graywolf wrote:
>
> We forgive you Ann.
>
> By the way, "or best offer" does not mean "to the highest bidder", it means it
> means, I would like to get X for it, but will sell it to the one who offers the
> closest to that. It is the opposite of "firm".
>
Duh -- I really DIDN"T know that!
I w
If you want real wireless flash you need a radio slave anyway. This is toy
wireless flash.
--
"Ask not at whom the Chimp smirks - he smirks at you."
www.smirkingchimp.com
www.gregpalast.com
www.monbiot.com
> -Original Message-
> From: Rob Brigham [mailto:[EMAIL PROTECTED]
> Sent: 6-Jan-0
Anyone currently on the list who lives in Singapore? There
is a good chance I will have a few days there later this month.
Anyone with experience in Singapore who would care to offer
suggestions re photo opportunities etc?
(Yes, my time will probably overlap New Year's Day...)
Stan
Thanks - I think you are right!
stan
keller.schaefer wrote:
I think the line in the manual refers to either of the 'wheels' on grip or body
to be in an intermediate position (between rests), not the switch.
Sven
Stan Halpin <[EMAIL PROTECTED]>:
I saw something in the manual (probably the gri
Popped right up on my browser.
--
Shel Belinkoff wrote:
Sheesh, that site is s-l-o-w ...
Rob Studdert wrote:
The Panotools plug-in can be used to correct chromatic aberrations:
http://www.caldwellphotographic.com/TutorialsDistortionAndColorFringing.html
--
graywolf
http://graywolfphoto.co
We forgive you Ann.
By the way, "or best offer" does not mean "to the highest bidder", it means it
means, I would like to get X for it, but will sell it to the one who offers the
closest to that. It is the opposite of "firm".
--
Ann Sanfedele wrote:
Fred wrote:
I have a solid $100 bid on it
A minority opinion: I like the green button location.
I don't like the strap interfering with the CF flap. I have
no problem getting the CF card to eject.
The grip is a POS compared to the very fine MZ-S. Of the 4
grips I have used, in order of comfort and utility, I put
MZ-S 1st, PZ-1p GripSt
Anne wrote
But even if you are being a crumudgeon, thanks for
the added info,
below. I used mine with a 100 f 4 macro and a
50mm f 4 macro, both
of which have 49mm threads (they are about 20
years old)
annsan
I've used mine with step up rings right up to 58mm. Team a 100-300 up with
nikon close
Rob wrote
Given that the LX that I landed on last November I've been belting around
since
1987 I can't say I agree with you. My *ist D in given the same treatment
would
have definitely been put out-of-action as the battery cover would have been
smashed to bits, that scares me as I'm not likely
Jeez, George, I think I might print that out and include it in my
information pack that I send to my potential clients...
;-)
tan.
- Original Message -
From: "George Sinos" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, January 07, 2004 3:00 PM
Subject: Re: Down off my "h
Sheesh, that site is s-l-o-w ...
Rob Studdert wrote:
> The Panotools plug-in can be used to correct chromatic aberrations:
>
> http://www.caldwellphotographic.com/TutorialsDistortionAndColorFringing.html
Fred wrote:
>
> > I have a solid $100 bid on it from someone across
> > the big pond...
> > Reminder that it has 49mm threads. Anyone in for
> > more?
>
> I'm sure that we (almost) all agree that it's OK to mention items
> that we personally are selling here (and many of us have done so),
> but
Hi Rob ...
If I understand what you mean, I ~think~ it's possible, but I've not
gotten that far along yet. The differences would generally be quite
subtle, but, with a film like Tech Pan, which is more orthochromatic, or
the infrared films, it should be easier. I started working with an
infrared
Doug said:
"> When I wrote that, I was not writing specifically about wedding
> photography. It crossed my mind that I should write something to
> indicate I meant Tanya's work on the whole, but as I'm easily
> distracted, the thought didn't stay in my head too long."
