Also, hand lacemaking was actually considered to be somewhat more enjoyable
than other forms of employment offered women at the time, as witnessed by the
tales of wealthy women urging their friends not to buy lace during times when
it was hard to get domestic help. The idea was that the
There is a book by Mick Fouriscot called La Route des Dentelles Normandes
which covers several lace places between Bayeux and Paris.such as Alencon,
Argentan, Caen and Courseulles. I take issue with the statement that you have
to
visit Cathedrals in France because you can't find much lace.
You could learn to make wire bobbin lace yourself, in sterling or other-
actually the entire question of silver content is very complicated- at the IOLI
Convention in Rockford, Ill, early August, from Susan Lambiris. Meantime
check out _http://home.earthlink.net/~slambiris/_
There is an editorial about new legislation which will impact orphan
artworks in the New York Times. I read it with interest since many of the
works we
discuss copying and not copying fall into the category of orphan works, since
the owner of the copyright is often not to be found.
I spent the weekend assisting in the making of the metallic gold lace for
the reproduction of the Margaret Laton jacket occurring at Plimoth Plantation,
in Massachusetts. I am featured on the two most recent blogs as you can see.
In a message dated 4/10/2008 10:25:48 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
p.s. Devon did a nice job of advertising when the convention was in
Maryland.
Would like to take credit for this one, but it is in NJ where I made my
bones publicity wise.
I composed a blurb
In a message dated 4/10/2008 11:53:39 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
You are right about getting publicity, especially if the budget is zero
dollars - an ad or two might be well spent if that would open the door for
a newsworthy article in the newspaper, a tradeoff (if
In a message dated 4/10/2008 2:42:29 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
He seemed to like the fact that men wore more lace than women at one time.
Yes, that is another popular factoid, as is the bit about making lace in cow
sheds and going blind. The blindness one, I
In a message dated 4/10/2008 2:42:31 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
He talks about mid-19th century but his male portrait I have been told is
Sir Francis Drake, dead a long time before that. The female portrait was on
the cover of an IOLI Bulletin I found for the
So, the real question is... when TV stardom and the grueling challanges
of organizing the IOLI convention are finally done in August - what on earth
will you do with yourself? Time to write a book, maybe? ; )
Perhaps Janice could head a committee for the IOLI on the subject of
I think it is splendid that the website is being used to expand on the
information for the convention, since the space issue in the Bulletin, had
formerly, put us in the position of having to make a rather expensive decision
based
on a very short description of a class.
Along the same
Actually, the knowledge that Lucie was going to speak, which I had received
by informal channels was one of the major reasons I went to the Montreal
convention. I was extremely eager to hear her speech.
The majority of speeches and events at the convention are very good, and
quite
At one time I purchased some bobbins from Lenka and Libor with cup hooks on
the side which I just love. After they stopped selling them, Jim and Paul
Stavast of BeeUtahful Bobbins made me some, which were great. But now they seem
no longer to be making bobbins. I would like to buy some
I have received my package of goodies from Plimoth Plantation and I have
made my sample and I have sent it in. While the organizers of the project are
quick to reassure us that the production of the sample is not a test, it is not
a race either. But, am I the first? Will mine be the first
I think that we have a very important topic here, ie. Did Puritans wear lace
and if they did, when did they wear it?
Over here, across the pond, this has tremendous ramifications, since we were
settled by Puritans, at least in the New England part of the country, and
they were Puritans who
Dear Jeri and others,
Thank you for the references you have provided. They have made for
interesting reading.
Not immediately finding my copy of Antique Laces of the American Collectors,
I came upon a book that claims to be from that book, and which is entitled
Notes on Laces of the
All is not lost! Our country was not founded by a sect determine to suppress
lace. It was pretty scary to think that we owe our existence to people
running away from finery. Fortunately they came around, at last.
