Re: Safe saving

2006-07-08 Thread John Francis
On Sat, Jul 08, 2006 at 05:27:01PM +1200, David Mann wrote:
 On Jul 8, 2006, at 4:23 AM, John Francis wrote:
 
  One or other of the Smart Undelete utilities is your friend.
  Even now, after the fact, you may be lucky enough to be able to
  recover the deleted file, but you're far better off if Delete
  just marks the file for deletion and hides it somewhere.
 
 Do they work if the overwriting file has the same name?

Absolutely.  The version hidden away is given a distinct file name.
I've got as many as a dozen versions of some old files lying around.
 
 I'll have a look around to see what's available on the Mac platform,  
 but that may take longer than just rescanning it.
 
 - Dave

Unfortunately Norton System Works for the Mac appears to have been
discontinued in 2004, so that isn't a very good option (although
I'm sure that version, which was updated for OS X, should still
run just fine on any current Mac, if you can find a copy).

A quick google suggests Data Recycler from macsense.com.au) may
be worth a look, although it's not cheap.  TechTool Pro from
Micromat is another possibility at around the same price point.


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Re: OT: Tent camping

2006-07-08 Thread John Francis
On Fri, Jul 07, 2006 at 10:40:21PM -0400, Adam Maas wrote:
 Bob W wrote:
 
 People do keep them as pets, however.  My eldest daughter had one.
 She called him Trotsky.  The apple doesn't fall far...
 
   
 
 
 Indeed. I was rather alarmed in another thread to learn that your cat
 is called Patch. Mousey Tongue would have seemed more your style.
 
 Bob
 
 
 
   
 
 As long as you don't name it 5.

We used to have a cat named Hen3ry (the 3 was silent).


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Re: PEOW: Great Blue Heron Portrait

2006-07-08 Thread Keith McGuinness
I like the photo a lot but, alas, I don't think that the bird is 
very attractive!

Keith McG

Jay Taylor wrote:
 Here's a shot taken a couple months back with the *istDS with the  
 FA*300 f4.5 stacked with the F1.7X Adapter. This combo gives me a  
 510mm focal length and is not too shabby provided there is some  
 decent light. I tried some Noise Ninja reduction in the BibbleLite  
 Raw processing, but didn't like the way detail was lost on the bird  
 even though the background was quite a bit better without the noise.  
 I suppose if I took the time, I could combine two images (one with  
 noise removed in background), but I'm hard pressed to even get this  
 much posted lately.
 Comments  critique are always helpful from you folks.
 
 Thanks,
 JayT
 
 http://i.pbase.com/o4/87/63987/1/63091875.IxUtTQK6.GBHPortrait.jpg
 


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Re: PESO - Brothers

2006-07-08 Thread Cotty
On 7/7/06, Shel Belinkoff, discombobulated, unleashed:

No Paul, there's not a lot of empty space on top.  Their ID and information
papers take up some of the top part of the frame, which is, imo as the
photographer, is an important part of their story.  Otherwise they're just
a couple of cats in a cage.  And no, you can't see their feet as there's a
part of the cage just below that obscures them.  No matter what angle I'd
have taken the photo from, you'd never see much more below what you see
now, other than a little more of the cage.

This is why I am killfiled.

Shel is quite happy to post a pic, but the moment someone suggests an
alternative preference, he gets goes defensive and woe betide if you
don't see things His Way.

His photography is skilled and most of it is excellent but his attitude
is bollocks.

But he won't be reading this.

-- 


Cheers,
  Cotty


___/\__
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||=|http://www.cottysnaps.com
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Re: PESO - Brothers

2006-07-08 Thread Cotty
On 7/7/06, Shel Belinkoff, discombobulated, unleashed:

What you can see tells you what you need to know.

Arrogant bollocks!!!

-- 


Cheers,
  Cotty


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||=|http://www.cottysnaps.com
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Re: PESO - Brothers

2006-07-08 Thread Keith McGuinness
I didn't look at the photo, so I can't comment on it.

But I do get bothered by people telling me what they think I need 
to know.

Keith McG

Cotty wrote:
 On 7/7/06, Shel Belinkoff, discombobulated, unleashed:
 
 What you can see tells you what you need to know.
 
 Arrogant bollocks!!!
 


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Re: PESO - Brothers

2006-07-08 Thread Keith McGuinness
It was a cat photo; that's enough for me!

I think all pet photos should carry a warning in the subject 
line: [pet].

That way I could bin them more easily!

I have no doubt that some of them are excellent photos but they 
simply do not interest me.

Keith McG

Cotty wrote:
 On 7/7/06, Shel Belinkoff, discombobulated, unleashed:
 
 No Paul, there's not a lot of empty space on top.  Their ID and information
 papers take up some of the top part of the frame, which is, imo as the
 photographer, is an important part of their story.  Otherwise they're just
 a couple of cats in a cage.  And no, you can't see their feet as there's a
 part of the cage just below that obscures them.  No matter what angle I'd
 have taken the photo from, you'd never see much more below what you see
 now, other than a little more of the cage.
 
 This is why I am killfiled.
 
 Shel is quite happy to post a pic, but the moment someone suggests an
 alternative preference, he gets goes defensive and woe betide if you
 don't see things His Way.
 
 His photography is skilled and most of it is excellent but his attitude
 is bollocks.
 
 But he won't be reading this.
 


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Re: PEOW: Great Blue Heron Portrait

2006-07-08 Thread Don Williams
There is something sinister and frightening about that bird -- in focus 
or out.

Don

Keith McGuinness wrote:
 I like the photo a lot but, alas, I don't think that the bird is 
 very attractive!

 Keith McG

 Jay Taylor wrote:
   
 Here's a shot taken a couple months back with the *istDS with the  
 FA*300 f4.5 stacked with the F1.7X Adapter. This combo gives me a  
 510mm focal length and is not too shabby provided there is some  
 decent light. I tried some Noise Ninja reduction in the BibbleLite  
 Raw processing, but didn't like the way detail was lost on the bird  
 even though the background was quite a bit better without the noise.  
 I suppose if I took the time, I could combine two images (one with  
 noise removed in background), but I'm hard pressed to even get this  
 much posted lately.
 Comments  critique are always helpful from you folks.

 Thanks,
 JayT

 http://i.pbase.com/o4/87/63987/1/63091875.IxUtTQK6.GBHPortrait.jpg

 


   


-- 
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www.kolumbus.fi/mimosa/
http://personal.inet.fi/cool/don.williams/
41660 TOIVAKKA – Finland - +358400706616


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RE: OT: Why do you take pictures?

2006-07-08 Thread Jens Bladt
Actually, it is a very good question.
I believe many people (consumers) only take pictures, when ever there's a
family event to remember - a birthday or some sort of family get together.
And they only photograph people they know. So, when I'm photographing
strangers, they start to wonder why.

I once did some quite nice portraits of a young woman. I showed them to a
colleague at work.
She asked; Who is she? I answered: I don't really know her, but doesn't she
look nice? My colleague quickly lost any interest in my photographs.

The lesson I learned was, that lots of people don't look at the photographs
as such. They look at the people IN the photographs. Photographs as such are
not at all interesting - to most people. A good photograph is a photograph
that shows a relative or a friend the way the he or she wants to remember
this person. Noting else really matters.

Once a famous photographer, who died suddenly, left behind thousands of
photographs showing a white cup.
The journalists started to wonder why. They began speculations abuot weather
the  photographer had gone mad or perhaps was looking for some mystery - a
message form the universe - like the alchemists did*.

No one seemed to understand that the white cup may very well have been the
photographers way of testing lenses, developers, lighting etc. ;)
Not even the journalist saw the photographs as - photographs. They looked at
the cup!

Do any of you guys remember who this photographer was?


Note *
(The alchemists did not really try to make gold - they made the Kings, who
paid for the experiments, believe so, in order to get the financing, but
they were really looking for messages form the universe - or something
similar - so I've read)

Jens Bladt
http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Boris
Liberman
Sendt: 7. juli 2006 19:56
Til: Pentax-Discuss Mail List
Emne: Re: OT: Why do you take pictures?


Hi!

 Jens Bladt wrote:
 While doing panoramas earlier today - at the beach - a young woman asked
me:
 Why do you take pictures?
 Out of nowhere, I came upp with this (rather arrogant) answer: Because
I'm a
 photographer.
 I expected her to give me problems or to follow up on the question - but
she
 didn't. To my big surprise, she accepted my answer.
 I will perhaps use the same answer again.

 http://www.jensbladt.dk/pano/Badestranden2.html
 Jens Bladt
 http://www.jensbladt.dk


 How about Why not?

Ann, I am with you here ;-).

Although with all honesty - I take pictures because, well, because it is
so much different from everything else I do every day...

Boris


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Re: OT: Why do you take pictures?

2006-07-08 Thread keith_w
Jens Bladt wrote:
 Actually, it is a very good question.
 I believe many people (consumers) only take pictures, when ever there's a
 family event to remember - a birthday or some sort of family get together.
 And they only photograph people they know. So, when I'm photographing
 strangers, they start to wonder why.
 
 I once did some quite nice portraits of a young woman. I showed them to a
 colleague at work.
 She asked; Who is she? I answered: I don't really know her, but doesn't she
 look nice? My colleague quickly lost any interest in my photographs.

As I have discovered, not all that unusual a response.

 The lesson I learned was, that lots of people don't look at the photographs
 as such. They look at the people IN the photographs. Photographs as such are
 not at all interesting - to most people. A good photograph is a photograph
 that shows a relative or a friend the way the he or she wants to remember
 this person. Noting else really matters.

I think they're looking for meaning.
I recently attended a wine tasting, on a warm Sunday, near a small lake, in a 
grassy glade with trees. Since this was a festival, with crowds of people, I 
thought this was a fine venue to test my rather new pseudo-dslr.

I showed several of the images I thought turned out well to my daughter, who 
very competently uses an Oly XA like she was a foreign correspondent with a 
$3000 Nikon kit!
Her first words were, Who ARE these people?! Do you know them?
How she can put both an exclamation mark and a question mark in one sentence, 
I don't know, but she manages...
In any case, my critical error was in not prefacing my short exhibition with 
what the venue was, and what was happening there.
Once I did, and she now had background, she immediately and totally lost 
interest, not even following up with a single additional question!
That, in itself, was an interesting but totally unexpected response...
I chose to not pursue the matter.