Actually, I suspected that y
Pieter Nagel wrote:
>
> On Sat, Jan 03, 2004 at 11:43:28AM -0800, Jasmine wrote:
> >
> > One thing I would like to get is a flash-thingy. Are they hard to
> > find? Expensive? (and yes, I said flash-THINGY - I have a fine command
> > of the English language, thank you very much!)
>
> You alrea
http://www.washingtonpost.com/wp-srv/photo/essays/vanRiper/index.htm
Here's a link to this week's Washington Post Photography column by Frank
Van Ripper.
He's responding to another news story where Wedding photographers were
called one of the top ten overpaid professions.
See you later, gs
On Tuesday, January 6, 2004, at 03:37 PM, [EMAIL PROTECTED] wrote:
I agree. I recall Doug Brewer recently telling Tanya that, although
she was
talented, many of her shots looked like recycled versions of other
people's
ideas. "Perhaps that is true", I said to myself, "but I have seldom
seen
Bitch and moan, bitch and moan, wah, wah, wah.
Just to counteract the horror stories...
- I like most of my clients. Every once in a while I get hired by a
twit, but generally they're very nice people who treat me well. In
fact, most of them treat me like I'm doing them a favor.
- I shoot what I
On 3 Jan 2004 at 18:29, Herb Chong wrote:
> the lens distortion, noise, and chromatic abberation corrections in PW Pro
> are much harder to achieve in Photoshop. i haven't seen any plugins for
> chromatic abberation yet, although i have seen ones for noise and lens
> distortion.
The Panotools plu
- Original Message -
From: "Amita Guha"
Subject: RE: Re[2]: Cheap bastards? -was: Down off my "high-horse"... with a
thump.
> The Presbyterian church where we got married (200 year old congregation)
> didn't allow photography during the service, but we knew about that well
> in advance
On 6 Jan 2004 at 19:06, Shel Belinkoff wrote:
> I put up a couple of techniques to convert color photos to B&W in
> Photoshop. They are simple, yet go far beyond the simple conversion to
> grey scale or desaturation methods. The instructions assume some
> experience with PS ...
>
> http://home
there are Photoshop plugins to do blend images across exposures. check out
www.reindeergraphics.com under Optipix.
Herb
- Original Message -
From: "Mark Roberts" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, January 06, 2004 9:44 AM
Subject: Re: ist-D multi-exposure (was:
I was thinking more like in the sea of flashes, everyone gets the shot, just
one gets the cover. And not to say the overs and the unders aren't 'usable'
:-)
Ryan
- Original Message -
From: "Butch Black" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, January 07, 2004 12:00 P
Back long ago when I sold real estate I had all these customers I showed around
and very few sales. Then one day I woke up, and I did some figuring. I found
that for someone to buy a house (and I mean the very cheapest house) in the area
I was in they had to have an income of $50,000/year and $1
you don't use the multiple exposure function for doing this. you need two
separate image files. i have done up to 6 files taken one stop apart blended
to get deep shapow and bright sunlight within range.
Herb
- Original Message -
From: "Christian" <[EMAIL PROTECTED]>
To: <[EMAIL PROTE
one thing i have been wondering for a while, how many people live within
about 200km of you?
Herb
- Original Message -
From: "Tanya Mayer Photography" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, January 06, 2004 8:49 AM
Subject: Re: Down off my "high-horse"... with a th
i bought the ZX-5n strap. it doesn't look as nice, but that is besides the
point.
Herb
- Original Message -
From: "Bill Owens" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, January 06, 2004 8:42 AM
Subject: Re: Ergonomics of *istD
> Return to the strap with the pockets
i think it is way too large, and that is without the battery grip. the only
reason i have it is because it is the only game in town. the size of the
film *ist would suit me better, but even then, i think is on the large side.
Herb...
