Just noticed this. Should be fun.
http://www.ustreetmusichall.com/event/349343-juan-atkins-samo-sound-boy-washington/
Good room, decent sound, but overrun with a bunch of drunken hipsters
when I saw Stacey Pullen there this past February. Turns out it's on
Soundcloud, one of the better gigs I've heard from him in recent times:
https://soundcloud.com/uhalldc/stacey-pullen-live-at-u-street
fh
-
Very exciting!! Hopefully, Juan will bring some booty to the proceedings.
On Apr 5, 2013 11:05 AM, John Sokolowski jrsokolow...@hotmail.com wrote:
Juan Atkins and Moritz von Oswald will release a collaborative album
called Borderland through Tresor in June.
The duo will debut the project with
Juan Atkins and Moritz von Oswald will release a collaborative album called
Borderland through Tresor in June.
The duo will debut the project with a live performance at this year's MUTEK
festival in Montreal. Although their shared production history dates back more
than 20 years (Atkins was
Looking forward to hear it!
On Fri, Apr 5, 2013 at 8:05 AM, John Sokolowski jrsokolow...@hotmail.comwrote:
Juan Atkins and Moritz von Oswald will release a collaborative album
called Borderland through Tresor in June.
The duo will debut the project with a live performance at this year's
Please excuse the bad grammar...haven't grabbed coffee yet this am ;)
On Fri, Apr 5, 2013 at 8:06 AM, Joe Marougi jmaro...@gmail.com wrote:
Looking forward to hear it!
On Fri, Apr 5, 2013 at 8:05 AM, John Sokolowski
jrsokolow...@hotmail.comwrote:
Juan Atkins and Moritz von Oswald will
Blackmarket Records going for the 'lost' / 'unreleased' tracks gambit.
http://www.discogs.com/Juan-Atkins-Electric-Jungle-/release/4088314
At least one - 'Impulse' - has been released before though.
It was out on the 'Infiniti Collection' on Tresor, in '96.
In any case, they seem fine tracks
rare AND weird ;)
it's a cool clip of Juan though, guiding us through the 3000 Building. Nice.
2012/7/16 Patrick Wacher pwac...@gmail.com
That's why I miss so many parties in SF, i'm one of those rare non-FB
people it seems ;)
On Sun, Jul 15, 2012 at 9:00 PM, Wibo Lammerts wibo...@gmail.com
http://www.dollopdollop.com/2012/06/29/juan-atkins-interview/
Looks like someone is bringing the boys to London town.
--
Carlos Boix Larrey
(0044) 797 904 44 54
carlosb...@gmail.com
Thx for posting!
On Sun, Jul 15, 2012 at 11:34 AM, Carlos Boix carlosb...@gmail.com wrote:
http://www.dollopdollop.com/2012/06/29/juan-atkins-interview/
Looks like someone is bringing the boys to London town.
--
Carlos Boix Larrey
(0044) 797 904 44 54
carlosb...@gmail.com
that was last month, the link has been posted on fb already.
2012/7/16 Patrick Wacher pwac...@gmail.com
Thx for posting!
On Sun, Jul 15, 2012 at 11:34 AM, Carlos Boix carlosb...@gmail.com
wrote:
http://www.dollopdollop.com/2012/06/29/juan-atkins-interview/
Looks like someone is
That's why I miss so many parties in SF, i'm one of those rare non-FB
people it seems ;)
On Sun, Jul 15, 2012 at 9:00 PM, Wibo Lammerts wibo...@gmail.com wrote:
that was last month, the link has been posted on fb already.
2012/7/16 Patrick Wacher pwac...@gmail.com
Thx for posting!
On
Good: They talked to Juan. Bad: They talked to Moby. As though he is
an authority on anything beyond music licensing and vegan cupcakes.
http://www.npr.org/blogs/therecord/2012/04/13/150573065/kraftwerk-in-new-york-decades-of-influence-on-display
It was gated noise, Atkins says, referring to
Hi all,
So I've finally put up an actual entire interview on my blog. I
interviewed Juan in Detroit back in January this year and it was
awesome!
http://schoolcraftwax.com/
Enjoy! I sure did.
--
Denise Dalphond
Ph.D. Candidate
Department of Folklore Ethnomusicology
Indiana University
Continuing on Toyota Detroit techno rampage, here's their latest
interview with Juan:
http://vimeo.com/17771939
- Patrick.
