Screwmount 28mmF3.5 and 28mm Lens Hoods

2001-03-20 Thread Evan J Dong

I just received my 28mm Asahi Super-Takumar 28mmF3.5 screwmount lens for
my Spotmatic F. I also purchased an original Takumar 1:3.5  28mm square
lenshood. SInce I can't view the 24mm lenshood on the Net, I will
describe how this square hood fits.

I beleive that this lenshood is made of alumunium and is slightly
purplish in color. There is a two (2) dot lineup system on the either
side of the sliding locking ring.
To have the sliding ring i position, both dots must be lined up.  The
lenshhod is slipped over the front lens barrel and is tighten by turning
the sliding locking ring to the right. (Thisis provided that you have the
dots in the upright position!!)  

The square lenshood will most probably have better flare control and less
vignetting than the round lenshood. 

What is the optical performance of this lens?  






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Re: O.T, Rolling blackout in Ca.

2001-03-20 Thread petit miam

I work in a hospital lab and we have machines which
are best not turned off, but we get lots of power
surges. We connect them all to UPS's (Uninterruptable
Power Supply). I don't know if there is a smaller
version to connect to a home computer. These ones keep
it going for about ½hr to give time to finish what
it's doing and allow you to shutdown properly. These
are slightly bigger than the main computer unit, and
probably expensive, but we don't tell the taxpayers :)

You could try coming to NZ. We don't get rolling
blackouts forced on us here.

> Rolling blackouts started today in so. cal. and
> suppose to last till end of 
> summer. It's great to live in a third world state
> (one of two in the union). 
> It keeps you on your toes. My main concern, however
> is the adverse effect 
> that a power cut-off would have on my computer. 

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Re: stripes on film

2001-03-20 Thread mike wilson

Hi,

I have this problem all the time 8-{  Sometimes my marks are
turquoise, rather than pink.  If it was a light/processing
problem, the marks are often orange rather than any other
colour.

In my case, it is a scanning artefact.  Doesn't seem to be dust,
all connections are tight and I am completely bamboozled by it. 
Using a Canoscan2700F with the lousy supplied software.  If this
is a generic fault with scanners, does anyone know of a
solution?

Many thanks in anticipation,

mike
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Re: stripes on film

2001-03-20 Thread tom

mike wilson wrote:
> 
> In my case, it is a scanning artefact.  Doesn't seem to be dust,
> all connections are tight and I am completely bamboozled by it.
> Using a Canoscan2700F with the lousy supplied software.  If this
> is a generic fault with scanners, does anyone know of a
> solution?

Vuescan?

www.hamrick.com

tv
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RE: Thoughts on the FA* 28-70mm Zoom

2001-03-20 Thread Alan Chan

I think what you mean was Pentax was trying to design a lens which was 
beyond their capability.

regards,
Alan Chan

>[Before throwing it away I dissasembled it. I finally found out why they 
>(Belgium) never where able to fix it. It was designed in a way that auto 
>stopdown and power zoom couldn't work simultaneously. You have to choose 
>one or the other. I found out that the power zoom contacts touched the 
>aperture mechanism so that it prevented the lens to stop down by the spring 
>action. If you bent the power zoom contacts away from the aperture 
>mechanism then they wouldn't couple to the power zoom contacts on the lens 
>mount then giving no electricity to the lens.]
>Pål
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Wedding ... GASP !!!

2001-03-20 Thread Philippe Trottier



Hey finish folks want to help me doing a Wedding ? 
I'd need a second hand on that, someone with a 645 would be a ticket, if not I'd 
rent one for the occasion.
 
Philippe
 


Re: Anyone using an Kodak RFS 3600 scanner?

2001-03-20 Thread Gerald Cermak

I just checked, vuescan doesn't list the any Kodak scanners as supported.
:(

- Original Message -
From: "tom" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, March 19, 2001 4:32 PM
Subject: Re: Anyone using an Kodak RFS 3600 scanner?


> I think I remember a post on the filmscanners list saying the RFS3600
> had buggy software, and that Kodak had released a new version.
>
> I'd check Kodak's site. Also, Vuescan should have support for it soon
> (or now).
>
> tv
>
>
> "Juan J. Buhler" wrote:
> >
> > On Sun, 18 Mar 2001, Gerald Cermak wrote:
> >
> > > Even though I set the scan for 12-bits, I can only get a 8-bit per
color
> > > image from TWAIN.
> > >
> > > Does anyone know how to get a full 36 bits into a 48-bit tiff for this
> > > scanner?
> >
> > Hi Gerald,
> >
> > I don't have an RFS3600, so I cannot answer your question. Being as it
> > is a relatively new scanner, I would just make sure you're using the
> > latest version of the software. Even if you are, I wou;dn't discard a
> > bug as the reason for your problem.
> >
> > I had ordered one of these from Adorama back in November. After having
> > trouble getting consistent focusing from it (edges would be in focus,
> > the center would be soft,) I returned it, and paid the difference for
> > a Polaroid SS4000.
> >
> > j
> >
> > --
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
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Re: Anyone using an Kodak RFS 3600 scanner?

2001-03-20 Thread tom

Email Ed, or support, or whatever...I think he's addded it, or is just
about to.

tv

Gerald Cermak wrote:
> 
> I just checked, vuescan doesn't list the any Kodak scanners as supported.
> :(
> 
> - Original Message -
> From: "tom" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Monday, March 19, 2001 4:32 PM
> Subject: Re: Anyone using an Kodak RFS 3600 scanner?
> 
> > I think I remember a post on the filmscanners list saying the RFS3600
> > had buggy software, and that Kodak had released a new version.
> >
> > I'd check Kodak's site. Also, Vuescan should have support for it soon
> > (or now).
> >
> > tv
> >
> >
> > "Juan J. Buhler" wrote:
> > >
> > > On Sun, 18 Mar 2001, Gerald Cermak wrote:
> > >
> > > > Even though I set the scan for 12-bits, I can only get a 8-bit per
> color
> > > > image from TWAIN.
> > > >
> > > > Does anyone know how to get a full 36 bits into a 48-bit tiff for this
> > > > scanner?
> > >
> > > Hi Gerald,
> > >
> > > I don't have an RFS3600, so I cannot answer your question. Being as it
> > > is a relatively new scanner, I would just make sure you're using the
> > > latest version of the software. Even if you are, I wou;dn't discard a
> > > bug as the reason for your problem.
> > >
> > > I had ordered one of these from Adorama back in November. After having
> > > trouble getting consistent focusing from it (edges would be in focus,
> > > the center would be soft,) I returned it, and paid the difference for
> > > a Polaroid SS4000.
> > >
> > > j
> > >
> > > --
> > -
> > This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> > go to http://www.pdml.net and follow the directions. Don't forget to
> > visit the Pentax Users' Gallery at http://pug.komkon.org .
> >
> 
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--
Thomas Van Veen Photography
Washington D.C.
http://bigdayphoto.com/
301-758-3085
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Re: 67mm filter on 49mm lens...?

2001-03-20 Thread Rob Studdert

On 19 Mar 2001, at 23:05, petit miam wrote:

> Love the silver and black. Hate all-black (and
> all-blacks, but don't tell em I said so). It is so
> morbid and boring.

I've never owned a camera that wasn't boring, black or silver, they just sit 
there, no jokes, no smiles, very disheartening :-(


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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RE: O.T. Rolling blackout in Ca.

2001-03-20 Thread Ernest Alejandria

Doug, William and Skip,

Thanks one and all for the response to my inquiry. I'm heeding every advise 
and keeping them to heart but my fingers are crossed nevertheless.
These blackouts sucks.

Paulo Ernest



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Re: LX & 43mm

2001-03-20 Thread Ernest Alejandria

Chris Brogden wrote:

>Sounds good.  The PLEP can be part of the larger International Exchange
>and Loan of Pentax Equipment group, or IELOPE.  IELOPE will need some
>Insured Loan Of Valuable Equipment Underwriters (ILOVEU) to handle the
>financial details before each transaction gets the approval of the >Pentax
>Advice and Regulations to Expedite New Transactions Syndicate (PARENTS).
>Good luck!

Very clever. There has to be a hidden theme behind all these acronyms 
somewhere.

Paulo Ernest
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Russian lens

2001-03-20 Thread pentaxfans

In the second-hand market, I occasionally find a russian lens 200mm f/2.8 for K mount 
at a low price. Do you know the quality of this lens or any other russian lens?

Thanks!
--
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 Thank you for using hongkong.com Email system

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Re: 20mm lens formulations

2001-03-20 Thread Yoshihiko Takinami

Hi Rob & Boz,

At 19 Mar 2001 05:05:05 -0500 (EST),
"Bojidar Dimitrov" <[EMAIL PROTECTED]>

> With some screens the FA 20/2.8 is indicated as "matte gets too dark" and
> the A 20/2.8 as "screen corners darken".  I would imagine that the
> difference results in different people doing subjective evaluations at
> different times.  I imagine that Pentax assembled the compatibility tables
> from existing tables, and didn't care to correct the differences.

I heard that the two-20mm-lens thing was just a mistake in
the compatibility tables in the manual and that they had
already fixed the table for the future production.

> As to how sure I am that the A and FA have the same optical formula, I
> would say about 70%.

I confirmed that A20/2.8 and FA20/2.8 are optically identical
except the number of aperture blades.

Hope this helps.
--
Yoshihiko Takinami
Osaka, Japan
[EMAIL PROTECTED]



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Re: 43mm & 77mm for PLEP

2001-03-20 Thread George Stanley

At 05:29 PM 3/19/2001 -0800, SHELL WROTE:
.
>Here's the plan: I'll send the 43mm Ltd to you (I have your address)
>and you can send the 77mm to me.  We can start a Pentax Lens
>Exchange Program (PLEP).  You can use the 43mm for two weeks,
>likewise, I can use the 77mm for two weeks, at which point we'll
>return the lenses.  Chris - who is good at such things - can be the
>official administrator of the PLEP, and will be called the OAPLEP.
>
>Once the pilot program has proven itself, the OAPLEP will designate
>an AOAPLEP who will help implement the PLEP program amongst other
>list members.  In this way, PLEP members will be able to use a
>variety of Pentax lenses, which could be an important consideration
>for those who have not been Enabled, for whatever reason.

What a superb idea. I have been using both the 43mm and 77mm Limited
lenses for more than a year. I have been fully delighted with the performance
of both lenses, but have not done any formal testing with either lens. I regard
both lenses as "Swell" optics--to use an ancient word. Yet-- I have read many
favorable comments about the new SMC Pentax-FA 35mm f/2.0; and about the
SMC Pentax-FA 85mm f/1.4 lens. Because of the similar focal lengths to the
Limited lenses, I have been reluctant to buy them. But a temporary trading or
lending program seems like a splendid (another ancient word?) idea!  Count me
In!

--George Stanley, Studio
City, Ca., USA
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Re: Zenit SLRs

2001-03-20 Thread Sas Gabor

Hi,

Robert Harris <[EMAIL PROTECTED]> wrote:
>> I started with a Zenit E about 13 years ago, then upgraded to a
>> Zenit 12XP, then came a Zenit 19.
>> I would add that in my experience the newer a Zenit is, the less
>> reliable it is.
 