Devon
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Cal Lane was one of the artists I mentioned in my review of the Radical Lace
exhibit in the IOLI Bulletin. In that exhibit she had an entire lacy car
with dirt sifted through the design like sugar through a paper doily on a cake.
Devon
**See AOL's top
The issue of equipping a class of people who probably only want to get their
feet wet in bobbin lace is a dicey one. They don't want to spend a lot per
bobbin and probably won't take the class once they hear what the start-up cost
is. If you use cheap and less than optimal bobbins, the
In a message dated 12/28/2007 6:55:35 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
In their defense, they were wonderful about calling me as soon as the
merge was agreed upon and offered me the chance to back out
gracefully
I did not mean to impune any girl scouts. I am just
I received an email encouraging me to notify all who might be interested
that the Metropolitan Museum of Art is having a blog party about their upcoming
exhibit Blog mode: Addressing Fashion at
_http://blog.metmuseum.org/blogmode/_ (http://blog.metmuseum.org/blogmode/)
The show includes
Vis a vis framing, some people think that pieces submitted to the fair
should be in such a condition that the judge should be able to examine the back
to
see if the joining is really neat. So, what do you do when the piece arrives
framed with no way of examining the back?
Devon
In a message dated 12/13/2007 8:57:55 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
I think a handkerchief, for instance, wouldn't look very nice submitted
loose
Some people can fold a handkerchief very prettily and ingeniously, so that
the join is presented on the part of the
Beth writes:
Some competitions allow a great deal of leeway to the judges, who too
often allow unquestioned assumptions to support their judgement. There is
frequently no way for an entrant to know what those assumptions are before
entering!
Before allowing this to happen, competition
In a message dated 12/12/2007 10:27:04 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
Now, weaver's knots are traditional, and, yeah, hand-made, too; I've seen
the fan, and you have to really hunt around to find a knot, so they're nearly
invisible as well. What was the problem?
This is a good solution. It does create a situation where the person who
mounts a piece of lace is taking additional risk.
It is comparable to the situation that I faced when taking the driving exam
in my teens. One of the incentives to use the driving instructor's car was
that it was an
I am really enjoying the thread on competitions and judging and often
wonder
why we need competitions. Do they not stem from the time where a
woman's
value was measured by her competence in the home What alternatives
are
there to reward people for exceptional handwork?
In a message dated 12/12/2007 11:01:36 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
We seem to have several judges on the list - I wonder, what would be
your thoughts if you were faced with:
1. a superb original artistic vision and fantastic original design, in
either a simple
In a message dated 12/12/2007 11:31:04 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
What may not be challenging for someone who has been making lace for
ages may be a massive challenge for a beginner. Unless you know the
level the maker is at how can you tell whether it was much
Clay speaks of doing laborious hand mounting only of things to be judged.
Speaking from the perspective of a person who has been called in to judge
lace on occasion, I find the hand-finishing issue troubling. Some pieces are
very beautifully hand finished, representing a huge amount of time
The best part is the excitement of starting, when you can see the perfect
beauty of the piece in your head. The worst part is when it is finished and it
doesn't match your dreams. Fortunately, you can have the first without the
second if you shake the theory that you have to finish
Fellow Spiders,
Amid complaints of a paucity of postings and a suggestion that interesting
topics be introduced, I would like to draw your attention to a project now in
its infancy at Plimoth Plantation. Plimoth Plantation is a non-profit
enterprise in living history. Here there is a
I am suffering from aches and pains and think that buying a new mattress
might help. I need one oriented toward the aging body, and in my case, the
heavy sleeper by which I mean not a deep sleeper but a sleeper who weighs a
lot.
My leg has been very sore and cramping due to other
I feel it incumbent on me to mention that the Metropolitan Museum of Art is
holding a Tapestry Show, Tapestry in the Baroque: Threads of Splendor, on
until Jan. 6, 2007. There are about 45 Tapestries, from all over the world,
only
two from our collection. It is a spectacular exhibit.
