated. > > Thank you, > > lorraine wochna > > > > lorraine wochna > > African American Studies, English, Performing Arts > > Alden Library, 2nd floor > > Ohio University > > Athens OH 45701 > > W 740-597-1238 > > CHAT/info: http://libguides.library.ohiou.edu/prf.php?account_id=7943 > > > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song
Hi all, I meant Claire Denis, White Material. Thank you, Best, lorraine From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, September 16, 2015 12:19 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song I am pretty sure India Song does not have distribution in the US. There is enough info out there to track down the rights holder but I can pretty much guarantee they will either turn you down flat or want an insane amount of money. You can buy DVD from Canada or France but it does not look like it has English subtitles, I do not know Denis- White, do you more information? On Wed, Sep 16, 2015 at 11:49 AM, Wochna, Lorraine mailto:woc...@ohio.edu>> wrote: Hello all, Faculty asking for streaming rights for White Material (USA dist, IFC and Criterion Collection) and India Song (USA dist, ? Olivi or Sunchild? Or Films Armorial? - these are listed in our catalog record as well as Worldcat). Not even sure if I can get these streaming. Any advice is appreciated. Thank you, lorraine wochna lorraine wochna African American Studies, English, Performing Arts Alden Library, 2nd floor Ohio University Athens OH 45701 W 740-597-1238 CHAT/info: http://libguides.library.ohiou.edu/prf.php?account_id=7943 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights, Denis-White Material and Duras-India Song
I am pretty sure India Song does not have distribution in the US. There is enough info out there to track down the rights holder but I can pretty much guarantee they will either turn you down flat or want an insane amount of money. You can buy DVD from Canada or France but it does not look like it has English subtitles, I do not know Denis- White, do you more information? On Wed, Sep 16, 2015 at 11:49 AM, Wochna, Lorraine wrote: > Hello all, > > > > Faculty asking for streaming rights for White Material (USA dist, IFC and > Criterion Collection) and India Song (USA dist, ? Olivi or Sunchild? Or > Films Armorial? - these are listed in our catalog record as well as > Worldcat). > > > > Not even sure if I can get these streaming. Any advice is appreciated. > > Thank you, > > lorraine wochna > > > > lorraine wochna > > African American Studies, English, Performing Arts > > Alden Library, 2nd floor > > Ohio University > > Athens OH 45701 > > W 740-597-1238 > > CHAT/info: http://libguides.library.ohiou.edu/prf.php?account_id=7943 > > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming Rights, Denis-White Material and Duras-India Song
Hello all, Faculty asking for streaming rights for White Material (USA dist, IFC and Criterion Collection) and India Song (USA dist, ? Olivi or Sunchild? Or Films Armorial? - these are listed in our catalog record as well as Worldcat). Not even sure if I can get these streaming. Any advice is appreciated. Thank you, lorraine wochna lorraine wochna African American Studies, English, Performing Arts Alden Library, 2nd floor Ohio University Athens OH 45701 W 740-597-1238 CHAT/info: http://libguides.library.ohiou.edu/prf.php?account_id=7943 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"?
All, I just heard back from the Swank representative who is working with me on streaming rights for both titles! Thanks so much for every one's responses. Now I feel like I can enjoy the rest of my Friday. Phew! Jeanne On Fri, Mar 13, 2015 at 1:32 PM, Jeffrey Pearson wrote: > > Hi Jeanne. The Swank website indicates they hold streaming rights for both. > > http://digitalcampus.swankmp.com/synopsis?0011210 > > http://digitalcampus.swankmp.com/synopsis?0011188 > > Good luck, > > Jeff Pearson > UMich Askwith Media Library > > > > -- Forwarded message -- > From: Jeanne Little > Date: Fri, Mar 13, 2015 at 1:56 PM > Subject: [Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"? > To: videolib@lists.berkeley.edu > > > All, > > I am slowly but surely exhausting my repertoire of places to possibly > locate streaming rights for two films we currently own in DVD format: > >"Kiss Me Kate" > Jack Cummings, producer; with Kathryn Grayson, Howard Keel, etc. > Warner Home Entertainment (Metro Goldwyn Mayer), c. 2003, 1953 > >"West Side Story" >Robert Wise and Jerome Robbins, directors; with Natalie Wood, > Richard Beymer, etc. >Mirisch Pictures, in association with Seven Arts productions, > Inc., c.2003, 1961 > > I know that streaming feature films is a stretch, but I have emails > out to Swank and Warner Brothers. No responses yet. I did see that it > was available digitally through various sources listed at "Can I > Stream It", but this request originated from a faculty who is teaching > an online only class and she is interested in 1-3 years streaming for > her course. > > Any ideas, suggestions, or "you have to be kiddings" would be appreciated. > > Thanks, and happy weekend. > > Jeanne Little > -- > Rod Library - Room 250 > Collection Management & Special Services > University of Northern Iowa > Cedar Falls, IA 50614-3675 > 319-273-7255 > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, > acquisition,bibliographic control, preservation, and use of current > and evolving video formats in libraries and related institutions. It > is hoped that the list will serve as an effective working tool for > video librarians, as well as a channel of communication between > libraries,educational institutions, and video producers and > distributors. -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50614-3675 319-273-7255 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"?
I am not aware of any rights problem for either film but sometimes there can be issues with musicals or studios pull them for a time for reissue.In any event Swank must have the answers , they have both of the rights holders under contract. I assume they can license individual titles. Again there could be rights complications with music as that happens a lot. Good luck On Fri, Mar 13, 2015 at 1:56 PM, Jeanne Little wrote: > All, > > I am slowly but surely exhausting my repertoire of places to possibly > locate streaming rights for two films we currently own in DVD format: > >"Kiss Me Kate" > Jack Cummings, producer; with Kathryn Grayson, Howard Keel, etc. > Warner Home Entertainment (Metro Goldwyn Mayer), c. 2003, 1953 > >"West Side Story" >Robert Wise and Jerome Robbins, directors; with Natalie Wood, > Richard Beymer, etc. >Mirisch Pictures, in association with Seven Arts productions, > Inc., c.2003, 1961 > > I know that streaming feature films is a stretch, but I have emails out to > Swank and Warner Brothers. No responses yet. I did see that it was > available digitally through various sources listed at "Can I Stream It", > but this request originated from a faculty who is teaching an online only > class and she is interested in 1-3 years streaming for her course. > > Any ideas, suggestions, or "you have to be kiddings" would be appreciated. > > Thanks, and happy weekend. > > Jeanne Little > -- > Rod Library - Room 250 > Collection Management & Special Services > University of Northern Iowa > Cedar Falls, IA 50614-3675 > 319-273-7255 > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"?
There's a search tool on the Swank website ( http://digitalcampus.swankmp.com/search) that captures most of the films they can license, as well as a similar tool for Criterion Pictures USA ( http://media2.criterionpic.com/CPLUSA/qsearch.htx). Using this search functionality, it appears that Swank also has the rights for Kiss Me Kate (1953). All best, Brian Brian Boling Media Services Librarian Temple University Libraries brian.bol...@temple.edu On Fri, Mar 13, 2015 at 2:20 PM, Sarah E. McCleskey < sarah.e.mccles...@hofstra.edu> wrote: > Swank has West Side Story. > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jeanne Little > *Sent:* Friday, March 13, 2015 1:56 PM > *To:* videolib@lists.berkeley.edu > *Subject:* [Videolib] Streaming rights for "Kiss me Kate" and "West Side > Story"? > > > > All, > > > > I am slowly but surely exhausting my repertoire of places to possibly > locate streaming rights for two films we currently own in DVD format: > > > >"Kiss Me Kate" > > Jack Cummings, producer; with Kathryn Grayson, Howard Keel, etc. > > Warner Home Entertainment (Metro Goldwyn Mayer), c. 2003, 1953 > > > >"West Side Story" > >Robert Wise and Jerome Robbins, directors; with Natalie Wood, > Richard Beymer, etc. > >Mirisch Pictures, in association with Seven Arts productions, Inc., > c.2003, 1961 > > > > I know that streaming feature films is a stretch, but I have emails out to > Swank and Warner Brothers. No responses yet. I did see that it was > available digitally through various sources listed at "Can I Stream It", > but this request originated from a faculty who is teaching an online only > class and she is interested in 1-3 years streaming for her course. > > > > Any ideas, suggestions, or "you have to be kiddings" would be appreciated. > > > > Thanks, and happy weekend. > > > > Jeanne Little > > -- > > Rod Library - Room 250 > > Collection Management & Special Services > > University of Northern Iowa > > Cedar Falls, IA 50614-3675 > > 319-273-7255 > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"?
Swank has West Side Story. From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jeanne Little Sent: Friday, March 13, 2015 1:56 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"? All, I am slowly but surely exhausting my repertoire of places to possibly locate streaming rights for two films we currently own in DVD format: "Kiss Me Kate" Jack Cummings, producer; with Kathryn Grayson, Howard Keel, etc. Warner Home Entertainment (Metro Goldwyn Mayer), c. 2003, 1953 "West Side Story" Robert Wise and Jerome Robbins, directors; with Natalie Wood, Richard Beymer, etc. Mirisch Pictures, in association with Seven Arts productions, Inc., c.2003, 1961 I know that streaming feature films is a stretch, but I have emails out to Swank and Warner Brothers. No responses yet. I did see that it was available digitally through various sources listed at "Can I Stream It", but this request originated from a faculty who is teaching an online only class and she is interested in 1-3 years streaming for her course. Any ideas, suggestions, or "you have to be kiddings" would be appreciated. Thanks, and happy weekend. Jeanne Little -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50614-3675 319-273-7255 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming rights for "Kiss me Kate" and "West Side Story"?