>I guess I am lucky -- I have an old reliable  Zenit E sitting in a 
>closet, which I have never used.
> (My wife used it for years, though, in  Russia.
>) Perhaps I will give it a try if I can figure out how it works,  
>and am prepared to carry it -- it is built like a tank, but weighs a  
>lot..  
 
It's pretty simple IMO. Have a good time exploring it!
If you have any questions, feel free to comtact me off-list as well.


>Any comment on the lens it came with? Helios 58mm,  f2.

I didn't like it at all. It wasn't sharp at all...
Replace it with a cheap russian Mir 2.8/37 or a Zeiss Tessar 2.8/50, or 
a Takumar if you plan to use it for taking pictures as well...
Please note that Zenit E uses manual diaphragm lenses.


Gabor

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Finally got my FA*24 F2.0

2001-03-20 Thread Paul Jones

Hi,

I just received my 24 F2.0 lense today, that i asked so many questions about
before i bought it.

 its looks awesome, the build quality appears to be excellent.

The manual focus seems to be great too for an AF lense.

I'm rapped so far, i'll have to take some photos on my lunch break tomorrow.

Cyas
Paul Jones

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RE: 67mm filter on 49mm lens...?

2001-03-20 Thread Peter Smith

Petit miam wrote:

>A Minolta was recommended to me. I think because it
>was cheaper. I think I look too young to have money.
>People generally think I am about 8-10 years younger.
>But I had seen the Pentax MZ-30 brochure and nothing
>else was going to make me happy. It was a manual
>Minolta too. Probably thought I was still at school. I
>get that a lot.
>Then another shop, the guy tried to tell me the MZ-50
>had just been re-released (6 months ago). Not sure if
>this is true. He seemed really keen to pawn off an
>MZ-50 instead of the MZ-30 I had told him I wanted to
>look at. He told me he thought it had more functions,
>but didn't know what they were. It was NZ$100 cheaper,
>but that didn't impress me.
>

I thought that the MZ30 was a replacement model for the MZ50.  In any case
the MZ30 has a couple of extra functions - Pop up flash and Night sync
flash - but not significant so a good discount on a new MZ50 could be
attractive.

The MZ30 will not allow you to use non A lenses, it will lock the shutter -
The MZ50 will allow you to use non A lenses but will not meter correctly
with them.  Also both cameras do not function correctly if you try to use
the aperture ring - you must select apertures with the camera controls
whilst the lens is set to A - hence the lens incompatibility.  Either camera
would be good if you do not intend using older lenses as they are fully
compatible with newer ones.  If you do intend buying or already own K mount
lenses then that is the best reason to fork out a little extra for an MZ10
or its replacement the MZ7 neither of which suffer from the restrictions
described.

When I was camera shopping recently I found that the salesman was unaware of
the restrictions described above so it pays to do your own research first.
You are right to ask this list - I have had lots of helpful advice from
here.

Peter


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Re: Who wants a LX for 400 US$ ?

2001-03-20 Thread Olivier


Hi PDML fellows,

after reading the Jérome's story about his new LX, I asked him, if it
was found in the small ads of CI. Yes it was, and he said that the
seller had another to sell!

So, many thanks to Jérome, I've got a LX (for the same price)!!!

The serial number is 5236xxx. It came with a FA-1 viewfinder.
It was CLAed by Pentax France in 1996. They changed all the
electronics, and cleaned the body.
It has the new shutter design. The shutter and the mirror box look
like new.

So Albano, can you add a LX to your PDML body stats ?
Sorry Aaron, I have no MX to sell :-)

Olivier.




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Re: Russian lens

2001-03-20 Thread Philippe Trottier

Living next to russia, here is what I know... Have it in your hand and say I
take that one...
mail order is not a good idea.

Special Order, custom made, prototype are in general very very good.
Production series is a weak point, their optical designers are hard to
beat...

If you have a non coated lense a guy in California could probably Multicoat
the lenses for you, but then the cheap price isn't a valid argument.
Forget the return and money back system. they work on a sold as-is... very
few have warranty system... if they do humm well might take long...

I liked what I saw from the 1000mmF10 russian mirror lense for only 150$ ...
not a bad price "NEW"


Philippe

PS: Avoid buying any active optical system, they usually use Radioactive
decay batteries... might never have to change the battery ever but.. maybe
your life won't be as long.
Or be carefull and check these with Meters for radioactivity.


> In the second-hand market, I occasionally find a russian lens 200mm f/2.8
for K mount at a low price. Do you know the quality of this lens or any
other russian lens?



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Re: What's a fair price for a SMC A 300mm f4 and SMC A 400mm f5.6 together? apart?

2001-03-20 Thread PAUL STENQUIST

I've been looking at both of those. The 400 seems to go for a minimum of
about $400, the 300 for about $300. And those would be good prices for
near mint copies.
Paul

Sid Barras wrote:
> 
> Hi all:
> I've the opportunity to offer something for these 2 lenses.  I might try
> it for both or for each. Has anyone a fair estimate as to their worth?
> Both are in near mint condition.
> 
> Sid
> 
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Prestons of Harrogate (or whinge about Jessops)

2001-03-20 Thread Jim Brooks

Hello Again

Bob Walkden rightly wrote "Prestons in Harrogate is the best provincial
shop"

Sadly this shop is closing down. Large posters are displayed on the windows
announcing a "retirement sale". Some Pentax items on display include a
FA28-70/4 (now rather difficult to find new), and various lenses for the
6x7.

Guess what - two doors away from Prestons a new camera shop has opened.
Naturally it is Jessops!

Closer to home (for me) in Stockport, Cheshire, there were four individual
camera shops until quite recently, including one "swop shop" specialising in
nothing but used gear. One of these was Jessops. All four shops held a good
selection of used cameras and lenses.

Firstly Jessops took over two of the other shops, so there were three
Jessops and the swop shop. Next the owner of the swop shop became ill, the
shop has now been closed for 6 months or more with little evidence that it
will re-open. Jessops' next step was to close down one of their three
Stockport shops.

So Stockport now has two branches of Jessops, and no other dealers. One of
the Jessops shops has recently stopped selling used gear.

In Altrincham a long-established small specialist dealer now has a brand
spanking new Jessops directly opposite. Which one will survive?

Jessops recently won the Practical Photography dealer of the year award.

TTFN
James Brooks



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RE: O.T, Rolling blackout in Ca.

2001-03-20 Thread Len Paris

If these blackouts are on a schedule, get a copy of the schedule
and shut the computer down gracefully before the power goes
down.  That's the best, cheapest, way to go. The only other good
way is to have an UPS, and when the power goes down, you still
have time to shut down the computer gracefully. The most
expensive way is to buy a generator (alternator) and set it up
so that you can keep right on running.  This takes a fair amount
of work to get installed and running properly, and you still
need the UPS to keep the computer going while you start the
generator.

Len
---

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of
> Ernest Alejandria
> Sent: Monday, March 19, 2001 10:46 PM
> To: [EMAIL PROTECTED]
> Subject: O.T, Rolling blackout in Ca.
>
>
> Rolling blackouts started today in so. cal. and
> suppose to last till end of
> summer. It's great to live in a third world state
> (one of two in the union).
> It keeps you on your toes. My main concern, however
> is the adverse effect
> that a power cut-off would have on my computer. I
> have a PC operating on
> Windows ME. I'd like to ask members of the list who
> are more knowlegable if
> there is any precaution I can undertake to prevent
> problems that may arise,
> if and when power goes off. I'm mostly concern with
> my file integrity. Any
> advise, suggestion would, of course, be deeply
> appreciated. I'm a relative
> newcomer to this computer thang. I've just recently
> decided to enjoy the
> benefit of late 20th Century progress
> (now that we're in the 21st Century) when I bought my
> PC a few months ago.
> So my expertise regarding this area is minimal, at best.
>
> Paulo Ernest

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Re: KM (and other K bodies): Stepless shutter?

2001-03-20 Thread Lon Williamson

I'm still awaiting the final word on whether the
K-bodies have stepless shutters; I've gotten replies
both ways so far.  Hopefully some old cranky guy
who hates all the "new-fangled" stuff will give
me the definative answer.

One thing that's nice about the KM and K1000, IMHO,
is that the meter sure as heck is analog and stepless.
You can track what the sun is doing in the clouds easier
with these meters than with any other I've used.

Another thing that separates the KM from the K1000 is
that the KM uses the same screen as the KX does.  It
has a small microprism dead center, surrounded by a
circle of _fine_ ground glass, which, in turn, is surrounded
by slightly brighter coarser ground glass.  A very nice
screen for manual focusing; my favorite so far.

So how about it, all you salty Pentax veterans, is the shutter
stepless?

Lon
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Re: 67mm filter on 49mm lens...?

2001-03-20 Thread Rfsindg

On 19 Mar 2001, at 23:05, petit miam wrote:
 
 > Love the silver and black. Hate all-black (and
 > all-blacks, but don't tell em I said so). It is so
 > morbid and boring. 

A comment that I hope was made in jest...
This list is multi racial and multi cultural, and the better for it.
We are not just a bunch of 'old white boys' who's ancestors were Europeans.

Regards,  Bob S.
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Re: Stripes on film

2001-03-20 Thread Aaron Reynolds



Todd Stanley wrote:
> 
> Sounds like a light leak to me.  It might be the camera, cartridge, or
> something that happened in the lab.

Could be them stress lines you get from rewinding film the wrong way and
such, too.  Best way to figure it out is to slap a scan up somewhere
that we can see it and argue about it endlessly. ;)

-Aaron

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Re: What's a fair price for a SMC A 300mm f4 and SMC A 400mm f5.6 together? ...

2001-03-20 Thread Rfsindg

Sid,

Paul is a pretty good shopper.  I paid roughly $200 more for each lens and 
the conditions were Ex+.  I feel lucky to have them at those prices given the 
recent pricing on ebay.  

Regards,  Bob S.

[EMAIL PROTECTED] writes:

<< I've been looking at both of those. The 400 seems to go for a minimum of
 about $400, the 300 for about $300. And those would be good prices for
 near mint copies.
 Paul
 
 Sid Barras wrote:
 > 
 > Hi all:
 > I've the opportunity to offer something for these 2 lenses.  I might try
 > it for both or for each. Has anyone a fair estimate as to their worth?
 > Both are in near mint condition.
 > 
 > Sid >>
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OT: Speaking of closings...

2001-03-20 Thread Rfsindg

The processing lab 5 minutes away from home is gone.

I went with some E-6 slides yesterday and they are closed-up.

This means no same day processing for me.

Did digital get them?  I don't know...

Regards,  Bob S.
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Bought a Spotmatic, need some advice...

2001-03-20 Thread Rfsindg

Well, you guys finally enabled me.

I've been watching for a nice Spotmatic on ebay and the price was never 
right.  I found one for $60 at a local camera show, no dents or bruises so I 
bought it.

After figuring out how to turn the meter on, I shot a roll of 12.  But I 
noticed the meter seems off, way too slow.  It also move very slowly, and not 
very far when I change f-stops.  If f 5.6 is the centered position, then f 4 
barely moves it and you need f 22 to push it out of the small central area.

I'd check the battery, but don't have it with me...

And what's the deal on the batteries?  Did people say it took a 1.35 volt, 
but had a bridge so 1.5 volt was OK?  (This is an old Honeywell Spotmatic, no 
flash holder integrated into the pentaprism.)