Heya all,
Just saw this on the Twitter thing... Juan has a new track available
for D/L on SoundCloud:
http://www.littlewhiteearbuds.com/review/exclusive-download-of-the-week-juan-atkins-dayshift/
Apparently coming out with Terrence Dixon and Worthy(?).
- P.
I like that.
Reminded me to get my ticket for when he plays in Manchester soon...
Robin...
On 11 Feb 2011, at 16:57, Patrick Wacher wrote:
Heya all,
Just saw this on the Twitter thing... Juan has a new track available
for D/L on SoundCloud:
Wow, this track is kinda bonkers! I like it...
~David
On Fri, Feb 11, 2011 at 11:11 AM, Robin Pinning robin.pinn...@me.com wrote:
I like that.
Reminded me to get my ticket for when he plays in Manchester soon...
Robin...
On 11 Feb 2011, at 16:57, Patrick Wacher wrote:
Heya all,
Just
: Re: (313) Juan Atkins photo
The photo is by a photographer named Krijn van Noordwijk:
http://www.krijnvannoordwijk.com/
He has a book of great photos called DJ. It's all portraits of DJs. A bunch
of Detroit folks are in there including Theo Parrish and Rick Wilhite. I
can't remember who all else
The photo is by a photographer named Krijn van Noordwijk:
http://www.krijnvannoordwijk.com/
He has a book of great photos called DJ. It's all portraits of DJs. A
bunch of Detroit folks are in there including Theo Parrish and Rick
Wilhite. I can't remember who all else is in there. I don't own
[mailto:web...@snet.net]
Sent: Monday, August 09, 2010 12:52 AM
To: 313@hyperreal.org
Subject: (313) Juan Atkins photo
I came across this photo of Juan Atkins. My compliments to whoever took this. I
think it's a really striking image.
http://www.digital-distortions.co.uk/bibzme/wp-content/uploads/2010
To: Odeluga, Ken
Cc: 313@hyperreal.org
Subject: Re: (313) Juan Atkins photo
Ken,
You have to ad atkins3.jpg to the URL that you click, as the URL was too
long...
Dave
Odeluga, Ken wrote:
Cheers Anton, the mix downloads fine, but clicking the link for the image
throws up a '500' [Internal Server
Cheers Anton, the mix downloads fine, but clicking the link for the image
throws up a '500' [Internal Server Error].
Ken
-Original Message-
From: AntonBanks.com [mailto:web...@snet.net]
Sent: Monday, August 09, 2010 12:52 AM
To: 313@hyperreal.org
Subject: (313) Juan Atkins photo
I
Scrub that. Working ok now. Evocative photo!
-Original Message-
From: Odeluga, Ken [mailto:ken.odel...@dowjones.com]
Sent: Monday, August 09, 2010 11:42 AM
To: 313@hyperreal.org
Subject: RE: (313) Juan Atkins photo
Cheers Anton, the mix downloads fine, but clicking the link
I came across this photo of Juan Atkins. My compliments to whoever took
this. I think it's a really striking image.
http://www.digital-distortions.co.uk/bibzme/wp-content/uploads/2010/03/juan-
atkins3.jpg
BTW, it went along with this mix.
Interesting. I had no idea about this. Does that make me #1
head-in-the-sand-person of 2010 so far?
I think it's OK, but not startling. I like some of the mixes better than the
original. My first reaction was to say different
but thinking about it there've been tracks like this before,
Interesting. I had no idea about this. Does that make me #1 head-
in-the-sand-person of 2010 so far?
Other peepz got words on this? Or did all that happen already and I
missed it?!
I heard this when it came out but wasn't impressed.
So I guess that make you LATE Francis :)
robin...
No! Where do I hear it?
-Original Message-
From: ohanakin ... [mailto:ohana...@gmail.com]
Sent: 25 January 2010 11:49
Also, juan atkins isn;t making good music? Anybody heard his new
track, work for money??!!
Good read here:
http://fabriclondon.com/fabricfirst/blog/juan-on-juan-your-questions-answered/
m
Love the section about tape manipulation and the reverse hand clap.
A quick question re : Whereas when I put a CD up against a vinyl I
always have to EQ the CD a lot hotter than the vinyl, to make it
compare
What does hotter mean in this context?
2009/9/10 Martin Dust mar...@dustscience.com:
On 10 Sep 2009, at 13:20, Ravinder S Mann wrote:
Love the section about tape manipulation and the reverse hand clap.
