ger people
to see it for what it is.
- Daniel
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Are.
On Tue, Oct 24, 2017 at 7:00 AM,
wrote:
> Send NetBehaviour mailing list submissions to
> netbehaviour@netbehaviour.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
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> or, via ema
we?"
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ng downward least place misery.
does help good days (except recently news); bad, pessimistic
usually (genocide, terror, etc. extremes play large part do).
10:00PM up 42 days, 20:55, 37 users, load averages: 0.06, 0.10,
0.08
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w.marioSantamaria.net>
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middle;
> background-color: #000;
> width: 100%;
> line-height: 100%;
> }
> body,td,th {
> color: #999;
> }
> body {
> background-color: #000;
> }
>
>
>
>
> nothing
>
>
>
> --
>
> - *Anthony Stephenson*
>
> *http://an
;
vertical-align: middle;
background-color: #000;
width: 100%;
line-height: 100%;
}
body,td,th {
color: #999;
}
body {
background-color: #000;
}
nothing
--
- *Anthony Stephenson*
*http://anthonystephenson.org/* <http://anthonystephenson.org/>
bove a trillion dollars, in which case I want a
>>>>>>>> cut.
>>>>>>>>
>>>>>>>> Edward
>>>>>>>>
>>>>>>>> On 11/10/17 18:56, Rob Myers wrote:
>>>>>>>>> On Wed, 11 Oct 2017, at 12:58 AM, ruth catlow wrote:
>>>>
, 11 Oct 2017, at 12:58 AM, ruth catlow wrote:
>>>>>>>>> Perfectly put Helen!
>>>>>>>>> Art reframed as a new asset class for fractional ownership
>>>>>>>>> ain't my idea of utopia.
>&g
t; AGF: twitter @poemproducer
> www.poemproducer.com
> www.antyegreie.com
>
> DOCUMENTA14 > #DISembTEChyb
> https://www.mixcloud.com/SAVVY_Funk/playlists/disembtechyb/
>
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umber of up arrows in g2
is this incomprehensibly large number g1.
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***sound & curation
AGF: twitter @poemproducer
www.poemproducer.com
www.antyegreie.com
DOCUMENTA14 > #DISembTEChyb
https://www.mixcloud.com/SAVVY_Funk/playlists/disembtechyb/
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http://www.
-newstrom-cbc
http://www.alansondheim.org/not.jpg
http://hmpg.net/
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PhD at Birkbeck University, London
> https://birkbeck.academia.edu/MarcGarrett
> Just published: Artists Re:thinking the Blockchain
> Eds, Ruth Catlow, Marc Garrett, Nathan Jones, & Sam Skinner
> Liverpool Press - http://bit.ly/2x8XlMK
>
> Sent with ProtonMail <https://pro
ner
Liverpool Press - http://bit.ly/2x8XlMK
Sent with [ProtonMail](https://protonmail.com) Secure Email.
> Original Message
> Subject: Re: [NetBehaviour] Maecenas
> Local Time: 18 October 2017 11:52 AM
> UTC Time: 18 October 2017 10:52
> From: gretta.elise.l...@
rly studied the quotations. Pollock was down again. This, she
> supposed, was the aspect of art that she had the most difficulty
> understanding. Picard, if that was the man's name, was speaking with a
> broker in New York, arranging the purchase of a certain number of &q
n that
Picard would never see the works he was purchasing. If the
artist enjoyed sufficient status, the originals were very likely
crated away in some vault, where no one saw them at all. Days or
years later, Picard might pick up that same phone and order the
broker to sell. """
rosecute
government workers who make illegal disclosures of classified information,
one of the things we are doing is reviewing policies affecting media
subpoenas.
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ndles had been lit, perhaps with an occult or
ceremonial significance. As this disturbance was not an isolated
incident, the cemetery managers are considering sealing the
grave. (Wikipedia)
+++
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d.org
>>
>> Furtherfield Gallery & Commons in the park
>> Finsbury Park, London N4 2NQ
>> http://www.furtherfield.org/gallery
>> Currently writing a PhD at Birkbeck University, London
>> https://birkbeck.academia.edu/MarcGarrett
>> Just published: Art
d in.
> I wonder what changed?? ;)
No machine learning algorithm could possibly find a correlation... ;-)
- Rob.
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Sent with ProtonMail Secure Email.
Original Message
Subject: Re: [NetBehaviour] Maecenas
Local Time: 16 October 2017 2:11 PM
UTC Time: 16 October 2017 13:11
From: sondh...@panix.com
To: NetBehaviour for networked distributed creativity
Body Art was both male and
MK <http://bit.ly/2x8XlMK>
>
> Sent with ProtonMail <https://protonmail.com/> Secure Email.
