Horace Brock wrote
> I'm having a problem with playback volume.
>
> I'm doing a transcription of the Schubert 8th Symphony, we're talking
> first movement. Although I have marked the opening pianissimo, the
> first measure is louder, then the volume drops in the SECOND measure.
> Then when the obb
Daniel Dorff wrote
> I'm working on a piece for tenor sax & piano and have been inputting with
concert pitch displayed. Parts of the piece are with standard key signatures,
and parts are in free non-tonality. Now I want to switch over to showing the
tenor sax in the correct transposition and sti
Lawrence Yates writes:
>>[EMAIL PROTECTED] writes:
>>So tell me then why it is okay to mispronounce Greenwich as gren-itch?
>because Gren-itch is the correct pronunciation, it's not a mis-pronunciation.
>Green-itch is a mispronunciation. (I'm speaking of courser of Greenwich in
England - if >the
Leti wrote:
> I need some suggestions of songs about "travelin'". For example, there is "On
> the Road Again" or "King of the Road." Can you think of any others?
> I'd really appreciate the help.
How about the theme song of The Littlest Hobo?
"There's a voice,
That keeps on calling me.
Down th
Lawrence Yates wrote:
> If I erase the DC before extracting there is no problem, I get 35 bars rest as
a multimeasure rest. How do I get the 35 bars as a multimeasure rest without
having to delete the DC then re-insert it in the parts.
I haven't tested this, but the problem may be either because
James Brody wrote
> I would like to be able to put dividing bar lines (section indicators) in the
middle of measures of a score for a large ensemble. I don't know if it's easy or
difficult, but I can't seem to find the direct reference for doing this in any
of the documentation, although I'm sure
Richard Huggins wrote:
> On a double-stemmed, unison dotted note, where two layers have been involved
> in creating the unison, Finale will put only one dot if the note's on a
> space but two (one above, one below) it it's on a line.
To remove the lower dot:
Options > Document Settings > Augment
"helgesen" wrote
> The piece they played was a newly written(?) march from a film (I think)
> about Churchill. I don't think it was called "Churchill March"- but it could
> have been. It could have been Goodwin- or Walton or somesuch.
> Very much in the style of "Battle of Britain March"- but star
J. Simon van der Walt wrote
> > From: "Peter Taylor" <[EMAIL PROTECTED]>
>
> >
> > The name of this march is Aces High and you're right, it WAS written by Ron
> > Goodwin, but only for the film - it has nothing to do with the real
Luftwaff
The name of this march is Aces High and you're right, it WAS written by Ron
Goodwin, but only for the film - it has nothing to do with the real Luftwaffe.
Peter
- Original Message -
From: "helgesen" <[EMAIL PROTECTED]>
To: "Finale" <[EMAIL PROTECTED]>
Sent: Tuesday, August 26, 2003 1:40
Sorry - I meant to add: Click on Help > User Manual and look down the list for
Maestro Character Map.
Peter
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
I always use expressions too. The DS sign is Shift-5 (or %) and Coda is Alt +
0222
Peter
- Original Message -
From: "helgesen" <[EMAIL PROTECTED]>
To: "Finale" <[EMAIL PROTECTED]>
Sent: Monday, August 25, 2003 11:03 PM
Subject: [Finale] Sign- (as in DS)
> Again- I'm having a seniors m
Noel wrote:
> Tom Daish wrote:
>
> > Hi all,
> >
> > Does anyone have any advice on how to convert music from PrintMusic to a
format
> > that can be made into a CD-R to be played on a regular CD player.
>
> Later this week, when MakeMusic! announces the availability of Finale 2004,
> upgrade. Acco
Brad Beyenhof wrote:
> For multiple-system endings, you can use a "begin ending" bracket on
> the first system and a "finish ending" bracket on the second system; if
> you need even more you might either use a smart shape or an ending
> bracket with the hanging end dragged up to be level with the l
David wrote:
> That brings up another thing: for a long time now (since WinFin97)
> Finale has been a very poor Windows "citizen" in terms of cleaning up
> after itself. That is, it never seems to delete its temp files, so I
> periodically have to clean out my TEMP folder.
>
> Can anyone else conf
RockyRoad wrote:
> You're the second person who has said M7 for Maria. Getting me
> worried. I'd swear it was a tritone.
No need to worry David. I agree with you - the opening notes ARE a Tritone.
Can you fill me in as to how you apply this song association business? I never
heard of it or used
I apologise if this has come up before. I can't find any reference in my
archived messages or in the OLD.
How do I insert DEFAULT whole note rests? I'm working on a 3/8 divisi passage
and need whole rests in layer 2. I can put in REAL whole rests but then I get
the "too many notes" message
and
Aaron Sherber wrote:
> After several years with Finale, I'm just now working on the first project
> of mine to use first and second endings.
>
> I notice that it's difficult to find a consistent height for the bracket --
> it's either too high or too low, depending on how far above the staff the
Jari wrote:
> Windows 95 is over 6 years old now, and you absolutely should get a
> more stable OS, IMO. WinXP is the "best" Windows version now,
> regarding stability and it doesn't require that huge computer resources
> (compared to Win2000).
Jari - I have heard from numerous sources that XP i
D. Keneth Fowler wrote:
> I am doing a string quintet in which I initially entered 4/4 time. After
> entering all the music, I notice that the autograph I am working from is
> marked *C* (just not paying close attention). OK, so I make the change. Now
> a measure that originally had an eighth - q
>From Andrew Stiller
> >> I just did some heavy editing of a file prepared by someone else, and
> >> now I find that the note durations play back as if the machine was
> >> drunk. ...
> >Try Options/Playback Options and uncheck the 4 boxes at top left
> Already did that. No help. Now what?
Andrew Stiller wrote:
> I just did some heavy editing of a file prepared by someone else, and
> now I find that the note durations play back as if the machine was
> drunk. The guy who made the original file is a MIDI fiend, and he may
> have done some sophisticated adjustment of the durations
Jari wrote:
> Peter Taylor writes:
>
> > I don't use layers frequently, and then usually only for an odd measure or
two,
> > so this has never been a real problem for me till now. I have to enter a
piece
> > with up to three layers in every measure and I am
I don't use layers frequently, and then usually only for an odd measure or two,
so this has never been a real problem for me till now. I have to enter a piece
with up to three layers in every measure and I am finding the keyboard shortcut
for changing layers in Speedy, Shift-' (apostrophe), is no
Andrew Homzy <[EMAIL PROTECTED]> wrote:
> I'm using FinMac 2001d and have two problems:
>
> 1 - I can't attach the SmartShape trill-line to a note. Upon opening the
> menu, "attach to measures" is checked and the "attach to notes" & "attach to
> noteheads" is grey. Wouldn't one normally want to
25 matches
Mail list logo