A quick question re : Whereas when I put a CD up against a vinyl I
always have to EQ the CD a lot hotter than the vinyl, to make it
compare
What does hotter mean in this
To an old studio rat like Juan 'hotter' would mean raw signal level.
I thought it was kind of a curious comment on his part, actually,
because CD players are at the same nominal level as the output of a
phono preamp.
I wonder if he just likes that high frequency distortion that's
unavoidable with
On 10 Sep 2009, at 14:46, kent williams wrote:
To an old studio rat like Juan 'hotter' would mean raw signal level.
I thought it was kind of a curious comment on his part, actually,
because CD players are at the same nominal level as the output of a
phono preamp.
EQ isn't signal level tho
Wouldnt boosting all the frequencies make it sound . . . well I cant
describe it but overdriven. I play about with the EQ on my stereo as
we all do and that set up usually sounds rubbish. If anything I drop
out the mid section a bit, boost the tops a bit and boost the bass a
little more than the
On 10 Sep 2009, at 15:40, Ravinder S Mann wrote:
Wouldnt boosting all the frequencies make it sound . . . well I cant
describe it but overdriven. I play about with the EQ on my stereo as
we all do and that set up usually sounds rubbish. If anything I drop
out the mid section a bit, boost the
I would assume he's referring to the fact that CD's are often mastered
with heavy compression, and so while they often sound loud and upfront
as all getout, they often have a noticeable lack of dynamics compared
to vinyl -- they don't pop like well-cut vinyl does. That's
something you only really
JT Stewart wrote:
I would assume he's referring to the fact that CD's are often mastered
with heavy compression, and so while they often sound loud and upfront
as all getout, they often have a noticeable lack of dynamics compared
to vinyl -- they don't pop like well-cut vinyl does. That's
Yeah. That's like the usage in a mixer manual. Hot is multi-purpose
slang though. When you describe music as hot it could mean a few
different things and possibly any or all simultaneously. Hot like
great, hot like banging, hot like virtuosic, hot like a recording that
pops...hot like really loud
http://www.clashmusic.com/feature/juan-atkins-interview
...and a free new Model 500 track
http://www.clashmusic.com/sounds-of-the-summer
It's not too bad at all, I think it has some elements of his really
classic tracks from back in the day, but i'm not falling off my chair
quite yet.
P.
On Mon, Jun 15, 2009 at 1:57 PM, wojciech kawalekwojtek@gmail.com wrote:
http://www.clashmusic.com/feature/juan-atkins-interview
...and
http://www.clashmusic.com/feature/juan-atkins-interview
Hi fellows,
just thought I should share this with you.
http://lostcitizen.net/blog/21
D
Hey SF peeps (I saw a few of you there briefly),
How was the rest of Juan's set @ Elbo Room? I only stayed for 40 mins
and to be honest was pretty disappointed, it was all over the place
and sloppy. Did he get any better later on?
I've been greatly let down by his dj sets before, so i'm sticking
: Monday, June 02, 2008 10:54 AM
To: Kowalsky
Cc: [313]
Subject: Re: (313) juan and kraftwerk (was Re: (313) 313 - T)
it's not an if. it's a statement of fact. juan atkins was making techno
before he heard kraftwerk. he said it, he put it in writing, it's a fact.
On Mon, Jun 2, 2008 at 1:52 PM
Dick Hymen is also a great pr0nstar name
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Guide
-Original Message-
From: Fred Heutte [mailto:[EMAIL PROTECTED]
Sent: 02 June 2008 21:48
To: 313@hyperreal.org
Subject: Re: (313) juan and kraftwerk (was Re: (313) 313 - T
The moment has passed...
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: Monday, June 02, 2008 7:13 PM
To: Kowalsky; Fred Heutte
Cc: 313@hyperreal.org
Subject: Re: (313) juan and kraftwerk (was Re: (313) 313 - T)
co-signed. I see techno as an extension of disco and kw/td
: (313) juan and kraftwerk (was Re: (313) 313 - T)
But Juan Atkins said numerous times that he was listenning to the
'Electrifying Mojo' radio show right ? Way before starting recording
'Clear' or 'Alleys Of Your Mind'...
Not only Juan, Derrick, Kevin, Jeff, Alan, all a generation listenned to
him
On Mon, Jun 2, 2008 at 1:01 PM, Thor Teague [EMAIL PROTECTED] wrote:
To play devil's advocate, that doesn't prove that if Kraftwerk had
never existed, Detroit techno would not have existed.
