RE: Friday 13 and Friday 13

2015-01-07 Thread Andrew James
Richard Mallett wrote:

Just to clarify : The answer to the original question is that this 
situation recurs every 28 years, so will have occurred in 1987, 1959, 
1931, 1903 and 1874 (29 years because 1900 was not a leap year) and will 
occur again in 2043, 2071, 2099 and 2128 (29 years because 2100 will not 
be a leap year)

Although the situation does usually recur every 28 years, I do not think this 
is the complete answer, nor that it will occur in 2128, as that is a leap year 
- when March 13 will fall on Saturday. 

We would guess that February 13th must be a Friday about one year in seven, or 
there would not be enough days of the week to go round; and that about 
one-quarter of these will be a leap year and March 13th will be Saturday. 

So:

Three times in a 28 year cycle (an ordinary one, not including a century 
non-leap year) February 13 falls on Friday and the year is not leap, so March 
13 is also Friday. The intervals are 6, 11, and 11 years, according to whether 
the start year is 1, 2, or 3 after a leap year, so that they include 1, 3, or 3 
leap years. This works because 6+1 and 11+3 are both multiples of 7. 

The Friday 13th pair in February and March occurred in 1953, 1959, 1970, 1981, 
1987, 1998 then 2009 (as 2000 was leap it did not disturb the 6, 11, 11 
sequence). Then add 6 to give the present year, 2015, next add 11 and 11 to 
give 2026 and 2037, then 2043, 54, 65; 2071, 82, 93, 2099. 

However 2100 not being leap changes the sequence in this case to make three 
six-year intervals in a row, 2093, 2099, 2105, 2111, before settling back to 
2122 and 2133 followed by 2139, 50, 61 ... The six year interval spanning the 
century includes just one leap year. The same happens around 2200 with 2189, 
2195, 2201, 2207. 

But at 2300 (as happened at 1900) there is a twelve-year gap, including two 
leap years, in place of an eleven-year one including three: 2285, 2291, 2303, 
2314, 2325, then 2331, 2342, 2353. Similarly 400 years earlier the sequence ran 
1874, 1885, 1891, 1903, 1914.

2400 being leap means the 6, 11, 11 year interval sequence runs through it 
undisturbed, as happened at 2000.

Regards,
Andrew James




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RE: Friday 13 and Friday 13

2015-01-06 Thread Andrew James

As there are 24 leap years in three out of four centuries and 25 in the fourth, 
in a 400 year period there are 
303*365+97*366 = 146097 = 20871*7 days. 
So the weekday pattern repeats every 400 years, as this is exactly 20871 weeks. 
The relationship of weekdays to dates is such that the 13th of the month falls 
more often on Friday in the 400 year period than on any other day of the week - 
not a large bias, but one which doesn't go away! The 13th falls on Monday 685, 
Tuesday 685, Wednesday 687, Thursday 684, Friday 688, Saturday 684, and Sunday 
687 times.

Regards, Andrew James


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RE: SCOTTISH SUNDIAL

2014-01-23 Thread Andrew James
I remember seeing that pattern at Ottery St Mary and Alton and perhaps 
elsewhere but John has beaten me to it in mentioning that! It looked most 
probably early 20th century to me. I would say that the existence of several 
more or less identical such dials widely separated indicates more or less 
definitely that it's not genuine 1684, though my logic in that deduction may 
be a bit tenuous?

Regards,
Andrew James


From: sundial [mailto:sundial-boun...@uni-koeln.de] On Behalf Of Dennis Cowan
Sent: 21 January 2014 21:39
To: sundial@uni-koeln.de
Subject: SCOTTISH SUNDIAL

I wonder if anyone on the list can help?  I received photos of this sundial 
from a lady in the USA.  She aquired it whilst she lived in Scotland some 
twenty odd years ago.  I'm trying to trace the possible origins for her.  I am 
not sure if the date of 1684 is genuine as it looks quite fresh, but a 
reproduction would surely use a known motto and I have never heard of this one 
Ye Shade Teecheth.  The compass is also unusual to me.  Does anyone have any 
opinions?

Is it original or a reproduction.?  Does anyone recognise the motto or style of 
compass?

Many thanks

Dennis Cowan


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RE: azimuth lines

2013-08-01 Thread Andrew James
The Queens' College dial certainly has azimuth lines as John wrote.

Frank, is it possible that some feature of the rather nice ornamental and 
unusual gnomon support provides the nodus? Working from the azimuth line 
spacing you should be able to estimate the required height of the nodus and see 
whether this is at all plausible. The 8 support looks too low down the dial 
really, but it may be worth a calculation if only to rule it out!

Regards
Andrew James





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RE: St. Margareth

2012-08-01 Thread Andrew James
Dear Reinhold, 

 

Thank you for sharing that link
http://www.cadrans-solaires.fr/cadrans-Londres-saint-margareth.html
http://www.cadrans-solaires.fr/cadrans-Londres-saint-margareth.html
and that picture of the fine St Margaret's, Westminster sundials.

 

I believe they were designed by Chris Daniel and made by Brookbrae but
am open to correction.

 

Something about them which has always caused me to wonder is the absence
of hours from about 6 to 8 a.m. and 4 to 6 p.m. on the North dial, which
only shows hours before 6 a.m. and after 6 p.m. - not the whole time the
Sun is to the North at midsummer. I can think of at least two possible
reasons:

-  firstly, having the gnomon planted as it is in the ring, and
near the edge, would make the space for them insignificantly small. 

-  secondly, the projecting corner turrets of the church tower
probably shade the dial until the Sun is some way North of due East or
due West.

 

The North gnomon could have been designed differently but would then be
less like an inverted version of the South gnomon and this would reduce
the overall symmetry.

Of course, having also East and West dials means there is no shortage of
somewhere to read the time during these hours. Can anyone comment on
this?

 

Regards

Andrew James

 



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RE: sundials and tower clocks

2012-05-16 Thread Andrew James
Dear John, Frank, Kevin, et al,

 

I remember a letter from Charles Aked in Antiquarian Horology circa 1970
showing his son (then about 8?) at one of the Scottish lighthouse dials
in situ.

 

I believe they were all (?) sold off perhaps about 15 years ago and
think I have a cutting somewhere from a newspaper article showing them
in a sort of well ordered heap. 

 

Regarding the Tompion dial at the Pump Room, a letter in Horological
Journal in I think March 1960 shows what is probably this dial, so
actually it was discovered by that writer near Bath some years before
Brigadier Neilson found it and presented it to the Pump Room.

 

Regards

Andrew James 

 

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RE: Prague Clock

2011-03-01 Thread Andrew James
-Original Message-
Frank King wrote:

... Or have I missed something crucial?

[It is still a splendid clock, but I want to
be clear about its design limitations!]

--

I think we must remember that the timekeeping mechanism driving the
astronomical or astrolabic gearing of the Prague clock is mid 19th
century (and it is itself very interesting - I was privileged to visit
the insides of the clock some years ago). By that time, a clock
mechanism kept pretty accurate mean time, so that, once regulated, its
accumulated error from mean time would not be noticeable for many days,
especially on a 24-hour dial. 

However its original predecessor(s) - 1410 and later - would have been
very poor at public timekeeping by our standards, with random errors of
the order of several minutes or tens of minutes per day. Hence it would
need regular correction; and the only instrument conveniently telling
the true time to which to correct it was a sundial. So it
*automatically* would be regulated to - and keep - (local) solar time
without any need to compute the equation of time - which although known
about by scholars was then not even tabulated as we know it. 

Sir George White gave a most interesting lecture a few years ago
expounding the proposition that the English lantern clock in the early
17th century - a very poor timekeeper by modern standards - was in fact
excellently suited to keeping practical time from day to day (and
overnight), which anyway needed to be adjusted to stay in line with
local solar time, as that was then the only standard.

Fortuitously the time zone GMT+1 is fairly close to local mean time for
the Prague clock as it is at 14d 25m East - so the discrepancy is about
2 minutes 19 seconds. It would be far worse off in Seville!

So I suggest that:

- originally the Prague clock certainly kept local solar time, being
frequently adjusted (corrected) to that from its own (very) approximate
timekeeping: 

- when the local time standard become mean rather than solar it would
have still been frequently adjusted of necessity, but I do not myself
know whether to mean or solar time, nor do I know when mean time was
adopted in Prague: 

- after the mid-19th century work it would naturally keep mean time
quite well but could have been adjusted to local solar time if desired: 

- after the adoption of time zones it may or may not have been adjusted
to civil time: 

- and now it is adjusted to CET (UTC+1).  

I suspect the convenience and motivation for keeping civil time is
mostly so that tourists know when to expect the automata to perform,
rather than because viewers will use it to set their watches.

Andrew James



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BSS web site

2009-11-25 Thread Andrew James
Dear all

I thought the British Sundial Society web site was at
http://www.sundialsoc.org.uk/ - but it seems to have been hijacked to
sell lawnmowers and such like! 

What is going on?

Andrew James


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Evelyn Fox Court sundial

2009-10-15 Thread Andrew James
Today's Guardian, I am told, has on page 37 an obituary of architect Sam
Lloyd featuring an illustration of one of his buildings, I think Evelyn
Fox Court, in North Kensington, London, which has what looks like a
sundial on its wall. Unfortunately the on-line version at 

http://www.guardian.co.uk/artanddesign/2009/oct/14/sam-lloyd-obituary
does not have this picture. 

Does anyone know anything about this dial?

 

Andrew James



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RE: Equinox and Equatorial Rings

2009-09-24 Thread Andrew James
John Foad asked:
are there any programs that will give the truer line?

One problem presumably is that the lines are different according to
whether the solar declination is increasing or decreasing, so there are
two for every value of declination (except - more or less - at the
solstices), making a rather confused appearance - I guess there would
probably in effect be a thickening of the double ends of the lines
compared with the middle?


Regards,
Andrew James


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RE: Dutch sundial

2009-08-27 Thread Andrew James
John Davis asked:

Preteritum Nihil, Præsens Instabile, Futurum Incertum (The past is gone, the 
present transient, the future uncertain) 

 Where does it come from? 

Nicolas Reusner said something fairly similar in one of his Epigrams, writing 
about the Fates:

Praesens instabile est (sic Sors rotat omnia terra)
Praeteritum nihil amplius: incertumque futurum

which means something like: 

The present is transient (thus does Fate spin the whole earth); the past is no 
more; and the future uncertain

The text (in a 1593 edition of his works) can be seen at

 http://www.uni-mannheim.de/mateo/camena/reus2/jpg/reus499.jpg 

I don't know whether there is an earlier version of the same sentiment, which 
he may have had in mind; perhaps someone can point to an instance from 
Classical times, or cite an earlier author?

Andrew James

 



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RE: Google Method of Finding Declination

2009-06-25 Thread Andrew James
Re Damia Soler's Sundial Location Calculator - what a great tool!

 

One small point - if I put in a UK postcode for the address, the
resulting satellite picture seems to be a little way (a mile or so?)
away, whereas normally the location found by Google maps is more or less
exactly correct (at least where the postcode covers a small area as in a
town).

 

Secondly, does anyone know how accurate (in the UK) the lat/long figures
this technique gives are? How does the uncertainty relate to say a
minute or a second of longitude or latitude? Does anyone have some
clearly identifiable locations around the country with very accurately
known positions on which one could check this?

 

Andrew James



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Chinese time - following The End of the Day

2009-03-24 Thread Andrew James
I found Mario's explanations on Roman and European hour systems most
fascinating: thank you.

I have a tangentially related question or questions; Mario mentioned
that different times were appropriate to different people (country or
city dwellers, perhaps). 

I understand (largely from Heavenly Clockwork by Needham et al.) that
the Chinese may also have inherited their system of equal hours from the
Babylonians. 

Like the Romans, the Chinese reckoned the boundary of the day at
midnight.

Some centuries BC the Chinese were using unequal hours, but around 200
BC their double hour system was perfected and became the only one for
official use. In this, twelve equal double hour periods are named
during the day (nychthemeron). Each has two halves and so each half is
equal to one of our modern hours. The midpoint of one of these double
hours was midnight, so the double hours straddle our times of ,
0200, 0400, 0600 ... 2200 and the boundaries between them are at 0100,
0300, 0500 ... 2300.

However, a system of unequal hour night watches continued alongside the
use of equal double hours until the 19th century.

So:

Were unequal daytime hours also used for everyday purposes, as opposed
to official ones, during this 2000 year period (from around 200 BC
onwards)?

I am not familiar with Chinese sundials but the only old ones I recall
are equatorial and clearly appropriate for official use. I imagine that
they are marked for equal (double) hours. Is this correct?

Were there also - or are there still existing - old Chinese sundials
which show unequal daytime hours, or were equal hours the only time
shown?

Andrew James



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Moondial, rather than sundial, timekeeping related

2008-12-16 Thread Andrew James
I notice from the US Naval Observatory figures
(http://aa.usno.navy.mil/data/docs/MoonPhase.php) that next year full
moon occurs on the 2nd November 2009 at 19:14 GMT and new moon exactly
(within a minute) 14 days later, 19:14 on the 16th November.
 
On average I expect the interval to be half a lunation (29 d 12 h 44 m 3
s) or about 14 days 18 hours 22 minutes.
 
