The other options are very simple:
Go to a super market & get few of these cheap micro fibre small towels.
Whip the finger prints off your horn during playing breaks or practising
breaks. The horn will remain shiny for quite some time, a year or more.
If it gets too tarnished, clean it with a mild
It is Klaus Wallendorf not Wallenburg, my former assoc. principal here
in Munich. He left for Berlin in 1980. The recording is great, but was
done several years ago. I wonder, why it took so long to arrive there.
The music is from my publishing.
===
Meistersinger.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of David B. Thompson
Sent: Tuesday, May 11, 2004 4:53 AM
To: 'Old Horn List'
Subject: RE: [Hornlist] seigfried's long call
Hans Pizka
As you played it, your LAST CALL as a CLOSE CALL it was a CLOSET CALL
perhaps (see the reaction of the management).
What means "they NEARLY fired me" ? And I have to protest strongly: I
WAS NOT PRESENT THERE, perhaps a clone, - otherwise I had FIRED you
because of a CLOSET CALL (that´s the one we
That´s the same with spectacles. If you clean them, but the towel has
just a minimum of grease from your fingers probably, you will have a
light rainbow effect on the spectacles.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[E
What Long Call do you have ? The one with three separate signals or the
one with more signals, all off them separated by fermatas, wher Fermata
means a hold.
If the Long Call you have consists of just three signals, it is the
Short Call. The Short Call & some further similar Short Calls are from
G
e "Schnipsel Techique" (=
takes
> & cuts & takes & cuts again, but with superb result). There was no
> audience.
> ===
>
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On
Behalf
> Of Grae
Hello Robert, as far as I know, Henri Kling was not a thieve. He
composed all by himself.
You thinking of Wilhelm Wurm 1826 Braunschweig to 1904 St.Petersburg ?
Kindest greetings
Hans
==
-Original Message-
From: [EMAIL PROTECTED]
[m
The Long Call is in the second Act of Siegfried just about 34 minutes
after the beginning.
I have recorded the RING (live) three times total. Two sets (Wolfgang
Sawallisch & Gustav Kuhn) are available, no three will be on the market
in some time (Zubin Mehta). The no.4 set was a concertante produc
If you would read tzhe answers you receive here on the list, you would
know the right way to tune the horn.
I repeat it here, you have to use the best in tune pitches of both sides
to tune according to the "a" form the piano.
Play the (concert) f1, which is our c2 in the 2nd space from top or 3rd
INSANE - INSANE - INSANE - are we living in the Stone Ages or Middle
Ages ??? Why not wrapping the whole horn with plastic tape, best of
blue or red or yellow colour, so the horn´s surface will not be damaged
by fingerprints & will never need any polishing. There will never occur
the bad effect of
Hello Benno, verzapf doch nicht diesen Unsinn, bitte. The main tuning
slides need to be pulled out, as the horn is designed to fit different
environment. Temperature has a certain influence to tuning. Orchestra
tradition is different in the world. USA orchestras have a lower "a"
than European orche
Hello Bob, I published this piece with an additional double bass. But it
can be left off. The other parts are like the original. Will send it to
you (please send me your postal address off list) plus the promised CD
(no charge for the CD).
-
If the mouth piece is more or less corresponding with the instrument,
THE PLAYER HAS TO ADAPT HIS LIPS (better said: has to get his lips used
to the mouthpiece) TO THE MOUTHPIECE.
Admitted, there are some better designed mouth pieces today than in the
past. Better designed means here that some cur
But, William, how about the sound quality of the low notes if played on
the F alto ? All overtones gone ? It is a fact that the F alto just
sounds as the main tone without all co-sounding overtones. But it can be
precise, off course. The Bb side is better for technical things in the
low range, you
As usual, I played act 1 & 2, Siegfried Machata Act 3. When we recorded
that, Sawallisch rushed the recording. Not many breakes. I remembering
doing the 2nd Act finale three or four times in a row, not because of
the horns, but because of something in the strings or woods. We got not
a single word
As nobody but one showed any interest in the announced auction of three
valuable horn methods of the past, I close the auction early & sell the
books top the one single bidder at opening price.
But be aware, more valuable horn documents & manuscripts will be
auctioned later, giving preference to t
About the stage fright:
One has to know, why stage fright does come. Nervousity is not stage
fright. Excitement is not stage fright.