That was exactly my point. If you ask me, it proves that Detroit
techno would have existed even if
remember that argument we were all having recently about whether
techno would have happened without kraftwerk? the comment that
sparked it was Juan and Kevin and Derrick might have had had some
difficulty without the Germans (this was in the context of who
belongs on a techno mount rushmore
To play devil's advocate, that doesn't prove that if Kraftwerk had
never existed, Detroit techno would not have existed.
I am not interested in the debate a great deal, as the fantasy
scenario What if xyz...? debates don't seem productive IMO. I find
it moot. They did, and the belleville trio
it's not an if. it's a statement of fact. juan atkins was making
techno before he heard kraftwerk. he said it, he put it in writing,
it's a fact.
On Mon, Jun 2, 2008 at 1:52 PM, Kowalsky [EMAIL PROTECTED] wrote:
Frank, i'm sorry to disagree with you again, but there is no logic in saying
Frank, i'm sorry to disagree with you again, but there is no logic in
saying something would be this way if...
You can say that kraftwerk had no influence, or that they influenced
but not as much as people say or that they did influenced a lot.
These 3 cases should lead us to a real debate.
So, the fact you claim to be true is: Kraftwerk has nothing to do
with the creation of the detroit techno. Right?
On 02/06/2008, at 14:54, Frank Glazer wrote:
it's not an if. it's a statement of fact. juan atkins was making
techno before he heard kraftwerk. he said it, he put it in
Frank Glazer wrote:
On Mon, Jun 2, 2008 at 1:01 PM, Thor Teague [EMAIL PROTECTED] wrote:
To play devil's advocate, that doesn't prove that if Kraftwerk had
never existed, Detroit techno would not have existed.
That was exactly my point. If you ask me, it proves that Detroit
techno would have
Frank Glazer wrote:
all i'm saying, and all i've ever said, is that juan atkins was making
techno before he heard kraftwerk. why is that so hard to understand?
It isn't.
What makes it illogical is the notion that he somehow escaped the
influence, whether or not he had heard the band.
It's not hard to understand. Nevertheless i still see kraftwerk in
detroit techno. Juan got the Kraftwerk in second hand through other
styles, like electro.
I mean no offense, but what is really hard to understand, and
pointless, is this:
it proves that Detroit
techno would have existed
all i'm saying, and all i've ever said, is that juan atkins was making
techno before he heard kraftwerk. why is that so hard to understand?
On Mon, Jun 2, 2008 at 2:06 PM, Kowalsky [EMAIL PROTECTED] wrote:
So, the fact you claim to be true is: Kraftwerk has nothing to do with the
creation of
Most techno artists / musicians would regard Computer World as more
influential than Autobahn.
The progression from Autobahn to CW was a great one and made it closer
to dance music which was the incubation phase for techno. I think of
Autobahn being closer to Neu / Can with synthesizers
Oh please let's not argue this over again.
Just because Juan heard Numbers after he started making tracks means
nothing. Numbers was on Computer World, which was released in
1982. Computer World was KW's 7th LP. Autobahn had been a hit in
the US in 1974. It isn't likely that Juan Atkins was
But Juan Atkins said numerous times that he was listenning to the 'Electrifying
Mojo' radio show right ? Way before starting recording 'Clear' or 'Alleys Of
Your Mind'...
Not only Juan, Derrick, Kevin, Jeff, Alan, all a generation listenned to him.
Mojo played a lot of Kraftwerk music ... It's
The whole argument is pointless. Trans Europe Express and
Autobahn were huge hits on black radio. I know because I heard
them a lot on the major DC stations (WOL and WOOK) at the
time. Same in Detroit I'm sure. Whether Juan was influenced
directly or not is for him to say. Influence could mean
That's exactly what i was saying to Frank. I didn't understand what
you're asking.
But, i agree with you. This argument is pointless. And more pointless
is to imagine a world where techno exists and kraftwerk doesn't.
The kraftwerk sound signature can be heard, clearly, in many detroit
Clarence! Clarence! Help us, Clarence! Get us back! Get us back, We don't
care what happens to us! Get us back to our Computer World and Pocket
Calculator! Help us Clarence, please! Please! We wanna bike again. We wanna
be showroom dummies again. Please, God, let us compute again!
MEK
Kowalsky
: (313) juan and kraftwerk (was Re: (313) 313 - T)
That's exactly what i was saying to Frank. I didn't understand what
you're asking.
But, i agree with you. This argument is pointless. And more pointless is
to imagine a world where techno exists and kraftwerk doesn't.
