Okay several points here:
in response to you:
That's a tired old stereotype, why continue to generalize Swedish techno?
It's not too much to ask for people to be a little more specific with names
(more current names and labels) instead of "Swedish techno sucks, it's too
monotonous and same sound
ay so if anyone wants to know how
that was..drop me a line.
baci
fab
- Original Message -
From: "Peter Leidy" <[EMAIL PROTECTED]>
To: "spw" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Monday, May 12, 2003 4:50 PM
Subject: Re: (313) Swed
> If you think about it what percentage of techno from Sweden really fit's
> under
> definition #2?
> As for the sound becoming more formulaic maybe you could be more specific
> listing artist and labels other than Adam Bayer, Drumcode.
My second and final post on the subject as your reply is bode
definition of d is one of his best works beside remainings on Drumcode, and
bangers are boring and hard for brain that bangers. They live short life on
scene Mull is coming back with some new materials as i heard, but im
asking are we going to hear some lekebusch stuff, i dont think so...
so
I thought there was an agreement on this list that all such music would be
referred to as "banging loopers"
;-)
Seems to conjure up images of bangers and mash for me for some reason...
hmmm...
Peter Leidy said:
> I find the second definition more commonly used than the first, but the
> context i
ve mix which is a good electro rework).
Orrin
- Original Message -
From: "Maarten Baute" <[EMAIL PROTECTED]>
To: "Robert Taylor" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>;
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Sunday, May 11, 2003
sorry if you never got this but my email provider has been down :(
-Original Message-
From: ian cheshire [mailto:[EMAIL PROTECTED]
Sent: 09 May 2003 19:04
To: Fabrizio Nahum; Wibo Lammerts; 'Odeluga, Ken'; [EMAIL PROTECTED];
313@hyperreal.org
Subject: RE: (313) Every Dog 4
&qu
> Check out Beyer's Concealed Project material for Svek - much more
313-friendly than his monotonous Drumcode loop sh!t
Yes, those records on Svek he did are really good. 5 out of 5!
I heard Mike Grant playing the "definition of D" on the DEMF 2000 (I wasn´t
there, but saw the realvideo on groovet
Check out Beyer's Concealed Project material for Svek - much more 313-friendly
than his monotonous Drumcode loop sh!t
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 6:22 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313)
well it depends on a your brain type, most people are units who are here to
reproduce and populate generally go through a rebellious/ liberal phase
during
adolescence and then conform to the system of populous as they mature.
The hard techno sound was actually a product of +8 records, (faster =
e
"David Powers <[EMAIL PROTECTED]>" raises a valid observation, why
so much hatred directed towards
Swedish techno?
If you think about it what percentage of techno from Sweden really fit's
under
definition #2?
As for the sound becoming more formulaic maybe you could be more specific
listing artist
>
> > I have heard a lot of Swedish techno/tech-house that is NOT just 2-beat
loops but some quite musical material. I'm surprised the Swedes get hated
on so much.
> >
>
> just a quick note on swedich techno because this topic seems to get folks
> talking in circles without really getting anywhe
> I have heard a lot of Swedish techno/tech-house that is NOT just 2-beat loops
> but some quite musical material. I'm surprised the Swedes get hated on so
> much.
>
just a quick note on swedich techno because this topic seems to get folks
talking in circles without really getting anywhere:
I
ou're right Max. It came up during my first talk with Robert:
" 1995 : Nighttime World 1, which was supposed to be H&M : Every Dog Has It's
Day, released in 2000. Originally Jeff and I were supposed to record tracks for
that album : Every Dog Has It's Day back in &#x
em based on the
same sounds as the other volumes, and nothing stands out. My fave pieces are
on #2, although I don't know #1. If there's another I hope it's different.