But over-nervousity and over-excitement lead to stage fright. Inadequate
preparation leads to stage fright, - no wonder.
Adequate preparation, but missing fundame
And in my section there is nobody taking any drugs as sedative for any
rehearsal or concert or other performance. So this conductor lives in
his "wish-to-be world". But I know a lot of conductors who "sniff"
before the concert, or drink themselves to courage or excitement.
When I said : " stage fri
We had a new production of Mozart´s "Il Seraglio" last season. Daniel
Harding conducted. There was a fixed setting in the orchestra, means, we
were not allowed to switch service. Well, my colleague did the job. But
we have got a new conductor since, Harry Bicket, of whom I reported the
review he re
What is the problem here ? Buying a mouthpiece here, buying a mouthpiece
there, just because a colleague recommended that ? INSANE ! Learning the
technique to cover the horns whole range with ONE SINGLE mouthpiece,
with a real horn mouthpiece.
And the range must be acquired by the right practise n
Searching in my archive I found some surplus copies of old horn methods,
which I will auction here on the list.
They are:
Joseph Mohr ( 1823-91), high exponent of the hand horn technique:
Methode de premier & de second Cor, published by Leduc 1869, original
publication, soft cover, format 11,6 x
We performed Mozarts "Serail" as a reprise but with a new conductor, who
got several rehearsals.
The critic wrote: " the strange production & the brave conductor
Harry Bicket could not irritate the audience even the conductor showed a
strong inclination to Tohuwabohu (Finale) "
Sorry, friend
Hello Steve, even you said the right things here, you missed something.
Why the alterated fingerings for the high notes & the better result ?
Because the students were playing higher harmonics on longer horns. The
longer the horn the higher you might climb, very old rule & fact. The
high c3 is play
Michael, is the warm up fun ? Is warming up the muscles fun for the
athletes ? Every day ? No. It is part of the life.
Playing 2 1/2 years & practising the amount you said Shame upon
you, when speaking of high notes difficulty at a2. At your age ? You are
not a small kid anymore !
If you wo
If the voice is a male voice, things go easy, but we have two ways now:
1st: the all original (authentic) way, which is quoted or asked for so
often - This makes it impossible to do the Weber without the chords.
2nd: the alternative way, which allows any adaption if the piece itself
is not altere
Perfect !!!
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of John Dutton
Sent: Saturday, April 17, 2004 9:21 PM
To: Memphis Hornlist
Subject: [Hornlist] Re: transposing in D
Steve wrote:
Transposition is very easy if you k
Hello Bruce, well, Mike works hard, but he watches too much the TV
perhaps or he is missing most of the basic musical education. This is a
main problem for many players outside areas with proper music schooling
facilities or even basic music education as part of the regular
curriculum of the school
Between Jan 17 & Feb 15, 2004:
17 dress rehearsal Roberto Devereux evening La Cenerentola, 18 Xerse
(Handel), 19: Roberto Devereux premiere, 20: rehearsal Rheingold all,
ev: Nutcracker, 21: Rheingold, 22: Walkuere reh., ev: Ballet 2 horns,
23: Walkuere reh., ev. Roberto, 24: Rheingold, 25: La Travi
bers.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Robert Marlatt
Sent: Thursday, April 15, 2004 2:29 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Bayerische Staatsoper
Hans Pizka:
>I better leave no for another "Parsifal" starting in two ho
Hello Lawrence, I second that request, but regarding ErgoHorn I might
ask, how about those who swivel around on their seat or dance-swing with
their horn, as so often noted in auditions ? Big trouble then in the
orchestra. And what to do during rests ? How to water empty the horn
without any clonk
If he talks about the initial note as (originally) a(1) second space a,
he thinks in concert pitch but played on F-Horn, as the initial note is
annotated as e2 (1st space from top)
-Original Message-
From: [EMAIL PROTECTED]
[mail
To clarify it: gulden means golden. There was also the "dukat", finally
of 3,49 grs gold at 986/1000. The name "ducat" or "ducatus" deriving
from "duce" or "doge" or "duke" as first produced by Duke Dandolo in
Venice in the late 13th century.
