Re: Fish-eye-Takumar 1:4/17 Dust

2002-02-03 Thread Ming Hui

Guys, take it easy.
I just wanted to know if there's a way to clean the internal filters myself.
What's wrong with wanting to clean up a newly acquired lens?
FWIW, The dust is a small dark color dot surrounded by a very light color 
circle.
The whole thing is about 0.5mm across.
Is it starting fungus?
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Re[2]: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Bruce Dayton

JCO,

Amen to that.  It is quite common for me to pick an image for the PUG
and then reject it once it is sized down - too much loss of detail.
Perhaps we could suggest 2 sizes, 1 for slow connections and 1 for
fast connections.  We would each submit our current size and 1 more at
a larger size.  The viewer could then click on the one they want to
view.


Bruce Dayton



Saturday, February 02, 2002, 7:22:36 PM, you wrote:

JCOC Because the 600 pixel and 75K filesize limitations
JCOC are a joke. We might as well all be using 1 Mpixel
JCOC digital cameras. I just resized and jpegged a
JCOC very nice P67 BW 8X10 and it looks like crap
JCOC with only 600 pixels max.  What the point of using
JCOC all these fantastic Pentax lenses, and then reducing
JCOC the image to where its ruined??

JCOC I vote for larger picture dimentions and filesizes.
JCOC It's 2002 for christs sake, were using 1992 size
JCOC images.

JCOC JCO
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RE: It's February, It Must Be A Cotty's Pentax Mods Site Update...

2002-02-03 Thread Malcolm Smith

Title for the picture:

Serious doubt on age of entrant to under 10s BMX competition

Malcolm

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Cotty
Sent: 02 February 2002 23:01
To: Pentax List
Subject: It's February, It Must Be A Cotty's Pentax Mods Site Update...


Sadly, no incredible new nuttiness to add to the collection this month, 
only a bit of sad middle-age crisis.

http://www.macads.co.uk/pentax/

Cheers,

Cotty

___
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MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
http://www.macads.co.uk
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Re: A New Photo Upload

2002-02-03 Thread Shel Belinkoff

Mike, Juan ... 

Well, they are, indeed, two different expressions of the same subject. 
The first was not a statement of anything, rather, it was more of a
graphic, capturing a representation of a flag, showing, at the most,
perhaps, an exhibition of pride and support.  I was not thinking of
making a statement, just of capturing and interpreting a nice, strong
image.

This photo is meant to be thought provoking and can be interpreted
several ways.  When I saw the scene and snapped the shutter, I was
thinking that here was an image that showed America imprisoned by the
fear and power of terrorism.  This was at the same time that we were
being told to continue our lives as they had been - spend money, buy
goods and services, travel - a message that could be interpreted if not
as one of corporate and political greed, then certainly of
self-interest.  Let's keep the wheels of commerce flowing while we are
mourning our loss of loved ones and innocence.  The building, one of the
largest in the area, symbolizes the corporate and political POV, the
barbed wire and fencing symbolizes our being trapped by circumstances,
the threat of losing certain freedoms and liberties, and a heightened
level of security.  That's what I saw and felt the morning that I made
that photograph, Juan, as I was heading to San Francisco to meet you. 
But that's just my interpretation.  Yours may be different, but no less
valid.

The most important aspect of any photograph is, I think, to get the
viewer to think about what he or she feels or experiences when viewing
it - to get the viewer to feel something, even though it's not readily
explainable or clear, even if the viewer dislikes what he or she sees.
Maybe to provoke an action from the viewer.  ee cummings wrote:

since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you ...

It is not for us, as viewers of art, including photography, to always
understand that which we see and experience.  The experience can be
enough at first, and the understanding can, and probably will, come
later, as long as we allow ourselves to feel.

Juan J. Buhler wrote:

   http://home.earthlink.net/~belinkoff/pow/flag-behind-wire.html
 
  I like this one a lot better than the other one. Says more.
 
 I also like this one a lot more than the other. It does say more, although
 I'm not sure what the message is. In a way, as a non-American living here, it
 made me think of my (currently ongoing and seemengly never-ending) greencad
 process.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: Radio (was: Re: Ultra telephoto lenses)

2002-02-03 Thread Malcolm Smith

There appears to be enough of us here to do so ;-)

Malcolm G0DPT

##
Maybe we should try and set up a sked on 20 or 17?

Bill  KG4LOV
[EMAIL PROTECTED]
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Battery For S1 Meter?

2002-02-03 Thread Paul Jones

Hi,

I am after a battery for the coupled meter for an S1? does any one know what
battery it takes and what equivelant i cant get now?

I assume that its a mercury.

Thanks,
Paul
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Customs and taxes after eBay-auctions?

2002-02-03 Thread Peter Smekal

Has any list-member experience of customs and taxes to be payed for
articles sent to you from abroad after eBay-auctions. In Sweden were I live
the custom offices official answer is that you have to pay both customs and
VAT (25%) on the declared value of the parcel sent. Then of course the cost
would depend on the value declared by the sender. Maybe this is only a
typical Swedish policy?
Any creative ideas how to evade these costs?



Peter Smekal
Uppsala, Sweden
[EMAIL PROTECTED]
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Re: M 100 2.8

2002-02-03 Thread Familie Scheffler

I have used mine for 20 years on the MX. In combination with a M28 /2.8 it
was the sufficient equipment on my tours biking from one youth-hostel to the
other. The two lenses produce the same nice pictures giving a certain
harmony in a photoshow.

Regards,
Bernd
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Re: MZ-5n

2002-02-03 Thread Familie Scheffler

 5 : Do you have a trick to use the Snap-in focus feature with
an FA lens ?

I don't and AFAIK this feature is only possible with manual
focus lenses and a cable release

It is only possible with manual focus lenses that's right but you don't need a
cable.
First I thought there would be something wrong as the camera did not trigger
using an MF lens. But then I realized I had not hit the right distance the
camera expected. Now I turn off AF-mode when using my SMC-M-lenses.

Regards
Bernd
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MZ-5n -- AutoBracketing?

2002-02-03 Thread Familie Scheffler

  6 : What are the ponderation that the multizone metering
  system uses and
 where are the zones that are measured ?

Your manual should contain the pattern of the matrix segments. A
complete list of the ponderation you mentioned knows the Asahi
Opt. Co., I guess:) The camera should recognize backlight scenes
and bright skies for example and compensate for them. It doesn't
compensate for the scenes that have large bright or dark areas -
it acts in accordance with the 18% gray rule. Therefore the
exposure compensation is necessary in such cases. In case of
doubts - bracket the exposure. Fortunately you get the easy-to-
use AutoBracketing feature with the MZ-5n...

Hi Artur,

would you like to explain bracketing and 18%-rule and AutoBracketing
feature, please?!
I suppose there is something I should know because it seemed difficult to me
making pics with super-wide-angle-lens and getting low and high light not
turning into black and white without tonality.

Regards,
Bernd
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My PUG pic(k)s...

2002-02-03 Thread Artur Ledchowski

Hi, 
Fir the first time I decided (read: had time) to view all of the 
PUG submissions and pick up some of them... So here they are:

Gates of the Valley  by  Dick Jones - I like the use of the 
foreground elements (stones) to provide balance for the 
composition and lead my eye into the very subject. 

 Butterfly near Tucson, AZ - Nov. 7, 2001  by  Ann Sanfedele - 
nice colours and tonality, also good composition and the use of 
DOF. I especially like the way all hues of the elements work 
together. Browns and yellows really compose together well:)

 G.G. and Mari, Thanksgiving 2001  by  Mike Johnston - very 
good family portrait. Feelings and emotions are clearly 
readable. Besides, I like sepia toned images:)

Greetz
Artur

---
Harry Potter vs Henryk Portier. Kto wygra? Kliknij!  http://www.harry.wp.pl 
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Re: Film at airports, again

2002-02-03 Thread Bob Walkden

Hi,

this time next week I'll be in India g. It has more or less always
been impossible to get through Heathrow without having your film
x-rayed, but fortunately I've never had any problems with it, even
with ISO1600 film.

I used to carry everything through in ziploc bags, out of the film
cans, but I've never felt comfortable about travelling for however
many weeks with the leaders hanging out of the can - it doesn't feel
safe even though I've had no problems. However this time I've discovered
Eagle Creek half-cubes
(http://www.eaglecreek.com/pack-it_system/40151.html).
Each 1/2 cube will hold exactly 40 film tubs. There's a cut-away panel
covered with mesh so you can see inside and they are much tougher than
ziploc bags. Since the film is going to be x-rayed anyway there is no
particular advantage to using plastic bags and not taking the film tubs,
other than a slight increase in weight and bulk which imo is offset by
the convenience and safety.

---

 Bob  

mailto:[EMAIL PROTECTED]

Sunday, February 03, 2002, 4:16:19 AM, you wrote:

 Joe,

 I also just came back from 3 weeks overseas, carrying 75 rolls of film.  
 Like you I requested hand inspection, and at O'Hare and Houston (twice) they 
 grudgingly granted it.

 To make life easy, I always carry the film in a large clear plastic 
 ziplock bag without plastic canisters, so the film is readily visible.  They 
 swabbed it for explosives, also, but the whole bag rather than individual 
 films.

 I must say that I got very angry about the rudeness of the security 
 staff, I really felt that I was being treated like a criminal rather than a 
 customer.  I believe it is possible to be professional without being 
 obnoxious.

 Both at O'Hare and Houston I was told that the x-ray machines wouldn't 
 affect film under ASA1000; at Houston I lied and said I had some 1600 film 
 mixed in with the 400 and 800 which was actually in the bag.  I'm thinking 
 of buying 4 rolls of cheap 1600 film to carry with me in future so I'll have 
 more leverage with these people.  I was also told in Houston that from Feb 
 20 or thereabouts the FAA was mandating that all film go through the 
 scanner.  I don't know if this is true or not, but you heard it here first.
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PUG woes

2002-02-03 Thread a_v_k

Dear All,

there have been several complaints about the PUG.

First: the Komkon server has been down several times this week, Admin had
technical problems with the server itself. I hope they are solved now.

Files sizes:
As Bill pointed out, there are serveral reasons to keep the filesize small.
First: stealing small pics is not so attractive as big printable ones.
Second: Space on the komkon Server, we don't have to pay for it and this
should make us considerate of disk space. 
Third: We are a group situated all over the world and the bandwidth is not
all over  the world as good as in the Western Hemispere. And as Annsan pointed
out, not everyone can aford fast big bandwidth and computers with huge
screens. 

I think Bill's idea with the link is a good one. Please put the link in the
comments for the time being. I have to talk with Jostein about an additional
field.

Resizing of the pics.
There are two restrictions on the file sizes:
first the file size must be below 75 K
second the longest part of the pic is max 600 pixel.

I have to resize the pics which don't follow these rules. 
Since I don't have photoshop I use a different freeware program to resize.
And this program downgrades resized pics considerably. If you don't want me to
fiddle with your pic (which I prefer) keep to the rules. And you'll get the
pics the way you want them. 

Problems with differnt Browsers
I am at present working on a way to automate the creation of the PUG.
Unfortunatly my program made a mistake which I didn't realize until it was too
late. The blanks should be gone from the file now. And you should be able to view
the PUG with Netscrape and Opera as well.

Cheers
Adelheid
PUG Maintainer (in training :) 

-- 
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net
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Re: PUG woes

2002-02-03 Thread Kevin Waterson

On Sun, 3 Feb 2002 12:25:15 +0100 (MET)
[EMAIL PROTECTED] wrote:


 I have to resize the pics which don't follow these rules. 
 Since I don't have photoshop I use a different freeware program to resize.
 And this program downgrades resized pics considerably. If you don't want me to
 fiddle with your pic (which I prefer) keep to the rules. And you'll get the
 pics the way you want them. 

Just a quick note here...
If you used ImageMagick to resize the pics as they were uploaded this would save
much time for you and would dynamically resize all images over 600 in width or
height. You could use the same tool to dynamically create the thumbnails also.
The resizing of images can be done without degradation of the image.

Just a thought
Kevin
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Otis Wright, Jr.

You of course have a demo to share with us?

Otis

J. C. O'Connell wrote:

  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED]]On Behalf Of Paul Stenquist
  Sent: Saturday, February 02, 2002 10:38 PM
  To: [EMAIL PROTECTED]
  Subject: Re: Why do my photos appear in PUG full of artifacts?
 
 
  With conventional monitors, the PUG pictures won't get better by going
  to higher res, they'll just get bigger.

 Youve got to be kidding : Bullshit! ( pardon my language)
 The more image pixels, the higher the resolution of the total image.
 When I scan an 8X10 at 300ppi I end up with a beautiful
 2400X3000 pixel image. But when I resize it to 480X600
 all of the fine detail is lost and the diagonals get
 all jagged. Why do you think all the digital cameras are
 going to more and more Mpixels? Because it raises the
 overall resolution of the image.