 Once a famous photographer, who died suddenly, left behind thousands of
 photographs showing a white cup.
 The journalists started to wonder why. They began speculations abuot weather
 the  photographer had gone mad or perhaps was looking for some mystery - a
 message form the universe - like the alchemists did*.
 
 No one seemed to understand that the white cup may very well have been the
 photographers way of testing lenses, developers, lighting etc. ;)

That would be my guess. I can see how it might have been the ultimate simple 
test object, not all that easy to photograph well. In his eyes.

 Not even the journalist saw the photographs as - photographs. They looked at
 the cup!

I understand. Not quite his own Haystacks in 4 seasons, but perhaps similar...

 Do any of you guys remember who this photographer was?

No, but now my interest has been piqued!  g

 Note *
 (The alchemists did not really try to make gold - they made the Kings, who
 paid for the experiments, believe so, in order to get the financing, but
 they were really looking for messages form the universe - or something
 similar - so I've read)

Clever indeed!

 Jens Bladt

keith whaley


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OT: The arab family

2006-07-08 Thread Jens Bladt
I was doing panoramas near my home town, by the sea. In a small recreational
area at a boat club, there was an Arab family (from Palestine and Lebanon)
enjoying the nice weather and eachothers company.
All the men came to me and asked me why I was photographing. They behaved as
if they believed, I needed their permission to photograph. I answered again,
that I was a photographer and eventually told them I didn't need their
permission - since it's a public area (this is a free country, you know).

All the children and women wanted me to take their pictures, which I
eventually did. They didn't come out very well, though as I wasn't really
equipped to do portraits. I on had the RTF flash (D and DL), which I'm not
familiar with at all. I used a FA* 2.0 24mm and a FA 1.8 31mm.
Here are the shots, which I have published only because they asked me to:
http://www.jensbladt.dk/Stroeby/Stroeby-1.html click below the panorama to
see the portraits

Regards
Jens Bladt
http://www.jensbladt.dk

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RE: PEOW: Great Blue Heron Portrait

2006-07-08 Thread Jens Bladt
WOW, amazing photograph, Jay. I wish I could get shots like this ;-)
Regards
Jens Bladt
http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Don
Williams
Sendt: 8. juli 2006 09:09
Til: Pentax-Discuss Mail List
Emne: Re: PEOW: Great Blue Heron Portrait


There is something sinister and frightening about that bird -- in focus
or out.

Don

Keith McGuinness wrote:
 I like the photo a lot but, alas, I don't think that the bird is
 very attractive!

 Keith McG

 Jay Taylor wrote:

 Here's a shot taken a couple months back with the *istDS with the
 FA*300 f4.5 stacked with the F1.7X Adapter. This combo gives me a
 510mm focal length and is not too shabby provided there is some
 decent light. I tried some Noise Ninja reduction in the BibbleLite
 Raw processing, but didn't like the way detail was lost on the bird
 even though the background was quite a bit better without the noise.
 I suppose if I took the time, I could combine two images (one with
 noise removed in background), but I'm hard pressed to even get this
 much posted lately.
 Comments  critique are always helpful from you folks.

 Thanks,
 JayT

 http://i.pbase.com/o4/87/63987/1/63091875.IxUtTQK6.GBHPortrait.jpg







--
Dr E D F Williams
www.kolumbus.fi/mimosa/
http://personal.inet.fi/cool/don.williams/
41660 TOIVAKKA – Finland - +358400706616


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RE: OT: Why do you take pictures?

2006-07-08 Thread Bob W
[...]
 Once a famous photographer, who died suddenly, left behind 
 thousands of
 photographs showing a white cup.
 The journalists started to wonder why. They began 
 speculations abuot weather
 the  photographer had gone mad or perhaps was looking for 
 some mystery - a
 message form the universe - like the alchemists did*.
 
 No one seemed to understand that the white cup may very well 
 have been the
 photographers way of testing lenses, developers, lighting etc. ;)
 Not even the journalist saw the photographs as - photographs. 
 They looked at
 the cup!
 
 Do any of you guys remember who this photographer was?
 

Edward Steichen.

Subject matter is usually the most important thing for everybody,
whether it's landscape, photojournalism or family photos. If people
are not interested in the subject matter they won't look at the
photos. This is one reason why abstract photographs rarely work, and
one reason why so much art photography, with its concentration on the
banal, is so boring.

Bob



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Re: testWVL

2006-07-08 Thread Bob Sullivan
Bill,
Your post made it.
Can you read this return?
Sent via list  direct too.
Regards, Bob S.

On 7/8/06, Bill Lawlor [EMAIL PROTECTED] wrote:
 testWVL I have not received list trafic since July 3.
 Bill Lawlor


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Re: PESO: 50 Megapixels of GFM

2006-07-08 Thread Mark Roberts
Boris Liberman wrote:
 http://www.robertstech.com/temp/multi-02a.jpg (200kb!)

Mark, there is great amount of minute detail on this shot. Usually 
digital has problems past certain level of resolution combined with 
certain size of (big) enlargement. When I visited Jostein two years ago 
we pondered an A3 (or was it A2?) print of some shot he made and we saw 
how minute details become rather messy.

Here you have immense number of pixels. I wonder if you printed it big, 
say A2, would the minute details show as such or would they be washed 
out by lack of resolution.

Again, I am not trying to attack you or your work in any way. I am 
merely trying to think out loud purely in technical/technological domain.

The detail is the precise reason why I took this photo and the reason
why I decided to do it as a 12-shot stitch. I realized that a
6-megapixel image would never adequately show the textures that
attracted me to this scene. 50 megapixels do the job quite nicely,
though :)

Probably only equivalent to a medium format photo because of
suboptimal technique on my part; if I'd used a better lens (the
Vivitar doesn't lack sharpness but suffered some zoom creep between
shots) and a proper panorama head I think it would be pretty much the
equal of 4 x 5 film.

Something you obviously can't appreciate with the downsized web image
is how, with the original in Photoshop, you can just keep zooming in
over and over without lessening of apparent detail. I keep doing it
just to convince myself it's real!

Here's a 100% crop:
http://www.robertstech.com/temp/detail.jpg
 
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412-687-2835

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Re: PESO: 50 Megapixels of GFM

2006-07-08 Thread Mark Roberts
Godfrey DiGiorgi wrote:

Pretty darn cool. I'd like to see a 25x50 inch print... :-)

At 240ppi it works out to 23 x 45 inches :)
I'm tempted...
 
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Re: Bird Girl of Delhi - site comments

2006-07-08 Thread Bob Sullivan
Well those are no good.  NOT!  ;-) Regards,  Bob S.

On 7/8/06, David Mann [EMAIL PROTECTED] wrote:
 On Jul 7, 2006, at 8:03 PM, Kostas Kavoussanakis wrote:

  On Fri, 7 Jul 2006, David Mann wrote:
 
  I decided in the end to keep the thumbnails entirely hidden until the
  viewer clicks a link to make them visible.  I also added Next and
  Previous links so the gallery can be viewed in the intended order,
  without even looking at thumbnails (it's a pity I still haven't put
  together any serious galleries yet).
 
  Can you show us please?

 OK, here's a set I threw together a while ago.
 http://www.bluemoon.net.nz/photo/photodb/galleries/view.php?g=30

 I just uploaded the background textures, which I must have forgotten
 to do when I restructured the site recently.

 - Dave


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RE: OT: Why do you take pictures?

2006-07-08 Thread Jens Bladt
I can't say that I disagree.
As I have said - I'm not an artist - art is not my ambition.
Still some journalistic photographs may very well be regarded as art. Like
my favorite example American Girl in Italy, by Ruth Orkin.
It's so brilliant I initially thought it was staged. It isn't, it's a snap
shot:
http://www.allposters.com/-sp/American-Girl-in-Italy-1951-Posters_i314665_.h
tm

Jens Bladt
http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Bob W
Sendt: 8. juli 2006 12:49
Til: 'Pentax-Discuss Mail List'
Emne: RE: OT: Why do you take pictures?


[...]
 Once a famous photographer, who died suddenly, left behind
 thousands of
 photographs showing a white cup.
 The journalists started to wonder why. They began
 speculations abuot weather
 the  photographer had gone mad or perhaps was looking for
 some mystery - a
 message form the universe - like the alchemists did*.

 No one seemed to understand that the white cup may very well
 have been the
 photographers way of testing lenses, developers, lighting etc. ;)
 Not even the journalist saw the photographs as - photographs.
 They looked at
 the cup!

 Do any of you guys remember who this photographer was?


Edward Steichen.

Subject matter is usually the most important thing for everybody,
whether it's landscape, photojournalism or family photos. If people
are not interested in the subject matter they won't look at the
photos. This is one reason why abstract photographs rarely work, and
one reason why so much art photography, with its concentration on the
banal, is so boring.

Bob



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Re: PESO - Brothers

2006-07-08 Thread Godfrey DiGiorgi
On Jul 7, 2006, at 10:16 PM, Shel Belinkoff wrote:

 http://home.earthlink.net/~morepix/brothers.html
 DS w/K24/2.8

I usually don't look at these kinds of pictures very deeply. Not that  
I dislike pets or cats or dogs, only that such photos of people's  
pets only occasionally do much for me.

This one is, however, poignant. The rendering work is excellent: very  
good tonalities.

The composition could be stronger. The significant elements are the  
SPCA tag and the kittens' combined expressions ... I feel it would be  
stronger cropped nearly square placing these two elements in a more  
dynamic relationship. I don't need the food dish on the right. A  
vertical crop line just excising the second bar from the right  
improves the balance to my eye. Cutting it there draws me in ... my  
eye goes from the kitten's eyes directly to the SPCA tag and back.

Give it a try, see what you think.

Godfrey

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Re: OT: The arab family

2006-07-08 Thread Godfrey DiGiorgi
On Jul 8, 2006, at 2:39 AM, Jens Bladt wrote:

 I was doing panoramas near my home town, by the sea. In a small  
 recreational
 area at a boat club, there was an Arab family (from Palestine and  
 Lebanon)
 enjoying the nice weather and eachothers company.
 All the men came to me and asked me why I was photographing. They  
 behaved as
 if they believed, I needed their permission to photograph. I  
 answered again,
 that I was a photographer and eventually told them I didn't need their
 permission - since it's a public area (this is a free country, you  
 know).

