(313) house music all night long
a friend sent me this link from the village voice: http://www.villagevoice.com/issues/0250/nowinski.php i think the closest i came to really describing the feelings i get when i'm at a gig were the posts i sent during the first demf. this sister's story gets it right. lks
(313) end of the night
well that wasnt very nice. maybe he needed a hug. Nahh. He just NEEDED to play the last track. There's few things as frustrating as feeling the flow of your set lead you to a naturally fitting ending track, the one you most carefully must select, to end with this perfect track to end a perfect set flow -- only to have the very last transition or track cut short by someone shutting down a sound system, (often because they lied about the end time). Or worse, some bartender getting on a mic and blathering on obnoxiously to hurry everyone out. Djs who play sets that go somewhere over time need that ending closure, at least I do, when I've got (or so I think) the very best final track to close an evening out with. When I read that I felt his pain. ;) Matt ps - would this dovetail nicely into other peoples top 5 tracks to wind down a night? Some of my favorites, depending on the mood: The Choice - Acid Eiffel Mr. Fingers - Can You Feel It Sun Palace - Rude Movements 69 - microlovr Detroit Escalator Co. - anything off Soundtrack [313] ...and when you've gone completely off the deep end: Theo Parrish - Dance of the Drunken Drums
(313) Akufen the kooky scientist radio interview
http://telepathica.com/mp3/WDETdetroitLIZcopeland.mp3 it's 1 hour long and quite a large file. Cable modems recommended. Radio interview from 25 October 2002. WDET-FM 101.9 Detroit Taped during the Liz Copeland show. http://www.audiointerference.com Special thanks to: Liz Copeland and Clark Warner for making it happen. And the anonymous taper who provided the recording. telepathic regards, the kooky scientist -- TELEPATHICA - P.O.B.80337 - Boston, MA 02180-0010 *new CL # 617.905.9619 and FAX 781.944.8996 http://www.mp3.com/fredgiannelli http://www.telepathica.com **New E-addresses* [EMAIL PROTECTED] and/or [EMAIL PROTECTED]
Re: (313) François Kevorkian played hard techno...
Yes, Sonar was an all encompassing set for me, but when he played Lost about 5 months ago he played a much more straight techno set than I had anticapted. Many grumbled wanting a 'Body Soul' vibe, but I thought it was well put together. How often does he get to play music like that? It's like Mills, I would like to see Mills play a set of a different type and I am sure so would he, but I bet he doesn't get much chance. You only have to listen to the mixes he puts together on his electronicdir site to see what I mean. It would be nice if a promotor gave him the chance. Maybe when my budget is bigger I'll offer guys like them the platform. Scott McGill t-funkshun www.tfunkshun.com - Original Message - From: fabrice Lig [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, December 10, 2002 10:21 PM Subject: (313) François Kevorkian played hard techno... Hi Guys, I played last week in Barcelona and Mr François K was on the line-up too, he played 2 hours of Hard techno loops. Well mixed, no complaint on it but I was really disapointed about the track selection... Does someone heard this kind of dj set from him before ??? * I have to say he had to play in the techno room...and his set this year at Sonar was amazing... Fabrice Lig http://www.multimania.com/fabricelig/ _ MSN Search, le moteur de recherche qui pense comme vous ! http://search.msn.fr/worldwide.asp
(313) François Kevorkian played hard techno...
I think he wants to be perceived as more than Body Soul, which possibly explains the club's hiatus in part. He adores Mills! And he can't speak more highly of Derrick, with whom he has just toured under the Cosmic Twins banner. He likes techno. He plays here on NYE and says he will play 'something different'. I heard a rumour the promoter requested he play house and not techno but I suspect Francois does what Francois wants - bless him! Yes, Sonar was an all encompassing set for me, but when he played Lost about 5 months ago he played a much more straight techno set than I had anticapted. Many grumbled wanting a 'Body Soul' vibe, but I thought it was well put together. How often does he get to play music like that? It's like Mills, I would like to see Mills play a set of a different type and I am sure so would he, but I bet he doesn't get much chance. You only have to listen to the mixes he puts together on his electronicdir site to see what I mean. It would be nice if a promotor gave him the chance. Maybe when my budget is bigger I'll offer guys like them the platform. Scott McGill t-funkshun www.tfunkshun.com
Re: (313) end of the night
End of the night -ooh - some of my favorite tracks get played right at the end. If these aren't at the very end they are somewhere within the last three or four records 1. Digital Justice - It's all gone pearshaped 2. Ken Ishii - Iceblink (vocal version w/Inner City) 3. Ian O'Brien - Dayride 4. DJ Dozia - Pop Culture (DJ Dozia's deep journey mix) - who ever did the vocal on this (sample?) sounds a bit like Carl Craig to me 5. Carl Craig's Bug in the Bassbin 6. anything Afrobeat for a return to the roots or 7. John Tejada/Detroit Escalator if it's an electro set then it's got to be Kraftwerk MEK Matthew MacQueen [EMAIL PROTECTED]To: 313 313@hyperreal.org rtners.com cc: ::) [EMAIL PROTECTED], JMG [EMAIL PROTECTED] Subject: (313) end of the night 12/11/02 06:20 PM well that wasnt very nice. maybe he needed a hug. Nahh. He just NEEDED to play the last track. There's few things as frustrating as feeling the flow of your set lead you to a naturally fitting ending track, the one you most carefully must select, to end with this perfect track to end a perfect set flow -- only to have the very last transition or track cut short by someone shutting down a sound system, (often because they lied about the end time). Or worse, some bartender getting on a mic and blathering on obnoxiously to hurry everyone out. Djs who play sets that go somewhere over time need that ending closure, at least I do, when I've got (or so I think) the very best final track to close an evening out with. When I read that I felt his pain. ;) Matt ps - would this dovetail nicely into other peoples top 5 tracks to wind down a night? Some of my favorites, depending on the mood: The Choice - Acid Eiffel Mr. Fingers - Can You Feel It Sun Palace - Rude Movements 69 - microlovr Detroit Escalator Co. - anything off Soundtrack [313] ...and when you've gone completely off the deep end: Theo Parrish - Dance of the Drunken Drums
Re: (313) end of the night
Okay. call me strange, but I like to end a set with either: 1. Ultravox Vienna 2. Carl Craig At Les 3. New Order Thieves Like Us 4. Derrick May Icon 5. Visage Fade To Grey sean deason
RE: (313) end of the night
5 to send them home: Psyance - The Answer /+8 Jake Slazenger - Slowdance /Warp The Orb - Oxbow Lakes /any version will do but the C2 rmx catches some folks out Theorem - Embed /th3 Raven Maize - Together Forever /Quark on the classics vibe -dave
(313) [313] mixtape of a different media.
hi folks. i'm just curious to know if other members have made the move from mixing down live 2 a tape deck to mixing down live 2 a hard drive... then to a CD. i know it's helped my creativity a great deal... as long as i have disk space i can screw around with whichever tracks i care to. later i can save or delete the end results. in additon, it's nice to create a 79 minute cavalcade of electronic soul as opposed to only 45 minutes for one tape-side. just looking for any thoughts or opinions. to those of you who actually play out to a crowd on a regular basis, do you make mixes solely for your own listening enjoyment? what are they like... freer? less restricted? peace, lrh
Re: (313) François Kevorkian played h ard techno...