All, I am slowly but surely exhausting my repertoire of places to possibly locate streaming rights for two films we currently own in DVD format: "Kiss Me Kate" Jack Cummings, producer; with Kathryn Grayson, Howard Keel, etc. Warner Home Entertainment (Metro Goldwyn Mayer), c. 2003, 1953 "West Side Story" Robert Wise and Jerome Robbins, directors; with Natalie Wood, Richard Beymer, etc. Mirisch Pictures, in association with Seven Arts productions, Inc., c.2003, 1961 I know that streaming feature films is a stretch, but I have emails out to Swank and Warner Brothers. No responses yet. I did see that it was available digitally through various sources listed at "Can I Stream It", but this request originated from a faculty who is teaching an online only class and she is interested in 1-3 years streaming for her course. Any ideas, suggestions, or "you have to be kiddings" would be appreciated. Thanks, and happy weekend. Jeanne Little -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50614-3675 319-273-7255 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - Deadly Deception
Thanks Amanda! I didn't know about this service. I will contact them. -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Amanda Timolat Sent: Thursday, November 06, 2014 3:40 PM To: 'videolib@lists.berkeley.edu' Subject: Re: [Videolib] Streaming Rights - Deadly Deception Hi Kim, You mentioned that you got in touch with WGBH, did you try their Media Library and Archives department, the Open Vault Project? It appears that you can request the digitization of their archival programing if you are willing to cover the cost. "Request Digitization of Audio Video or Transcript A feature that we introduced on the Boston TV News Digital Library website (bostonlocaltv.org) is the ability to request that a program be digitized. As part of this Open Vault relaunch, we're including the ability to request a digital transcript be made of a program as well. How it works is if you register for a free account on Open Vault, when you navigate to a page where no video is streaming and/or no transcript is viewable, you have the ability to pay for the digitization yourself by clicking the "Request Digitization" or "Request Transcription" button. This will send an email to the WGBH MLA staff and someone will be in contact with you about how much it would cost you to make that request digitized and available on Open Vault (rights permitting). Think of it as a sponsorship of the preservation of the asset as well as helping to pay to make it accessible for everyone on the internet." http://blog.openvault.wgbh.org/ "Deadly Deception" http://openvault.wgbh.org/catalog/openvault:20169 "The Death of Nancy Cruzan" http://openvault.wgbh.org/catalog/openvault:16364 Amanda Timolat Media Librarian Baruch College Library 151 E 25th Street New York, NY 10010 -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of videolib-requ...@lists.berkeley.edu Sent: Thursday, November 06, 2014 1:21 PM To: videolib@lists.berkeley.edu Subject: videolib Digest, Vol 84, Issue 4 Send videolib mailing list submissions to videolib@lists.berkeley.edu To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/videolib@lists.berkeley.edu or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu You can reach the person managing the list at videolib-ow...@lists.berkeley.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. Streaming Rights - Deadly Deception & Death of Nancy Cruzan (Linkous, Kimberly A.) -- Message: 1 Date: Wed, 5 Nov 2014 21:52:53 + From: "Linkous, Kimberly A." Subject: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan To: "videolib@lists.berkeley.edu" Message-ID: <808F944DD787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local> Content-Type: text/plain; charset="us-ascii" Hello, I have been trying to find out if we can obtain streaming rights for the films Deadly Deception & The Death of Nancy Cruzan. For the first one, I've contacted FFH, WGBH and ABC News with no luck. I tried PBS and attempted to contact someone at CBS news for the second film. I'm writing to see if anyone here has any contacts or information that might help. Thanks! Kim Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - Deadly Deception
Hi Kim, You mentioned that you got in touch with WGBH, did you try their Media Library and Archives department, the Open Vault Project? It appears that you can request the digitization of their archival programing if you are willing to cover the cost. "Request Digitization of Audio Video or Transcript A feature that we introduced on the Boston TV News Digital Library website (bostonlocaltv.org) is the ability to request that a program be digitized. As part of this Open Vault relaunch, we're including the ability to request a digital transcript be made of a program as well. How it works is if you register for a free account on Open Vault, when you navigate to a page where no video is streaming and/or no transcript is viewable, you have the ability to pay for the digitization yourself by clicking the "Request Digitization" or "Request Transcription" button. This will send an email to the WGBH MLA staff and someone will be in contact with you about how much it would cost you to make that request digitized and available on Open Vault (rights permitting). Think of it as a sponsorship of the preservation of the asset as well as helping to pay to make it accessible for everyone on the internet." http://blog.openvault.wgbh.org/ "Deadly Deception" http://openvault.wgbh.org/catalog/openvault:20169 "The Death of Nancy Cruzan" http://openvault.wgbh.org/catalog/openvault:16364 Amanda Timolat Media Librarian Baruch College Library 151 E 25th Street New York, NY 10010 -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of videolib-requ...@lists.berkeley.edu Sent: Thursday, November 06, 2014 1:21 PM To: videolib@lists.berkeley.edu Subject: videolib Digest, Vol 84, Issue 4 Send videolib mailing list submissions to videolib@lists.berkeley.edu To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/videolib@lists.berkeley.edu or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu You can reach the person managing the list at videolib-ow...@lists.berkeley.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. Streaming Rights - Deadly Deception & Death of Nancy Cruzan (Linkous, Kimberly A.) -- Message: 1 Date: Wed, 5 Nov 2014 21:52:53 + From: "Linkous, Kimberly A." Subject: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan To: "videolib@lists.berkeley.edu" Message-ID: <808F944DD787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local> Content-Type: text/plain; charset="us-ascii" Hello, I have been trying to find out if we can obtain streaming rights for the films Deadly Deception & The Death of Nancy Cruzan. For the first one, I've contacted FFH, WGBH and ABC News with no luck. I tried PBS and attempted to contact someone at CBS news for the second film. I'm writing to see if anyone here has any contacts or information that might help. Thanks! Kim Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan
Doh! Should¹ve known there¹d be more than one film with that catchy title. Jeff Tamblyn Director of Educational Sales and Distribution Kino Lorber EDU 333 W. 39th St., Ste 503 New York, NY 10018 212 629 6880 www.kinolorberedu.com www.kinolorber.com www.alivemindcinema.com P.S. Please update your Kino Lorber EDU mailing list preferences at http://tinyurl.com/kledu-signup From: Reply-To: Date: Thursday, November 6, 2014 at 2:14 PM To: Subject: videolib Digest, Vol 84, Issue 6 Send videolib mailing list submissions to videolib@lists.berkeley.edu To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/video...@lists.berkeley.ed u or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu You can reach the person managing the list at videolib-ow...@lists.berkeley.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. Re: Streaming Rights - Deadly Deception & Death of Nancy Cruzan (Linkous, Kimberly A.) -- Message: 1 Date: Thu, 6 Nov 2014 19:12:50 + From: "Linkous, Kimberly A." Subject: Re: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan To: "'videolib@lists.berkeley.edu'" Message-ID: <808F944DD787DF4CA927D3541938538A69E377@CCMBX02.stlcc.local> Content-Type: text/plain; charset="us-ascii" Thanks for the suggestion Jeff. I should have clarified that we're looking for the FFH film about the Tuskegee Study. Thanks! Kim From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jeff Tamblyn Sent: Thursday, November 06, 2014 1:06 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan I believe Deadly Deception can be found through New Day Films! https://www.newday.com/film/deadly-deception-general-electric-nuclear-weapon s-and-our-environment Jeff Tamblyn Director of Educational Sales and Distribution Kino Lorber EDU 333 W. 39th St., Ste 503 New York, NY 10018 212 629 6880 www.kinolorberedu.com<http://www.kinolorberedu.com> www.kinolorber.com<http://www.kinolorber.com> www.alivemindcinema.com<http://www.alivemindcinema.com> P.S. Please update your Kino Lorber EDU mailing list preferences at http://tinyurl.com/kledu-signup From: mailto:videolib-request@lists.berkeley. edu>> Reply-To: mailto:videolib@lists.berkeley.edu>> Date: Thursday, November 6, 2014 at 1:20 PM To: mailto:videolib@lists.berkeley.edu>> Subject: videolib Digest, Vol 84, Issue 4 Send videolib mailing list submissions to videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/video...@lists.berkeley.ed u or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu<mailto:videolib-request@lists.berkeley.e du> You can reach the person managing the list at videolib-ow...@lists.berkeley.edu<mailto:videolib-ow...@lists.berkeley.edu> When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. Streaming Rights - Deadly Deception & Death of Nancy Cruzan (Linkous, Kimberly A.) 2. Union Maids on DVD? (Maureen Tripp) 3. Re: Union Maids on DVD? (Brian W Boling) 4. Re: Union Maids on DVD? (Maureen Tripp) 5. Question regarding library strategies for providing accessibility to audiovisual materials (Borden, Lisa M.) 6. Re: Question regarding library strategies for providing accessibility to audiovisual materials (Anna Goslen) ------ Message: 1 Date: Wed, 5 Nov 2014 21:52:53 + From: "Linkous, Kimberly A." mailto:klink...@stlcc.edu>> Subject: [Videolib] Streaming Rights - Deadly Deception & Death of NancyCruzan To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" mailto:videolib@lists.berkeley.edu>> Message-ID: <808F944DD787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local<mailto:808F944DD 787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local>> Content-Type: text/plain; charset="us-ascii" Hello, I have been trying to find out if we can obtain streaming rights for the films Deadly Deception & The Death of Nancy Cruzan. For the first one, I've contacted FFH, WGBH and ABC News with no luck. I tried PBS and attempted to contact someone at CBS news for the second film. I'm writing to
Re: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan
Thanks for the suggestion Jeff. I should have clarified that we're looking for the FFH film about the Tuskegee Study. Thanks! Kim From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jeff Tamblyn Sent: Thursday, November 06, 2014 1:06 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan I believe Deadly Deception can be found through New Day Films! https://www.newday.com/film/deadly-deception-general-electric-nuclear-weapons-and-our-environment Jeff Tamblyn Director of Educational Sales and Distribution Kino Lorber EDU 333 W. 39th St., Ste 503 New York, NY 10018 212 629 6880 www.kinolorberedu.com<http://www.kinolorberedu.com> www.kinolorber.com<http://www.kinolorber.com> www.alivemindcinema.com<http://www.alivemindcinema.com> P.S. Please update your Kino Lorber EDU mailing list preferences at http://tinyurl.com/kledu-signup From: mailto:videolib-requ...@lists.berkeley.edu>> Reply-To: mailto:videolib@lists.berkeley.edu>> Date: Thursday, November 6, 2014 at 1:20 PM To: mailto:videolib@lists.berkeley.edu>> Subject: videolib Digest, Vol 84, Issue 4 Send videolib mailing list submissions to videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/videolib@lists.berkeley.edu or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu<mailto:videolib-requ...@lists.berkeley.edu> You can reach the person managing the list at videolib-ow...@lists.berkeley.edu<mailto:videolib-ow...@lists.berkeley.edu> When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. Streaming Rights - Deadly Deception & Death of Nancy Cruzan (Linkous, Kimberly A.) 2. Union Maids on DVD? (Maureen Tripp) 3. Re: Union Maids on DVD? (Brian W Boling) 4. Re: Union Maids on DVD? (Maureen Tripp) 5. Question regarding library strategies for providing accessibility to audiovisual materials (Borden, Lisa M.) 6. Re: Question regarding library strategies for providing accessibility to audiovisual materials (Anna Goslen) -- Message: 1 Date: Wed, 5 Nov 2014 21:52:53 + From: "Linkous, Kimberly A." mailto:klink...@stlcc.edu>> Subject: [Videolib] Streaming Rights - Deadly Deception & Death of NancyCruzan To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" mailto:videolib@lists.berkeley.edu>> Message-ID: <808F944DD787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local<mailto:808F944DD787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local>> Content-Type: text/plain; charset="us-ascii" Hello, I have been trying to find out if we can obtain streaming rights for the films Deadly Deception & The Death of Nancy Cruzan. For the first one, I've contacted FFH, WGBH and ABC News with no luck. I tried PBS and attempted to contact someone at CBS news for the second film. I'm writing to see if anyone here has any contacts or information that might help. Thanks! Kim Linkous St. Louis Community College -- next part -- An HTML attachment scrubbed and removed. HTML attachments are only available in MIME digests. -- Message: 2 Date: Thu, 6 Nov 2014 17:44:12 + From: Maureen Tripp mailto:maureen_tr...@emerson.edu>> Subject: [Videolib] Union Maids on DVD? To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" mailto:videolib@lists.berkeley.edu>> Message-ID: mailto:bff176bfd9554d40af48b2d26db1e...@thunder.emerson.edu>> Content-Type: text/plain; charset="us-ascii" does anyone know of a source for this 1976 documentary directed by Jim Klein, Julia Reichert, and Miles Mogulescu? Our VHS copy is just about ready to give up the ghost. And it still gets used quite a bit. -- Message: 3 Date: Thu, 6 Nov 2014 12:50:23 -0500 From: Brian W Boling mailto:brian.bol...@temple.edu>> Subject: Re: [Videolib] Union Maids on DVD? To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" mailto:videolib@lists.berkeley.edu>> Message-ID: mailto:cahnei2zts7-1tqpwacnaryrhd2-pxa3o9akce0kmy00f3rp...@mail.gmail.com>> Content-Type: text/plain; charset="utf-8" Hi Maureen, It looks like this is still distributed by New Day Films and is now available on DVD: https://www.newday.com/film/union-maids All best, Brian. Brian Boling Media
[Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan
I believe Deadly Deception can be found through New Day Films! https://www.newday.com/film/deadly-deception-general-electric-nuclear-weapon s-and-our-environment Jeff Tamblyn Director of Educational Sales and Distribution Kino Lorber EDU 333 W. 39th St., Ste 503 New York, NY 10018 212 629 6880 www.kinolorberedu.com www.kinolorber.com www.alivemindcinema.com P.S. Please update your Kino Lorber EDU mailing list preferences at http://tinyurl.com/kledu-signup From: Reply-To: Date: Thursday, November 6, 2014 at 1:20 PM To: Subject: videolib Digest, Vol 84, Issue 4 Send videolib mailing list submissions to videolib@lists.berkeley.edu To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/video...@lists.berkeley.ed u or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu You can reach the person managing the list at videolib-ow...@lists.berkeley.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. Streaming Rights - Deadly Deception & Death of Nancy Cruzan (Linkous, Kimberly A.) 2. Union Maids on DVD? (Maureen Tripp) 3. Re: Union Maids on DVD? (Brian W Boling) 4. Re: Union Maids on DVD? (Maureen Tripp) 5. Question regarding library strategies for providing accessibility to audiovisual materials (Borden, Lisa M.) 6. Re: Question regarding library strategies for providing accessibility to audiovisual materials (Anna Goslen) -- Message: 1 Date: Wed, 5 Nov 2014 21:52:53 + From: "Linkous, Kimberly A." Subject: [Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan To: "videolib@lists.berkeley.edu" Message-ID: <808F944DD787DF4CA927D3541938538A69DF69@CCMBX02.stlcc.local> Content-Type: text/plain; charset="us-ascii" Hello, I have been trying to find out if we can obtain streaming rights for the films Deadly Deception & The Death of Nancy Cruzan. For the first one, I've contacted FFH, WGBH and ABC News with no luck. I tried PBS and attempted to contact someone at CBS news for the second film. I'm writing to see if anyone here has any contacts or information that might help. Thanks! Kim Linkous St. Louis Community College -- next part -- An HTML attachment scrubbed and removed. HTML attachments are only available in MIME digests. -- Message: 2 Date: Thu, 6 Nov 2014 17:44:12 + From: Maureen Tripp Subject: [Videolib] Union Maids on DVD? To: "videolib@lists.berkeley.edu" Message-ID: Content-Type: text/plain; charset="us-ascii" does anyone know of a source for this 1976 documentary directed by Jim Klein, Julia Reichert, and Miles Mogulescu? Our VHS copy is just about ready to give up the ghost. And it still gets used quite a bit. -- Message: 3 Date: Thu, 6 Nov 2014 12:50:23 -0500 From: Brian W Boling Subject: Re: [Videolib] Union Maids on DVD? To: "videolib@lists.berkeley.edu" Message-ID: Content-Type: text/plain; charset="utf-8" Hi Maureen, It looks like this is still distributed by New Day Films and is now available on DVD: https://www.newday.com/film/union-maids All best, Brian. Brian Boling Media Services Librarian Temple University Libraries brian.bol...@temple.edu On Thu, Nov 6, 2014 at 12:44 PM, Maureen Tripp wrote: > does anyone know of a source for this 1976 documentary directed by Jim > Klein, Julia Reichert, and Miles Mogulescu? > Our VHS copy is just about ready to give up the ghost. > And it still gets used quite a bit. > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > -- next part -- An HTML attachment scrubbed and removed. HTML attachments are only available in MIME digests. -- Message: 4 Date: Thu, 6 Nov 2014 18:00:59 + From: Maureen Tripp Subject: Re: [Videolib] Union Maids on DVD? To: "videolib@lists.berkeley.edu" Message-ID: Content-Type: text/plain; charset="us-ascii" OMIGOD, Brian, you are a genius!!! Thank you!!! From: videolib-boun...@lists.berkeley.edu on behalf of Maureen Tripp Sent: Thursday, November 6, 2014 12:44 PM To: videolib@lists.berkeley.edu Sub
[Videolib] Streaming Rights - Deadly Deception & Death of Nancy Cruzan
Hello, I have been trying to find out if we can obtain streaming rights for the films Deadly Deception & The Death of Nancy Cruzan. For the first one, I've contacted FFH, WGBH and ABC News with no luck. I tried PBS and attempted to contact someone at CBS news for the second film. I'm writing to see if anyone here has any contacts or information that might help. Thanks! Kim Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Russian films
Mosfilm has at least some of it titles on Youtube http://www.youtube.com/user/mosfilm/featured I believe that this is an official channel, it has been up and running for years. I did see Autumn Marathon, didn't check for the others. Julie *Julie Evershed, Director* University of Michigan Language Resource Center 105 South State Street 1195 North Quad Ann Arbor, MI 48109-1285 (734) 764-0424 http://www.lsa.umich.edu/lrc/ On Mon, Aug 18, 2014 at 11:20 AM, Sarah E. McCleskey < sarah.e.mccles...@hofstra.edu> wrote: > I know, I know ... long shot ... > > These were all released by RUSCICO, does anyone have any idea how I would > even start to research rights?? > > Unfinished Piece for the Player Piano > > Ivan Vasilievich - Back to the future > > Autumn Marathon > > Thanks. > > Sarah E. McCleskey > Head of Access Services, Film and Media > 112 Axinn Library, 123 Hofstra University > Hempstead, NY 11549 > sarah.e.mccles...@hofstra.edu > 516-463-5076 (phone) > 516-463-4309 (fax) > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Russian films
Try contacting Mosfilm directly http://www.mosfilm.ru/eng/company/ That is a pretty generic email.If you want to get more creative go to their website where they list all the contact phone numbers and if you can snag someone who speaks Russian give it a shot. On Mon, Aug 18, 2014 at 11:20 AM, Sarah E. McCleskey < sarah.e.mccles...@hofstra.edu> wrote: > I know, I know ... long shot ... > > These were all released by RUSCICO, does anyone have any idea how I would > even start to research rights?? > > Unfinished Piece for the Player Piano > > Ivan Vasilievich - Back to the future > > Autumn Marathon > > Thanks. > > Sarah E. McCleskey > Head of Access Services, Film and Media > 112 Axinn Library, 123 Hofstra University > Hempstead, NY 11549 > sarah.e.mccles...@hofstra.edu > 516-463-5076 (phone) > 516-463-4309 (fax) > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Russian films
Sorry that is the web link where you can find phone numbers under contacts. The generic email at the bottom is refer...@mosfilm.ru On Mon, Aug 18, 2014 at 11:57 AM, Jessica Rosner wrote: > Try contacting Mosfilm directly http://www.mosfilm.ru/eng/company/ > > That is a pretty generic email.If you want to get more creative go to > their website where they list all the contact phone numbers and if you can > snag someone who speaks Russian give it a shot. > > > On Mon, Aug 18, 2014 at 11:20 AM, Sarah E. McCleskey < > sarah.e.mccles...@hofstra.edu> wrote: > >> I know, I know ... long shot ... >> >> These were all released by RUSCICO, does anyone have any idea how I would >> even start to research rights?? >> >> Unfinished Piece for the Player Piano >> >> Ivan Vasilievich - Back to the future >> >> Autumn Marathon >> >> Thanks. >> >> Sarah E. McCleskey >> Head of Access Services, Film and Media >> 112 Axinn Library, 123 Hofstra University >> Hempstead, NY 11549 >> sarah.e.mccles...@hofstra.edu >> 516-463-5076 (phone) >> 516-463-4309 (fax) >> >> >> >> VIDEOLIB is intended to encourage the broad and lively discussion of >> issues relating to the selection, evaluation, acquisition,bibliographic >> control, preservation, and use of current and evolving video formats in >> libraries and related institutions. It is hoped that the list will serve as >> an effective working tool for video librarians, as well as a channel of >> communication between libraries,educational institutions, and video >> producers and distributors. >> > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights for Russian films
I know, I know ... long shot ... These were all released by RUSCICO, does anyone have any idea how I would even start to research rights?? Unfinished Piece for the Player Piano Ivan Vasilievich - Back to the future Autumn Marathon Thanks. Sarah E. McCleskey Head of Access Services, Film and Media 112 Axinn Library, 123 Hofstra University Hempstead, NY 11549 sarah.e.mccles...@hofstra.edu 516-463-5076 (phone) 516-463-4309 (fax) VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Nell and Beasts of the Southern Wild?