 All the children and women wanted me to take their pictures, which I
 eventually did. They didn't come out very well, though as I wasn't  
 really
 equipped to do portraits. I on had the RTF flash (D and DL), which  
 I'm not
 familiar with at all. I used a FA* 2.0 24mm and a FA 1.8 31mm.
 Here are the shots, which I have published only because they asked  
 me to:
 http://www.jensbladt.dk/Stroeby/Stroeby-1.html click below the  
 panorama to
 see the portraits

I love it when a photographer says These didn't come out very well.  
There always seems to be something of a treat associated with the  
photographs.

This is one of the strongest panoramics I've seen you produce. I like  
it much more than the full circle photos ... it's not too wide to see  
all at once and has so many interesting compositional elements.

And the portraits!! My gosh, they're great! The two middle distance  
group shot are a little weak, they seem a little more 'snapshotty',  
but all the half-length ones are fantastic! You caught a few moments  
peek into these people's eyes and revealed something of their selves.

This is about the most memorable set of photos I've seen you present.  
And the backstory is significant. I'd love to see you do more work in  
this vein.

Well done!

Godfrey


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Re: Bird Girl of Delhi - site comments

2006-07-08 Thread Godfrey DiGiorgi

On Jul 7, 2006, at 10:25 PM, David Mann wrote:

 OK, here's a set I threw together a while ago.
 http://www.bluemoon.net.nz/photo/photodb/galleries/view.php?g=30

 I just uploaded the background textures, which I must have forgotten
 to do when I restructured the site recently.

That's a nice presentation. I like the animation on the thumbs high- 
show control and the info on request panel. It runs cleanly on Safari  
and FireFox browsers. Nice work!

(The photos are very good too! ;-)

Godfrey

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OT: Tent camping

2006-07-08 Thread Jerome Reyes
Marnie,

Off the top of my head here are some thoughts from my 6 week camping trip
3 years ago...

Rechargeable flashlights and other accessories *seem* like a good idea,
but they don't seem to last as long as when they're powered by regular
batteries. They also don't seem to give much warning befor they go out.
They just GO. Plus, remembering to recharge can be a nuisance, and the
last thing you want to happen is that you run out of light when you need
it, for example.

If you're going to be in one place for a good amount of time, then get
whatever size tent you want. However, if you will be on the move (i.e.,
taking the tent up and down every other day or more) then  get a smaller
tent thats fast an easy to pitch and break down. I personally had a HUGE
tent, which was great when I was in it, and someplace for a long period of
time... but as the trip stretched on and I stayed on the move, taking it
up and down became a burden and I wished for a smaller tent to pitch.

Invest in a good sleeping bag. Mine was rated for 0 degrees (F) if I'm not
mistaken... but when the temperature dropped below freezing, I was still
cold at times. I ended up lining the bag with a cheap fleece sleeping back
from Wal-Mart. Worked out nicely.

Also invest in a good mattress. Some opt for the foam / rubber pads which
are okay... but I was gone for so long that I opted for an air mattress
(my tent was that big). It was comfortable, but the extreme changes in
temperature a few nights made it deflate some while I was asleep. So on a
few occassions (not many), I had to wake up and pump it back up in the
middle of the night. If you go this route, by the way, be SURE to get a
battery operated pump for inflation.

Most hiking trails are well mapped out and well blazed, so the need for a
GPS is usually minimal (or none) unless your going off-trail (which I
rarely did on purpose). But I did get turned around twice, which is kinda
scary... but I eventually figured it out.

I packed plenty of snacks to avoid having to cook every single time I got
hungry. However, be careful in your selection. I did not realize until
after the fact the extent to which most of my snacks (granola bars,
muffins, etc) were high in fiber. Need I say more?

Bring a Latern!  This is huge. Flashlights are good for when you're
walking or looking for something. But for area lighting in and out of the
tent at night, some sort of latern (gas or battery operated) will be
awesome to have.

I changed clothes several times some days due to temperature drops caused
by the elevation changes. Depending on where you'll be going, keep that in
mind. Layers are good.

Always have sufficient gas in the tank when approaching any national park.
(1) you'll be surprised how much driving you'll do inside, going from
trail to trail, and (2) they usually have stations nearby but they'll
murder you on the prices.

Be sure to do your research on park closings, etc. Given the time of year
you'll be going. I remeber @ Glacier National Park, by early September it
seemed like 80% of the campsites and facilities had already closed for the
season.

I also have to disagree with someone elses suggestion of staying close to
the bathrooms since this is the most popular place @ the campsite. In my
experience, the pedestrian traffic to the bathrooms, plus squeaky doors,
etc tended to bug me @ night and became pretty annoying when trying to get
some sleep. So I guess there are some pros and cons to being close.

Photography-wise, I can say that I did NOT do a good job of making the
proverbial lemonade out of lemons on my trip. When the weather / crowds /
animals weren't cooperating, I sulked and put my camera away rather than
trying to be creative, or better yet, just enjoying the atmosphere and the
fact that I was there. It was fun being a photographer, but I didn't do a
great job of also being a tourist while I was there, and so in hindsight I
can say that I missed out. I hope that, in this respect, you manage better
than I did.

Thats all I can think of right now. If I think of more, I'll let you know.

Here's the website from my trip, by the way. Yes, it's been three years...
but I'm still working on it. I've still got about 1/2 the trip photos to
upload.

http://www.exposedfilm.net/journal/seattle/index.htm

Happy Camping!

  - Jerome


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Re: OT: The arab family

2006-07-08 Thread Bob Sullivan
Jens,

I think Godfrey is right, about the panorama too!  It reminds me of
the painting Sunday in the Park by George Seurat.

The portraits are very revealing.  Much more so than the excellent
work you showed of the town folk for your slide presentation.  I got
the feeling that these people were a little different, maybe naive and
even flattered to be photographed.  It is a marvelous set showing a
great deal of personality in the individuals.  Nice that they trusted
you.

Regards,  Bob S.

On 7/8/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 On Jul 8, 2006, at 2:39 AM, Jens Bladt wrote:

  I was doing panoramas near my home town, by the sea. In a small
  recreational
  area at a boat club, there was an Arab family (from Palestine and
  Lebanon)
  enjoying the nice weather and eachothers company.
  All the men came to me and asked me why I was photographing. They
  behaved as
  if they believed, I needed their permission to photograph. I
  answered again,
  that I was a photographer and eventually told them I didn't need their
  permission - since it's a public area (this is a free country, you
  know).
 
  All the children and women wanted me to take their pictures, which I
  eventually did. They didn't come out very well, though as I wasn't
  really
  equipped to do portraits. I on had the RTF flash (D and DL), which
  I'm not
  familiar with at all. I used a FA* 2.0 24mm and a FA 1.8 31mm.
  Here are the shots, which I have published only because they asked
  me to:
  http://www.jensbladt.dk/Stroeby/Stroeby-1.html click below the
  panorama to
  see the portraits

 I love it when a photographer says These didn't come out very well.
 There always seems to be something of a treat associated with the
 photographs.

 This is one of the strongest panoramics I've seen you produce. I like
 it much more than the full circle photos ... it's not too wide to see
 all at once and has so many interesting compositional elements.

 And the portraits!! My gosh, they're great! The two middle distance
 group shot are a little weak, they seem a little more 'snapshotty',
 but all the half-length ones are fantastic! You caught a few moments
 peek into these people's eyes and revealed something of their selves.

 This is about the most memorable set of photos I've seen you present.
 And the backstory is significant. I'd love to see you do more work in
 this vein.

 Well done!

 Godfrey


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PESO - dodge ball tournament

2006-07-08 Thread Russell Kerstetter
this photo I cannot decide if I like or not

I have spent a lot of time with Picasa messing with it, and have never
been satisfied with what I came up with.  For this version I hit I'm
Feeling Lucky and decided to wait for comments before spending more
time on it.

I like it because shows the excitement and confusion of high
intesity dodge-ball, but then everything is blurry.

so do you think it is worth spending time on, or is it crap?

http://www.avocadohead.com/piclinks/pic05.html

Brutal and Honest  :)

Russell

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Re: PESO - first peso

2006-07-08 Thread Russell Kerstetter
Thank you for the comments.

Mark- I would  like to see your No Swimming, but I did not find it
on your site

Paul Stenquist- I agree that this shot is muddy, as you say.  And
since I am relatively new to this, you must pardon my silly questions.
 Is the muddiness due to the BW conversion that I use, or the color
filter I use on the BW conversion, or is there something else that I
am missing?

and wrt to my site and choice of colors...  I have had a couple others
(not from PDML) comment on the blue on black, so that will be changing
at some point, but thank you for that comment as well.

Russell

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RE: PESO - first peso

2006-07-08 Thread Shel Belinkoff
Hi,

A couple of things.  The tonality is muddy and flat.  At first glance it
seems that a little more contrast would be helpful.  A couple of
questions/comments: have you ever seen exhibition quality BW silver
prints?  If not, hie the to a museum or gallery and see what they look like
and the various printing styles.  Your DOF seems about perfect - the
background shows the people clearly enough but they're OOF enough not to
distract from the main subject.  You might be able to get by with even a
little less DOF, but this works pretty well.

The black background with electric blue type is really a bad choice.  The
blue is a great distraction, and black, generaslly, is not as conducive for
displaying photos as, for example, a more neutral grey.  Depends, of
course, on whether the image has a border or not, too.

Shel



 [Original Message]
 From: Russell Kerstetter 

 this is a peregrin falcon i shot at an air show

 http://www.avocadohead.com/piclinks/pic10.html

 and as the saying goes: honest and brutal please

 (just not too brutal,  I'm still a PESO virgin  :)



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RE: OT: Why do you take pictures?

2006-07-08 Thread Bob W
Yes, that's a very striking photo. When I first saw it years ago I
thought it was not staged, but in fact I think it was staged. Here is
something about the staging:
http://www.zonezero.com/magazine/articles/mraz/mraz04.html

--
Cheers,
 Bob 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Jens Bladt
 Sent: 08 July 2006 13:21
 To: Pentax-Discuss Mail List
 Subject: RE: OT: Why do you take pictures?
 
 I can't say that I disagree.
 As I have said - I'm not an artist - art is not my ambition.
 Still some journalistic photographs may very well be regarded 
 as art. Like
 my favorite example American Girl in Italy, by Ruth Orkin.
 It's so brilliant I initially thought it was staged. It 
 isn't, it's a snap
 shot:
 http://www.allposters.com/-sp/American-Girl-in-Italy-1951-Post
ers_i314665_.h
 tm
 



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Re: PESO - dodge ball tournament

2006-07-08 Thread David Savage
I like. Don't ask me why though.