The time from the October 18th new moon at 05:33 to November full is 15
days 13 h 41 m, 19 h 19 m longer than average
 
I had not appreciated just how irregular the moon's motion was until I
noticed this coincidence of times, 19:14 repeated. The inaccuracy of
moondials becomes more apparent!
 
How often does one see this 14 day interval? How often does it vary even
more from the average? What are the extremes?
 
Andrew James
 


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RE: Nun Appleton Dial Mystery

2008-06-25 Thread Andrew James
John Carmichael wrote: 

It no longer is there [Nun Appleton Hall] and I don't know when it was 
removed.  It now resides in lightbox for display at entrance to York Art 
Gallery.
And p.s. Do they allow people to visit that vestibule area?

Last time I was in York (August 2007) it was no longer on display where I had 
previously (at the BSS York conference) seen it in the vestibule, which had 
been re-arranged, but had as I understood been taken into store. A pity - 
though I think it can still be seen on application in advance to the gallery.

Regards
Andrew James


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RE: Advice wanted, on 'Analemmatic' sundial orientation

2008-06-04 Thread Andrew James
Dear Alison,

I think the experts have already told you what you need to know. 

Of course, re-aligning the drive to run North-South would help a little.
This should be easier for Mr Phillips than re-aligning the Earth's axis.
Placing the whole estate on a turntable would be an alternative allowing
the present alignment of drive relative to house to be undisturbed. A
rough and ready allowance for Summer Time could then be made twice a
year which could become another tourist attraction if you can cope with
having Summer and Winter entrances. You may not want to transport it to
the Southern Hemisphere, though - nor to the pole when you can indeed
use a semicircle (or better still, a full circle). 

Others may like to comment on the following thoughts:

If, instead of standing on the central month scale, the user finds and
stands on or near the hour number which casts his shadow onto the
appropriate date, the numbers might be arranged to the South rather than
to the North of the centre. This requires more action on the part of the
user.

A circular or other shape rather than a narrow rectangular centre
bearing the date scale might disguise the alignment a little.

If the hours were not in a horizontal plane, perhaps they could be
arranged to lie on a semicircle in some other plane - though not, I
think, what Mr Phillips would like?

(I was once involved in rectifying, as far as possible given what was
immovably fixed, an analemmatic dial at first incorrectly laid out, so I
do wish you well in this endeavour. It still ended up having timekeeping
errors but it was possible to spread them around so that none were too
enormous.)

Andrew James


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Alison Shields
Sent: 03 June 2008 18:57
To: sundial@uni-koeln.de
Subject: Advice wanted, on 'Analemmatic' sundial orientation


Dear Sundial Experts,

I have recently joined this Mailing List, and hope that any members
will be able to give me some assistance on the following situation.

Our local Stately Home (Kentwell Hall, Long Melford, Suffolk) is
considering installing an Analemmatic sundial, as a new interactive
attraction for visitors - but we are getting 'conflicting' advice,
on whether this 'Human Sundial' will work in the way we want it to.


We have been in discussion with Modern Sunclocks (apparently the
acknowledged 'experts' for these features), who have told us that
its central scale of dates must be aligned North/South - plus that
hour markers must be correctly positioned on an elliptical ring,
and which would lie on the Northern side of that scale of dates.

Photographs on their website ( www.sunclocks.com ) confirm this.


However, our 'Director of Operations' (Mr Phillips) absolutely
INSISTS that he wants the scale to run exactly parallel with our
main driveway - on a compass bearing which is about 162 degrees
from North, with the hour points placed on its Southern side.

He also wants the hour points to form an exact semi-circle, and
not be elliptical in shape.  Mr Phillips refuses to accept that
he cannot arbitrarily position the Human Sundial feature as he
wishes, and says that it must be possible to create this so that
it could then align with the existing layout of buildings/paths.


Can anyone on this Mailing List tell me whether it is possible to
install a Human Sundial to fit any existing orientations, (with
appropriate re-calculation of its component parts) - or, if not,
just confirm that it must be as Modern Sunclocks have told me.

I can then show the 'weight of evidence' to Mr Phillips.  Because
Kentwell Hall is a well-known Stately Home (open to the public),
we should not want to become a 'laughing stock' by installing a
feature which does not work - despite Mr Phillips assurance that
all types of sundial can be adjusted to work, in any location.


Looking forward to all comments (to this List, or sent privately).


Sincerely,

Alison Shields.

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RE: Astronomical Clocks

2008-04-09 Thread Andrew James
Peter,

You could of course buy a modern wrist-watch featuring equation of time
and using a similar 'kidney' cam ... Blancpain and Audemars and perhaps
others make them, but the Diallist's Companion is considerably cheaper!

Andrew James

-Original Message-
On Behalf Of Peter Mayer
Sent: 09 April 2008 03:31
Subject: Re: Astronomical Clocks

snip Amongst the many other things which were utterly unknown to me
were 18th century clocks which incorporated Equation of Time 'kidneys'
so that they could read sundial time!  Is the Dialist's Companion the
only contemporary equivalent?


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RE: Dali sundial +

2008-03-18 Thread Andrew James
Bob,

 

Wouldn't both water clocks and fire clocks (whether incense burners or
graduated candles) have claims to have most moving parts - there would
be more particles in the smoke than grains of sand in an hourglass,
wouldn't there?

 

Also, even for mechanical timekeepers, counting the moving parts could
be subject to disagreement - in cases where many parts are made but
assembled into moving constructs (such as separately inserted teeth in a
wooden wheel, as in Eisinga's planetarium) do you count the assembly as
lots, or one?

 

Andrew James

 



From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Robert Terwilliger
Sent: 13 March 2008 23:40
To: 'Sundial Mailing List'
Subject: Dali sundial +

 

Some time ago someone posted a link to a painting by Salvador Dali that
included a sundial.

 

Could someone point me to it again?

 

== Try this: ==

 

Since it has none, I suppose a sundial could be considered the timepiece
with the least moving parts.

 

What timepiece has the most moving parts?

 

Bob

 

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Porcelain Sundials

2007-04-24 Thread Andrew James
John Carmichael wrote  Now here's a thought- All over England I saw
the clock faces on all the churches have only TWO colors (either black
and gold or blue and gold). This leads me to believe that these clock
faces might be made of low temp baked paint enamels and not porcelain.
Does anybody know exactly what the English clock faces are made of?  

Most (almost all) flat English church clock dials of the type John
refers to are painted and gilded on a flat or convex ground. Others have
a skeleton of cast iron which can be glazed though sometimes it is open
or placed in front of the wall. 

The ground is sometimes wood in older clocks (when it hasn't been
replaced by something else - though a surprising number survive from
17th and 18th centuries) or copper, and copper or cast iron (19th-20th
centuries) in newer ones. Occasionally stone is used.  The numerals when
gold should be done with 23.5 or 24 carat gold leaf. 

Cast iron allows the minute spaces and hour numbers to be definitely as
intended and little subject to the vagaries of the repainter and the
contrast with white or opal glass makes a clear dial which can be
illuminated (as in the Great Clock of Westminster, commonly called Big
Ben). 

Modern dials (post 1960) are usually glass fibre and have sometimes
(wrongly I think) been used to replace older church clock dials - and
for new buildings (especially supermarket clock towers etc). 

I do recall seeing one enamel church clock dial in England but can't
remember where - East Anglia perhaps? On the other hand clock dials on
the Continent quite often have enamelled dials. Often these are made in
sections, at least in France.

I hope this is of interest. Are enamelled cast-iron baths relevant to
this discussion (not that I know anything about them?) 

Andrew James
51 04' N
1 17' W


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RE: The Housewife's Trick

2007-01-24 Thread Andrew James
I think I remember hearing that one of the two horizontal dials at
Erddig (near Wrexham, North Wales - the sundial nearer the house) was
loose on its pedestal and that members of the Yorke family rotated it
twice yearly during the twentieth century to allow for Summer Time. Can
anyone confirm this?

Andrew James



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Sundials - in the right place - are the future

2006-06-14 Thread Andrew James
See

 http://makeashorterlink.com/?D30A6224D

for a short comment having this title in today's Daily Telegraph,
following the news of the All Souls' dial.

Andrew James


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RE: Sundial 'poetry'

2006-04-06 Thread Andrew James
Tony Moss wrote:
  As I recall the last-straw stimulus to seek alternatives was
something like:
  
  A sailor who slept in the sun ...

I don't think that I ever inflicted this follow-up on the list but
(unfortunately?) I have now been encouraged to do so:

 For that sailor had great erudition
 In the old sciatheric tradition,
  And could judge his degrees
  With the consummate ease
 Of a natural geometrician!

Andrew James


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RE: Southern hemisphere heliochronometer?

2005-11-15 Thread Andrew James
Bill Gottesman wrote
The answer is yes.  I think it was called Homan's Heliochronometer, and
was made in South Africa. ...

Althugh William Homan worked professionally in South Africa (and filed
patents from there) all the instruments by him that I've ever seen have
a Glasgow address. Bill, have you come across one made in South Africa?
I have seen one by him made (at 22 Renfrew Street Glasgow) for about 8
degrees North - probably Trincomalee. Not quite the Southern hemisphere,
but pretty close!

Andrew James


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RE: bridge dials

2005-05-31 Thread Andrew James

Greetings Frank and others

I think I have reported Maud Heath's dial near Kellaways, East
Tytherton, Wiltshire, to the Register and was not the first to do so. Is
it SRN 0401 - I haven't got any info to hand? It's not quite on a
bridge, for as far as I remember it is built (C17) on the usually dry
land beside the road - Maud Heath's causeway. She was a widow who in
1474 left a gift to build this dry route to market. See
http://www.yourguide.org.uk/chippenham/maud.html for example and
http://www.northwiltslink.co.uk/html/maud_heath_-_north_wiltshire.html
has a picture of the sundial. 

The Wilton/Ross dial is on a bridge definitely known as Wilton Bridge
and I think is just in Wilton which is beside and the other side of the
river Wye below Ross. The dial was moved across the bridge at some time
in the 20th century so that now the other side of it is seen from the
road. (In the past there has been some confusion between this Wilton and
Wilton, Wiltshire, where there is a very worn polyhedral sundial in the
market place having strong similarities with that at Moccas Court.)
There is a picture at
http://www.wyevalley.fsworld.co.uk/wilton%20bridge.htm where it is also
said to be incorrectly set, but I can't vouch for that. Another picture
at http://www.wyenot.com/news/2005-01-18-3.htm may relate to its being
moved but again I'm not certain of its origin.

Andrew James

-Original Message-
From: Frank Evans [mailto:[EMAIL PROTECTED] 
Sent: 30 May 2005 12:25
To: Sundial
Subject: bridge dials


Greetings fellow dialists,
Thanks for kind responses to my enquiry about bridge dials. It seems 
that the supposition that they are uncommon is true. 

David Brown has added another possible in the cubical dial on Maud
Heath's causeway in 
Wiltshire (is this dial to be found somewhere in the BSS Register?). 

It seems the Ross on Wye dial is actually in Wilton (to Patrick Powers:
no, 
I have no further information, Patrick). 

snip


-


RE: Latin scholars

2005-05-12 Thread Andrew James

x-charset windows-1256I think there are two very similar but slightly 
different mottos here using similar  but distinct verbs

Praetereo - go by, pass by (ae not oe I think)

Pereo - perish, pass away, vanish

The meaning is essentially the same - they [the hours] pass and are reckoned

Perhaps a Latinist can comment on the relation between the two words?

Also

Eheu fugaces, labuntur anni - (labuntur not labantur I think) - derives from 
Horace, Odes 2 14, meaning something like

Alas, the fleeting years slip away

though in the original the proper name of the friend to whom it is addressed 
occurs twice in the middle of it (Postume, O Postumus). Another sundial 
connection: from Boswell's Life of Johnson: 

An instance at once of his pensive turn of mind, and his cheerfulness of 
temper, appeared in a little story which he himself told to Mr Langton, when 
they were walking in his garden: 'Here (said he,) I had put a handsome 
sun-dial, with this inscription, Eheu fugaces! which (speaking with a smile) 
was sadly verified, for by the next morning my dial had been carried off.' 

Andrew James

-Original Message-
From: Douglas Bateman [mailto:[EMAIL PROTECTED] 
Sent: 11 May 2005 19:43
To: Sundial List
Subject: Latin scholars


Assistance please. I have a motto in Latin that appears to have different 
translations. Which is correct? 


The motto is on a pair of vertical dials and Mrs Gatty (4th edition 1900) gives 
the following Prْtereunt: They pass by Imputantur: They are reckoned 


However, our respected editor, Dr Margaret Stanier gives the same(?) motto as 
Pereunt et Imputantur as (The hours) pass away and are set down to (our) charge 


Margaret, in her small book on Oxford Sundials, shows this motto on the dial at 
All Souls' College and says that it is a quote from Martial's Epigrammata. 


The mottos don't look the same, but given the scope for mis-copying, are they 
supposed to be the identical? 


Comments please, Doug


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RE: high dials

2005-03-22 Thread Andrew James

There is a moderate sized brass South facing sundial about 25 feet up at
the top of a stair turret at Axbridge church, Somerset. I've always
wondered how it was to be read - unless you could climb out onto the
roof and peer over the edge. But it wouldn't be much use for setting the
clock, either.