Any advice would be appreciated.

Regards,  Bob S.
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RE: Speaking of closings...

2001-03-20 Thread Peifer, William [OCDUS]

Bob S. wrote:
>The processing lab 5 minutes away from home is gone.
>I went with some E-6 slides yesterday and they are closed-up.
>This means no same day processing for me.
>Did digital get them?  I don't know...

More than likely, Wal-Mart (or some other corporate beast) ate them up

Bill Peifer
Rochester, NY

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Re: eBay fun

2001-03-20 Thread Daniel J. Matyola

Bob Blakely wrote:

> >From coin minting and collection...
> Proof means the first coins struck from a particular die set and examined by
> mint personnel for sufficient perfection to continue stamping with that
> particular die set.

Not quite true.  Proof coins generally are struck from special dies, at higher
pressure, and with multiple strikes, to make a coin with better detail and more
luster.  The rest of your description of coin grades is, AFAIK, accurate.

Dan
--
Daniel J. Matyola  mailto:[EMAIL PROTECTED]
Stanley, Powers & Matyola  mailto:[EMAIL PROTECTED]
Suite203, 1170 US Highway 22 East  http://danmatyola.com
Bridgewater, NJ 08807  (908)725-3322  fax: (908)707-0399


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RE: 67mm filter on 49mm lens...?

2001-03-20 Thread Peter Smith

I think you mis-understood something here Bob.

The "All-blacks" see http://www.nzrugby.co.nz/ are the NZ national rugby
football team and I dont think that Rfsindg intended anything racist in his
or her post.  Thats the way I read it anyway.

Peter


> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
> Sent: 20 March 2001 12:39
> To: [EMAIL PROTECTED]
> Subject: Re: 67mm filter on 49mm lens...?
>
>
> On 19 Mar 2001, at 23:05, petit miam wrote:
>
>  > Love the silver and black. Hate all-black (and
>  > all-blacks, but don't tell em I said so). It is so
>  > morbid and boring.
>
> A comment that I hope was made in jest...
> This list is multi racial and multi cultural, and the better for it.
> We are not just a bunch of 'old white boys' who's ancestors were
> Europeans.
>
> Regards,  Bob S.
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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>

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Russian / soviet lenses

2001-03-20 Thread kelvin

If buying Russian / soviet lenses, get it from a reputable dealer with a
return warranty. 

Generally, if you get a good piece, most models are actually very good. If
buying
used... very often, the pieces are no longer in pristine condition due to
use and
age. These were not made to the same tolerances as Pentax gear. ... but
most Soviet
lenses are still pretty good with a little servicing.

Again, one has to differentiate soviet vs Russian lenses. The soviet made ones
up to the mid 80s were actually quite good - especially export pieces. The
russian
ones made today (post cold-war) and the Ukraninan and Belarussian ones are not
as good as the soviet days... but may operate better simply because they're
new and/or younger.



Date: Tue, 20 Mar 2001 13:22:17 +0200
From: "Philippe Trottier" <[EMAIL PROTECTED]>
Subject: Re: Russian lens

Living next to russia, here is what I know... Have it in your hand and say I
take that one...
mail order is not a good idea.

Special Order, custom made, prototype are in general very very good.
Production series is a weak point, their optical designers are hard to
beat...

If you have a non coated lense a guy in California could probably Multicoat
the lenses for you, but then the cheap price isn't a valid argument.
Forget the return and money back system. they work on a sold as-is... very
few have warranty system... if they do humm well might take long...

I liked what I saw from the 1000mmF10 russian mirror lense for only 150$ ...
not a bad price "NEW"


Philippe

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Re: All-Blacks (note capitals)

2001-03-20 Thread mike wilson

On 19 Mar 2001, at 23:05, petit miam wrote:
   
   > Love the silver and black. Hate all-black (and
   > all-blacks, but don't tell em I said so). It is so
   > morbid and boring. 

Then Bob wrote:

  >A comment that I hope was made in jest...
  >This list is multi racial and multi cultural, and the
better for   >it.
  >We are not just a bunch of 'old white boys' who's
ancestors were  >Europeans.

Bit touchy there, Bob, old fruit.  The All-Blacks are New
Zealand's national rugby team.  How multi-cultural do you want
8-) ?

mike
(Some of my best friends live on the opposite side of the
Earth.  Come to think of it _most_ of my best friends..)
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Re: A rare Pentax SMC 80-210 f/3.5 for sale

2001-03-20 Thread Paul . Stregevsky

I'm afraid I have collected no comments about this lens. Why not? I suspect
because so much praise has been heaped upon the 70-210/4A, which is much
cheaper and commonly available, that I felt few would be interested.




Paul Franklin Stregevsky
[EMAIL PROTECTED]
W: (703) 834-4648

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Re: Pet Peeves (was: eBay fun)

2001-03-20 Thread Mark Roberts

Stephen Moore <[EMAIL PROTECTED]> wrote:

>> Minty = the seller thinks it looks pretty.
>
>Ooohh, I *hate* that one, along with "L@@K"
>Says to me, "Seller probably a dork."

Same here. That just makes my skin crawl. I deliberately ignore
those auctions even if it's something I'm looking for.
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e: 24mm Lens Hoods

2001-03-20 Thread Paul . Stregevsky

Bob is quite right: The HAMA, like any rectangular hood, is not designed
for lenses that use a rototing front element.

HAMA markets the hood for focal lengths from 24mm through 35mm.It is
probably only marginally useful at reducing flare at the 35mm setting, but
it does serve to protect the lens.

I use only slim filters on my wides, and believe me, by the time you screw
one of these into the lens, there would be no filter ledge left for the
HAMA to clamp onto. Bob, would I be correct to deduce that your 24/2.8 was
designed with close-to-no "shelf" between the focusing ring and the filter?

--

Date: Mon, 19 Mar 2001 18:23:00 -0500
From: Robert Harris <[EMAIL PROTECTED]>
Subject: Re: 24mm Lens Hoods


I use the Hama rectangular on a 24mm f2.8. Works very  well except for
on problem. If you  have a filter on the lens it clamps onto the filter
rather than the lens barrel. ... Also, not sure how well such a hood would
work on a zoom, which is where
tulips are most useful, I believe. Especially a zoom with a rotating front.

Bob Harris


Paul Franklin Stregevsky
[EMAIL PROTECTED]
W: (703) 834-4648


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Re: AF280T Help

2001-03-20 Thread William Kane

I missed Alan's post . . . is there anything I can do about this?  I
know how to solder pretty well, anyone think that it's easy enough to
try and take out the old capacitor and put in a new one?

Bill

Mark Roberts wrote:
> 
> Bill Kane <[EMAIL PROTECTED]> wrote:
> 
> >   I've got this flash for my Super Program, and lately it's been taking
> >FOREVER to charge up to full power (somewhere along the lines of 60-120
> >seconds) . . . is there any way to help this guy out?  I gave it new
> >batteries, but that hasn't worked.
> 
> I'm with Alan: Sounds like the capacitor's going South.
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Re: Stripes on film

2001-03-20 Thread herbet brasileiro

Here they are www.itsmysite.com/herbet
thanks,
Herbet.
--- Aaron Reynolds <[EMAIL PROTECTED]> wrote:
> 
> 
> Todd Stanley wrote:
> > 
> > Sounds like a light leak to me.  It might be the
> camera, cartridge, or
> > something that happened in the lab.
> 
> Could be them stress lines you get from rewinding
> film the wrong way and
> such, too.  Best way to figure it out is to slap a
> scan up somewhere
> that we can see it and argue about it endlessly. ;)
> 
> -Aaron
> 
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RE: Screwmount 28mmF3.5 and 28mm Lens Hoods

2001-03-20 Thread Provencher, Paul M.

It's a great lens - you should find it to be very handy.

Paul M. Provencher
(ppro)
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OT: Re: Zenit SLRs

2001-03-20 Thread Luis Pinar

Hi Gabor
You seem to know about russian lenses. What is your
opinion about the M42Industar 50mm f2.8?
Luis 

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RE: Bought a Spotmatic, need some advice...

2001-03-20 Thread Provencher, Paul M.

Hi Rob,

The battery sounds to be on the way out.  You can use an Exell S400PX that
has 1.5v, a Wein Cell (see micro-tools.com) at 1.35 volts, or, with a
plastic washer to center the battery, an Eveready 392.  I like the 392
because it is cheaper than the Exell (and appears to be the same battery
minus the plastic washer).  My experience with the Wein suggests that it is
too expensive for the short life it offers, and requires you to make holes
in the battery cover.

This may spark (no pun intended) a debate about the power rating of the
batteries and a whole spectrum of other issues.  Suffice to say you have
several alternatives, most of which will give you a working meter (if the
meter is only slow because of the battery).  I use my cameras daily, shoot
chromes and negatives and find the meter readings on all my Spotmatics and
Spotmatic II's to be within acceptable limits as compared to my Gossen
meter.


You can visit my site and download the manual in PDF if you want
http://whitemetal.com/pentax/index.htm

Paul M. Provencher, Senior Systems Engineer
NICHD Tracking System - Technical Lead
703-575-6147
[EMAIL PROTECTED]



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, March 20, 2001 8:14 AM
To: [EMAIL PROTECTED]
Subject: Bought a Spotmatic, need some advice...


Well, you guys finally enabled me.

I've been watching for a nice Spotmatic on ebay and the price was never 
right.  I found one for $60 at a local camera show, no dents or bruises so I

bought it.

After figuring out how to turn the meter on, I shot a roll of 12.  But I 
noticed the meter seems off, way too slow.  It also move very slowly, and
not 
very far when I change f-stops.  If f 5.6 is the centered position, then f 4

barely moves it and you need f 22 to push it out of the small central area.

I'd check the battery, but don't have it with me...

And what's the deal on the batteries?  Did people say it took a 1.35 volt, 
but had a bridge so 1.5 volt was OK?  (This is an old Honeywell Spotmatic,
no 
flash holder integrated into the pentaprism.)

Any advice would be appreciated.

Regards,  Bob S.
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Re: 67mm filter on 49mm lens...?

2001-03-20 Thread John Francis

[EMAIL PROTECTED] wrote:
> 
> On 19 Mar 2001, at 23:05, petit miam wrote:
> 
>  > Love the silver and black. Hate all-black (and
>  > all-blacks, but don't tell em I said so). It is so
>  > morbid and boring.
> 
> A comment that I hope was made in jest...

Note the claim to hate "all-blacks", not "all blacks".
The hyphen is important, and suggests that this was a
reference to the New Zealand rugby team.
This would not be a safe thing to say in an Auckland bar ...

-- 
John Francis  [EMAIL PROTECTED]   Silicon Graphics, Inc.
(650)933-82952011 N. Shoreline Blvd. MS 43U-991
(650)932-0828 (Fax)  Mountain View, CA   94043-1389
Hello.   My name is Darth Vader.   I am your father.   Prepare to die.
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eBay honesty

2001-03-20 Thread Chris Brogden


Finally, a seller who tells it like it is.  I could just see this auciton
as a "PENTAX MINTY L@@K! ... Minty except for some minor cosmetic
wear, item sold as is."

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1223551688

chris

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Re: Pet Peeves (was: eBay fun)

2001-03-20 Thread Steve Scott

How about WOW!!  A coworker here claims it adds 10% to the price of used
computer gear.