>
>> Original Message
>> Subject: Re: [NetBehaviour] Maecenas
>> Local Time: 16 October 2017 2:11 PM
>> UTC Time: 16 October 2017 13:11
&g
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Nathan Jones, & Sam Skinner
Liverpool Press - http://bit.ly/2x8XlMK
Sent with [ProtonMail](https://protonmail.com) Secure Email.
> Original Message ----
> Subject: Re: [NetBehaviour] Maecenas
> Local Time: 16 October 2017 2:11 PM
> UTC Time: 16 October 2017 13:11
&g
t;> difficulty understanding. Picard, if that was the man's name, was
>>>>>> speaking with a broker in New York, arranging the purchase of a
>>>>>> certain number of "points" of the work of a particular artist. A
>>>>>> &quo
ery. I pray,
please please show me, I will play my bosun whistle for you and
surely some crow will sing. And together we will fight the
current regime and raise a flag. And the flag will have a bosun
whistle and crow on it. And we will win. The crow will win.
____
"point" might be defined in any
>> number of ways, depending on the medium involved,
>> but it was almost certain that Picard would never
>> see the works he was purchasing. If the artist
>> enjoyed sufficient status, the originals were very
>> likely crated
suu
https://issuu.com/home/publisher). All contents by Digicult Editions are
circulating under CC Licences: Attribution-NonCommercial-ShareAlike 3.0.
<http://www.digicult.it/digimag> <http://www.marcomancuso.net/>
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creams thinking makes octop
odbci odyes odyss odyss offdr offic ofhou ohioa ohsig oil
wonderful...becomes eye
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" (so did Gertrude Stein, or Anita Berber). I
enclose a photo
of Nkanga's "Wetin You Go Do?" - currently at Tate Modern's Tanks. quite a
heavy work!
best
Johannes Birringer
dap-lab
____
From: netbehaviour-boun...@netbehaviour.org
[net
hem at all. Days or years later, Picard might pick
up that same phone and order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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Attic
270 Mare Street, E8 1HE Hackney, Hackney, United Kingdom
PRESS CONTACT Laura Plana E: laurapl...@artfutura.org M: 07 505 922 748
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m involved, but it was almost
>>>> certain that Picard would never see the works he was purchasing. If the
>>>> artist enjoyed sufficient status, the originals were very likely crated
>>>> away in some vault, where no one saw them at all. Days or years later,
&g
ist enjoyed sufficient
status, the originals were very likely crated away in some vault,
where no one saw them at all. Days or years later, Picard might
pick up that same phone and order the broker to sell. """
- William Gibson, "Count Zero", 1986.
nless vote what dark
ground::fascist, what mistaking
http://www.alansondheim.org/fasc02.png
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the artist enjoyed sufficient status,
the originals were very likely crated away in some vault, where no
one saw them at all. Days or years later, Picard might pick up that
same phone and order the broker to sell. """
- William Gibson, "Count Zero", 19
later, Picard might pick up that same phone and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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Company limited by Guarantee
registered in England and Wales under the Company No.7005205.
Registered business address: Ballard Newman, Apex House, Grand Arcade,
Tally Ho Corner, London N12 0EH.
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Hi Stanza,
Sounds like fun.
We have our own thing on that day (meditating with mushrooms in Finsbury
Park;)
But tweet it @furtherfield and we will spread the word.
Also do join the Netbehaviour email list
http://www.netbehaviour.org/mailman/listinfo/netbehaviour
You may catch some interest
[...]
(Mike Gurstein, one of the founders of community informatics,
died today)
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://www.nettime.org contact: nett...@kein.org
# @nettime_bot tweets mail w/ sender unless #ANON is in Subject:
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Really sad news, such a lovely guy.
Through the years, Michael contributed some excellent ideas and texts on the
Netbehaviour email list, in the UK.
He has been involved on some of the most important discussions on Netbehaviour
and contributing with in depth, some critical insights, whether it
ribe. T.Y.
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; yo' yo' bon mot eh?
HEY!!! whatev' trumpskiller skiller kelter manz' got' g'
whatev' to man'death's done him t' othr's keyk 'ode *jfleIzJb'
yo' got tha' ov'r ou'
HEY!!! whatev' trumpskiller skiller kelter manz' got' g'
whatev' to man'death's done him t' othr's keyk 'ode *jfleIzJb'
yo' got tha' ov'r ou'
don' don' don' don'
5 yo sondheim
6 cat .hey >> zz
6 cat .hey >> zz
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that Picard would never see the works he was
purchasing. If the artist enjoyed sufficient status, the originals
were very likely crated away in some vault, where no one saw them at
all. Days or years later, Picard might pick up that same phone and
order the broker to sell. """
- Will
ufficient status, the originals
were very likely crated away in some vault, where no one saw them at
all. Days or years later, Picard might pick up that same phone and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
___
ated away in some vault, where no one saw them at
all. Days or years later, Picard might pick up that same phone and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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Age of Reason when updated for the current age, and not
on 4chan?