Unless of course, following Mike Shaw's suggestion, horses were MUCH,
MUCH bigger at the start of the 19th century - or perhaps the then
Squire had a personal elephant with a really spectacular howdah? ;-)

Andrew James


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RE: Sundial Cupolas

2005-03-22 Thread Andrew James

There is a modern (1990s?) cupola with a South sundial on it at South
Warnborough, in Hampshire. I believe the owner originally intended to
put a clock in as well but am not sure whether he ever did. I can think
of a few other similar arrangements around the country - for example I
think Goodwood House has a large 18th century sundial and clock in such
a position. However I can't recall seeing a proper set of four dials so
arranged.

Do you count the Gate of Honour at Gonville and Caius College,
Cambridge, with its six sundials, as a cupola? See
http://www.cai.cam.ac.uk/map/cCourt.php for a good view.

If you ground the weathervane, bear in mind that lightning conductors
should be substantial, avoid sharp bends, and go to a very good earth
indeed.

Andrew James
 
 -Original Message-
From: John Carmichael [mailto:[EMAIL PROTECTED] 
Sent: 19 March 2005 17:56
To: Sundial List
Subject: Sundial Cupolas

Hello All:

I'm considering building or buying a four-sided painted wood cupola with
a copper roof for the roof of a home. I'd like to put a sundial on each
face of the cupola and then a neat weathervane on top.  
snip 
Have any of you ever seen a cupola or clock tower with sundials
instead of clocks?

John

p.s.  Do you think the copper weathervane will act like a lightning rod?
Maybe it should be grounded?
snip


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RE: azimuth diagram

2005-02-04 Thread Andrew James

Frank,

Have a look at BSS Bulletin 13(ii) and 13(iii) where I think Tony Belk
discusses the Weir diagram - he may also have written or talked about it
more recently if my memory serves me.

Andrew James

-Original Message-
From: Frank Evans [mailto:[EMAIL PROTECTED] 
Sent: 03 February 2005 21:18
To: Sundial
Subject: azimuth diagram

Greetings fellow dialists,

The other day I bought a copy of Weir's Azimuth Diagram. 
...
(2) Have I got all this right? Is anyone else familiar with Weir's
diagram and has it been mentioned before in this sundial group?

Frank 55N 1W


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RE: A Sundial Drama in One Act

2004-12-24 Thread Andrew James

I believe that there is a rather large and splendid analemmatic noon
mark a couple of years old high on a new building which could possibly
be not a million millimetres from where you may or may not have been,
Frank. I do hope that somebody manages to photograph it one day; when I
first chanced to see it, on a beautifully sunny morning, I did not have
a camera with me, but perhaps that was just as well as I now learn ;-) .

Andrew James



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RE: alignment - Saint Sulpice

2004-12-17 Thread Andrew James

I think perhaps the double use of the word meridian lies at the root
of this confusion. From its antecedent word meridies - the middle of the
day - we see how it means a line for determining time of noon and that
is local noon wherever it may be situated, be it Saint Sulpice, Bologna,
or Durham. The use of a particular line of longitude where the Sun is at
its highest, noon, at the same time, as a base for measurement or prime
meridian is another matter, for that could be done without reference to
the Sun at all, for example with the required North - South line being
established by the stars from any suitably equipped place - London,
Paris, Rome, Palermo ...

In this day and age perhaps The Da Vinci Code should have a very big
notice on the cover warning that it is not entirely composed of
verifiable facts! The curious thing is that (as I understand) there are
already many books commenting on it and many reviewers - let alone
members of the public - seem to accept its allegedly historical
background and interpretations as more or less scholarly truth, however
poorly they may stand up to scrutiny. I am sure, Roger, that you are not
the only one to be confused by it but at least you can recognise an
embellishment!

Andrew James


Roger Bailey wrote:

snip The Saint-Surplice meridian is a key element in the best selling
novel The Da Vinci Code by Dan Brown.  

snip This confused me as I expected the Paris Meridian to go through
the Observatory of Paris ... The meridians are quite different but the
novel brings them together. This is not the only fact embellished by the
author to set the plot for his novel.


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RE: Gnomon Holes

2004-11-02 Thread Andrew James

Mike

I asked this question (elsewhere) a few months ago in connection with a
mid C17 dial. The holes are not just punch dots which would aid in
placing a compass or marking the gnomon corners, but drilled right
through the plate (neatly filled in this case, though not always). 

I believe (purely as conjecture I must say) that they were part of the
laying out and indeed the marking process and not only denoted the
gnomon corners but took pins against which a rule was laid. Other punch
marks can be seen where compasses were centred to draw the hour circles
for example but these do not go through the plate. On a double
horizontal dial there are a lot of compass centre dots to be found!

If you were, say, a London maker, most of your stock dials would
probably be for its conventional 51d 30' latitude and using a scale on
the bench or a workboard with a pin sticking up at the centre, a ruler
could be held against the pin and easily aligned against each gradation
on the scale in turn and the hour or other line scribed along it. Anyone
who has made a dial or anything similar involving accurately placed
straight lines by hand engraving or cutting will know that adjusting one
end of a ruler to a defined position is much easier than fiddling with
two ends, and having it positively located against a pin greatly reduces
the chance of slipping or a line being marked out of position. 

If the rule had a little notch in it then it would take account of the
diameter of the pin but a scriber point running a pin's radius away from
the rule would do the same. The engraving on a good dial is accurate
enough to see whether the lines go through the middle of the pin hole
rather than tangential to the edge.

It would seem to me to make a lot of sense to have a single layout
carefully drawn which would cover manufacture for your local customers
and could easily be replicated in a semi-skilled way onto a variety of
dial sizes. Unfortunately I think we know very little about how the
dials were actually made. 

Perhaps if country dials by makers who may be supposed to have made a
very few individual dials tend not to have the pin holes and ones by
supposedly prolific makers tend to have them it might add credence to
the theory but I suspect that a lot of exceptions will exist. In any
case I could see clear benefits in drilling the holes and using pins as
I surmise even for a one-off because of the certainty of the lines
converging accurately to the same point for minimum effort in
positioning a straight edge. I have used a corner of something clamped
to the plate for the same purpose of locating a long ruler when drilling
was not a preferred option.

Regards
Andrew James
 
-Original Message-
From: Mike Cowham [mailto:[EMAIL PROTECTED] 
Sent: 29 October 2004 10:54
To: SUNDIAL
Subject: Gnomon Holes


I have just been asked the question to which I thought I knew the
answer, but now I am not so sure.
On English horizontal dials there are frequently two small holes drilled
in the dial plate at the point where the root of the gnomon contacts the
plate.  The question is, 'What were the holes used for?'  I understood
it to be an aid for alignment of the gnomon but now I believe that these
holes could have been used to take a pin or point of a compass/dividers
during marking out.  
Perhaps some of you who still make such dials will use a similar method?

Regards,
Mike Cowham
Cambridge UK



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RE: Roman Numerals - as a test message

2004-03-29 Thread Andrew James

Message text written by Frank King
 my guess is that the ratio would not be much different for clock
faces.

Message text written by Patrick Powers
 I have no data on this but because of the bias mentioned before
(regarding the apparent better balance of a clock face when using )
I would suspect that the prevalance of  could be even greater. It
would be nice to know.. 

For what it's worth I agree with the web site Richard cited that iiij
was the commonly written form and therefore it was natural to put it on
a clock dial. As to why it continued after Roman numerals dropped out of
widespread use, perhaps visual balance played one part and extreme
conservatism another!

I would say that virtually every English clock made between 1600 and
1900 used  and not IV (and most of those made after 1900, too - and
there aren't many made before 1600!).

There is an interesting (but tiny) group of exceptions: for a few years
around 1680-90 a handful of top London clockmakers, primarily the Knibb
brothers Joseph and John and their circle, sometimes used a system
called Roman striking wherein the hours are struck on two bells, a
high pitched one representing I and a low one for V. If we call them
ting and tong then 3 would be ting ting ting, 5 tong, 6 tong
ting, 10 tong tong (two fives), 9 would be, subtractively, ting tong
tong,  and 12 tong tong ting ting. What about 4? By striking ting
tong instead of ting ting ting ting two blows are saved. Most of
these clocks either go for a long duration between windings - a month or
three months instead of the usual eight days - or have complicated
striking work, meaning that (especially in view of the spring technology
of the day) saving power is important. So they strike ting tong at 4
and the dial reflects this by having IV not . The association is so
strong that on seeing a dial of this period with IV one would be very
surprised not to find Roman striking - and these clocks are very rare (I
would guess perhaps a hundred are known, if that) and also valuable.

I think a few English C17 sundials have V for 9 instead of IX though
I have never seen a clock like this (surely this will bring a citation
of a counter example from some knowledgeable list member?). I just
assumed the maker who used V was not too familiar with Roman
numerals!

Digressing slightly on Roman vs. Arabic, the vast majority of English
clocks (and watches) used Roman numerals until late in the 19th century.
There was a blip in the first quarter of the 19th century when Arabic
numerals were in fashion for a few years for clocks but did not displace
Roman numerals even at that time. Later in the 19th century the
proportion of Arabic numbered dials started to grow and became
significant on domestic clocks, though still very low on public ones
(compare this with vertical dials which are often public to some
extent). 

I feel that Arabic numerals were much more widely used for clock and
watch dials on the Continent. In England my impression is that Arabic
numerals do seem to be more common on sundials than on clocks. Perhaps
another list member can add a Continental perspective?

Regards
Andrew James

N 51 04
W 01 18


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Rome, Piazza di Montecitorio

2004-03-29 Thread Andrew James

I was recently shown photographs of this Piazza and the obelisk by
friends who stayed nearby and asked about its present functioning as a
sundial. (I understand it was originally set up nearby as a sundial
gnomon in Roman times.)

The markings on the pavement seemed to me to be date related with
perhaps a local time of transit taking account of EoT. I was told there
is a slit in the globe which surmounts the obelisk so presumably a ray
of light falls on the pavement with what I guess is a meridian line. I
am sure some members of the list must have detailed knowledge of this;
can anyone give more information please?

Regards
Andrew James

N 51 04
W 01 18



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RE: sundial for the blind

2004-03-08 Thread Andrew James

Tom Egan wrote (08 March 2004 07:28)

Let's see ... what senses are left?  Smell.  Taste.  Sound.   I'd
better quit while I'm ahead.

But perhaps we shouldn't rule them out completely, even if not
appropriate in this particular application? (I'm going to leave out
taste, though, as licking the parts of a public sundial might raise some
eyebrows.)

The increased temperature on one of a number of areas could cause a
scent to evaporate most strongly there and be most detectible e.g. at
one of a number of openings. 

And a mechanical linkage operated by temperature could alter the
frequency of vibration of one tuned element relative to others so that a
change in pitch could be discerned? (I don't think the straightforward
effect of differential temperature on elasticity and linear dimension
would suffice unless some odd material with something akin to a phase
change near the operating temperature for the day could be used, nor
would the change of speed of sound in air on a tuned cavity resonator or
pipe be enough.)

Not easy to accomplish - but when you next come across the Smellodial or
the Suntuner, remember, you saw the idea on this list first (Or did
you??) ;-)
 
Regards
Andrew James


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RE: UK 240 / 110v equipment.

2004-02-16 Thread Andrew James

Following Larry's and Alexei's posts, not everyone realises that
actually the UK uses 230V nominal now (and 400V 3-phase), not 240 (415),
having changed, like the Netherlands, Ireland, and several other
European countries, a few years ago. The reduced efficiency probably
absorbs the output of a good number of UK wind farms in additional
wiring losses, and I did ask at the time whether the Institution of
Electrical Engineers (IEE) was going to change its telephone number from
Central London 240 1871 (memorable as UK system voltage + year of
foundation) to 230 1871 ...

Patrick's reminder that the Health and Safety or similar rules may put a
damper on your plans, John, is also worth bearing in mind. Lead in a
dining room?? Hot?? Unfortunately a lot of changes and restrictions
these days are made in the name of safety with no sense of perspective
or proportion. (Of course many safety laws are very beneficial, but I
could cite lots of idiotic cases - not on-list, though!)

Regards
Andrew James


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RE: Mosaic Sundials

2004-02-11 Thread Andrew James

There is I believe a mosaic analemmatic dial at a school in South London
but I don't have details, though I may be able to find some out.

Regards
Andrew James



-Original Message-
From: John Carmichael [mailto:[EMAIL PROTECTED] 
Sent: 11 February 2004 13:45
To: sundial@rrz.uni-koeln.de
Subject: Mosaic Sundials

We've included a section on glass and ceramic mosaic sundials on the
SGS website and have only found 4 examples in the whole world.  This
makes five.  If any of you know of any other mosaic dials, please let me
know.



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RE: Oblate Spheroid correction for computing distances?

2004-02-03 Thread Andrew James

Jim, 

For a simple mental arithmetic answer, I always understood that the
English nautical mile (6080 feet when I was at school, about right for
the English Channel - but 6076 or so for an International Nautical Mile)
was by design very close to 1 minute of latitude, or longitude at the
Equator. So 60 n.m. of 6080 feet = 69.09 English statute miles (of 5280
feet) = 1 degree. 