Cheers,
Steve S.
--
http://people.mn.mediaone.net/sscott2

Mark Roberts wrote:

> Stephen Moore <[EMAIL PROTECTED]> wrote:
>
> >> Minty = the seller thinks it looks pretty.
> >
> >Ooohh, I *hate* that one, along with "L@@K"
> >Says to me, "Seller probably a dork."
>
> Same here. That just makes my skin crawl. I deliberately ignore
> those auctions even if it's something I'm looking for.
> -
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Re: O.T, Rolling blackout in Ca.

2001-03-20 Thread Steve Scott

I did even better than that.  Picked up a refurbished APC Smart-UPS 700 (black)
from the APC auction site for $129 a few months back.  The Smart UPS series is a
network grade UPS - you are running off the batteries via an inverter (a true
sine wave output) so there is no microsecond lag when switching over to battery.

Even while marked refurbished, the unit I got didn't have the slightest mark on
it.  Came complete with cables, manuals and software too.  But I do see them
going for $199 now ($219 for the black units which conveniently matches my home
entertainment gear & black body MX).  Wished I had picked up all 17 units at
$129 and resold them...

http://auction.apcc.com/HTML/Cat26533/Page1.htm?CatNo=5959

Cheers,
Steve S.
--
http://people.mn.mediaone.net/sscott2


IronWorks wrote:

> Get a UPS - a universal (backup) power supply.  I got the APC Back-UP Pro
> 1000 [  for $200 refurbished at Directdeals.com
>
> Maris
>
> - Original Message -
> From: "Ernest Alejandria" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Monday, March 19, 2001 10:45 PM
> Subject: O.T, Rolling blackout in Ca.
>
> | Rolling blackouts started today in so. cal. and suppose to last till end
> of
> | summer. It's great to live in a third world state (one of two in the
> union).
> | It keeps you on your toes. My main concern, however is the adverse effect
> | that a power cut-off would have on my computer. I have a PC operating on
> | Windows ME. I'd like to ask members of the list who are more knowlegable
> if
> | there is any precaution I can undertake to prevent problems that may
> arise,
> | if and when power goes off. I'm mostly concern with my file integrity. Any
> | advise, suggestion would, of course, be deeply appreciated. I'm a relative
> | newcomer to this computer thang. I've just recently decided to enjoy the
> | benefit of late 20th Century progress
> | (now that we're in the 21st Century) when I bought my PC a few months ago.
> | So my expertise regarding this area is minimal, at best.
> |
> | Paulo Ernest
> | _
> | Get your FREE download of MSN Explorer at http://explorer.msn.com
> |
> | -
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>
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Re: Pet Peeves (was: eBay fun)

2001-03-20 Thread John Francis

Mark Roberts wrote:
> 
> Stephen Moore <[EMAIL PROTECTED]> wrote:
> 
> >> Minty = the seller thinks it looks pretty.
> >
> >Ooohh, I *hate* that one, along with "L@@K"
> >Says to me, "Seller probably a dork."
> 
> Same here. That just makes my skin crawl. I deliberately ignore
> those auctions even if it's something I'm looking for.

I just take it as an indicator that the seller is probably
quite a bit younger than I am.

-- 
John Francis  [EMAIL PROTECTED]   Silicon Graphics, Inc.
(650)933-82952011 N. Shoreline Blvd. MS 43U-991
(650)932-0828 (Fax)  Mountain View, CA   94043-1389
Hello.   My name is Darth Vader.   I am your father.   Prepare to die.
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RE: PROFESSIONAL screwmount

2001-03-20 Thread Provencher, Paul M.

Hi,

All the Spotmatic cameras are as rugged as any manual, metal camera from the
period with screwmount lenses.  They should not be abused (no camera should)
but will take a fair amount of careless use.

The ES, ESII and Spotmatic F will work just the same as the Spotmatic
(stop-down metering) with non-SMC lenses.  With SMC lenses you would get the
added benefit of open aperture metering.  I don't see any reason to avoid
these cameras on the basis of lens compatibility.  The ES's will still work
on automatic just fine.

ppro

-Original Message-
From: kelvin [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, March 20, 2001 9:58 AM
To: [EMAIL PROTECTED]
Subject: PROFESSIONAL screwmount


hi all

I'm looking for the most professional / ruggard M42 Pentax body made...
what should one look out for?

I would however, avoid the ES and ESII as they require the later
M42 SMC lenses for full operability.



Regards

Kelvin

http://clubs.yahoo.com/clubs/clubm42
... the unifying platform for all M42 screwmount lens systems.
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New Home Page

2001-03-20 Thread Collin Brendemuehl

Updated Home Page
http://www.integrityonline21.com/dpconsult/

***

Data Processing Consultation, Inc.
Providing Broad-Spectrum Business Soutions and Assistance
http://www.iol21.com/dpconsult
[EMAIL PROTECTED]

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Re. O.T. Rolling blackout in Ca.

2001-03-20 Thread Ernest Alejandria

Petit Miam wrote:

>You could try coming to NZ. We don't get rolling
>blackouts forced on us here.

Only if you promise to be nice to my "all black" PZ-1p and not call it 
"morbid and boring" in front of it's face.
But not in the middle of "March Madness" when my USC Trojans are in the 
"sweet sixteen" for the first time in history.
GO SC

Paulo Ernest

P.S.
Hoped we don't have a blackout during the game on Thursday. Schucks.
Do you get the NCAA Tourney on the telley down there in NZ?
_
Get your FREE download of MSN Explorer at http://explorer.msn.com

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Lens hood for A2.8/20mm

2001-03-20 Thread Jens Bladt

Hi all
Do any of you great guys know if there was ever a lens hood for the
A2.8/20mm. Or if any available hood fits this lens. I sure would like to
have one.
Thanks
Jens


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Re: stripes on film

2001-03-20 Thread Doug Brewer

Mike,

Check your light source in the scanner, as there could be a dead bug or something on 
it interrupting the light path. 

Doug



At 8:40 AM +3/20/01, mike wilson caused thus to appear:
>Hi,
>
>I have this problem all the time 8-{  Sometimes my marks are
>turquoise, rather than pink.  If it was a light/processing
>problem, the marks are often orange rather than any other
>colour.
>
>In my case, it is a scanning artefact.  Doesn't seem to be dust,
>all connections are tight and I am completely bamboozled by it. 
>Using a Canoscan2700F with the lousy supplied software.  If this
>is a generic fault with scanners, does anyone know of a
>solution?
>
>Many thanks in anticipation,
>
>mike
-- 
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com
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RE: Stripes on film

2001-03-20 Thread Haynes, Grady

That looks very much like a problem I had with my flatbed scanner a few
months ago -- I had foolishly poured some rubbing alcohol, or some sort of
cleaning solution onto the glass, and some had seeped past the edge.

When I took the scanner apart, I found that there was a white piece of
plasticy material where the head parks at the top when it is in standby.  I
assume that, before scanning, the scanning head scans this piece of white
plastic to calibrate/white balance itself.  Thus, the parts of the white
plastic that had gotten alcohol on them (thus being turned a more bluish
shade) were causing those parts of the CCD to see everything as being more
reddish than it should have been.

I would assume a similar piece of white material is in a film scanner, so if
it has turned a different color, this would be your culprit.

Grady



-Original Message-
From: herbet brasileiro [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, March 20, 2001 10:54 AM
To: [EMAIL PROTECTED]
Subject: Re: Stripes on film


Here they are www.itsmysite.com/herbet
thanks,
Herbet.
--- Aaron Reynolds <[EMAIL PROTECTED]> wrote:
> 
> 
> Todd Stanley wrote:
> > 
> > Sounds like a light leak to me.  It might be the
> camera, cartridge, or
> > something that happened in the lab.
> 
> Could be them stress lines you get from rewinding
> film the wrong way and
> such, too.  Best way to figure it out is to slap a
> scan up somewhere
> that we can see it and argue about it endlessly. ;)
> 
> -Aaron
> 
> -
> This message is from the Pentax-Discuss Mail List. 
> To unsubscribe,
> go to http://www.pdml.net and follow the directions.
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> 


__
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Get email at your own domain with Yahoo! Mail. 
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RE: AF280T Help

2001-03-20 Thread Paris, Leonard

Hey Bill,

If you have an a-c adapter for this flash, try this.

Plug it in and charge up the flash.  Leave it plugged in and charged for a
whole day. If you can, fire the flash with the test button several times
during this day.  Then, when the day is over, put a fresh set of batteries
in it and see how long it takes between recharges.  If it still takes about
the same amount of time, the flash needs repair.  The problem could be
either the capacitor or the charging circuitry. Listen for the sound of the
oscillator when you try to charge the flash from batteries, it should be
pretty audible and decrease in volume as the capacitor approaches fully
charged.  In tone, the sound should start fairly low and increase in pitch
as full charge is approached.

Replacing the capacitor could be tough, if you can't find a suitable
replacement. And the problem might not be the capacitor.

Len
---

> -Original Message-
> From: William Kane [mailto:[EMAIL PROTECTED]]
> Sent: Monday, March 19, 2001 10:02 PM
> To: [EMAIL PROTECTED]
> Subject: Re: AF280T Help
> 
> 
> I missed Alan's post . . . is there anything I can do about this?  I
> know how to solder pretty well, anyone think that it's easy enough to
> try and take out the old capacitor and put in a new one?
> 
> Bill
> 
> Mark Roberts wrote:
> > 
> > Bill Kane <[EMAIL PROTECTED]> wrote:
> > 
> > >   I've got this flash for my Super Program, and lately 
> it's been taking
> > >FOREVER to charge up to full power (somewhere along the 
> lines of 60-120
> > >seconds) . . . is there any way to help this guy out?  I 
> gave it new
> > >batteries, but that hasn't worked.
> > 
> > I'm with Alan: Sounds like the capacitor's going South.
> > -
> > This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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RE: KM (and other K bodies): Stepless shutter?

2001-03-20 Thread W Keith Mosier

I haven't been called an "ol' salt" in a long time.  I still have a set of
salty utilities hanging in a closet to prove I earned the nickname way back
when.

I have only a few years less time than Len with Pentax, and I still use the
same Spotmatic I bought way back in '67 or '68.  I think it was '67 or '68.
The Alzheimer's is kicking in at the moment and it gives me fits with
dates.  You know how it is with us old guys.  I remember it was submerged
in salt water, with yours truly, during a friendly unannounced visit to
another country in '73, and it's still reliable, but could use a face lift.
It looks similar to the utilities - a salty Spotmatic.

One of my Pentaxen is a KX, and I can't really tell if it has a truly
step-less shutter.  I just always set it at the detents.  It does sound
different when I set it between detents, but that doesn't really prove
anything.  If you know of a good repair shop where you can strike up a
friendship, they would have a shutter speed tester, and they may just be as
inquisitive as you are.  (Or you could build a tester if you really want to
know, but that's a lot of work.)  A simpler, less accurate test, but maybe
more expensive than a friendship would be to use an electronic flash and
vary the shutter speed above (faster than) the flash synchronous speed.
You know how you get half a frame if your camera has a 1/60th second flash
synch and you set the shutter speed at 1/125?  Experiment with film and a
flash and vary your shutter speed and see if you truly have a step-less
shutter.

K.