Beasts is Criterion Pictures USA and Nell might be as well. Criterion NOT to be confused with Janus/ Criterion handles Fox , Paramount and some smaller places On Thu, Apr 17, 2014 at 10:55 AM, Maureen Tripp wrote: > An instructor wants to stream these for a class this summer— > > Swank doesn’t have them—does anyone have any ideas? > > Thanks in advance, for your c.w. (collective wisdom of course) > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights for Nell and Beasts of the Southern Wild?
An instructor wants to stream these for a class this summer- Swank doesn't have them-does anyone have any ideas? Thanks in advance, for your c.w. (collective wisdom of course) VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
Close, Jessica. The NMM preview portal http://nmm-previewportal.net/ has been open to all librarians since May. Starting October 1 it will only be accessible to registered NMM attendees. So now is the time to create an account and check it out! We would love to get some feedback. Ursula National Media Market (NMM) http://www.nmm.net/ P.O. Box 87410 Tucson, AZ 85754-7410 (520) 743-7735 http://tinyurl.com/AboutNMM From: Jessica Rosner Reply-To: Date: Thursday, September 12, 2013 3:30 PM To: Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog As these are films that have as mentioned had significant theatrical play they pretty much have done that part of marketing. If the film is available through an aggregate site it is pretty much the end of direct sales and it is perfectly understandable that aggregator can't pay very much for a single film so when a filmmaker is trying to recoup tens of thousands of dollars ( and trust me they only expect a fraction of this to come from academic sales) this is not a good option. Now it depends entirely on the film. I think these films are more than strong enough to sell on their own, I think one is an absolute blockbuster. I would not expect any library to buy them unless they would be used for classes. I also think I have accidentally mixed up the streaming issue with the film itself. The streaming rights are pretty much the cherry on top and it is about the content of the films and their use in studies. No one is being forced to buy streaming rights, they can buy the DVD without them but again one distinct advantage of dealing directly with the filmmakers is that you can by them with guaranteed lifetime streaming rights as these filmmakers own all rights themselves. I admit this is not likely the norm but these are honestly rather dedicated filmmakers who are committed to keeping control of their films and being directly involved in the distribution. FYI I am told that the NMM site will be open to any librarian in October for one month. Ursula are you lurking around? On Thu, Sep 12, 2013 at 12:23 PM, Jo Ann Reynolds wrote: > Jessica, > > So, they want to sink their $$ into marketing then? > > To be blunt right back, as an academic purchaser I am going to favor > aggregated sites because they are more likely to be one stop shopping for me. > When faculty x tells me she wants a film on y subject there is a limit to the > amount of time I have to devote to that search. I am going to lean heavily in > the direction of vendors who¹ve got material from a variety of sources, who > understand the academic market and what we need, and who have a site > searchable by subject and/or keyword. > > The filmmaker doesn¹t have to negotiate an exclusive agreement with a > distributor, or do they? Seems to me they are going to get lost in the crowd > by trying to go it alone. > > Maybe the NMM will open up their website to the world, we can only hope! > > > Jo Ann > > Jo Ann Reynolds > Reserve Services Coordinator > University of Connecticut Libraries > 369 Fairfield Road, Unit 1005RR > Storrs, CT 06269-1005 > jo_ann.reyno...@lib.uconn.edu > 860-486-1406 > 860-486-5636 (fax) > http://classguides.lib.uconn.edu/mediaresources > > > > From: videolib-boun...@lists.berkeley.edu > [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner > Sent: Thursday, September 12, 2013 11:39 AM > > > To: videolib@lists.berkeley.edu > Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog > > > To be blunt because they would lose their shirts. These are folks who invested > a lot of money in making the films I don't want to hype them here but they are > new films that have had significant theatrical play and are on subjects of > major interest to the academic world ( and they won't be out in the retail > market) I have the greatest respect for ASP, New Day for t etc but they simply > would not generate the revenue these folks need to survive. It is > understandable that collections containing thousands of films can't afford to > pay very much for an individual title but I am confident that these are > important films that many institutions will want to buy. To be honest I am > more familiar with ASP model than New Day or Docuseek but the directors really > want to handle all their sales directly. They do not have to be streamed but > as many institutions now want streaming rights we want to make them available. > Libraries are more then welcome to buy them without streaming rights. > > PS I will be taking to of them to The National Media Market so hope to see > some of you there. > > > > On Thu, Sep 12, 2013 at 11:27 AM, Jo Ann Reynolds > wrote: > > Why don¹t you send them to one of the vendor¹
Re: [Videolib] Streaming Rights - House of Sand and Fog
As these are films that have as mentioned had significant theatrical play they pretty much have done that part of marketing. If the film is available through an aggregate site it is pretty much the end of direct sales and it is perfectly understandable that aggregator can't pay very much for a single film so when a filmmaker is trying to recoup tens of thousands of dollars ( and trust me they only expect a fraction of this to come from academic sales) this is not a good option. Now it depends entirely on the film. I think these films are more than strong enough to sell on their own, I think one is an absolute blockbuster. I would not expect any library to buy them unless they would be used for classes. I also think I have accidentally mixed up the streaming issue with the film itself. The streaming rights are pretty much the cherry on top and it is about the content of the films and their use in studies. No one is being forced to buy streaming rights, they can buy the DVD without them but again one distinct advantage of dealing directly with the filmmakers is that you can by them with guaranteed lifetime streaming rights as these filmmakers own all rights themselves. I admit this is not likely the norm but these are honestly rather dedicated filmmakers who are committed to keeping control of their films and being directly involved in the distribution. FYI I am told that the NMM site will be open to any librarian in October for one month. Ursula are you lurking around? On Thu, Sep 12, 2013 at 12:23 PM, Jo Ann Reynolds < jo_ann.reyno...@lib.uconn.edu> wrote: > Jessica, > > ** ** > > So, they want to sink their $$ into marketing then? > > ** ** > > To be blunt right back, as an academic purchaser I am going to favor > aggregated sites because they are more likely to be one stop shopping for > me. When faculty x tells me she wants a film on y subject there is a limit > to the amount of time I have to devote to that search. I am going to lean > heavily in the direction of vendors who’ve got material from a variety of > sources, who understand the academic market and what we need, and who have > a site searchable by subject and/or keyword. > > ** ** > > The filmmaker doesn’t have to negotiate an exclusive agreement with a > distributor, or do they? Seems to me they are going to get lost in the > crowd by trying to go it alone. > > ** ** > > Maybe the NMM will open up their website to the world, we can only hope!** > ** > > ** ** > > Jo Ann > > ** ** > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut Libraries > > 369 Fairfield Road, Unit 1005RR > > Storrs, CT 06269-1005 > > jo_ann.reyno...@lib.uconn.edu > > 860-486-1406 > > 860-486-5636 (fax) > > *http://classguides.lib.uconn.edu/mediaresources * > > ** ** > > ** ** > > ** ** > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Thursday, September 12, 2013 11:39 AM > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > ** ** > > To be blunt because they would lose their shirts. These are folks who > invested a lot of money in making the films I don't want to hype them here > but they are new films that have had significant theatrical play and are on > subjects of major interest to the academic world ( and they won't be out in > the retail market) I have the greatest respect for ASP, New Day for t etc > but they simply would not generate the revenue these folks need to survive. > It is understandable that collections containing thousands of films can't > afford to pay very much for an individual title but I am confident that > these are important films that many institutions will want to buy. To be > honest I am more familiar with ASP model than New Day or Docuseek but the > directors really want to handle all their sales directly. They do not have > to be streamed but as many institutions now want streaming rights we want > to make them available. Libraries are more then welcome to buy them without > streaming rights. > > ** ** > > PS I will be taking to of them to The National Media Market so hope to > see some of you there. > > ** ** > > On Thu, Sep 12, 2013 at 11:27 AM, Jo Ann Reynolds < > jo_ann.reyno...@lib.uconn.edu> wrote: > > Why don’t you send them to one of the vendor’s who stream indie stuff, > Like New Day Digital or Docuseek2? Many libraries don’t have in-house > streaming expertise either.**** > > > > Best, > > Jo Ann > > > > *From:* vi
Re: [Videolib] Streaming Rights - House of Sand and Fog
Jessica, So, they want to sink their $$ into marketing then? To be blunt right back, as an academic purchaser I am going to favor aggregated sites because they are more likely to be one stop shopping for me. When faculty x tells me she wants a film on y subject there is a limit to the amount of time I have to devote to that search. I am going to lean heavily in the direction of vendors who've got material from a variety of sources, who understand the academic market and what we need, and who have a site searchable by subject and/or keyword. The filmmaker doesn't have to negotiate an exclusive agreement with a distributor, or do they? Seems to me they are going to get lost in the crowd by trying to go it alone. Maybe the NMM will open up their website to the world, we can only hope! Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Thursday, September 12, 2013 11:39 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog To be blunt because they would lose their shirts. These are folks who invested a lot of money in making the films I don't want to hype them here but they are new films that have had significant theatrical play and are on subjects of major interest to the academic world ( and they won't be out in the retail market) I have the greatest respect for ASP, New Day for t etc but they simply would not generate the revenue these folks need to survive. It is understandable that collections containing thousands of films can't afford to pay very much for an individual title but I am confident that these are important films that many institutions will want to buy. To be honest I am more familiar with ASP model than New Day or Docuseek but the directors really want to handle all their sales directly. They do not have to be streamed but as many institutions now want streaming rights we want to make them available. Libraries are more then welcome to buy them without streaming rights. PS I will be taking to of them to The National Media Market so hope to see some of you there. On Thu, Sep 12, 2013 at 11:27 AM, Jo Ann Reynolds mailto:jo_ann.reyno...@lib.uconn.edu>> wrote: Why don't you send them to one of the vendor's who stream indie stuff, Like New Day Digital or Docuseek2? Many libraries don't have in-house streaming expertise either. Best, Jo Ann From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Thursday, September 12, 2013 11:22 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog Thanks for answering my stupid question. I am dealing with some indie docs where the filmmakers as a practical matter can't really do their own streaming and I am trying to figure out if institutions will just put up their own site and what are best ways to do this . So far I have only been able to do this with DVD but I can suggest a higher end digital format. This is mostly for sale with lifetime rights but I don't think that makes a difference format wise in terms of streaming. For the record I don't even own a DVD player. I am a proud luddite which may not be the best thing for some of these issues. Thanks again On Thu, Sep 12, 2013 at 11:16 AM, Jo Ann Reynolds mailto:jo_ann.reyno...@lib.uconn.edu>> wrote: They provide us with the film in digitized format, MP4, and we stream it. Best, Jo Ann From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Thursday, September 12, 2013 11:12 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog Sorry but I am a total technical idiot. Does this mean they provide you with the film in digized format and you stream it or they stream it and you can access it? Either way I am glad they are now in the game, now we all need to gang up on Criterion/Janus who still does not allow streaming on their titles which is nuts ( though most are on Hulu) On Thu, Sep 12, 2013 at 10:45 AM, Jo Ann Reynolds mailto:jo_ann.reyno...@lib.uconn.edu>> wrote: I just called Criterion and it seems they are streaming to institutions. They charge for the MP4 and the length of time you want to stream. Negotiate!