Dave :-)

On 7/8/06, Russell Kerstetter [EMAIL PROTECTED] wrote:
 this photo I cannot decide if I like or not

 I have spent a lot of time with Picasa messing with it, and have never
 been satisfied with what I came up with.  For this version I hit I'm
 Feeling Lucky and decided to wait for comments before spending more
 time on it.

 I like it because shows the excitement and confusion of high
 intesity dodge-ball, but then everything is blurry.

 so do you think it is worth spending time on, or is it crap?

 http://www.avocadohead.com/piclinks/pic05.html

 Brutal and Honest  :)

 Russell

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Re: PESO - Brothers

2006-07-08 Thread Shel Belinkoff
I'll play with the crop some more.  Your suggestion seems a little tight
for me, but I can see that it can definitely benefit from some tightening
up.  Thanks!

Shel



 [Original Message]
 From: Godfrey DiGiorgi 

  http://home.earthlink.net/~morepix/brothers.html


 I usually don't look at these kinds of pictures very deeply. Not that  
 I dislike pets or cats or dogs, only that such photos of people's  
 pets only occasionally do much for me.

 This one is, however, poignant. The rendering work is excellent: very  
 good tonalities.

 The composition could be stronger. The significant elements are the  
 SPCA tag and the kittens' combined expressions ... I feel it would be  
 stronger cropped nearly square placing these two elements in a more  
 dynamic relationship. I don't need the food dish on the right. A  
 vertical crop line just excising the second bar from the right  
 improves the balance to my eye. Cutting it there draws me in ... my  
 eye goes from the kitten's eyes directly to the SPCA tag and back.

 Give it a try, see what you think.



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RE: PESO - dodge ball tournament

2006-07-08 Thread Bob W
The arm in the foreground obscures too much of the people in the
background for the picture to be 100% successful, otherwise it is very
good.

I agree with Shel about the black background and blue text. I think
you should spell consistently (and correctly) too (avocado, no
avacado)

--
Cheers,
 Bob 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Russell Kerstetter
 Sent: 08 July 2006 15:06
 To: Pentax-Discuss Mail List
 Subject: PESO - dodge ball tournament
 
 this photo I cannot decide if I like or not
 
 I have spent a lot of time with Picasa messing with it, and have
never
 been satisfied with what I came up with.  For this version I hit
I'm
 Feeling Lucky and decided to wait for comments before spending more
 time on it.
 
 I like it because shows the excitement and confusion of high
 intesity dodge-ball, but then everything is blurry.
 
 so do you think it is worth spending time on, or is it crap?
 
 http://www.avocadohead.com/piclinks/pic05.html
 
 Brutal and Honest  :)
 
 Russell
 
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Re: PESO -- Portrait (inspired by Shel's portrait)

2006-07-08 Thread Ann Sanfedele
Bruce Dayton wrote:
 
 Hello mike,
 
 The one aspect of this shot that is interesting is that the
 environment is rather unusual and so the bad lighting and snapshot
 look to it actually bring this out even more.  Certainly as an image
 goes, this is sub par, but it may be a good indication of who he is.
 
 --
 Best regards,
 Bruce
 


Mike - I love it


It can be improved  technically if you could lighten the
right side
somewhat - Side lighting always interesting, but the right
side is so dark
it draws your eye a bit too much - I'd like not to have to
squint to see the
keyboard - I like that it isn't super razor sharp - you can
tell you shot this
with film. 

... It really tells us lots about your subject - the framing
of the shot is just right.

ann

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Re: PESO - dodge ball tournament

2006-07-08 Thread Godfrey DiGiorgi
On Jul 8, 2006, at 7:06 AM, Russell Kerstetter wrote:

 this photo I cannot decide if I like or not

 I have spent a lot of time with Picasa messing with it, and have never
 been satisfied with what I came up with.  For this version I hit I'm
 Feeling Lucky and decided to wait for comments before spending more
 time on it.

 I like it because shows the excitement and confusion of high
 intesity dodge-ball, but then everything is blurry.

 so do you think it is worth spending time on, or is it crap?

 http://www.avocadohead.com/piclinks/pic05.html

 Brutal and Honest  :)

Nothing is crap in and of itself. What are you trying to say with  
it? ]'-)

The question is whether there is something in the photograph that can  
be expressed to your satisfaction. If so, then it's not 'crap', it's  
a photograph that you worked on *for a reason*. If not, then you can  
call it whatever you like.

The fact that you spent a good bit of time 'messing about with it'  
indicates that you feel it isn't crap and that there's something in  
it that is appealing to you. I would suggest that you stop messing  
about with it, study it for a while, and decide what you want to get  
out of it. Then go back into whatever editing software you use and  
see if you can get it in a more directed, intent driven fashion...

After that, you can decide whether it's crap or not. :-)

Godfrey

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Re: OT: Why do you take pictures?

2006-07-08 Thread William Robb

- Original Message - 
From: Jens Bladt
Subject: RE: OT: Why do you take pictures?



 The lesson I learned was, that lots of people don't look at the
 photographs
 as such. They look at the people IN the photographs. Photographs as such
 are
 not at all interesting - to most people. A good photograph is a photograph
 that shows a relative or a friend the way the he or she wants to remember
 this person. Noting else really matters.

For most people, photographs are memory joggers. They don't really want to
see the person or the place depicted, they want to remember the fun that was
had at that place, with that person. The photograph is the tool used to
remind them.
This is why slide shows of other people's vacations are so very hard to sit
through, and why people rarely show much interest in snapshots of people 
they
don't know, or places they haven't been.

William Robb



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PESO: Sun Shadow

2006-07-08 Thread Jack Davis
Would appreciate y'all taking a look and sending along your
reaction/repulsion.
Taken 10 years ago on a foggy AM at Crater Lake, OR.
I've always felt a little guilty about the donut shadow. Should I? 
Mamiya 6, 75mm lens on T-Max 100.

Seeking comments.

Jack

http://photolightimages.com/aspupload/detail.asp?ID=121 


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Re: PESO - first peso

2006-07-08 Thread Paul Stenquist
I would think the muddiness is a function of the conversion. There  
are many conversion methods that work well. If you're working in  
PhotoShop, try using the channel mixer for a start. Just cick on  
monochrome and work with the three channels to get a pleasing effect.  
Click on the monochrome button near the bottom of the channel mixer  
window. Use a lot of the red channel. For many shots, at least 90% or  
so.  Set the constant to near zero or just a bit below. Then dial in  
just a bit of green and blue. Work each slider independently in those  
approximate ranges until you get a pleasing effect.
What color filter did you use? Are you shooting digital?
Paul
On Jul 8, 2006, at 9:57 AM, Russell Kerstetter wrote:

 Thank you for the comments.

 Mark- I would  like to see your No Swimming, but I did not find it
 on your site

 Paul Stenquist- I agree that this shot is muddy, as you say.  And
 since I am relatively new to this, you must pardon my silly questions.
  Is the muddiness due to the BW conversion that I use, or the color
 filter I use on the BW conversion, or is there something else that I
 am missing?

 and wrt to my site and choice of colors...  I have had a couple others
 (not from PDML) comment on the blue on black, so that will be changing
 at some point, but thank you for that comment as well.

 Russell

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Re: PESO: Sun Shadow

2006-07-08 Thread Adam Maas
Beautiful shot.

-Adam


Jack Davis wrote:

Would appreciate y'all taking a look and sending along your
reaction/repulsion.
Taken 10 years ago on a foggy AM at Crater Lake, OR.
I've always felt a little guilty about the donut shadow. Should I? 
Mamiya 6, 75mm lens on T-Max 100.

Seeking comments.

Jack

http://photolightimages.com/aspupload/detail.asp?ID=121 


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Re: PESO -- Portrait (inspired by Shel's portrait)

2006-07-08 Thread Doug Brewer

On Jul 8, 2006, at 1:09 AM, Godfrey DiGiorgi wrote:

 I think it's great. Technically, it wonts for quite a bit, but the
 characterization is excellent.

 Godfrey

 On Jul 7, 2006, at 2:48 PM, [EMAIL PROTECTED] wrote:

 http://www.michaelhamilton.ca/images/chris.jpg

 I know it shows the person, but it's more about his environment.
 This is
 not a technically perfect photo, but sometimes that's not important

I agree with Godfrey on this one. At times we get so caught up in the  
technical aspects that we fail to appreciate the photos. This is one  
of those rare photos that manage to overcome the technical rules to  
show us the subject properly. In fact, it could be argued that the  
very minor deficiencies are actually supporting the photo; A more  
polished look might have undermined the overall feel we have here of  
the nature of the subject.

Doug


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Re: PESO: Sun Shadow

2006-07-08 Thread Bob Sullivan
I like the photo, but don't understand the shadow.
How do you get such?  Looks wierd.
Regards,  Bob S.

On 7/8/06, Jack Davis [EMAIL PROTECTED] wrote:
 Would appreciate y'all taking a look and sending along your
 reaction/repulsion.
 Taken 10 years ago on a foggy AM at Crater Lake, OR.
 I've always felt a little guilty about the donut shadow. Should I?
 Mamiya 6, 75mm lens on T-Max 100.

 Seeking comments.

 Jack

 http://photolightimages.com/aspupload/detail.asp?ID=121


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Do not warm colours

2006-07-08 Thread Kostas Kavoussanakis

William, I hope you are reading this :-)

I once suggested to my photolab that the rose I had shot (neg) looked 
too yellow compared to reality. They suggested that I mark my 
mail-forms do not warm colours and so I have been doing over the 
past 4 years.

I know that photolabs add yellow to warm the pictures and I read the 
discussion the other day about a photog suggesting that no customer 
ever complains about the photos being too warm (they had not heard 
about me, obviously :-)).

What I am wondering is if (with a Frontier minilab in this case) it is 
trivial to not warm colours. Would any lab be able to carry out the 
request? And would this (and the same minilab) suffice to get 
identical pictures from the same negative?

TIA,
Kostas

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RE: PESO: Sun Shadow

2006-07-08 Thread Shel Belinkoff
Yep, that sun shadow thing is a great distraction.  Adds nothing to the
photo, imo, and takes away from some subtle details in the background.