i say let the DJs do the DJing. ;) i've never heard francois get too hard sounding, however, he covered the spectrum of dance music when I would hear him at body soul. he's the only DJ i know who could flawlessly go from maurizio to crown heights affair and jaguar to led zeppelin, prince, and the list goes on... kered
Re: (313) end of the night
1. mescalinum united - we have arrived 2. jeff mills - step to enchantment 3. christian bloch - pole position (fly mix) 4. 69 - any track off the red rs record 5. acid scout - 45 degrees Christian Bloch http://christianbloch.com http://mp3.com/bloch http://www.mp313.com/christianblochmp313.htm Tresor/LL/Ungleich/AudioRiot/Restructured/Deep Night Essentials/Simple Muzik/Funque Droppings - Original Message - From: sean deason [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; Matthew MacQueen [EMAIL PROTECTED]; 313 313@hyperreal.org Cc: ::) [EMAIL PROTECTED]; JMG [EMAIL PROTECTED] Sent: Wednesday, December 11, 2002 9:22 PM Subject: Re: (313) end of the night Okay. call me strange, but I like to end a set with either: 1. Ultravox Vienna 2. Carl Craig At Les 3. New Order Thieves Like Us 4. Derrick May Icon 5. Visage Fade To Grey sean deason
Re: (313) end of the night
- Quiet Daze (Ian Pooley) - The Scenic Route - Transmat - Surgeon - Sleep (Ultra Violet) - Dynamic Tension - Al Ferox - Shaved Woman From Outerspace (Remix) - Scream (after a truly psycho set;) - Unit 2 - Keep Your Head Up (Eyes To The Sky Mix - mixed by 'Mad' Mike Banks) - 430 West Work for me...can't think of any others just now. Peace, m*
Re: (313) end of the night
Last Song Things 1. Stevie Wonder- As 2. Roy Ayers- Running Away 3. Prince- Let's Go Crazy 4. Universal Robot Band- Barely Breaking Even 5. D Train- You're The One For Me Currently Giving The Ears A Rest After the Club 1. Pharoah Sanders- Astral Travelling 2. D'Angelo- Untitled 3. Massive Attack- Protection 4. Anything from Rhythm and Sound 5. Pop Ambient 2002/2003 6. Marvin Gaye- Anything off Here My Dear or Vulnerable
(313) BOOK-CADILLAC HOTEL
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Re: (313) end of the night
Christian Bloch wrote on Wed, 11 Dec 2002 about following: 1. mescalinum united - we have arrived hhahah this is _SOOO_ brutal! :) there's also aphex twin remixes out there.. two of them were on aphex twin classics cd but the vinyl had 3 mixes (by afx). no, i don't have the vinyl. sakke -- new music available for download at http://www.arabuusimiehet.com/sakke/music.html
(313) list members music and trance...
damn, that?s right...vapour space it is, sorry and thanks. it?ll be easier to find that now knowing what it is...juno reactor, hehe :) by the way, is hawtins set on demf still online somewhere? /a
Re: (313) list members music and trance...
[EMAIL PROTECTED] wrote on 12 Dec 2002 about following: damn, that?s right...vapour space it is, sorry and thanks. it?ll be easier to find that now knowing what it is...juno reactor, hehe :) it should be quite easily available as it has been repressed at least once. and for juno reactor.. high energy protons still amuses me, although, i think i wouldn't play it these days :) sakke -- new music available for download at http://www.arabuusimiehet.com/sakke/music.html
(313) Records shops in Detroit
Hi all :) I'm in search of addresses of records shops in Detroit and surroundings. Electronic records vinyl shops mainly but also Hiphop, Reggae, African music etc... If you know URL, indexes or if you send me the adresses of your favorite shops, this could help me. Thanks a lot Thomas Van Steen. from France. [EMAIL PROTECTED]
(313) [EMAIL PROTECTED] tonight: Ed DMX
Quick post to remind anyone in the Midlands of the UK that at Sunglasses At Night tonight (our last event of 2002) we have special guest DJ Ed DMX (of DMX Krew/Computor Rockers/Rephlex/Breakin'/Gigolo etc fame). Entrance is FREE, the event runs 8pm-midnight, the drinks are cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM
(313) New Copyright Wrinkle
I'm forwarding this article because I think it's an interesting new twist on the long-running property rights debate re: the Internet, which always inspires some lively debate here. I 'd hope we don't have to go through all of those 'I think you should be able to copy anything' v. 'Copying anything is theft' arguments which have all been covered here 12 times over and are probably unresolvable through a public email exchange. Maybe just look at this article as a new piece of info in this tangentially relevent ongoing discussion. This could affect the future of Internet radio. Basically, it's just a good article illustrating the administrative difficulties of protecting intellectual property post-internet. Snipped from: http://www.silicon.com/bin/bladerunner? 30REQEVENT=REQAUTH=2104614001REQSUB=REQINT1=56729 You'll need to copy and paste the tale end of the URL. Tuesday 10th December 2002 4:23pm ISPs buckle under copyright cases The law is a (pain in the) ass... Internet service providers (ISPs) are reporting rapidly increasing incidences of take-down notices for copyright infringement material in contrast to a diminishing number of requests to remove defamatory material from sites they host. As the burden on ISPs increases, it is becoming increasingly difficult for them to deal fairly with cases where people or companies feel their copyright has been infringed, or where they feel they have been defamed. While ISPs have a duty to remove offending material, they say that because they also have a duty to their customers, the current situation in which they have to act as judge and jury is untenable. Complaints related to copyright infringement now account for 54 per cent of take-down notices issued to ISPs based in the UK, according to a preliminary survey by the UK's ISP Association (ISPA), which is being conducted as part of a bid to rationalise the process of removing possibly illegal material. Twenty-seven per cent are related to defamation complaints. ISPA is gathering the data to illustrate the growing problem in a bid to persuade the government to publish a code of practice that, it says, should effectively remove liability from ISPs. The work is being done by ISPA's sub-group on content liability. Sub-group spokesman Mark Gracey, who is also legal liaison manager at ISP Thus, said take-down notices are a huge burden, with each case costing between £50 and £1,000 to deal with. Anybody can put us on notice of take-down, said Gracey. There is no standardisation of processes - a ten-year-old child can do this by writing the notice on the back of a cigarette packet. At Thus, said Gracey, the number of take-down notices for alleged copyright infringement is going through the roof. But removing content - whether because it is said to infringe copyright, defame somebody, be criminally racist or break laws such as the Obscene Publications Act, is not a simple process and can lay ISPs open to legal action. ISPs are rarely aware of the full facts of the case and could easily make a wrong decision, said Gracey. ISPs are at risk of liability from the person giving notice and from their customers. Do we take down the content when asked by a complainant and if so, should we put it back when our customer who posted the content in the first place tells us to? We are the piggy in the middle. We are playing judge and jury. ISPA is trying to encourage complainants to make contact with the person or organisation who posted the material in question, rather than the ISP. But there is an urgent need for a code of practice that would create a standard form for take-down notices and dictate who can issue them, sad Gracey. It should also address the issue of how and when content should be put back on the internet if the ISP's customer is able to prove that it does not infringe any laws. Rights holders do have rights, but we also have to consider the rights of our customers. Infringements are not always what they appear to be. There is also the notion of a safe harbour for ISPs, to provide freedom from liability, said Gracey. That's what we need the government for. However, he said, any code of practice would take some drafting. It has to be fair to ISPs, to their customers and to the complainants. Gracey said the DTI does appear to be receptive to the idea, but the government is still saying it is not convinced there is sufficient reason to go ahead. ISPA hopes to use the results of its survey to get across the fact that there is a big problem, and ISPs interested in filling out the survey or contributing their own horror stories should contact ISPA (www.ispa.org.uk ) Matt Loney writes for ZDNet UK
RE: (313) end of the night
My number one end of the night track is Drexciya's The Journey Home, but there's also: UR - Amazon 808 State - Pacific 707 Planet Patrol - Play At Your Own Risk Dick Hyman - Topless Dancers of Corfu Obviously it all depends on your set and the general tone of the night, but The Journey Home is what I'd generally go for! Brendan | -Original Message- | From: Tristan Watkins [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 01:49 | To: Matthew MacQueen; 313 | Cc: ::); JMG | Subject: Re: (313) end of the night | | | - Original Message - | From: Matthew MacQueen [EMAIL PROTECTED] | To: 313 313@hyperreal.org | Cc: ::) [EMAIL PROTECTED]; JMG [EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 12:20 AM | Subject: (313) end of the night | | | ps - would this dovetail nicely into other peoples top 5 | tracks to wind | down a night? Some of my favorites, depending on the mood: | | | | Nice topic! If you can't tell, I kinda like an uptempo finish. :) | | Top 5: | | Clark - Clip | Wyndell Long - Still Photo | Surgeon - Learning (track B2) | Christian Vogel - General Arrepientase | Jeff Mills - Phase 4 | | Eclectic: | | The Sea and Cake - A Man Who Never Sees A Pretty Girl That He | Doesn't Love | Her A Little (I need to find this on vinyl so I can actually | play it more, | durnit) | | Oh, and anything by New Order, preferably with prevalent guitars. | | Tristan | = | Text/Mixes: http://phonopsia.tripod.com | Music: http://www.mp313.com | Contact: [EMAIL PROTECTED] | | New Mix in mp3, 'Live in Iowa City' available for | a short time from http://phonopsia.isoprax.com | | |
RE: (313) [313] mixtape of a different media.