Yes, and there was a ruff inappropriately made of late 18th century lace in
an ad in the New York Times.
Where is the outrage? :-)
Devon
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I have the opportunity to accompany my husband to Washington Sept. 24,25,
and 26th. I note with interest that the National Textile Museum is having an
exhibit of Textiles of Klimt's Vienna, although I dare not hope that the laces
of Dagobert Peche may be on exhibit... Does anyone know.?
I seem to recall some years ago that the death of Fulvia Lewis was announced
on arachne by her son. I have searched in vain for the original post, which
may have preceded our archive. Does anyone know how to contact her son? I
have a question I would like to ask him, or whoever is handling
Thanks to everyone for their sage advice!
Devon
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Fellow spiders,
Many years ago I abandoned my original dime store set of cookware and bought
a 1 qt, a three quart and a double boiler of Revereware. It was stainless
steel clad and I am inclined to think it wasn't copper that was in the middle
of
the cladding, but possibly something
In a message dated 8/24/2007 11:09:21 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
I give Kris and his young family a lot of credit as he does manage the
website on his own time. He is keenly interested in the textile arts.
Definitely. We are so fortunate to have found someone
Gentle Spiders,
On my Campaign for Modern Lace Site at the Arachne Webshots,
_http://home-and-garden.webshots.com/album/244348757BRJzVK_
(http://home-and-garden.webshots.com/album/244348757BRJzVK) there have been
two new pictures
posted. They are the second and third pictures on that
I feel that there is sufficient lack of uniformity in the mesh that tulle is
not being used, but rather handmade needle mesh. This is particularly clear
in the mesh which has double stitches and such in it. But the plain mesh is
also does not appear to be machine made to me. I have the
In a message dated 8/9/2007 1:24:39 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
How do they define guipure nowadays? As a kind of tape? Or what?
Ah terminology again. Well, I don' t know how they define guipure, but I use
it to mean decorative elements connected with bars,
Jane writes:
The question there would be that if we took a traditional design, and
enlarged it way beyond the original design purpose, would it be
considered contemporary? Even the use of colour isn't new, as the old
pattern books show
Yes, I think that by making a traditional design
Tamara writes:
Don't know how this -- what looks like a part of a private
correspondence -- wound its way onto Arachne, but I find the subject
fascinating and am grateful for the mysteries of the e-space which made
it public :)
To explain, Aurelia sent me an email that, in retrospect, I
Let us not forget that there is some very interesting work being done by
Japanese designers. I believe Wako Ono has had an exhibit. Also Junko Samejima
was due to have one. Many of these designers are employing Flemish or English
technique but producing designs with a Japanese eye.
Also, there was a piece at the Convention in Montreal made by a Canadian
artist which was very modern. Now, I can't recall her name. But she had made a
free standing piece out of wire of Honiton type grounds which looked like it
had been cut jaggedly, also a wire lace bird.
Devon
In a message dated 7/29/2007 10:44:51 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
Out of curiosity... How will you decide which names should or should
not go into the virtual gallery of the modern/contemporary/cutting
edge/creative lace designers? Since clumsy/ugly vs elegant
Brenda wrote in response to Aurelia's query about Jane Atkinson, You'll
find the answer at
http://www.lace.nildram.co.uk/index.htm
Do note that Jane is actually having a gallery show of her modern lace work
(Pinned in Place) which is something that we devotees of modern lace have
been
Assuming it has anything to do with lace at all, could it be the measuring
device for an ell of lace, which was the increment in which lace was sold.
Someone once told me that lacemakers of the past made it by the ell and often
lace borders sewn together in ell long lengths if you look at it
_http://community.webshots.com/user/arachne2003-date_
(http://community.webshots.com/user/arachne2003-date) is the site for
webshots albums and mine is
in the second column, down some.
When I click on it, I find that I am actually at the following site:
Susan has put the pictures on Devon's Campaign for Modern Lace site.