  The PUG size is adequate for
  general viewing,

 I strongly disagree. 600 pixel max is even less than
 VGA resolution (640 by 480 ) which went out of style
 about 10 YEARS ago.

  and I find my 6x7 scans are noticeably better than
  35mm, even at this low resolution. I'll send you a 600 x 400 point jpeg
  that was scanned from a 6x7 color neg if you'd like to see it. It pops
  rather well.

 I dont care how much it pops at 600X400, it would look MUCH
 better at say 1280 X 960. Not just bigger but much more
 DETAIL.

  Most of the scans that look bad on the PUG are bad scans.
  They're not too small.
  Paul
 

 Once again I disagree. They are too small. They dont
 even aproach what 35mm can do let alone 6X7. They
 might be fine if we were shooting with pentax 110 cameras
 but were not.

 JCO
 
 =

  J. C. O'Connell wrote:
 
   Because the 600 pixel and 75K filesize limitations
   are a joke. We might as well all be using 1 Mpixel
   digital cameras. I just resized and jpegged a
   very nice P67 BW 8X10 and it looks like crap
   with only 600 pixels max.  What the point of using
   all these fantastic Pentax lenses, and then reducing
   the image to where its ruined??
  
   I vote for larger picture dimentions and filesizes.
   It's 2002 for christs sake, were using 1992 size
   images.
  
   JCO
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Re: Film at airports, again

2002-02-03 Thread Otis Wright, Jr.

We going to get reasonal solutions to a lot of air travel challenges until DOT
and FAA are overhauled -- in my opinion, they servce the carriers not the
customers acceptance of the new security requirements notwithstanding.   These
knee jerk, low tech reactions to the new security requirements are not going to
foster much of a recovery for the industry --  in my opinion.  It takes time to
catch up, but I see no indication they know where the goal posts are located.

We have reduced our air travel to only that which is just not optional.

Otis Wright

Richard Seaman wrote:

 Joe,

 I also just came back from 3 weeks overseas, carrying 75 rolls of film.
 Like you I requested hand inspection, and at O'Hare and Houston (twice) they
 grudgingly granted it.

 To make life easy, I always carry the film in a large clear plastic
 ziplock bag without plastic canisters, so the film is readily visible.  They
 swabbed it for explosives, also, but the whole bag rather than individual
 films.

 I must say that I got very angry about the rudeness of the security
 staff, I really felt that I was being treated like a criminal rather than a
 customer.  I believe it is possible to be professional without being
 obnoxious.

 Both at O'Hare and Houston I was told that the x-ray machines wouldn't
 affect film under ASA1000; at Houston I lied and said I had some 1600 film
 mixed in with the 400 and 800 which was actually in the bag.  I'm thinking
 of buying 4 rolls of cheap 1600 film to carry with me in future so I'll have
 more leverage with these people.  I was also told in Houston that from Feb
 20 or thereabouts the FAA was mandating that all film go through the
 scanner.  I don't know if this is true or not, but you heard it here first.

 Richard.

 home phone: (1)(847) 244 5463
 home page:  www.richard-seaman.com

 --- original message ---

 I'm just back from three weeks overseas. Departing Albuquerque airport
 on January 13, I asked for a hand inspection of my film, as I usually do
 at U.S. airports. Result: they opened and wiped every cannister, then
 tested each wipe on the sniffing machine (the one they use for portable
 computers). Then they also made me remove my shoes, and wiped and tested
 those. As each wipe takes a few seconds, this is time consuming for the
 quantity of film I had with me.

 Guess I won't ask for hand inspection anymore.

 Joe

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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Paul Stenquist

J. C. O'Connell wrote:

 

 IIt depends on the SCREEN RESOLUTION being used to display
 the graphic. I use 1280X960 and can view an entire image
 up to that size without scrolling. What screen resolution
 are you using BTW??


I'm using 1280 x 960, so the 72 ppi PUG images are about the size of a 4 x 6
minilab print, which is adequate for general viewing. If I view a 1200 x 900
image, I'm still seeing it at 72ppi. It's just bigger.  All web images are the
same resolution. Some are just larger than others.
 Of course the other issue is that many members are still on dial-up
modems. A PUG of 1200 x 900 images would be crippling for them. And Bill has
pointed out that there are server issues as well. A larger dimension just isn't
going to happen. But that doesn't mean we can't display nice images. Looking at
PUG, I find that most of the images appear as well detailed and nicely
rendered. About 10% of them, however, are obviously bad scans. Some members may
be limited by their equipment, but some may be making mistakes. It was obvious
in yesterday's discussions that at least one member was sizing his files so
they were 75K when open, almost ten times smaller than they had to be.
Paul
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Paul Stenquist

Nice scans, Shel. But as you point out, the scanner's resolution isn't a factor when
you're resizing for the web. Everything on the web is 72ppi. Of course, the 4000 ppi
will print far better at 11 x14 than the 1000 ppi, and it will look a bit better
than the 2800 ppi scan. I scan most of my images at 4000 ppi, because my principal
reason for scanning is to generate files for digital printing. Web applications are
secondary for me. So when I want an image for the web, I just resize one of my
printing files. However I could just have easily scanned the original at a lower
res.
 I am not certain, but I do think scanning at a resolution somewhat higher than
the web number is an advantage. I think PhotoShop's resampling produces a better
look than what most scanners are capable of at very low res. But that's just a
guess.
Paul

Shel Belinkoff wrote:

 Yesterday I spent some time with a friend running a test of scanners.  I
 won't go into all the details of why we're doing this, but here's what
 we're doing: we've got three scanners to use at this time, a Nikon
 Coolscan 4000, a Nikon LS 1000, and a Leaf, which will scan up to 4x5
 negatives or slides.

 We chose two negatives to work with, one with lots of detail and a broad
 contrast range and the other rather low contrast with broad areas of sky
 and little fine detail.

 The first set of scans included both negs on the Coolscan, with
 resolution set at 4000ppi, 2800ppi, and 1000ppi, and at each resolution
 we scanned with and without using GEM ... but I digress.  I've put up a
 page which has three scans of the one negative at three different
 resolutions.  The only manipulation to the negs was to adjust the gamma
 a bit (all were adjusted to the same level) and to crop them ever so
 slightly to get rid of the black border and a distracting element, and
 bring the ppi down to something more compatible with the monitor.  IOW,
 all were treated identically.

 Here's the page ... and without going into some photo editing software,
 and just by looking at the images on the screen, can you honestly see
 any significant difference between them.  If there is any, it's not
 noticeable on my monitor, nor on the monitors af three other people to
 whom I've sent the page.  Take a look and tell me what you think.

 http://home.earthlink.net/~belinkoff/temp/ls4000-test-pdml.html

 Paul Stenquist wrote:
 
  J. C. O'Connell wrote:

   Youve got to be kidding : Bullshit! ( pardon my language)
   The more image pixels, the higher the resolution of the total image.
 
  Yes, but you can only display so many on a monitor. For printing, hi-res is a
  benefit. For viewing on a given monitor, more pixels only serve to make the
  image larger.
 
  
   When I scan an 8X10 at 300ppi I end up with a beautiful
   2400X3000 pixel image. Yes, and at 100% you can't see all of it on a monitor.
 
   But when I resize it to 480X600
   all of the fine detail is lost and the diagonals get
   all jagged.
 
  If you're doing it right,, keeping it at 72ppi, and viewing it at 100%, you
  shouldn't see jagged diagonals on a monitor. On a print, yes. On a monitor, no.
 
   Why do you think all the digital cameras are
   going to more and more Mpixels? Because it raises the overall resolution of
   the image.
 
  For printing. For web viewing, it's inconsequential.
 
The PUG size is adequate for
general viewing,
  
   I strongly disagree. 600 pixel max is even less than
   VGA resolution (640 by 480 ) which went out of style
   about 10 YEARS ago.
 
  And on a 640 by 480 monitor, a 600 pixel image would almost fill the screen. On
  a current 1280 x 960 display, it's about the size of a 4 x 6 mini lab print.
  Not ideal, but adequate for viewing.
 
and I find my 6x7 scans are noticeably better than
35mm, even at this low resolution. I'll send you a 600 x 400 point jpeg
that was scanned from a 6x7 color neg if you'd like to see it. It pops
rather well.
  
   I dont care how much it pops at 600X400, it would look MUCH
   better at say 1280 X 960. Not just bigger but much more
   DETAIL.
 
  Well, I scanned it at 4000 ppi, which yielded a 9848 x 7128 image after
  cropping (about 250 meg). That's the one I print from. For the web, I resized
  it to 600x400 points at 72 ppi, letting PhotoShop resample it. If I view the
  small jpeg at 100%, and the huge 200 meg tiff file at 6%, they're the same size
  on my screen. And you know what? to the naked eye, they're identical. No,
  that's not quite true. The small file actualy looks a little better, because
  the huge file generates some noise on horizontal lines. Of course, the huge
  file makes a magnificent 11 x 14 print on my Epson 1200. The little file will
  show all kinds of pixelation when printed. In other words, on a monitor, it
  don't make a damn bit of difference. No bullshit. Just fact.

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 -
 This message is from the Pentax-Discuss 

RE: Fish-eye-Takumar 1:4/17 Dust

2002-02-03 Thread Paul M. Provencher

It sounds like fungus and there is no reason that you should not have it cleaned.  A 
lens like this may very well be affected by
matter between the elements.  Do what makes you feel better.  I'd have it 
professionally done as the lens has a high number of
elements plus the filter mechanism.  Either that or return it for a refund if the 
condition was not described.

ppro


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Ming Hui
 Sent: Sunday, February 03, 2002 3:09 AM
 To: [EMAIL PROTECTED]
 Subject: Re: Fish-eye-Takumar 1:4/17 Dust



 Guys, take it easy.
 I just wanted to know if there's a way to clean the internal filters myself.
 What's wrong with wanting to clean up a newly acquired lens?
 FWIW, The dust is a small dark color dot surrounded by a very light color
 circle.
 The whole thing is about 0.5mm across.
 Is it starting fungus?
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Steve Larson

Hi Paul,
 I`ve been saving scans as bmp`s. Is saving as a tiff better?
Steve Larson
Redondo Beach, California
- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, February 02, 2002 7:29 PM
Subject: Re: Why do my photos appear in PUG full of artifacts?


 Your jpeg for the PUG should be 75K stored and closed. When open, it will
be
 around 700K. If you size your file to 75K open, you're seriously degrading
it.
 The beauty of a jpeg format is that it compresses the file on disk but
allows
 it to decompress when it's opened. Another note: Once you save a jpeg file
 don't resave it. Each time it's compressed some degradation occurs. You
can
 view it as many times as you want, but don't keep saving it over and over
 again. And you don;'t have to use the save for web option on PhotoShop.
Just
 scan your file as a tiff, modify it for the PUG, size it to 600x400 at 72
ppi,
 then save it as a jpeg. Photoshop will ask you to choose a quality level
from
 one 1 to 11. After you choose the level, PhotoShop will tell you how big
the
 stored file is going to be. Choose the highest level that keeps you under
75K,
 usually about 8. However this differs depending on how many colors there
are in
 a particular shot. BWs are much smaller than color scans.
 Paul

 Sid Barras wrote:

  Hi all,
  I've started a new chain with this letter because I think it important
  for some of us who may be confused with the rules regarding PUG
submissions.
 
  I started the older chain of conversation with this (condensed):
 
  My photo in the PUG this month is a dissapointment for me due to its
  noticeable pixelation. The original image, in Velvia, is an incredibly
  sharp, extremely loud photo, as probably only Velvia can do.
  The photo I sent was under 75k, and the length and width, were within
  the parameters stated on the pre-submission page.
 
  On my computer, the final, re-sized, retouched Jpeg, ready for the
  gallery looked great on my computer.
  When I view the same image on our gallery, it looks awful (relatively
  speaking).
 
  I tried to keep the image as close to the limit in size as allowed, in
  hopes of having the best quallity I can hope for shown. I tweak the
  image with the save for web command (I use Photoshop  6),  until I get
  to the 75k size limit.
 
  Bob S., in his comment mentioned something important:
 
  I see a 600x410 picture with a size of 26K.
  Didn't you say that you sent 75K?
  Perhaps this accounts for your artifacts.
 
  I suppose this is going over my  head when we begin to talk about jpeg
  compression, but is my file size is 74k when closed, and stored on the
  server, does  it suddenly take up more space on the server when it is
open?
 
  So, the actual image must be under 75k when it is open?
  And one last puzzlement, why isn't the code for the page written so that
  the thumbnails will show  in both netscape and explorer?
 
  Regards to all from cajunland USA...
  Sid B
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Rfsindg

Dear PUG meister,

Sid sent me a copy of his original 73K jpg as he submitted to the PUG.
It sure is different from the 26K jpg on display in the gallery.
The dimensions on the original pix are 600 tall by 400+ pixels.
There was a bit of a ragged edge on the left side, but no real problem.