For metric users, the original definition (or rather the second, after
they'd tried the length of a 1-second pendulum at Paris) of the metre
was as 1/1000th of the quadrant of longitude through Paris. So
taking 90 degrees = 10 million metres gives 1 degree = 111.111 km =
69.04 miles. Thus figures of 69 miles and 111 km are quite close enough
for my everyday purposes.

Multiply by cos(latitude) to get the length for a degree of longitude at
any latitude. So here at 51 N, a degree of longitude is about 43.5
miles.

The question of what do you mean by latitude has a bearing on the
length of the degree of latitude. It is complicated by both the
flattening of the Earth and the effect of the Earth's rotation on the
apparent direction of gravity. The apparent direction of gravity affects
what one practically measures as horizontal and vertical with level and
plumb-line, as opposed to an imaginary vertical passing through the
centre of the Earth - if you can decide where you think that is! At this
point I'll retire and leave others who are better qualified to explain
that and the resulting change in the length of a degree of latitude!

Regards
Andrew James
 
-Original Message-
From: J.Tallman [mailto:[EMAIL PROTECTED] 
Sent: 03 February 2004 15:58
To: sundial@rrz.uni-koeln.de
Subject: Re: Oblate Spheroid correction for computing distances?


Hello All,

As previously mentioned, the earth is not a perfect sphere, and is
distorted by the effects of gravity. So, is it flattened at the poles,
or is it elongated at the equator? Is it a combination of both
effects? 

I can envision a stretching effect at the poles, and a bulging effect at
the equator, both of which I would think would affect the linear
distances between theoretical degrees of latitude. If that is the case
then I would think that the only true distances would be found in the
mid-latitudes.

I would really like to know how to calculate distances using the
coordinates, as well. For example, the linear distance of a degree of
longitude at the equator is greater than the linear distance that I
would find here at 39 N. Every once in a while a sundial customer asks
me how far away he can move before his sundial becomes inaccurate. I
have always figured about 2 degrees of longitude is an acceptable range,
but have no idea how to convert that to linear distance at a given
latitude, other than manipulating the mapping sites that can handle
coordinates.


Best,

Jim Tallman
Sr. Designer
FX Studios
513.829.1888



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RE: Dial design

2003-12-01 Thread Andrew James

An quick and easy way to make a helical dial for demonstration and
experimental purposes is to take a wide strip of dressmaking elastic,
with a whole twist, held on a frame which can be made for example by
bending a wire coathanger. The hours can be marked in ink at equal
intervals while it's flat. This isn't my own idea but I can't remember
whose it was - so I offer apologies and credit wherever it is due.

Regards
Andrew James
51 04' N   1 18' W



-Original Message-
From: Frans W. Maes [mailto:[EMAIL PROTECTED] 
Sent: 01 December 2003 11:34
To: sundial@rrz.uni-koeln.de
Subject: Re: Dial design


Hi Richard,

It seems you have reinvented Piet Hein's helical dial. See the home page
of Egeskov Castle, http://www.egeskov.dk/english/sightseeing/index.htm
and click nr. 25 on the map or in the list below it.

John Moir showed already that the dial does not function well outside
the equinoxes in BSS Bulletin 95.1.

I give an explanation of this ill-behavior in my website:
www.fransmaes.nl/sundials, choose Index and goto Kvaerndrup.

Regards,
Frans Maes
53.1N 6.5E

- Original Message -
From: Richard Hollands [EMAIL PROTECTED]
To: sundial@rrz.uni-koeln.de
Sent: 30 November, 2003 6:34 PM
Subject: RE: Dial design

I've just realized, thinking about it again, that the simplest
realization of a 'helical' dial is a single sheet of metal given a
half-twist of 180 degrees. So long as the edges are straight and the
twist is distributed uniformly then the desired line o'light effect
will be achieved.

-


RE: BBC radio program(me) on sundials on 13 Dec.

2003-11-28 Thread Andrew James

Actually BBC Radio 4 long wave is on 198 kHz, 1514 metres, not the other
way round. It's broadcast from Droitwich near the middle of England
(grid ref SO929663, at a power of 500 kW) and from two smaller stations
in Scotland, Westerglen and Burghead (each 50 kW). It also goes out
locally on various MW stations around 720-774 and 1485 kHz as well as FM
in the 92-95 MHz band. As far as I know it's not on the 5975 kHz
frequency (which is BBC World Service in Central America and possibly
other things).

Andrew James



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: 28 November 2003 17:42
To: sundial@rrz.uni-koeln.de
Subject: Re: BBC radio program(me) on sundials on 13 Dec.



In a message dated 2003/11/27 02:50:54 PM, [EMAIL PROTECTED]
writes:

 BBC Radio 4  will carry a 30-minute show on sundials on Saturday, 13
 December at 1530 GMT.

 It's of course easy to hear in the UK, but anyone with a Web
 connection who can stream audio can also listen at

 http://www.bbc.co.uk/radio4/

 or through the ether on long wave at 198 meters.

I have a shortwave receiver that picks up BBC on 5975 kHz rather 
well.  Will the program be at that frequency also?  (This ancient
computer won't handle streaming audio.)

What would the frequency of 198 m be?  Is that a band, rather than a
frequency?  Haven't heard of that band, but I'm a rank novice 
at this sort of thing.  Let's see... 299792458/198 = 1514 kHz  (Not
correcting for the refractive index of air.)  Have I messed that up?

Thanks!
John Bercovitz

-

-


DE HORUS SINICIS

2003-11-07 Thread Andrew James

Someone I know is currently translating DE HORUS SINICIS by T.S. Bayer
[1735], which includes an illustration of a Chinese portable sundial. It
was in the collection of Ernst Johann Biron, who was the chief
magistrate of Russia at the time (and the empress's lover!). The dial is
17th century. Does anyone have any more information or precise dating on
this dial, which is now probably in the Hermitage, St Petersburg?

I can send a JPEG of the illustration on request off-list.

Regards
Andrew James
51 04 N
01 18 W

-


RE: Pub Dials

2003-08-12 Thread Andrew James

The Chequers at Weston-on-the-Green (1d 13'W, 51d 51'N) had until about 4 or 5 
years ago a dial painted on a wooden board. When I first saw it c. 1995 it had 
lost its gnomon and looked rather sad. Then it was replaced by a very smart 
looking dial in the same place, apparently painted on Perspex or similar 
plastic/acrylic, very neatly done and with a black wrought iron gnomon. 
Unfortunately the delineation is doubtful and the gnomon is certainly at an 
angle of about 60 or 65 degrees from horizontal instead of 52 and it would 
intersect the dial plane some inches above the centre implied by the hour 
lines. I expect it shows the right time now and then. I believe that advice was 
offered but not taken up. Very sad. However I think there are some bright 
lights outside the pub so you can use it equally well at night g. 

The other pub there, about 3/4 mile N, is the Ben Jonson and the stone dial 
looks probably 18th century though there is a possibility that it has been 
moved to its present location over the pub door. From memory it declines.


There is a pub in Pembrokeshire (Dyfed) called The Dial Inn - at Lamphey mear 
Pembroke. Unfortunately it doesn't have a dial outside any more, though there 
presumably once was one; but there is a curious large square copper dial, 
apparently not that old, hanging on the wall in the bar. I couldn't decide 
quite what it was meant to be - anyone passing there?

Regards
Andrew James


-Original Message-
From: Colin Davis [mailto:[EMAIL PROTECTED] 
Sent: 11 August 2003 10:02
To: Sundial List
Subject: Re:Pub Dials


Hi!
  in the village of Weston on the Green on the Northants/Oxford border there 
are two pubs with sundials, one is painted ;the other looks like it is part of 
the original building. Only been able to look as I pass by,must get there and 
have a good look!!! Colin Davis G3VMU 52° 14' N 0°  52' W Northampton

-


RE: Rod Gnomon Hole Placement

2003-08-04 Thread Andrew James

Patrick Powers wrote (Friday, August 01, 2003 9:10 AM)
 A propos the matter of the fixing of gnomons to stained glass dials - 
 here's a bit of a conundrum for you.  Would you have chosen the fixing 
 holes on the Bucklebury dial?  It declines about 13 degrees West yet 
 the holes seem in a very strange place for that orientation...  Was 
 the dial perhaps wrongly made in the first place or was there a most 
 interesting gnomon support  Perhaps we shall never know. 

and John Carmichael wrote in reply (01 August 2003 22:01)
 Looks to me like that dial has big problems too. The 12 o'clock
numeral
 is where it should be for a direct south wall, but the 6 am and 6 pms 
 don't line up with the center. Andrew James was there last week.  
 Andrew, do you remember if this is a south wall? 

Actually the Bucklebury dial is in a North wall or window :-) .

It has been moved from its original site - probably at a (demolished?)
house belonging to the Stevens family who lived nearby - to its present
position next to the Squire's pew in Bucklebury church. Interestingly
the precise cadencing of the shield indicates a Stevens who died earlier
in the 17th century so this 1649 dial seems to have been made as a
memorial or other remembrance by or for a descendant. It should face
somewhat W of S as Patrick says. I didn't notice anything wrong with the
delineation on that basis but it has been rather carefully and cleverly
offset from the vertical centre line to give a better visual balance to
the hours at the E and W edges by moving the vertical gnomon root - XII
line to the W (now E, to the right seen from inside). Of course the top
right numerals which look like VI and VII are really (I presume) VII and
VIII, the final I in each case being hidden by the present leading -
hence the odd VI-VI appearance which misleads at first glance. 

It would seem that the gnomon had a substyle foot as if for a direct
South gnomon (which would have to have been folded westwards) as well
as a pair of bracing stays, one each side, so that there are three lower
fixing holes which is unusual I think - most have only two for a
V-shaped foot or stay to the gnomon and omit the third. It is so
carefully made and well drawn that I think a mistake is not very likely
but that is only my suggestion. However the 1652 dial no. 33 on the SGS
web page has a very similar 3-hole fixing - the date is very close and
perhaps there is a connection there? The numerals and the cross patty,
and the quarter hour marks, dots, and hour lines all appear extremely
similar in draughtsmanship and form so would it be unreasonable to
suggest the two dials might be by the same hand? I'd like to see a close
up of the fly of no. 33!

Re Ledbury: The church guide to the windows refers to this very rare
17th century stained glass sundial, and says that for many years it was
upside down before the reglazing of this window by the Friends in 1988.
I believe that when I saw it (June 2000) it was the right way up though
of course that could have been wishful thinking :-) .

Regards
Andrew James

-


RE: Rod Gnomon Hole Placement

2003-08-04 Thread Andrew James

John Carmichael wrote (01 August 2003 16:12): 
Because of the importance of rod gnomon attachment on stained glass
sundials and the interest in the subject, I thought I'd make a Delta Cad
scale drawing for the website showing a sideview of the hardware used to
attach it to a pane of glass, using the bolting method.

I should think that fixing a gnomon by just one attachment at its root
would be problematic. For one thing it will be awkward to align
accurately, but more importantly it will exert great leverage at the
fixing point, and if the end is pushed by whatever means it will be far
more likely to break the glass. Better to do what most of the old ones
did and have a forked stay supporting the bottom end or the middle of
the gnomon similarly fixed by nuts and washers into two more holes. That
both assures rigidity and placement and ensures that very little strain
is on any one of the fixing points, if properly fitted. It may be worth
pointing this out to avoid short lived designs! Incidentally the outside
of Bucklebury seems clearly to show the washer positions.

Have you also considered the difference between drawing the hour lines
on the inside and outside of the glass? The diagram shows the centre as
outside, but if the paint is inside surely the gnomon root should pass
through the dial centre on the inside surface, allowing also for
refraction? 

Regards
Andrew James

-


RE: Rod Gnomon Hole Placement

2003-08-04 Thread Andrew James

I believe the Merchant Adventurers' Hall sundial has a brass or bronze
gnomon like a  which is fixed to a ring of the same metal surrounding
the roundel in the dial on the outside. The gnomon root or dial origin
is some way above the roundel and the actual gnomon. I think I can
provide a clearer outside picture of that dial (and will send it to John
off-list). Almost none of the old dials have the gnomon in situ. Feel
free to use my wording, John.

Re refraction: if someone painted the glass not in reverse it would need
to be inside, though I don't know what is customary. Given that dials
can be quite small I think even 3 mm or 1/8 could have a noticeable
effect.

It would seem simpler, if the Japanese protective cover can be as much
as 10 away, to put it outside the whole glass/gnomon assembly, assuming
the gnomon can be arranged to project less than that. As long as the
cover has parallel faces it would make no difference to the angle of the
sun's light. It would reduce the amount of sunlight transmitted at low
incident angles - but then perhaps any frame holding the cover will
interfere anyway. To have the cover intersecting the gnomon would
produce a complication - and why not use it to protect the gnomon as
well as the glass?


Regards
Andrew James



-


RE: Rod Gnomon Hole Placement

2003-08-04 Thread Andrew James

John Carmichael wrote (04 August 2003 17:27)

What about attaching the gnomon to the building and have it hang
outside of the protective cover?