Devon
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Let me suggest that the dragon- or rather salamander and the hedgehog might
hail from Retournac, France. Susan Lambiris has agreed to post some pictures
of a similar salamander and a hedgehog that I took there on the arachne
website since I am a mechanical dolt.
These are among the
Tamara is correct that older members will undoubtedly rise from the grave to
renew in August, having learned the hard way that failing to read the August
issue, cover to cover, will result in a nagging feeling in October that
something is missing. Most of the people on arachne probably fall
Yes, this is very exciting news. I had the pleasure of meeting Bruno Ytheir,
head of the museum last year, and I think this could be a fantastic museum
and aid to our understanding of the history of lace.
Bruno specifically asked me to encourage all the American lace clubs to
provide
_http://www.metmuseum.org/Works_of_Art/viewOne.asp?dep=22item=1982%2E60%2E13;
viewmode=1isHighlight=0_
(http://www.metmuseum.org/Works_of_Art/viewOne.asp?dep=22item=1982.60.13viewmode=1isHighlight=0)
Check this out at the MMA site. It is entitled Nuns at Work. It is actually
on view at the
Would it be too obvious to suggest Regency Lace? It was, I think, named
after the Regent in question. In my Dover edition Palliser it is depicted on p.
389, figure 145. It appears to be a point lace with the rather weird
characteristic of having the gimp inside, rather than around the
I suppose it would be best if the official befriender were to be someone
with superior social skills who would be able to read cues enough to back off,
or be able to tell when smothering was occurring, likewise, when remarks
that might inadvertently offend, are offending. Sigh. It is hard
Last year I visited Retournac, France and met Bruno Ythier. Bruno Ythier is
now poised to open what may be a really spectacular lace museum about lace. He
contacted me and told me that he would like to have an electronic map that
shows all the lace clubs in the world and asked if I could
I have always felt that it is best if there be someone in the group
designated to befriend any person who is at the group for the first time or
actually perhaps the first year. This person should be a long term member who
recognizes a new face, or should receive the information that there is
Hi Alice,
Actually, when I took Venetian needlelace with Irma Osterman, she suggested
we use a Dritz tailor's ham to attach the pattern to and as a working
surface. Personally, my tastes run to beautiful and elaborate equipment, and
it
seemed a little common place to me. But it did work
Hello,
I've just returned from viewing the wonderful lace exhibit, Fine
Fashionable. Lace from the Blackborne Collection, at the Bowes
Museum in Barnard Castle in north England -- a fabulous collection
that is displayed in a very effective manner. I've seen a few
exhibits, and I honestly
One of the Fiber Optic lamps by the same artist is currently on display at
the Museum of Arts and Design's Radical Lace and Subversive Knitting show in
New York. It is nicely displayed so that you can see the braided structure of
the top of the lamp.
Devon
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Now that I am thinking about it, I recall that there was a movement to
improve the design of Honiton lace and some nice Art Nouveau looking designs
were
produced and encouraged by Lady Trevelyan.
I guess the fact that my trip is a northerly trip, not going to the west
country, where I
There was an article about it in OIDFA a few years ago. I believe it claimed
that the author was unable to find any existing examples since some had been
destroyed in the fire in Buckingham Palace. There are a couple of examples
of it in the Blackborne Collection at the Metropolitan Museum,
Vis a vis your question about Scottish lace.
Well...also in the Blackborne Collection at the MMA is a single piece of
something called Hamilton Lace which is explained on pages 430 and 431 of the
Dover edition of Palliser. (The piece in our collection might well be
classified as torchon if
Some of the interest in the Le Pompe patterns is being spurred by the desire
to use wire in lace making. Some wire is very beautiful, it works up nicely,
doesn't unravel and there is a general feeling that lace was originally made
in wire of precious metal, but it has not survived. In
In a message dated 2/1/2007 5:00:22 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
How far do you want to go with the wire lace exploration? Maybe Arline
Fisch
(about whom I've written to Arachne several times) has some answers in her
research. She is a foremost international
Good heavens, I had no idea that Jeri and I were practically on the same
wavelength in that we were simultaneously writing about the Tudor Tailor. My
first contact with the book was when I was ordering something from Amazon and
Amazon, in its almost supernatural way, told me I would want to
In a message dated 1/30/2007 11:15:48 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
I personally don't have (at this time) much interest in recreating
authentic lace for SCA.