Are we sure he didn't somehow get resized?  The final image matches very 
closely what I get when I resize the image to 26K in Paint Shop Pro.

Regards,  Bob S.
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Paul Stenquist

I don't know. I have very little knowledge of file types beyond those I use.
But I think that an uncompressed tiff retains all of the information of the
original file. I started using tiffs, because they can be transported to Quark
Xpress for desktop publishing use.

Steve Larson wrote:

 Hi Paul,
  I`ve been saving scans as bmp`s. Is saving as a tiff better?
 Steve Larson
 Redondo Beach, California
 - Original Message -
 From: Paul Stenquist [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Saturday, February 02, 2002 7:29 PM
 Subject: Re: Why do my photos appear in PUG full of artifacts?

  Your jpeg for the PUG should be 75K stored and closed. When open, it will
 be
  around 700K. If you size your file to 75K open, you're seriously degrading
 it.
  The beauty of a jpeg format is that it compresses the file on disk but
 allows
  it to decompress when it's opened. Another note: Once you save a jpeg file
  don't resave it. Each time it's compressed some degradation occurs. You
 can
  view it as many times as you want, but don't keep saving it over and over
  again. And you don;'t have to use the save for web option on PhotoShop.
 Just
  scan your file as a tiff, modify it for the PUG, size it to 600x400 at 72
 ppi,
  then save it as a jpeg. Photoshop will ask you to choose a quality level
 from
  one 1 to 11. After you choose the level, PhotoShop will tell you how big
 the
  stored file is going to be. Choose the highest level that keeps you under
 75K,
  usually about 8. However this differs depending on how many colors there
 are in
  a particular shot. BWs are much smaller than color scans.
  Paul
 
  Sid Barras wrote:
 
   Hi all,
   I've started a new chain with this letter because I think it important
   for some of us who may be confused with the rules regarding PUG
 submissions.
  
   I started the older chain of conversation with this (condensed):
  
   My photo in the PUG this month is a dissapointment for me due to its
   noticeable pixelation. The original image, in Velvia, is an incredibly
   sharp, extremely loud photo, as probably only Velvia can do.
   The photo I sent was under 75k, and the length and width, were within
   the parameters stated on the pre-submission page.
  
   On my computer, the final, re-sized, retouched Jpeg, ready for the
   gallery looked great on my computer.
   When I view the same image on our gallery, it looks awful (relatively
   speaking).
  
   I tried to keep the image as close to the limit in size as allowed, in
   hopes of having the best quallity I can hope for shown. I tweak the
   image with the save for web command (I use Photoshop  6),  until I get
   to the 75k size limit.
  
   Bob S., in his comment mentioned something important:
  
   I see a 600x410 picture with a size of 26K.
   Didn't you say that you sent 75K?
   Perhaps this accounts for your artifacts.
  
   I suppose this is going over my  head when we begin to talk about jpeg
   compression, but is my file size is 74k when closed, and stored on the
   server, does  it suddenly take up more space on the server when it is
 open?
  
   So, the actual image must be under 75k when it is open?
   And one last puzzlement, why isn't the code for the page written so that
   the thumbnails will show  in both netscape and explorer?
  
   Regards to all from cajunland USA...
   Sid B
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Re: Battery For S1 Meter?

2002-02-03 Thread Bill Owens

Paul,

I don't know what battery it takes, but when you find out chances are you
can get it or a replacement at:

http://www.photobattery.com/

Bill  KG4LOV, WPRS983
[EMAIL PROTECTED]


- Original Message -
From: Paul Jones [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 03, 2002 4:28 AM
Subject: Battery For S1 Meter?


 Hi,

 I am after a battery for the coupled meter for an S1? does any one know
what
 battery it takes and what equivelant i cant get now?

 I assume that its a mercury.

 Thanks,
 Paul
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Jan van Wijk

On Sat, 02 Feb 2002 20:08:19 -0800, Sid Barras wrote:


I see a 600x410 picture with a size of 26K.
Didn't you say that you sent 75K?
Perhaps this accounts for your artifacts.

I suppose this is going over my  head when we begin to talk about jpeg 
compression, but is my file size is 74k when closed, and stored on the 
server, does  it suddenly take up more space on the server when it is open?


No, not on that server (or whereever your hard-disk storage is).

What happens if you open a compressed image (like a .JPG) is that it is
uncompressed in the computers memory.

If you have made an image that has 600x400 pixels, it will be exactly 720.000 bytes 
in memory (600 * 400 * 3, where the 3 is 3 bytes resulting from using 24 bits color)
(and each byte holds exactly 8 bits :-)

So this 720.000 bytes is almost 10 times bigger (arround 700Kb) than allowed for the 
PUG, that is why you will use the JPG file format to store it in, that will reduce the 
size
of the file on DISK (and internet and ...) by using compression. That will reduce the
quality of the image a bit but could size it down to something like 75Kb in this case.

The size that is shown in the statusbar of your graphic manipulation program (like 
photoshop)
is probably the uncomressed size (720.000 bytes here).

So, the actual image must be under 75k when it is open?

No, if you would do that you reduce the number of pixels (resolution).
75Kb open, would be something like 130x200 pixels.
(130 * 200 * 3 = 78.000 bytes)

If you would save such a file as a JPG it would be much smaller, possibly even below 
10Kb.
(or maybe the 26Kb mentioned before).


What I do for PUG submissions is scale it down in Photoshop (or other image program)
to an image of 600x400 pixels, then add a signature-text and save it as a TIFF format.
This results in a file probably arround 500Kb.
Then I save it AGAIN as a JPG, just for use on the WEB (PUG). I select JPG compression
such that the resulting diskfile will be 75Kb or slightly less.
Most image programs let you select that by trial-and-error without actually saving the
image. Once the resulting size shown is within limits, you let it save it ...

And one last puzzlement, why isn't the code for the page written so that 
the thumbnails will show  in both netscape and explorer?

It used to be, but Netscape keeps changing :-)

BTW: I use Netscape 4.61 without any problem.

Regards, JvW
-
Jan van Wijk;   www.fsys.demon.nl
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Re: my February PUG favorites

2002-02-03 Thread David Brooks

Thanks for the kind words Amita.He is usually 
in this pose about 20 hours a day.LOL.
The Pug version is not as good as the print,it 
was scanned at a lab and all of the BW that 
were done came out with a Bluish haze.I worked 
it in PS as best as i can at this time in space.
Its coming,just slowly.

Dave

 Begin Original Message 

From: Amita Guha [EMAIL PROTECTED]

 The Grey  by  David J Brooks - I love the 
pose of the cat.
-

 End Original Message 




Pentax User
Stouffville Ontario Canada

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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread wendy beard

At 02:52 3-2-2002 -0500, annsan wrote:
I'm most bothered by images that are so big
that I cant see the
whole picture on my monitor.  I have it set at 800 x 640
because it is better
for my eyes. Every thing in large font too.

It is a rather elitist attitude to just make things work for
only those with
the best hardware and most advanced software. I would like
my photos to be viewed
by as many people as possible, wouldn't you?

Absolutely. Nicely said.
And nothing irritates me more than having to scroll to see a picture on my 
monitor.
My feeling is that it detracts from the image too

Wendy

---
Wendy Beard
Ottawa, Canada
mailto:[EMAIL PROTECTED]
home page http://www.beard-redfern.com
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Mark Roberts

And a lot of people don't *want* to have higher resolution versions of their
images available on the web.

[EMAIL PROTECTED] wrote:

Problem is, lots of us are drinking thru a very narrow straw.

[EMAIL PROTECTED] writes:

 I vote for larger picture dimentions and filesizes.
 It's 2002 for christs sake, were using 1992 size
 images.

-- 
Mark Roberts
www.robertstech.com
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Paul Stenquist

I opened a tiff and then saved it as a bmp. The bmp was the same size on disk
as the tiff. The only possible downside is that it's windows specific, whereas
tiff is a more universal format. But if it's handy for you for printing, it
should be fine. Of course you have to use jpeg compression for web images.
Paul

Steve Larson wrote:

 Hi Paul,
  I`ve been saving scans as bmp`s. Is saving as a tiff better?
 Steve Larson
 Redondo Beach, California
 - Original Message -
 From: Paul Stenquist [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Saturday, February 02, 2002 7:29 PM
 Subject: Re: Why do my photos appear in PUG full of artifacts?

  Your jpeg for the PUG should be 75K stored and closed. When open, it will
 be
  around 700K. If you size your file to 75K open, you're seriously degrading
 it.
  The beauty of a jpeg format is that it compresses the file on disk but
 allows
  it to decompress when it's opened. Another note: Once you save a jpeg file
  don't resave it. Each time it's compressed some degradation occurs. You
 can
  view it as many times as you want, but don't keep saving it over and over
  again. And you don;'t have to use the save for web option on PhotoShop.
 Just
  scan your file as a tiff, modify it for the PUG, size it to 600x400 at 72
 ppi,
  then save it as a jpeg. Photoshop will ask you to choose a quality level
 from
  one 1 to 11. After you choose the level, PhotoShop will tell you how big
 the
  stored file is going to be. Choose the highest level that keeps you under
 75K,
  usually about 8. However this differs depending on how many colors there
 are in
  a particular shot. BWs are much smaller than color scans.
  Paul
 
  Sid Barras wrote:
 
   Hi all,
   I've started a new chain with this letter because I think it important
   for some of us who may be confused with the rules regarding PUG
 submissions.
  
   I started the older chain of conversation with this (condensed):
  
   My photo in the PUG this month is a dissapointment for me due to its
   noticeable pixelation. The original image, in Velvia, is an incredibly
   sharp, extremely loud photo, as probably only Velvia can do.
   The photo I sent was under 75k, and the length and width, were within
   the parameters stated on the pre-submission page.
  
   On my computer, the final, re-sized, retouched Jpeg, ready for the
   gallery looked great on my computer.
   When I view the same image on our gallery, it looks awful (relatively
   speaking).
  
   I tried to keep the image as close to the limit in size as allowed, in
   hopes of having the best quallity I can hope for shown. I tweak the
   image with the save for web command (I use Photoshop  6),  until I get
   to the 75k size limit.
  
   Bob S., in his comment mentioned something important:
  
   I see a 600x410 picture with a size of 26K.
   Didn't you say that you sent 75K?
   Perhaps this accounts for your artifacts.
  
   I suppose this is going over my  head when we begin to talk about jpeg
   compression, but is my file size is 74k when closed, and stored on the
   server, does  it suddenly take up more space on the server when it is
 open?
  
   So, the actual image must be under 75k when it is open?
   And one last puzzlement, why isn't the code for the page written so that
   the thumbnails will show  in both netscape and explorer?
  
   Regards to all from cajunland USA...
   Sid B
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Re: Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread David Brooks

Hi Shel.I too am new to this digital and PS but 
i 
think you are correct in saying that saving or 
saveing as,will result in poorer quality 
images.I do however use the save to web option 
when i send horse show orginazers some pictures 
for their web sites and when i open them on 
their site ,they seem to look ok,ie no 
pixelations,drop offs etc.
This may not be an ideal way either but so far 
in my experimenting it is the better of the 
two options.
Experimentaion continues.

Dave

 Begin Original Message 

From: Shel Belinkoff [EMAIL PROTECTED]

Hi Sid ...

I'm new to scanning and Photoshop, and far be 
it from me to answer
your questions, but I do have a question or two 
and a comment.

Someone once commented that saving a JPEG image 
to the web in Photoshop
is not the best way to get good images, and 
that the image is degraded
by using that feature.  I'm just learning PS, 
and am probably as curious as you about these
things.




Pentax User
Stouffville Ontario Canada

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Re: Classic Low Speed Film is Back

2002-02-03 Thread Frantisek Vlcek

Sunday, February 03, 2002, 5:37:22 AM, Paul wrote:
PE The gigabit film - 720 lines/mm and 40 ASA - sure looks interesting. Has
PE anyone tried this? It says the stock it in 35 and 4x5 and are preparing to
PE produce it in 120 as well. 57 euro for 50 sheets of 4x5 and the chemistry to
PE develop it doesn't sound too bad.

PE Paul Ewins
PE Melbourne, Australia

Interesting but only if you like making 1-bit images - the film has no
tones at all when developed such, it is for microfiche copying,
having ONLY pure black and pure white, nothing inbetween, AFAIK.

Or no?

Good light,
   Frantisek Vlcek
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Re: Horror!!

2002-02-03 Thread Frantisek Vlcek

gb There is actually what appears to be a small piece of hair on the inside of
gb the rear element.  I had posted several weeks back a question to see if
gb anyone has ever sent their lens to pentax to have the lenses cleaned and
gb roughly how much it would cost.  But no one every replied.
[...]
Hi Gabriel,

sorry about it :) I didn't mean it. I hope I didn't upset you (the
ROTFL part of my message). I will try to offer some help now :)

The biggest thing I would worry about when removing rear part of lens
is that quite often, the rear group is aligned individually by several
screws - that's centered. Unless you have a collimator or such
optical bench device, you couldn't possibly center the lens right
again. I learned this the hard way :) I ruined (fortunately a
very inexpensive screwmount) 1.8/50, by removing the rear elements
assembly to clean greasy aperture. I haven't shot with it since,
though (I didn't in the first place), so I don't know if it did affect
the lens performance and how much.