I'm sure I read somewhere that the Every Dog material is old, from the
early-mid 90s. I I think I read that
05/09/03 05:28 PM cc:
Subject: RE: (313) Every
Dog 4
-- Original Message --
From: [EMAIL PROTECTED]
>a lot of people will probably barf all over this statement but i
think one
>of the toughest things to do is play a well programmed hard
techno set.
yeah, finding a whole set worth of good records is damn near
> a lot of people will probably barf all over this statement
> but i think one of the toughest things to do is play a well
> programmed hard techno set.
no you are absolutely right! that's why people who play hard and INTERESTING
with their own personal style can make even the most rigid and b
cc:
Subject: Re: (313) Every Dog 4
- Original Message -
From: "David Powers" <[EMAIL PROTECTED]>
To: "spw" <[EMAIL PROTECTED]>; "Fabrizio Nahum"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, May 09, 2003 2:55 PM
Subject: Re: (313) Every Dog 4
>>>>
ily more conservative music.
------ Original Message -
Subject: Re: (313) Every Dog 4
Date: Fri, 09 May 2003 11:16:28 -0500
From: spw <[EMAIL PROTECTED]>
To: Fabrizio Nahum <[EMAIL PROTECTED]>, <313@hyperreal.org>
those are logical conclusions and I agree for the most part al
-- Original Message --
From: [EMAIL PROTECTED]
>beyer is working on it. check out the ignition key album and/or
any of the
>other things about to come out on truesoul.
i just heard ignition key for the first time this week. while its
not the best thing ive
- Original Message -
From: <[EMAIL PROTECTED]>
>
> Today I can't really tell the difference between most of these artists
> anymore - they should just all get together and be one big Swedish Super
> Group and play one big f*ck off kick drum loop and then go off and try
> something different
-- Original Message --
From: spw <[EMAIL PROTECTED]>
>those are logical conclusions and I agree for the most part
although i
>would be careful in implying track based techno is immature it's
more about
>peoples brains maturing and their taste changing (becom
19
To: Wibo Lammerts; 'Odeluga, Ken'; [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313) Every Dog 4
i just got it the other day so i havent heard it much yet -
that said, i feel there are only 2 tracks that really stand out while the
others are in the typical millsart everydog/me
erreal.org>
gy.net> cc:
Subject: Re: (313) Every Dog 4
those are logical conclusions and I agree for the most part although i
would be careful in implying track based techno is immature it's more about
peoples brains maturing and their taste changing (becoming more
conservative) in the process.
Part of it is conforming to the system as they stop the re
Yeah - it's funny how everyone on this list tends to favour Detroit house and
techno. Strange even.
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 3:46 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4 (correction)
on 5/9/03 10:24 AM, s
Whatever
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 3:46 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4 (correction)
on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote:
> I was just stating an observation.
>
> To answer your qu
on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote:
> I was just stating an observation.
>
> To answer your question my only objection to the criticism of "Swedish
> techno" for example, is the generalization of a country's techno movement
> without being specific about an artist or label.
I jus
I was just stating an observation.
To answer your question my only objection to the criticism of "Swedish
techno" for example, is the generalization of a country's techno movement
without being specific about an artist or label.
on 5/9/03 11:43 AM, Robert Taylor at [EMAIL PROTECTED] wrote:
> No
AIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, May 09, 2003 4:41 PM
Subject: Re: (313) Every Dog 4
> It is my observation there is favoritism towards song based format techno
> over track based techno form regular mailing list contributors.
> This would explain the interest
oh, it's more than favoritism -- it's a conspiracy!
DJ Fox Mulder
On Friday, May 9, 2003, at 10:41 AM, spw wrote:
It is my observation there is favoritism towards song based format
techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop mu
: spw [mailto:[EMAIL PROTECTED]
>Sent: Friday, May 09, 2003 3:42 PM
>To: Odeluga, Ken; 313@hyperreal.org
>Subject: Re: (313) Every Dog 4
>
>
>It is my observation there is favoritism towards song based format techno
>over track based techno form regular mailing list contribu
-- Original Message --
From: spw <[EMAIL PROTECTED]>
>It is my observation there is favoritism towards song based
format techno
>over track based techno form regular mailing list contributors.
>This would explain the interest in pop music, deep house,
pre-te
> It is my observation there is favoritism towards song based format techno
> over track based techno form regular mailing list contributors.
> This would explain the interest in pop music, deep house, pre-techno retro
> music and a dislike of techno genres such as Swedish techno.