- Original Message -
From: "mapson" <[EMAIL PROTECTED]>
Yeah, so wouldn't you think it would be a priority to hire one that they
KNOW will make their Shoes, gowns, cakes, limos, reception, doves, flowers,
red carpets, horse and carriage and everything else! look good? And if so,
then why haggle over price when it is the only thing that they will have to
promised. Ceremony ends and priest "thanks" me for my assistance (?!?) and
then congratulates me on a "job well done"
I think some priests have had very bad experiences in the past and they
prefer to be safe than sorry. We photographed a wedding where apart from us
there were 7 or 8 other people
Now your talking like a defense lawyer...
-frank
"The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true." -J. Robert Oppenheimer
From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: RE: Humble PUG Review
Date: Tue, 6 Ja
Battery's excellent! Though I still quite like my 'bracket'..
:-)
Ryan
The only problem with bracket is that you would end up with some
photographers overexposed, and I have seen few photographers that I would
like to see that way. ;)
Butch
Each man had only one genuine vocation - to find the wa
I can't remember what number I'm at, so I figure it's easier to date these
ongoing comments, as I'll basically only have time to do one session per day
until I'm done. How the hell did Lon do his all in one sitting and comment
on all of them? Anyway, by coincidence, I'm done with kitties, and
Tanya Mayer Photography wrote:
Bill said:
"> On the heels of the AF revolution came the "PJ" style of wedding
photography, which to me requires as much skill as squishing a wounded
bug."
Jeez Bill, hope tv doesn't read that...
Yeah, as a "tv" customer, I'd have to say I hired him fo
There are far too many photographers chasing too few customers. (Thanks to
automation - it was all downhill after the ME was widely available.)
In the old days, the pro got involved with the booking of the formal
portraits at the time photos were needed for the newspaper announcement (the
papers h
Bill said:
"> On the heels of the AF revolution came the "PJ" style of wedding
> photography, which to me requires as much skill as squishing a wounded
bug."
Jeez Bill, hope tv doesn't read that...
I totally disagree with you on that point. I am hopeless at PJ photography
and I don't really lik
Hi,
> If the divorce statisitcs in Oz are anything like they are here, there is a
> 50:50 chance that they won't want to be reminded of that particular day.
> Get yer money up front. I've had marriages end before the album is
> delivered.
> Hell, I had a marriage end just before the bride walks i
Why is it the Catholics, who have been around for a couple of thousand
years, will allow me to shoot from the alter, as long as I don't make a
spectacle, but some wannabe cult that was born last week makes my life
miserable?
Go figure. I don't get it.
William Robb
William, it depends on the pries
Ah I just found that they actually sell Cokin wide holders now, so please
ignore the first para. Still don't know about the second thing though.
Ta,
Ryan
- Original Message -
From: "Ryan Lee" <[EMAIL PROTECTED]>
To: "PDML" <[EMAIL PROTECTED]>
Sent: Wednesday, January 07, 2004 11:25 AM
Su
Yeah, but the point is that in years to come, they will discover that it was
their choice of photographer that enabled them to SHOW people what they
looked like *when* they looked great, everything matched etc...
tan.
That is it!
Photographers are there to show what they spent their $200
Heads Up,
Happy Birthday Spotmatic!
She turns 40 this year, but not over the hill by any means.
JCO
J.C. O'Connell mailto:[EMAIL PROTECTED] http://jcoconnell.com
-
hasn't gained the knowledge of photography was pretty poor. But with
good P&S cameras and mini labs, the ability for anyone to create a
passable snapshot has made them feel that the value of the item
(photo) isn't very high. After all, all I did was press a button. I
really didn't have to know
Hi all, I'm sorry this one's another OT; I was hoping I could draw on the
sea of experience on this list. Has anyone used a Cokin P system on a
ultrawide zoom (17-35 or 19-35), and if so I was wondering if I could get
some advice and tackling the vignetting problem. I've read some comments
elsewher
- Original Message -
From: "Tanya Mayer Photography"
Subject: Re: Cheap bastards? -was: Down off my "high-horse"... with a thump.