About your problem - are you sure it even affects the optical quality of
the lens? Perhaps you could try alongside a good 1.9/43 LTD, what you
think? I would be reluctant to have repaired a lens which performs
well - it might perform worse after you get it, and it could be a
hassle to prove it. I guess official Pentax repair wouldn't degrade
it, though.

More, if it's directly beyond the last element, on older lenses this
is often held by a retainer ring which can be loosened by spanner
wrench or similar tool, removing the element and cleaning it. Often,
the last element is not centered individually so that it cannot be
decentered, as it is cut out exactly to fit the metal around it, with
the retaining ring holding it fastly in place. I have cleaned one such
older lens which got hazy on the last element from inside, and it
works well. I dunno however how easy or hard is it on newer lenses. It
was a preset lens too, so there was no problem with opening the rear
part (no aperture coupling).

As a resume: I wouldn't worry about it at all, unless it really shows
in the photos. Does it affect Bokeh or something? Are you sure? If it
is hair-like in dimensions, it shouldn't have any effect on optical
quality at all.

Good light,
   Frantisek Vlcek
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RE: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread AvK

Dear Bob,

I don't remember why I had to resize this particular pic.
Since I don't have the original anymore I have no way of telling.

Please keep to the rules then I am not forced to fiddle around with your
pics.
It only increases the workload anyway.

Cheers
Adelheid


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
Sent: Sonntag, 3. Februar 2002 15:15
To: [EMAIL PROTECTED]
Subject: Re: Why do my photos appear in PUG full of artifacts?


Dear PUG meister,

Sid sent me a copy of his original 73K jpg as he submitted to the PUG.
It sure is different from the 26K jpg on display in the gallery.
The dimensions on the original pix are 600 tall by 400+ pixels.
There was a bit of a ragged edge on the left side, but no real problem.

Are we sure he didn't somehow get resized?  The final image
matches very
closely what I get when I resize the image to 26K in Paint Shop Pro.

Regards,  Bob S.
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Re: Customs and taxes after eBay-auctions?

2002-02-03 Thread Frantisek Vlcek

Sunday, February 03, 2002, 11:02:19 AM, Peter wrote:
PS Has any list-member experience of customs and taxes to be payed for
PS articles sent to you from abroad after eBay-auctions. In Sweden were I live
PS the custom offices official answer is that you have to pay both customs and
PS VAT (25%) on the declared value of the parcel sent. Then of course the cost
PS would depend on the value declared by the sender. Maybe this is only a
PS typical Swedish policy?
PS Any creative ideas how to evade these costs?

Peter,
  does it apply to all declared values, or is there a limit? For
  us in Czech republic, there is a limit under which you don't
  have to pay anything (except small customs fee), not even VAT.
  The limit is 8000,- CZK for items received from persons and
  about 1500,- CZK for items from businesses. Perhaps there is
  something like it in Sweden too, only the official forgot to
  mention it :) ?

  Anyway, marking the declaration as Gift wouldn't hurt. Also, try
  to have the sender sent it as a private person, without any
  sales receipts inclosed, that way it might look really like a
  gift.

Good light,
   Frantisek Vlcek
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Paul Stenquist

Jan van Wijk wrote:

 On Sat, 02 Feb 2002 20:08:19 -0800, Sid Barras wrote:

 
 I see a 600x410 picture with a size of 26K.
 Didn't you say that you sent 75K?
 Perhaps this accounts for your artifacts.
 
 I suppose this is going over my  head when we begin to talk about jpeg
 compression, but is my file size is 74k when closed, and stored on the
 server, does  it suddenly take up more space on the server when it is open?
 


I saved Sid's PUG image. It's a 26K jpeg compressed file on my Mac hard drive. Opening 
it in
PhotoShop it yields a 720K image of 410 x 600 dimension. Of course it's already been 
degraded by
the jpeg compression, but I experimented with resaving it as a jpeg. If I save it as a 
maximum
quality jpeg, (PhotoShop's 11 grade), it yields a file of 79K. I think it was around 
60 K at a
10 rating. Like some other images I've seen, this image compresses to a very small 
size because
it has a large field of a single color. I've found that I can sometimes compress an 
image at 10
or 11 quality rating and still end up under 75K. With complicated images, I sometimes 
have to
compress at a 5 rating. If this file was compressed with software that did not offer 
variable
jpeg quality, it could well have ended up as a 26K file with normal jpeg compression. 
With
PhotoShop it comes in at 26k when saved with a 5 quality rating, which is Medium 
Quality.
Paul
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RE: It's February, It Must Be A Cotty's Pentax Mods Site Update...

2002-02-03 Thread Cotty

Title for the picture:

Serious doubt on age of entrant to under 10s BMX competition

Malcolm

Ah, but Monika, it was the 'Under 10 IQ BMX Competition' - and not only 
was I the winner, I was the only entrant, as I got the wrong venue, the 
wrong date, in fact I was on the wrong planet..

(gurgling noise)

time for the bouncy room again...

;-)

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MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
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February PUG favorites

2002-02-03 Thread Bob Poe

This month's PUG runneth over with so many varied and
rich views.  These are a few of the pictures that kept
me coming back to see more:
Capitol Reef tree Sculpture by Jan van Wijk.  I like
the conrast between the annimated quality of the
tree and the softness of the background.
Caloques by Juame Lahueta.  What a remarkably
playful space Juame has found.  I really like the
interaction of the planes of the walls and the painted
edges of the walkways, the interplay of the grays and
white lines.  Well seen, Juame!
Wood and Wire by Darryn Richter.  The more I look at
this picture, the more harmony of shape, tone, space
is revealed.  The knot in the wood and the loop of
wire, the grid of the wire and the edge of the
composition, the softness of the weeds as one
intercepts the foreground and dances my eye back
into the soft focus in the background.  
The Event by Gianfranco Irlanda.  The enlightened
expressions  of surprise, anticipation, and pleasure
is a joy to see.  It is hightened by the fact that we
are not seeing what they are seeing.
Below 0 (degrees) by Thomas Cakalic.  I like the
color and contrast of this unusaual natural formation.

Leaf by Ed Kenney.  Such a rich tactile presence of
the droplets!  
Macro-Wide angle by Dan Scott.  I like the contrast
of the graphic image of the screen wire and the
pictoral reflections of the water droplets.
Butterfly near Tucson AZ. Nov. 7, 2001 by Ann
Sanfedele.  What delicacy! What a tapestry of tone,
line, color, and transparancy! My wallpaper for quite
a long time to come.  Thanks, Ann!




=
What boots up must come down.
Great stuff seeking new owners in Yahoo! Auctions! 
http://auctions.yahoo.com
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Rfsindg

Adelheid,

I certainly appreciate all the work you are doing to create the PUG.  The 
large number of images every month are a credit to it's popularity and the 
value it adds to this discussion group.

I would appreciate knowing what it was about Sid's image that might have 
caused it to be resized.  Perhaps Sid could send it to you again and you 
could check.  If we have other criteria which cause an image to be resized, 
we sure ought to know about them in advance.  Having seen the original, I 
personally would have been a lot less gracious about it than Sid if it had 
happened to one of my images.

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 Dear Bob,
 
 I don't remember why I had to resize this particular pic.
 Since I don't have the original anymore I have no way of telling.
 
 Please keep to the rules then I am not forced to fiddle around with your
 pics.
 It only increases the workload anyway.
 
 Cheers
 Adelheid 
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Re: Customs and taxes after eBay-auctions?

2002-02-03 Thread frank theriault

Hi,

Of course, things may (and probably are) vastly different in other countries, but
my experience in Canada, is that about one in ten items that I've bought from the
US (sent by mail) are dinged for duties and taxes.  I guess with the volume of
goods crossing our borders, they can't check them all.

Although I've never asked a shipper to do these things, several have marked the
items as gifts, or damaged camera parts, and marked the value at under $10.  It
also may be that I tend to buy eBay items really cheap - typically under $30 - so
maybe these things don't catch the Customs officers attention due to their low
value.

regards,
frank

Frantisek Vlcek wrote:

 Sunday, February 03, 2002, 11:02:19 AM, Peter wrote:
 PS Has any list-member experience of customs and taxes to be payed for
 PS articles sent to you from abroad after eBay-auctions. In Sweden were I live
 PS the custom offices official answer is that you have to pay both customs and
 PS VAT (25%) on the declared value of the parcel sent. Then of course the cost
 PS would depend on the value declared by the sender. Maybe this is only a
 PS typical Swedish policy?
 PS Any creative ideas how to evade these costs?

 Peter,
   does it apply to all declared values, or is there a limit? For
   us in Czech republic, there is a limit under which you don't
   have to pay anything (except small customs fee), not even VAT.
   The limit is 8000,- CZK for items received from persons and
   about 1500,- CZK for items from businesses. Perhaps there is
   something like it in Sweden too, only the official forgot to
   mention it :) ?

   Anyway, marking the declaration as Gift wouldn't hurt. Also, try
   to have the sender sent it as a private person, without any
   sales receipts inclosed, that way it might look really like a
   gift.

 Good light,
Frantisek Vlcek
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Len Paris

Shel,

Very nice scans.  I've been lusting for that scanner since they
hit the shelves.  I've read some really good reviews of it.
I've been seriously considering acquiring one of them to archive
my negs to CD-ROM, and from what I have read, it's probably the
best available scanner for the price range within my grasp
(using plastic).

They all look pretty much identical in quality, mainly because
they all exceed the resolution capabilty of the Internet media
being used, which includes everything between the website and my
monitor.  I'd like to see the full resolution scan, with no
resizing for the web but, I'm sure you don't want to upload the
whole multi-megabyte  file.  Er, if you do, pass along the URL.

Len
---


 Here's the page ... and without going into some photo editing
software,
 and just by looking at the images on the screen, can you
honestly see
 any significant difference between them.  If there is any,
it's not
 noticeable on my monitor, nor on the monitors af three other
people to
 whom I've sent the page.  Take a look and tell me what you
think.
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Annual cancer research fundraising project

2002-02-03 Thread Mark Roberts

Every year my S.O. runs the Boston Marathon as part of the Dana-Farber Marathon
Challenge, raising money for cancer research at the Dana-Farber Cancer Center. 
My contribution is to send a thank you gift of a CD full of computer background
images to those who make contributions. This year's images are now on line at
http://www.robertstech.com/dfmc/_index.htm

-- 
Mark Roberts
www.robertstech.com
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Re: Film at airports, again

2002-02-03 Thread John Glover

We have had similar issues where I work, and I work for the US Government (Env. 
Protection Agency).  Many of field personnel who do site inspections and clean ups are 
issued radiation film badges a s a part of our safety policies.  Several of our 
on-scene coordinators have been *forced* by airport security to pass their film badges 
through the x-ray machines, and have refused to hand inspect the items.  This, in 
effect, fogs the badge and results in a reading that makes the individuals appears to 
have been exposed to a radiation source.  Thus we have to go through the hassle of 
documenting each exposure and explaining to the NRC it is not a radiation exposure, 
but bone-headed stubbornness on the part of the FAA.  In fact, my Radiation Safety 
Officer is preparing to write to FAA on just this matterand to turn over the paper 
work on documenting the exposures to the FAA so they can address the issue for each 
incident we have.

It is absolutely ridiculous that the FAA will not follow its own set of rules and 
regulations pertaining to hand checking of items, but hopefully if we threaten them 
with a vast amount of paperwork, they will get the word.

FWIW, the Federal Protective Service, who provide security at federal buildings, has 
been very good about working with others agencies to ensure sensitive items do not 
have to be x-rayed.  It seems FAA is just not wanting to get on board with current 
practical policies and is just following orders to x-ray everything.


- Original Message - 
From: Otis Wright, Jr. [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 03, 2002 6:31 AM
Subject: Re: Film at airports, again


 We going to get reasonal solutions to a lot of air travel challenges until DOT
 and FAA are overhauled -- in my opinion, they servce the carriers not the
 customers acceptance of the new security requirements notwithstanding.   These
 knee jerk, low tech reactions to the new security requirements are not going to
 foster much of a recovery for the industry --  in my opinion.  It takes time to
 catch up, but I see no indication they know where the goal posts are located.
 
 We have reduced our air travel to only that which is just not optional.
 
 Otis Wright
 
 Richard Seaman wrote:
 
  Joe,
 
  I also just came back from 3 weeks overseas, carrying 75 rolls of film.
  Like you I requested hand inspection, and at O'Hare and Houston (twice) they
  grudgingly granted it.
 