Re: [Videolib] Streaming Rights - House of Sand and Fog
It means the length of the license to stream. They offered me up to a 5 year stream. You load the MP4 to your streaming server and can stream it for the term of the license. Best, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Brewer, Michael Sent: Thursday, September 12, 2013 11:50 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog Jo Ann, What does "length of time you want to stream it" mean? Does that mean the period of time during which it will be available to students (e.g. a particular semester or a few weeks during a semester during which students could access the title through a CMS, etc.)? Or does it mean the total amount of streaming that occurs (e.g., just a few hours if it is streamed to a single class, versus hundreds of hours if students individually stream it to their desktops and watch it individually and asynchronously)? mb Michael Brewer | Librarian | Team Leader for Instructional Services From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jo Ann Reynolds Sent: Thursday, September 12, 2013 7:46 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog I just called Criterion and it seems they are streaming to institutions. They charge for the MP4 and the length of time you want to stream. Negotiate! I was able to reduce the price somewhat by buying multiple titles. We haven't inked any agreement yet but I am pursuing. Best, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu<mailto:jo_ann.reyno...@lib.uconn.edu> 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, September 11, 2013 4:09 PM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. mailto:klink...@stlcc.edu>> wrote: Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
Jo Ann, What does "length of time you want to stream it" mean? Does that mean the period of time during which it will be available to students (e.g. a particular semester or a few weeks during a semester during which students could access the title through a CMS, etc.)? Or does it mean the total amount of streaming that occurs (e.g., just a few hours if it is streamed to a single class, versus hundreds of hours if students individually stream it to their desktops and watch it individually and asynchronously)? mb Michael Brewer | Librarian | Team Leader for Instructional Services From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jo Ann Reynolds Sent: Thursday, September 12, 2013 7:46 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog I just called Criterion and it seems they are streaming to institutions. They charge for the MP4 and the length of time you want to stream. Negotiate! I was able to reduce the price somewhat by buying multiple titles. We haven't inked any agreement yet but I am pursuing. Best, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu<mailto:jo_ann.reyno...@lib.uconn.edu> 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, September 11, 2013 4:09 PM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. mailto:klink...@stlcc.edu>> wrote: Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
They provide us with the film in digitized format, MP4, and we stream it. Best, Jo Ann From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Thursday, September 12, 2013 11:12 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog Sorry but I am a total technical idiot. Does this mean they provide you with the film in digized format and you stream it or they stream it and you can access it? Either way I am glad they are now in the game, now we all need to gang up on Criterion/Janus who still does not allow streaming on their titles which is nuts ( though most are on Hulu) On Thu, Sep 12, 2013 at 10:45 AM, Jo Ann Reynolds mailto:jo_ann.reyno...@lib.uconn.edu>> wrote: I just called Criterion and it seems they are streaming to institutions. They charge for the MP4 and the length of time you want to stream. Negotiate! I was able to reduce the price somewhat by buying multiple titles. We haven't inked any agreement yet but I am pursuing. Best, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu<mailto:jo_ann.reyno...@lib.uconn.edu> 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Wednesday, September 11, 2013 4:09 PM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. mailto:klink...@stlcc.edu>> wrote: Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
To be blunt because they would lose their shirts. These are folks who invested a lot of money in making the films I don't want to hype them here but they are new films that have had significant theatrical play and are on subjects of major interest to the academic world ( and they won't be out in the retail market) I have the greatest respect for ASP, New Day for t etc but they simply would not generate the revenue these folks need to survive. It is understandable that collections containing thousands of films can't afford to pay very much for an individual title but I am confident that these are important films that many institutions will want to buy. To be honest I am more familiar with ASP model than New Day or Docuseek but the directors really want to handle all their sales directly. They do not have to be streamed but as many institutions now want streaming rights we want to make them available. Libraries are more then welcome to buy them without streaming rights. PS I will be taking to of them to The National Media Market so hope to see some of you there. On Thu, Sep 12, 2013 at 11:27 AM, Jo Ann Reynolds < jo_ann.reyno...@lib.uconn.edu> wrote: > Why don’t you send them to one of the vendor’s who stream indie stuff, > Like New Day Digital or Docuseek2? Many libraries don’t have in-house > streaming expertise either. > > ** ** > > Best, > > Jo Ann > > ** ** > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Thursday, September 12, 2013 11:22 AM > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > ** ** > > Thanks for answering my stupid question. I am dealing with some indie docs > where the filmmakers as a practical matter can't really do their own > streaming and I am trying to figure out if institutions will just put up > their own site and what are best ways to do this . So far I have only been > able to do this with DVD but I can suggest a higher end digital format. > This is mostly for sale with lifetime rights but I don't think that makes a > difference format wise in terms of streaming. > > For the record I don't even own a DVD player. I am a proud luddite which > may not be the best thing for some of these issues. > > Thanks again > > ** ** > > On Thu, Sep 12, 2013 at 11:16 AM, Jo Ann Reynolds < > jo_ann.reyno...@lib.uconn.edu> wrote: > > They provide us with the film in digitized format, MP4, and we stream it.* > *** > > > > Best, > > Jo Ann > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Thursday, September 12, 2013 11:12 AM > > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > > > Sorry but I am a total technical idiot. Does this mean they provide you > with the film in digized format and you stream it or they stream it and you > can access it? > > Either way I am glad they are now in the game, now we all need to gang up > on Criterion/Janus who still does not allow streaming on their titles which > is nuts ( though most are on Hulu) > > > > On Thu, Sep 12, 2013 at 10:45 AM, Jo Ann Reynolds < > jo_ann.reyno...@lib.uconn.edu> wrote: > > I just called Criterion and it seems they are streaming to institutions. > They charge for the MP4 and the length of time you want to stream. > > > > Negotiate! I was able to reduce the price somewhat by buying multiple > titles. We haven’t inked any agreement yet but I am pursuing. > > > > Best, > > Jo Ann > > > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut Libraries > > 369 Fairfield Road, Unit 1005RR > > Storrs, CT 06269-1005 > > jo_ann.reyno...@lib.uconn.edu > > 860-486-1406**** > > 860-486-5636 (fax) > > *http://classguides.lib.uconn.edu/mediaresources * > > > > > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, September 11, 2013 4:09 PM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > > > It went over to Criterion Pictures USA but I am unclear if there streaming > is set up yet. > > Here is link for listing and in general I would try them for any title > Swank used to
Re: [Videolib] Streaming Rights - House of Sand and Fog
Why don't you send them to one of the vendor's who stream indie stuff, Like New Day Digital or Docuseek2? Many libraries don't have in-house streaming expertise either. Best, Jo Ann From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Thursday, September 12, 2013 11:22 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog Thanks for answering my stupid question. I am dealing with some indie docs where the filmmakers as a practical matter can't really do their own streaming and I am trying to figure out if institutions will just put up their own site and what are best ways to do this . So far I have only been able to do this with DVD but I can suggest a higher end digital format. This is mostly for sale with lifetime rights but I don't think that makes a difference format wise in terms of streaming. For the record I don't even own a DVD player. I am a proud luddite which may not be the best thing for some of these issues. Thanks again On Thu, Sep 12, 2013 at 11:16 AM, Jo Ann Reynolds mailto:jo_ann.reyno...@lib.uconn.edu>> wrote: They provide us with the film in digitized format, MP4, and we stream it. Best, Jo Ann From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Thursday, September 12, 2013 11:12 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog Sorry but I am a total technical idiot. Does this mean they provide you with the film in digized format and you stream it or they stream it and you can access it? Either way I am glad they are now in the game, now we all need to gang up on Criterion/Janus who still does not allow streaming on their titles which is nuts ( though most are on Hulu) On Thu, Sep 12, 2013 at 10:45 AM, Jo Ann Reynolds mailto:jo_ann.reyno...@lib.uconn.edu>> wrote: I just called Criterion and it seems they are streaming to institutions. They charge for the MP4 and the length of time you want to stream. Negotiate! I was able to reduce the price somewhat by buying multiple titles. We haven't inked any agreement yet but I am pursuing. Best, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu<mailto:jo_ann.reyno...@lib.uconn.edu> 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu>] On Behalf Of Jessica Rosner Sent: Wednesday, September 11, 2013 4:09 PM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. mailto:klink...@stlcc.edu>> wrote: Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well
Re: [Videolib] Streaming Rights - House of Sand and Fog
Sorry but I am a total technical idiot. Does this mean they provide you with the film in digized format and you stream it or they stream it and you can access it? Either way I am glad they are now in the game, now we all need to gang up on Criterion/Janus who still does not allow streaming on their titles which is nuts ( though most are on Hulu) On Thu, Sep 12, 2013 at 10:45 AM, Jo Ann Reynolds < jo_ann.reyno...@lib.uconn.edu> wrote: > I just called Criterion and it seems they are streaming to institutions. > They charge for the MP4 and the length of time you want to stream. > > ** ** > > Negotiate! I was able to reduce the price somewhat by buying multiple > titles. We haven’t inked any agreement yet but I am pursuing. > > ** ** > > Best, > > Jo Ann > > ** ** > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut Libraries > > 369 Fairfield Road, Unit 1005RR > > Storrs, CT 06269-1005 > > jo_ann.reyno...@lib.uconn.edu > > 860-486-1406 > > 860-486-5636 (fax) > > *http://classguides.lib.uconn.edu/mediaresources * > > ** ** > > ** ** > > ** ** > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, September 11, 2013 4:09 PM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > ** ** > > It went over to Criterion Pictures USA but I am unclear if there streaming > is set up yet. > > Here is link for listing and in general I would try them for any title > Swank used to have as there is a lot of shuffling > > > http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM > > > ** ** > > On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. > wrote: > > Hello – > > > > It seems Swank has lost the rights to this film. Does anyone know of > another source for streaming rights? > > > > Thank you, > > Kimberly Linkous > > St. Louis Community College > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > ** ** > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
Thanks for answering my stupid question. I am dealing with some indie docs where the filmmakers as a practical matter can't really do their own streaming and I am trying to figure out if institutions will just put up their own site and what are best ways to do this . So far I have only been able to do this with DVD but I can suggest a higher end digital format. This is mostly for sale with lifetime rights but I don't think that makes a difference format wise in terms of streaming. For the record I don't even own a DVD player. I am a proud luddite which may not be the best thing for some of these issues. Thanks again On Thu, Sep 12, 2013 at 11:16 AM, Jo Ann Reynolds < jo_ann.reyno...@lib.uconn.edu> wrote: > They provide us with the film in digitized format, MP4, and we stream it. > > > ** ** > > Best, > > Jo Ann > > ** ** > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Thursday, September 12, 2013 11:12 AM > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > ** ** > > Sorry but I am a total technical idiot. Does this mean they provide you > with the film in digized format and you stream it or they stream it and you > can access it? > > Either way I am glad they are now in the game, now we all need to gang up > on Criterion/Janus who still does not allow streaming on their titles which > is nuts ( though most are on Hulu) > > ** ** > > On Thu, Sep 12, 2013 at 10:45 AM, Jo Ann Reynolds < > jo_ann.reyno...@lib.uconn.edu> wrote: > > I just called Criterion and it seems they are streaming to institutions. > They charge for the MP4 and the length of time you want to stream. > > > > Negotiate! I was able to reduce the price somewhat by buying multiple > titles. We haven’t inked any agreement yet but I am pursuing. > > > > Best, > > Jo Ann > > > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut Libraries > > 369 Fairfield Road, Unit 1005RR > > Storrs, CT 06269-1005 > > jo_ann.reyno...@lib.uconn.edu > > 860-486-1406 > > 860-486-5636 (fax) > > *http://classguides.lib.uconn.edu/mediaresources * > > > > > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, September 11, 2013 4:09 PM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights - House of Sand and Fog > > > > It went over to Criterion Pictures USA but I am unclear if there streaming > is set up yet. > > Here is link for listing and in general I would try them for any title > Swank used to have as there is a lot of shuffling > > > http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM > > > > > On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. > wrote: > > Hello – > > > > It seems Swank has lost the rights to this film. Does anyone know of > another source for streaming rights? > > > > Thank you, > > Kimberly Linkous > > St. Louis Community College > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > ** ** > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective
Re: [Videolib] Streaming Rights - House of Sand and Fog
I just called Criterion and it seems they are streaming to institutions. They charge for the MP4 and the length of time you want to stream. Negotiate! I was able to reduce the price somewhat by buying multiple titles. We haven't inked any agreement yet but I am pursuing. Best, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 1005RR Storrs, CT 06269-1005 jo_ann.reyno...@lib.uconn.edu 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, September 11, 2013 4:09 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. mailto:klink...@stlcc.edu>> wrote: Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. wrote: > Hello – > > ** ** > > It seems Swank has lost the rights to this film. Does anyone know of > another source for streaming rights? > > ** ** > > Thank you, > > Kimberly Linkous > > St. Louis Community College > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming Rights - House of Sand and Fog
Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - House of Sand and Fog
Thank you Jessica! From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, September 11, 2013 3:09 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - House of Sand and Fog It went over to Criterion Pictures USA but I am unclear if there streaming is set up yet. Here is link for listing and in general I would try them for any title Swank used to have as there is a lot of shuffling http://media2.criterionpic.com/htbin/wwform/014?TEXT=R6084263-6087934-/CA/WWI770.HTM On Wed, Sep 11, 2013 at 4:02 PM, Linkous, Kimberly A. mailto:klink...@stlcc.edu>> wrote: Hello - It seems Swank has lost the rights to this film. Does anyone know of another source for streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights - 500 Nations
Deg, our database says that Warner Brothers holds the rights. Have you checked with SWANK? We have it in Canada as we represent WB in that territory. Unfortunately not so in the US. Suzi From: Deg Farrelly Reply-To: Date: Friday, 30 August, 2013 5:20 PM To: "videolib@lists.berkeley.edu" Subject: [Videolib] Streaming rights - 500 Nations Looking for streaming rights to the series of videos: 500 Nations Our catalog record for the DVD set indicates: a Tig Productions presents in association with RCS Video Production and Majestic Films and Television International ; written by Jack Leustig ... [et al.] ; produced by Roberta Grossman ; produced and directed by Jack Leustig. Any/all leads will be appreciated. Thanx. -deg deg farrelly, Media Librarian Arizona State University Libraries Hayden Library C1H1 P.O. Box 871006 Tempe, Arizona 85287-1006 Phone: 602.332.3103 --- http://tinyurl.com/AboutNMM To market, to market, to find some fresh film I'm attending the 2013 National Media Market, November 3-7 In Charleston, South Carolina. See you there? VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming rights - 500 Nations
Looking for streaming rights to the series of videos: 500 Nations Our catalog record for the DVD set indicates: a Tig Productions presents in association with RCS Video Production and Majestic Films and Television International ; written by Jack Leustig ... [et al.] ; produced by Roberta Grossman ; produced and directed by Jack Leustig. Any/all leads will be appreciated. Thanx. -deg deg farrelly, Media Librarian Arizona State University Libraries Hayden Library C1H1 P.O. Box 871006 Tempe, Arizona 85287-1006 Phone: 602.332.3103 --- http://tinyurl.com/AboutNMM To market, to market, to find some fresh film… I'm attending the 2013 National Media Market, November 3-7 In Charleston, South Carolina. See you there? VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - Independent Lens: The House I Live In
Thanks Michael! From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Michael Phillips Sent: Thursday, May 09, 2013 11:27 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights - Independent Lens: The House I Live In Hello Kimberly, We currently are working on our licensing agreement for this DVD with Charlotte Street Films. The point of contact is: David Kuhn Charlotte Street Films davidsl...@gmail.com<mailto:davidsl...@gmail.com> 212-352-3060 Michael S. Phillips Library Associate I Monographic Acquisitions Division Texas A&M University acqmo...@library.tamu.edu<mailto:acqmo...@library.tamu.edu> 5000 TAMU | College Station, TX 77843-5000 Tel. 979.845.1343 ext. 151 | Fax. 979.845.5310 http://library.tamu.edu From: videolib-boun...@lists.berkeley.edu<mailto:videolib-boun...@lists.berkeley.edu> [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Linkous, Kimberly A. Sent: Thursday, May 09, 2013 11:20 AM To: videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu> Subject: [Videolib] Streaming Rights - Independent Lens: The House I Live In Hello everyone - We have an instructor who would like to use this film, which aired recently on PBS, in their class. They would like to have it in a streaming format. I've tried to contact PBS and Charlotte Street Films, but haven't heard back from anyone yet. Does anyone know of another route to take to get information about streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights - Independent Lens: The House I Live In
Hello Kimberly, We currently are working on our licensing agreement for this DVD with Charlotte Street Films. The point of contact is: David Kuhn Charlotte Street Films davidsl...@gmail.com<mailto:davidsl...@gmail.com> 212-352-3060 Michael S. Phillips Library Associate I Monographic Acquisitions Division Texas A&M University acqmo...@library.tamu.edu<mailto:acqmo...@library.tamu.edu> 5000 TAMU | College Station, TX 77843-5000 Tel. 979.845.1343 ext. 151 | Fax. 979.845.5310 http://library.tamu.edu From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Linkous, Kimberly A. Sent: Thursday, May 09, 2013 11:20 AM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming Rights - Independent Lens: The House I Live In Hello everyone - We have an instructor who would like to use this film, which aired recently on PBS, in their class. They would like to have it in a streaming format. I've tried to contact PBS and Charlotte Street Films, but haven't heard back from anyone yet. Does anyone know of another route to take to get information about streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming Rights - Independent Lens: The House I Live In
Hello everyone - We have an instructor who would like to use this film, which aired recently on PBS, in their class. They would like to have it in a streaming format. I've tried to contact PBS and Charlotte Street Films, but haven't heard back from anyone yet. Does anyone know of another route to take to get information about streaming rights? Thank you, Kimberly Linkous St. Louis Community College VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights
For your collective knowledge Docs for Education is proposing the following terms for 3 year license for streaming, 3 years because who knows what will be the law in 3 years no need to buy longer term today, you can notice that if you already have PPR license then we are asking only $100 for the streaming I believe that is fair. Any body asking more is trying to make unfair money $175 for library & classroom use. $250 for public screenings when no admission fee is charged. $500 for screenings with paying audiences. Shipping and handling fee is $6. $350 DVD and streaming rights with 3 year license from institution's own internal server. $100 Streaming rights for institutions with 3 year license from institution's own internal server that already purchased the DVD with Public Screening rights. $175 Streaming rights for institutions with 3 year license from institution's own internal server that already purchased the DVD with only Library use. These prices are for all titles at http://docsforeducation.com/ except "One Day After Peace" see http://onedayafterpeace.com/index.php which is sold only as PPR for $300 Lets have a peaceful 2013 Nahum Laufer http://onedayafterpeace.com/index.php http://docsforeducation.com/ Sales Docs for Education Erez Laufer Films Holland st 10 Afulla 18371 Israel -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of videolib-requ...@lists.berkeley.edu Sent: Friday, January 11, 2013 8:35 PM To: videolib@lists.berkeley.edu Subject: videolib Digest, Vol 62, Issue 25 Send videolib mailing list submissions to videolib@lists.berkeley.edu To subscribe or unsubscribe via the World Wide Web, visit https://calmail.berkeley.edu/manage/list/listinfo/video...@lists.berkeley.ed u or, via email, send a message with subject or body 'help' to videolib-requ...@lists.berkeley.edu You can reach the person managing the list at videolib-ow...@lists.berkeley.edu When replying, please edit your Subject line so it is more specific than "Re: Contents of videolib digest..." Today's Topics: 1. RAW FAITH Video Librarian Best Doc Announcement! (Serena Koch) 2. Re: Streaming licensing for DVD?s already owned (Jessica Rosner) --- Message: 2 Date: Fri, 11 Jan 2013 13:34:53 -0500 From: Jessica Rosner Subject: Re: [Videolib] Streaming licensing for DVD?s already owned To: videolib@lists.berkeley.edu Message-ID: Content-Type: text/plain; charset="windows-1252" Well from the point of view of the rights holder it is not about enhanced services but about enhanced rights. It is obviously different to own a physical copy that can be used in the classroom which is basically covered by the "face to face" exemption and circulated by the library to streaming it online for students to watch from anywhere over a long period. There have been two major legal cases on it but the results are not that helpful. In the UCLA Case where UCLA streamed thousands of titles and one the US distributors sued them, the case was tossed on issues that had nothing to do the right to stream ( mostly the standing of plaintiff who owned the US rights but was not the overall rights holder who was not a party). The Georgia State case is a little closer but involved the streaming of articles or book chapters rather than films. When the case was first brought by a group of small presses GSU was streaming entire works but changed it's policy immediately after the suite was filed. In the end while the judge ruled mostly in favor of Georgia State, she had also said that no more than 10% of a written work could ever be covered as "fair use" in online streaming. The case had a lot of other issues including the issue of if universities could stream a work if the rights holder did not have a streaming option. The publishers are appealing many of the issues and as it directly contradicts previous rulings like Kinkos and Michigan books it is likely to be taken up by the Appeals court. For the record the California Newsreel rates are actually pretty low since they offering what appears to be a lifetime license. Keep in mind that many distributors literally don't even own the rights to license many of their titles as it was generally not included in older contracts so it is tricky for them. On Fri, Jan 11, 2013 at 12:42 PM, Rasmussen, Anne wrote: > Dear Collective Wisdom, > > ** ** > > I am brand-new in my role as Copyright Librarian in our library. I am > seeking clarification and any recent developments regarding ?streaming > licenses? for DVDs already owned by an institution. > > ** ** > > As our institution begins to offer more distance education courses, I > am beginning to receive requests to stream DVDs (already in our > library > collection) for students to access through our Course Managem
Re: [Videolib] streaming rights for Truffaut's Shoot the Piano Player?
It might infringe on CONTRACT law in that in you stated it was for personal use to obtain the service, I don't believe it would not infringe on copyright law since it is a legal copy being shown in a classroom ( as opposed to being streamed to a students computer directly by the university). However since the school seems to want streaming rights to show OUTSIDE the classroom i assume the idea would be to have them open their own HULU accounts and get it that way. On Tue, May 8, 2012 at 4:41 PM, Moshiri, Farhad wrote: > I'm curious. Using your personal subscription to Hulu, or Netflix, etc. to > show something in class does not infringe copyright law? In this case, > since one does not own the material, one has to follow the terms of use of > the service. Since these services clearly say for personal use, I don't > think a faculty can use it in class. Am I wrong? > > Farhad Moshiri > Audiovisual Librarian > University of the Incarnate Word > San Antonio, TX > > > > -Original Message- > From: videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] On Behalf Of Shoaf,Judith P > Sent: Tuesday, May 08, 2012 3:24 PM > To: videolib@lists.berkeley.edu > Subject: Re: [Videolib] streaming rights for Truffaut's Shoot the Piano > Player? > > It is currently available, along with a lot of Criterion films, on Hulu > Plus. > > I sent a general inquiry about streaming to Jon Mulvaney of Criterion > mulva...@criterion.com and he replied by referring me to Hulu Plus: > > "Institutional streaming licenses are not available at this time. I do > hope you will find helpful that many of our titles can be streamed on Hulu ( > http://www.hulu.com/criterion). Additionally anyone signing-up on Hulu > Plus with a .edu email address will get their first month free of charge." > > I would assume that the instructor could use a subscription to show it in > the classroom, but that students would have to buy a subscription to watch > at home. This is not a bad deal for film majors.The trick is that not all > Criterion films are available all the time. Maybe Hulu could guarantee that > a particular one would be available for a particular term. > > Judy Shoaf > > > > > From: videolib-boun...@lists.berkeley.edu [ > videolib-boun...@lists.berkeley.edu] on behalf of Maureen Tripp [ > maureen_tr...@emerson.edu] > Sent: Tuesday, May 08, 2012 4:06 PM > To: 'videolib@lists.berkeley.edu' > Subject: [Videolib] streaming rights for Truffaut's Shoot the Piano Player? > > > Does anyone know who I would contact for information on the rights? > > Maureen Tripp > Media Librarian > Iwasaki Library > 120 Boylston Street > Boston, MA 02116 > maureen_tr...@emerson.edu > (617)824-8407 > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > This email and any files transmitted with it may be confidential or > contain privileged information and are intended solely for the use of the > individual or entity to which they are addressed. If you are not the > intended recipient, please be advised that you have received this email in > error and that any use, dissemination, forwarding, printing, or copying of > this email and any attachments is strictly prohibited. If you have received > this email in error, please immediately delete the email and any > attachments from your system and notify the sender. Any other use of this > e-mail is prohibited. Thank you for your compliance. > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Truffaut's Shoot the Piano Player?