Jack, you should read my first message again, when I asked you mailto:[EMAIL PROTECTED] On Behalf
Of Jack Garrett
Sent: Wednesday, April 14, 2004 9:16 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] RE: Mozart 12 Duets K.V. 487 - Transpositions?
Thank you very much for this wealth of information, Pro
Incorrect Again, the small coin in Thailand would be "satang" not
"baht".
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Robert Marlatt
Sent: Wednesday, April 14, 2004 1:24 PM
To: [EMAIL PROTECT
Milton, these mail comes from a camouflage computer generated address & uses
all available addresses (scanned from internet) to camouflage the origin of
the SPAM. Special dangerous are the obviously fake Microsoft messages or
messages like "your PC has been scanned" or "you have been on watch beca
Hello Milton, I am receiving W32Kletzky virus anytime I download my
mail. They have a SPAM filter at t-online (the biggest German), but with
rather mediocre effect as the SPAMMERS use all tricks to hide the key
words. Well, I can live with that. But I do not understand, how the
Kletzky virus gets t
There is a lot of stupidity & ignorance regarding these duets, special
by non horn playing musicologists. Several horn playing musicologists
follow up very close.
How did Mozart note down these duets ? He did it the same way other horn
player composers did, while drinking with friends, during a bo
Hello Peter, I have the LP, but cannot find it in my archive, but have a
casette copy fortunately. Can convert it to CD, eventually, for you.
During the search for this tape, I discovered some other tapes &
cassettes:
Joseph Eger playing Peter Jona Korn´s Concertino op.15 (Radio Orchestra
Vienna),
We played Parsifal last night, the 5 1/2 hours opera by Wagner. He
called it "Buehnenweihefestspiel" = difficult to translate, but I try:
"Theatralic passion play", where passion means the Christian way of
passion, as the Holy Friday ceremony is part of the play.
Well, this piece is full, very ful
First: throw the tuner out of your practice room & use your ear to
correct pitches. If the slides are set once, they should stay so. Just
remember how far they have to be pulled out each. Remember that the
Bb-slides (the lower set) have to be pulled out just a bit less than the
F-slides.
Get the S
I noticed over the years, that too many mailing in their answers & their
advice, tend to much to "speak them right after their mouth" -
understood.
This does not help. Just critic & realism will help, everything
expressed honestly.
Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim - Germany
Fax: 49 89 9
It means two defects in one:
1) you are still not able to keep your lip muscles under control
2) you still play with too much air pressure.
BTW, buzzing does not work as any preparation for the embouchure. It
might help for a relax, but one buzz would be enough to release the
tension.
How about L
William, it is not important to be a leader in the music field, but
being able to participate on activities delighting listeners to music,
that´s worth the effort anyway. It does not depend on the level or size
of the group you particite. But all music activity must be taken
seriously, special as t
You are right absolutely, Cathryn. Both is necessary: innate musicality
plus a very careful guidance by an understanding & helpful teacher to
"develop" the "raw material". If the student has the right (self
controlled) ambition and the perfect anatomy for the particular
instrument, including the st
I second that, Paul !!!
Reminds me of Igor Markevich, who screemed "cuivre, cuivre " & we blew
as brassy as possible & he shouted again "Hrns, CUIVRE, CUIVRE !",
so I asked him to explain to us what he wanted with "cuivre". His reply:
"STOPPING".
So you can see, how we suffer under some of t
Tell the conductor he or she should take a French/English dictionary at
hand. Hauteur = height, reelle = real.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of jgschreck
Sent: Monday, April 05, 2004 9
Are you joking ? I have never seen nor heard that band musicians
concentrated on a marching shop, have ever adjusted slides or lips
during such a performance to compensate the Doppler effect.
If you play with relaxed embouchure & not so loud as usual, thing go by
far better than while playing so o
It is not on CD, it was on LP, long time ago.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of COLIN WAYLETT
Sent: Monday, April 05, 2004 9:00 AM
To: jgschreck; The Horn List
Subject: [Hornlist] RE: [Horn list] Re
And the "Duo Kontarsky (the two brothers pianists) booked a flight
somewhere in Brazil and got just one seat reserved upon the name "Duo
Kontarsky".