..must not
No sh!t Sherlock.
What's wrong with disliking Swedish techno and liking Nick Holder or Yello?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:42 PM
To: Odeluga, Ken; 313@hyperreal.org
Subject: Re: (313) Every Dog 4
It is my observation the
, Odeluga, Ken at [EMAIL PROTECTED] wrote:
>
> M McQueen
>> what Mills does in this style is better than a lot of the crap out there
>> diluting the market with average techno -- , but I'd rather have fewer
>> tracks that are just... well... more memorable or something.
: spw; 313@hyperreal.org
Subject: RE: (313) Every Dog 4
When I shop for records, I keep just one thing in mind: does it sound good?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:29 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4
I disagree with the
t;spw" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, May 09, 2003 6:31 PM
Subject: RE: (313) Every Dog 4
> When I shop for records, I keep just one thing in mind: does it sound
good?
>
> -Original Message-
> From: spw [mailto:[EMAIL PROTECTED]
> Se
When I shop for records, I keep just one thing in mind: does it sound good?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:29 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4
I disagree with the following views expressed, the more tracks the
for mixing purposes
That being said I have yet to buy an Every Dog record (not high on my
priority list) even though I been tempted to buy several volumes.
on 5/9/03 9:36 AM, Ryan Snowden at [EMAIL PROTECTED] wrote:
> Point. As soon as the release number exceeds that of police academy mov
M McQueen
>what Mills does in this style is better than a lot of the crap out there
>diluting the market with average techno -- , but I'd rather have fewer
>tracks that are just... well... more memorable or something. Or when the
>"best of Every Dog vols. 1 thru 6" com
mething. Or when the
"best of Every Dog vols. 1 thru 6" comes out let me know. ;) I feel like
I keep buying the same tracks. That said there are some standouts, to be
sure! <<
THe 2 and the 4 have their moments. The 1 and 3 are a bit boring IMHO.
The 2 is in my opinion the best.
@hyperreal.org
Subject: RE: (313) Every Dog 4
> i feel there are only 2 tracks that really stand out while the others
> are in the typical millsart everydog/metropolis style. which is still
> good, but its nothing groundbreaking.
that's sort of the way I felt about vol. 3 myself. Don&
es in this style is better than a lot of the crap out there diluting
the market with average techno -- , but I'd rather have fewer tracks that are
just... well... more memorable or something. Or when the "best of Every Dog
vols. 1 thru 6" comes out let me know. ;) I feel like I k
: "'Odeluga, Ken'" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>;
<313@hyperreal.org>
Sent: Friday, May 09, 2003 2:04 PM
Subject: RE: (313) Every Dog 4
> Another "Every Dog"... is it worth getting?
>
> And on the Axis tip... I heard about this Claud
Another "Every Dog"... is it worth getting?
And on the Axis tip... I heard about this Claude Young record on Axis? Only
100 copies worldwide available? What;s the story on this?
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: vrijdag 9 mei 2003 13:37
Blimey, a proper market in Every Dog records! That's virtually the price of
an ordinary LP. In fact that *is* the price of an ordinary LP!
k
>-Original Message-
>From: robin pinning [mailto:[EMAIL PROTECTED]
>Sent: Friday, May 09, 2003 12:33 PM
>To: 313@hyperreal.org
&
www.vinylunderground.co.uk has em at £12.99pretty good
robin...
> Russhour is the winner: only 17,50 EURO!
>
> This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
>
Russhour is the winner: only 17,50 EURO!
This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
Cheers,
Maarten
Only 3000 copies in the uk, I hear (but it will be reprinted, maybe).
Boomkat.com has some. £18.99
k
;- BT -" <[EMAIL PROTECTED]>
>To: 313@hyperreal.org
>Date: Wed, 31 Jul 2002 09:13:47 +0000
>Subject: Fwd: Re: [313] every dog has its day vinyl tracklist
>
>
>
>
>I was the same Alex, I only used to buy CD's till a few months ago. I
>managed to get all 3
>
hardwax.com might still stock vols 2 and 3
just ask them: [EMAIL PROTECTED]
- Original Message -
From: Paul Wise <[EMAIL PROTECTED]>
To: tom churchill <[EMAIL PROTECTED]>;
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, July 31, 2002 7:42 PM
Subject: Re:
I got mine on ebay I have seen them around on websites and stuff but
they r pretty rare
GEMM is a v good bet
>> I was going through a not buying records phase when Vol.1 of this came out.