  To make life easy, I always carry the film in a large clear plastic
  ziplock bag without plastic canisters, so the film is readily visible.  They
  swabbed it for explosives, also, but the whole bag rather than individual
  films.
 
  I must say that I got very angry about the rudeness of the security
  staff, I really felt that I was being treated like a criminal rather than a
  customer.  I believe it is possible to be professional without being
  obnoxious.
 
  Both at O'Hare and Houston I was told that the x-ray machines wouldn't
  affect film under ASA1000; at Houston I lied and said I had some 1600 film
  mixed in with the 400 and 800 which was actually in the bag.  I'm thinking
  of buying 4 rolls of cheap 1600 film to carry with me in future so I'll have
  more leverage with these people.  I was also told in Houston that from Feb
  20 or thereabouts the FAA was mandating that all film go through the
  scanner.  I don't know if this is true or not, but you heard it here first.
 
  Richard.
 
  home phone: (1)(847) 244 5463
  home page:  www.richard-seaman.com
 
  --- original message ---
 
  I'm just back from three weeks overseas. Departing Albuquerque airport
  on January 13, I asked for a hand inspection of my film, as I usually do
  at U.S. airports. Result: they opened and wiped every cannister, then
  tested each wipe on the sniffing machine (the one they use for portable
  computers). Then they also made me remove my shoes, and wiped and tested
  those. As each wipe takes a few seconds, this is time consuming for the
  quantity of film I had with me.
 
  Guess I won't ask for hand inspection anymore.
 
  Joe
 
  _
  Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.
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RE: Classic Low Speed Film is Back

2002-02-03 Thread Malcolm Smith

Well, that stretches my German a little, but I'll give it a go :-(

Malcolm

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Shel Belinkoff
Sent: 03 February 2002 17:17
To: [EMAIL PROTECTED]
Subject: Re: Classic Low Speed Film is Back


Here's a page with a comparison of numerous films - Agfa APX 25, Efke
25, Gigabit, Pan F, maybe some that I missed.  You'll see that Gigabit
film can produce more than simple high contrast images.

http://www.chrzahn.de/Fotoseiten/Tipps/apx25Ersatz.html#giga

Frantisek Vlcek wrote:

 Interesting but only if you like making 1-bit images 
 - the film has no tones at all when developed such, it 
 is for microfiche copying, having ONLY pure black and pure 
 white, nothing inbetween, AFAIK.
 
 Or no?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Brief overview of the Spotmatic lenses

2002-02-03 Thread frank theriault

Hi, Mike,

Nice post.  I agree with everything in it.

Except the word essentially as used to modify the best selling SLR's of the
period.  They were in fact the best selling SLR's of their time.  They
outsold Nikon, Canon and Minolta - combined.

At their peak in the late '60's, I think they were producing somewhere around
30,000 units a month (!).

One of my favourite lenses of all time is the Super Tak 2.0 55mm.  Not sexy in
terms of looks, focal length or speed, they are none the less built like tanks,
and sharp as hell.  And, as you alluded to, super cheap on todays' used market -
like $10 or so.  I don't think there's a better bargain around.

regards,
frank

Mike Johnston wrote:

 Bob,
 That's the series just before the Super-Multi-Coated Takumars. Roughly,
 there were three series of Spotmatic lens:

 --The Super Takumars, which were contemporaneous with the original Spotmatic
 known as the SP (1964);

 --The Super-Multi-Coated Takumars, roughly contemporaneous with the SPII
 (1971), but made with light-meter coupling pins for the SPF and ES series
 that immediately followed;

 --The SMC Takumars, more often found on the Spotmatic F and ES.

 Takumars and Auto-Takumars are earlier and generally pre-date the Spotmatic.

 Although SMC is an abbreviation of Super-Multi-Coated, for the purposes
 of lens identification the two terms are NOT interchangeable. The
 Super-Multi-Coated Takumars (which I abbreviate S.-M.-C.) have metal
 focusing rings whereas the SMC Takumars have rubberized focusing rings. The
 two series were almost simultaneous, with the S.-M.-C. coming before the SMC
 by only a couple of years.

 Collectors generally prefer the Super Takumars, whereas users (marginally!)
 tend to prefer the SMC variants. There is NOT any huge difference in
 performance, as the Super-Takumars are generally wonderful lenses.
 Super-Takumars were well-coated for the era, and later ones sometimes
 actually had multicoating without being marked as such.

 If you're interested in this stuff, we are EXTREMELY fortunate to have a
 most excellent book on the subject--a book that is both well-researched and
 attractively presented--_The Ultimate Asahi Pentax Screw Mount Guide
 1952-1977_ by Gerjan van Oosten. A must-have, in my biased opinion.

 I'm of the rather partisan persuasion that every Pentax aficionado ought to
 have a Spotmatic with a Super-Takumar lens. I don't have to tell you that
 they are a remnant of a bygone era in camera manufacture, when a level of
 mechanical quality that is now almost unobtainable was virtually routine.
 Plus, since they were essentially the best-selling SLRs of the period,
 they're extremely cheap on the used market; and as a further bonus the
 Spotmatic is one of the most hard-wearing cameras ever made, with used
 cameras in excellent or better condition being the norm instead of the
 exception even though they may be approaching 40 years old!

 Hope this helps--

 --Mike


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Re: Film at airports, again

2002-02-03 Thread Aaron Reynolds

On Saturday, February 2, 2002, at 08:38  PM, Kenneth Waller wrote:

 Had exactly the same experience recently at Detroit Metro airport with 
 20
 rolls that I had  requested be hand inspection. The rolls were out of 
 the
 plastic containers and in one large zip lock bag. I travel alot and 
 never
 ask for hand inspection, but thought with the heightened security they 
 might
 have increased the power with the carry on baggage scanner. They had 
 removed
 the sign that had stated scanning was safe on film.

Yep, this happened to me at LaGuardia at Christmas.  They wanted to run 
all my Delta 3200 through the X-ray.  I asked if it would be enough if I 
opened all of the foil wrappers for them (it was 120).  Finally, after 
some haggling, they agreed, and swabbed about half of them before they 
got tired of it and let me through.  They checked Vanessa's shoes, but 
not mine, and one of the metal detector guys noticed our Leafs jerseys 
(as we were on our way to NC to see the Leafs vs. the Hurricanes) and 
kept whispering Go Devils! whenever we weren't looking.

-Aaron
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Re: A PUG Compromise (Was Re: Why do my photos appear in PUG fullof artifacts?)

2002-02-03 Thread frank theriault

Hi, Paul,

Bill may have had a liberal approach, but if you submitted via AutoPug, no
discretion was (or is) allowed.  The first time I submitted that way, I think my
image was around 77 or 78K, and it was rejected.  I re-sized it to right around
75K, and it was accepted.

To change the current paramaters would obviously require re-setting AutoPug, which
may or may not be a difficult and time consuming thing to do.

regards,
frank

Paul Stenquist wrote:

 Bill seemed to have had a somewhat liberal approach to interpreting the size
 restrictions. Recent PUGs frequently contained images approaching 90K in file
 size, and something like a 600 x 450 was generally allowed. (Correct me if I'm
 wrong, Bill, but that's the way it appeared.)

 --

The optimist thinks this is the best of all possible worlds. The pessimist fears
it is true. -J. Robert
Oppenheimer
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Re: India (was: Film at airports, again

2002-02-03 Thread Carlos Royo

Hi Bob:
I am not Oliver, but I have been to India a few times. I find your route
very nice. You seem to spend most of your time in south India, and I
think it is the most enjoyable part of the country, at least of the
parts of India I have visited so far.
The only place in your list that is not as interesting as the rest is
Madras, at least for my point of view. But near Madras you have got
Mahabalipuram and Kanchipuram, both of them are recommendable visits.
Take lots of film, because there is nowhere like India, especially South
India, for a photographer.
Also, you'll need some warm clothes to sleep in the sleeping cars of
Indian trains. If the air conditioner is on, it is like travelling in a
mobile fridge.
Feel free to ask, and I'll try to help the best I can.

--
Carlos Royo
[EMAIL PROTECTED]
Zaragoza (Aragon) - Spain
--
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Re: Film at airports, again

2002-02-03 Thread frank theriault

They obviously know hockey!  ;-)

-frank

Aaron Reynolds wrote:

 one of the metal detector guys noticed our Leafs jerseys
 (as we were on our way to NC to see the Leafs vs. the Hurricanes) and
 kept whispering Go Devils! whenever we weren't looking.


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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Aaron Reynolds

On Saturday, February 2, 2002, at 10:53  PM, J. C. O'Connell wrote:

 I strongly disagree. 600 pixel max is even less than
 VGA resolution (640 by 480 ) which went out of style
 about 10 YEARS ago.

Well, my three year old laptop has a max screen res of 800x600 on its 
12 screen.  I use it for the vast majority of my web viewing.  Images 
sized more than 600ppi in any direction are basically impossible for me 
to view online.

One of the other reasons for smaller sized scans in the PUG is the very 
real problem of image theft on the web -- if the image is small enough, 
it is unusable elsewhere.

-Aaron
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Aaron Reynolds

On Sunday, February 3, 2002, at 09:36  AM, Paul Stenquist wrote:

 I opened a tiff and then saved it as a bmp. The bmp was the same size 
 on disk
 as the tiff. The only possible downside is that it's windows specific, 
 whereas
 tiff is a more universal format.

Does the bmp format hold colour profile information?  tiff does, that's 
why we prefer it over here for incoming print work.

-Aaron
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Re: Film at airports, again (now OT)

2002-02-03 Thread Aaron Reynolds

On Sunday, February 3, 2002, at 12:36  PM, frank theriault wrote:

 They obviously know hockey!  ;-)

Yup!  :)

So, Frank, you watch the All-Star skills competition?  Jose Theodore 
kicked some ass.  Who else is in favour of giving Ed Belfour the boot 
and inviting Jose to Team Canada?

I'm looking forward to seeing Theodore play in person on the 9th.

-Aaron
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Re: A PUG Compromise (Was Re: Why do my photos appear in PUG full of artifacts?)

2002-02-03 Thread Aaron Reynolds

On Sunday, February 3, 2002, at 11:41  AM, Steve Larson wrote:

 I`m in. Why not an even 100K.  You can`t really blow up a 100K image
 anyway with any kind of results, and it would load fast enough on a 56K
 modem. It would be a step into the 21st century.

Provided this will not cause a problem with the PUG's free bandwidth, I 
would be for this.

-Aaron
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Re: Customs and taxes after eBay-auctions?

2002-02-03 Thread Jozef Balaz

Hi,

I have had troubles with customs in two countries recently (Finland and
Slovakia), so I tried to find some more information how to avoid it in
future.

 From: Carlos Royo [EMAIL PROTECTED]
 If you buy from somebody in the E.U., you won't have to pay any taxes in
 Sweden, but here in Spain the local customs don't charge anything on
 imports from outside the E.U. if they think that the declared value of
 the goods is small.

To my knowledge, this is not correct - when bargaining with Finnish
customs officers to get my MZ-5N bought at eBay, they told me that even if
the package had been sent from an EU country, since the value exceeded 300
FIM (I'm not 100% sure about this amount), I would have needed to pay
customs + VAT. So, there are apparently limits even within EU countries,
maybe not so strictly applied outside Finland :-).

In Slovakia, the packages sent from a person to another person are free of
customs as far as they are not of commercial character and do not exceed 45
euro - however, this sum refers to individual items, not the package as
whole... So if you receive package of three lens each declared to cost 40
euro, you should not have any troubles with the customs officers... Well, I
hope I won't! At least this is what I will try next time.

I hope this gives you some help.

Jozef
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Doug Franklin

On Sun, 3 Feb 2002 13:00:18 -0500, Aaron Reynolds wrote:

 Does the bmp format hold colour profile information?  tiff does, that's 
 why we prefer it over here for incoming print work.

No.


TTYL, DougF KG4LMZ
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Redskins with rose-tinted glasses (OT)

2002-02-03 Thread Mike Johnston

 What? You're not a fan of the 2000s Redskins?

Does Jack Kent Cooke still own the team? Is Joe Gibbs still the coach? Bobby
Beathard still the GM? Is Art Monk still running his routes? Big Dave Butz?
Riggo still the running back? The Hogs?

Man, those were the _days_.

--Mike
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Re: Customs and taxes after eBay-auctions?

2002-02-03 Thread jmadams

I have had one or two problems with items sent from the USA, a Ricoh Winder
from Ebay for which I paid $35US, and the sender eventually labelled after
several emails, she sent it as having a value of  $100 It had been returned
by Canadian Customs for having no customs declaration. As a result I got
charged $48CDN Brokerage and Customs duty, plus PST and GST. If the seller
feels pissed off, all I can say is beware.