Or the famous poster in Vienna, announcing the premiere of the new
production of Trobadour in the State Opera:
Il Trovatore
Director: Herbert von Ka
You are right absolutely. We suffer due to this fact since years. And,
these people (result of teaching) really think, they are musical. They
become quite good players or even very good players, but have musicality
just for 2 cents, if at all.
===
Error again, it was not a small number who applied for the vacant job.
Only 25 were selected out of 75 - 100, but just 19 presented themselves
to the jury. According to the credential they had sent in, we expected
an audition with high level of playing, but we all were very
disappointed about the r
It definitely depends upon the quality of the band & how you perform
there. Dennis Brain was definitely in the Air Force Concert Band - a big
difference. And British is British also (tradition). And he joined the
band, when he was a soloist already. Another difference.
=
Hello Charles, still in search for a beautiful horn ? Let me know.
To your letter: BRAVO, BRAVO, BRAVO - I could not express it better.
Answer to the rhetorical question: definitely NO. But the teacher can
cultivate it & guide it, if musicality exists.
Musicality is a very complex thing & cannot
Yes, you are right Dave, the mouth takes a bigger bite than stomach
might be able to digest. That´s with the band conductors (or - often -
amateur orchestra conductors or conductors of community orchestras), who
often become megalomaniac dreaming of international competitions &
careers, losing any
Hoss, have you ever auditioned, I mean, really, for a professional
orchestra ? You have no idea about. A professional orchestra is
different from a community or conservatory orchestra. Tuning is not the
business of the committee. The committee expects, that the candidates
present themselves with a
Michael, you are on the right path. You know, why many people like
marching & marching band ? Marching & marching in the band does not
requite much brain & much responsibility.
I will consider your advice for the next audition, dear friend.
The conductor of the Railway band was a real conductor & a composer, as
most of the old fashion Austrian former military musicians were
-Original Message-
From: [EMAIL PROTECTED]
[mailto:
Ha, ha, ho, ho, you fell into the trap. And people here fall in the trap
also by imitating your band dance shows, but cannot match the high level
of many bands in your country. Imitation is not good, if it has no
background. Lets turn it around: imitation is good only, if it has a
background.
And
Margaret, you think I have no experience with Brass Band or Military
Band (this is our naming in contrary to yours: Marching Band). I joined
a semi professional band (Railway) when I was eleven, playing first
horn: marches (and we marched also, even in the rain), waltzes,
ouvertures, fantasies, sou
First: we do not invite candidates from outside Europe. They must live
here before we invite them. Citizenship does not matter (they actually
originated from 3 continents, but not the USA)
Second: tuning has nothing to do with taste. As "tuned" means something
"absolute" there is no choice left.
D). I'd love an opportunity
to
hear Brain play the Jacob. Is it possible to procure a recording these
days?
John Schreckengost
[EMAIL PROTECTED] (Hans Pizka)
> subject: RE: [Hornlist] vibrato and Myron Bloom
>
> Did you ever listen Dennis Brain playing Gordo
We had another audition yesterday with 19 candidates, but without
result. They tune their horn with concert Bb, a pitch not perfect in
tune on the Bb-horn (written f1, first space from below). The whole horn
will be flat then. The high f2 (concert b, first line on top) is also
not suited for tuning
Hello Margaret,
your emphatic letter about the importance of the band activity reminds
me, that there was (long time ago) a enormous movement here in Europe
(Austria, Germany, Italy, Spain, Portugal, Hungary) regarding putting
all in uniforms, marching & marching again. Music was involved, but the
Did you ever listen Dennis Brain playing Gordon Jacob or Schoeck
Concerto. He was just 35 when he played these concertos for these live
recordings. Still the highest example how music of the 20th century
could be interpreted most mature, so everybody can understand it. And
technical shortcomings ?
Michael, again, it should NOT read "bad activity" but "BAND ACTIVITY".
Sorry about the typo.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Hans
Sent: Friday, April 02, 2004 6:03 AM
To: 'The Horn List'
Subject: RE: [Hornlist] Emphasis on Marching
Michael
Did you ever listen Dennis Brain playing Gordon Jacob or Schoeck
Concerto. He was just 35 when he played these concertos for these live
recordings. Still the highest example how music of the 20th century
could be interpreted most mature, so everybody can understand it. And
technical shortcomings ?