> Yeah, but the point is that in years to come, they will discover that it
was
> their choice of photographer that enabled them to SHOW people what they
> l
- Original Message -
From: <[EMAIL PROTECTED]>
Subject: RE: wedding photography...ugh!
> I agree. I recall Doug Brewer recently telling Tanya that, although she
was
> talented, many of her shots looked like recycled versions of other
people's
> ideas. "Perhaps that is true", I said t
- Original Message -
From: "Bruce Dayton"
Subject: Re[2]: Cheap bastards? -was: Down off my "high-horse"... with a
thump.
>
> One real issue/problem is that the general percieved value of a
> photograph has steadily declined as the ability to make/create one has
> increased. Many year
Uh-uh... Author broke his old Nikon gear and then bought used but
mintish Asahi equipment on eBay. Fiction...
http://www.jwhubbers.nl/francis/img/reflex.jpg
Thanks Jan. I found the novel. It's called "Reflex"
Check out the cover art:
http://images.amazon.com/images/P/0515135097.01.LZZZ
> -Original Message-
> From: Amita Guha [mailto:[EMAIL PROTECTED]
>
>
> > I wonder how many engaged couples (or their families) try to
> > bargain down
> > the limosine company? Or the reception hall? (HA! try
> that one!)
>
> I think most brides are just ignorant, and they're getting
>
Hi,
different type of materials used for the glass in A* lenses, so optical
performance is better. Better build quality. Usually a faster maximum
aperture than the equivalent A lens. Lots more money.
--
Cheers,
Bob
Wednesday, January 7, 2004, 12:14:42 AM, you wrote:
> What is the diference b
> Yeah, but the point is that in years to come, they will
> discover that it was their choice of photographer that
> enabled them to SHOW people what they looked like *when* they
> looked great, everything matched etc...
I agree completely! I was simply trying to come up with an answer to
Frank
"First, after unpacking the box, he threw out the bubblewrap that held
the camera thinking it was just packing filler. "
LOL. I did the exact same thing and so did my friend who bought the S
as well.
Steven Desjardins
Department of Chemistry
Washington and Lee University
Lexington, VA 24450
(5
Battery's excellent! Though I still quite like my 'bracket'..
:-)
Ryan
- Original Message -
From: "zoomshot" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, January 07, 2004 3:17 AM
Subject: RE: OT: While we're on language, have a collective noun won't ya..
> Or even a batt
These are really good. Carnivals/Fairs are some of my favorite
subjects, especially after dark. BTW, it's 7:15 pm here and my
thermometer says a frosty -2 (actually it says 28)
Steven Desjardins
Department of Chemistry
Washington and Lee University
Lexington, VA 24450
(540) 458-8873
FAX: (540)
What is the diference betwen A and A* lenses???
[]'s
Carlos Nascimento
And me, the former molecular biologist, thinking, animals is animals. Whether
You think of them as pigs or people, cops are undeniably animals.
Quoting frank theriault <[EMAIL PROTECTED]>:
> I guess we two, you and I simply differ on what the theme is about. You're
> thinking "only animals
Amita said:
"> I think most brides are just ignorant, and they're getting hit with so
> much marketing and they have so many details to deal with that their
> heads are spinning. They're mostly concerned about how they'll look and
> with making sure everything and everyone matches. So something
>
Lon, thanks for commenting on my image (& all the others too). I appreciate
your remarks. Some investment in time here..
Kenneth Waller
- Original Message -
From: "Lon Williamson" <[EMAIL PROTECTED]>
To: "PDML Pentax Discuss" <[EMAIL PROTECTED]>
Sent: Monday, January 05, 2004 7:00 AM
Subje
LXs that have been CLAed are usually very tough. There is no other
choice for some of us as no other partly mechanical cameras (1/75 to
1/2000) offer TTL flash. I'd bring an MX as a back-up though.