I just got a bill for $13.98 duty for a battery($46US) I ordered for my
Mitsubishi Diacam Video Camera. I can't complain, the camera came in a large
Optex Video Bag for $9.95 from the Salvation Army Thrift Store in North
Vancouver. I repaired the camera and it has provided hours of fun for my
kids.
James
- Original Message -
From: wendy beard [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 03, 2002 8:20 AM
Subject: Re: Customs and taxes after eBay-auctions?


 At 09:14 3-2-2002 -0500, you wrote:
 From: Peter Smekal [EMAIL PROTECTED]
 Subject: Customs and taxes after eBay-auctions?
 
 Has any list-member experience of customs and taxes to be payed for
 articles sent to you from abroad after eBay-auctions. In Sweden were I
live
 the custom offices official answer is that you have to pay both customs
and
 VAT (25%) on the declared value of the parcel sent. Then of course the
cost
 would depend on the value declared by the sender. Maybe this is only a
 typical Swedish policy?
 Any creative ideas how to evade these costs?

 Oh, oh, oh, don't get me ranting on customs and Canadapost.
 I just picked up an envelop from the post office and was billed for an
 amount of $9.70.
 Do you know how much the item cost?
 An english tenner. that's just over $22 CAN.
 Can you believe it? No I couldn't either. BANDITS! That's all I can say.

 Peter, the best you can hope for is that the sender declares the item as a
 gift and it is treated as such by customs, then the limit for duty and tax
 is raised. Hopefully you will either fall under that limit wrt declared
 value or cop for a reduced amount of tax payable.

 I'm still steaming.

 Wendy

 ---
 Wendy Beard
 Ottawa, Canada
 mailto:[EMAIL PROTECTED]
 home page http://www.beard-redfern.com
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Re: Customs and taxes after eBay-auctions?

2002-02-03 Thread Carlos Royo

Jozef Balaz escribió:
 Hi,
 
 I have had troubles with customs in two countries recently (Finland and
 Slovakia), so I tried to find some more information how to avoid it in
 future.
 
 
 To my knowledge, this is not correct - when bargaining with Finnish
 customs officers to get my MZ-5N bought at eBay, they told me that even if
 the package had been sent from an EU country, since the value exceeded 300
 FIM (I'm not 100% sure about this amount), I would have needed to pay
 customs + VAT. So, there are apparently limits even within EU countries,
 maybe not so strictly applied outside Finland :-).
 


But, were you importing it from Finland to Slovakia?
I said that the no taxes principle applies to transactions between EU
countries, not outside the EU. That's what happens here. If I buy
something from a German or British shop, for example, and I have done
this quite often, you pay VAT in the place you are importing from, and
that's all. When I buy or sell to another EU citizen, not a shop, there
are no taxes to pay. I have bought and sold lenses and other
accessories, worth several hundred euros each, to and from people in
Portugal and Germany, and neither them nor I have had to pay import
duties or VAT.
Perhaps custom officers in Finland have a different book of rules :-(
And, outside the EU, I have bought and sold a few times, from shops and
to and from people in this list or other lists, for example the US,
Ukraine, etc. without having to pay duties. Sometimes the amount of
money has been small, but at least once it was more than 800 US $.
--
Carlos Royo
[EMAIL PROTECTED]
Zaragoza (Aragon) - Spain
--
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread tom

From:  Mike Johnston [EMAIL PROTECTED]

  What? You're not a fan of the 2000s Redskins?
 
 Does Jack Kent Cooke still own the team? Is Joe Gibbs still the coach?
 Bobby Beathard still the GM? Is Art Monk still running his routes? Big
 Dave Butz? Riggo still the running back? The Hogs?
 
 Man, those were the _days_.

It's true, and it's also true it's hard to like anyone on the team 
these days besides Darrell Green and Lavar Arrington.

If Spurrier can win, we'll probably like him fine too.

tv

-- 
Thomas Van Veen Photography
301-758-3085
www.bigdayphoto.com
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Frantisek Vlcek

Shel, wouldn't it suffice to crop a central portion of the scan
showing some nice detail at post these at 1:1, that would make it less
than 1MB ? All the photo-review-test servers are doing it this way.

2) Why the bigger seems mushy - are you sure you are looking at it at
1:1 - 100% magnification?

Frantisek

Sunday, February 03, 2002, 4:33:40 PM, Shel wrote:
SB I'll let you know.  I'm pretty sure that I'll upload the 1000ppi scan in
SB its entirety either as a TIF or PSD file.  I'm not sure I want to fiddle
SB with loading a 22mb file for the 4000ppi scan ... but maybe, if I don't
SB have to hang around the computer, although 22megs may exceed the size of
SB my free web space g.


Good light,
   Frantisek Vlcek
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Re: VERY OT Hockey stuff - was: Film at airports, again (now OT)

2002-02-03 Thread frank theriault

Sure, Aaron,

Rub it in that you're gonna be seeing my Habs at the Hangar next week!

Yeah, saw Theodore in the skills competition.  Was even more impressed
with him in yesterday's All-Star game (which I saw with Brendan, btw!  a
mini-pdml get-together),  Let in one weak goal, but made some pretty
amazing saves otherwise.

Too bad Burke was in there in the 3rd...

Eddie the Eagle is a nut-bar.  If he doesn't feel like playing, he'll be
a sieve.  I wouldn't take a chance on him.

regards,
frank

Aaron Reynolds wrote:

 On Sunday, February 3, 2002, at 12:36  PM, frank theriault wrote:

  They obviously know hockey!  ;-)

 Yup!  :)

 So, Frank, you watch the All-Star skills competition?  Jose Theodore
 kicked some ass.  Who else is in favour of giving Ed Belfour the boot
 and inviting Jose to Team Canada?

 I'm looking forward to seeing Theodore play in person on the 9th.


--
The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true. -J. Robert
Oppenheimer
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Re[2]: India (was: Film at airports, again

2002-02-03 Thread Bob Walkden

Hi Carlos,

thanks for your offer. I won't be in Madras for long enough to get a
trip to either of the places you mention I don't think. I may
reconsider when I'm there and I've got a better sense of the scale of
the place and how long it takes to cover particular distances.

I'm taking 70 rolls of Kodachrome and will probably also take about 10
rolls of Tri-X and a few of Supra which I've got in the fridge.

How do people there react to having cameras stuck in their face?

---

 Bob  

mailto:[EMAIL PROTECTED]

Sunday, February 03, 2002, 5:41:04 PM, you wrote:

 Hi Bob:
 I am not Oliver, but I have been to India a few times. I find your route
 very nice. You seem to spend most of your time in south India, and I
 think it is the most enjoyable part of the country, at least of the
 parts of India I have visited so far.
 The only place in your list that is not as interesting as the rest is
 Madras, at least for my point of view. But near Madras you have got
 Mahabalipuram and Kanchipuram, both of them are recommendable visits.
 Take lots of film, because there is nowhere like India, especially South
 India, for a photographer.
 Also, you'll need some warm clothes to sleep in the sleeping cars of
 Indian trains. If the air conditioner is on, it is like travelling in a
 mobile fridge.
 Feel free to ask, and I'll try to help the best I can.
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Re: Customs and taxes after eBay-auctions?

2002-02-03 Thread frank theriault

Hi, James,

Was the winder sent by UPS or some other courier?  If so, NEVER EVER have
anything sent cross-border by anything other than by US Postal!  I always
specify that, ever since UPS tried to charge me the same amount ($48) for
brokerage on a cycling jersey that I paid about $12US for on eBay.

Never did see the jersey, but I wasn't about to give that amount to those UPS
bandits!

regards,
frank

jmadams wrote:

 I have had one or two problems with items sent from the USA, a Ricoh Winder
 from Ebay for which I paid $35US, and the sender eventually labelled after
 several emails, she sent it as having a value of  $100 It had been returned
 by Canadian Customs for having no customs declaration. As a result I got
 charged $48CDN Brokerage and Customs duty, plus PST and GST. If the seller
 feels pissed off, all I can say is beware.

 I just got a bill for $13.98 duty for a battery($46US) I ordered for my
 Mitsubishi Diacam Video Camera. I can't complain, the camera came in a large
 Optex Video Bag for $9.95 from the Salvation Army Thrift Store in North
 Vancouver. I repaired the camera and it has provided hours of fun for my
 kids.

--
The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true. -J. Robert
Oppenheimer
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread frank theriault

Oh, baby!  Riggo's performance in that Super Bowl still ranks as one of the
greatest ever!!

It reminded me of a broadcaster, commenting on a bunch of defenders trying to
gang tackle Jim Brown:  The lucky ones fell off!

-frank

Mike Johnston wrote:

 e
 Riggo still thning back? The Hogs?

 Man, those were the _days_.


--
The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true. -J. Robert
Oppenheimer
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Re: Classic Low Speed Film is Back

2002-02-03 Thread Frantisek Vlcek

I know :) But with lots of work. I myself have been long experimenting
with lith film. I don't have anything scanned, but I have some normal-contrast (well, 
G about
0.75) pictures. But finding the good combination is VERY hard. And
then, you must expose it PRECISELY, totally. Any overexposure and you
get mushy, unsharp picture. Any underxposure and no picture at all. So
I bracket like hell. But if you do it right, the result is limited
only by your lens-camera combo, not the film.

Frantisek


Sunday, February 03, 2002, 6:17:11 PM, Shel wrote:
SB Here's a page with a comparison of numerous films - Agfa APX 25, Efke
SB 25, Gigabit, Pan F, maybe some that I missed.  You'll see that Gigabit
SB film can produce more than simple high contrast images.

SB http://www.chrzahn.de/Fotoseiten/Tipps/apx25Ersatz.html#giga

SB Frantisek Vlcek wrote:

 Interesting but only if you like making 1-bit images 
 - the film has no tones at all when developed such, it 
 is for microfiche copying, having ONLY pure black and pure 
 white, nothing inbetween, AFAIK.
 
 Or no?





Good light,
   Frantisek Vlcek
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Take two MZ-S's and call me when you get back

2002-02-03 Thread Joseph Tainter

Here's my experience taking two MZ-S's for fieldwork in Africa and
Europe, and carrying them in a backpack:

1. The cameras turn themselves on. (Well, actually, the on/off switch
seems regularly to hit something in the pack that switches the camera
on.)

2. They switch the metering mode (same reason).

3. They switch exposure mode. Again, same reason. This was a cute trick.
I thought one body was broken when it wouldn't advance the film. Looking
more closely I found that the camera had set itself to multiple
exposures.

It seems odd that a camera discussed here as tougher than previous
models should need to be protected from its own design.

I also found that (a) I tend to inadvertently switch the camera off when
I am in the middle of taking several shots, and (b) the shutter switch
is too sensitive, so that I would take shots when all I wanted to do was
autofocus. Previously I wondered what the separate autofocus switch
(under my nose) was for. In three weeks of use, I found that I couldn't
adjust to these problems.

Joe
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Re: Annual cancer research fundraising project

2002-02-03 Thread Mark Roberts

tom [EMAIL PROTECTED] wrote:

From:  Mark Roberts [EMAIL PROTECTED]
 Every year my S.O. runs the Boston Marathon as part of the Dana-Farber
 Marathon Challenge, raising money for cancer research at the
 Dana-Farber Cancer Center. My contribution is to send a thank you gift
 of a CD full of computer background images to those who make
 contributions. This year's images are now on line at
 http://www.robertstech.com/dfmc/_index.htm

That's an impressive bunch of landscapes.

With a couple of flower shots thrown in just for Mike Johnston ;-)

(Actually, the flower shots were all taken with my K2 only for the purpose of
checking the light meter accuracy after I recalibrated it. I was pretty
surprised at how nice they came out so I decided to use several on my web page
and on this project.)

-- 
Mark Roberts
www.robertstech.com
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Re: Comments on Espio 738 and 838

2002-02-03 Thread Aaron Reynolds

On Saturday, February 2, 2002, at 01:42  AM, Paul Ewins wrote:

 Hi all,
 does anyone have any experience with the Espio 738 or 838?

I've seen results from several generations of the old 738, from when I 
was working at Sterling and more recently from a friend who purchased 
one of the new ones based on my recommendation of the old one.  The 738 
takes a very good picture for a point and shoot, and also is reasonably 
featured (allowing a bulb mode, which is nice), and is downright cheap 
compared to its competition.  I believe that my friend bought a 738M for 
less than $170 Canadian at Black's.

-Aaron
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Re: Classic Low Speed Film is Back

2002-02-03 Thread Shel Belinkoff

Just scroll down and let the pictures do the talking g.

Malcolm Smith wrote:
 
 Well, that stretches my German a little, but I'll give it a go :-(

 http://www.chrzahn.de/Fotoseiten/Tipps/apx25Ersatz.html#giga

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread Shel Belinkoff

I didn't think of that, but IAC, I want people to see the whole picture,
so they can see how all the tones are rendered.  Also, people with large
monitors might be able to see the who picture, which I think is
helpful.  However, I'm going to put up a zipped version as well, which
cuts the file size almost in half.

It's 1:1 as far as I can tell.