>>
>> Is it ultra limited? .I've never seen a vinyl copy.
>
> I never saw any in the UK (I picked m
> I was going through a not buying records phase when Vol.1 of this came out.
>
> Is it ultra limited? .I've never seen a vinyl copy.
I never saw any in the UK (I picked mine up by chance when I was in
Singapore with sometime listmember Collin Chen)... but as BT says it's
probably worth check
uying records phase when Vol.1 of this came out.
Is it ultra limited? .I've never seen a vinyl copy.
If not, anyone know where you can pick these up?
Thanks,
Alex.
"Güclüer, Hansi" <[EMAIL PROTECTED]> on 31/07/2002 07:42:09
To:<313@hyperreal.org>
cc:
Subject
se up?
Thanks,
Alex.
"Güclüer, Hansi" <[EMAIL PROTECTED]> on 31/07/2002 07:42:09
To:<313@hyperreal.org>
cc:
Subject:[313] every dog has its day vinyl tracklist
Here are my test results:
Every Dog Has Its Day I
A1 Mercury's Downfall
A2 Place De La Bastille
Here are my test results:
Every Dog Has Its Day I
A1 Mercury's Downfall
A2 Place De La Bastille
B1 Nights of Africa
B2 Flying
C1 Arcadia
C2 Now is the Time(inst.)
D1 Dr. Ice
D2 Walking Still
D3 With
Every Dog Has Its Day II
A1 Capricorn
A2 Moody
B1 Pacific State of Mind
B2 Jade
C
has anyone got the tracklisting of the vinyl? i though about figureing it about
by myself by comparing vinyl - cd but i guess it's impossible to get it
complete as the cd's got 17 tracks (+ "with") while the six pieces of vinyl
contain 24 tracks in all. but if noone's done it(or found it somewhe
sk and what not'?
Anywhere I could find this interview online?
John
From: Super Coffee Beans <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]> 313@hyperreal.org
CC: "313 Mailing List" <313@hyperreal.org>
Subject: Re: [313]ARPANET (was: every dog vol. 3)
Date: Wed, 27
from what i understand arpanet are air, or at least thats what they said
to in the interview to the magazine i work for.
if any of you have any more info i would be happy
Yair.
and yeah happy passover to all you out there.
-
To
but they aren't there yet
;-)
MadR
btw nice car !!
- Original Message -
From: "Minto George" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, March 25, 2002 8:05 PM
Subject: [313] every dog vol. 3
>
> This is my fav vol. of this series by jeff...v
further in the dataphysics sound.
I think i'm gonna power up my arpeggiator :)
- Original Message -
From: "Minto George" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: 25 March, 2002 8:05 PM
Subject: [313] every dog vol. 3
>
> This is my fav vol. of this seri
Hey Minto!
I bought it on friday and I love it!
Typical Dopplereffect electro funk..
Not their best release but worth buying it IMO...
I love the Axis 26 too! Great stuff. I think the tracks are really old and I
wonder if Jeff Mills is doing such great tunes nowadays
Hopefully
Cheer
This is my fav vol. of this series by jeff...very deep
and damn good...wish he would put out more of this
kinda stuff. Classic Detroit techno and highly
recommended! I got my copy through groovetech and I
think it was worth the $16 I paid for it. :)
also gotta say I dug Tom's new one on Nordic Tr
I know it's all about supporting your local independent, but just wanted to
point out that www.juno.co.uk are selling this for only 15.99 ukp... which
is the cheapest place I've seen it so far.