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gt; >>>
>> >>> I have a question brewing - that I want to run by everyone -
>> >>> about>> >>> the value of art and artists now and in the future.
>> >>>
>
> --
> - *Anthony Stephenson*
> *http://anthonystep
wildfires in california
and we can't do anything about anything anymore
===
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>>>
>
--
- *Anthony Stephenson*
*http://anthonystephenson.org/* <http://anthonystephenson.org/>
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> Direct line: +44 (0)20 8232 1012 <>
> Admin: +44 (0)20 8232 1020 <>
>
> www.watermans.org.uk <http://www.watermans.org.uk/>
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xchange shares in paintings and sculptures instantly,
>>>>>> akin to the way stocks of a company are traded today."
>>>>>>
>>>>>> This does NOT democratise access to art; it's nothing more than a secure
>>>>>>
e's one investment - which plays into the notion
>> of enclaving described in Mike Davis' City of Quartz (think it was written
>> in the 80s). Art has to RESIST enclaving, unless one accepts useless
>> decoration and connoisseurship as the only form of art worth considering.
>
ipher, nothing, /dev/null
dev/null, I used to think, when I was young
- - -
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think it was written
> in the 80s). Art has to RESIST enclaving, unless one accepts useless
> decoration and connoisseurship as the only form of art worth considering.
>
> One of the amazing things about Furtherfield is, at least as far as I can
> tell, it itself is a form of
tself is a form of resistance! I'd thank God
for this, but given the state of things on the planet, I wouldn't
want to burden Her with more communication.
- Alan
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one and
order the broker to sell. """
- William Gibson, "Count Zero", 1986.
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ans.
Best wishes
Irini
--
Irini Papadimitriou
Head of New Media Arts Development
Watermans
40 High Street
Brentford
TW8 0DS
Direct line: +44 (0)20 8232 1012
Admin: +44 (0)20 8232 1020
www.watermans.org.uk
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Ne
interest and looking forward to seeing some of you
there.
Regards,
Fabio.
--
Fabio Natali
https://fabionatali.com
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>> Hard to remember that it is *all* ephemeral. Even the highest wall, the
>> biggest
>> museum, and grandest civilization...
>>
>> so it goes.
>>
>> jh
>>
>> --
>> ++
>> Dr. John Hopkins, BSc, MFA, PhD
&g
to protect and exchange's one investment - which plays
>>>> into the notion of enclaving described in Mike Davis' City of
>>>> Quartz (think it was written in the 80s). Art has to RESIST
>>>> enclaving, unless one accepts useless decoration and
&g
to those without slow
computers or non-coders.
On Wed, Oct 11, 2017 at 7:00 AM,
wrote:
>
> Subject: Re: [NetBehaviour] An Abstraction?
>
--
- *Anthony Stephenson*
*http://anthonystephenson.org/* <http://anthonystephenson.org/>
___
; in the 80s). Art has to RESIST enclaving, unless one accepts useless
>>> decoration and connoisseurship as the only form of art worth considering.
>>>
>>> One of the amazing things about Furtherfield is, at least as far as I can
>>> tell, it itself is a for
state of things on the planet, I wouldn't want to
burden Her with more communication.
- Alan
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--
helen varley jamieson
he...@cre
ependent.
>
> - Anthony Stephenson
>
>
> > On Oct 9, 2017, at 7:00 AM, netbehaviour-requ...@netbehaviour.org wrote:
> >
> > An Abstraction?
> ___
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> http
est
> museum, and grandest civilization...
>
> so it goes.
>
> jh
>
> --
> ++
> Dr. John Hopkins, BSc, MFA, PhD
> hanging on to the Laramide Orogeny
> twitter: @neoscenes
> http://tech-no
; (momentary) glance, something of the nature of attention or of
---
No (0),(1), no beginnings and endings, (but) what might pass for
--
<
---
--
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the Laramide Orogeny
twitter: @neoscenes
http://tech-no-mad.net/blog/
++
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s I'm not seeing it, but abstraction is typically
model-dependent.
- Anthony Stephenson
> On Oct 9, 2017, at 7:00 AM, netbehaviour-requ...@netbehaviour.org wrote:
>
> An Abstraction?
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http://www.alansondheim.org/cccafe.mp3 version 1
http://www.alansondheim.org/cccafe2.mp3 version 2
The lyrics are in http://www.alansondheim.org/ux.txt
And thanks for listening.
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ate of things on the planet, I wouldn't want to burden
> Her with more communication.