I guess that as far as laying out the dial goes that would be equivalent
to displacing the gnomon away from the dial by 

(thickness of cover) * (refractive index of cover - 1). 

Would anyone like to confirm that or give the correct answer if not? 

Regards
Andrew James

-


RE: On Meridian dials

2003-03-20 Thread Andrew James

There's a nice one on the floor of a church in Sicily - much smaller than the 
great Cathedral ones, about 6 metres long from memory, with an analemma marked 
around it. I think the church is at Castiglione di Sicilia - it's certainly 
somewhere immediately N to NE of Mt Etna. It has the latitude and longitude 
relative to Palermo marked as well.

Is this on your list, Gianni?

Regards
Andrew James


-Original Message-
From: Anselmo Pérez Serrada [mailto:[EMAIL PROTECTED] 
Sent: 19 March 2003 17:43
To: sundial@rrz.uni-koeln.de
Subject: On Meridian dials

Dear dialists,

As you all know, a Meridian Dial is a sundial with only one hour line: 
that of noon,
which coincides with the meridian or N-S line if we measure local time.
In Europe you can find them in some temples, the most outstanding ones 
being these:

Date  Height Temple   City
=
1437   50 m Holy Sophie   Istanbul
1468   90 m S. Maria del Fiore  Firenze
1653   27 m S. Petronio Bologna
1743   26 m S. Sulpice   Paris
1786   24 m Duomo   Milano

By 'Height' I mean the height of the (pinhole) nodus from the ground in 
meters.

Now my question is: does anybody know about some other remarkable 
meridian lines,
maybe in other continents, maybe modern ones, or showing mean time, etc...?

Best regards,

Anselmo


-

-


RE: Sundials on the moon

2002-09-27 Thread Andrew James

Peter

Have a look at

http://www.redzero.demon.co.uk/moonhoax/index.htm

Although I did not see the program, I think the answers to all that you saw
on television will be found there, and in many other places. For example, in
brief:

Fluttering banner - it was on a springy wire to hold it out without any wind
and there's no atmosphere to stop it moving

Distant hills - mountains a VERY long way away don't look it with no
atmosphere but show the same pattern from a range of viewpoints

Diverging shadows - uneven ground (try it with sugar and matchsticks on the
kitchen table - this should be second nature to diallists on odd surfaces
;-) )

I expect NASA think (probably rightly) that a hoax theorist would exchange
terrestrial rock for lunar rock at the first opportunity! A lot of people do
seem to have looked at it though ...

My local glossy free magazine ran a couple of was it a hoax? articles last
year. I look forward to a future issue of it proving that Stonehenge was
built by extraterrestrials, or possibly overnight by Merlin using magical
powers, largely on the basis that we don't seem to have constructed many
large stone circles hereabouts for the last 2000 years.


Andrew James
N 51 04' W 01 18' 

On 27 September 2002 09:38 Peter Tandy wrote
snip
that presupposes that the Apollo astronauts actually did go to the
moon. A recent TV programme here in the UK showed what seemed, on the face
of it, compelling evidence of strange irregularities in the photographs
from the moon. ... Now, I'm not quite so sure..
snip
-


RE: compass dial

2002-08-08 Thread Andrew James

It seems to me that the vertical offset of the base of a vertical rod
arising from starting at the upper edge of the ordinary pole gnomon could
prevent the shadow falling on the central compass rose unless the sun were
fairly high in the sky. You may be able to judge the minimum solar altitude
from your photos, Frank; for how much of a winter day would it be useful? On
the other hand enough open vertical pole might be seen through the gnomon
frets to cast a useful shadow.

Is it possible that the central post holes were to take not a gnomon to show
azimuth but a windvane? After all, windvanes were common enough on C16/17
portable dials especially the Nuremberg ivory diptychs. That also requires
something fitting loosely and hence removably into (a pair of) bearing holes
rather than a shadow casting vertical which could be fixed, and gives a
plausible reason for double marking.

Neither explains the Elias Allen dial, though, with a 180 degree rotated
compass rose in the absence of such holes. Perhaps it WAS a mistake -
engravers weren't immune from making them (I vaguely remember reading of a
clock by a famous maker - even Tompion perhaps - with the signature upside
down) and a major one like that is just the sort of thing that goes
unnoticed until afterwards!

Andrew James
N 51 04' W 01 18' 

-Original Message-
From: Frank Evans [mailto:[EMAIL PROTECTED]
Sent: 05 August 2002 14:45

snip In one of the four photos I took I have now
been able to see two small holes drilled in the gnomon.  These are
clearly for the reception of a removable vertical rod arising over the
centre point. Thus the shadow of this rod would give the sun's bearing
plus 16 points (180 degrees) Moreover, by listing the reciprocal the
sun's actual bearing is recorded directly. snip
-


RE: new dial link, a big work !

2002-08-08 Thread Andrew James

It should I think be www.dasypodius.com

AJ

-Original Message-
From: Alexei Pace [mailto:[EMAIL PROTECTED]
Sent: 08 August 2002 11:42
To: sundial@rrz.uni-koeln.de
Subject: Re: new dial link, a big work !


The link doesn't work here...
AP


www.dasyposius.com

-
-


Heliochronometer by Homan

2002-07-31 Thread Andrew James

I have recently been shown an interesting brass heliochronometer made by W.
Homan of Glasgow according to his patent 18,568 of 1911. (I hope to receive
a copy of the patent shortly.)

It is quite large, based on a 13 1/2 diameter hemisphere. It has two
gnomons, upright brackets carried on and perpendicular to a circular plate
11 diameter. The plate has, over an adjustable 15 degree arc at its edge, a
scale divided in minutes, and can be rotated by hand against an outer fixed
ring marked with hours from 1 to 12 twice. Each upright carries a half
analemma, one for positive and the other for negative solar declination
(summer and winter), and a slit - with in one case a small hole adding a
nodus to the slit - to project light onto the half analemma on the other
upright 7 7/8 (200 mm) away. 

It is set for a latitude (not adjustable) of about 7 degrees North, and a
time difference from the local meridian of 5 minutes (added to the reading,
so it was sited just over 1 degree West). This indicates it was made for use
not in Britain but somewhere tropical, perhaps West Africa or Ceylon.

Has anyone come across other example(s), or information about this device or
its maker? 

Andrew James
N 51 04' W 01 18' 
-


RE: Heliochronometer by Homan

2002-07-31 Thread Andrew James

Brooke

Thank you for that - and thanks Fred for sending me the file off-list. 

From that I now see that the US Patent 946,223 is actually for a design
completely different from UK 18,568 of 1911 and the instrument I saw!

As I understand that he made at least two other known mean time dials on yet
another principle, Homan would seem to have been quite a prolific inventor
in the field.

Perhaps he took out other US Patents? But as you say apparently one can't
search for the inventor on-line at that date. I'll have a look, in case, for
other UK ones using good old paper-based technology!

Andrew James
N 51 04' W 01 18' 

-Original Message-
From: Brooke Clarke [mailto:[EMAIL PROTECTED]
Sent: 31 July 2002 17:03
To: sundial@rrz.uni-koeln.de
Subject: Re: Heliochronometer by Homan

All US patents are on line.
Sources for free on line TIF viewers can be found under help\How to Access
Patent Full-page Images.
Older patents can only be accessed by traditional US class number or patent
number, none of the other search methods will work.
-


RE: Monumental Statistics?

2002-06-17 Thread Andrew James

On the North wall of the Close of Salisbury Cathedral, Wiltshire, England,
is a groove with the word MERIDIES, which is apparently a noon mark acting
in conjunction with the spire.  The spire is just over 400 feet (122 m) high
and the wall is nearly that far from its base.  It was mentioned in BSS
Bulletin 91.3 pp22-23 and also in Peter Ransom's A Dozen Dials.  I hope to
publish some more about it in the BSS Bulletin in the near(ish) future.  

Of course it's not as big as Mont St Michel (see
http://maget.maget.free.fr/SiteMont/ for some details of that temporary
dial) but it beats most other things - but wasn't there once a (now
non-existent?) mountain dial with markers on the hillside somewhere?

However the volume definition of size is a very good one for eliminating a
noon mark!

Andrew James
N 51 04' W 01 18' 
-


RE: seminar

2002-06-14 Thread Andrew James

Tony

Yes please for some pdfs when you are sending them out (I didn't seem to get
your offer of some weeks ago?) - I am down to give a member's short talk to
the Southern Section of Antiquarian Horological Soc in September and might
find some of your images useful there, especially of the multiple dial
model.  I've used the cardboard ones from the Magdalen and Bear book quite
successfully in the past.  It has to be a short talk - one of three after
the AGM - which I find more difficult than a long one, which I've done
several times!  I must think of a theme (preferably one on which I have some
slides).  Sundials in Sussex, perhaps - or in Jaipur!

Regards
Andrew

-Original Message-
From: Tony Moss [mailto:[EMAIL PROTECTED]
Sent: 14 June 2002 10:42
To: Sundial Mail List
Subject: Re: seminar


Greg,

I have to conduct a 15-30 minute workshop on horizontal sundials. Real
basic
stuff, how to use the sun to tell time, how to make and position a simple
horizontal dial, etc.. Has anyone ever had to give such a talk and if so
what type of preparation, materials, handouts, slides, etc... worked best.

I recently gave a similar talk to a client Rotary Club (All about 
Sundials in 15 minutes) and prepared an OHP transparency which shows the 
essential relationship between an Equatorial Dial and a Horizontal Dial 
but also goes on to show vertical and Polar surfaces arranged around a 
common polestyle.  It also includes a north-facing Vertical surface.  The 
original diagram appears in Frank Cousins' book and I have always been 
impressed by its ingenious simplicity.  My developed version in Adobe 
illustrator is in colour and you are welcome to a GIF or PDF copy if you 
think it would help.

Just to 'gild the lily' a 3D model was also made which, in conjunction 
with a point-source halogen desk lamp, demonstrates the simultaneous 
functioning of all four dials 'before your very eyes'.  There are JPEGs 
available of this from various angles together with a sunlit shot of the 
model outdoors.

If 'one picture is worth 10 000 words' then perhaps one working model is 
worth many pictures.  The only problem which results is that the concepts 
involved are immediately obvious to even a non-specialistwhich leaves 
you very little to actually TALK about ;-)

Copies available to any list member on request.  This is the same 
material which I offered/distributed some weeks ago.

I retain the copyright of all my images but these can be freely used for 
any non-commercial purpose.

Best Wishes

Tony Moss

-
-


RE: Shadow Sharpener Again, and sunrise and sunset elsewhere

2002-06-07 Thread Andrew James

John Carmichael wrote:
It seems as though the only practical use for a bead-in-hole is on the
alidade of an equatorial heliochronometer Since for it to work properly, as
John Davis pointed out, it must always be perpendicular to the suns rays.

A noon mark (possibly with an analemma) would be another possible use I
think.  The +/- 23 1/2 degree change from equinox to solstice should not
cause too much trouble.  Perhaps one should make the hole very slightly
elongated (along the polar axis) to allow for this?

An unrelated question: does anyone know of a sundial designed to show
sunrise or sunset in quite another, distant, place?  Presumably it is just
necessary to construct a plane passing through the nodus of the dial and
parallel to the plane of the horizon at the other place, and mark the line
where it intersects the surface of the dial?  I should go away and work out
the formula, which I suppose must equate to an Italian or Babylonian hour
line on an inclining declining dial with the inclination and declination
corresponding to the lat./long. difference?

Thinking about this gives me an obvious explanation of why Italian and
Babylonian hours as shown by a pin gnomon on a flat dial are marked by
straight lines, (which always used to surprise me), as taking a plane
through the gnomon tip and parallel to that of the horizon for somewhere on
the same latitude but the relevant number of hours East or West in
longitude, that plane intersects the dial plane with a straight line, and
the shadow crossing that line is a notification of the Sun's rising or
setting either that number of hours ago or in that number of hours time in
the other place.  Perhaps others may find this a helpful idea?

Andrew James
N 51 04' W 01 18' 



-Original Message-
From: John Carmichael [mailto:[EMAIL PROTECTED]
Sent: 07 June 2002 16:50
To: sundial@rrz.uni-koeln.de
Subject: Re: Shadow Sharpener Again


It seems as though the only practical use for a bead-in-hole is on the
alidade of an equatorial heliochronometer Since for it to work properly, as
John Davis pointed out, it must always be perpendicular to the suns rays. It
seems Patrick's excellent instructions on how to calculate its dimensions
and focal length would come in very handy if you were designing an
equatorial heliochronometer.

John

John L. Carmichael Jr.
Sundial Sculptures
925 E. Foothills Dr.
Tucson Arizona 85718
USA

Tel: 520-696-1709
Email: [EMAIL PROTECTED]
Website: http://www.sundialsculptures.com
- Original Message -
From: Patrick Powers [EMAIL PROTECTED]
To: sundial@rrz.uni-koeln.de
Sent: Thursday, June 06, 2002 3:14 PM
Subject: Re: Shadow Sharpener Again


 Message text written by INTERNET:sundial@rrz.uni-koeln.de

 John said:  ...but do you think your formula could help determine the
 optimum
 size of the gap between the bead and hole of a bead-in-hole sharpener?