I am probably not entitled to an opinion on this subject because I am
actually a staffer of the IOLI
Radical Lace and Subversive Knitting was reviewed by the New York Times and
available here. _http://www.nytimes.com/2007/01/27/arts/design/27lace.html_
(http://www.nytimes.com/2007/01/27/arts/design/27lace.html) My own review
will be appearing in the IOLI Bulletin.
Also on the same page
I can't seem to get on the site to see the fiber optic without providing a
password.
Devon
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According to Wikipedia, the town of Congleton in Cheshire, whose primary
fame was as a Bear Baiting center was also known for making lace and gloves
_http://en.wikipedia.org/wiki/Congleton_
(http://en.wikipedia.org/wiki/Congleton) .
What kind of lace would they have been making in Congleton?
It would appear that a bear, accompanied by some sort of bear handler
arrives in town, or perhaps in Congleton, there were several resident bears.
Local
people have dogs that they set on the bear and there is some form of wagering
going on. I confess I am not totally conversant with the
I was afraid that it might be that kind of Lace. That area of England does
not seem to have much of a lacemaking tradition. I am planning a trip to
include Bowes Museum which will probably start and end in Manchester reaching
Glasgow and Edinburgh if all goes well. Also hoping to hit the
When I tried to reconstruct a pattern from the 1600's which attempt I
chronicled in the Bulletin of the International Old Lacers, it was a Point as
opposed to a scallop. A scallop, I think represents a more complicated point.
(In fact, I wanted to do a scallop but decided a point would be a
I went to the Cooper-Hewitt to see the Design Triennial. There was a weaving
by Suzanne Tick
_http://www.peoplesdesignaward.org/designlifenow/designers/suzanne-tick-inc_
(http://www.peoplesdesignaward.org/designlifenow/designers/suzanne-tick-inc)
of double woven fiber optics and
I actually just saw this chair because it is on display now through Jan. 14
at the Museum of Arts and Design, (MAD) formerly the American Craft Museum
_www.madmuseum.org_ (http://www.madmuseum.org) (New York) in the Droog show
that they are doing now. If you go to their website and look
Dear Jen,
I am sure you will have a good time in New York when you visit in February.
However, I hope you did not get the idea from Aurelia's email that the Ratti
Textile Center is a place that you can arrive at and see textiles without
advance appointment, like for instance, the Victoria
In a message dated 11/22/2006 5:21:02 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
Apparently Dali was fascinated with the
organic and mathematically interesting shape of a rhinoceros horn at
the time, so that makes an appearance in the exploding lacemaker.
So...then... you think
In a message dated 11/12/2006 1:33:26 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
For other amrchair travellers, at the digital archive there are
documents by M. Jourdain, Parts I - IV Lace Collection of Mr. Arthur
Blackborne
Actually, I think the lace in these articles is to be
In a message dated 11/4/2006 9:41:18 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
Would there be a CGI explosion of said coffin, with a computer effect
of the evidence, viz. contraband lace splaying across the screen in
pixellated bits to land here and there among the audience?
In a message dated 11/3/2006 5:55:10 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
I do wish that when these events occur,
someone would have the foresight to film the lectures and provide a
series of DVDs of same with catalogues of the exhibit. They would make
a fortune!!!
I
Can anyone direct me to a painting of Josephine and Napoleon's wedding which
would have clear detail of the appearance of her dress, or perhaps a verbal
description.