Steve, people buy cheap horns new from the factory. They become
hysterical about oiling, greasing, polishing, cleaning, greasing again,
dismantling, mounting, dismantle, oils, snake brushes etc. They
exaggerate all these practice until the horn is broken regarding valves,
slides etc.
The valves, w
To Benno Heinemann:
A horn teacher, persuading a student to adopt the Bb-horn after
conquering a C-major scale on the F-Horn, is not a responsible teacher
for horn. As you said, the F-Horn is a great help to develop a good tone
quality & to develop a fine brass player technique (like in sports:
tr
An Benno Heinemann:
Also, ein Hornlehrer, der seinen Schüler schon nach Beherrschen der
C-Dur Tonleiter auf auf dem F-Horn zum B-Horn verführt, ist kein
verantwortungsvoller Lehrer. Wie Sie gut sagen, ist jetzt das F-Horn
eine große Hilfe zu guter Tonqualität und zur Entwicklung der
Bläsertechnik
And in Ben Hur the Romans spoke English, while the Jews spoke American
English, quite a clever distinction. They did similar in a English
language Ring production in Saddler Wells Opera in London some thirty or
fourty years ago using singers of Welsh (Walis) decent for the gods,
American singers f
Reminds me of the BBC announcement: .Adagio & Allegro op.70 for
value horn & piano by Robert Schumann ... Off course, if you dont use
a valve horn for this piece, you should have a value horn at least, but
it would not help much.
And: "keh-teh-room kane-sae-oh Khahr-tuh-gee-name ehs-seh dae-lane-dum
! Kae-sahr ! Cut-tea-lee-nah" - "Koh-daxe khee-fee-lees" -
"kane-too-ree-oh"
There is still the division between the "C" as "kh" or as "c" schools of
Latin. Sorry, we have no audible records, except perhaps "catalan" or
"cast
Hello Ron, that´s the difference with e.g. Germany, Austria & other
European countries. This kind of frustration cannot happen here, as the
teachers here are not just so-so trained, quasi "en-passant". And for
our school orchestras or even bands, playing music comes before marching
activities.
Perfect answer, perfect.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Wednesday, March 31, 2004 8:01 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Phonetics
Jim T wondered
We're singing Haydn's
German Latin is different: "Dona nobis pacem" would be "doh-nah noh-bis
pah-tsame", in Italianisated Latin: " doh-nah noh-bis pah-tshame", with
the last syllable quite short.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Herbert Foster
Sent: Wednesday, M
I would like to know, who as a professional principal horn is here on
the list (besides Prof.Gestopftmitscheisst). Please answer privately, I
will keep the secret, as I still keep the secret about Lautbar.
Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim - Germany
Fax: 49 89 903-9414 Phone: 903-9548
hom
After reading this article, I can just wonder how much on information
these journalist might have & how sloppy they are.
Yes, orchestra musicians can receive up to 4.000 pound sterling a month,
but just in the highest class orchestras.
My orchestra is regarded as to belong to the highest paid or
Off course, these two makers inspect their own products by themselves
or/and maker them by themselves.
And to quote Bill Bamberg:
This is again the usual hyper nationalistic misunderstanding. I did not
blame the Americans per se, but the system. The SYSTEM: gaining more
money, but spending a m
Be assured, Michael, there will come dents & scratches once a while. The
horn will suffer NO damage, if you dont touch it.
Again, if there has a chip of nickel plating fallen off during
ultrasonic cleaning, it confirms that this is a factory horn indeed. But
what do you expect for the price you p
Steve, you forgot one important annoying thing:
The permanent hassle with customers who have absolutely zero idea about
the hardware (instrument) & not much ideas about software (their
playing), but tend to blame manufacturer & repairperson for their own
(customer) failing (missing playing techniq
Yeah, yeah, yeah, this would be easy, playing perfectly by birth without
any work investing.
Question: doesn´t consequent study & success give much satisfaction ?
Doesn´t the hard earned success make you more proud than success by
birth ?
Look into Bible, Koran, Buddhas Teaching & other books of
Regarding Yamaha horns manufactured under Japanese standards in Japan, I
cannot believe, that anything of dust or other particles would be left
inside a horn. This would create a big scandal in Japan & Yamaha were
out of business.
But I can imagine, that Yamaha horns manufactured under US standard
If that is so, are these YAMAHA made in Japan or in the US factory ?