 Yes it can help but it's not the same!   Strictly the process is different
 but the formula used as I suggested (where you place the pin hole at
 distance f for a hole of diameter D) instead gives the MAXIMUM distance of
 the pinspeck device from the screen or image.  You should actually choose
a
 distance that is substantially less than that given by the formula if you
 want a pinspeck device to work.

 The formula I sent for the pinhole gives the details for a specific
optical
 situation that lies between two other forms of so called imaging which
 happens to be the best for the purposes of a pin hole camera (or shadow
 sharpener).  Art is right that image formation is not achieved in the same
 way as it is in a lens but if you choose to define focusing as 'a means by
 which points in an object can be proportionately and spatially  translated
 into corresponding points of an image' then the pinhole and the lens do
the
 same thing - and you can consequently still talk of things like focal
 length too.  That's why I (like some people in the literature) do use the
 same terms for both.  But you do have to realise that it's not the same...

 The pinspeck - that's the 'bead-in-hole' device - operates somewhat
 differently.  Here the bright points in an object cast shadows of the
 pinspeck itself (that's the bead) onto the screen or floor and it is these
 points of shadow that you see.  It therefore looks like a negative image.
 Here the key things are:

 1.  That the bead must itself be large enough to cast a shadow at the
 distance it is from the screen.
 2. The distance of the screen from the bead has to be less than (s^2)/L if
 the effect is not to be marred by other optical effects like diffraction..
 So the formula gives a distance that you must be well within.
 3.  The thing needs light to work so it doesn't work well in half light
and
 being placed in a penumbra effectively switches it off.

 Also if you are that close then the image size is usually too small and
 indistinct even in good light.

 Because, with a pinspeck, every other point than the one causing a shadow
 also

RE: difference between equinoxes and midsummer

2002-03-26 Thread Andrew James

I think the difference may be explained by the axes of the ellipse of the
Earth's orbit not coinciding with the equinoxes and solstices.  In other
words, as perihelion and aphelion are not at the solstices (as John wrote,
January 4th not December 21st), the difference in speed of traversing the
orbit can therefore account for the differences in the times from spring
equinox to midsummer and from midsummer to autumn equinox.  The equinoxes
and solstices are governed mostly by the inclination of the Earth's axis in
relation to the direction of movement round the orbit, and not much by the
varying distance from the Sun.

Andrew James

-Original Message-
From: Willy Leenders [mailto:[EMAIL PROTECTED]
Sent: 26 March 2002 11:04
To: sundial@rrz.uni-koeln.de
Subject: Re: difference between equinoxes and midsummer


Thank you Piero and John.

But after your answers my problem remains.

1.
The equation of time can explain no more than about 31 minutes. The
difference
I descirbe is 21 hours and 10 minutes.

2.
I describe a difference between two parts of the elliptical orbit of the
earth
which are symmetrical with regard to the sun. It is not the difference
between
winter and to summer but the the difference between the time from spring
equinox to midsummer on one hand and the time from midsummer to autumn
equinox
on the other hand.

I look out for a further explanation.

Willy Leenders
Flanders in Belgium
50.9 N  5.4 E

mailto:[EMAIL PROTECTED]
-


RE: Equatorial Ceiling Dial

2002-01-14 Thread Andrew James

John, Fer, and others,

John asked : 
 Let's say you have a spherical room, built like a planetarium, where the
 walls curve up into the ceiling and you locate your mirror in 
 the center. ... Would the sunspot be perfectly round all the time?  

I think that the image of the sun coming from any part of the mirror (I'm
assuming it is a horizontal mirror for simplicity) is always circular, so
that if the mirror is very small compared with the room the sunspot will
approximate to a circle.  

However the circular image of the sun is blurred or enlarged by the apparent
size of the mirror (as seen from the sunspot, more or less) and this
enlargement will only be equal in all directions when the sun and its
reflection are both at the zenith.  From the sunspot, the mirror appears as
an ellipse and from the zenith it is the special circular case.  At sunrise
and sunset it appears almost as a line so the enlargement is almost purely
horizontal, and at intermediate altitudes the vertical enlargement of the
circle is less than the horizontal.  (The elliptical appearance of the
mirror varies slightly as you move up and down the image of the sun, hence I
write almost.)

Regards
Andrew James


RE: Emergency Sundial

2002-01-09 Thread Andrew James

Steve Lelievre suggested using arc tan 1/4 to find 15 degrees in
emergency.

A slightly better approximation is to go via
sin(15) = 0.2588  and arcsin(0.25) = 14.4775 deg
cf. tan(15) = 0.2679  and arctan(0.25) = 14.0362 degrees

So, take your string and find a quarter of its length as before by two
halvings.  Start from the centre point and mark a point on a first line at
the string's length away.  From that point draw an arc (or mark a few points
to indicate it) using the quarter string as radius.  Go back to the centre
and take the tangent to that arc as the second line.  

The angle subtended is arcsin 0.25 or about 14 degrees 29 minutes, close
enough for practical purposes I would think.  

If you want to get still closer, then do it both ways and add the difference
between them to the larger of the two angles to get 14 degrees 55 minutes.
(And if you dislike estimating the addition to make rather than constructing
it, then take two of the sine angles one after the other i.e. added together
and go back one of the tan angles to subtract it.)

Or of course you could just use the same process, with half the string
length instead of a quarter, to go via arcsin 1/2 and obtain 30 degrees,
then take the string and mark two points equidistant from the origin on the
two lines 30 degrees apart, and use doubling the string to find the point
midway between those two - hence bisecting the angle into two angles of
exactly 15 degrees with no error at all.  But we're getting close to
terrestrial origami I fear ...


Regards

Andrew James

51 04 W
01 18 N


RE: Query about solstices

2001-12-20 Thread Andrew James

Surely the whole business of finding the solstice is like a slower analogue
of finding noon by observing solar altitude?

Just around noon the altitude changes extremely slowly, and it is hardly
possible to judge the time of maximum altitude exactly.  Here, today, noon
is at 12:04:49 but even if we take 20 minutes before and after then the Sun
will only be 8 minutes of arc lower.  1/365 of a day is about 4 minutes, and
that interval either side of noon will see the Sun lower than its noon
altitude by roughly 8 * (4/20)^2 = 0.3 minutes.  I am neglecting change in
declination, which is insignificant so near the solstice. 

Hence the benefit of taking altitude sights at known times some significant
time either side of noon and calculating the instant of noon from those.
Even if the times are only known by a clock which may not be correct, the
result is noon as shown by that clock, which can thus be corrected.
Conversely, if the clock is trusted, the longitude can be found.  In
general, one would allow for the rate of declination change for the day and
its effect on the two readings.  

Similarly, by analogy, we see the advantage of taking declination readings
(by whatever means) on noted dates a few days either side of the solstice.


Andrew James


RE: Sundial link

2001-12-13 Thread Andrew James

I was fascinated by the use of gum metal - are you familiar with it, Tony?
and the 
interesting statement Prior to the advent of the mechanical clock for
telling time with (and that wasn't until the early part of the 14th
century), the clocks you might be aware of are those of Cologne and
Salisbury Cathedrals in Europe.  But perhaps it's a live transcript?

Andrew James


RE: Sundial link

2001-12-13 Thread Andrew James

Never mind, Tony, perhaps we should ask that (nowadays) deceitful but active
chap mentioned further down on the same page:

 So they decreed that hence forth from the early part of the 13th century,
all churches built would have the knave running due north and south in
Europe, and on the south facing wall would be erected a sundial. 

P.S. Did he steal all those dials later, or did they just go when the
buildings were rotated ?

Andrew James

 -Original Message-
 From: Tony Moss [mailto:[EMAIL PROTECTED]
 Sent: 13 December 2001 11:45
 To: Sundial Mail List
 Subject: RE: Sundial link
 
 snip Andrew James asked:
  I was fascinated by the use of gum metal - 
  are you familiar with it, Tony?
 
 I've been chewing it over in my mind but find it a sticky 
 problem.  
 snip 
 Tony M.


RE: Sundial Trick Photography

2001-10-10 Thread Andrew James

For vertical dials I would still rather stick with an SLR with a long lens
(and a tripod!) because of the effects of perspective correction on the
gnomon.
Incidentally, the effect of a rising front / perspective correction lens can
be more or less equalled - at no cost except a smaller image - by resolutely
pointing the camera horizontally in front of your eye rather than tilting it
upwards.  You need a wider angle lens from the same distance, or
alternatively have to move further away; and then you need to enlarge the
image more as it will include the wall up to the dial and lots of ground
(half the picture).  Moving further away helps with the gnomon distortion,
too - looking at it not up its length.

The perspective correction or shift lens (and the view/technical camera
equivalent Super Angulons and the like) is very expensive because quite
apart from the mechanics it has to produce good images a long way off the
optical axis - which is what you are doing when you move it right up its
travel to take the high sundial.  

While John's photo of his Flandrau dial well illustrates the correction of
the lines, if you look at the nodus it appears to lie NNE of its shadow,
whereas the sun was really somewhere in the SE at the time.  That's meant
with no disrespect to his adjustment of the view of the dial plane, it's
just a fact of geometry.

But it occurs to me that one big advantage of a digital camera in all this
is that with an ordinary horizontal dial on a high pedestal (not so easy
with a very big dial, I agree) you can hold the digital camera at arm's
length vertically over the dial and press the shutter, immediately examine
the results, and repeat until you're quite satisfied.  You will get the
proper edge-on view of the gnomon (though its top will appear bigger as it's
nearer the camera), whereas correcting perspective of a photo taken from the
side appears to fold the gnomon down away from you.  When I try this
overhead method with a film camera I often wait days or weeks to receive a
skewed blurry print of half a dial or one of my own feet.

Andrew James


RE: Sundial Trick Photography

2001-10-08 Thread Andrew James

John Carmichael wrote :snip 

But I discovered that by using digital editing, you can stretch or compress
a photo so that it appears that camera was directly over the dial!  I
discovered this while using the perspective and distort features of
Adobe Photo Delux.
snip

Yes, it works quite well to a certain extent; but not altogether.  Imagine a
vertical direct East or West dial, with the gnomon parallel to but standing
away from the surface. The proper face on view will show only the edge
view of the gnomon.  However your view from somewhere in front and
underneath will show you the bottom surface of the gnomon as well.  This
will not disappear by the stretching in Adobe - nor, if it is a solid
gnomon, will the part of the dial surface hidden behind (above) it come into
view on your computer screen!  So beware of that; I try to stand a long way
back from high vertical dials and use a long focus lens.  

I don't agree with the idea that one should stand at essentially the same
distance away from the wall as the vertical dial is up the wall, which makes
the height of the dial submit the greatest angle to the viewer looking up at
45 degrees.  That gives a massive 0.7 : 1 linear distortion (which as you
say can be restored digitally) - but the gnomon's odd shape cannot.
Horizontal dials on a high plinth aren't so easy, though ... 

Andrew James


RE: large sundial

2001-08-10 Thread Andrew James

Chris Lusby Taylor wrote:
 snip
An alternative approach doesn't require thin or closely spaced lines. This
is to use a nonius (after its inventor Pedro Nunes) which uses diagonal
lines at an oblique angle to the radial hour lines. The position where the
shadow crosses the diagonal line indicates the exact minute. This is seen on
old quadrants and some sundials snip

and Mac Oglesby: snip Chris, is this the same technique as used by
Christopher Wren on the All Souls College Dial? snip

Yes, this is similar in principle to the All Souls' dial; but there in
effect the lines are dispensed with and the intersections marked by dots.

There are at least two other related schemes: some dials (for example, one
at Erddig, Clwyd, and one at I think Beddington Hall in Shropshire, both
C18) have two scales divided into 2 minute divisions and offset by one
minute between them, so that one scale has the lines for even and the other
for odd minutes.  In the same area is a small horizontal dial with rings
which have 0, 30, 60; 5, 25, 35, 55; 10, 20, 40, 50; 15, 45 minutes marked,
so achieving 5 minute reading with wider line spacing.  These can be
regarded as a sort of discontinuous nonius with stepped rather than straight
diagonals.

In my experience these are less common than diagonal scales (nonius), but
perhaps sometimes are not noticed, particularly on a corroded dial.


Andrew James


RE: ??? Roman numerals

2001-05-10 Thread Andrew James

 [Kevin Conod wrote]
 These are all rather elaborate explanations . . . couldn't 
 it just be that  was used instead of IV simply 
 because it is so easy to confuse IV with VI? [snip]
 
 [Tim Yu wrote] this simple explanation makes *very* good sense to me.  I
can
 easily see a potential problem of confusing IV with VI (and vice
 versa) when reading them at differing angles.

Interestingly quite a few rural 17th century stone dials in England have the
marks confused as if the carver didn't quite understand them either (e.g.
going IX X IX, or V IV IIV).  Two examples are at Warmwell (which uses
V, or in fact V for 9) and Hilton (both Dorset).  In Winchester
there is also a modern dial (1960s?) with the Roman numerals wrong.  At
Woodstock, Oxfordshire, the church dial (C18 or early C19?) has IIV IIIV for
7 and 8 and so does a late C20 dial on the Town Hall!  So illiteracy is not
confined to long ago.  It is very rare though not unknown to find an
engraved clock dial with such a mistake - perhaps masons or carvers only
made a sundial occasionally whereas clock dial engravers had more practice.
Roman numbers on English clock dials almost always radiate outwards but on
longcase painted dials when Arabic numbers were used the lower numbers are
sometimes inverted and sometimes not (tumbling hours); Arabic chapters
were also placed vertically more often than were Roman chapters.