Only complaint about MX is that the high speeds need adjustment more
often than the older mecha
I have a solid $100 bid on it from someone across
the big pond...
Reminder that it has 49mm threads. Anyone in for
more?
annsan
Tan
report him --
IT's totally illegal
ann
p.s. so many people replied about your horror show
of a episode with
this and that I felt it needed no further
elaboration - except,
"there, there" :)
On 6/1/04, [EMAIL PROTECTED] disgorged:
>Har! But yes, my friend you omitted to remember that I am a teatotaller!
>
>I like a dash of water with my red cordial though...
I didn't forget. Hence the lots of coercion.
I was given a bottle of home-made sloe gin for Christmas by my Aussie
frien
Hello Tanya,
I don't shoot as many weddings as you, but even when using film
cameras, my lab would do the B&W conversion for me (Agfa D-Lab). So
generally I would just inform the couple that any shot they want can
be in B&W.
When doing portraits, I have sometimes had proofs made in both color
an
- Original Message -
From: "mapson" <[EMAIL PROTECTED]>
Subject: Ergonomics of *istD
> Let's talk about points to improve for *istD MkII
>
> anything else?
1- Twelve vs six MP
2- Price
I'm sure we can come up with more.
Kenneth Waller
On 6/1/04, [EMAIL PROTECTED] disgorged:
>>On 6/1/04, [EMAIL PROTECTED] disgorged:
>>
>>>it's been to Newborough Warren
>>
>>On Anglesey??
>
>>Cheers,
>>Cotty
>
>Yep, the very one. I went to University in Bangor-aye.
>I reckon if the MX can survive the life of a student in the wilds of
>Anglesey th
Hi,
see myth #6:
http://www.phototechmag.com/previous-articles/apr-myths.htm
--
Cheers,
Bob
Tuesday, January 6, 2004, 10:14:29 PM, you wrote:
> Bucky noted:
> "I recall Doug Brewer recently telling Tanya that, although she was
> talented, many of her shots looked like recycled versions of
Hello Tanya,
I used a PZ-1p for quite a while and then MZ-S with vertical grip and
then 67II with wood grip (that is way big) and now the *istD. With
the vertical grip, it feels just great. More in size like a PZ-1p but
feels more ergonimic to me. The real nice thing about it is that
if/when yo
Stay out of addictive photograpy discussion groups and get out there
taking pics:)
rg
hehe!
*tanya hums famous Aussie song "can i have another, piece of chocolate
cake...?"
Actually, my boys are "licking the bowl" of left over cake mixture right now
(and fighting over it, of course)! We have just made a white chocolate mud
cake and it is baking away, smells yummmyy...
tan.
>
On 6 Jan 2004 at 8:52, Christian wrote:
> My sister gave me the National Geographic Digital Photography Field Guide.
> In it the author, Rob Sheppard, describes how to use two exposures of the
> same scene to expose for the highlights and shadows more effectively.
> Obviously, a tripod and static
This is an interesting discussion, and brings up another of my "issues" with
dropping film for digital. I am interested to know *how* it is that you
guys approach the "mindset" of shooting a shot for bw/colour with digital.
I know that usually when I am shooting with film, I will shoot a shot in
c
Hello Tanya,
I think the jury is still out on this one. You have two different
issues for the *istD. First is P-TTL. This is the latest type of TTL
from Pentax. It was introduced when the MZ-S was released. This
emits a preflash that is measured before the main flash. Supposedly
it is more a
Bucky noted:
"I recall Doug Brewer recently telling Tanya that, although she was
talented, many of her shots looked like recycled versions of other people's
ideas."
Bucky, actually, I totally agreed with Doug on that one, and I constantly
toy with and struggle to attempt to come up with original
On 6 Jan 2004 at 19:50, mike wilson wrote:
> They generally are big sods, those turbines 8-) If he exposed the trees
> after the blades, surely they would overwrite the pillar? It's really
> niggling me now, to find out where the other four exposures are.