I record directly to my hard drive these days, and it's definitely made me a lot more productive. You don't end up having to reuse media if you get the levels wrong or cock up the first mix, you don't have to scrabble around to find a blank tape if you've suddenly got the urge to do a mix at 2am and the shops are shut, and having 79 minutes is a bit of a benefit too. I've definitely found that I do a lot of mixes these days which I never bother releasing to the world at large, but instead just use for my own listening enjoyment. These will often be slightly more experimental, or just funny juxtapositions of different styles that I like... Brendan | -Original Message- | From: Lee Herrington IV [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 03:09 | To: 313 | Subject: (313) [313] mixtape of a different media. | | | | hi folks. i'm just curious to know if other members have | made the move | from mixing down live 2 a tape deck to mixing down live 2 a | hard drive... | then to a CD. i know it's helped my creativity a great | deal... as long as i | have disk space i can screw around with whichever tracks i | care to. later i | can save or delete the end results. in additon, it's nice to | create a 79 | minute cavalcade of electronic soul as opposed to only 45 | minutes for one | tape-side. just looking for any thoughts or opinions. | to those of you who actually play out to a crowd on a | regular basis, do | you make mixes solely for your own listening enjoyment? what are they | like... freer? less restricted? | | peace, | lrh | |
Re: (313) end of the night
Mine would have to be DJ Shadow's Scatterbrain/Napalm Brain off Endtroducing... or Kraftwerk's Music Non-Stop - Original Message - From: Brendan Nelson [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; Matthew MacQueen [EMAIL PROTECTED]; 313 313@hyperreal.org Cc: ::) [EMAIL PROTECTED]; JMG [EMAIL PROTECTED] Sent: Thursday, December 12, 2002 10:30 AM Subject: RE: (313) end of the night My number one end of the night track is Drexciya's The Journey Home, but there's also: UR - Amazon 808 State - Pacific 707 Planet Patrol - Play At Your Own Risk Dick Hyman - Topless Dancers of Corfu Obviously it all depends on your set and the general tone of the night, but The Journey Home is what I'd generally go for! Brendan | -Original Message- | From: Tristan Watkins [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 01:49 | To: Matthew MacQueen; 313 | Cc: ::); JMG | Subject: Re: (313) end of the night | | | - Original Message - | From: Matthew MacQueen [EMAIL PROTECTED] | To: 313 313@hyperreal.org | Cc: ::) [EMAIL PROTECTED]; JMG [EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 12:20 AM | Subject: (313) end of the night | | | ps - would this dovetail nicely into other peoples top 5 | tracks to wind | down a night? Some of my favorites, depending on the mood: | | | | Nice topic! If you can't tell, I kinda like an uptempo finish. :) | | Top 5: | | Clark - Clip | Wyndell Long - Still Photo | Surgeon - Learning (track B2) | Christian Vogel - General Arrepientase | Jeff Mills - Phase 4 | | Eclectic: | | The Sea and Cake - A Man Who Never Sees A Pretty Girl That He | Doesn't Love | Her A Little (I need to find this on vinyl so I can actually | play it more, | durnit) | | Oh, and anything by New Order, preferably with prevalent guitars. | | Tristan | = | Text/Mixes: http://phonopsia.tripod.com | Music: http://www.mp313.com | Contact: [EMAIL PROTECTED] | | New Mix in mp3, 'Live in Iowa City' available for | a short time from http://phonopsia.isoprax.com | | |
RE: (313) end of the night
Dick Hyman - Topless Dancers of Corfu hehe Im not even going to ask what that is brendan !?! :D hmm nice topic :) top end of night tunes would include : - Electro version of The Doors light my fire (on the flip of sandwiches) - Anything MAW with India on the vocal (to finish dem housey sets) - Mr Scruff, any of his jack-a-nory sampling tunes :D - strings or life or 'strings of strings' obvious but pukka - joe smooth, promised land - again a bit obvious but u just cant argue with old skool bizness :) - sir menelik physical jewels accapella over that dan bell tune on comin' from tha d (vol 1 or 2 I think) peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) end of the night
Mine would have to be DJ Shadow's Scatterbrain/Napalm Brain off Endtroducing... hmmm good choice I have to say that is definietly my favourite 'back to mine' style album :) -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) end of the night
- The A1 track off that Code 6 record on Experimental (EX15) Probably one of Joey Beltrams best tracks ever! - Speedy J Pannik - Davina Dont you want it - Public Energy Three o Three - One of that crazy electro style tracks from the second album of Cari Lekebusch as Braincell on Sven Vaths HartHouse label. Don't know the name. -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: donderdag 12 december 2002 11:31 To: Tristan Watkins; Matthew MacQueen; 313 Cc: ::); JMG Subject: RE: (313) end of the night My number one end of the night track is Drexciya's The Journey Home, but there's also: UR - Amazon 808 State - Pacific 707 Planet Patrol - Play At Your Own Risk Dick Hyman - Topless Dancers of Corfu Obviously it all depends on your set and the general tone of the night, but The Journey Home is what I'd generally go for! Brendan | -Original Message- | From: Tristan Watkins [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 01:49 | To: Matthew MacQueen; 313 | Cc: ::); JMG | Subject: Re: (313) end of the night | | | - Original Message - | From: Matthew MacQueen [EMAIL PROTECTED] | To: 313 313@hyperreal.org | Cc: ::) [EMAIL PROTECTED]; JMG [EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 12:20 AM | Subject: (313) end of the night | | | ps - would this dovetail nicely into other peoples top 5 | tracks to wind | down a night? Some of my favorites, depending on the mood: | | | | Nice topic! If you can't tell, I kinda like an uptempo finish. :) | | Top 5: | | Clark - Clip | Wyndell Long - Still Photo | Surgeon - Learning (track B2) | Christian Vogel - General Arrepientase | Jeff Mills - Phase 4 | | Eclectic: | | The Sea and Cake - A Man Who Never Sees A Pretty Girl That He | Doesn't Love | Her A Little (I need to find this on vinyl so I can actually | play it more, | durnit) | | Oh, and anything by New Order, preferably with prevalent guitars. | | Tristan | = | Text/Mixes: http://phonopsia.tripod.com | Music: http://www.mp313.com | Contact: [EMAIL PROTECTED] | | New Mix in mp3, 'Live in Iowa City' available for | a short time from http://phonopsia.isoprax.com | | |
RE: (313) [313] mixtape of a different media.
I was experimenting last night with two tunes which I recorded into Cubase on seperate tracks, one being an Acapella vocal which I chopped up and was laying over the other. The only problem with working in that way and within the Cubase protocol is keeping both audio tracks in Sync. I matched the Cubase click as closely as I could so I was still working in 'sequencer mode' but found things still started to drift occasional. Has anyone else worked in this way and found ways of syncing an audio track so it can be quantised etc? I shoved the vocals into Halion sampler so had pitch control but it's obviously still not an ideal way of working. Also I have found a great piece of software called 'Restorer' made by Waves that removes vinyl hum, pops and clicks if anyone's interested in cleaning up their mixes once on the hard drive. Sorry if this is a little off topic, I heard there's a more technical 313 out there if someone could let me know. Thanks, Bergz.
RE: (313) end of the night
*Scratch Massive - Today's Sunday (Elegi @remix) F-Comm '99 *Yage - Fuzzy Logic EP *Stevie Wonder - Race Babbling - Motown (23 years old but loaded with fx and 'tronics and a 4/4 beat.) *Suneo Latino - Derrick May (RS) (Last but one maybe - *NEVER* last - mho ;o) *Energy - The Midjut Boys (Small Detached Mix) -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:18 AM To: 313@hyperreal.org Subject: Re: (313) end of the night Last Song Things 1. Stevie Wonder- As 2. Roy Ayers- Running Away 3. Prince- Let's Go Crazy 4. Universal Robot Band- Barely Breaking Even 5. D Train- You're The One For Me Currently Giving The Ears A Rest After the Club 1. Pharoah Sanders- Astral Travelling 2. D'Angelo- Untitled 3. Massive Attack- Protection 4. Anything from Rhythm and Sound 5. Pop Ambient 2002/2003 6. Marvin Gaye- Anything off Here My Dear or Vulnerable
RE: (313) end of the night
*That should be Sueno Latino of course, misspelling this track is sacrilege! k
RE: (313) [313] mixtape of a different media.