In old documents it is clear that the subtractive form was not always used
and one sees iiij and viiij for 4 and 9.  So I tend to believe the reason
lay partly in custom and mainly in visual balance (and IX balances III
better than does V, though I agree that all falls down for I and XI -
but then there was not much choice).  I feel the story about the clockmaker
and the French King (variously Henry IV, Louis XIV etc) is nice but
unlikely.  

But it's interesting that IV seems to occur so much more often on sundials
than on clocks.
It is so rare to see a golden period English clock (when arguably dial
design was at its apogee) with a IV rather than , that IV is firmly
associated with Knibb and a few other makers building movements striking
Roman numerals on two bells, the lower for the V. This may well have been
invented to save power, needing only 30 instead of 78 blows every 12 hours;
useful if you are making a clock to go for a long time between windings -
three months for some of Knibb's.  The Great Clock of Westminster, with its
famous IV, needs rather more power to drive it and to sound Big Ben, but at
least there is further for the weights to drop (and to be wound up every few
days)!

Andrew James
N 51 04
W 01 18 


RE: engraving (roman) numerals

2001-02-05 Thread Andrew James

Jim McCulloch wrote:

 Let me recommend a low-tech skill that is not as hard as you 
 might believe
 to acquire an acceptable ability at, which is carving 
 directly on brass with
 (non-power) hand engraving tools, which, I believe, can still 
 be bought from
 a few art supply or jewelry making supply sources.

Yes, gravers are still available from jeweller's and watchmaker's suppliers.
However they do not come sharpened in the way you will need them to use
them.  As far as I know there is just one book on hand engraving on metal
that is usually quoted, and it's still available - these details are from
Amazon:

Engraving on Precious Metals
A. Brittain
Hardcover (first published December 1953) 
N.A.G. Press; ISBN: 0719800226

It is a good book (actually by three specialist authors), but it's certainly
a skill that takes some practice.  Many years ago apprentice engravers
didn't even touch metal for the first couple of years, they just had to
learn the drawing aspects with a pencil!  However it's worth having a go and
I found I could do something acceptable on a small scale after not too long.
It's also helpful if you can find someone skilled to show you the angles of
the graver and how they work.

Andrew James


 


RE: Question about analemmic sundials

2000-12-12 Thread Andrew James

Troy [EMAIL PROTECTED] asked
 I'm curious about analemmic sundials.  Is it possible 
  to move the gnomon of the dial (along an analemma course 
  marked with the proper days) to achieve the same effect? 

If I understand Troy correctly, to be asking about simple dials 
with figure eight analemmas on the hour lines, I think the 
answer is no as what is wanted must affect all the hour lines
equally, which could be achieved by a rotation of the dial
about the gnomon axis, and I believe no displacement of the 
gnomon will achieve this.  I'm open to correction, though!

Andrew James
N 51 04
W 01 18


RE: Gnomon for Vertical Decliner

2000-12-01 Thread Andrew James

 Arthur Carlson [EMAIL PROTECTED] writes:
 ... What you really want is readability, which is a
 compromise between brightness and blurriness for any pinhole.  ...
 ... Extending this logic, a vertically elongated pinhole 
 in a vertical plane might have some advantages over
 either of the other arrangements.  Hmmm.

Surely the problem with this is that the slit (which it will logically
become if elongated enough) will not cast a line of light onto a mark on the
dial at the same time throughout the year as the Sun's declination varies,
except on the vertical (noon) line?  (Of course this is absolutely fine if
you just want a noon mark!)  Moreover the elongation of the slit will
decrease the accuracy of reading the declination.  The former objection is
of course overcome by making the slit polar instead of vertical so that you
have an ordinary polar gnomon but which casts light instead of darkness
...

I suspect some compromise is needed in the end - Tony's .gif showed how even
for a very shallow countersink there comes a time when its bevel intersects
the light.  In any case the vertical hole may work better at higher
latitudes with lower solar altitude, as it will become nearer to the normal
hole anyway.  But it's not obvious to me that the vertical hole will
generally produce a much less readable spot than the normal one.  Can anyone
comment on that?

Regards
Andrew James


RE: Length of the year

2000-10-10 Thread Andrew James

According to Britannica's article on Hipparchus,  ... observed the
positions of the stars and compared his results with those of Timocharis of
Alexandria about 150 years earlier and with even earlier observations made
in Babylonia  He proposed precession to account for the size of the
difference and he gave a value of 45 or 46 (seconds of arc) for the annual
change, very close to the figure of 50.26 accepted today. ... Knowledge of
precession enabled him to obtain a better value for the length of the year
... his value for the tropical year was too great by only 6 1/2 [minutes?].

So, indeed, he had access to a long series of observations, but it doesn't
answer the question of exactly how discovering precession led him to this
value.  Can anyone explain?

To note just two of his other achievements, he produced the first star
catalogue and was the first to specify position on the Earth by longitude
and latitude; surely, he was a very smart fellow indeed.


Andrew James


RE: beaded analemma date sequence

2000-10-04 Thread Andrew James

1, 6, 11 etc has of course the advantage of no smaller first interval.

Following John's and Patrick's comments, the date sequence used on small C18
and C19 English clock date dials, when all dates are not numbered, was
usually 5 10 15 20 25 31 (of course the dial had to allow 31 as the last as
the hand or dial rotated in 31 days and had 31 divisions not varying with
the length of the month).  When the dial was a rotating disc showing through
an open sector indicating against a pointer it went 3 6 9 12 ... 27 31,
because closer numbers are needed to see where you are.  To have 1 marked as
such is unusual.

I think that it may have been felt that with the minutes being numbered 5,
10, 15 ... it would look odd to have the dates numbered 6, 11, 16 ... (as
well as being something different to engrave or paint!) and then the 31
arose as a reminder that 1 was to be found next to it.

Andrew James
 


RE: Measurements on the Equinox

2000-09-20 Thread Andrew James

Fernando

The rope is longer than the distance between the pegs x and y.  

(I hope the characters / and \ work as forward and backward oblique on your
screen and you will need to look at this in a fixed width font I expect.)

Pick a point * which I shall draw nearer the end x and move so that the rope
is taut from * to x and also from * to y 

 *_
/  -_
   / -_
  x y

Here * is shown above the line x - y

Move to the other side of the line keeping hold of * with it taut again

Now you have

  x y
   \ _-
\  _-
 *-

and connect the two points where you held * taut

 *_
/I -_
   / I   -_
  x  I  y
   \ I   _-
\I _-
 *-

like a kite shape 

You see that the line I I I I between the * and * is at right angles to the
line x--y

Regards
Andrew James


RE: Time Exhibition

2000-08-11 Thread Andrew James

Well done Mike for acting on a nondial.

I went to the Time Exhibition a Greenwich a few months ago and had mixed
feelings.  Please ignore the rest of this message if you don't want my
personal reaction!  It has apparently been done with no expense spared but I
felt missed out on some of the most basic essentials of an exhibition - at
least I go to an exhibition to see objects, which I know is a bit
unfashionable in the museum design world these days.  There were indeed many
absolutely first rate, world class, important objects to see and it was
wonderful to have a chance to look at them gathered together in London.
However a lot of them in the sundial and horological categories are finely
engraved brass etcetera and are best seen under a good light - without risk
to them.  Arranging them therefore in cases with (very interesting)
manuscripts and the like which need near darkness for preservation means you
can't see the metal things properly.  The descriptive labels in the cases
seem to be placed neither in numerical order nor in physical order
corresponding to the objects.  So having seen the small grey number next to
something you can't find the dimly lit relevant label.  If you happen to be
carrying the erudite catalogue, containing some fine essays, things aren't
improved because it doesn't appear to have numbers corresponding to those on
the objects so you can't look them up in that either, and some very fine and
little-known things - where you can't go away and read about them in a
standard book - just get an almost footnote mention and little proper
description.  When you have found the description it sometimes tells you
about the interesting things on the back of the object - for example a
cubical sundial - but then have the designers condescended to mar their nice
grey showcases with anything as useful as a mirror behind it so you can see
for yourself?

It's still worth a visit - and you can make up your own mind whether I'm
just having a prejudiced rant!  There are lots of good exhibits on aspects
other than time measurement as Mike listed.  Perhaps I'll go again in the
next six weeks ...

Andrew James
N 51 04
W 01 18


RE: Nought at noon

2000-07-19 Thread Andrew James

Steve, Bob, and everyone,

I do not think I have ever seen 0 on a sundial, nor on a clock.

I seem to remember a sundial which had an Arabic 12 with all other numerals
Roman - or was it vice versa? - but cannot think where.  I would say that in
England the simple cross + or cross pattee (more like the Iron Cross) is by
far the most common other noon mark and at a rough guess is on 10 or 20
percent of old vertical dials; I don't recall seeing it on a horizontal
dial.  I can only think of two other marks for noon: at Holy Sepulchre,
Holborn Viaduct, London, c 1670, there is a St Andrew's Cross X; and at
Dorstone near Hay-On-Wye, Hereford, there is an interesting double sided
equatorial dial dated 1823 (from memory) with what looks like a fleur-de-lys
for summer noon though it is in somewhat rusty cast iron and I'm not
absolutely sure how to interpret it.

Andrew James
N 51 04 23
W 01 17 46


RE: Longitude miniseries

2000-07-10 Thread Andrew James

On 10 July 2000 15:15 John Carmichael wrote:
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 To: sundial@rrz.uni-koeln.de
 Subject: Longitude miniseries

 1. In the scenes showing the meetings of the Longitude Board 
 with Harrison,
 on the wall is a large round map of northern Europe with London at the
 center. Around the perimeter of the map are the cardinal points of a
 compass.  A single moving metal hand is attached at the center.

This is indeed an internal weathervane driven by a shaft and gears from the
actual vane on the roof.  Several British buildings have or had them,
including the East India Company offices and even some private houses (very
large ones!)
 
 2.  To determine local solar time on the ship, Harrison used a 
 sextant to look
 at the sun.  How can a sextant, by itself, indicate the time? 

By determining times of equal altitude either side of noon and indeed the
time when the sun reaches its highest altitude, noon is obtained (as well as
the latitude, knowing the date).  A compass would a) need to be accurate and
corrected for magnetic deviation and b) would only be useful as described if
the sky were clear at noon, whereas observations of altitude a short time
either side of noon can be reduced to find the actual time of noon even if
no sight is possible at that moment.  

For taking sights either side of noon of course a watch (a deck watch) is
necessary but it is only its reasonable accuracy in the short term that
matters, not its timekeeping over many days.  
Such a watch was used anyway to carry the time information to and from the
chronometer(s) which were never moved from their resting place below deck.

 3. Where are the four Harrison clocks today? Are they still functional?

The four timekeepers H1 to H4 are all on show at the Old Royal Observatory,
Greenwich, London, where they are indeed functional.  H1 to H3 are kept
running.  However H4 requires lubrication - unlike H1 to H3 - and this means
dismantling, cleaning, lubrication and reassembly every few years.  The risk
of damage inherent in this process, even though - in the hands of the most
skilled and careful watchmakers to whom alone it would be entrusted - it may
be slight, and the slight wear which running might cause, are nowadays felt
to be good reasons why H4 - arguably the most important watch in the world -
is no longer kept running.  It was running until a few years ago.  There are
videos and simulation of its fascinating action.  Several copies have been
made of H1 over the last 50 years, and Malcolm Leach has almost finished a
copy of H2, while Don Unwin has very recently made a copy of H3 which I saw
running a week ago along with the H2 copy at Upton Hall, the British
Horological Institute headquarters.  

The copy of H4 which Harrison made, H5, almost identical except with much
less decoration, is in the Collection of the Worshipful Company of
Clockmakers at Guildhall, London.  It is also in working order though I am
not sure whether it is now kept going - I rather think not.

Harrison's late regulator clock is also at Greenwich in the same room as H1
to H4.  One of his early wooden clocks was in the Time Museum and is now in
the Chicago Museum.  Another of his clocks is in Guildhall together with
another clock movement.

Apologies that all this is a bit off sundials but the Longitude film and
story IS very interesting!

Andrew James





RE: Water filled sundial at Herstmonceux

2000-06-07 Thread Andrew James

There are a number of these around (the one I remember seeing is at the
Manor House Museum, Bury St Edmunds) - it's a registered design but I can't
remember the details though I think it was 1960s or perhaps later.
Basically the cylinder and liquid acts as a cylindrical lens which focuses a
bright spot (the intersection of a bright line with the equatorial plane)
onto the scale.  It only works in summer because it's an upper surface
equatorial!  It would work with solid plastic or glass but I expect that it
is made like that because liquid filled is cheaper ...