Try it, it works just like multiple exp
On 6 Jan 2004 at 10:35, [EMAIL PROTECTED] wrote:
> I have noticed that mine seems to expose differently depending on aperture -
> from a distance of about ten feet, I used the FA* 24 f/2 and shot at a painting
> in my bedroom. The smaller apertures showed a marked difference in exposure as
> comp
Christian asked: "What DO you like about larger cameras?"
In true, fairygirl fashion, Christian, I have no bloody idea! I just know
that I DO like them. Not huge like a MF camera or such, but at least
something that feels as though I am "working" when I use it. I don't know
why it is, I ju
FWIW, I seem to have these same problems with mine and the 280T and the
200T.
Cory
- Original Message -
From: "mapson" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, January 06, 2004 1:22 AM
Subject: Re: Flash photography and *istD
>
> >Certainly an area that I am most intere
Hi,
Frits Wüthrich wrote:
>
> On Tue, 2004-01-06 at 22:52, mike wilson wrote:
> > Frits Wüthrich wrote:
> > >
> > > On Tue, 2004-01-06 at 20:08, mike wilson wrote:
> > > > I think the "nature" of the restriction Paul is talking about is nudity,
> > > > of Homo sapiens at least.
> > > >
> > > Yes,
> -Original Message-
> From: Frits Wüthrich [mailto:[EMAIL PROTECTED]
>
>
> On Tue, 2004-01-06 at 18:55, tom wrote:
> > > -Original Message-
> > > From: Tom Reese [mailto:[EMAIL PROTECTED]
> > >
> > >
> > > I quit doing them eventually. I couldn't take wearing the
> > > jacket in th
Col, Kevin, the drinks are on you then! lol...
The red cordial thing is a source of much taunting of me by family members.
My extended family are mostly very heavy drinkers of alcohol, many to the
point of alcoholism, including my mother. Anyways, I have seen enough of
the way that they all
On Tue, 2004-01-06 at 22:52, mike wilson wrote:
> Frits Wüthrich wrote:
> >
> > On Tue, 2004-01-06 at 20:08, mike wilson wrote:
> > > I think the "nature" of the restriction Paul is talking about is nudity,
> > > of Homo sapiens at least.
> > >
> > Yes, I understand that, but I didn't find anythin
Tanya wrote:
>She is very pretty btw...
My oldest daughter, three years ago in Scotland. They grow up so fast.
--
Frits Wüthrich <[EMAIL PROTECTED]>
Ok, so how obvious is this - I just receive three separate emails from this
guy which say:
"Dear eBay Member,
I am sorry to disturb you but i have seen the item you are interested
(TECRA8100 P3-700 Laptop Notebook DVD 256Mb) and i want to make you a great
offer.
If you are intersted in this "TEC
> -Original Message-
> From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
>
>
> What is it about you and I and breaking our gear?!?!
> Actually, I know
> exactly why I do this with my flashes so often, it is
> because I leave the
> gun attached to the camera and usually have a second
>
> -Original Message-
> From: Shel Belinkoff [mailto:[EMAIL PROTECTED]
>
>
> I still don't like the idea, though, of including
> desaturated color in
> the B&W section of the PUG odd, in some ways, don't you think?
Yes.
tv
Frits Wüthrich wrote:
>
> On Tue, 2004-01-06 at 20:08, mike wilson wrote:
> > I think the "nature" of the restriction Paul is talking about is nudity,
> > of Homo sapiens at least.
> >
> Yes, I understand that, but I didn't find anything in the submission guidelines
> about such a restriction.
I
On 6 Jan 2004 at 12:37, Christian wrote:
> is that -2 for sharpness?
Yep, sorry.