I just put my mixes direct to MD. (And there they stay - thankfully.) k -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 10:37 AM To: Lee Herrington IV; 313 Subject: RE: (313) [313] mixtape of a different media. I record directly to my hard drive these days, and it's definitely made me a lot more productive. You don't end up having to reuse media if you get the levels wrong or cock up the first mix, you don't have to scrabble around to find a blank tape if you've suddenly got the urge to do a mix at 2am and the shops are shut, and having 79 minutes is a bit of a benefit too. I've definitely found that I do a lot of mixes these days which I never bother releasing to the world at large, but instead just use for my own listening enjoyment. These will often be slightly more experimental, or just funny juxtapositions of different styles that I like... Brendan | -Original Message- | From: Lee Herrington IV [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 03:09 | To: 313 | Subject: (313) [313] mixtape of a different media. | | | | hi folks. i'm just curious to know if other members have | made the move | from mixing down live 2 a tape deck to mixing down live 2 a | hard drive... | then to a CD. i know it's helped my creativity a great | deal... as long as i | have disk space i can screw around with whichever tracks i | care to. later i | can save or delete the end results. in additon, it's nice to | create a 79 | minute cavalcade of electronic soul as opposed to only 45 | minutes for one | tape-side. just looking for any thoughts or opinions. | to those of you who actually play out to a crowd on a | regular basis, do | you make mixes solely for your own listening enjoyment? what are they | like... freer? less restricted? | | peace, | lrh | |
RE: (313) [313] mixtape of a different media.
I used to, but I'd always end up recording them from MD to the computer anyway (so I could burn CDs etc). Then one day me and my minidisc player got caught in a rainstorm, and my days of portable digital music came to a moist and soggy end! The minidisc player is now completely senile - it is still alive, but can't do anything and the things it says make no sense. Anyway, it was then that I rewired everything to my decks go through the PC, and now I can cut out the middle-man by recording straight onto hard drive. Brendan | -Original Message- | From: Odeluga, Ken [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 11:55 | To: Brendan Nelson; Lee Herrington IV; 313 | Subject: RE: (313) [313] mixtape of a different media. | | | I just put my mixes direct to MD. (And there they stay - thankfully.) | k | | -Original Message- | From: Brendan Nelson [mailto:[EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 10:37 AM | To: Lee Herrington IV; 313 | Subject: RE: (313) [313] mixtape of a different media. | | | I record directly to my hard drive these days, and it's | definitely made | me a lot more productive. You don't end up having to reuse | media if you | get the levels wrong or cock up the first mix, you don't have to | scrabble around to find a blank tape if you've suddenly got | the urge | to do a mix at 2am and the shops are shut, and having 79 minutes is a | bit of a benefit too. | | I've definitely found that I do a lot of mixes these days | which I never | bother releasing to the world at large, but instead just use | for my own | listening enjoyment. These will often be slightly more | experimental, or | just funny juxtapositions of different styles that I like... | | Brendan | | | -Original Message- | | From: Lee Herrington IV [mailto:[EMAIL PROTECTED] | | Sent: 12 December 2002 03:09 | | To: 313 | | Subject: (313) [313] mixtape of a different media. | | | | | | | | hi folks. i'm just curious to know if other members have | | made the move | | from mixing down live 2 a tape deck to mixing down live 2 a | | hard drive... | | then to a CD. i know it's helped my creativity a great | | deal... as long as i | | have disk space i can screw around with whichever tracks i | | care to. later i | | can save or delete the end results. in additon, it's nice to | | create a 79 | | minute cavalcade of electronic soul as opposed to only 45 | | minutes for one | | tape-side. just looking for any thoughts or opinions. | | to those of you who actually play out to a crowd on a | | regular basis, do | | you make mixes solely for your own listening enjoyment? | what are they | | like... freer? less restricted? | | | | peace, | | lrh | | | | | |
RE: (313) [313] mixtape of a different media.
Anyway, it was then that I rewired everything to my decks go through the PC, and now I can cut out the middle-man by recording straight onto hard drive. ok the one question i'll ask in this thread: what PC software do you use for this? (wavelab, soundforge, cool edit?) cheers robin...
RE: (313) [313] mixtape of a different media.
On the PC there seems to be nothing more reliable than Total Recorder. It's the only one that I've used that doesn't cause jumps on long recordings. -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: 12 December 2002 12:11 To: 313 Subject: RE: (313) [313] mixtape of a different media. Anyway, it was then that I rewired everything to my decks go through the PC, and now I can cut out the middle-man by recording straight onto hard drive. ok the one question i'll ask in this thread: what PC software do you use for this? (wavelab, soundforge, cool edit?) cheers robin...
Re: (313) [313] mixtape of a different media.
- Original Message - From: Brendan Nelson [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; Lee Herrington IV [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Thursday, December 12, 2002 12:00 PM Subject: RE: (313) [313] mixtape of a different media. Anyway, it was then that I rewired everything to my decks go through the PC, and now I can cut out the middle-man by recording straight onto hard drive. I record to MD as a backup while recording direct to HD in case anything goes wrong with the HD recording. This has saved a good mix more than once! Sorry to hear about your injured MD. :( They make a new one that is waterproof (and beerproof, hopefully)! I am trying not to put that to the test. No, I don't work for Sony. :) Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
(313) Bleep43.com
New reviews just added. Many more updates in the pipeline, near-term. Cheers, k
RE: (313) [313] mixtape of a different media.
Robertson, Steven wrote on Thu, 12 Dec 2002 about following: On the PC there seems to be nothing more reliable than Total Recorder. It's the only one that I've used that doesn't cause jumps on long recordings. this is more technical stuff so i dunno if it should be discussed on 313; but FYI: windows9x series of windows have 2gig filesize limit. i have never had any problems with sound forge with even bigger files on ntfs (with win2k).. no drops, no jumps. sakke -- new music available for download at http://www.arabuusimiehet.com/sakke/music.html
Re: (313) [313] mixtape of a different media.
what PC software do you use for this? (wavelab, soundforge, cool edit?) Personally I like cooledit pro2 as I like the keyboard shortcuts and 'save selection as...' feature. I record a lot of mixes direct to HD and I've found that setting the temp folder of the recording software to a mapped network drive on a different machine dramatically increases speed and responsiveness for recording, saving and any post production. This can be especially beneficial with the large files produced by recording mixes at a high quality. If you don't have a home network then having the OS swap file on a different drive to the one you are recording to can also help. Cheers matt - [EMAIL PROTECTED]
RE: (313) [313] mixtape of a different media.
I use Wavelab Lite - not so many features that it loads slowly or is difficult to use, not so crap that you can't do things like save selection as. I have other wav editors but the simplicity of Wavelab Lite means that it suits me down to the ground for recording mixes. If I want to go and do anything fancy like compression later on I'd use Soundforge, but for staight recording it's always Wavelab Lite! Brendan | -Original Message- | From: robin pinning [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 12:11 | To: 313 | Subject: RE: (313) [313] mixtape of a different media. | | | | Anyway, it was then that I rewired everything to my decks | go through the | PC, and now I can cut out the middle-man by recording | straight onto hard | drive. | | ok the one question i'll ask in this thread: | | what PC software do you use for this? (wavelab, soundforge, | cool edit?) | | cheers | | robin... | | |
RE: (313) [313] mixtape of a different media.
I've been recording mixes to hard drive for a few years now, almost always with a version of SoundForge (Wavelab on occasion). I have, on 2 occasions, brought a laptop to record sets so that I can listen to how I did and note any mistakes I've made, what tracks worked well with each other, etc. -Original Message- From: Lee Herrington IV [mailto:[EMAIL PROTECTED] Sent: Wednesday, December 11, 2002 10:09 PM To: 313 Subject: (313) [313] mixtape of a different media. hi folks. i'm just curious to know if other members have made the move from mixing down live 2 a tape deck to mixing down live 2 a hard drive... then to a CD. i know it's helped my creativity a great deal... as long as i have disk space i can screw around with whichever tracks i care to. later i can save or delete the end results. in additon, it's nice to create a 79 minute cavalcade of electronic soul as opposed to only 45 minutes for one tape-side. just looking for any thoughts or opinions. to those of you who actually play out to a crowd on a regular basis, do you make mixes solely for your own listening enjoyment? what are they like... freer? less restricted? peace, lrh
Re: (313) [313] mixtape of a different media.