Lon wrote:

 I'm still awaiting the final word on whether the K-bodies have
 stepless shutters; I've gotten replies both ways so far.  Hopefully
 some old cranky guy who hates all the "new-fangled" stuff will give me
 the definative answer.
 
 So how about it, all you salty Pentax veterans, is the shutter
 stepless?

 Lon


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Re: eBay fun

2001-03-20 Thread Bob Blakely

I was relating the information provided by the Philadelphia Mint in educational program
describing the coining process by following it through the mint. After the coin is
designed and created in plaster? about the size of a large, round dinner platter, it's
taken to an ancient machine made in the late 1700's where it slowly spins with a large,
vertically oriented platter. A follower pin like device follows the contours of the 
design
like playing a vinyl record and the machine mechanically cuts a replica at the proper
size. This replica is used to make an inverse relief of the coin which is then used to
make 10 or so proper reliefs which are each then used in turn to make a number of dies.
When a die is first mounted to the stamping machine, a very short run is made (the
stamping is incredibly fast, the pressure is very high and varies with the size of the
coin. The Sakajowea(sp) dollar requires 50,000 lbs to stamp). The coins from the short 
run
are examined for their degree of perfection. If bad, the die is tossed and a new die is
installed and another test made. These are the first coins produced from a die and are 
of
the highest quality that the particular die set will produce. They are exceedingly 
rare in
comparison with the total number of coins stamped. These are the proof coins because 
they
prove that the die set is stamping correctly and is likely to produce many coins. 
Quality
is downhill from there for that die set because they wear. From then on, the coins are
sampled to monitor the condition of the dies and when the coins degrade to much, 
another
die set is installed and more proof coins are produced.

Double striking, etc. is a whole 'nother category. These coins are produced solely for
collectors. Of course, proofs are made of these as well before the (usually very 
limited)
run is made, so proofs of these are made available at an even higher price.

Regards,
Bob...

From: "Daniel J. Matyola" <[EMAIL PROTECTED]>


> Bob Blakely wrote:
>
> > >From coin minting and collection...
> > Proof means the first coins struck from a particular die set and examined by
> > mint personnel for sufficient perfection to continue stamping with that
> > particular die set.
>
> Not quite true.  Proof coins generally are struck from special dies, at higher
> pressure, and with multiple strikes, to make a coin with better detail and more
> luster.  The rest of your description of coin grades is, AFAIK, accurate.


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Re: New Home Page

2001-03-20 Thread tom

Looks pretty cool, I like the pics... of course, we've seen most of them
before.

Spellcheck your .sig.

Consider getting your own domain name.

>From the software page:

"and strong capabilities several areas."
   ^^^
in

The last L in 'Principal' isn't highlighted.

>From the rates page:

Software Development
   $70 per hour

Should be

Software Development
  $170 per hour, plus beer


tv

Collin Brendemuehl wrote:
> 
> Updated Home Page
> http://www.integrityonline21.com/dpconsult/
> 
> ***
> 
> Data Processing Consultation, Inc.
> Providing Broad-Spectrum Business Soutions and Assistance
> http://www.iol21.com/dpconsult
> [EMAIL PROTECTED]
> 
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--
Thomas Van Veen Photography
Washington D.C.
http://bigdayphoto.com/
301-758-3085
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Re: Cosina/Vivitar/Ricoh 55 1.2

2001-03-20 Thread Camdir

Paul.
 I just gave it a cursory glance as we had a fairly hectic schedule in Tokyo. 
I saw a Ricoh 55 1.2 lens listed in Nippon Camera at a s/h store a few years 
back. Think they wanted about JPY20,000, condition AB.
 KR

Peter
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RE:Finally got my FA*24 F2.0

2001-03-20 Thread Cameron Hood

Great Lens!!! For best results, be prepared to get dirty, down low on the
ground. Knee-pads and or a drop sheet are essential items. It can vignette
with even one filter on it; I would recommend getting a good (B+W) circular
SLIM-LINE polarizer. Remember the Ansel Adams maxim of the 'near and far'
dicotomy of subjects with wide angle lenses. Also, if you spring for a
reverse adapter 52mm and a couple of step up rings, you will obtain an
incredible 4:1 macro ratio (albeit at a working distance of about 1 inch,
with almost zero depth of field), great for fly's eyeballs, and such. My
favorite lens; depth of field about 12" to infinity!  Keep the camera back
parallel to the subject plane, or you will get distortions (converging
verticals); ladders are sometimes necessary to get the right viewpoint. Be
careful around cliffs; take your eye off the camera! Watch that rear element
though; at extremes of focus it sticks out quite a bit, making it easily
damaged when removing it. Also, don't EVER try this lens with a
teleconverter; you'll ruin them both when the elements of each crush into
each other. Good luck! It took me about a year to like it and get the most
out of it. It is amazing just how different it is from even a 28mm.

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RE: Thoughts on the FA* 28-70mm Zoom

2001-03-20 Thread Cameron Hood

Pal, with all due respect, you must be very hard on your equipment. Also,
mine has a metal filter mount; the depth of field glass has never come off.
Rarely does the power zoom not work, and it has always been the result of
dirt in the system (took it in for CLA once; they just blew it off. Now I do
it myself.) As for the button, I have never had this problem, nor the
aperture problem you describe. How cold is it in your country? Could this be
the result of temperature? It is true that the power zoom does struggle if
the camera is pointed directly up or down, but that has never been a big
problem for me; just turn the power zoom off. Maybe you had a very early
version; the others I have seen also had metal threads (with a very well
made plastic tube for the front barrel).

Cameron

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Re: Thoughts on the FA* 28-70mm Zoom

2001-03-20 Thread tom

Cameron Hood wrote:
> 
> Pal, with all due respect, you must be very hard on your equipment. Also,
> mine has a metal filter mount; 

I was surprised at this as well, but last night I checked, and it seems
to be plastic. It's a very stiff plastic that kind of looks like it
could be metal...

> the depth of field glass has never come off.

None of the windows on my lenses have come off either.

> Rarely does the power zoom not work, and it has always been the result of
> dirt in the system (took it in for CLA once; they just blew it off. Now I do
> it myself.) 

I never use power zoom, except by accident.

BTW, mine was previously owned by a Nascar photographer, apparently as a
doorjamb and skeet target. Looks well used, but works fine. However, I
can see (or feel) how this lens might not be the most robust
mechanically. I've just not had a problem with mine.

Maybe Paal is cursed?

tv
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Vs: 24-90

2001-03-20 Thread Raimo Korhonen

Sorry, guys - I have to retract a bit. I have done what I have advised others not to 
do, namely to test parfocality casually. You need a tripod and accurate focusing. Now 
when I did put the lens on a LX with the Magni-Finder FE-1 and used tripod - and 
focused as accurately as I could - I found out that the focus does not change when 
zooming. I´d say that it is physically impossible to focus so accurately at 24 mm - 
even with the Magni-Finder - that the focus would be spot on still at 90 mm. The 
inaccuracy is small, though. If you do it the other way round, the lens stays in 
perfect focus. BTW the zooming action is smooth.
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen

-Alkuperäinen viesti-
Lähettäjä: Raimo Korhonen <[EMAIL PROTECTED]>
Vastaanottaja: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Päivä: 20. maaliskuuta 2001 18:00
Aihe: 24-90


 it is VERY varifocal 


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Re: Vs: 24-90

2001-03-20 Thread tom

Raimo Korhonen wrote:
>  BTW the zooming action is smooth.

Thanks Raimo.

Can you compare focus and zoom feel to, say, the 20-35/4? Or any other
lenses you may have?

We'll look forward to what you find out about it optically.

This may become my backpacking lens. One lens! That would be sweet

tv
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Vs: Vs: 24-90

2001-03-20 Thread Raimo Korhonen

The only comparison I can make is that the zooming action is smoother than any Sigma. 
The 4/28-70 Pentax is smooth, too - and the only other AF zoom I have is the 
4-5.6/70-300 APO Sigma (and I did have the 2.8-4/28-105 Sigma).
And yes, that´s what I´m thinking, too - if one lens can do it, this could be it. Stay 
tuned... And the 2.8/20 Pentax in the pocket and the 24-90 on my MZ-5n should be a 
good combination, too.
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen

-Alkuperäinen viesti-
Lähettäjä: tom <[EMAIL PROTECTED]>
Vastaanottaja: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Päivä: 20. maaliskuuta 2001 21:24
Aihe: Re: Vs: 24-90


>Raimo Korhonen wrote:
>>  BTW the zooming action is smooth.
>
>Thanks Raimo.
>
>Can you compare focus and zoom feel to, say, the 20-35/4? Or any other
>lenses you may have?
>
>We'll look forward to what you find out about it optically.
>
>This may become my backpacking lens. One lens! That would be sweet
>
>tv
>


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Shoulder Stocks

2001-03-20 Thread MChapp1060

Anyone have experience with the Novoflex, Bush-Hawk or similar shoulder support?

Like it, hate it?

Advantages over a monopod?


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OT: Museum Events in DC

2001-03-20 Thread tom

Here are some photo-related exhibits going on in DC:

Stieglitz:

http://yp.washingtonpost.com/E/E/WASDC/0001/96/30/cs1.html

Lighthouses:

http://yp.washingtonpost.com/E/M/WASDC//23/10/cs1.html

India:

http://yp.washingtonpost.com/E/E/WASDC/0001/89/98/cs1.html

Persepolis:

http://yp.washingtonpost.com/E/E/WASDC/0002/21/02/cs1.html

Pat York: Nudes and Cadavers:

http://yp.washingtonpost.com/E/E/WASDC/0002/65/44/cs1.html

Native and Western Americans:

http://yp.washingtonpost.com/E/E/WASDC/0002/71/02/cs1.html

Candomble:

http://yp.washingtonpost.com/E/E/WASDC/0002/52/73/cs1.html

A film about Yosemite for you Adams freaks:

http://yp.washingtonpost.com/E/M/WASDC//25/15/cs1.html

Photographic Analysis of Movement:

http://yp.washingtonpost.com/E/E/WASDC/0002/13/91/cs1.html

Ella Fitzgerald:

http://yp.washingtonpost.com/E/E/WASDC/0002/10/77/cs1.html

I suppose this one has a few photos, but who cares? Sounds neat:

http://yp.washingtonpost.com/E/V/WASDC/0011/89/38/cs1.html

One day only, Steve Raymer at the Newseum:

http://yp.washingtonpost.com/E/E/WASDC/0002/61/64/cs1.html

Civil Rights Era:

http://yp.washingtonpost.com/E/E/WASDC/0002/41/07/cs1.html

Pulitzer Photos (I've seen this, it's disturbing):

http://yp.washingtonpost.com/E/E/WASDC/0002/17/13/cs1.html

A Holocaust Story:

http://yp.washingtonpost.com/E/E/WASDC/0001/54/25/cs1.html

Duncan Photographs of the Korean War:

http://yp.washingtonpost.com/E/E/WASDC/0002/16/36/cs1.html


tv
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RE: UK camera shop - nominate the best!

2001-03-20 Thread Frits J. Wüthrich

Bob,

These shops are all in Oxford? I assume that is the case, but didn't see it
in your email.
Thanks for the info. Saving for my 24-90 though.