I'm curious. Using your personal subscription to Hulu, or Netflix, etc. to show something in class does not infringe copyright law? In this case, since one does not own the material, one has to follow the terms of use of the service. Since these services clearly say for personal use, I don't think a faculty can use it in class. Am I wrong? Farhad Moshiri Audiovisual Librarian University of the Incarnate Word San Antonio, TX -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Shoaf,Judith P Sent: Tuesday, May 08, 2012 3:24 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] streaming rights for Truffaut's Shoot the Piano Player? It is currently available, along with a lot of Criterion films, on Hulu Plus. I sent a general inquiry about streaming to Jon Mulvaney of Criterion mulva...@criterion.com and he replied by referring me to Hulu Plus: "Institutional streaming licenses are not available at this time. I do hope you will find helpful that many of our titles can be streamed on Hulu (http://www.hulu.com/criterion). Additionally anyone signing-up on Hulu Plus with a .edu email address will get their first month free of charge." I would assume that the instructor could use a subscription to show it in the classroom, but that students would have to buy a subscription to watch at home. This is not a bad deal for film majors.The trick is that not all Criterion films are available all the time. Maybe Hulu could guarantee that a particular one would be available for a particular term. Judy Shoaf From: videolib-boun...@lists.berkeley.edu [videolib-boun...@lists.berkeley.edu] on behalf of Maureen Tripp [maureen_tr...@emerson.edu] Sent: Tuesday, May 08, 2012 4:06 PM To: 'videolib@lists.berkeley.edu' Subject: [Videolib] streaming rights for Truffaut's Shoot the Piano Player? Does anyone know who I would contact for information on the rights? Maureen Tripp Media Librarian Iwasaki Library 120 Boylston Street Boston, MA 02116 maureen_tr...@emerson.edu (617)824-8407 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. This email and any files transmitted with it may be confidential or contain privileged information and are intended solely for the use of the individual or entity to which they are addressed. If you are not the intended recipient, please be advised that you have received this email in error and that any use, dissemination, forwarding, printing, or copying of this email and any attachments is strictly prohibited. If you have received this email in error, please immediately delete the email and any attachments from your system and notify the sender. Any other use of this e-mail is prohibited. Thank you for your compliance. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for Truffaut's Shoot the Piano Player?
It is currently available, along with a lot of Criterion films, on Hulu Plus. I sent a general inquiry about streaming to Jon Mulvaney of Criterion mulva...@criterion.com and he replied by referring me to Hulu Plus: "Institutional streaming licenses are not available at this time. I do hope you will find helpful that many of our titles can be streamed on Hulu (http://www.hulu.com/criterion). Additionally anyone signing-up on Hulu Plus with a .edu email address will get their first month free of charge." I would assume that the instructor could use a subscription to show it in the classroom, but that students would have to buy a subscription to watch at home. This is not a bad deal for film majors.The trick is that not all Criterion films are available all the time. Maybe Hulu could guarantee that a particular one would be available for a particular term. Judy Shoaf From: videolib-boun...@lists.berkeley.edu [videolib-boun...@lists.berkeley.edu] on behalf of Maureen Tripp [maureen_tr...@emerson.edu] Sent: Tuesday, May 08, 2012 4:06 PM To: 'videolib@lists.berkeley.edu' Subject: [Videolib] streaming rights for Truffaut's Shoot the Piano Player? Does anyone know who I would contact for information on the rights? Maureen Tripp Media Librarian Iwasaki Library 120 Boylston Street Boston, MA 02116 maureen_tr...@emerson.edu (617)824-8407 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights for Truffaut's Shoot the Piano Player?
Does anyone know who I would contact for information on the rights? Maureen Tripp Media Librarian Iwasaki Library 120 Boylston Street Boston, MA 02116 maureen_tr...@emerson.edu (617)824-8407 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] streaming rights for The Miracle
It almost surely a European company . The fact that is not out on DVD means it either has rights issues or someone just not think it is worth it. The original American distributor Cineplex Odeon is long gone from the distribution business and I doubt they could help On Thu, Feb 23, 2012 at 1:19 PM, Sarah E. McCleskey < sarah.e.mccles...@hofstra.edu> wrote: > > > Need a contact for streaming rights for The Miracle, 1991, Neil Jordan. > http://www.imdb.com/title/tt0102450/. > > ** ** > > Any information would be appreciated. > > ** ** > > Thanks. > > ** ** > > Sarah E. McCleskey > > Head of Access Services > > Acting Director, Film and Media Library > > 112 Axinn Library > > Hofstra University > > Hempstead, NY 11549-1230 > > sarah.e.mccles...@hofstra.edu > > 516-463-5076 (o) > > 516-463-4309 (f) > > [image: cid:image001.png@01CAFBE7.A883D670] > > ** ** > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com <><>VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] streaming rights for The Miracle
Need a contact for streaming rights for The Miracle, 1991, Neil Jordan. http://www.imdb.com/title/tt0102450/. Any information would be appreciated. Thanks. Sarah E. McCleskey Head of Access Services Acting Director, Film and Media Library 112 Axinn Library Hofstra University Hempstead, NY 11549-1230 sarah.e.mccles...@hofstra.edu 516-463-5076 (o) 516-463-4309 (f) [cid:image002.png@01CCF22D.B672D1D0] <><>VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights query for King Gimp
We obtained our streaming rights from: -- Sue Williams -- MedSchool Maryland Productions suwilli...@som.umaryland.edu 410.706.5497 www.medschoolmarylandproductions.umaryland.edu <http://www.medschoolmarylandproductions.umaryland.edu/> Distribution by: Video Press www.videopress.umaryland.edu <http://www.videopress.umaryland.edu/> Phone: 800.328.7450Fax: 410.706.8471 Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 2005RR Storrs, CT 06269-2005 jo_ann.reyno...@uconn.edu 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Sarah E. McCleskey Sent: Wednesday, January 04, 2012 9:37 AM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming rights query for King Gimp Happy new year! Does anyone have a contact for streaming rights from HBO? I think they own the rights to the 1999 documentary King Gimp. This is the information I have: King gimp [videorecording] / Home Box Office/HBO Original Programming ; directed and photographed by William A. Whiteford ; produced by Susan Hannah Hadary, William A. Whiteford ; written by Dan Keplinger ; a Whiteford-Hadary, University of Maryland, Tapestry International production. We originally bought this from Films Media Group (FFH) but they don't sell it anymore. Thanks so much for any help you can give, Sarah Sarah E. McCleskey Head of Access Services Acting Director, Film and Media Library 112 Axinn Library Hofstra University Hempstead, NY 11549-1230 sarah.e.mccles...@hofstra.edu 516-463-5076 (o) 516-463-4309 (f) <><><>VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights query for King Gimp
Thanks for all the tips! Sarah E. McCleskey Head of Access Services Acting Director, Film and Media Library 112 Axinn Library Hofstra University Hempstead, NY 11549-1230 sarah.e.mccles...@hofstra.edu 516-463-5076 (o) 516-463-4309 (f) [cid:image002.png@01CCCAD0.296EFE50] From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jeanne Little Sent: Wednesday, January 04, 2012 10:19 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming rights query for King Gimp Hi, Sarah, Try Sharon Werner at email address: sharon.wer...@hbo.com<mailto:sharon.wer...@hbo.com> and telehone at 1-212-512-1000. If she can't handle it, she can probably hook you up with someone who can. Jeanne On Wed, Jan 4, 2012 at 8:36 AM, Sarah E. McCleskey mailto:sarah.e.mccles...@hofstra.edu>> wrote: [cid:image003.jpg@01CCCAD0.296EFE50] Happy new year! Does anyone have a contact for streaming rights from HBO? I think they own the rights to the 1999 documentary King Gimp. This is the information I have: King gimp [videorecording] / Home Box Office/HBO Original Programming ; directed and photographed by William A. Whiteford ; produced by Susan Hannah Hadary, William A. Whiteford ; written by Dan Keplinger ; a Whiteford-Hadary, University of Maryland, Tapestry International production. We originally bought this from Films Media Group (FFH) but they don't sell it anymore. Thanks so much for any help you can give, Sarah Sarah E. McCleskey Head of Access Services Acting Director, Film and Media Library 112 Axinn Library Hofstra University Hempstead, NY 11549-1230 sarah.e.mccles...@hofstra.edu<mailto:sarah.e.mccles...@hofstra.edu> 516-463-5076 (o) 516-463-4309 (f) [cid:image002.png@01CCCAD0.296EFE50] VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50613-3675 319-273-7255 <><>VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights query for King Gimp
Also try the University of Maryland School of Medicine's Video Press (http://www.videopress.umaryland.edu/ or (800) 328-7450). Brigid Duffy Academic Technology San Francisco State University San Francisco, CA 94132-4200 E-mail: bdu...@sfsu.edu On Jan 4, 2012, at 7:18 AM, Jeanne Little wrote: Hi, Sarah, Try Sharon Werner at email address: sharon.wer...@hbo.com and telehone at 1-212-512-1000. If she can't handle it, she can probably hook you up with someone who can. Jeanne On Wed, Jan 4, 2012 at 8:36 AM, Sarah E. McCleskey > wrote: Happy new year! Does anyone have a contact for streaming rights from HBO? I think they own the rights to the 1999 documentary King Gimp. This is the information I have: King gimp [videorecording] / Home Box Office/HBO Original Programming ; directed and photographed by William A. Whiteford ; produced by Susan Hannah Hadary, William A. Whiteford ; written by Dan Keplinger ; a Whiteford-Hadary, University of Maryland, Tapestry International production. We originally bought this from Films Media Group (FFH) but they don’t sell it anymore. Thanks so much for any help you can give, Sarah Sarah E. McCleskey Head of Access Services Acting Director, Film and Media Library 112 Axinn Library Hofstra University Hempstead, NY 11549-1230 sarah.e.mccles...@hofstra.edu 516-463-5076 (o) 516-463-4309 (f) VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50613-3675 319-273-7255 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights query for King Gimp
Hi, Sarah, Try Sharon Werner at email address: sharon.wer...@hbo.com and telehone at 1-212-512-1000. If she can't handle it, she can probably hook you up with someone who can. Jeanne On Wed, Jan 4, 2012 at 8:36 AM, Sarah E. McCleskey < sarah.e.mccles...@hofstra.edu> wrote: > > > Happy new year! > > ** ** > > Does anyone have a contact for streaming rights from HBO? I think they > own the rights to the 1999 documentary King Gimp. This is the information > I have: > > ** ** > > *King gimp [videorecording] / Home Box Office/HBO Original Programming ; > directed and photographed by William A. Whiteford ; produced by Susan > Hannah Hadary, William A. Whiteford ; written by Dan Keplinger ; a > Whiteford-Hadary, University of Maryland, Tapestry International production. > * > > * * > > *We originally bought this from Films Media Group (FFH) but they don’t > sell it anymore.* > > * * > > *Thanks so much for any help you can give,* > > * * > > *Sarah*** > > ** ** > > Sarah E. McCleskey > > Head of Access Services > > Acting Director, Film and Media Library > > 112 Axinn Library > > Hofstra University > > Hempstead, NY 11549-1230 > > sarah.e.mccles...@hofstra.edu > > 516-463-5076 (o) > > 516-463-4309 (f) > > [image: cid:image001.png@01CAFBE7.A883D670] > > ** ** > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > -- Rod Library - Room 250 Collection Management & Special Services University of Northern Iowa Cedar Falls, IA 50613-3675 319-273-7255 <><>VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming rights query for King Gimp
Happy new year! Does anyone have a contact for streaming rights from HBO? I think they own the rights to the 1999 documentary King Gimp. This is the information I have: King gimp [videorecording] / Home Box Office/HBO Original Programming ; directed and photographed by William A. Whiteford ; produced by Susan Hannah Hadary, William A. Whiteford ; written by Dan Keplinger ; a Whiteford-Hadary, University of Maryland, Tapestry International production. We originally bought this from Films Media Group (FFH) but they don't sell it anymore. Thanks so much for any help you can give, Sarah Sarah E. McCleskey Head of Access Services Acting Director, Film and Media Library 112 Axinn Library Hofstra University Hempstead, NY 11549-1230 sarah.e.mccles...@hofstra.edu 516-463-5076 (o) 516-463-4309 (f) [cid:image002.png@01CCCAC4.58410A40] <><>VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for Battle of Algiers?
Stupid question as I don't do Hulu or Netflx. Is this commercial/ad free? On Thu, Sep 29, 2011 at 6:21 AM, Shoaf,Judith P wrote: > The Battle of Algiers is available at Hulu as a subscription item > ($8/month, 1-week free trial) > http://www.hulu.com/watch/215862/the-battle-of-algiers > Hulu is streaming a lot of the Criterion collection. > This is not what you want but good to know as a backup. > Judy Shoaf > > > From: videolib-boun...@lists.berkeley.edu [ > videolib-boun...@lists.berkeley.edu] on behalf of Marynelle Chew [ > marynelle.c...@byuh.edu] > Sent: Wednesday, September 28, 2011 9:39 PM > To: videolib@lists.berkeley.edu > Subject: [Videolib] Streaming rights for Battle of Algiers? > > Aloha all, > > Are there streaming rights for The Battle of Algiers? If yes, who is the > contact? > > Thank you for your assistance. > > Marynelle > > * > > Marynelle Chew > Head, Library Technical Services > Joseph F. Smith Library > Brigham Young University-Hawaii > 55-220 Kulanui St. > Laie, HI 96762 > > Tel: 808-675-3863 > Fax: 808-675-3877 > email: marynelle.c...@byuh.edu > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for Battle of Algiers?
The Battle of Algiers is available at Hulu as a subscription item ($8/month, 1-week free trial) http://www.hulu.com/watch/215862/the-battle-of-algiers Hulu is streaming a lot of the Criterion collection. This is not what you want but good to know as a backup. Judy Shoaf From: videolib-boun...@lists.berkeley.edu [videolib-boun...@lists.berkeley.edu] on behalf of Marynelle Chew [marynelle.c...@byuh.edu] Sent: Wednesday, September 28, 2011 9:39 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming rights for Battle of Algiers? Aloha all, Are there streaming rights for The Battle of Algiers? If yes, who is the contact? Thank you for your assistance. Marynelle * Marynelle Chew Head, Library Technical Services Joseph F. Smith Library Brigham Young University-Hawaii 55-220 Kulanui St. Laie, HI 96762 Tel: 808-675-3863 Fax: 808-675-3877 email: marynelle.c...@byuh.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for Battle of Algiers?