I have been doing that for about two years now. I have a Mac G4 with a Midiman Delta 44 sound card and I plug the record outputs of my mixer directly into the machine and record to hard drive. My only frustration has been that a CD is limited to 79 minutes whereas with tapes I used to be able to get close to 2 hours by recording straight through both sides. However some advantages of doing stuff on the computer that I see are that I can do mastering directly on the computer. If there are any big mistakes I can smooth them out, I can do editing, put on effects, etc on the computer (though I don't do that very often). Some of the disadvantages are that I used to record to tape and then listen to the tapes in the car. My car doesn't have a CD player so I can't listen to my mixes there anymore. And the biggest disadvantage for me is that if I am spinning and like what I am playing I can't just hit record on the tape deck - I need to go into the computer room, turn on the computer, load up Peak and hit record. Kind of ruins the moment for me. Unfortunately my computer room is now located two floors up from my tables so I can't record to hard disk anymore so am looking into getting a Minidisc or stereo CD-Burner so I can still do my mastering on the computer. Most of my mixes are for my ears only and I record them and listen to them at work. Occassionally if I like a mix I will post it as an MP3 to my web site (www.skooch.com) and if I really like it I will officially release it and send copies out as demos. Most of my personal mixes are just me grabbing random records and playing them or just playing whatever I feel like playing as opposed to a planned out set. Eric At 10:08 PM 12/11/2002 -0500, Lee Herrington IV wrote: hi folks. i'm just curious to know if other members have made the move from mixing down live 2 a tape deck to mixing down live 2 a hard drive... then to a CD. i know it's helped my creativity a great deal... as long as i have disk space i can screw around with whichever tracks i care to. later i can save or delete the end results. in additon, it's nice to create a 79 minute cavalcade of electronic soul as opposed to only 45 minutes for one tape-side. just looking for any thoughts or opinions. to those of you who actually play out to a crowd on a regular basis, do you make mixes solely for your own listening enjoyment? what are they like... freer? less restricted? peace, lrh
Re: (313) mixtape of a different media.
For me I just run a cable from my bedroom through to my PC, into the back of my Audigy card and use the card's record feature. I worry about sticking it through other software once the mix is done. I've never had a problem with quality or skipping or anything using this method on a Windows 98 machine. Stewart ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) [313] mixtape of a different media.
i used cool edit pro 2. I run my studio mixer main outs to my PC, PC into the mixer, and then of course my laptop and other gear into the mixer. control outs go to the monitors. this allows me to record any part of the mix or a composite including the PC on which the audio is being recorded. thanks - Original Message - From: robin pinning [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Thursday, December 12, 2002 7:10 AM Subject: RE: (313) [313] mixtape of a different media. Anyway, it was then that I rewired everything to my decks go through the PC, and now I can cut out the middle-man by recording straight onto hard drive. ok the one question i'll ask in this thread: what PC software do you use for this? (wavelab, soundforge, cool edit?) cheers robin...
(313) records for sale
Hi. I have lots of good records for sale. See them at zacharylubin.com Please contact me privately through the webpage with requests. ...There are many good titles I am selling. I am just pressed for space and need to purge. Vinyl stacks can make you crazy. zachary = zachary lubin zacharylubin.com __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
RE: (313) [EMAIL PROTECTED] tonight: Ed DMX
Probably, no one needs to be told this, but Ed DMX is a mighty fine DJ. He really had the crowd enjoying themselves here in Detroit when he rolled through for the Ghostly International party celebrating the release of the excellent Disco Nouveau. I was stunned and very delighted to see the hardcore elite of the D singing along with don't you want me baby, don't you want me o? and slow dancing to Prince at the end of the night. Ed himself was fun to watch because when the spirit moved him and he really was feeling the tune, off came the headphones and he'd do the disco shuffle from side to side in the booth with his long hair exploding in motion around him and his fine, green sports tee (was it a Saucony?) At any rate, I'm jealous and would love to go to this event. For free no less. If you have the chance, don't miss it. You'll leave with a big smile on your face if it's anything like the show we were treated to here in Detroit. Thanks again Sam, that was a quality evening. Leslie Rollins -Original Message- From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 5:20 AM To: 313 mailing list Subject: (313) [EMAIL PROTECTED] tonight: Ed DMX Quick post to remind anyone in the Midlands of the UK that at Sunglasses At Night tonight (our last event of 2002) we have special guest DJ Ed DMX (of DMX Krew/Computor Rockers/Rephlex/Breakin'/Gigolo etc fame). Entrance is FREE, the event runs 8pm-midnight, the drinks are cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM
(313) Shameless plug
It turns out that WIDE is in this month's Sleaze Nation, with pictures of all the DJs - including me and Guy - which were taken in my flat, oddly enough! I'm the one smoking a dodgy roll-up, but as I haven't seen the magazine yet I can't really tell you what page it's on. But if you get the magazine, or are planning to get it, look out for us! God knows what they'll have written about UK Bass though - I didn't get interviewed, only photographed... Brendan
FW: (313) [EMAIL PROTECTED] tonight: Ed DMX
There is also a mix set of his that can be listened to on the groovetech.com archives. Also on this subject is there any news of and decent 313 events closer to london in the next few weeks? I have recently relocated from Sydney to London and am not quite in touch with happenings. Quest Pond www.deepspace.net.au -Original Message- From: dj337is [mailto:[EMAIL PROTECTED] Sent: 12 December 2002 15:20 To: '313 mailing list' Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX Probably, no one needs to be told this, but Ed DMX is a mighty fine DJ. He really had the crowd enjoying themselves here in Detroit when he rolled through for the Ghostly International party celebrating the release of the excellent Disco Nouveau. I was stunned and very delighted to see the hardcore elite of the D singing along with don't you want me baby, don't you want me o? and slow dancing to Prince at the end of the night. Ed himself was fun to watch because when the spirit moved him and he really was feeling the tune, off came the headphones and he'd do the disco shuffle from side to side in the booth with his long hair exploding in motion around him and his fine, green sports tee (was it a Saucony?) At any rate, I'm jealous and would love to go to this event. For free no less. If you have the chance, don't miss it. You'll leave with a big smile on your face if it's anything like the show we were treated to here in Detroit. Thanks again Sam, that was a quality evening. Leslie Rollins -Original Message- From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 5:20 AM To: 313 mailing list Subject: (313) [EMAIL PROTECTED] tonight: Ed DMX Quick post to remind anyone in the Midlands of the UK that at Sunglasses At Night tonight (our last event of 2002) we have special guest DJ Ed DMX (of DMX Krew/Computor Rockers/Rephlex/Breakin'/Gigolo etc fame). Entrance is FREE, the event runs 8pm-midnight, the drinks are cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM
RE: (313) [EMAIL PROTECTED] tonight: Ed DMX
There will be a heavy 313 presence at Slices next weekend - it's Saturday 21st December, and is happening at Public Life which is just near Liverpool Street. I think there are three or four 313ers playing, and there will be many more than that on the dancefloor! Brendan | -Original Message- | From: Quest Pond [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 16:48 | To: 313 mailing list | Subject: FW: (313) [EMAIL PROTECTED] tonight: Ed DMX | | | There is also a mix set of his that can be listened to on the | groovetech.com archives. | | Also on this subject is there any news of and decent 313 | events closer to london in the next few weeks? I have | recently relocated from Sydney to London and am not quite in | touch with happenings. | | | Quest Pond | www.deepspace.net.au | | -Original Message- | From: dj337is [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 15:20 | To: '313 mailing list' | Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX | | | Probably, no one needs to be told this, but Ed DMX is a | mighty fine DJ. He really had the crowd enjoying themselves | here in Detroit when he rolled through for the Ghostly | International party celebrating the release of the excellent | Disco Nouveau. I was stunned and very delighted to see the | hardcore elite of the D singing along with don't you want | me baby, don't you want me o? and slow dancing to | Prince at the end of the night. Ed himself was fun to watch | because when the spirit moved him and he really was feeling | the tune, off came the headphones and he'd do the disco | shuffle from side to side in the booth with his long hair | exploding in motion around him and his fine, green sports tee | (was it a Saucony?) | | At any rate, I'm jealous and would love to go to this event. | For free no less. If you have the chance, don't miss it. | You'll leave with a big smile on your face if it's anything | like the show we were treated to here in Detroit. | | Thanks again Sam, that was a quality evening. | | Leslie Rollins | | -Original Message- | From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 5:20 AM | To: 313 mailing list | Subject: (313) [EMAIL PROTECTED] tonight: Ed DMX | | Quick post to remind anyone in the Midlands of the UK that at | Sunglasses At Night tonight (our last event of 2002) we have | special guest DJ Ed DMX (of DMX Krew/Computor | Rockers/Rephlex/Breakin'/Gigolo etc fame). | | Entrance is FREE, the event runs 8pm-midnight, the drinks are | cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM
RE: (313) [EMAIL PROTECTED] tonight: Ed DMX
btw does anyone know if there is any of those mixes from the first 313 night at public life by any chance ? -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 12 December 2002 16:48 To: Quest Pond; 313 mailing list Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX There will be a heavy 313 presence at Slices next weekend - it's Saturday 21st December, and is happening at Public Life which is just near Liverpool Street. I think there are three or four 313ers playing, and there will be many more than that on the dancefloor! Brendan | -Original Message- | From: Quest Pond [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 16:48 | To: 313 mailing list | Subject: FW: (313) [EMAIL PROTECTED] tonight: Ed DMX | | | There is also a mix set of his that can be listened to on the | groovetech.com archives. | | Also on this subject is there any news of and decent 313 | events closer to london in the next few weeks? I have | recently relocated from Sydney to London and am not quite in | touch with happenings. | | | Quest Pond | www.deepspace.net.au | | -Original Message- | From: dj337is [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 15:20 | To: '313 mailing list' | Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX | | | Probably, no one needs to be told this, but Ed DMX is a | mighty fine DJ. He really had the crowd enjoying themselves | here in Detroit when he rolled through for the Ghostly | International party celebrating the release of the excellent | Disco Nouveau. I was stunned and very delighted to see the | hardcore elite of the D singing along with don't you want | me baby, don't you want me o? and slow dancing to | Prince at the end of the night. Ed himself was fun to watch | because when the spirit moved him and he really was feeling | the tune, off came the headphones and he'd do the disco | shuffle from side to side in the booth with his long hair | exploding in motion around him and his fine, green sports tee | (was it a Saucony?) | | At any rate, I'm jealous and would love to go to this event. | For free no less. If you have the chance, don't miss it. | You'll leave with a big smile on your face if it's anything | like the show we were treated to here in Detroit. | | Thanks again Sam, that was a quality evening. | | Leslie Rollins | | -Original Message- | From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 5:20 AM | To: 313 mailing list | Subject: (313) [EMAIL PROTECTED] tonight: Ed DMX | | Quick post to remind anyone in the Midlands of the UK that at | Sunglasses At Night tonight (our last event of 2002) we have | special guest DJ Ed DMX (of DMX Krew/Computor | Rockers/Rephlex/Breakin'/Gigolo etc fame). | | Entrance is FREE, the event runs 8pm-midnight, the drinks are | cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
(313) A Little Something for Everyone...
- Javier Drada - DHP Mix - Chateau Flight - Brandy - Ritual - Yellow Records - Hanna Hais - IL Parlait Pas Francais (Larry Heard Super-Deluxe Club Vocal) - Distance Music - Mikaël Delta With Billie Ray Martin - I'm Not Keen (Good Manners Mix) - Distance Music - Tortured Soul feat. Christian Urich - I Might Do Something Wrong (Osunlade's Lonely Mix) - Central Park Recordings - SK Radicals - Evolution (Unreleased Fini Dolo Inst.) - People Records - Kerri Chandler Roy Ayers - Vibrations - Madhouse Music - Ferry Ultra feat. Roy Ayers - Dangerous Vibes(Spen Karizma Mix) - Peppermint Jam - Mike Dunn - God Made Me Funky - Solo Recordings - Anthony Flanagan - Your Embrace - Madhouse Music - Brother of Soul - Eyes Of Love - Guidance Music - Fingerprintz - Feel It - Madhouse Music - Dana Byrd - Your Love (Danny Krivit Edit) - Wave Music - Afrikali - Out Of The Jungle (The Truth Mix) - Easy Street - Hardhouse - Check This Out (Club Mix) - Easy Street - Serious Intention - You Don't Know (Special Remix) - Easy Street - MFSB - Love Is The Message (Danny Krivit Re-Edit) - Sony Music - Patti Labelle - Get Ready [Looking For Loving] (Back To The Music Box Edit) - CBS Records DHP Mix 128K (Dual ISDN) http://www.undergroundcommittee.com/media/DHP.ram
RE: (313) [EMAIL PROTECTED] tonight: Ed DMX
Make room for me! I will also be busting moves! There's at least 10 313ers I can think of off the top my head who will be attending so other London (or Brit even) 313er have no excuses! -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:48 PM To: Quest Pond; 313 mailing list Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX There will be a heavy 313 presence at Slices next weekend - it's Saturday 21st December, and is happening at Public Life which is just near Liverpool Street. I think there are three or four 313ers playing, and there will be many more than that on the dancefloor! Brendan | -Original Message- | From: Quest Pond [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 16:48 | To: 313 mailing list | Subject: FW: (313) [EMAIL PROTECTED] tonight: Ed DMX | | | There is also a mix set of his that can be listened to on the | groovetech.com archives. | | Also on this subject is there any news of and decent 313 | events closer to london in the next few weeks? I have | recently relocated from Sydney to London and am not quite in | touch with happenings. | | | Quest Pond | www.deepspace.net.au | | -Original Message- | From: dj337is [mailto:[EMAIL PROTECTED] | Sent: 12 December 2002 15:20 | To: '313 mailing list' | Subject: RE: (313) [EMAIL PROTECTED] tonight: Ed DMX | | | Probably, no one needs to be told this, but Ed DMX is a | mighty fine DJ. He really had the crowd enjoying themselves | here in Detroit when he rolled through for the Ghostly | International party celebrating the release of the excellent | Disco Nouveau. I was stunned and very delighted to see the | hardcore elite of the D singing along with don't you want | me baby, don't you want me o? and slow dancing to | Prince at the end of the night. Ed himself was fun to watch | because when the spirit moved him and he really was feeling | the tune, off came the headphones and he'd do the disco | shuffle from side to side in the booth with his long hair | exploding in motion around him and his fine, green sports tee | (was it a Saucony?) | | At any rate, I'm jealous and would love to go to this event. | For free no less. If you have the chance, don't miss it. | You'll leave with a big smile on your face if it's anything | like the show we were treated to here in Detroit. | | Thanks again Sam, that was a quality evening. | | Leslie Rollins | | -Original Message- | From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] | Sent: Thursday, December 12, 2002 5:20 AM | To: 313 mailing list | Subject: (313) [EMAIL PROTECTED] tonight: Ed DMX | | Quick post to remind anyone in the Midlands of the UK that at | Sunglasses At Night tonight (our last event of 2002) we have | special guest DJ Ed DMX (of DMX Krew/Computor | Rockers/Rephlex/Breakin'/Gigolo etc fame). | | Entrance is FREE, the event runs 8pm-midnight, the drinks are | cheap and the venue is Junktion 7 in Nottingham (www.junktion7.co.uk). Email me for any further info. Next up is the Kraftwerk special on 9th Jan. Thankyou for your attention. TOM Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) [EMAIL PROTECTED] tonight: Ed DMX
Marc: btw does anyone know if there is any of those mixes from the first 313 night at public life by any chance ? the mixes can be found at http://www.microlovr.com/313party/. the files are quite large because i encoded them at a decent quality and unfortunately my server and adsl connection can't handle too much traffic so please be patient if you do try to download anything. when i get a chance i'll re-encode the files at a lower quality so that i can attempt to make them available for streaming and also lessen the burden on my server. ta rob _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus
(313) questions
Couple of uber-trainspotting questions: 1. Does anyone know of R Tyme's Illusion appearing on Chrysalis? Maybe on a compilation? 2. Heard somewhere that Blake Baxter wrote or did the Juice Bar mix of Rhythim is Rhythim's KAOS Could this be true? 2b. Anyone know what that neat little track after KAOS is supposed to be called? thanks! Dan
(313) interesting ...