Frits

>
> Fox Talbot on the Strand used to be a bit like that, while it was an
> independent shop. It's now part of Jessops, after several take-overs,
> and has never recovered. There were half a dozen or so really
> excellent people working there who have scattered to the 4 winds.
> However, some of them now help out occasionally at Camera World on
> Wells St. (off Oxford St.) and at West End Cameras on Tottenham Court
> Road. West End Cameras has a fairly good stock of used equipment at
> the moment, and although it's a small shop it is very good and Nitin,
> the owner is friendly and knowledgeable.
>
> A place similar to your description, catering to the professional
> market, is KJP on Drummond Street, near Euston Station. They have a
> good selection of large & medium format and the usual 'pro' 35mm
> stuff, such as Nikon and Canon, with some Contax rangefinders. They
> have a lot of studio equipment and they also have a rental service and
> usually a lot of well-used Nikons. The staff are knowledgeable, but
> they're used to dealing with professionals, so they expect you to know
> what you're doing - ie they won't try and sell to you.
>
> Jessops pro shop also has a reasonable selection, on New Oxford
> Street, as does Jacobs opposite. Service is a bit perfunctory in both
> of these because they're so busy, although they're generally pretty
> friendly to familiar faces. A guy called Barry in Jessops is one of
> the greats from the old Fox Talbot.
>
> There is a great stock of 'classic' cameras of all brands at Jessops
> Classic in Pied Bull Yard, just off Museum Street. While you're there
> you can go to 'The Classic Camera' and drool at the lovely Leicas. But
> take a bib.
>
> The best place for medium and large format is 'Teamwork' on Foley
> Street, another pro outlet.
>
> Prestons in Harrogate is the best provincial shop I know. They have a
> wonderful display cabinet full of classics, such as khaki Leicas,
> yellow Nikons, lots of wooden things. Whenever I've been there with an
> otherwise unfulfillable request, they've been able to wander off into
> the back and emerge later with the very item. Loads of 2nd-hand stuff,
> but probably a bit light on new equipment.
>
> So no, there isn't a single best shop. What you're after is a
> contradiction in this day and age. Small companies which offer
> personal service and knowledgeable enthusiasm can't carry that much
> stock because it ties up their cash. Large companies which can afford
> to carry a lot of staff tend to be box-shifters.
>
> ---
>
>  Bob
>
>
> mailto:[EMAIL PROTECTED]
>
> Monday, March 19, 2001, 5:09:42 PM, you wrote:
>
> > Hi Listers, especially UK ones...
>
> > Does anyone know of a really decent camera shop in the UK,
> preferably in
> > the south of England, preferably anywhere between London and Bristol,
> > that has:
>
> > 1/ A really good selection of gear, large shop with plenty of
> room, major
> > makes, 35mm and medium format, lots on stock;
> > 2/ Great second hand collection, big display cabinets, bins of stuff
> > (filters, hoods etc);
> > 3/ Good service - by this I mean friendly, with as much attention given
> > to someone looking for a ten quid filter as to someone buying a grand's
> > worth of medium format kit.
>
> > The shop I'm looking for is probably in London, but may well be at the
> > opposite end of the country. No matter, it's good to know of anyway. If
> > you can think of a store to nominate, could you please let me know? If
> > you don't want to post to the list, feel free to let me know
> off-list at
> > [EMAIL PROTECTED], I'd be very grateful indeed.
>
> > Many thanks and now back to you regular programming...
>
>
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Re: e: 24mm Lens Hoods

2001-03-20 Thread Robert Harris



[EMAIL PROTECTED] wrote:

[snip]

>  Bob, would I be correct to deduce that your 24/2.8 was
> designed with close-to-no "shelf" between the focusing ring and the filter?

The lens (A 28mm f2.8) has enough barrel protruding to mount the hood without a
filter, but the circular clamp on the Hama M52 hood is not deep enough  to
slide beyond a mounted B&W filter,  That is, the circular clamp is pretty
shallow before being attached to the long sides of the rectangle, which cut off
top and bottom parts of the circle. I am not using a slim filter, so maybe that
would change it, but it would have to be extremely thin to work, I think.

Bob

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Metz Wireless TTL (was: Thoughts on the FA* 28-70mm Zoom )

2001-03-20 Thread Frits J. Wüthrich

I am pretty sure that is true. I tried to find it on the Metz site before I
wrote my first email, but couldn't find a good explanation.
I did see for instance on the 40MZ1i it has this option. I own the 40MZ-2
myself (and the 45CT1). If memory serves me right, you need to use the
SCA3080 on the remote flash. Perhaps it's build in with the latest models?
I browsed through my pile of manuals but couldn't find my Metz manual, I am
sure it will show up sometime, but not now, bummer.

Wait, now I find something on the Metz website, I am sure (I hope) Metz
won't mind copying it here:
 Start copy Metz web site -
You may well have been aware of all these facilities, but Metz has also
developed a system for wireless control of several off-camera flash units in
TTL mode. The Metz mecablitz 50 MZ-5 or Metz mecablitz 40 MZ master flash
(controller) that is mounted on the camera controls the additional flash
units (slaves) by a light pulse, thereby extending the automatic exposure
control of the TTL mode to all slaves.

The camera must be TTL-compatible to permit remote controlled TTL operation.
The master or controlling flash unit requires a TTL-compatible SCA-300 or
SCA-3000-Adapter and the off-camera 40 MZ flash units must be fitted with an
Slave-Adapter SCA 3080.

The mecablitz 50 MZ-5 is also available as a slave unit (without controller
and battery charger) and will function without an additional adapter.

If your camera does not feature a TTL metering system, then the 40 MZ-3 and
50 MZ-5 can be used as a master unit to handle the measuring and controlling
functions in automatic mode.

For close-ups with a small f-number and bright ambient light, it may well
happen that the controller's start pulse is sufficient for the correct
exposure of a film. In this instance the slaves are not triggered or there
is only a time-delayed flash. This will merely indicate flash readiness but
will not contribute to the exposure of the film. There are three ways to
activate the slave units in such a situation: Reduce the ambient light;
increase the f-number; use a film with a lower ISO value.

The Metz Remote TTL System is the first and only wireless TTL flash system
that is not dedicated to a specific camera system. With the Metz Remote
Automatic System it is possible to exploit the benefits of cordless flash
operation with several units in combination with any camera featuring a
flash connection. These two remote systems open up a great diversity of
applications for the user, e.g. flash shots against the light without a
tangle of connecting cables, or the creation of a small, portable outdoor
studio that is simple to manage and operate, etc.
 End copy Metz web site -
Frits
>
> Is that right?  The off-camera Metz flash will quench in sync
> with the Metz 0on the camera?
>
> I've seen that done with some Ikelite flashes but I didn't know
> it could be done with Metz flashes.  That could be a powerful
> system for shooting weddings, etc, because Metz is fabulously
> powerful and versatile.  Are there any specific models of Metz
> that can do this?  I have a 45CT4 that I use on the PZ-1p with
> the 3000 series adapters. It works very well for me and if I
> could get another Metz to work as a slave and maintain TTL it
> would be fantastic!
>
> Len
> ---
> >
> >
> > You mention you use a wireless slave for triggering
> > your Metz MZ40-2 with
> > your RTF flash, I assume you mean the slave is one
> > that picks up the flash
> > from your RTF purely optical.
> >
> > If you buy a second Metz and put that on your PZ1-p
> > you could really
> > wireless trigger your remote Metz and have TTL. The
> > Metz on your camera
> > triggers the other. Wireless TTL with your PZ1-p!
> >
> > Frits

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Re: OT: Shoulder Stocks

2001-03-20 Thread Bob Blakely

My son bought a composite stock for his SKS and likes it. The geometry of the stock 
seems
to be the same as the original Russian though. What mods were you thinking of?

Oh, yeah. Probably best to reply off line.

Regards,
Bob...
---

From: "Bill Owens" <[EMAIL PROTECTED]>

> I don't have any experience with shoulder stocks.  However I do have an SKS
> rifle stock I've sometimes thought about modifying


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RE: Bought a Spotmatic, need some advice...

2001-03-20 Thread J. C. O'Connell



> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
> Sent: Tuesday, March 20, 2001 8:14 AM
> To: [EMAIL PROTECTED]
> Subject: Bought a Spotmatic, need some advice...
> 
> 
> Well, you guys finally enabled me.
> 
> I've been watching for a nice Spotmatic on ebay and the price was never 
> right.  I found one for $60 at a local camera show, no dents or 
> bruises so I 
> bought it.
> 
> After figuring out how to turn the meter on, I shot a roll of 12.  But I 
> noticed the meter seems off, way too slow.  It also move very 
> slowly, and not 
> very far when I change f-stops.  If f 5.6 is the centered 
> position, then f 4 
> barely moves it and you need f 22 to push it out of the small 
> central area.
> 
> I'd check the battery, but don't have it with me...
> 
> And what's the deal on the batteries?  Did people say it took a 
> 1.35 volt, 
> but had a bridge so 1.5 volt was OK?  (This is an old Honeywell 
> Spotmatic, no 
> flash holder integrated into the pentaprism.)
> 
> Any advice would be appreciated.
> 
> Regards,  Bob S.
Sound like bad meter cells to me. The response should be fairly fast
and only a couple of stops to peg the meter + or -.
JCO
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Recommendations for printing wanted

2001-03-20 Thread Mark Roberts

My S.O. wants a big-ass print of one of my 645 photos (say, 30 x
22). I'd appreciate any recommendations of where to send the
transparancy (Ektachrome 100S) for a high quality print. 

Mark
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Re: Lens hood for A2.8/20mm

2001-03-20 Thread Rob Studdert

On 20 Mar 2001, at 18:37, Jens Bladt wrote:

> Hi all
> Do any of you great guys know if there was ever a lens hood for the
> A2.8/20mm. Or if any available hood fits this lens. I sure would like to
> have one.

Hi Jens,

The Pentax designated hood for the SMCPA20f2.8 is the MH-RB 67mm, it is 
a circular hood of about 98mm in diameter and is no more than 14mm deep 
which screes into the 67mm filter thread of the 20mm. It offers all the 
shielding it can (and will work with a filter AFAIK) and definitely provides a 
buffer to reduce front element damage/prints etc. I use my almost religiously, 
although most people comment on what possible good it could do I expect 
that it has saved my pictures from flare and my lens from damage on more 
than one occasion :-)

Cheers,



Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Re: Cosina/Vivitar/Ricoh 55 1.2

2001-03-20 Thread Yoshihiko Takinami

Hi Peter,

At 20 Mar 2001 14:03:41 EST,
[EMAIL PROTECTED] wrote;

>  I just gave it a cursory glance as we had a fairly hectic schedule in Tokyo. 
> I saw a Ricoh 55 1.2 lens listed in Nippon Camera at a s/h store a few years 
> back. Think they wanted about JPY20,000, condition AB.

There is a shop in Japan where they sell a new, not used,
Cosina 55/1.2 in K-mount for only 14,800 JPY.

Just an info.
--
Yoshihiko Takinami
Osaka, Japan
[EMAIL PROTECTED]



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Re: Russian lens

2001-03-20 Thread Carlos Royo



Philippe Trottier wrote:


> 
> PS: Avoid buying any active optical system, they usually use Radioactive
> decay batteries... might never have to change the battery ever but.. maybe
> your life won't be as long.
> Or be carefull and check these with Meters for radioactivity.
>

Philippe, your remark about radioactive Russian optical systems, is it
serious, or you are only joking?
I have a Russian exposure meter (an Sverdlovsk-6) and I don't have a
Geiger radioactivity detector to check if it is radioactive or not.
It seems to use a common battery, but the curious thing is that this
battery is almost ten years old and it still works.