The kraftwerk sound
A couple of years ago I learnt that the Fairlight synth, early
sampler, was created in Sydney (Fairlight is a suburb) so maybe
Sydney is the spiritual home of much of today's contemporary music
(scary!)
On 03/06/2008, at 3:52 AM, Kowalsky wrote:
Frank, i'm sorry to disagree with you
the flyer
http://www.scale.gs/client/metroplex/juanatkinspartyWEB.jpg
this Sunday, 25 May 2008
Metroplex presents
Juan Atkins' Loft Party
featuring performances by
Juan Atkins / DJ
Metroplex
http://www.myspace.com/68657561
Terrence Dixon / LIVE + DJ
Metroplex, Reduction, YORE, Background
Spoke to Linkwood before the gig, he was sh*ting as he's not played
a techno
set out in a long time. How did it go??
He played well. Possibly better mixing than Trusme but played in a
more pitched-up kinda way. Like a house dj playing techno, but I
consider that to be a Detroit related
313list party back in
2001.
This set is up on www.goneloko.co.uk
Thanks
Max
www.myspace.com/mxmspace
-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 31 January 2008 08:44
To: Mxm
Cc: 313@hyperreal.org
Subject: (313) Linkwood and Trusme (was Re: (313) Juan Atkins
Spoke to Linkwood before the gig, he was sh*ting as he's not played a techno
set out in a long time. How did it go??
Wish I could have been there to support him.
Max
-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 28 January 2008 10:21
To: 313
Subject: (313) Juan
I just hope they rebook him - I wasn't the only one who couldn't have attended
because of the clash with the Chair, so hopefully if
they do it'll get more numbers.
Looking forward to Jamal Moss!
-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: 28 January 2008 10:21
:
Subject: (313) Juan Atkins
28/01/08 10:21
Went to see Juan on Saturday in Manchester. Guess what - another no
show.
I don't know why, as I saw this coming, but I was disappointed.
Luckily Trusme and Linkwood did a fine job of entertaining us but they
must've taken a hit financially and reputation-wise (it was known from
Friday
Unless I had to burn some money I wouldn't book Juan in a million years.
robin...
On 28 Jan 2008, at 10:27, [EMAIL PROTECTED] wrote:
I just hope they rebook him - I wasn't the only one who couldn't
have attended because of the clash with the Chair, so hopefully if
they do it'll get more
So I go to the a show quietly advertised as having Juan Atkins play at
'200 Orchard' on the Lower East Side of Manhattan.
Three semi-brooklyn looking hipster guys, one of whom wouldn't stop
playing with his hair, mixing old (old) Aphex Twin with proto trance
disco tech-house (beat matching
Really enjoyed this. Started off with Convextion, and whilst he played some
obvious bits (Moroder, Strings of Life etc) he held my attention for a good 90
minutes before I succumbed. I like his charisma on the decks as well - he's
always looking at the crowd. He's not the best DJ in terms of
I've seen Juan a couple of times and to be honest I've always had a
good time - I'm not that fussy about having every single beat is
matched like some CD Comp from HMV. The selections were good. In fact I
went to a gig in Manchester last month and in places they didn't even
bother matching the
/16/06 03:25 AM cc
Subject
Re: (313) Juan Atkins Up
Even if he sold the publishing rights he'd still be getting money from
the songwriting rights. (royalties are usually split 50% between the
owner of the publishing rights and the songwriter, if the publishing
rights are owned by somebody else that is, correct me if I'm wrong!)
-skkatter
On
I'm surprised at how much other artists give props and not always the
artists you think - Annie was giving big props to Derrick May and
Underground Resistance in Aus interviews on her recent tour. It's up
to them to carry the legacy and educate new punters on the heritage
of this music.
-Original Message-
From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 23:18
To: 313@hyperreal.org
Subject: Re: (313) Juan Atkins Up For A Grammy
I think it's a bit like the Oscars. You have to put it in
perspective. Do the best films get nominated, the finest
RE: (313) Juan Atkins Up For A
Grammy
The uneducated masses don't know electro from hip-hop from Jazz and
probably
never will. What would be great is if he wins he could go up and blast the
audience with a quick dose of knowledge like The music Industry sucks and
you are all sheep!!!.
The uneducated masses, definitly no... But I
totaly agree Emiliano,
you are an example of hows music is sometimes working...
fabrice
The uneducated masses don't know electro from hip-hop from Jazz and
probably
never will. What would be great is if he wins he could go up and blast the
audience with a quick dose of knowledge like The
@hyperreal.org
Subject: Re: (313) Juan Atkins Up For A Grammy
I have been told that he's not getting any publishing royalties for
it as he doesn't own the publishing, was sold long ago - I hope I'm
wrong!