Shel



 [Original Message]
 From: Jack Davis 

 Taken 10 years ago on a foggy AM at Crater Lake, OR.
 I've always felt a little guilty about the donut shadow. Should I? 
 Mamiya 6, 75mm lens on T-Max 100.
 http://photolightimages.com/aspupload/detail.asp?ID=121 



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Re: Do not warm colours

2006-07-08 Thread William Robb

- Original Message - 
From: Kostas Kavoussanakis
Subject: Do not warm colours



 William, I hope you are reading this :-)

 I once suggested to my photolab that the rose I had shot (neg) looked
 too yellow compared to reality. They suggested that I mark my
 mail-forms do not warm colours and so I have been doing over the
 past 4 years.

 I know that photolabs add yellow to warm the pictures and I read the
 discussion the other day about a photog suggesting that no customer
 ever complains about the photos being too warm (they had not heard
 about me, obviously :-)).

 What I am wondering is if (with a Frontier minilab in this case) it is
 trivial to not warm colours. Would any lab be able to carry out the
 request? And would this (and the same minilab) suffice to get
 identical pictures from the same negative?


Any lab should be able to carry out such a request.
If you think the lab consistently prints things too yellow, ask them to 
minus a yellow or two from your work.
If the operator looks at you with the dumbstruck look normally reserved for 
the first time you see a space alien, you can point out that the keyboard 
has more than just a start key, and ask what do they think the buttons 
marked Y, M, and C stand for, and why are there buttons marked -4 to +5?

William Robb 



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Re: OT: Why do you take pictures?

2006-07-08 Thread Shel Belinkoff
Gawd yes!  (remembering slide shows of certain friends' vacations)  There
was ~always~ one or the other standing rigidly in front of some tourist
attraction or scene.  And the narrative, with every slide,  would be This
is Cathy standing in front of ...  Here's Ron in front of ... as if we,
the captive viewers, didn't know who these people were sigh

Now we get a DVD movie that's more of the same, only with music in the
background and repetitious dissolves and fades.  Just a more high-tech
version of the slide show. With the slide shows, we'd have to visit their
house and usually get dinner beforehand.  Now we just get a disk in the
mail. Technology marches on - creativity remains stagnant - dinner
disappears.

Shel 



 [Original Message]
 From: William Robb

 For most people, photographs are memory joggers. They don't really want to
 see the person or the place depicted, they want to remember the fun that
was
 had at that place, with that person. The photograph is the tool used to
 remind them.
 This is why slide shows of other people's vacations are so very hard to
sit
 through, and why people rarely show much interest in snapshots of people 
 they don't know, or places they haven't been.



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RE: PESO: Sun Shadow

2006-07-08 Thread Jack Davis
Thanks, Shel. Guess I knew that all along.

Jack

--- Shel Belinkoff [EMAIL PROTECTED] wrote:

 Yep, that sun shadow thing is a great distraction.  Adds nothing to
 the
 photo, imo, and takes away from some subtle details in the
 background.
 
 Shel
 
 
 
  [Original Message]
  From: Jack Davis 
 
  Taken 10 years ago on a foggy AM at Crater Lake, OR.
  I've always felt a little guilty about the donut shadow. Should I? 
  Mamiya 6, 75mm lens on T-Max 100.
  http://photolightimages.com/aspupload/detail.asp?ID=121 
 
 
 
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RE: PESO -- Portrait (inspired by Shel's portrait)

2006-07-08 Thread Shel Belinkoff
Hi,

I like the rough, gritty style.  My only nit is that I'd like to see a
little more of what's lower, maybe the entire TV set - not because I need
or want the information, just that it may offer a somewhat better balance
to the photo.  Maybe - just maybe - open the shadow and darker areas just a
scosh.  Overall, it's a fine, representational photo.

Shel



 [Original Message]
 From: [EMAIL PROTECTED]
 To: pdml@pdml.net
 Date: 7/7/2006 2:50:40 PM
 Subject: PESO -- Portrait (inspired by Shel's portrait)

 http://www.michaelhamilton.ca/images/chris.jpg

 I know it shows the person, but it's more about his environment.  This is
 not a technically perfect photo, but sometimes that's not important.



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Re: PESO: Sun Shadow

2006-07-08 Thread Jack Davis
That was the question. The sun is in the center of the shadow, but
essentially invisible. 
I saw this weird shadow in my mind with my first look at the
developed image. Finally had to put it there with the burn tool. 
That's the reason for the (slight) guilt feeling.
It's surprising how many look at it without remarking about the
unnatural shadow.
Thanks

Jack

--- Bob Sullivan [EMAIL PROTECTED] wrote:

 I like the photo, but don't understand the shadow.
 How do you get such?  Looks wierd.
 Regards,  Bob S.
 
 On 7/8/06, Jack Davis [EMAIL PROTECTED] wrote:
  Would appreciate y'all taking a look and sending along your
  reaction/repulsion.
  Taken 10 years ago on a foggy AM at Crater Lake, OR.
  I've always felt a little guilty about the donut shadow. Should I?
  Mamiya 6, 75mm lens on T-Max 100.
 
  Seeking comments.
 
  Jack
 
  http://photolightimages.com/aspupload/detail.asp?ID=121
 
 
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Re: PESO - dodge ball tournament

2006-07-08 Thread Mark Roberts
Russell Kerstetter wrote:

this photo I cannot decide if I like or not

http://www.avocadohead.com/piclinks/pic05.html

I like it. It looks like something Frank Theriault would do if he shot
color!
(That's a compliment, by the way...)
 
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Re: Do not warm colours

2006-07-08 Thread Mark Roberts
Kostas Kavoussanakis wrote:

What I am wondering is if (with a Frontier minilab in this case) it is 
trivial to not warm colours.

Yes.
Any lab that can't or won't is a place to be avoided.
 
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PESO: Tricked Up Poppy

2006-07-08 Thread Jack Davis
Have a twinge of guilt about this image, also.
Any idea why? (assuming you feel like playing)
All comments appreciated.

Jack

http://photolightimages.com/aspupload/detail.asp?ID=123

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Re: PESO -- Portrait (inspired by Shel's portrait)

2006-07-08 Thread Mark Roberts
Doug Brewer wrote:

I agree with Godfrey on this one. At times we get so caught up in the  
technical aspects that we fail to appreciate the photos. This is one  
of those rare photos that manage to overcome the technical rules to  
show us the subject properly. In fact, it could be argued that the  
very minor deficiencies are actually supporting the photo; A more  
polished look might have undermined the overall feel we have here of  
the nature of the subject.

You should post more often, Doug.
 
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Re: OT: Tent camping

2006-07-08 Thread mike wilson

 
 From: Jerome Reyes [EMAIL PROTECTED]


 
 Also invest in a good mattress. Some opt for the foam / rubber pads which
 are okay... but I was gone for so long that I opted for an air mattress
 (my tent was that big). It was comfortable, but the extreme changes in
 temperature a few nights made it deflate some while I was asleep. So on a
 few occassions (not many), I had to wake up and pump it back up in the
 middle of the night. If you go this route, by the way, be SURE to get a
 battery operated pump for inflation.

I disagree.  If you use a manual pump, you will be nice and warm when you get 
back into bed.  You also won't have any battery problems.

Camp beds obviate this problem entirely.  You will need to have some insulation 
_underneath_ you, though.

m


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Re: OT: Why do you take pictures?

2006-07-08 Thread P. J. Alling
But so few people make a good meatloaf these days anyway...

Shel Belinkoff wrote:

Gawd yes!  (remembering slide shows of certain friends' vacations)  There
was ~always~ one or the other standing rigidly in front of some tourist
attraction or scene.  And the narrative, with every slide,  would be This
is Cathy standing in front of ...  Here's Ron in front of ... as if we,
the captive viewers, didn't know who these people were sigh

Now we get a DVD movie that's more of the same, only with music in the
background and repetitious dissolves and fades.  Just a more high-tech
version of the slide show. With the slide shows, we'd have to visit their
house and usually get dinner beforehand.  Now we just get a disk in the
mail. Technology marches on - creativity remains stagnant - dinner
disappears.

Shel 



  

[Original Message]
From: William Robb



  

For most people, photographs are memory joggers. They don't really want to
see the person or the place depicted, they want to remember the fun that


was
  

had at that place, with that person. The photograph is the tool used to
remind them.
This is why slide shows of other people's vacations are so very hard to


sit
  

through, and why people rarely show much interest in snapshots of people 
they don't know, or places they haven't been.





  



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Re: OT: The arab family

2006-07-08 Thread Carlos Royo
Jens Bladt wrote:

 All the children and women wanted me to take their pictures, which I
 eventually did. They didn't come out very well, though as I wasn't really
 equipped to do portraits. I on had the RTF flash (D and DL), which I'm not
 familiar with at all. I used a FA* 2.0 24mm and a FA 1.8 31mm.
 Here are the shots, which I have published only because they asked me to:
 http://www.jensbladt.dk/Stroeby/Stroeby-1.html click below the panorama to
 see the portraits
 

I don't know if you took the address of the family, but if you did, I'm 
sure they would be grateful if you send them the photographs. Some of 
them are really good, lively portraits.

Carlos

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Re: OT: Tent camping

2006-07-08 Thread Ann Sanfedele
JErome -
I very much enjoyed browsing your trip --


I wish the pics each had captions re where you took them 
easier to say which photos I liked best for one thing :) 

As I'm an ardent road trip gal, and have traveled those
routes as well, it
really was enjoyable... 

It is a big project -- I have two long trips by car that are
documented on
cassette audio tapes and in photos but I haven't even
listened to the tapes.

trouble is, I sometimes forgot to turn off the recorder and
there is a lot of
dead stuff there.. I'm just lazy - 

so much to do so little time

meanwhile -- wehre were you exactly when you too the last
two of a mountain on the
thumbnail page.
I think the one over the lake is Reinier, right?  I have a
similar shot - I've been right there.
yet I can't remember whic mountain it is.  

But the one before it is the really stunning shot...

I love the Cascades

ann





'Jerome Reyes wrote:
 (snip ) 
 

 the website from my trip, by the way. Yes, it's been three years...
 but I'm still working on it. I've still got about 1/2 the trip photos to
 upload.
 
 http://www.exposedfilm.net/journal/seattle/index.htm
 
 Happy Camping!
 
   - Jerome
 
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Re: Do not warm colours

2006-07-08 Thread Kostas Kavoussanakis

Many thanks, William and Mark.

Kostas

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Re: OT: Why do you take pictures?

