Which part of Camden? Near The Lock or near Mornington Crescent? ...
Just ignore us for a while, 313 ... (actually, I think anyone who wants
to help Paul further, can do so off-list, as I will try to from here...)
-Original Message-
From: Placid [mailto:[EMAIL PROTECTED]
Sent: 17
their discog
http://www.discogs.com/artist/Members+Of+The+House
I would imagine if you contacted Submerge/Mike Banks you could get some
info
MEK
Svagr, Jodie [EMAIL PROTECTED] wrote on 08/10/2006 11:32:46 AM:
Hey everyone,
I'm trying to find information, news clippings, old releases,
Subject: RE: [313] trying again. hehe
Classic indeed! You've created a very pleasant track with soothing
development featuring very nice chords and progression ala early Carl
Craig. It's the sort of track that you imagine you've heard back in
the day and it's imbibed with a sense of warm
Classic indeed! You've created a very pleasant track with soothing
development featuring very nice chords and progression ala early Carl
Craig. It's the sort of track that you imagine you've heard back in
the day and it's imbibed with a sense of warm sentimentality. Nicely
played.
Leslie
When was Bounce your body to the box made?
You can tell it's older but not exactly how much.
That side (of planet E release) along with You don't know how to play
our music
both just JACK. Circa early nineties maybe, or older?
He definitely utilizes his instruments to the max.
Thats what
Hello,
I am not trying to start a big argument, but I will put it to you like
this.
get a random teenage techno DJ, and play them a marco corolla record,
and then play him the Kick the Pump Mix of Big Fun by Derrick May. I
guarantee you he will pick the Marco Corolla record.
You know your
On Sun, 18 Jun 2000, Intermodal wrote:
Hello,
I am not trying to start a big argument, but I will put it to you like
this.
get a random teenage techno DJ, and play them a marco corolla record,
and then play him the Kick the Pump Mix of Big Fun by Derrick May. I
guarantee you he will
[EMAIL PROTECTED] wrote:
[EMAIL PROTECTED]:
records, but I admit that many of them are poorly produced, the writing
isn't all that great, and they do not really work in a modern context. I
love them because they sound so old, so primitive, and because in many
ways they laid the
I'd have to agree with Andy here. Some early techno records might have
raw
production, mixing and muddy pressings, but these records are also full
of
the kind of raw expression (soul) that's so hard to find in 'modern'
techno.
I also have to agree.
You had some raw sparse minimal tracks that came
Hey all:
Am compelled to add my 2 cents worth as a senior member on the list
Detroit, unlike any other city on the planet in the past 100 years, is
solely responsible for beginning two major cultural, youth-oriented
revolutions one being with the RB/Motown thaing. It wasn't really rock
solely responsible for beginning two major cultural, youth-oriented
revolutions one being with the RB/Motown thaing. It wasn't
why did not you add punk ? MC5, Iggy Pop The Stooges...
Gwendal
on 6/19/00 12:25 PM, Gwendal Cobert at [EMAIL PROTECTED] wrote:
solely responsible for beginning two major cultural, youth-oriented
revolutions one being with the RB/Motown thaing. It wasn't
why did not you add punk ? MC5, Iggy Pop The Stooges...
Gwendal
This is actually a good point, and
I'm a 16 year old girl that's only been into techno for around 2 years and I
love early techno I hear all my older friends pumping in little house
parties. They think it's cheesy and funny sometimes and reminisce, but I love
it!
+|~Christine~|+
In a message dated 6/18/00 4:31:45 AM US Eastern
On Mon, 19 Jun 2000, laura gavoor wrote:
+Detroit changed the world twice with no assistance from anyone on the
+planet.
i agreed with your post, except for the above statement.
i'm pretty sure detroit changed the world more than twice. i'm pretty
sure fargo also changed the world more than
my only problem is finding records
that are pre 1990.