I heard an interview with Professor X, who was making electro in LA
around the same time as cybotron and who is friends with juan atkins,
and he said when Missy Elliot was asked what song she sampled she
mistakenly said Planet Rock. Anyone else heard this?
At 01:04 PM 1/11/2006, Klaas-Jan
@hyperreal.org
01/12/06 04:12 PM cc
Subject
Re: (313) Juan
Hmm. Seems natural to me. Despite the drama over the years,
Detroiters usually stick up for each other.
Nothing wrong with critical acclaim of any type as long as it doesn't
shape you.
Discuss amongst yourselves...
--
Ian
On Jan 12, 2006, at 12:38 AM, [EMAIL PROTECTED] wrote:
i would
] Re: (313) Juan Atkins Up For A Grammy
Date: Thu, 12 Jan 2006 15:38:01 +1000
i would have never imagined that it was so important to mad mike that juan
atkins to be aknowledged by the commercial record industry.
does that mean underground resistance has now become overground assistance?
james
Jeez James, don't be so churlish!
Here I am in the belly of the beast, and so are you!
Credit where it's due, I say.
Ken
-Original Message-
From: Fred Heutte [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 08:42
To: 313@hyperreal.org
Subject: Re: (313) Juan Atkins Up For A Grammy
It's
@hyperreal.org
Subject: RE: (313) Juan Atkins Up For A Grammy
Jeez James, don't be so churlish!
Here I am in the belly of the beast, and so are you!
Credit where it's due, I say.
Ken
-Original Message-
From: Fred Heutte [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 08:42
To: 313
I'd just like to say there's no way I'd let Juan Atkins get up my granny.
some things in life are sacred.
_
- End of message text
This e-mail is sent by the above named in
their individual,
HAHAHAHAHHAHA Quality
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 10:29
To: 313@hyperreal.org
Subject: RE: (313) Juan Atkins Up For A Grammy
I'd just like to say there's no way I'd let Juan Atkins get up my granny.
some things in life
2006 21:04
To: 313 Mailinglist List
Subject: Re: (313) Juan Atkins Up For A Grammy
Herre is the link to the official website...
48th grammy awards
8th february
8pm et/pt CBS
http://www.grammy.com/awards/grammy/48Awards.aspx
On 11-jan-2006, at 21:54, Klaas-Jan Jongsma wrote
Right, done it. For those who haven't yet (and want to) scroll down to
category 34.
Ken
-Original Message-
From: Odeluga, Ken
Sent: 12 January 2006 14:27
To: Klaas-Jan Jongsma; 313 Mailinglist List
Subject: RE: (313) Juan Atkins Up For A Grammy
F me! How depressing a read
: Re: (313) Juan Atkins Up For A Grammy
Herre is the link to the official website...
48th grammy awards
8th february
8pm et/pt CBS
http://www.grammy.com/awards/grammy/48Awards.aspx
On 11-jan-2006, at 21:54, Klaas-Jan Jongsma wrote:
--begin transmission
://www.grammy.com/academy/faqs.aspx
-Original Message-
From: Matt Kane's Brain [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 14:35
To: Odeluga, Ken
Cc: Klaas-Jan Jongsma; 313 Mailinglist List
Subject: Re: (313) Juan Atkins Up For A Grammy
From Category 8, Best Pop Collaboration with Vocals
Stupid question time, but how do you actually vote?
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 14:33
To: 313 Mailinglist List
Subject: RE: (313) Juan Atkins Up For A Grammy
Right, done it. For those who haven't yet (and want to) scroll down
Not stupid at all. I just answered it though.
-Original Message-
From: Hardie, Nick [mailto:[EMAIL PROTECTED]
Sent: 12 January 2006 14:43
To: Odeluga, Ken; 313 Mailinglist List
Subject: RE: (313) Juan Atkins Up For A Grammy
Stupid question time, but how do you actually vote
) Juan Atkins Up For A Grammy
Right, done it. For those who haven't yet (and want to) scroll down to
category 34.
Ken
-Original Message-
From: Odeluga, Ken
Sent: 12 January 2006 14:27
To: Klaas-Jan Jongsma; 313 Mailinglist List
Subject: RE: (313) Juan Atkins Up For A Grammy
F me! How
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