--
Carlos Royo
[EMAIL PROTECTED]
Zaragoza (Aragon) - Spain
--
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RE: Recommendations for printing wanted

2001-03-20 Thread Provencher, Paul M.

Specializing in large prints of best quality, E. B. Luce Company in
Worcester MA.  Oldest studio and color lab in the USA (updated technology of
course)...  see their services listed at

ebluce.com

Paul M. Provencher
(former E.B. Luce employee)


-Original Message-
From: Mark Roberts [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, March 20, 2001 7:21 PM
To: [EMAIL PROTECTED]
Subject: Recommendations for printing wanted


My S.O. wants a big-ass print of one of my 645 photos (say, 30 x
22). I'd appreciate any recommendations of where to send the
transparancy (Ektachrome 100S) for a high quality print. 

Mark
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A tripod thought

2001-03-20 Thread Collin Brendemuehl

If you've started using medium or large format,
but find that your regular tripod for 35mm is
not heavy enough, but you also don't want to
spend the big bucks on a Bogen/Manfrotto outfit
(it's not hard to blow $250 on a nice set),
consider getting an older "video" tripod.

Legs are usually solid metal.
Head has no tilt, so it's a solid mount for your camera.
They go cheap -- $25 - $50 range on eBay, even less
at garage sales and thrift shops.

Collin (I usually don't work for beer.  Steaks, yes.  Beer, no.)

***

Data Processing Consultation, Inc.
Providing Broad-Spectrum Business Soutions and Assistance
http://www.iol21.com/dpconsult
[EMAIL PROTECTED]

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Re: Shoulder Stocks

2001-03-20 Thread Bill Owens

I don't have any experience with shoulder stocks.  However I do have an SKS
rifle stock I've sometimes thought about modifying

Bill, KG4LOV
[EMAIL PROTECTED]


> Anyone have experience with the Novoflex, Bush-Hawk or similar shoulder
support?
>
> Like it, hate it?
>
> Advantages over a monopod?
>
>
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RE: Shoulder Stocks

2001-03-20 Thread Peifer, William [OCDUS]

Bill Owens wrote:
>I don't have any experience with shoulder stocks.  However I do
>have an SKS rifle stock I've sometimes thought about modifying

This reminds me of some items I saw on my last trip to a small camera repair
shop downtown.  This fellow has a lot of old Nikon stuff, and among his
collection of used optics are three or four telephoto lenses with built-in
pistol grips, rifle stocks, etc.  Looks like they came from the factory this
way.  Perhaps made originally for military or police use?  I can't imagine
anyone using something like this in a crowd nowadays.  From more than a few
feet away, from a quick glance, perhaps in dim light, you'd think the
camera-lens combination was some sort of firearm.  I suspect you'd be cut
down in a fusillade of small-arms fire from the local police before you had
a chance to say "It's only a lens!"  I've seen shoulder supports for
monopods, and I'd be a little leary of using even these around people who
might miss the 'pod and mistake the stock for some sort of firearm.  But
from a kinematics point of view, a shoulder stock on a monopod sounds like
an excellent platform for mounting a camera and lens.

Bill Peifer
Rochester, NY

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Lens hood for A2.8/20mm

2001-03-20 Thread Paul . Stregevsky

Jens,
The hood that Pentax makes for this is the MH-RB67 (catalog # cat. 34130),
a screw-in hood. It is very expensive if bought new ($55?) It also is
difficult to find used; one list member paid $20 for a used one in 1992.
The hood is very shallow; think of it primarily as a way to protect your
lens and only secondarily as a way to minimize flare.


Paul Franklin Stregevsky
[EMAIL PROTECTED]
W: (703) 834-4648

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Vuescan

2001-03-20 Thread Frits J. Wüthrich

When I want to goto http://www.hamrick.com I get redirected immediately to
http://home.verio.com/index.cfm?rd=best

Why? Anyone knows?

Frits

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Re: Recommendations for printing wanted

2001-03-20 Thread tom

How about Aaron?

tv

"Provencher, Paul M." wrote:
> 
> Specializing in large prints of best quality, E. B. Luce Company in
> Worcester MA.  Oldest studio and color lab in the USA (updated technology of
> course)...  see their services listed at
> 
> ebluce.com
> 
> Paul M. Provencher
> (former E.B. Luce employee)
> 
> -Original Message-
> From: Mark Roberts [mailto:[EMAIL PROTECTED]]
> Sent: Tuesday, March 20, 2001 7:21 PM
> To: [EMAIL PROTECTED]
> Subject: Recommendations for printing wanted
> 
> My S.O. wants a big-ass print of one of my 645 photos (say, 30 x
> 22). I'd appreciate any recommendations of where to send the
> transparancy (Ektachrome 100S) for a high quality print.
> 
> Mark
> -
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--
Thomas Van Veen Photography
Washington D.C.
http://bigdayphoto.com/
301-758-3085
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Re: OT: Shoulder Stocks

2001-03-20 Thread Bill Owens

Nothing major, just cut most of the forearm off and set up a cable release
somewhere in the trigger area.

Bill, KG4LOV
[EMAIL PROTECTED]


> My son bought a composite stock for his SKS and likes it. The geometry of
the stock seems
> to be the same as the original Russian though. What mods were you thinking
of?
>
> Oh, yeah. Probably best to reply off line.
>
> Regards,
> Bob...


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Re: OT: Speaking of closings...

2001-03-20 Thread PAUL STENQUIST

Interesting. Perhaps they didn't diversify. The same-day E-6 lab that I
frequent continues to do a lot of E-6 work in all formats, including 8 x
10. But they also do very nice drum scans and produce top-shelf digital
prints from their own scans or from digital images on disk. They make
some of the huge display prints that the car companies use at auto shows
and in things like lobby displays. They're doing it all and apparently
making money. 

[EMAIL PROTECTED] wrote:
> 
> The processing lab 5 minutes away from home is gone.
> 
> I went with some E-6 slides yesterday and they are closed-up.
> 
> This means no same day processing for me.
> 
> Did digital get them?  I don't know...
> 
> Regards,  Bob S.
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Re: Vuescan

2001-03-20 Thread John Francis

"Frits J. Wüthrich" wrote:
> 
> When I want to goto http://www.hamrick.com I get redirected immediately to
> http://home.verio.com/index.cfm?rd=best
> 
> Why? Anyone knows?
> 
> Frits

Must be something that your ISP is doing (or somebody between your ISP
and hamrick.com) - I have no problems getting to the site.

-- 
John Francis  [EMAIL PROTECTED]   Silicon Graphics, Inc.
(650)933-82952011 N. Shoreline Blvd. MS 43U-991
(650)932-0828 (Fax)  Mountain View, CA   94043-1389
Hello.   My name is Darth Vader.   I am your father.   Prepare to die.
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Re: O.T, Rolling blackout in Ca.

2001-03-20 Thread PAUL STENQUIST



Bob Blakely wrote:
> 
> You will NOT be given a schedule for security reasons. Only community
> organizations (police, fire, hospitals, etc.) will receive advance notice.
> 
That's nuts. It's time for you California folk to get tough with your
government officials. 
Paul
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Re: PROFESSIONAL screwmount

2001-03-20 Thread PAUL STENQUIST

Spotmatic F. 

kelvin wrote:
> 
> hi all
> 
> I'm looking for the most professional / ruggard M42 Pentax body made...
> what should one look out for?
> 
> I would however, avoid the ES and ESII as they require the later
> M42 SMC lenses for full operability.
> 
> Regards
> 
> Kelvin
> 
> http://clubs.yahoo.com/clubs/clubm42
> ... the unifying platform for all M42 screwmount lens systems.
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Re: What's a fair price for a SMC A 300mm f4 and SMC A 400mm f5.6 together? apart?

2001-03-20 Thread PAUL STENQUIST



[EMAIL PROTECTED] wrote:
> 
> $300 for a 300/4A? $400 for the 400/5.6A? Either price would be a steal.
> 

A 300/4 A topped out at less than $300 last week on ebay. The reserve
price wasn't met, but there were no takers.
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Re: Shoulder Stocks

2001-03-20 Thread Bill D. Casselberry

 Chapp1060 wrote:
 
> Anyone have experience with the Novoflex, Bush-Hawk or 
> similar shoulder support?

I have been using a much less expensive means for this. It
is a very simple matter to drill a hole up through the forestock
of a discarded *real* riflestock. A selection of medium to large
washers and a standard 1/4in threaded bolt of an appropriate
length allows firmly mounting a long telephoto via the lens'
tripod mount. 2nd hand stores can be an inexpensive source of
the gunstock.

I generally mount my old 300mm f4 this way as the smcp 400mm f5.6
has a considerably stiffer focus ring. I often pop a m42->K adapter
into a Tokina 2x'er for a 600mm f8 as well. the end result is a very
stable & substantial shoulder support and handles as well as a nice
shotgun amongst the quackerz  -  less than US$5 :^) 

Bill

-
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http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: All-Blacks (note capitals)

2001-03-20 Thread PAUL STENQUIST

I have an "All Black" rugby shirt that I bought when I worked in New
Zealand two years ago. I've worn it around Detroit, which probably has
the highest percentage of African American residents in the United
States. Once in a while, someone asks me what the words mean. I tell
them, and they say, "cool."
Paul

mike wilson wrote:
> 
> On 19 Mar 2001, at 23:05, petit miam wrote:
> 
>> Love the silver and black. Hate all-black (and
>> all-blacks, but don't tell em I said so). It is so
>> morbid and boring.
> 
> Then Bob wrote:
> 
>   >A comment that I hope was made in jest...
>   >This list is multi racial and multi cultural, and the
> better for   >it.
>   >We are not just a bunch of 'old white boys' who's
> ancestors were  >Europeans.
> 
> Bit touchy there, Bob, old fruit.  The All-Blacks are New
> Zealand's national rugby team.  How multi-cultural do you want
> 8-) ?
> 
> mike
> (Some of my best friends live on the opposite side of the
> Earth.  Come to think of it _most_ of my best friends..)
> -
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RE: 24-90

2001-03-20 Thread Pål Jensen

Raimo wrote:


I just got my hands on the new SMC Pentax-FA 3.5-4.5 24-90 IF & AL. Looks quite good. 
Externally the mode of construction is similar to the current way of doing these 
things which means internal focusing (front lens does not rotate), no window over 
focusing scale and all plastic (except the lens mount, and glass). 


REPLY:

Are you sure it uses plastic lens barrels? I'm sure the outer cover is plastic, 
however, it seems like from the pictures of the lens that the front tube is quite 
thick and look like the metal barrels Pentax is using. Even the 17-28 Fish-eye zoom 
uses metal barrels. I have to say that any lens that has plastic filter threads is off 
my shopping list. Too bad


Pål


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Re: Lens hood for A2.8/20mm

2001-03-20 Thread Robert Harris

Jens Bladt wrote:

> Hi all
> Do any of you great guys know if there was ever a lens hood for the
> A2.8/20mm. Or if any available hood fits this lens. I sure would like to
> have one.
> Thanks
> Jens

Yes, Pentax made a round metal hood. I have one that I found listed in a KEH
catalog several years ago.. Not very deep, for obvious reasons, so probably
not very effective against flare but it does offer some protection for the
lens. Don't know if any third party hood would work.