>
> - Alan
> ___
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>
--
helen varley jamieso
ite can alter the code and overwrite the original as well
> > as
> > > taking ownership by applying their own name to it.
> > >
> > > The work is
> > here:?http://pallthayer.dyndns.org/stealthiscodeart
> > > --
> > > P Thayer, Artist
> > > http://pallthayer.dyndns.org
> &
g/stealthiscodeart
> --
> P Thayer, Artist
> http://pallthayer.dyndns.org
>
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>
>
can alter the code and overwrite the original as well as
> > taking ownership by applying their own name to it.
> >
> > The work is here:?http://pallthayer.dyndns.org/stealthiscodeart
> > --
> > P Thayer, Artist
> > http://pallthayer.dyndns.org
&g
at
http://www.alansondheim.org/yearning1.mp3
http://www.alansondheim.org/yearning2.mp3
and
http://www.alansondheim.org/cccafe.mp3 version 1
http://www.alansondheim.org/cccafe2.mp3 version 2
The lyrics are in http://www.alansondheim.org/ux.txt
Thanks for listening.
____
Artist
http://pallthayer.dyndns.org
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--
Qu'est-ce et pourquoi agency art ? 12/10 18h Conf?rence, festival M?q, hTh,
Montpellier.
L?
it.
>
> The work is here: http://pallthayer.dyndns.org/stealthiscodeart
> --
> P Thayer, Artist
> http://pallthayer.dyndns.org
>
> ___
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http://pallthayer.dyndns.org/stealthiscodeart/index.php?id=12
--
P Thayer, Artist
http://pallthayer.dyndns.org
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Artist
http://pallthayer.dyndns.org
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nking
Everywhere among the stars
And someones striking someone
Someones world is disappearing^
O smoke, O human, O smoke of others embers
O songs, O singing, O smoke of dying embers
---
(please share)
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location failure). always
fatal. "US"/"user canceled" handshake being some reason
unrelated failure. complete, just closing pthread_join wait
termination ...results multiple simultaneous specifying same
undefined. detached. exited remains unjoined counts
[ ...
this, but given
the state of things on the planet, I wouldn't want to burden Her with more
communication.
- Alan
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More about the blockchain - this time an article about Maecenas, a 'new
art registry and trading platform'.
https://artreview.com/home/ar_october_2017_opinion_will_the_blockchain_will_make_art_disappear
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Ne
en to
us, they happen to most of us, all that passion, grasping, goals
and outlines, all those plans and projects, endless lists and
dates, the most heartfelt occasions, biographies, memorials, the
unutterable -
well, there's no same old story, no story here, no end to it
all, only th
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:
http://www.publiceyesore.com/catalog.php?pg=3&pit=138
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
current text http://www.alansondheim.org/uw.txt
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on, grasping, goals
and outlines, all those plans and projects, endless lists and
dates, the most heartfelt occasions, biographies, memorials, the
unutterable -
well, there's no same old story, no story here, no end to it
all, only those beginnings, coagulations, no one remembers them,
our tiny worlds, our eyes, what our eyes see and saw, what we
thought they saw, well then, maybe they did, maybe they didn't,
well, no 'grasp' now, no 'known,' i wrote that in 2017
- - -
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might be relevant here?
https://blog.p2pfoundation.net/data-technologies-colonize-the-ontological-frontier/2017/10/04
(from Michel Bauwens on G+)
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re and now and
again. we will walk and we will end up, here, and now and
< we will wander, and we will call this 'and such it is.'
we will wonder, and we will call this 'and such it is.'
+++
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ative process behind
the artistic creation, affected by new intelligent Neural Networks?
<http://www.digicult.it/digimag>
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t the Governor's Office of Employee Relations at
(518) 474-6988 or via email at i...@goer.ny.gov. Application Deadline:
10/16/2017 Date to be Filled: 01/02/2018 Job posted at: purchase.edu/hr
--
P Thayer, Artist
http://pallthayer.dyndns.org
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ve done, we will have done, for now.
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t julian.les...@gmail.com with "Video festival
submission" in the subject-line.
Edward
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Alan
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--
Co-founder Co-director
Furtherfield
www.furtherfield.org
+44 (0) 77370 02879
Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
Furtherfield is the UK'
art
that celebrates and explores the bits of existence
that the Blockchain and the like can't comprehend.
Beyond the plantoids there are still real plants.
Edward
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re Email.___
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,
[16:57] Julu Twine: reads - "of AR"
[16:57] Julu Twine: reedsar/
[16:57] Julu Twine: reads
[16:57] Julu Twine: reeds
sadness and misery of AR
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peeking here and there
http://www.alansondheim.org/universe9.png
it is time, the universe says, nothing now to happen
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