Andrew James

-Original Message-
From: Steve Lelievre [mailto:[EMAIL PROTECTED]
Sent: 07 June 2000 16:29
To: Sundial mailing list
Subject: Water filled sundial at Herstmonceux, England, ...
...
photo is at http://www.ualberta.ca/~droles/astro/astrav/Sun2.html





RE: Analemma Stuff

2000-04-04 Thread Andrew James

Thibaud Taudin-Chabot wrote

it is simple arithmetic: our watch shows mean time, so the mean of the
correction should be 0, otherwise your watch is fast or slow after a year.

I thought just the same when I first saw the question - but then I thought
again.  I believe that the above condition means that the average length of
the day (or hour, minute, second ...) shown by solar time must be the same
as by the mean sun or corresponding clock.  But you could declare solar noon
today - at the meridian or allowing for the difference in longitude - to be
at 12:02 or 11:57 or at any other time without affecting the going either of
the sun or the clock.  Therefore one can offset the EoT curve by a fixed
amount with impunity in this respect.  In fact this is exactly what we do by
adopting a time at a longitude different from our own - or still more
drastically by introducing daylight saving.

I believe that the EoT curve IS chosen so that the average IS zero, which is
the same as saying that if both its two sinusoidal components were reduced
in amplitude to zero, then it would lie along the straight line of zero
correction.  This is entirely logical as if the magnitude were zero then it
would make no sense to have a non-zero EoT.  Adding up the two sine waves,
at frequencies of 1/year and 2/year with their different zero cross points
and amplitudes, quite naturally results in the curve we know with its
particular crossing points.  These dates are therefore not arbitrary but
derive from the relationships of the phases (as they relate to our calendar)
and the amplitudes of the two contributing components of its cause, the
orbital eccentricity and the inclination.

Andrew James
01 18 W
51 04 N


RE: gloomy houses

2000-03-23 Thread Andrew James

Patrick Powers writes:

It is SRNO 4117 and Carolyn Martin and (I think)
Andrew James did some research.   Dial is from St Mary's Alverstoke, Hants

Yes, it was I who did some research on it. I visited the Hampshire Records
Office and examined microfilm of the Alverstoke Churchwardens' Accounts for
1749.  I found that the churchwardens were Humphry Newdick Abraham and
Richard Curry.  (I am uncertain of the reading of Newdick - it may be
Nendick; and Curry might just possibly be Carry or Corry.)  Their
expenditures for the year were respectively £17 13s 1d and £10 6s 11 1/2d.
These seem mostly to have been on sparrow heads, hedgehogs, polecats, and
the like, but the penultimate entry for Mr Curry is To a Dial £4 15s 0d.
Unfortunately there is no record of to whom he made the payment.  These are
the churchwardens whose names appear on the dial.

Frank Evans writes

But be assured that the dial is, or at least recently was, fruitlessly
mounted
outside the South African church. 

Remarkable!  But there.  Frank, if you could send me a jpeg without too much
trouble I'd be interested to see it!

Back to the gloomy houses; I was told when I visited NZ about 10 years ago
that a certain power station - somewhere between Auckland and Hamilton I
think - had its extremely ugly back side facing the road and the smart glass
front away from it because the UK designers had got it the wrong way round
in just the manner described.  Whether it's true or not, I don't know!

Andrew James
51 04 N
01 18 W


RE: Diverging Light Rays

2000-02-15 Thread Andrew James

Tony Moss suggested using a non-diverging sunray after passing between pairs
of posts 0.4mm apart for a heliochronometer.  

Art Carlson wrote: snip But this line is not unique.  You will get such
a line if the instrument is aligned toward any part of the sun's disk.
end

My idea is this: is it possible to combine the two points made?  Arrange,
say, two sets each of four posts with three 0.4 mm gaps between, one set
having slightly wider posts but with the same gap, so as to make three light
rays the outer two of which diverge by the same small amount - say 0.2
degrees - in each direction from the inner.  Then balancing the appearance
of the outer rays should give a rather more accurate estimation of the angle
of the centre of the solar disc.Any takers?

Regards
Andrew James


RE: Anodising Afterthoughts

1999-11-15 Thread Andrew James

(off topic slightly - Napoleon and Aluminium)

Interesting; I long ago heard the first story, that his second-best dinner
service was gold, and understood that at the time Al was more expensive
weight for weight than gold. So at first I doubted whether it would actually
have been affordable for France to provide so many mess kits - or more to
the point whether there was in fact enough free aluminum metal around in the
world?  Clearly it depends exactly when.  My memory is suspiciously hazy,
but I believe Al was discovered c 1825, after Napoleon I (Bonaparte) died,
and first made in any quantity in the 1840's (e.g. suitable to make a large
dinner service!) and by a better process by about 185x, so I think it was
Napoleon III (Louis Napoleon).  He was a great moderniser and keen on
technical improvement - which applied to the armed forces with balloons etc;
so your story sounds quite likely after all - with the proviso that one
might have misunderstood both stories as Napoleon I without knowledge of the
dates.  Any historians able to confirm which Napoleon, or the story or
dates?

Regards
Andrew James
Winchester, England

 -Original Message-
 From: Arthur Carlson [SMTP:[EMAIL PROTECTED]
 Sent: Monday, November 15, 1999 7:57 AM
 To:   sundial@rrz.uni-koeln.de
 Subject:  Re: Anodising Afterthoughts
 
 The Shaws [EMAIL PROTECTED] wrote :
  ...aluminium is cheap...
  ..reminds me of the story that Napoleon had an extensive monogramed
 dinner
  service made from aluminium - just because it was the most expensive
 metal
  of his day.
 
 I heard the story differently, that Napoleon issued each of his
 soldiers an aluminum mess kit to take advantage of the reduced weight,
 despite the horrendous cost.
 
 --Art Carlson


RE: best possible angle for insolation and visibility

1999-08-11 Thread Andrew James

Fernando,
Fellow diallists,

  Fernando asked: 
Given a certain latitude, how can we find the best angles for
a sundial?

For best  I mean those that offer:

a) the longest insolation during the day
b) the longest insolation at the various seasons
c) the best azimuth (declination) and  the best reclination so the
dial
can be place as high as possible and still get to be
seen comfortably (based on the angle, not on the size).

and with the sundial in the top of a 6-meter tall (19' 8) column
so as it can be the best possible visibility from the ground.
At the same time it should work all year round for a certain
latitude (in this case, 15 d 45' 5S), from sunrise to sunset.


in trying to find a single plane dial;

At the Arctic [Antarctic] Circle the sun just does not set on the N [S]
horizon at midsummer.
Therefore a single dial must face generally N [S] of horizontal otherwise it
will not intercept that light.

However, at the Arctic [Antarctic] Circle the sun just rises on the S [N]
horizon at midwinter.
Therefore a single dial must face generally S [N] of horizontal otherwise it
will not intercept that light.

From this we can see that only a horizontal dial will work in the polar
regions to (just) satisfy both requirements.  This is clearly the case at
either pole where the sun travels along the whole horizon at the equinox.  

And, in fact, a horizontal dial will work in all regions (because while the
ground is illuminated, so will be the dial) - the only problem here being
that it will be out of sight on the top of the pillar, unless you either
a) make it transparent and look at it from underneath or
b) place a mirror above it and look at the reflection  (BTW, is this a new
(if rather impractical) idea of mine - can anyone cite an example?)

In the Northern [Southern] hemisphere above the tropics, a direct S [N]
vertical dial will not show earliest and latest hours at midsummer (or
indeed at any summer date between the equinoxes).  If we take a horizontal
dial and tilt it towards either S or N, then the E-W line through the gnomon
will be higher than that part of the dial to the S or N of the gnomon foot
and will therefore shade the dial at sunrise and sunset either in summer or
winter.  Therefore I do not think a single dial will suffice unless it is
actually horizontal.

Two vertical dials will solve the problem - at 51 deg N a SW and SE pair
work nicely.  However as you go further towards the pole the angle between
them must decrease until in the polar regions they have to be back to back
e.g. N and S or E and W and sunlight arrives at one just as it leaves the
other with a glancing illumination, so three (or more) become preferable if
you wish at least one surface to be well lit at all times.

Typically in England pillars or other structures (e.g. above a church
parapet or roof) with four vertical dials (N, S, E, W) are reasonably
numerous, while occasionally one finds a larger number of equally spaced
ones (e.g. 6, Covent Garden, London; and 8, Douglas, Isle of Man).  Omitting
the N dial is often no great loss as the E and W ones can be used for more
of the time anyway and there are quite a few of such E, S, W triplets (as
well as some approximately SW, SE pairs).  

The complex multiple dials of Scotland are another subject altogether!

I think that a vertical S (N) dial just works on the northern (southern)
tropic.  However, between the Equator and the Tropic, (and hence for
Fernando's actual problem ;-) ) I'll now leave it to others to discuss the
possible range of angles of a single inclining vertical dial, or between the
pair of vertical dials required.  

Regards
Andrew James


RE: Refs on japanning and metal surface colouring

1999-02-03 Thread Andrew James

Re: the Holtzapffel 5 volumes.  I believe that vols 4 and 5 were
reprinted some few years ago by Dover.  Vols 1 2 and 3 were reprinted
about 8 years ago (I think) in hardback by Tee Publishing.  I think they
were also reprinted by somebody else at about the same date but am not
sure.  I believe the first three were semi remaindered? and may be
available from Tee as a special offer for about £25 which is a real
bargain if still true - see http://www.fotec.co.uk/mehs/tee/lathes.htm
for details.  (Rita may not thank me though!)  I do agree that the whole
set makes FASCINATING reading if you're interested in the metal working
/ wood working crafts in general, and a long vanished perspective on a
lot of the processes and materials, with some extraordinary examples of
skill and labour illustrated in the ornamental turning volumes.

Regards
Andrew James
snip
 -Original Message-
 From: John Pickard [SMTP:[EMAIL PROTECTED]
 Sent: 02 February 1999 22:48
 To:   sundial@rrz.uni-koeln.de
 Cc:   [EMAIL PROTECTED]
 Subject:  Refs on japanning and metal surface colouring
 
 I looked up the Holtzapffel ref on japanning
 
 Holtzapffel C 1864 Turning and mechanical manipulation 
 Volume 3 Abrasive and miscellaneous processes ...
 Holtzapffel and Co, London
 
 pp. 1404+: japanning on metal, wood, etc.
 
 Lots of details on what to use, and how to do it. BUT I imagine that 
 a lot of the ingredients would now be difficult to obtain.
 


Sundial setting - time and declination errors.

1999-01-20 Thread Andrew James

At a slight tangent to the sundial setting correspondence, I have a
related question which I am sure someone will be able to answer.

If one has a (declining) vertical dial which is accurately constructed
in itself and with a correct gnomon, but which is mounted on a wall not
exactly at the designed declination, how can one establish the error in
orientation of the dial from observing the error in time (which varies
with time of day and solar declination, as well as depending on the
declination of the dial)?  

More generally one might also consider an error in latitude, but
declination only would be a start.  The formula might lead to an easy
(?) way of determining a wall's declination simply by reading a portable
dial placed against it temporarily (with the vertical line correct) and
knowing the local solar time.  There would be good and bad times at
which to do this according to how rapidly the error in time changed with
the error in declination.  Is this a practical method?  Several portable
dials might be useful or required.

I realise that one could measure the angle between the wall and a
vertical dial (or an edge of a horizontal dial) oriented to show the
correct time, but this would need the measurement or marking of an
angle, which simply reading the time would avoid.

Andrew James




RE: Latin Inscription

1999-01-18 Thread Andrew James

 
  Hora Fugit Rapide Letumq.invadit inermus
  
 Lots of interesting replies so far!  Yet another idea - my local
 classicist friends, much more learned than I, have suggested
 
 a) that it might have been intended to be inermes i.e. a plural  -
 so meaning perhaps something like The hour flies rapidly and Death
 enters [us] defenceless 
 
 ( I do prefer the understood [us] to [me,  the sundial] being
 defenceless or unprepared. )
 
 and 
 
 b) that it is probably not an actual quotation from one of the usual
 Classical sources, but an assembly of words especially written.  This
 might be more likely therefore to have a grammatical or typographical
 error introduced by a fallible author.  
 
 I expect that someone will now cite an impeccable source!
 
 Regards
 Andrew James
 
 
 


A sundial motto query

1998-05-21 Thread Andrew James

I am trying to decide what may have been the original of a sundial motto
of which about half is missing.  It is in Italian and as far as I can
read it is

IO NON ebro {about 30-35 letters missing}ans LANgU{about 10 missing}cARE
LA CAMPANO IL FERRO MA RISPLENDE SOLE

where lower case is uncertain (generally the top part of the letters
remains).  I have photographs which show enough of a few other letters
to prove or disprove a suggestion, perhaps, but not to add much certain
information to the phrase.

I get a general idea of I'm not a drunken feeble thing dependent on the
iron clock but on the majestic Sun but not the detail.  It is written
in a circle around a stone base which has weathered badly since 1908, so
the starting point might of course be wrong (and possibly missing)
though there is the suspicion of a dot after SOLE.  Inside it are two
easy enough mottoes in Latin and Greek

HORA DIEM DEPASCIT EUNDO, and
(P)ANTA ANAPHEREI CHRONOS (transliterating from Greek)

I guess the Italian may be a well-known phrase somewhere, but not to me!
Can anyone help, please?

Andrew James
BSS member 629.

I found out about the mailing list from sundials on the Internet