well, I did read this about Kaos: http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php Thanks Mr. Osslear! :)
Re: (313) questions
2. Heard somewhere that Blake Baxter wrote or did the Juice Bar mix of Rhythim is Rhythim's KAOS Could this be true? I think he just did the bassline... don´t know for sure.. he didn´t get the credits though... Cheers, Maarten
Re: (313) questions
Couple of uber-trainspotting questions: 1. Does anyone know of R Tyme's Illusion appearing on Chrysalis? Maybe on a compilation? nope 2. Heard somewhere that Blake Baxter wrote or did the Juice Bar mix of Rhythim is Rhythim's KAOS Could this be true? Yeah I read it in an interview.. He did the bassline.. He was mighty pissed off 2b. Anyone know what that neat little track after KAOS is supposed to be called? nope thanks! Dan
Re: (313) questions
1- appeared on Best of techno vol.1 by an obscure label music: Low Price Music distributed by To Tal music themselves distributed by BMG. So no, not appeared directly on a major company comp. No possibility for a trial here :-) 2- Already answered. I have the same source of information. 3- don't know my copy is untitled A1:Strings (Flam-Boy-Ant Mix) A2:Strings of Life B1:Move It (Remix) B2:Kaos (Juice Bar Mix) B3:(No Title) From: Dan Sicko [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Subject: (313) questions Date: Thu, 12 Dec 2002 09:15:27 -0800 (PST) Couple of uber-trainspotting questions: 1. Does anyone know of R Tyme's Illusion appearing on Chrysalis? Maybe on a compilation? 2. Heard somewhere that Blake Baxter wrote or did the Juice Bar mix of Rhythim is Rhythim's KAOS Could this be true? 2b. Anyone know what that neat little track after KAOS is supposed to be called? thanks! Dan _ STOP MORE SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
RE: (313) interesting ...
well, I did read this about Kaos: http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php Thanks Mr. Osslear! :) Wow, this interview is fantastic. About this part-- I used to drive Derrick and we were really good friends back in those days. We all basically hung out and lived together. I was in Chicago at that time. Things weren't going well for me with Dj International. Derrick was delivering records for Metroplex and he was like : 'Come back to Detroit, we have a new sound we are working on.' So does anyone know if Blake ever got anything released on DJ International? And if so what did they sound like? Cheers, Matt
RE: (313) end of the night
My number one end of the night track is Drexciya's The Journey Home, but there's also: UR - Amazon Yup, and if you're gonna go there, there's also 2 other drop dead classic detroit endings in my book: UR - The Final Frontier Cybotron - Clear. peace, Matt
Re: (313) interesting ...
Work Your Body! :) On Thursday, December 12, 2002, at 03:33 PM, Matthew MacQueen wrote: well, I did read this about Kaos: http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php Thanks Mr. Osslear! :) Wow, this interview is fantastic. About this part-- I used to drive Derrick and we were really good friends back in those days. We all basically hung out and lived together. I was in Chicago at that time. Things weren't going well for me with Dj International. Derrick was delivering records for Metroplex and he was like : 'Come back to Detroit, we have a new sound we are working on.' So does anyone know if Blake ever got anything released on DJ International? And if so what did they sound like? Cheers, Matt
RE: (313) end of the night
Wasn't the very last track ever played at the final night of the Music Institute (back then) was 808 State - pacific 202 ?
RE: (313) end of the night
mayday mix of sueno latino or of inner city's praise, or r=r's icon .. . :: http://nomorewords.net
Re: (313) interesting ...
Blake released the Work Your Body EP and also the Does Not Compute EP on DJ International in 1985. There were also remix eps of both these releases. Stewart - Original Message - From: Dan Sicko [EMAIL PROTECTED] To: Matthew MacQueen [EMAIL PROTECTED] Cc: 313 list 313@hyperreal.org Sent: Thursday, December 12, 2002 8:39 PM Subject: Re: (313) interesting ... Work Your Body! :) ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
RE: (313) end of the night
or some of the old virgo tracks. or .. ah well, there too many!! but nights enough as well :) At 12-12-2002 +0100 21:39, you wrote: mayday mix of sueno latino or of inner city's praise, or r=r's icon .. . :: http://nomorewords.net .. . :: http://nomorewords.net
(313) jeff mills live pa?
http://www.technotourist.org/modules.php?op=modloadname=Sectionsfile=index req=viewarticleartid=19 my apologies if this has been posted already. -Joe
(313) RE: End of the night
VFT's 'Location' from the Plus 8 our minds to yours vol2 LP I've never heard it played at the end of a night, but I've always wanted to. Its the kind of simple, warm, deep but energy filled electro tune that makes you just smile whilst shaking your ass. Stewart ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) list members music and trance...
by the way, is hawtins set on demf still online somewhere? if my memory serves right it was the only set from the demf '00 that was not archived by groovetech. I know there was a crowd recording floating around on napster when it was up but, I don't know anymore, I bet you could find it on soul seek. maybe/hopefully richie will put it on his website since there are so many other audio and video streams up there now? (hint hint minus crew) and if you have not been to the minus website as of late you should check it out there are loads of new mp3's and some videos. one of the videos has a short making of the skizofrenik video. there is one labeled demf 2000 but is a video complation with loads of pictures (one being you) set to minus-orange. go to the minus main page click media and then moving and you will have the list. scotto lansing, mi.
Re: (313) end of the night
Wasn't the very last track ever played at the final night of the Music Institute (back then) was 808 State - pacific 202 ? I remind derrick telling that it was strings of life that was the last track played at the institute... Don´t know what to believe... CHeers, Maarten
Re: (313) interesting ...
supercool interview from Johnreally enjoyed it Blake did a track called Work It' for one of the Jacktrax double pack compilations. I think the double pack is the only place you can get it though.really sparce jack track with his TM spoken word over the top. on 13/12/02 7:33 AM, Matthew MacQueen at [EMAIL PROTECTED] wrote: well, I did read this about Kaos: http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php Thanks Mr. Osslear! :) Wow, this interview is fantastic. About this part-- I used to drive Derrick and we were really good friends back in those days. We all basically hung out and lived together. I was in Chicago at that time. Things weren't going well for me with Dj International. Derrick was delivering records for Metroplex and he was like : 'Come back to Detroit, we have a new sound we are working on.' So does anyone know if Blake ever got anything released on DJ International? And if so what did they sound like? Cheers, Matt
RE: (313) interesting ...
I have to say, this quote from Blake Baxter is absolutely classic... O.M. What will it take for techno, both the music and the culture, to be generally accepted in the US? B.B. It would take Backstreet Boys and N-Sync to collaborate with Mike Banks. -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 12:26 PM To: 313 list Subject: (313) interesting ... well, I did read this about Kaos: http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php Thanks Mr. Osslear! :)
(313) ableton live 2.0 public beta out
I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe
RE: (313) ableton live 2.0 public beta out
I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe
Re: (313) ableton live 2.0 public beta out
I wonder how you tell just by looking at the screen? - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 1:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe
RE: (313) ableton live 2.0 public beta out
I was told they carry around a laptop with names of registered users. -pete -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:33 PM To: Grammenos, Peter; 313@hyperreal.org Subject: Re: (313) ableton live 2.0 public beta out I wonder how you tell just by looking at the screen? - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 1:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe
Re: (313) ableton live 2.0 public beta out
Grammenos, Peter wrote: I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete I also know Ableton employees who use unlicensed copies during their own shows to avoid being asked to reenter the key at the gig. Maybe this balances it out? -- Dennis DeSantis www.dennisdesantis.com
(313) [313] mixtape of a different media
i liked the MD route for a couple years, but was always frustrated by the optical IN/analogue OUT. so i opted for a 'stand-alone' CD burner (pioneer) - now i record directly to CDRW, then if i like the mix, burn the RW to a CDR using another CD player. the CDR copy is now a perfect recording (using an optical cable) from the original RW. the downside is that copy cannot be copied due to factory encoding (i believe this is the result of a deal w/major label record companies) - however, you can always use the original RW to make repeat digital copies (without the track marks that were so thoughtfully put onto the CDR copy!)...another minor problem is the CD burners are very sensitive to record volumes (not like tapes that can be pushed)...if you go over too much, the result is an unpleasant distortion. ...not perfect, but not bad.
Re: (313) list members music and trance...