Rialto. Contact e...@rialtopictures.com or 212-472-1911. On Wed, Sep 28, 2011 at 9:39 PM, Marynelle Chew wrote: > Aloha all, > > Are there streaming rights for The Battle of Algiers? If yes, who is the > contact? > > Thank you for your assistance. > > Marynelle > > * > > Marynelle Chew > Head, Library Technical Services > Joseph F. Smith Library > Brigham Young University-Hawaii > 55-220 Kulanui St. > Laie, HI 96762 > > Tel: 808-675-3863 > Fax: 808-675-3877 > email: marynelle.c...@byuh.edu > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming rights for Battle of Algiers?
Aloha all, Are there streaming rights for The Battle of Algiers? If yes, who is the contact? Thank you for your assistance. Marynelle * Marynelle Chew Head, Library Technical Services Joseph F. Smith Library Brigham Young University-Hawaii 55-220 Kulanui St. Laie, HI 96762 Tel: 808-675-3863 Fax: 808-675-3877 email: marynelle.c...@byuh.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights
I just thought I'd add that Hulu seems to have a streaming relationship with Criterion, which publishes a lot of classic European and Japanese films. I am not sure what the quality is but this is an important possible source. The problem is to some extent who pays. Passing expenses on to the students is one model, but the requirement has to be clear and should be done in such a way that scholarship students can be reimbursed for the subscription. If the university/library is going to foot the bill, turning to Swank etc. and finding out how to get institutional subscriptions to Criterion streaming is what's needed. All these streaming services are based on contracts with *somebody,* and none of them is going to be comprehensive in giving the faculty a single source for an entire course. I would guess there might even be a use it and you won't lose it component--if Netflix is guaranteed 100 subscriptions a year for a particular set of films, they might be more interested in maintaining that contract. Surely it's worth it to inquire with Netflix about whether such-and-such a film will still be streamed next semester. Judy -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Brian Boling Sent: Wednesday, September 14, 2011 11:10 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming rights I would steer faculty away from Netflix for a couple of reasons: 1) I'd hate for faculty to design courses around Netflix availability, rather than teaching with the films that best cover the course material. 2) More importantly, Netflix streaming availability is based on contracts with the studios, so films disappear when the contracts expire. This would make it a risky proposition to rely on Netflix streams for required viewing. Brian Boling Media Services and Digital Production Librarian Temple University Libraries brian.bol...@temple.edu 215-204-4911 On Sep 13, 2011, at 4:50 PM, Jessica Rosner wrote: > Most this would be title by title. Most major studio title (WB , > Paramount etc.) are licensed by Swank ( except Fox which is Criterion > Pictures USA), There are also a variety of companies that license > foreign, classic & indie films including Criterion Janus, Milestone, > Zeitgeist, New Yorker etc. > > Do you have any specific titles you are looking for? Pricing frankly > seems to be all over the map. > > You can certainly suggest Netflix as an option assuming they carry the title. > > On Tue, Sep 13, 2011 at 4:21 PM, Kathi Fountain > wrote: >> Hi all, >> >> I'm new to this list and new to managing media rights in any way, >> though I'm quickly getting up to speed with copyright restrictions on >> media usage. I thought I'd tap into your collective wisdom for a >> possible solution to perplexing issue. >> >> On my campus, we have a few faculty members who would like to use a >> number of films in their distance education classes. Many of these >> are motion pictures, and in order to transmit these films legally, we >> would need to get streaming rights from the distributors. I've worked >> with PBS and a few other documentary producers on quotes for >> streaming, but how have you handled requests to stream feature films? >> Do you buy rights? From whom? Do you refer faculty to Netflix to see >> if films are available there, and/or encourage students to have >> Netflix accounts as a necessary course component? >> >> Thanks for any advice you have. >> >> Best, >> >> Kathi Carlisle Fountain >> Head of Collection Development >> Washington State University Vancouver Library >> 14204 NE Salmon Creek Ave. >> Vancouver, WA 98686-9600 >> Phone: 360-546-9694 >> Fax: 360-546-9039 >> kfount...@vancouver.wsu.edu >> >> >> >> >> VIDEOLIB is intended to encourage the broad and lively discussion of issues >> relating to the selection, evaluation, acquisition,bibliographic control, >> preservation, and use of current and evolving video formats in libraries and >> related institutions. It is hoped that the list will serve as an effective >> working tool for video librarians, as well as a channel of communication >> between libraries,educational institutions, and video producers and >> distributors. >> > > > > -- > Jessica Rosner > Media Consultant > 224-545-3897 (cell) > 212-627-1785 (land line) > jessicapros...@gmail.com > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of c
Re: [Videolib] Streaming rights
UConn uses Swank for purchase of most of our feature film streaming rights. They are very good to deal with. Streams are pricier than most documentaries but sometimes you can get a break as a member of a consortium and/or volume discounts. It is worth looking in to. Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Libraries 369 Fairfield Road, Unit 2005RR Storrs, CT 06269-2005 jo_ann.reyno...@uconn.edu 860-486-1406 860-486-5636 (fax) http://classguides.lib.uconn.edu/mediaresources -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Kathi Fountain Sent: Tuesday, September 13, 2011 4:22 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming rights Hi all, I'm new to this list and new to managing media rights in any way, though I'm quickly getting up to speed with copyright restrictions on media usage. I thought I'd tap into your collective wisdom for a possible solution to perplexing issue. On my campus, we have a few faculty members who would like to use a number of films in their distance education classes. Many of these are motion pictures, and in order to transmit these films legally, we would need to get streaming rights from the distributors. I've worked with PBS and a few other documentary producers on quotes for streaming, but how have you handled requests to stream feature films? Do you buy rights? From whom? Do you refer faculty to Netflix to see if films are available there, and/or encourage students to have Netflix accounts as a necessary course component? Thanks for any advice you have. Best, Kathi Carlisle Fountain Head of Collection Development Washington State University Vancouver Library 14204 NE Salmon Creek Ave. Vancouver, WA 98686-9600 Phone: 360-546-9694 Fax: 360-546-9039 kfount...@vancouver.wsu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights
I would steer faculty away from Netflix for a couple of reasons: 1) I'd hate for faculty to design courses around Netflix availability, rather than teaching with the films that best cover the course material. 2) More importantly, Netflix streaming availability is based on contracts with the studios, so films disappear when the contracts expire. This would make it a risky proposition to rely on Netflix streams for required viewing. Brian Boling Media Services and Digital Production Librarian Temple University Libraries brian.bol...@temple.edu 215-204-4911 On Sep 13, 2011, at 4:50 PM, Jessica Rosner wrote: > Most this would be title by title. Most major studio title (WB , > Paramount etc.) are licensed by Swank ( except Fox which is Criterion > Pictures USA), There are also a variety of companies that license > foreign, classic & indie films including Criterion Janus, Milestone, > Zeitgeist, New Yorker etc. > > Do you have any specific titles you are looking for? Pricing frankly > seems to be all over the map. > > You can certainly suggest Netflix as an option assuming they carry the title. > > On Tue, Sep 13, 2011 at 4:21 PM, Kathi Fountain > wrote: >> Hi all, >> >> I'm new to this list and new to managing media rights in any way, >> though I'm quickly getting up to speed with copyright restrictions on >> media usage. I thought I'd tap into your collective wisdom for a >> possible solution to perplexing issue. >> >> On my campus, we have a few faculty members who would like to use a >> number of films in their distance education classes. Many of these are >> motion pictures, and in order to transmit these films legally, we >> would need to get streaming rights from the distributors. I've worked >> with PBS and a few other documentary producers on quotes for >> streaming, but how have you handled requests to stream feature films? >> Do you buy rights? From whom? Do you refer faculty to Netflix to see >> if films are available there, and/or encourage students to have >> Netflix accounts as a necessary course component? >> >> Thanks for any advice you have. >> >> Best, >> >> Kathi Carlisle Fountain >> Head of Collection Development >> Washington State University Vancouver Library >> 14204 NE Salmon Creek Ave. >> Vancouver, WA 98686-9600 >> Phone: 360-546-9694 >> Fax: 360-546-9039 >> kfount...@vancouver.wsu.edu >> >> >> >> >> VIDEOLIB is intended to encourage the broad and lively discussion of issues >> relating to the selection, evaluation, acquisition,bibliographic control, >> preservation, and use of current and evolving video formats in libraries and >> related institutions. It is hoped that the list will serve as an effective >> working tool for video librarians, as well as a channel of communication >> between libraries,educational institutions, and video producers and >> distributors. >> > > > > -- > Jessica Rosner > Media Consultant > 224-545-3897 (cell) > 212-627-1785 (land line) > jessicapros...@gmail.com > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights
Most this would be title by title. Most major studio title (WB , Paramount etc.) are licensed by Swank ( except Fox which is Criterion Pictures USA), There are also a variety of companies that license foreign, classic & indie films including Criterion Janus, Milestone, Zeitgeist, New Yorker etc. Do you have any specific titles you are looking for? Pricing frankly seems to be all over the map. You can certainly suggest Netflix as an option assuming they carry the title. On Tue, Sep 13, 2011 at 4:21 PM, Kathi Fountain wrote: > Hi all, > > I'm new to this list and new to managing media rights in any way, > though I'm quickly getting up to speed with copyright restrictions on > media usage. I thought I'd tap into your collective wisdom for a > possible solution to perplexing issue. > > On my campus, we have a few faculty members who would like to use a > number of films in their distance education classes. Many of these are > motion pictures, and in order to transmit these films legally, we > would need to get streaming rights from the distributors. I've worked > with PBS and a few other documentary producers on quotes for > streaming, but how have you handled requests to stream feature films? > Do you buy rights? From whom? Do you refer faculty to Netflix to see > if films are available there, and/or encourage students to have > Netflix accounts as a necessary course component? > > Thanks for any advice you have. > > Best, > > Kathi Carlisle Fountain > Head of Collection Development > Washington State University Vancouver Library > 14204 NE Salmon Creek Ave. > Vancouver, WA 98686-9600 > Phone: 360-546-9694 > Fax: 360-546-9039 > kfount...@vancouver.wsu.edu > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming rights
Hi all, I'm new to this list and new to managing media rights in any way, though I'm quickly getting up to speed with copyright restrictions on media usage. I thought I'd tap into your collective wisdom for a possible solution to perplexing issue. On my campus, we have a few faculty members who would like to use a number of films in their distance education classes. Many of these are motion pictures, and in order to transmit these films legally, we would need to get streaming rights from the distributors. I've worked with PBS and a few other documentary producers on quotes for streaming, but how have you handled requests to stream feature films? Do you buy rights? From whom? Do you refer faculty to Netflix to see if films are available there, and/or encourage students to have Netflix accounts as a necessary course component? Thanks for any advice you have. Best, Kathi Carlisle Fountain Head of Collection Development Washington State University Vancouver Library 14204 NE Salmon Creek Ave. Vancouver, WA 98686-9600 Phone: 360-546-9694 Fax: 360-546-9039 kfount...@vancouver.wsu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights True West
I imagine they were being nice. I would be surprised if they owned the "real" DVD rights. Productions like this generally had video contracts for 5-10 years and again when you are dealing with something made for TV and based on a literary work it can be a nightmare to renegotiate rights for DVD let alone steaming. When DVD came in a large number of older contracts did not anticipate and thus people with the contracts had no rights for it and it is worse with streaming. It is not that a company that put out a VHS does not want to put out a DVD or that a company that put out a DVD does not want to stream it, but the rights can be very, very complicated which is why a lot of rights holders get especially upset when certain institutions and organizations feel it is OK to transfer and stream a title even they don't have the rights for but very possibly might be trying to acquire. On Wed, May 11, 2011 at 3:17 PM, Jo Ann Reynolds wrote: > No, I am confused. > > > > They gave us permission to convert from VHS to DVD not to stream. > > > > Very sorry for the mix up. > > > > Jo Ann > > > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut > > Homer Babbidge Library > > Storrs, CT > > 860-486-1406 (p) > > 860-486-5636 (f) > > jo_ann.reyno...@uconn.edu > > http://classguides.lib.uconn.edu/mediaresources > > > > *Question Reality* > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner > *Sent:* Wednesday, May 11, 2011 2:39 PM > > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Streaming Rights True West > > > > I am confused. What is the relation to the production? If they are related > to the 87 video release the odds for their having streaming right is next to > zero. > > On Wed, May 11, 2011 at 2:28 PM, Jo Ann Reynolds < > jo_ann.reyno...@uconn.edu> wrote: > > Contact in the Office of *Harold A. Thau* > > > > Joan A. Candee > > Advent Mgmt. Corp. > > 127 Hunters Creek > > Shelton, CT 06484 > > > > mailto:jcredst...@aol.com > > > > Jo Ann > > > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut > > Homer Babbidge Library > > Storrs, CT > > 860-486-1406 (p) > > 860-486-5636 (f) > > jo_ann.reyno...@uconn.edu > > http://classguides.lib.uconn.edu/mediaresources > > > > *Question Reality* > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Linkous, Kimberly A. > *Sent:* Wednesday, May 11, 2011 2:07 PM > *To:* videolib@lists.berkeley.edu > *Subject:* [Videolib] Streaming Rights > > > > Hello – > > > > I was wondering if anyone might know who owns the rights to the film Sam > Shepard’s True West or more specifically, who I should contact to try to > obtain rights to stream this film. > > > > Thanks for any help you can give! > > > > Kim Linkous > > St. Louis Community College > > > > > > Sam Shepard's True west|h[videorecording] > > True West Video Productions ; a production of The Program Development > Company, Theatrical Division ; directed by Allan Goldstein ; produced by > Howard K. Grossman, John H. Williams ; play written by Sam Shepard. > > Shelburne, VT :|bAcademy Home Entertainment,|cc1987. > > 1 videocassette (110 min.) :|bsd., col. ;|c1/2 in. > > John Malkovich, Gary Sinise, Sam Schact, Margaret Thomson. > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > > > > -- > Jessica Rosner > Media Consultant > 224-545-3897 (cell) > 212-627-1785 (land line) > jessicapros...@gmail.com > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between librarie