2006-07-08 Thread Amita Guha
 The lesson I learned was, that lots of people don't look at the photographs
 as such. They look at the people IN the photographs. Photographs as such are
 not at all interesting - to most people. A good photograph is a photograph
 that shows a relative or a friend the way the he or she wants to remember
 this person. Noting else really matters.

We traveled to attend a rehearsal dinner and wedding a couple of years
ago. The morning after the rehearsal dinner, Nate and I were showing
my mother our photos on the laptop. My mother  got very annoyed with
me for barely taking any photos of my relatives, and none of her! I
was busy taking macro shots of the centerpieces instead...why would I
take photos of people when I already know what they look like? :) Nate
is much better at people pictures and is now the default person to
perform that duty at family functions.

Amita

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RE: PESO: Tricked Up Poppy

2006-07-08 Thread Bob W
Yes - originally it was a black  white photograph of a Victorian
industrial coking and smelting plant in operation, but you've tweaked
it with Photoshop into a colourful picture of a flower.

--
Cheers,
 Bob 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Jack Davis
 Sent: 08 July 2006 17:25
 To: pdml@pdml.net
 Subject: PESO: Tricked Up Poppy
 
 Have a twinge of guilt about this image, also.
 Any idea why? (assuming you feel like playing)
 All comments appreciated.
 
 Jack
 
 http://photolightimages.com/aspupload/detail.asp?ID=123
 



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Mrs. Mozart

2006-07-08 Thread Bob W
A fascinating photograph in today's Guardian of Mozart's widow:

http://arts.guardian.co.uk/news/story/0,,1815753,00.html

I had no idea they had digital cameras back then.

Cheers,
Bobageno



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RE: PESO: Tricked Up Poppy

2006-07-08 Thread Jack Davis
Close.  LOL

J

--- Bob W [EMAIL PROTECTED] wrote:

 Yes - originally it was a black  white photograph of a Victorian
 industrial coking and smelting plant in operation, but you've tweaked
 it with Photoshop into a colourful picture of a flower.
 
 --
 Cheers,
  Bob 
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Jack Davis
  Sent: 08 July 2006 17:25
  To: pdml@pdml.net
  Subject: PESO: Tricked Up Poppy
  
  Have a twinge of guilt about this image, also.
  Any idea why? (assuming you feel like playing)
  All comments appreciated.
  
  Jack
  
  http://photolightimages.com/aspupload/detail.asp?ID=123
  
 
 
 
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Re: OT: Tent camping

2006-07-08 Thread Jerome Reyes
 JErome -
 I very much enjoyed browsing your trip --

Thanks, Ann. I'm glad you enjoyed.

 I wish the pics each had captions re where you took them
 easier to say which photos I liked best for one thing :)

I *just* created the just see photos link about a week ago, so those
don't have captions yet (sorry). For now, you'd have to scroll thru the
journal entries in order to figure out which photos correspond to where
and what.

 It is a big project --

YES! It is. For me the biggest two parts are the scanning (it was all done
on slide film) and transcribing the journal (it was all handwritten). But
it's coming along though. I hope to be done this summer.

 meanwhile -- wehre were you exactly when you too the last
 two of a mountain on the thumbnail page.
 I think the one over the lake is Reinier, right?

Yes, that's Rainier (as far as I know). The one with the clouds...

http://www.exposedfilm.net/journal/seattle/10225mtr.htm

... is also @ Mt. Rainier National Park but I don't know which mountain it
is.

 I love the Cascades

Thanks again. The waterfalls are my favorite part of just about any park.
  - Jerome


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Brick wall shot

2006-07-08 Thread Bob W
Somebody has recently painted some spectacular graffiti on about 100m
of wall on one of the wharves near my house. I photographed the full
length of it today, and might do a panorama. Here's an excerpt

http://www.web-options.com/P7080771.jpg

You can see the shadow of my magnificent head in it, but it was
unavoidable.

Cheers,
Bob



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OT canon pro-1 and viewfinder comparisons

2006-07-08 Thread Godfrey DiGiorgi
Happened into the local Micro Center electronics store and found they  
had one Canon Pro-1 camera left. It's an in-case demo unit. If Ann or  
anyone else would like it, I found they would let me have it for $610  
plus tax.

---

I was curious ... they had the Konica Minolta 7D, Olympus E500, E300,  
and Pentax DL bodies all on the shelf. I asked to see all of them and  
compared the viewfinders to my DS, fitted with 20-35/4 lens.

KM 7D - virtually identical to the Pentax DS in magnification and  
brightness with stock screen.
*ist DL - slightly brighter, lower magnification
E500 ... E500 is a little lower magnification, same brightness (the  
different format proportion throws off your perceptions a little  
bit ... it's a little shorter in the vertical dimension)
E300 ... about same vertically as the DS, a little more magnification  
then the E500, about a stop dimmer.

By and large, I found all of them quite useable for manual focusing  
although the DS and 7D remain about the best for that, the DS  
particularly with the Katz Eye screen.

Godfrey

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PESO -- Untitled VI now in BW was [Re: PESO -- Untitled VI]

2006-07-08 Thread P. J. Alling
Alright Ann, here it is in BW. 

http://www.mindspring.com/~megazip/PESO_--_untitledvi%5Bbw%5D.html

Same technical data as before if anyone wants details about the 
conversion I'll post separately.

As usual yadda, yadda, yadda...

Ann Sanfedele wrote:

P. J. Alling wrote:
  

I'm not sure I really like this little photo, but I'm sharing it
anyway.  I hope to get some feedback on it so here it is.

http://www.mindspring.com/~megazip/PESO_--_untitledvi.html

Technical Info:
Pentax *ist-Ds ISO 200 @ 1/100sec (M)
smc Pentax 17mm f4.0 fisheye @ ~f16.0

As usual comments are welcome but may be totally ignored.

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I'd like to see it in black and white -- or at a different
time of day
subject matter and geometry of the shot very compelling, but
the light sucks
especially for color

shooting this with black and white film I would have slapped
on a red or orange filter.

Was this once a covered bridge?

ann

  



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RE: Color Cast Question

2006-07-08 Thread Shel Belinkoff
As noted elsewhere, the cast may have resulted from two or more light
sources (daylight, tungsten, fluorescent).  Also, I sometimes work on
photos very late at night, when my eyes are tired, and I may miss some
subtleties.  A color cast can come from a lot of sources  actually, I
don't  know how it got there  can only guess and repeat what others
have said.

Shel



 [Original Message]
 From: Kostas Kavoussanakis 

  whatsoever to those who noted a blue, green or even yellow cast.  More
  interesting were the number of ways to eliminate the cast that others
said
  didn't exist.  I'm sure there will be more comments waiting for me when
I
  check my mail further ;-))

 Will you also tell us how the cast got there? Is it a reflection, or 
 post-processing or...



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Re: OT: Tent camping

2006-07-08 Thread Bob Sullivan
Jerome,
I enjoyed the photos on a quick browse, some are spectacular!
I see you learned to listen to those inner voices the hard way.
You shoulda paid the $200 for stiches though...
Regards,  Bob S.

On 7/8/06, Jerome Reyes [EMAIL PROTECTED] wrote:
  JErome -
  I very much enjoyed browsing your trip --

 Thanks, Ann. I'm glad you enjoyed.

  I wish the pics each had captions re where you took them
  easier to say which photos I liked best for one thing :)

 I *just* created the just see photos link about a week ago, so those
 don't have captions yet (sorry). For now, you'd have to scroll thru the
 journal entries in order to figure out which photos correspond to where
 and what.

  It is a big project --

 YES! It is. For me the biggest two parts are the scanning (it was all done
 on slide film) and transcribing the journal (it was all handwritten). But
 it's coming along though. I hope to be done this summer.

  meanwhile -- wehre were you exactly when you too the last
  two of a mountain on the thumbnail page.
  I think the one over the lake is Reinier, right?

 Yes, that's Rainier (as far as I know). The one with the clouds...

 http://www.exposedfilm.net/journal/seattle/10225mtr.htm

 ... is also @ Mt. Rainier National Park but I don't know which mountain it
 is.

  I love the Cascades

 Thanks again. The waterfalls are my favorite part of just about any park.
  - Jerome


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Re: PESO -- Untitled VI now in BW was [Re: PESO -- Untitled VI]

2006-07-08 Thread Russell Kerstetter
I like it better BW than color

russell

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Re: OT: Why do you take pictures?

2006-07-08 Thread Russell Kerstetter
I do not have internet at home, so I do all my trolling at work, and I
am frequently asked when looking at PESO's why I am looking at a
picture of a dead tree, or a barn or whatever.

Also, when I got my DL, one fo the first questions I was asked: Can
it also do video?

And right after that I was informed: My phone takes pictures too, and
it's smaller than that.

-sigh-

russell

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Re: OT: Why do you take pictures?

2006-07-08 Thread Russell Kerstetter
oh, and to answer the question  i don't know, maybe because it's
fun to create, and i can't paint either.

russell

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Re: Moon Over Bluff Mountain

2006-07-08 Thread Kenneth Waller
Still one of my favorite mountain shots

I can see why Mark. I love the simplicity!

Kenneth Waller

- Original Message - 
From: Mark Roberts [EMAIL PROTECTED]
Subject: PESO: Moon Over Bluff Mountain


 http://www.robertstech.com/peso.htm
 Taken three years ago. Still one of my favorite mountain shots.
 
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RE: PESO: Sun Shadow

2006-07-08 Thread Jack Davis
An additional reply comment after re-reading your reaction post. 
The subtle pines images seen at the lower right were the only
background available. Saw nothing of the lake, island or rim. Just
dense fog for 'prox 24 hrs.
The point that nothing was sacrificed I thought worth making.
To me, the odd tree combination and stance, together with the mottled
old/dirty snow base, was not enough to justify the shot, so I got
creative.
My point in putting it up was largely about the integrity of
manipulation.

Jack

--- Shel Belinkoff [EMAIL PROTECTED] wrote:

 Yep, that sun shadow thing is a great distraction.  Adds nothing to
 the
 photo, imo, and takes away from some subtle details in the
 background.
 
 Shel
 
 
 
  [Original Message]
  From: Jack Davis 
 
  Taken 10 years ago on a foggy AM at Crater Lake, OR.
  I've always felt a little guilty about the donut shadow. Should I? 
  Mamiya 6, 75mm lens on T-Max 100.
  http://photolightimages.com/aspupload/detail.asp?ID=121 
 
 
 
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RE: OT: Why do you take pictures?