Frantisek Vlcek wrote:
 
 Shel, wouldn't it suffice to crop a central portion of the scan
 showing some nice detail at post these at 1:1, that would make it less
 than 1MB ? All the photo-review-test servers are doing it this way.
 
 2) Why the bigger seems mushy - are you sure you are looking at it at
 1:1 - 100% magnification?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Comments on Espio 738 and 838

2002-02-03 Thread Chris Brogden

On Sun, 3 Feb 2002, Aaron Reynolds wrote:

 I've seen results from several generations of the old 738, from when I
 was working at Sterling and more recently from a friend who purchased
 one of the new ones based on my recommendation of the old one.  The
 738 takes a very good picture for a point and shoot, and also is
 reasonably featured (allowing a bulb mode, which is nice), and is
 downright cheap compared to its competition.  I believe that my friend
 bought a 738M for less than $170 Canadian at Black's.

Personally, I'd rather get an Olympus Stylus Epic for that money, but if
you want a zoom camera, the 738 is a nice little camera.  The viewfinder
is a lot better than it used to be, though it's still not as large or
clear as Canon's Zoom 76.  We sell the 738 non-date model for $139 CAN,
just as a reference point.

chris
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Ultra telephoto lenses

2002-02-03 Thread Paul F. Stregevsky

KEH has had a used Pentax 1000/11 for sale at $429. They just dropped the 
price to $399! This is a steal; it sells new for $3000.

Another was advertised a month ago at 
http://www.precision-camera.com/buy/usedpentax.htm
990806  USED PENTAX 1000/11 REFLEX W/ CASE  BOX (U 8)
  Condition: (8) $665.00.

A more flexible strategy: Get a used 500/4.5 in screwmount or K mount; add 
a used 2X-L adapter for $380; and, if desired, add a used 1.4X-L adapter 
for about $250. Now you'd have a 500/4.5, a 700/6.3, and a 1000/8.8 for a 
total investment of about $1200 to $1600 and a total weight of about 3740 g 
(8.25 lb).

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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1000ppi Scan (WAS: Why do my photos appear in PUG full of artifacts?)]

2002-02-03 Thread Shel Belinkoff

OK, here it is.  A straight 1000ppi scan made on a Nikon Coolscan 4000
scanner, both uncompressed and ZIPped.

The image was scanned on automatic, so there was no manipulation of it
at all.  I trimmed the black border for downloading purposes and
slightly adjusted the gamma for this presentation.  

The photo was made using a Leica M3 and 50mm Summicron.  The film used
was Ilford's HP5+ processed in Ilford's ID-11 developer, diluted 1:1

http://home.earthlink.net/~belinkoff/temp/mc6.tif
http://home.earthlink.net/~belinkoff/temp/mc6.zip

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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OT: Test, Please Ignore

2002-02-03 Thread David Weiss

Hi there, br / br / I should be the only one reading this, hopefully
everyone ignored. br / I am hoping that my troubles with html and
excite are over and everything is looking peachy keen this time.
Otherwise, I am pissed off! br / br / dave br / br / br / br
/


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RE: Ultra telephoto lenses

2002-02-03 Thread Malcolm Smith

Paul,

I think the KEH lens has gone - not that I looked for it ,you understand :-0

Malcolm

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Paul F. Stregevsky
Sent: 03 February 2002 19:41
To: [EMAIL PROTECTED]
Subject: Ultra telephoto lenses


KEH has had a used Pentax 1000/11 for sale at $429. They just dropped the
price to $399! This is a steal; it sells new for $3000.

Another was advertised a month ago at
http://www.precision-camera.com/buy/usedpentax.htm
990806  USED PENTAX 1000/11 REFLEX W/ CASE  BOX (U 8)
  Condition: (8) $665.00.

A more flexible strategy: Get a used 500/4.5 in screwmount or K mount; add
a used 2X-L adapter for $380; and, if desired, add a used 1.4X-L adapter
for about $250. Now you'd have a 500/4.5, a 700/6.3, and a 1000/8.8 for a
total investment of about $1200 to $1600 and a total weight of about 3740 g
(8.25 lb).

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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RE: Classic Low Speed Film is Back

2002-02-03 Thread Malcolm Smith

Sorry Shel,

Getting on for 40, and I don't do the giving up on things, just because it
causes me a little effort or, for goodness sake, I have to exercise the
brain ;-)

Malcolm

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Shel Belinkoff
Sent: 03 February 2002 19:17
To: [EMAIL PROTECTED]
Subject: Re: Classic Low Speed Film is Back


Just scroll down and let the pictures do the talking g.

Malcolm Smith wrote:

 Well, that stretches my German a little, but I'll give it a go :-(

 http://www.chrzahn.de/Fotoseiten/Tipps/apx25Ersatz.html#giga

--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Classic Low Speed Film is Back

2002-02-03 Thread Shel Belinkoff

Oh, I wasn't suggesting that you couldn't or shouldn't read through the
German, I just didn't know if you were aware of the images at the bottom
of the page.

Malcolm Smith wrote:
 
 Sorry Shel,
 
 Getting on for 40, and I don't do the giving up on things, just because it
 causes me a little effort or, for goodness sake, I have to exercise the
 brain ;-)

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: A New Photo Upload

2002-02-03 Thread Ann Sanfedele

I like Shel's shot a lot, too, Mike but what other one?


Mike Johnston wrote:
 
  Here's one that's a little late getting to the web.  Comments and
  criticism welcome.
 
  http://home.earthlink.net/~belinkoff/pow/flag-behind-wire.html
 
 I like this one a lot better than the other one. Says more.
 
 --Mike
 -

I like Shel's shot a lot, too, Mike but what other one?

annsan
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Re: my February PUG favorites

2002-02-03 Thread Matjaz Osojnik

Thanks for kind comment, Amita.

Matjaz

 Amita wrote:
  At the end of the day  by  Matjaz Osojnik - great technical photo!
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PUG comments

2002-02-03 Thread Matjaz Osojnik

Hi all,

I finally found some time to go through PUG and below are those photographs that 
caught my eye:

No Mail Today  by Amita Guha. I like this a lot, especially the contrast of red 
details on 
mailbox against misty background. Might be wrong but it seems a bit oversharpened to 
me.

Frost, 20th November 2001  by Jostein Oksne, I like magical feeling of coloured 
reflections around the plant.

The Grey  by David J Brooks, very nice cat portrait, I especially like shallow DOF 
which creates lovely unsharpness of cat's body.

Stef On Bike, Northmoor, 2000  by Cotty, I'm glad to see your son support you on PUG 
assignment so much  ;-)

Anja in blue  by Edward Kreis, just love it. I like the expression on Anja's face, I 
like 
shallow DOF with focus on her eyes, I like great colours as well.

Trapped !!  by Geoffrey Stevens, it enhances solitude feeling to me and that is 
exactly 
why I like it.

The Event  by Gianfranco Irlanda, I love photographs like this one, full of emotions 
of 
crowded people in front of the lens. I think I'd love to see man's face on the left on 
the 
photo as well, to increase the depth of the photograph.

Macro-wide angle  by Dan Scott, great shot, love the idea and love the composition.

Also got attracted by The Cat  by Karoly Kovacs, Leaf  by Ed Keeney, peaceful 
Green Zen  by Flavio Minelli, family feeling of G.G. and Mari, Thanksgiving 2001  
by 
Mike Johnston, White Nights  by Alexey Tikhonov.

Matjaz
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Re: Classic Low Speed Film is Back

2002-02-03 Thread Matjaz Osojnik

Hi Shel and all,

not long ago I also noticed Efke films in ads in some magazines. To 
me, they have sentimental value as well since I started with 
photography on Efke films. For me, a teenager who just bought his first 
SLR back then in early eighties, home made Efke films (IIRC, they 
were made in Zagreb in Croatia, Yugoslavia at the time)  were the most 
affordable emulsions. Although their color films were not great BW 
stuff was quite good and a lot of it ran through my camera. I'm glad to 
see that they might be (together with german company which seem to 
distribute their stuff) able to fill the niche which is opening now with 
digital forcing many good emulsions to be discontinued.

Matjaz

 Recently the Efke line of BW negative film has been getting wider
 distribution, and it's now available in many places world wide.  For
 those who, like me, have lamented the demise of Agfa's APX 25, and the
 earlier disappearance of Panatomic-X, Efke's 25 ISO film may be just
 what you're looking for.
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread Pntx645

And the Cowboys still managed to beat them now and again.


 Does Jack Kent Cooke still own the team? Is Joe Gibbs still the coach?
  Bobby Beathard still the GM? Is Art Monk still running his routes? Big
  Dave Butz? Riggo still the running back? The Hogs?
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Re: A PUG Compromise (Was Re: Why do my photos appear in PUGfull of artifacts?)

2002-02-03 Thread William Robb

- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 03, 2002 3:45 PM
Subject: Re: A PUG Compromise (Was Re: Why do my photos appear
in PUGfull of artifacts?)


 Hi Bill,
 Sounds good to me. I'm fine with the rules as long as we have
the 600 by
 600 max. However, if you occasionally allowed something up to
about 80K
 or maybe 85K, it might be good to make the real limit 90, and
hold to
 that as an absolute limit. Just a thought.
 In any case, I'm thankful for the hard work of all the
Pugmeisters.
 Paul

Don't thank me, I was just pasing on iformation from when I was
doing the job, and letting you know what went on in the decision
making process.
Almost all the images submitted to the gallery could be
compressed down to less than 50k with minimal quality loss. A
few need to be larger filesizes, though they could be
redimensioned to say 500 pixels and then could come in under the
75k restriction.
The 75k filesize was not an arbitrary number we pulled out of a
hat. We had a very real need to limit server usage.
Making the occassional exception to the rule when deemed
necessary is a better approach, IMHO. This keeps the files that
don't need to be larger at a reasonable filesize, while allowing
some liberty for oversized images from time to time.

William Robb
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread William Robb

- Original Message -
From: J. C. O'Connell
Subject: RE: Why do my photos appear in PUG full of artifacts?


  One of the other reasons for smaller sized scans in the PUG
is the very
  real problem of image theft on the web -- if the image is
small enough,
  it is unusable elsewhere.
 
  -Aaron


 If it's unusuable, it also doesnt communicate the art.
 JCO

So get yourself some web space and make a gallery to call your
very own. Make the files as large as you want.
Make sure you put lots of meta tags into the page headers to
attract as many search engines as possible.
After all, you want to communicate your art.
Wait 6 months then do a name search at the Lycos image
repository and see what they have lifted from you.
Then come back and tell us how happy you are that your art is
being communicated via an offshore server, and there is not a
damned thing you can do about it because some dumbass judge in
California decided that under the reasonable use clause in the
American copyright law they can get away with it.
Thats what I ran into when I had to police it for the PUG.
It took me no small effort to get them to shut down the Komkon
deep links too.

William Robb
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BW tips please

2002-02-03 Thread David Brooks

I have gotten back my first few rolls of Delta 
400 BW prints on my winter project and i have 
a question.First,let me state I am not doing 
the processing,a Pro lab is.
On some of the shots taken with a lot of open 
sky seem to have a bit of a dark area in one 
corner.I thought maybe one of the telephotos 
might have some drop off but it also appears 
with the 55 f 1.8 also.
Is this something that could occur because of 
the bright back ground,or might this just be in 
processing.
Also i'm happy with what i'm getting with ASA 
400 but would i be better off with using 100 
for grain etc.My main quest is rural 
winter/snow shots.

Thanks in advance

Dave


Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread Ken Archer

I wasn't going to say anything, but, even though the Redskins were in 
our nation's capitol, they were never known as America's Team.

On Sunday 03 February 2002 04:30 pm, [EMAIL PROTECTED] wrote:
 And the Cowboys still managed to beat them now and again.

  Does Jack Kent Cooke still own the team? Is Joe Gibbs still the
  coach? Bobby Beathard still the GM? Is Art Monk still running his
  routes? Big Dave Butz? Riggo still the running back? The Hogs?
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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Re: PUG comments

2002-02-03 Thread David Brooks

Thank you Matjaz.As i mentioned in an earlier 
post,he is one of my favorite and willing 
subjects.I shot him about a foot away,i just 
prayed he did not move.

Dave

 Begin Original Message 

From: Matjaz Osojnik [EMAIL PROTECTED]

The Grey  by David J Brooks, very nice cat 
portrait, I especially like shallow DOF 
which creates lovely unsharpness of cat's body.




Pentax User
Stouffville Ontario Canada

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Re: BW tips please

2002-02-03 Thread William Robb

- Original Message -
From: David Brooks [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 03, 2002 4:47 PM
Subject: BW tips please


 I have gotten back my first few rolls of Delta
 400 BW prints on my winter project and i have
 a question.First,let me state I am not doing
 the processing,a Pro lab is.
 On some of the shots taken with a lot of open
 sky seem to have a bit of a dark area in one
 corner.I thought maybe one of the telephotos
 might have some drop off but it also appears
 with the 55 f 1.8 also.