Re: [Videolib] Streaming Rights True West
No, I am confused. They gave us permission to convert from VHS to DVD not to stream. Very sorry for the mix up. Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 (p) 860-486-5636 (f) jo_ann.reyno...@uconn.edu http://classguides.lib.uconn.edu/mediaresources Question Reality From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Wednesday, May 11, 2011 2:39 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming Rights True West I am confused. What is the relation to the production? If they are related to the 87 video release the odds for their having streaming right is next to zero. On Wed, May 11, 2011 at 2:28 PM, Jo Ann Reynolds wrote: Contact in the Office of Harold A. Thau Joan A. Candee Advent Mgmt. Corp. 127 Hunters Creek Shelton, CT 06484 mailto:jcredst...@aol.com Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 (p) 860-486-5636 (f) jo_ann.reyno...@uconn.edu http://classguides.lib.uconn.edu/mediaresources Question Reality From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Linkous, Kimberly A. Sent: Wednesday, May 11, 2011 2:07 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming Rights Hello - I was wondering if anyone might know who owns the rights to the film Sam Shepard's True West or more specifically, who I should contact to try to obtain rights to stream this film. Thanks for any help you can give! Kim Linkous St. Louis Community College Sam Shepard's True west|h[videorecording] True West Video Productions ; a production of The Program Development Company, Theatrical Division ; directed by Allan Goldstein ; produced by Howard K. Grossman, John H. Williams ; play written by Sam Shepard. Shelburne, VT :|bAcademy Home Entertainment,|cc1987. 1 videocassette (110 min.) :|bsd., col. ;|c1/2 in. John Malkovich, Gary Sinise, Sam Schact, Margaret Thomson. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights True West
I am confused. What is the relation to the production? If they are related to the 87 video release the odds for their having streaming right is next to zero. On Wed, May 11, 2011 at 2:28 PM, Jo Ann Reynolds wrote: > Contact in the Office of *Harold A. Thau* > > > > Joan A. Candee > > Advent Mgmt. Corp. > > 127 Hunters Creek > > Shelton, CT 06484 > > > > mailto:jcredst...@aol.com > > > > Jo Ann > > > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut > > Homer Babbidge Library > > Storrs, CT > > 860-486-1406 (p) > > 860-486-5636 (f) > > jo_ann.reyno...@uconn.edu > > http://classguides.lib.uconn.edu/mediaresources > > > > *Question Reality* > > > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Linkous, Kimberly A. > *Sent:* Wednesday, May 11, 2011 2:07 PM > *To:* videolib@lists.berkeley.edu > *Subject:* [Videolib] Streaming Rights > > > > Hello – > > > > I was wondering if anyone might know who owns the rights to the film Sam > Shepard’s True West or more specifically, who I should contact to try to > obtain rights to stream this film. > > > > Thanks for any help you can give! > > > > Kim Linkous > > St. Louis Community College > > > > > > Sam Shepard's True west|h[videorecording] > > True West Video Productions ; a production of The Program Development > Company, Theatrical Division ; directed by Allan Goldstein ; produced by > Howard K. Grossman, John H. Williams ; play written by Sam Shepard. > > Shelburne, VT :|bAcademy Home Entertainment,|cc1987. > > 1 videocassette (110 min.) :|bsd., col. ;|c1/2 in. > > John Malkovich, Gary Sinise, Sam Schact, Margaret Thomson. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights
Well this is likely to be a bitch. It was an American Playhouse production broadcast in 1984. Things like this often have multiple owners and less than clear contracts involving something like streaming. I am not saying this is the case but I would not be surprised and if it were the case you would need a very good lawyer to get a contract to get a whole lot of people to agree to. This does not mean nobody owns it, it means it is really, really complicated and would likely involve multiple parties. If you really want to pursue it, I would start with Sam Shepard's office as authors legal reps usually know the details. On Wed, May 11, 2011 at 2:07 PM, Linkous, Kimberly A. wrote: > Hello – > > > > I was wondering if anyone might know who owns the rights to the film Sam > Shepard’s True West or more specifically, who I should contact to try to > obtain rights to stream this film. > > > > Thanks for any help you can give! > > > > Kim Linkous > > St. Louis Community College > > > > > > Sam Shepard's True west|h[videorecording] > > True West Video Productions ; a production of The Program Development > Company, Theatrical Division ; directed by Allan Goldstein ; produced by > Howard K. Grossman, John H. Williams ; play written by Sam Shepard. > > Shelburne, VT :|bAcademy Home Entertainment,|cc1987. > > 1 videocassette (110 min.) :|bsd., col. ;|c1/2 in. > > John Malkovich, Gary Sinise, Sam Schact, Margaret Thomson. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming Rights True West
Contact in the Office of Harold A. Thau Joan A. Candee Advent Mgmt. Corp. 127 Hunters Creek Shelton, CT 06484 mailto:jcredst...@aol.com Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 (p) 860-486-5636 (f) jo_ann.reyno...@uconn.edu http://classguides.lib.uconn.edu/mediaresources Question Reality From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Linkous, Kimberly A. Sent: Wednesday, May 11, 2011 2:07 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Streaming Rights Hello - I was wondering if anyone might know who owns the rights to the film Sam Shepard's True West or more specifically, who I should contact to try to obtain rights to stream this film. Thanks for any help you can give! Kim Linkous St. Louis Community College Sam Shepard's True west|h[videorecording] True West Video Productions ; a production of The Program Development Company, Theatrical Division ; directed by Allan Goldstein ; produced by Howard K. Grossman, John H. Williams ; play written by Sam Shepard. Shelburne, VT :|bAcademy Home Entertainment,|cc1987. 1 videocassette (110 min.) :|bsd., col. ;|c1/2 in. John Malkovich, Gary Sinise, Sam Schact, Margaret Thomson. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming Rights
Hello - I was wondering if anyone might know who owns the rights to the film Sam Shepard's True West or more specifically, who I should contact to try to obtain rights to stream this film. Thanks for any help you can give! Kim Linkous St. Louis Community College Sam Shepard's True west|h[videorecording] True West Video Productions ; a production of The Program Development Company, Theatrical Division ; directed by Allan Goldstein ; produced by Howard K. Grossman, John H. Williams ; play written by Sam Shepard. Shelburne, VT :|bAcademy Home Entertainment,|cc1987. 1 videocassette (110 min.) :|bsd., col. ;|c1/2 in. John Malkovich, Gary Sinise, Sam Schact, Margaret Thomson. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for foreign films
Thanks, Jessica & Mike, and others, This is helpful info . Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 jo_ann.reyno...@uconn.edu Question Reality From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jessica Rosner Sent: Thursday, June 17, 2010 5:22 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Streaming rights for foreign films Bicycle Thief you can get from Corinth films. Don't have number handy but google them. They are in NYC. Gomorrah is IFC. I thought Swank handled their stuff but this was pre-Swank so you can check with them. I would run all of these by Criterion/Janus. They might have one or two as well. On Thu, Jun 17, 2010 at 4:44 PM, Jo Ann Reynolds wrote: Dear Collective Mind, Any help/insights for obtaining streaming rights for foreign feature films would be appreciated. We first check with Swank and then try to contact the distributor listed on the case. We did not have much luck getting rights for an Italian film studies course. See titles below. We can get the rights for these from Swank: Lina Wertmuller, Sotto sotto Emanuele Crialese, Golden Door (2006) Roberto Benigni, Life is Beautiful (1998) Sotto, sotto Time to Kill We could not get rights for these because we did not hear back, couldn't find who to write to. Roberto Rossellini, Open City (1945) De Sica, Bicycle Thief (1948) Monicelli, Big Deal on Madonna Street (1958) Marco Risi, Mery per sempre; trans. Forever Mary (1989) Pietro Germi, Divorce Italian Style (1961) Ozpetek, Le fate ignoranti (The Ignorant Fairies; 2003) Gianni Amelio, Lamerica (1994) Marco T Giordana, Quando sei nato non puoi piu' nasconderti (2005) Gomorrah, Fandango production Pain e Cioccolata Porte Aperte Lion in the Desert, The (1981) Moustapha Akkad Nichetti, Icicle Thief (1989) Special Day Thanks very much, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 jo_ann.reyno...@uconn.edu Question Reality VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for foreign films
Bicycle Thief you can get from Corinth films. Don't have number handy but google them. They are in NYC. Gomorrah is IFC. I thought Swank handled their stuff but this was pre-Swank so you can check with them. I would run all of these by Criterion/Janus. They might have one or two as well. On Thu, Jun 17, 2010 at 4:44 PM, Jo Ann Reynolds wrote: > *Dear Collective Mind,* > > * * > > *Any help/insights for obtaining streaming rights for foreign feature > films would be appreciated.* > > *We first check with Swank and then try to contact the distributor listed > on the case. We did not have much luck getting rights for an Italian film > studies course. See titles below.* > > * * > > *We can get the rights for** these from Swank**:* > > Lina Wertmuller, *Sotto sotto* > > Emanuele Crialese, *Golden Door* (2006) > > Roberto Benigni, *Life is Beautiful* (1998) > > *Sotto, sotto* > > *Time to Kill* > > * * > > > > *We could not get rights for these because we did not hear back, couldn’t > find who to write to.* > > Roberto Rossellini, *Open City* (1945) > > De Sica, *Bicycle Thief* (1948) > > Monicelli, *Big Deal on Madonna Street* (1958) > > Marco Risi, *Mery per sempre; trans. Forever Mary* (1989) > > Pietro Germi, *Divorce Italian Style* (1961) > > Ozpetek, *Le fate ignoranti* (The Ignorant Fairies; 2003) > > Gianni Amelio, *Lamerica* (1994) > > Marco T Giordana, *Quando sei nato non puoi piu’ nasconderti* (2005) > > *Gomorrah*, Fandango production > > *Pain e Cioccolata* > > *Porte Aperte* > > Lion in the Desert, The (1981) Moustapha Akkad > > Nichetti, *Icicle Thief* (1989) > > *Special Day* > > > > > > Thanks very much, > > > > Jo Ann > > > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut > > Homer Babbidge Library > > Storrs, CT > > 860-486-1406 > > jo_ann.reyno...@uconn.edu > > > > *Question Reality* > > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming rights for foreign films
There is an alternative: make the DVDs required course texts. Then discuss them and show only excerpts in class. Open City, Bicycle Thief, Big Deal on Madonna Street, Divorce Italian Style, Gomorrah, and Pan e Cioccolata are readily available online. Lamerica and Special Day are out there, too. Yes, that adds up. All of them together might equal the cost of one science textbook (sigh). Brigid Duffy Academic Technology San Francisco State University San Francisco, CA 94132-4200 E-mail: bdu...@sfsu.edu On Jun 17, 2010, at 1:44 PM, Jo Ann Reynolds wrote: Dear Collective Mind, Any help/insights for obtaining streaming rights for foreign feature films would be appreciated. We first check with Swank and then try to contact the distributor listed on the case. We did not have much luck getting rights for an Italian film studies course. See titles below. We can get the rights for these from Swank: Lina Wertmuller, Sotto sotto Emanuele Crialese, Golden Door (2006) Roberto Benigni, Life is Beautiful (1998) Sotto, sotto Time to Kill We could not get rights for these because we did not hear back, couldn’t find who to write to. Roberto Rossellini, Open City (1945) De Sica, Bicycle Thief (1948) Monicelli, Big Deal on Madonna Street (1958) Marco Risi, Mery per sempre; trans. Forever Mary (1989) Pietro Germi, Divorce Italian Style (1961) Ozpetek, Le fate ignoranti (The Ignorant Fairies; 2003) Gianni Amelio, Lamerica (1994) Marco T Giordana, Quando sei nato non puoi piu’ nasconderti (2005) Gomorrah, Fandango production Pain e Cioccolata Porte Aperte Lion in the Desert, The (1981) Moustapha Akkad Nichetti, Icicle Thief (1989) Special Day Thanks very much, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 jo_ann.reyno...@uconn.edu Question Reality VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Streaming rights for foreign films
Dear Collective Mind, Any help/insights for obtaining streaming rights for foreign feature films would be appreciated. We first check with Swank and then try to contact the distributor listed on the case. We did not have much luck getting rights for an Italian film studies course. See titles below. We can get the rights for these from Swank: Lina Wertmuller, Sotto sotto Emanuele Crialese, Golden Door (2006) Roberto Benigni, Life is Beautiful (1998) Sotto, sotto Time to Kill We could not get rights for these because we did not hear back, couldn't find who to write to. Roberto Rossellini, Open City (1945) De Sica, Bicycle Thief (1948) Monicelli, Big Deal on Madonna Street (1958) Marco Risi, Mery per sempre; trans. Forever Mary (1989) Pietro Germi, Divorce Italian Style (1961) Ozpetek, Le fate ignoranti (The Ignorant Fairies; 2003) Gianni Amelio, Lamerica (1994) Marco T Giordana, Quando sei nato non puoi piu' nasconderti (2005) Gomorrah, Fandango production Pain e Cioccolata Porte Aperte Lion in the Desert, The (1981) Moustapha Akkad Nichetti, Icicle Thief (1989) Special Day Thanks very much, Jo Ann Jo Ann Reynolds Reserve Services Coordinator University of Connecticut Homer Babbidge Library Storrs, CT 860-486-1406 jo_ann.reyno...@uconn.edu Question Reality VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