Cheers,
Tom
-
To unsubscribe, e-m
to me, techno is *so* much more than just the "right"
sounds and
> structure. it's difficult to put my finger on it, save for
chucking around
> words like soulful and emotional, but there's a certain vibe
running thru
> the tracks on Vol 3 that i'm a bit of a suc
henrique casanova:
and i dont know if you guys will agree, but this 3° vol. is much
closer to techno then the other two(thank god!!). at least in the
drums..
i don't know that i feel quite right saying one record is more techno than
another. to me, techno is *so* much more than just the "rig
> ...and on the subject of Detroit techno, my copy of "Every Dog Has
It's Day"
> Vol 3 arrived today. i've only played it the once, but i've gotta
say it's
> the best thing i've heard from Mills on Axis in feckin ages...
and i dont know if you guys wi
...and on the subject of Detroit techno, my copy of "Every Dog Has It's Day"
Vol 3 arrived today. i've only played it the once, but i've gotta say it's
the best thing i've heard from Mills on Axis in feckin ages... perhaps since
Humana. if you're i
come to leeds it's
between £7.25 - £7.95 and attitude free.
paul, innercity.
- Original Message -
From: Jason Donnelly <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, March 11, 2002 3:55 PM
Subject: [313] every dog vol 3
now available at bent crayon:
MILLSA
for imports in manchester? come to leeds it's
> between £7.25 - £7.95 and attitude free.
>
> paul, innercity.
>
>
>
>
>
>
> - Original Message -
> From: Jason Donnelly <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Monday,
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 11 March 2002 16:38
|
| I just can't see a reason for it, can anyone else?
Well, the only reason I can think of is that a limited run results in a
larger overhead per copy pressed - especially if there's anyt
To:
cc:313@hyperreal.org
Subject:RE: [313] every dog vol 3
as far as i remember the other 2 were about 20 quid - i think they were
limited run and more albums than double packs hence the more expensive than
usual price tag. when you consider cds in chain stores are now above 15quid
a
: [EMAIL PROTECTED]
:Cc: 313@hyperreal.org
:Subject: Re: [313] every dog vol 3
:
:
:
:Memo from Alex Bond of PricewaterhouseCoopers
:
: Start of message text
:
:£23 for this double-pack in Manchester.
:That's an outrage in my opinion.
:
:I mean, some o
soles.
Jason Donnelly <[EMAIL PROTECTED]> on 11/03/2002 15:55:17
To:313@hyperreal.org
cc:
Subject:[313] every dog vol 3
now available at bent crayon:
MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all
wrongdoings are eligible for correction. Even in the eye
I paid £22
It's top notch though.
- Original Message -
From: Jason Donnelly <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, March 11, 2002 3:55 PM
Subject: [313] every dog vol 3
> now available at bent crayon:
>
> MILLSART: Every Dog Has Its Da
ahhh words that speak sense..
finally the 313 gets back to basics..
well done Jason!
-Original Message-
From: Jason Donnelly [mailto:[EMAIL PROTECTED]
Sent: 11 March 2002 15:55
To: 313@hyperreal.org
Subject: [313] every dog vol 3
now available at bent crayon:
MILLSART: Every Dog
now available at bent crayon:
MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all
wrongdoings are eligible for correction. Even in the eye of a storm, we
must endure the invalid as a objective fragment in the existence of
mankind. Effortlessly, time passes ove
hame it's so expensive... there are 1 or 2 other records i've
ended-up passing on this week (the new DJ Marquis 12" for example, which is
funky as f*ck) so i could shell out for Every Dog 3.
rob
good music maybe but
paul
- Original Message -
From: rob webb <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, March 08, 2002 2:11 PM
Subject: Re: [313] Every Dog 3...
> Tom:
>
> >£20+ for a doublepack, even an import doublepack, is absolutely
ridiculous
£20 for a double pack?.. careful now or this will merge into the 'regarding
business' thread.. every thread will have it's day.. every dog will have
it's thread..
on another note, if you're after the forthcoming tresor comp 'true spirit'
amazon.co.uk seem to
Tom:
£20+ for a doublepack, even an import doublepack, is absolutely ridiculous
-
he's taking the piss big time - I'd love to hear his justification for
this...
i wouldn't want to point any accusing fingers, and i'd imagine everyone has
had their cut of the higher price, but surely someone s
> £20... that's kinda pricey imho.