2006-07-08 Thread Bob W
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Russell Kerstetter
 Sent: 08 July 2006 22:01
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Why do you take pictures?
 
 I do not have internet at home, so I do all my trolling at work, and
I
 am frequently asked when looking at PESO's why I am looking at a
 picture of a dead tree, or a barn or whatever.
 

I can sympathise with them! When I see that kind of photo I am
reminded of Cartier-Bresson's remark shortly before WW2: The world is
falling to pieces and Adams and Weston are photographing rocks and
trees.

Bob

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Re: Re: OT: Why do you take pictures?

2006-07-08 Thread mike wilson

 
 From: Russell Kerstetter [EMAIL PROTECTED]
 Date: 2006/07/08 Sat PM 09:01:21 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: OT: Why do you take pictures?
 
 I do not have internet at home, so I do all my trolling at work, and I
 am frequently asked when looking at PESO's why I am looking at a
 picture of a dead tree, or a barn or whatever.
 
 Also, when I got my DL, one fo the first questions I was asked: Can
 it also do video?
 
 And right after that I was informed: My phone takes pictures too, and
 it's smaller than that.
 
 -sigh-

Be glad;  Darwin is alive and funtioning well in your work environment.

P.S.  I think you mean surfing or maybe browsing, not trolling..


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Re: PESO: 50 Megapixels of GFM

2006-07-08 Thread brooksdj
Super job Mark. Its like i'm right there.:-)

Oh, didi i mention I liked your presentation very much.

Dave

 
 On Jul 7, 2006, at 5:19 PM, Mark Roberts wrote:
 
  Final image is
  about 10,000 x 5000 pixels.
  http://www.robertstech.com/temp/multi-02a.jpg (200kb!)
 
 
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PESO - Farmer's Market

2006-07-08 Thread Bob Sullivan
Here is another web album on Picassa of the farmer's market this morning.

I took about 30 pictures in raw and have spent too much time converting them.
First I did 30 raw into jpegs, then highlight reduction on the jpegs.
Uploaded from full 4 meg jpegs to a reduced size by Picassa.

http://picasaweb.google.com/rf.sullivan/FarmerSMarket02

I can see better results in terms of details in the highlights,
but this is starting to be work not fun.  :-(

Comments and sugestions would be appreciated.

Regards,  Bob S.

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Re: OT: Tent camping

2006-07-08 Thread Ann Sanfedele
[EMAIL PROTECTED] wrote:
 
 In a message dated 7/7/2006 6:38:11 PM Pacific Daylight Time, [EMAIL 
 PROTECTED]
 writes:
 I'll enjoy your trip from the shots you bring back - well,
 I'll check the lottery tonight
 though - who knows? :)
 
 ann
 
 Actually, it's going to be multiple trips, short trips. Not one big huge one.
 So it would be hard for you to go along. Unless you stayed with me for two
 months while I took the short trips, that is. So it would be hard for you to 
 do.
 Maybe that helps. Maybe.
 
 Marnie aka Doe :-)
 
__

LOL!  -  I know - I was just dreaming -- I'd be a  real PITA
to put up with for 2 months!

I will, however, figure out a way to visit you in the future
after you move to New Mexico.
so be afraid, be very afraid :)

ann

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10-17mm Review

2006-07-08 Thread Jack Davis
FYI, Aug issue of Pop Photo has very positive review of the Pentax
10~17mm f/3.5-4.5 DA fisheye zoom written by Herbert Kepler.
As might be expected, older 17~28mm f/3.5-4.5 F fisheye, also,
approvingly referenced for comparison.
Pg 48

Jack

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Re: New K bodies listed on B

2006-07-08 Thread John Forbes
$1,000/pound.  What rubbish.

On that basis an airfare for a human being would be $150,000.

I do wish people would think before making such crazy assertions.

John

On Mon, 03 Jul 2006 00:51:09 +0100, Adam Maas [EMAIL PROTECTED] wrote:

 Nope, Shel's accurate on this one, they come over by the containerload
 on ships. Considering the cost of air freight across the Pacific is on
 the order of $1000/lb for large quantities, Air freight is certainly not
 viable for anything cheaper than a Canon 1Ds or Hasselblad.

 -Adam


 Paul Stenquist wrote:

 I think Shel was speaking metaphorically.
 Paul
 On Jul 2, 2006, at 5:13 PM, Powell Hargrave wrote:



 BH is listing them, as Shel pointed out. That means they should be
 available soon. Some may already be on ships.


 Do cameras move on ships these days?  I would think that with the high
 value and the speed of the market it would make air cargo more likely.

 Powell

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Re: 10-17mm Review

2006-07-08 Thread William Robb

- Original Message - 
From: Jack Davis
Subject: 10-17mm Review


 FYI, Aug issue of Pop Photo has very positive review of the Pentax
 10~17mm f/3.5-4.5 DA fisheye zoom written by Herbert Kepler.
 As might be expected, older 17~28mm f/3.5-4.5 F fisheye, also,
 approvingly referenced for comparison.


Just proves old Herb is going blind. My 10-17 has really bad barrel 
distortion.

William Robb 



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Re: PESO - Farmer's Market

2006-07-08 Thread Paul Stenquist
Nice. I want some of those Chanterelles. A few peppers to go with  
them as well, please.
Paul
On Jul 8, 2006, at 6:21 PM, Bob Sullivan wrote:

 Here is another web album on Picassa of the farmer's market this  
 morning.

 I took about 30 pictures in raw and have spent too much time  
 converting them.
 First I did 30 raw into jpegs, then highlight reduction on the jpegs.
 Uploaded from full 4 meg jpegs to a reduced size by Picassa.

 http://picasaweb.google.com/rf.sullivan/FarmerSMarket02

 I can see better results in terms of details in the highlights,
 but this is starting to be work not fun.  :-(

 Comments and sugestions would be appreciated.

 Regards,  Bob S.

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Re: 10-17mm Review

2006-07-08 Thread Paul Stenquist
Since it's a fisheye, one would expect that. No?

On Jul 8, 2006, at 7:01 PM, William Robb wrote:


 - Original Message -
 From: Jack Davis
 Subject: 10-17mm Review


 FYI, Aug issue of Pop Photo has very positive review of the Pentax
 10~17mm f/3.5-4.5 DA fisheye zoom written by Herbert Kepler.
 As might be expected, older 17~28mm f/3.5-4.5 F fisheye, also,
 approvingly referenced for comparison.


 Just proves old Herb is going blind. My 10-17 has really bad barrel
 distortion.

 William Robb



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RE: PESO - Farmer's Market

2006-07-08 Thread Shel Belinkoff
Bob,

Do your work in the raw converter, not on converted JPEGs.  When you get
the hang of RAW you'll be able to reduce the time you spend on making
conversions substantially.  Get The Book.

Bob, yesterday I converted something like 30+ pics using a new and an
established preset in the ACR converter.  Total time to the finished images
about 2 minutes.  The rest of the time spent was the usual final cropping
and tweaks.  When you get the hang of it, it can be fast.  Don't give up
just because it's slow and unfamiliar in the beginning.

Shel



 [Original Message]
 From: Bob Sullivan 

 I took about 30 pictures in raw and have spent too much time converting
them.
 First I did 30 raw into jpegs, then highlight reduction on the jpegs.
 Uploaded from full 4 meg jpegs to a reduced size by Picassa.

 http://picasaweb.google.com/rf.sullivan/FarmerSMarket02

 I can see better results in terms of details in the highlights,
 but this is starting to be work not fun.  :-(



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Re: PESO - Farmer's Market

2006-07-08 Thread Steve Sharpe


I can see better results in terms of details in the highlights,
but this is starting to be work not fun.  :-(

Comments and sugestions would be appreciated.

Ummm...film?

:^)

(Ducks and runs...)

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•

http://earth.delith.com/photo_gallery.html

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Re: PESO - Farmer's Market

2006-07-08 Thread Paul Stenquist
I'll second that. RAW conversion becomes almost an automatic with  
some practice. And you shouldn't have to reduce highlights after  
conversion. Unless you're really short of storage space, you should  
be converting your RAW files to tiffs, not jpegs.
On Jul 8, 2006, at 7:10 PM, Shel Belinkoff wrote:

 Bob,

 Do your work in the raw converter, not on converted JPEGs.  When  
 you get
 the hang of RAW you'll be able to reduce the time you spend on making
 conversions substantially.  Get The Book.

 Bob, yesterday I converted something like 30+ pics using a new and an
 established preset in the ACR converter.  Total time to the  
 finished images
 about 2 minutes.  The rest of the time spent was the usual final  
 cropping
 and tweaks.  When you get the hang of it, it can be fast.  Don't  
 give up
 just because it's slow and unfamiliar in the beginning.

 Shel



 [Original Message]
 From: Bob Sullivan

 I took about 30 pictures in raw and have spent too much time  
 converting
 them.
 First I did 30 raw into jpegs, then highlight reduction on the jpegs.
 Uploaded from full 4 meg jpegs to a reduced size by Picassa.

 http://picasaweb.google.com/rf.sullivan/FarmerSMarket02

 I can see better results in terms of details in the highlights,
 but this is starting to be work not fun.  :-(



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RE: PESO - Farmer's Market

2006-07-08 Thread Shel Belinkoff
Nothing comes up for me  tried it three times.

Shel



 [Original Message]
 From: Bob Sullivan 

 Here is another web album on Picassa of the farmer's market this morning.

 http://picasaweb.google.com/rf.sullivan/FarmerSMarket02



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Re: 10-17mm Review

2006-07-08 Thread William Robb

- Original Message - 
From: Paul Stenquist 
Subject: Re: 10-17mm Review


 Since it's a fisheye, one would expect that. No?

Some, but this is really bad...

William Robb


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Re: PEOW: Great Blue Heron Portrait

2006-07-08 Thread Bruce Dayton
My feelings exactly - excellent shot, but ugly bird.  I was thinking
these birds were nicer looking - perhaps only at a distance.

-- 
Bruce


Friday, July 7, 2006, 11:34:04 PM, you wrote:

KM I like the photo a lot but, alas, I don't think that the bird is 
KM very attractive!