I think that is part of the reason why you may disagree with Cyclones
post about people not liking early techno. When I think of those early
records(play it cool by M500 comes to mind) I can understand exactly why
a 16 year old who just got
my only problem is finding records
that are pre 1990.
I think that is part of the reason why you may disagree with Cyclones
post about people not liking early techno.
Actually, I think don't think you were referring to my post (for once! :) )
as I would never argue that. I think me and the
[EMAIL PROTECTED]:
records, but I admit that many of them are poorly produced, the writing
isn't all that great, and they do not really work in a modern context. I
love them because they sound so old, so primitive, and because in many
ways they laid the groundwork for so much of what came
i am certain that a large section of this mailing list would not enjoy
listening to the early techno records.
Do you really think so? I think most of the people on this list want to find
out more and are already open to those old records to an extent.
I meet kids all the time who are very well
-
From: Cyclone Wehner [SMTP:[EMAIL PROTECTED]
Sent: Saturday, June 17, 2000 5:12 AM
To: 313 Detroit
Subject: Re: [313] Trying
i am certain that a large section of this mailing list would not enjoy
listening to the early techno records.
I figured that letter might wind somebody up, ah well, it just comes
down to difference's of opinion...I've always found Good Lookin' records to
be alright, but completely interchangable, and basically hip restaurant
music, something good to buy items to. This isn't a bad thing, but I just
Why YOU gotta go make shit racial?
Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
I think it's actually a racial thing
Get Your Private, Free E-mail from MSN Hotmail
In a message dated 6/15/00 7:30:17 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
If Bukem namedrops old 313 records, is he just 'trying to prove he was
down'? I think he _was_ down, played those tunes when they were released,
then
went on to create his own style. Tunes like 'Demon's
In a message dated 6/16/00 12:03:29 AM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
at what point has the music of one scene become so copied that the original
soul and unique spirit of those first pioneers become diluted with 1/2 arsed
knock-offs and misguided interpretations? simply
This isn't really that 313 related, but
Here is your music, loo what we can do with it, and, you're missing out
on it. Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
Actually, it was Led Zepplin and many other British bands (even Black
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often rejected by the mainstream American audience, but well
accepted by
In a message dated 16/06/00 11:30:21 GMT Daylight Time, [EMAIL PROTECTED]
writes:
If that is how you truly feel, then please progress to another mailing
list. You and the smart guy in the message below this one are obviously
very
angry non-americans.
I'm American, although living in
To ToToRoGrL:
I could diss you about a million things that are wrong
about your country. And you could do the same about
mine. This is about the music... no one cares where it
comes from. I don't believe things like black/white or
Yank/Limey conflicts should be discussed anymore in
todays
Nick Walsh wrote:
The American dance scene IS a helluva lot better than
that in the UK.
I don't know your experiences, but mine are rather different (although
based only on many nights clubbing in London, which I realise may not be
representative of the UK as a whole): the UK has a frequency
[EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often rejected by the mainstream American audience, but well
accepted by various
Subject: Re: [313] 'Trying to recreate something that's long gone'
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
You and the smart guy in the message below this one are obviously very
angry non-americans. as far as blues and rock goes, you need to maybe take
AMERICAN history and learn that not only was blues and ragtime and
it's just a few t*ssers that are behind the times.
is tosser really a swear word?
what does it refer to?
i love to augment my store of expletives ...
at least i can have a more cultured foul mouth...
peace,
h*lly
In a message dated 16/06/00 6:30:28 [EMAIL PROTECTED] writes:
FYI from california, you are very bold to say that kind of shit on a
mailing
list invloving Americans. Not only does your opinion hold no value, it
also
lacks intelligence. It is your closed-mindedness that keeps the world
Um, again, I apologize that this message focuses on rock more than techno,
so if you aren't interested, then delete.
If that is how you truly feel, then please progress to another mailing
list. You and the smart guy in the message below this one are obviously very
angry non-americans.
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