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998
This one time, at band camp, "Tanya Mayer Photography" <[EMAIL PROTECTED]> wrote:
> That certainly gives me some "food for thought". Thanks for posting that
> Cotty and Christian...
> > "I hear the word manipulation forming on someone's lips. Yes, you're
> right,
> > converting a digital file t
Fritz wrote: "I disafree here. With flash compensation I would be able to
control how
much flash I ad to the existing ambiant light. For instance, someone in
the sun, will have harsh shadows. These shadows can be reduced by the
usage of flash. If however, the flash has the same brightness as the
a
On 6 Jan 2004 at 10:55, Mark Roberts wrote:
> I believe the LX has a reputation for being less hardy than most
> metal-bodied Pentaxes.
Given that the LX that I landed on last November I've been belting around since
1987 I can't say I agree with you. My *ist D in given the same treatment would
- Original Message -
From: "Tanya Mayer Photography" <[EMAIL PROTECTED]>
> My main point was that *I* have tiny, weeny hands (people comment on how
> small they are all the time), and scrawny little arms, and yet even *I*
find
> some of the MZ range feeling as though I am wielding not mu
Hi,
wendy beard wrote:
> I've taken my MX through the rain and the mud and the Pyrenees. It's not been to
> the Atacama desert but it's been to Newborough Warren.
Been there. Newborough warren, I mean 8-) My VIth form biology field
trip, 1972. Stayed at the Marquis of Anglesey's. Ahem. St
Hi,
Rob Studdert wrote:
>
> I make it five shots too, since the multi-exposure function is additive the
> post of the turbine would make overwrite the foreground bushes so I guess it's
> all the one scene. Maybe the perspective makes the height deceptive and often
> standing below there is little
Bob admitted: "> Hi,
>
> I crashed a wedding a few years ago in Transylvania. I'd spent the day
> in a nearby village photographing a funeral, and getting very, very drunk
> on the local moonshine. Back at my hotel I stumbled, half blind, into a
> wedding and started photographing the dancing. Some
This one time, at band camp, "Tanya Mayer Photography" <[EMAIL PROTECTED]> wrote:
> I like a dash of water with my red cordial though...
Just a note, 'Red Cordial' is the name of the band I play in.
Kind regards
Kevin
--
__
(_ \
That certainly gives me some "food for thought". Thanks for posting that
Cotty and Christian...
tan.
Christian said: "A great quote from that article:
>
> "I hear the word manipulation forming on someone's lips. Yes, you're
right,
> converting a digital file to monochrome in Photoshop is manipu
LOLOLOLOLOL!
very clever...
tan.
- Original Message -
From: "John Francis" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, January 07, 2004 3:45 AM
Subject: Re: *ist D lens problem -Healed!
> >
> > ROFLMAO - I have this dreadful mental image of Steve trying to "insert"
hi
> >Cotty, I honestly think that if one was given enough supply of drinks
> >they would be very dead by now. You know, having *that* many drinks in
> >sequence is a bad idea. I know, I know, some bodies are better suited
> >for drinks than some other bodies... But still, I wonder if you could
ROFLMAO!!!
tan.
> For those who can't afford the istD
>a cache of photographers
>
> For those who can afford the istD
>a cash of photographers
>
> For those who work with tv
>a crash of photographers
>
>
Tom Reese said:"
> The wedding photography thread got me thinking about my experiences...
>
> I wanted to shoot some portraits of a bride and groom and couldn't find
the
> groom. He was outside behind the building smoking dope with the best man.
By
> the end of the reception he was stoned out of h
On Tue, 2004-01-06 at 21:36, Tanya Mayer Photography wrote:
> On Tue, 2004-01-06 at 17:04, Heiko Hamann wrote:
> > OTOH - you now can predict the TTL-behaviour of the *istD and use the
> > ISO setting for flash exposure compensation ;-)
>
> Frits wrote:
> Yes, I thought about this as well, flash c
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