Bob


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Re: O.T, Rolling blackout in Ca.

2001-03-20 Thread Bob Blakely

You're not alone in thinking this. I thought it would be a good idea to have a schedule
too, but then I learned...

Giving out the news as to which communities will be blacked out gives shoplifters the
opportunity to be in exactly the right place at the right time to be in range of the 
high
value goods they want to steal. During this time, only the very dim emergency lighting 
is
on and the security cameras are off. Other communities have tried informing the public 
in
the past only to see that they have time coordinated mass looting.

We have a lot of "morally challenged" people out here.

Regards,
Bob...

From: "PAUL STENQUIST" <[EMAIL PROTECTED]>


> Bob Blakely wrote:
> >
> > You will NOT be given a schedule for security reasons. Only community
> > organizations (police, fire, hospitals, etc.) will receive advance notice.
> >
> That's nuts. It's time for you California folk to get tough with your
> government officials.


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Re: O.T, Rolling blackout in Ca.

2001-03-20 Thread John Francis

PAUL STENQUIST wrote:
> 
> Bob Blakely wrote:
> >
> > You will NOT be given a schedule for security reasons. Only community
> > organizations (police, fire, hospitals, etc.) will receive advance notice.
> >
> That's nuts. It's time for you California folk to get tough with your
> government officials.

It's also untrue.  We get notification when our block is likely to be hit.
We received advance warning today (at around 11:00am) that cuts were very
likely somewhere between 12:00 and 1:00pm, and that any blackout would
last around 90 minutes.  Sure enough, at around 12:30, we lost power.
I've also heard notifications over the radio giving details of which
blocks were next on the rota to lose power (and explaining how to find
which block you were in by examining your electricity bill).

It's not the first time this particular story has surfaced, though.
I saw it the last time we had cuts, as well.  It was discussed at
length, and pretty much discounted.  Who is spreading it this time?

-- 
John Francis  [EMAIL PROTECTED]   Silicon Graphics, Inc.
(650)933-82952011 N. Shoreline Blvd. MS 43U-991
(650)932-0828 (Fax)  Mountain View, CA   94043-1389
Hello.   My name is Darth Vader.   I am your father.   Prepare to die.
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Introduction to ME! :-)

2001-03-20 Thread Tanya & Russell Mayer

Well, hello everyone, my name is Tanya.  I am new around here after being
introduced to the list by
Paul Stregevsky when he tried to talk me out of buying a lens from Ebay
(only 'cause he wanted if
for himself, of course! ;-) )

I am sending this post in two parts as the first one bounced - apparently, I
talk too much! LOL, a
common problem with me, I'm afraid! 8-)

I don't know that I have alot to offer to you guys on the list, as I am by
far very new to the SLR game,
having only purchased my first SLR last August - and that only being an
MZ-50 anyways.  However, I have
since progressed somewhat and I now own a P30t, Pz1-p and the Mz-50.  I have
a few lenses - the
standard sigma 28-80 macro that comes with the MZ-50, astron 28-70 zoom and
70-210 mm
(both came with the p30t) an SMC-A 50mm/1.7, tamron 135mm/2.5 close focus
and the
Vivitar 28mm/f 2 that Paul tried to talk me out of.  Quite a motley crew of
lenses, I know, but I am
on a tight budget and just trying out different things as I go along.

My interest in photography centres mainly around fashion, candid portraiture
(children in particular) and
weddings, although, I do seem to have developed quite a knack for creative
still-lifes of late.  From
January next year, I will be studying a Bachelor of Photography at James
Cook University, so I will
be spending this year buying up big to ensure that I have all of the
requirements on my equipment
list, as well as learning heaps (that's where you guys come in!) to be "up
to speed" with the other
students when I begin.  I am 24, and a very busy mum of two baby boys (who
you will see in the links
below), so while my husband is very supportive, I still anticipate that I
will be more than run off my
feet when my studies commence and I would like to get a bit of a head start.
So that you guys can
put a face to the name, this is me (with my boys):

http://www.photo.net/photodb/image-display?photo_id=181942&size=lg
http://www.photo.net/photodb/image-display?photo_id=181956&size=lg

To be continued in next post.



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400-600 F8-12 reflex?

2001-03-20 Thread Mark Erickson

Anyone here know anything about the Pentax 400-600mm F8-12 reflex lens?
Seems like a pretty weird beast--lots of lens elements and all.  Pål?
Anyone else?

Thanks,

Mark

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Re: Stripes on film

2001-03-20 Thread Todd Stanley


That doesn't look like a light leak to me, maybe more like contaminated
chemicals at the lab, or possibly just bad or outdated film.

Todd

At 08:54 AM 3/20/01 -0800, you wrote:
>Here they are www.itsmysite.com/herbet
>thanks,
>Herbet.
>--- Aaron Reynolds <[EMAIL PROTECTED]> wrote:
>> 
>> 
>> Todd Stanley wrote:
>> > 
>> > Sounds like a light leak to me.  It might be the
>> camera, cartridge, or
>> > something that happened in the lab.
>> 
>> Could be them stress lines you get from rewinding
>> film the wrong way and
>> such, too.  Best way to figure it out is to slap a
>> scan up somewhere
>> that we can see it and argue about it endlessly. ;)
>> 
>> -Aaron


>
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Introduction to ME, continued.....8-)

2001-03-20 Thread Tanya & Russell Mayer

Continued from first message

I have some stuff posted on photo.net and here are the links, if anyone is
interested (they aren't too
flash, but I am learning!):

http://www.photo.net/photodb/folder?folder_id=108928
http://www.photo.net/photodb/folder?folder_id=106682
http://www.photo.net/photodb/folder?folder_id=106678
http://www.photo.net/photodb/folder?folder_id=106671
http://www.photo.net/photodb/folder?folder_id=105750

I am located in sunny Queensland, Australia (you know, the Great Barrier
Reef, Whitsunday's etc?)!
So I am sweating my butt off right now in the middle of summer. While you
guys are talking about
snow and ice and your lenses/camera gear being able to function in below
zero temperatures, I am
praying that my air conditioner doesn't die and leave me to suffer in 40+
temperatures (Celsius) and
90% humidity!

As I said, I don't know that I could really offer much to this list at this
stage, however, I have been told
by many a pro that I "have an eye" for composition and a "creative flare"
that many yearn for.  I hope
that this is true and that I may use it in some way to contribute here -
maybe with some art direction
or ideas for photoshoots.  You will see in the links above, that all of the
styling and makeup for shots
involving models have been done by myself, as well as the setting up and
composing of still lifes etc
and the posing of wedding shots.

I offer this input only so that I don't feel like I am doing all the
"taking" by being a part of this list, as I
fully intend to bombard you guys with questions as I think of them!  Now to
confirm this, my first query
is in regards to the Pz-20.  Is anybody familiar with this model (I believe
that it was released in '94 and
discontinued in '95)?  I know that it is only a fairly basic model, but I
have had one offered to me for a
good price and I am genuinely interested in the "hyper" mode function that
it offers.  All  comments
and advice would be greatly appreciated.

BTW, in regards to the "A USELESS HUNK OF PENTAX JUNK. NO RESERVE"
auction on Ebay, I am glad that somebody noticed that!  I saw it last night
and was laughing so hard
I could barely breath!  There is also a really nice PZ-1p for auction if
anybody is interested:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1223556713

Thanks in advance, and it is nice to me among other people who believe that
Pentax is second to none!

Tanya Mayer.
Email: [EMAIL PROTECTED]


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Wallaby Country!

2001-03-20 Thread Tanya & Russell Mayer

Date: Tue, 20 Mar 2001 18:54:29 -0500
From: PAUL STENQUIST <[EMAIL PROTECTED]>
Subject: Re: All-Blacks (note capitals)

I have an "All Black" rugby shirt that I bought when I worked in New
Zealand two years ago. I've worn it around Detroit, which probably has
the highest percentage of African American residents in the United
States. Once in a while, someone asks me what the words mean. I tell
them, and they say, "cool."
Paul

mike wilson wrote:
> 
> On 19 Mar 2001, at 23:05, petit miam wrote:
> 
>> Love the silver and black. Hate all-black (and
>> all-blacks, but don't tell em I said so). It is so
>> morbid and boring.
> 
> Then Bob wrote:
> 
>   >A comment that I hope was made in jest...
>   >This list is multi racial and multi cultural, and the
> better for   >it.
>   >We are not just a bunch of 'old white boys' who's
> ancestors were  >Europeans.
> 
> Bit touchy there, Bob, old fruit.  The All-Blacks are New
> Zealand's national rugby team.  How multi-cultural do you want
> 8-) ?
> 
> mike
> (Some of my best friends live on the opposite side of the
> Earth.  Come to think of it _most_ of my best friends..)
> -

We don't like to mention the "All Blacks" in my neck of the woods - 
this is "Wallaby" country where I am !!  It would be sacreligious to 
mention anything else! :-P
Tanya.

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Re: 24mm Lens Hoods

2001-03-20 Thread Shel Belinkoff

Hi,

I just did a few quick tests on a lens hood for the K24/2.8, and for
the time being I'm not going to buy the HAMA hood.  I'd totally
forgotten to check the Nikon hood compatibility chart I made a while
back, and when I did I discovered that the Nikon HN-2 hood was
designed for the 24/2.8 Nikon lens.  It's got a 52mm thread, and so
it fits the K24/2.8 just fine.  It doesn't seem to vignette even
with a filter, but with two filters I see a little cut off at the
corners.  This tells me that the hood does a good job, and blocks
stray light very close to the corner of the frame.  Since the LX has
a pretty accurate viewfinder, I suspect there will be no loss at all
when viewing a frame exposed when using this hood and a filter.  I
will be shooting some test film tomorrow just to verify this.  Based
on results obtained when using other Nikon hoods on Pentax lenses, I
suspect that there will be no vignetting problem.

Based on the problems of using the HAMA hood with a filter, and the
fact that it can (according to some who've used it) easily get
knocked out of alignment, I think the Nikon HN-2 is probably a fine
choice.
--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
There are no rules for good photographs,
there are only good photographs.



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Re: Wedding ... GASP !!!

2001-03-20 Thread Bill Owens

I've just been informed by the war department that I am to photograph the
reception at a wedding on April 7.  My plan is to give her the ZX-5n with a
24-50 zoom while I use the PZ-1p with the FA 28-105 and 500FTZ flash, both
loaded with Portra 400.  Any suggestions/hints would be  greatly
appreciated.

Bill, KG4LOV
[EMAIL PROTECTED]


>   Phillippe.
>  Don't be such a wimpget in there with your 35mm !!!
>   Seriously...look thru actual wedding albums and magazines
>   for inspiration and unusual angles, interview the couple to
>   see what THEY want (hint)...then shoot loads of Kodak Gold
>   200 asa.you'll be surprised at the quality of pix and
>   enlargements you can generate with a little courage. An
>   assistant is always good to have there ( no experience
>   required) to keep track of film cans and gear and has an
>   extra set of eyes for good ops
>  Have fun and happy shootin'
>   Bob G.
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