£20+ for a doublepack, even an import doublepack, is absolutely ridiculous -
he's taking the piss big time - I'd love to hear his justification for
this...
Cheers,
Tom
-
To unsubscribe, e-mai
anyone heard "Every Dog Has It's Day" Vol 3 yet? i've just been listening
to some real audio samples, 4 or 5 times now, and it sounds like classic
lush Mills techno - Mills in thoughtful, reflective mood, rather than
thoughtful, reflective, dancefloor pummelling mood. i
Look what landed in me box today... [voice of Homer] , new
Mills...[drool]...
Millsart: Every Dog Has Its Day Vol 3 (Axis)
2x12", AX-026, released 15 April 2002
No tracklisting, unfortunately, but it does come with a prime slice of
'M
> btw, imho it seems like Mills writes his sleevenotes in German or perhaps
> French and then uses Babelfish to translate them into English. anyone
else
> think this is likely?
>
Maybe that´s the reason why I do understand it :D
but more serious also to Stephen -
(with most respect 4 your
Otto:
Most likely due to the fact that it isn't out yet...
(the original post started with a quote from the Bent Crayon mailout, where
you could only pre-order it since it isn't released yet)
yeah, i realise that. so, for arguments sake, has anyone actually heard it,
or are we stuck with dis
Ken Odeluga:
ok - can I just ask about the cd of the same name (on Music Man): "Every
Dog
..." ... Is that anything to do with vol 3 or am I hopelessly behind the
times? ...
i think the cd includes tracks from Vol1 and Vol2 (both of which are limited
vinyl doublepacks on Axis
ok - can I just ask about the cd of the same name (on Music Man): "Every Dog
..." ... Is that anything to do with vol 3 or am I hopelessly behind the
times? ...
>-Original Message-
>From: Otto [mailto:[EMAIL PROTECTED]
>Sent: Thursday, January 10, 2002 11:08 AM
>
At 08:04 AM 1/10/02 +, you wrote:
>no, i think you're right Steve - a bunch of posts about the sleeve notes
on Every Dog Vol 3, and (unless i've missed something) there's been nothing
about the music on that particular record just yet...
Most likely due to the fact tha
" too.
anyway worked on me
rc
on 10/1/02 7:04 PM, rob webb at [EMAIL PROTECTED] wrote:
> no, i think you're right Steve - a bunch of posts about the sleeve notes on
> Every Dog Vol 3, and (unless i've missed something) there's been nothing
> about the music on that particu
no, i think you're right Steve - a bunch of posts about the sleeve notes on
Every Dog Vol 3, and (unless i've missed something) there's been nothing
about the music on that particular record just yet... and talking about
music, has anyone heard the new Drexciya 12"?
-
-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 10, 2002 6:37 AM
To: Lester Kenyatta Spence
Subject: RE: [313] every dog vol 3
That could be interesting ... and I'm not being ironic.
>-Original Message-
>From: Lester Keny
-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 10, 2002 6:48 AM
To: [EMAIL PROTECTED]
Subject: RE: [313] every dog vol 3
Wrong. The music gets mentioned almost in every posting; the general
consensus is that the music could stand tall, footnotes
fuck.. what's going on with this list these days?...
is anybody going to comment on how the record sounds - or are you all happy
debating how good/bad the sleeve notes are?.. two digests full of this shit
about the sleeve notes and nobody has said anything about the record..
i'm right here a
tand however that not everyone who likes this spectrum of music,
is a dreamer ... :o)
>-Original Message-
>From: james boylan [mailto:[EMAIL PROTECTED]
>Sent: Tuesday, January 08, 2002 4:57 PM
>To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
>Cc: 313@hyperreal.org
>Subject: Re: [
I haven't really looked at this topic as it looked a bit too active but,
would this be a good time to ask whether anybody liked Mills' Mono?
That was his piece of art; I saw it at Sonar 2001.
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That Mills stuff sounds like classic jive-nonsense talk. I think
it's actually supposed to be funny; if you read it aloud it has
that kind of swing rhythm...
I don't think he is going for the Serious Jazz mode, or else he
*should* hire you to do the liner notes!
Just think, you could be the Ralp
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