I have run across something that claims to be part of that dress, but I am
unable to locate any information about Josephine's
I have received an inquiry from a student on the West Coast who is writing a
senior thesis about Vologda lace especially of the 1920's-1940's with
propagandistic themes ie. tractors, parachutes, Red Army soldiers. Does anyone
know
where in the US she could see some of this lace? Most of my
The Blackborne Collection exhibit at the Bowes Museum opened on Sept 9. Has
anyone gone to it? I am anxiously awaiting reviews because it would take quite
a lot of scrambling, husband persuading, and even perhaps compromises on the
features of a new car, in order to get there by April 29th.
So - please could all you NY lacemakers please contact me, and I will send
on
your names and eMail addresses to her
Let me hazard the guess that there will be more lacemakers reporting in from
Saltash, UK than from New York City. The strange lack of lacemaking groups,
instruction, and
This was Dona Rosita by the Catalan playwright Lorca.
While I was setting up the pillow for the New York version, the director sat
with me telling me all about the play. (I had actually already read it,
because I wanted to be prepared.) I had thought there might be some fodder for
an
IOLI
Please keep me informed of Arachne lunch plans.
I suppose one way of handling this would be for Janice to post something on
the Bulletin Board if there is one, or near the registration, mentioning the
time and place and for the rest of us to try to remember to look for the
announcement. Then
A few years ago the call went out for someone to come and show an actress
how to act like she was making lace. The play, performed in the Bowery Theatre
in New York was Dona Rosita la soltera or Dona Rosita, the spinster by
Frederico Garcia Lorca.
Since I have tried to position myself as
What do you think Lewis Carroll was talking about in the poem when referring
to the lace making beaver, he said:
Though the Barrister tried to appeal to its pride
And vainly proceeded to cite
A number of cases, in which making laces
Had been proved an infringement of right
I'm supposing
Elizabethan court gown? I for one, would be interested to hear more about
this project and perhaps see a picture?
Devon
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The
only other dress with lace was from the 1870s or 1880s
and was definitely machine lace. Does anyone know
when chemical lace started because that's what it
looked like.
According to Pat Earnshaw, In the late 1880s... the Schiffli began to
emerge as a formidable power.
The Schiffli is the
In a message dated 5/15/2006 11:22:29 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
Now for the question. I have been asked to speak about Bobbin Lace at a
meeting of the Coutiere Society. I have never spoken to a large group about
lace but do a lot of demonstrating. I would love to
There is a review in the New York Times of the new Costume show at the
Metropolitan Museum, Anglomania, situated in the English period galleries.
_http://www.nytimes.com/2006/05/05/arts/design/05angl.html_
(http://www.nytimes.com/2006/05/05/arts/design/05angl.html) It claims that
there is
Do I understand then, that the lace belongs to private individuals
unassociated with the museum, not the Bowes family?
The 1908 article in an American newspaper may be about the acquisition of
the collection by the Metropolitan Museum. It was in 1908 that a group of lace
lovers and museum
I am quite interested to hear that there is a collection of a lace at the
Bowes Museum that is called the Blackborne collection. The Metropolitan Museum
of Art in New York also has a collection of lace called the Blackborne
Collection. The catalogue of the auction at which it was bought said
I am planning a visit to Le Puy, Bioude, Arlanc and Retournac and am
interested in any insights that can be offered about visiting the area.
I am particularly interested in hearing about a hotel in or near Le Puy or
the other lace sites from which to launch our lace travel. As those who know
Thank you Sof for this information. I can't believe that the lace designer
Michel Jourde, whose establishment I was hoping to visit, actually runs a
chambre d'hote. I am very excited. Has anyone stayed there at the Chambre
d'hote
La Paravent?
Devon
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The Metropolitan Museum of Art has a huge lace coverlet composed of handmade
droschel strips and applied Brussels Bobbin lace dating from the Napoleonic
era which depicts Diana and her shepherd lover Endymion (plate 76, Marian
Powys, Lace and Lacemaking).
In the Brussels Musees Royaux
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