If they do not change their carelessness, why do people continue to sell
or buy such instruments ? If nobody buys a Yamaha horn for six months,
what will happen to their supervisors ? They risk their job as well as
the directors.
Dr.Cabbage, dr.Cabbage, my dear colleague in pain. How about your
mouthpiecepressure so to push the crook so deep into its socket You
should not press that much while playing "Cosi fan tutte". Ooops, I have
to remember, how "Cosi fan tutte" translates. So you just followed the
crowd in your ma
ot
firey chasms of the Yamaha Factoryjust spent some money...quite
abit.to say I did.). MWOOHAHAHA!
Lol, got a little carried away.
Wish me luck that its all cleaned out.
Mike
PS: Thanks all, especially Mr. Mumford and Pr
Arabella has no demands on me as I never had any affair with
Mlle.Arabella. Early retirement just because of a tight schedule ??? You
are as funny as many young players & elder players too. Ever heard that
high quality performance even the enormous physical demand included can
give satisfaction , m
Last week, I played two brand new horns on two consecutive days in the
opera for La Tosca & for Falstaff (quite some very delicate lonesome
entrances & some fast technique). Conductors very young Luisotti (very
impressive musician) & Zubin Mehta. Bob Tucci, world known tubaist sat
not far from my p
Anybody played R.Strauss "Arabella" ? I played it (just here in Munich)
about 35 times & had to take it over with over-night notice this morning
as my colleague played Mahler 3 last night with a bad cold & had to take
ill leave for a few days. So my already tight schedule became tighter
with anoth
Hey Cabbage, omniscient cabbage, I thought you know this German proverb.
"Ich habe schon Pferde kotzen sehen " is "saufen" related. A tough man &
strong drinker is soften called a "horse" (Pferd). But sometimes the
"Pferd" drinks too much & goes to "kotzen". It is literally translated
like : if yo
I would say, I should demonstrate the right use of the double horn as a
HORN & not as an Altotrombone.
Too much freedom for beginners, perhaps voting included, well, we know
the results at any audition
===
-Original Message-
From: [
You did it again !!
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of skirshner
Sent: Monday, March 22, 2004 3:31 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Opinionated Advice On eBay
I hit the send button before cutting out the excess. Sorry.
Shel
Many people (in your part of the world & more & more here too) compare
playing a brass instrument (including the horn) with sports. That is NOT
correct. Building up the lips, - yes, that is similar to gymnastics.
Slur exercises, long tones, endurance building up, Yes, - that is
similar to the prep
Jay, may-be you have never heard the true horn sound, the real horn
sound. There is a big difference between beginners on Bb-horn like you &
beginners on F-Horn.
The F-horn beginners have the advantage of up to five overtones sounding
with the main note & thus enriching the tone, while the Bb-hor
Yes, definitely !! It should be a Tenjin Horn.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of John Kowalchuk
Sent: Saturday, March 20, 2004 2:14 AM
To: The Horn List
Subject: Re: [Hornlist] London? Or
Thanks, so to expect 124 yrs. !!!
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of David Goldberg
Sent: Thursday, March 18, 2004 4:14 AM
To: The Horn List
Subject: Re: [Hornlist] Re: Happy Birthday Hans!
Yes, cong
Thank you all, friends, for the good wishes to my birthday. It was not
yesterday (played Sleeping Beauty) but today (played Falstaff under
Zubin Mehta).
A birthday is not a day to celebrate for me except the great ones (50,
60) but for the family only. My birthday is rather a day to reflect,
speci
David, your misspelling was not Anton Reicha instead of Joseph Reicha.
You mixed up things with Joseph Reiche, and that name was false again,
as the person with Reiche as family name was Gottfried Reiche.
Definitel did Haydn write these two concertos, but only no.1 survived
as autograph, which I
Yes, it is- I sent them a letter, asking them to be more careful with
their announcements, as there is just "THE PASTORALE" by L.v.B.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Wednesday, March 17, 2004 8:08 PM
To: [EMAIL PROTE
Your advice given to a very young student is quite dangerous for the
horn. It is so dangerous, that he might destroy the horn.
Slides get only leaky from inadequate handling. So we should mount the
horse not backwards but the right way, by telling the young or the
inexperienced players, to maintai
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