Completely agree with you Aril...Q1.01, Hood tracks,Vapour space (I like to finish a set with that or Innercity goodlife/Big fun...), Red Planet stuff, its really close to trance border, or completely trance, finaly whats the difference, its good tracks and thats the most important...finaly there is only tracks we like and other we dislike, depend of our sensibility, our taste. If a cheesy trancy tracks or Pure hard Rock track can give some good emotions to someone, its good too...I spoke to an Hard Rock fan this year and before he told me that I've never imagine we could have emotions on this kind of music, of course its different that what we feel on techno music but it gives some pleasure to some other people and finaly its the magic of music, everyone has a different taste but everyone can find is way...Just look how big is the country music in U.S ;-) Also, I noticed in another message that we said that 313 is the only place where we can find good producers...oh fortunately not...there is lots of other place to find some, there is sooo much And finaly... As we know how much is difficult today to find a good distributor for techno vinyls...who will have the good idea to create a 313 distribution ;-) Fabrice Lig http://www.multimania.com/fabricelig/ From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) list members music and trance... Date: 11 Dec 2002 12:12:16 +0100 i love your music to fabrice :) regarding that whole trance thing...i´d choose a proper trance/trancey track any day infront of a progressive track...which in my own (mark my own) opinion is way much cheesier than trance. maybe it´s because of my background of synth-music but i love when a track flirts with trance but never goes over the line to being trance-music. i love that track hawtin started his first demf set, i think it´s juno reactor...oh man i was going nuts when he played that track with the looong intro :) i´ve been listening to several mixes of it´s more fun to compute with kraftwerk all day (i really should get something to eat) and it´s 13 minutes of good trance which for me is something repetitive but not monoton in a boring way. i love plus and rek with hood on internal empire, i love Q 1.01 (i think the name is) with basic channel...what it all comes down to in any case of labeling music is your own taste and that´s my or your problem, not for anybody else to judge. peace, aril Date: Wed, 11 Dec 2002 10:56:05 +0100 To: 313@hyperreal.org From: fabrice Lig [EMAIL PROTECTED] Subject: list members music ;-) Message-ID: [EMAIL PROTECTED] Hi Guys, Who is not agree to say that if we are on this list its because we love electronic music, Detroit techno or every kind of nice music. Who is more into the music than the producers, label managers or djs themselves ? Who likes to talk about music more these people? Personaly I love to talk about music producers/dj/labels I really like... And where is the best place to exchange our feelings our reviews... And we have lots of nice producers/djs/labels here... Do we have to forget them because they are on the list ... NO I love Stinkworx music, I love Delsin Music, I love Modarator Music, I Love Groundzero/keynote Music, I love Aril Brikha Music, I love Iridite Label, I love Arne Weinberg Music, I love most of the people music from this list, its also why I'm here. I'm also here because I'm a dj and Sometimes some of you are talking about records I din't see or catch in my records shop and it also help me in my quest...we are also here to talk about records from list members or not... If you're not agree with that, I don't understand why you're here... ? Fabrice Lig http://www.multimania.com/fabricelig/ _ MSN Messenger : discutez en direct avec vos amis ! _ MSN Search, le moteur de recherche qui pense comme vous ! http://search.msn.fr/worldwide.asp
RE: (313) ableton live 2.0 public beta out
And they bring in the thugs with guns to make users show ID ? How could they get the artist or venue to stop ? I'm glad I write my own software .rob [EMAIL PROTECTED] wrote: I was told they carry around a laptop with names of registered users. -pete -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:33 PM To: Grammenos, Peter; 313@hyperreal.org Subject: Re: (313) ableton live 2.0 public beta out I wonder how you tell just by looking at the screen? - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 1:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe ___ Sent through e-mol. E-mail, Anywhere, Anytime. http://www.e-mol.com
Re: (313) ableton live 2.0 public beta out
so buy the software. no one is telling anyone to pirate anything. its great stuff, you SHOULD be rewarding the developement of tools like this. then you have nothing to worry about. -Joe - Original Message - From: rob buse [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 4:59 PM Subject: RE: (313) ableton live 2.0 public beta out And they bring in the thugs with guns to make users show ID ? How could they get the artist or venue to stop ? I'm glad I write my own software .rob [EMAIL PROTECTED] wrote: I was told they carry around a laptop with names of registered users. -pete -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:33 PM To: Grammenos, Peter; 313@hyperreal.org Subject: Re: (313) ableton live 2.0 public beta out I wonder how you tell just by looking at the screen? - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 1:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe ___ Sent through e-mol. E-mail, Anywhere, Anytime. http://www.e-mol.com
Re: (313) ableton live 2.0 public beta out
how much is it again? b On Thu, 12 Dec 2002, ::) wrote: so buy the software. no one is telling anyone to pirate anything. its great stuff, you SHOULD be rewarding the developement of tools like this. then you have nothing to worry about. -Joe - Original Message - From: rob buse [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 4:59 PM Subject: RE: (313) ableton live 2.0 public beta out And they bring in the thugs with guns to make users show ID ? How could they get the artist or venue to stop ? I'm glad I write my own software .rob [EMAIL PROTECTED] wrote: I was told they carry around a laptop with names of registered users. -pete -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:33 PM To: Grammenos, Peter; 313@hyperreal.org Subject: Re: (313) ableton live 2.0 public beta out I wonder how you tell just by looking at the screen? - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 1:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe ___ Sent through e-mol. E-mail, Anywhere, Anytime. http://www.e-mol.com data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
RE: (313) end of the night
I'm generally typecast as an end-of-the-night (or 10 am, depending) dj, although I think of myself as more the 4 am type ... Anyway, there are a bunch of these over the years. Some of the best: Siouxsie and the Banshees - Passenger (llloco-motion mix 12) Boiling Point - I Am Model 500 - Ocean to Ocean Dubtribe Sound System - Do It Now Orbital - Impact (or anything on the 'brown album' really) Alice Coltrane - Firebird
Re: (313) ableton live 2.0 public beta out
so buy the software. no one is telling anyone to pirate anything. its great stuff, you SHOULD be rewarding the developement of tools like this. then you have nothing to worry about. i agree completely. i bought it within days of it being released. however, i now use the crack on my laptop. there's been times where i've had to reinstall software before a show, and don't have internet access. it only made sense for me. but since i paid for it, are they going to come after me? urban legends are a waste of everyone's time.
Re: (313) Distribution ( list members music and trance...)
He ! He ! ;-) A real distributor for Detroit/Melodic music from all over the world...kind of universal Melodic Techno distribution...we could distribute submerge releases too ;-)I joke ;-) or I dream...don't know:-) Fabrice Lig http://www.multimania.com/fabricelig/ Ho Also, sorry I a past message I forgot to mention that I love Tom Churchill's music and his incredible labels...Emoticon and Headscape...I was sure to forget someone or few ones ;-) From: Tristan Watkins [EMAIL PROTECTED] To: fabrice Lig [EMAIL PROTECTED] Subject: Re: (313) list members music and trance... Date: Thu, 12 Dec 2002 22:01:02 - - Original Message - From: fabrice Lig [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 9:50 PM Subject: Re: (313) list members music and trance... And finaly... As we know how much is difficult today to find a good distributor for techno vinyls...who will have the good idea to create a 313 distribution ;-) Kinda like Submerge? ;) Hehehe. I know it's not what you meant. Couldn't resist. :) Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com _ MSN Search, le moteur de recherche qui pense comme vous ! http://search.msn.fr/worldwide.asp
Re: (313) ableton live 2.0 public beta out
it's not that expensive and it's good softare. They are a small company. Ppl should support them and just buy it. peace, Chad http://www.twinesound.com - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 2:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe
RE: (313) ableton live 2.0 public beta out
Especially considering monolake is one of the developers! -Original Message- From: Chad Mossholder [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 5:19 PM To: Grammenos, Peter; 313@hyperreal.org Subject: Re: (313) ableton live 2.0 public beta out it's not that expensive and it's good softare. They are a small company. Ppl should support them and just buy it. peace, Chad http://www.twinesound.com - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 2:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe
Re: (313) ableton live 2.0 public beta out
Live 2.01b is really buggy in OS X. you can't even drop in 3rd party VST's without it crashing! wow. --Chad - twine - http://www.twinesound.com
Re: (313) ableton live 2.0 public beta out
send them a bug report using the guidelines posted on the website. thats what the beta was made public for. its running pretty good for PC, but its a cpu pig now. - Original Message - From: Chad Mossholder [EMAIL PROTECTED] To: Grammenos, Peter [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, December 12, 2002 5:45 PM Subject: Re: (313) ableton live 2.0 public beta out Live 2.01b is really buggy in OS X. you can't even drop in 3rd party VST's without it crashing! wow. --Chad - twine - http://www.twinesound.com