Can you post a scan please?

 Is this something that could occur because of
 the bright back ground,or might this just be in
 processing.
 Also i'm happy with what i'm getting with ASA
 400 but would i be better off with using 100
 for grain etc.My main quest is rural
 winter/snow shots.

You are nearly always better off with a slower film if viable
under the conditions you are shooting under. Of course, I don't
like grain very much.

William Robb

 Thanks in advance
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Re: Horror!!

2002-02-03 Thread Alan Chan

Perhaps you don't need to remove the lens mount in the 1st place. Just 
remove the black plastic screwed on the lens mount might give u enough space 
to work on the lens. Much better than removing the mount. But I have not 
worked on this particular lens (though I painted it matt black).

regards,
Alan Chan

Sorry guys... that guy was me.  :(

I wasn't actually going to take it apart but was more curious to see
whether it was possible and how someone would go about doing this.

There is actually what appears to be a small piece of hair on the inside of
the rear element.  I had posted several weeks back a question to see if
anyone has ever sent their lens to pentax to have the lenses cleaned and
roughly how much it would cost.  But no one every replied.

I've e-mailed pentax and they cannot give me a rough estimate without me
sending my lens to them.

I posted the message to see (and maybe I was very naive for asking) if
whether indeed it was an easy task to remove the bayonet mount and clean 
the
rear element, if indeed that's where the little hair is.  It seemed like
people in that newsgroup have probably done stuff like that and I wanted to
see what the exact process would be.  If I know correctly removing the
bayonet to get the rear element would probably be disastrous.  I'm assuming
there are little springs that hold the ball-bearing contacts in place and
that would probably be a pain in the a*$ to re-assemble... and not to
mention possibly calibrating the lens if any elements were removed.

Anyways...  at least I got a response from PDMLers by posting the question
on another newsgroup.  :)



_
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread Steve Larson

I wasn`t going to say anything either, but, WE DON`T EVEN HAVE 
A FOOTBALL TEAM. We had one that never won a Superbowl, till
they move to St. Louis, ARGGG. I`m sticking to hockey (GO KINGS), 
baseball, and basketball.
Steve Larson
Redondo Beach, California
- Original Message - 
From: Ken Archer [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 03, 2002 3:07 PM
Subject: Re: Redskins with rose-tinted glasses (OT)


 I wasn't going to say anything, but, even though the Redskins were in 
 our nation's capitol, they were never known as America's Team.
 
 On Sunday 03 February 2002 04:30 pm, [EMAIL PROTECTED] wrote:
  And the Cowboys still managed to beat them now and again.
 
   Does Jack Kent Cooke still own the team? Is Joe Gibbs still the
   coach? Bobby Beathard still the GM? Is Art Monk still running his
   routes? Big Dave Butz? Riggo still the running back? The Hogs?
 -- 
 Kenneth Archer + San Antonio, Texas
 [EMAIL PROTECTED]   ICQ #24980801
 Powered by Linux ++ Mailed by Kmail
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread Grigolia

GO EAGLES!!
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Re: Annual cancer research fundraising project

2002-02-03 Thread Ann Sanfedele

Mark - lots of nice stuff - hope it brings in the bucks for
you.  One of the stormy cloud shots quite startled me - I
swear it was the
same cloud formation I photoed in Kansas! i'll dig it up and
post it for you.
THe flowers here among my faves here, by the way. 

Best,
ann

Mark Roberts wrote:
 
 Every year my S.O. runs the Boston Marathon as part of the Dana-Farber Marathon
 Challenge, raising money for cancer research at the Dana-Farber Cancer Center.
 My contribution is to send a thank you gift of a CD full of computer background
 images to those who make contributions. This year's images are now on line at
 http://www.robertstech.com/dfmc/_index.htm
 
 --
 Mark Roberts
 www.robertstech.com
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Re: Classic Low Speed Film is Back

2002-02-03 Thread Shel Belinkoff

Hi Paul ...

Here's a test made just yesterday on the Efke 25 in medium format.  I
believe the film was processed in Rodinal 1:100, which is becoming one
of my favorite developer options.

http://63.197.80.141/film_tests.htm

Paul Stenquist wrote:
 
 Very nice tonal range on the web images. Can't wait to see some wet
 prints. And in medium format? Woof, woof.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: A PUG Compromise (Was Re: Why do my photos appear in PUG full of artifacts?)

2002-02-03 Thread Jon Hope

On Sun, 03 Feb 2002 11:05:11 -0500, Paul Stenquist wrote:

Hi Paul

The PUG submission page has the following:

Maximum file size is 75kb.

Maximum image dimension is 600 pixels on the longest side. Oversized 
images will be resized.

You can submit a square image 600 x 600 as long as it is under 75K.

Or am I missing something rather basic?

Cheers

Bill seemed to have had a somewhat liberal approach to interpreting
the size
restrictions. Recent PUGs frequently contained images approaching
90K in file
size, and something like a 600 x 450 was generally allowed. (Correct
me if I'm
wrong, Bill, but that's the way it appeared.) I think this was a
valid
approach. I'd like to see a minor adjustment of the rules to allow
some
leeway. For example, let's set the maximum file size at 90K.
Frequently, the
difference between 75K and 90 K is PhotoShop's Medium grade vs.
the High
grade compression. And why not change the dimension rule to say that
the
longest side of an image can be no more than 600 points. That would
eliminate
the handicap that a square image faces and would allow for more
creative
cropping.
Paul

[EMAIL PROTECTED] wrote:

 Adelheid,

 I certainly appreciate all the work you are doing to create the
PUG.  The
 large number of images every month are a credit to it's popularity
and the
 value it adds to this discussion group.

 I would appreciate knowing what it was about Sid's image that
might have
 caused it to be resized.  Perhaps Sid could send it to you again
and you
 could check.  If we have other criteria which cause an image to be
resized,
 we sure ought to know about them in advance.  Having seen the
original, I
 personally would have been a lot less gracious about it than Sid
if it had
 happened to one of my images.

 Regards,  Bob S.

 [EMAIL PROTECTED] writes:

  Dear Bob,

 I don't remember why I had to resize this particular pic.
 Since I don't have the original anymore I have no way of telling.

 Please keep to the rules then I am not forced to fiddle around
with your
 pics.
 It only increases the workload anyway.

 Cheers
 Adelheid 
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-- 
Jon Hope, [EMAIL PROTECTED] on 04/02/2002
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Re: Pentax SLR Family

2002-02-03 Thread Steve Larson

Nice shot JCO, it really gives you a feeling of the size of a 
67. I did a family portrait too, minus one Spotmatic II
(the ugly one) at:
http://www27.brinkster.com/stevelarson/Brinkster.html
Steve Larson
Redondo Beach, California
- Original Message - 
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, February 02, 2002 8:35 PM
Subject: Pentax SLR Family


 http://www.gate.net/~hifisapi/pentaxfamily.jpg
 
 The above image I just made is one I've never
 seen before. I think they look cool side by
 side.
 
 JCO
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Re: Annual cancer research fundraising project

2002-02-03 Thread Mark Roberts

Mike Johnston [EMAIL PROTECTED] wrote:

 With a couple of flower shots thrown in just for Mike Johnston ;-)

*GAK!*

Auuugh *COUGH*

*cough*

Sorry, pollen.

g

Wow. I had no idea they were *that* realistic!

-- 
Mark Roberts
www.robertstech.com
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RE: 1000ppi Scan (WAS: Why do my photos appear in PUG full of artifacts?)]

2002-02-03 Thread John Coyle

Hi Shel:
I just had a look at it in IE6, and at the default size (69.2%) the image 
looked grainy.  At 100% the image smoothed out considerably.

The settings reported are:
Resolution 100x100dpi
No compression
Size 355.3 x 239 mm
(Using my standard 256-colour screen)

Pixellation of the curves of the motor-cycle kicks in at 75% of size, so I 
guess the browser is having to combine pixels to present the image at all?

HTH

John Coyle
Brisbane, Australia


On Monday, February 04, 2002 5:33 AM, Shel Belinkoff 
[SMTP:[EMAIL PROTECTED]] wrote:
 OK, here it is.  A straight 1000ppi scan made on a Nikon Coolscan 4000
 scanner, both uncompressed and ZIPped.

 The image was scanned on automatic, so there was no manipulation of it
 at all.  I trimmed the black border for downloading purposes and
 slightly adjusted the gamma for this presentation.

 The photo was made using a Leica M3 and 50mm Summicron.  The film used
 was Ilford's HP5+ processed in Ilford's ID-11 developer, diluted 1:1

 http://home.earthlink.net/~belinkoff/temp/mc6.tif
 http://home.earthlink.net/~belinkoff/temp/mc6.zip

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
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Re: Why do my photos appear in PUG full of artifacts?

2002-02-03 Thread dave o'brien

On Sat, 2 Feb 2002, Sid Barras wrote:

 I suppose this is going over my  head when we begin to talk about jpeg 
 compression, but is my file size is 74k when closed, and stored on the 
 server, does  it suddenly take up more space on the server when it is open?

The important size is the size of the file on the disk.  Sometimes the 
editing program (photoshop or paintshop pro) will show an uncompressed 
size, which really has no relation to the compressed size on disk.
 
 And one last puzzlement, why isn't the code for the page written so that 
 the thumbnails will show  in both netscape and explorer?

It works fine under Konqueror (a linux browser).  There appear to be
spaces as the first character of the thumbnail filenames, which would seem
to be a mistake of some sort.

dave
-- 
dave o'brien - http://www.diaspoir.net
You will lose an important disk file.
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Re: VERY OT Hockey stuff - was: Film at airports, again (nowOT)

2002-02-03 Thread CBWaters

- Original Message - 
From: Paul Stenquist [EMAIL PROTECTED]

 Of course you all saw Federov in the skills competition and the game.
 As always, Red Wings rule.
 Paul
 

I LOVE YOU MAN!!!

Cory Waters
Turning the Bud-Light voice off now :)
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Some more PUG comments

2002-02-03 Thread harald_nancy

some Feb PUG comments 
a few photos I especially enjoyed, and like to comment on, if I may.
(in order as they appear in the PUG).
Toladie Well by  Joseph Tainter 
I like the spontaneity of the shot, and the story it tells.
Takes me right into Africa. Also good depth of field with the 
line into the distance. 
Somewhere in Colorado  by William Robb
I like the glistening light on the cliffs and the rocks.
Maybe it's right after a rain or morning dew?
It gives it a special quality.
Cadaques by  Jaume Lahuerta
Makes me feel like I'm standing right there at the top 
of the steps. I enjoy the way the photo leads you into the
narrow passageway. How about a cutter for the wires (?)
Gates of the Valley by  Dick Jones
Nice classical shot of the valley and El Capitan.
Inspires me to go back to Yosemite sometime, and 
try some black and white. 
Partnachklamm in Winter by  Hans-Bernhard Beykirch
You can almost feel the cold. The long exposure gives it an 
ethereal quality. 
Mirror Image??  by  Toni Lankerd
I enjoy the luminous quality of the tulips. 
Interesting backlit effect despite the black background.
Butterfly near Tucson, AZ - Nov. 7, 2001  by  Ann Sanfedele
I like the way the butterfly stands out against the background.
Nice colors and perfect composition.
G.G. and Mari, Thanksgiving 2001 by  Mike Johnston
Good family shot. Nice example of shallow depth of field.
I'll have to try the Kodak Tri-X sometime. 
Too bad the towel is behind your mother's head. 
Otherwise would be almost perfect.
Are you sure they are your family, and not hired models?
Harald Rust
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Re: Redskins with rose-tinted glasses (OT)

2002-02-03 Thread Pntx645

 GO EAGLES!!
 

And don't come back
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Re: Classic Low Speed Film is Back

2002-02-03 Thread jmadams

Shel,
I just did a quick search on Google and came across this link reviewing Efke
25
http://www.dr5.com/efke25.html stating:

Efke-25:

The efke films are most exceptional in quality in dr5. Efke films are very
silver rich. Their shooting numbers for dr5 are over the factory speeds,
with a stunning crisp image. The film has an old-fashion type image quality,
favouring contrast. Efke films are unfortunately not widely available in the
US. AIM  Freestyle are currently the only providers. It comes in 35  120
formats. A brilliant neutral image in developer 1-neutral and a yellow/brown
in developer 2-sepia. Shoot efke-25 @ 50iso this is correct! NOTE; the efke
films have shown on occasion some factory defects, but this is rare. The
film also will fog easily. We advise special care, especially with the 120
film. Treat it as you would any ultra light sensitive film.

Efke films have been recently put back on the market. We are working to
establish contacts with the company to carry the film here at the lab.

dr5 inc. - NYC
307 W. 38th St. #1910
NY NY 10018
212.244.90.85
212.244.90.83 - fax

Also there are a number of  film developement charts including Garage
Photographers Association http://www.garagephotogs.com/tips/efke.php

James
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