KM Keith McG

KM Jay Taylor wrote:
 Here's a shot taken a couple months back with the *istDS with the  
 FA*300 f4.5 stacked with the F1.7X Adapter. This combo gives me a  
 510mm focal length and is not too shabby provided there is some  
 decent light. I tried some Noise Ninja reduction in the BibbleLite
 Raw processing, but didn't like the way detail was lost on the bird
 even though the background was quite a bit better without the noise.
 I suppose if I took the time, I could combine two images (one with
 noise removed in background), but I'm hard pressed to even get this
 much posted lately.
 Comments  critique are always helpful from you folks.
 
 Thanks,
 JayT
 
 http://i.pbase.com/o4/87/63987/1/63091875.IxUtTQK6.GBHPortrait.jpg
 





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Re: 10-17mm Review

2006-07-08 Thread Paul Stenquist
That's interesting. The DA 12-24, which is a rectilinear, shows  
minimal barrel distortion.
Paul
On Jul 8, 2006, at 7:22 PM, William Robb wrote:


 - Original Message -
 From: Paul Stenquist
 Subject: Re: 10-17mm Review


 Since it's a fisheye, one would expect that. No?

 Some, but this is really bad...

 William Robb


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Re: PESO - first peso

2006-07-08 Thread Russell Kerstetter
 I would think the muddiness is a function of the conversion.

that's what i thought.  Earlier this afternoon, I recalled someone
made a comment about a different PESO with a BW conversion, that it
reminded him a photo that used to be color.  I think that applies to
this one as well.  Also, I am using google's Picasa 2.


 What color filter did you use? Are you shooting digital?

a green filter, and yes

russell

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Re: 10-17mm Review

2006-07-08 Thread Jack Davis
It's a major thing with him that Pentax makes (seems they're the only
maker) a zoom fisheye. Gets off on the idea that it affords one the
option of 'tuning' the image distortion, to some extent.

Jack

--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis
 Subject: 10-17mm Review
 
 
  FYI, Aug issue of Pop Photo has very positive review of the Pentax
  10~17mm f/3.5-4.5 DA fisheye zoom written by Herbert Kepler.
  As might be expected, older 17~28mm f/3.5-4.5 F fisheye, also,
  approvingly referenced for comparison.
 
 
 Just proves old Herb is going blind. My 10-17 has really bad barrel 
 distortion.
 
 William Robb 
 
 
 
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Re: PESO - dodge ball tournament

2006-07-08 Thread Bruce Dayton
Hello Russell,

I think the real issue for me is that arm right up front, getting in
the way of some of the picture.  If you can do something about that,
it might be worth working on.  To just leave it there, I think weakens
the picture too much.

-- 
Best regards,
Bruce


Saturday, July 8, 2006, 7:06:08 AM, you wrote:

RK this photo I cannot decide if I like or not

RK I have spent a lot of time with Picasa messing with it, and have never
RK been satisfied with what I came up with.  For this version I hit I'm
RK Feeling Lucky and decided to wait for comments before spending more
RK time on it.

RK I like it because shows the excitement and confusion of high
RK intesity dodge-ball, but then everything is blurry.

RK so do you think it is worth spending time on, or is it crap?

RK http://www.avocadohead.com/piclinks/pic05.html

RK Brutal and Honest  :)

RK Russell




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Re: PESO - first peso

2006-07-08 Thread Paul Stenquist
I'm not an expert in the area of BW filtration, but I believe a green  
filter will lighten foliage but darken skin tones. That could be part  
of your problem. Shoot without a filter until you get yoru bearings  
on a standard conversion. The less you have to deal with at first,  
the better.
Paul
On Jul 8, 2006, at 7:42 PM, Russell Kerstetter wrote:

 I would think the muddiness is a function of the conversion.

 that's what i thought.  Earlier this afternoon, I recalled someone
 made a comment about a different PESO with a BW conversion, that it
 reminded him a photo that used to be color.  I think that applies to
 this one as well.  Also, I am using google's Picasa 2.


 What color filter did you use? Are you shooting digital?

 a green filter, and yes

 russell

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Re: OT: Tent camping

2006-07-08 Thread Ann Sanfedele
Jerome Reyes wrote:
 

  meanwhile -- wehre were you exactly when you too the last
  two of a mountain on the thumbnail page.
  I think the one over the lake is Reinier, right?
 
 Yes, that's Rainier (as far as I know). The one with the clouds...
 
 http://www.exposedfilm.net/journal/seattle/10225mtr.htm
 
 ... is also @ Mt. Rainier National Park but I don't know which mountain it
 is.
 
  I love the Cascades
 
 Thanks again. The waterfalls are my favorite part of just about any park.
   - Jerome
 
 
Hehe _ i like waterfalls, too, but actually, I meant the
Cascade MOuntain range :):)

anyway,again, nice stuff

ann

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Re: PESO: Sun Shadow

2006-07-08 Thread Jack Davis
Okay, just so everyone will be able to sleep tonight, I'm going to
divulge the answer.
It's a positive print of a color negative. Probably Kodak Ektar 100.
Simply noticed on a light box.
Has confused a couple of lab scanners in its time.
Sold a few. 

Jack

--- Jack Davis [EMAIL PROTECTED] wrote:

 Would appreciate y'all taking a look and sending along your
 reaction/repulsion.
 Taken 10 years ago on a foggy AM at Crater Lake, OR.
 I've always felt a little guilty about the donut shadow. Should I? 
 Mamiya 6, 75mm lens on T-Max 100.
 
 Seeking comments.
 
 Jack
 
 http://photolightimages.com/aspupload/detail.asp?ID=121 
 
 
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Re: OT: Why do you take pictures?

2006-07-08 Thread Ann Sanfedele
Jens Bladt wrote:
 
 I can't say that I disagree.
 As I have said - I'm not an artist - art is not my ambition.
 Still some journalistic photographs may very well be regarded as art. Like
 my favorite example American Girl in Italy, by Ruth Orkin.
 It's so brilliant I initially thought it was staged. It isn't, it's a snap
 shot:
 http://www.allposters.com/-sp/American-Girl-in-Italy-1951-Posters_i314665_.h
 tm
 
 Jens Bladt

My response would be It's so brilliant , it must not
staged  :) :)

It was my understanding that it was PARTLY staged, in that
Orkin asked the girl to
walk there for her when she was ready - the responses of the
guys were not staged,
but the woman knew she was being photographed... 

I was really disappointed when I found that out...

annsan of the HCB school of photography

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Re: PESO: Sun Shadow

2006-07-08 Thread Bruce Dayton
Hello Jack,

The tree looks very interesting.  The shadow thing doesn't even look
real to me - very odd looking.  I think it has a major negative impact
on what otherwise might be a great photograph.

-- 
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Saturday, July 8, 2006, 7:33:45 AM, you wrote:

JD Would appreciate y'all taking a look and sending along your
JD reaction/repulsion.
JD Taken 10 years ago on a foggy AM at Crater Lake, OR.
JD I've always felt a little guilty about the donut shadow. Should I?
JD Mamiya 6, 75mm lens on T-Max 100.

JD Seeking comments.

JD Jack

JD http://photolightimages.com/aspupload/detail.asp?ID=121 


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Re: 50 Megapixels of GFM

2006-07-08 Thread Kenneth Waller
Since Panorama maker will only accommodate a maximum of four
 images per row...

Mark IIRC, I've stitched six images in one row in Panorama Maker. 

Kenneth Waller

- Original Message - 
From: Mark Roberts [EMAIL PROTECTED]

Subject: PESO: 50 Megapixels of GFM


 Here's another multi-image stitching job: 12 images in two rows of
 six. Since Panorama maker will only accommodate a maximum of four
 images per row I stitched the two rows of six separately as horizontal
 panoramas and than combined the two rows in Photoshop. Final image is
 about 10,000 x 5000 pixels.
 http://www.robertstech.com/temp/multi-02a.jpg (200kb!)
 ist-D, Vivitar 70-210/2.8-4 Series 1
 It's more of a technical statement than something noteworthy for its
 artistic merits, but I've learned a lot putting together big images
 like this one.
 
 -- 
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 www.robertstech.com
 412-687-2835
 
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Re: Re: OT: Why do you take pictures?

2006-07-08 Thread Russell Kerstetter
 P.S.  I think you mean surfing or maybe browsing, not trolling..

yes i suppose you are correct

to me trolling has two connotations: a troll, but also poking about
hoping to find something interesting, like when fishing

but according to the wikipedia, there is only the one

http://en.wikipedia.org/wiki/Internet_troll

russell

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PAW: Reactions

2006-07-08 Thread Jens Bladt
Somtimes people react very differently to the sam event.
I saw this a an outdoor consert, where the band  wasw playing Steven Reich
compostions:
http://www.flickr.com/photos/bladt/185094507/

Regards
Jens
Jens Bladt
http://www.jensbladt.dk

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Re: PESO: Tricked Up Poppy

2006-07-08 Thread Jack Davis
Okay, so you'll get some sleep tonight, I'll tell you this is a
positive print of a color negative.
I clicked on the wrong subject in my first attempt to reveal the
answer. Guess it was due to me excitement.

Jack

--- Jack Davis [EMAIL PROTECTED] wrote:

 Have a twinge of guilt about this image, also.
 Any idea why? (assuming you feel like playing)
 All comments appreciated.
 
 Jack
 
 http://photolightimages.com/aspupload/detail.asp?ID=123
 
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Re: PESO - first peso

2006-07-08 Thread Russell Kerstetter
I do shoot filterless, I meant that was the filter used in the conversion

i think that it helped to highlight the bird.  which i suppose needing
to highlight the bird is more evidence that Picasa isn't my best
choice for BW conversions

russell

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Re: PESO: Sun Shadow

2006-07-08 Thread Jack Davis
Never mind!

J

--- Jack Davis [EMAIL PROTECTED] wrote:

 Okay, just so everyone will be able to sleep tonight, I'm going to
 divulge the answer.
 It's a positive print of a color negative. Probably Kodak Ektar 100.
 Simply noticed on a light box.
 Has confused a couple of lab scanners in its time.
 Sold a few. 
 
 Jack
 
 --- Jack Davis [EMAIL PROTECTED] wrote:
 
  Would appreciate y'all taking a look and sending along your
  reaction/repulsion.
  Taken 10 years ago on a foggy AM at Crater Lake, OR.
  I've always felt a little guilty about the donut shadow. Should I? 
  Mamiya 6, 75mm lens on T-Max 100.
  
  Seeking comments.
  
  Jack
  
  http://photolightimages.com/aspupload/detail.asp?ID=121 
  
  
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