http://www.lowendtheoryclub.com/theclub.html
On Mon, Nov 8, 2010 at 9:43 PM, Denise Dalphond ddalp...@umail.iu.edu wrote:
Hi all,
I'm heading to LA this Wednesday through Sunday for an ethnomusicology
conference. It's hosted by UCLA, but most of the conference stuff is
in a hotel downtown.
All vinyl. Lots of pre-1980 disco obscurities and hits. 80s dance pop.
http://www.cornwarning.com/chaircrusher/2010-10-23-Chaircrusher-KRUI-Set.mp3
http://www.cornwarning.com/chaircrusher/2010-10-30-Chaircrusher-KRUI-DJSet.mp3
Track lists here:
I should post something like this periodically, but unless I figure
out how to make it a cron job on hyperreal.org that aint gonna happen.
WHY YOUR POST DIDN'T SHOW UP ON THE 313 LIST (in order of likelihood)
1. You didn't send a plain text message. Plaint text means 'no fancy
formatting, no
I start out with 11 tracks by/featuring Aaron Carl, then go zooming
off several directions at once as usual...I always want to see all my
friends at once go bang.
http://music.cornwarning.com/2010/10/10/1882/
http://www.cornwarning.com/chaircrusher/Chaircrusher-2010-10-09-KRUI-Mix.mp3
It's BasicChannel-palooza!
THIS SATURDAY OCTOBER 9
THE BUNKER presents MONOLAKE SCION
∅
Featuring live performances by:
MONOLAKE (Imbalance Computer Music, Berlin) LIVE SURROUND
SCION (Chain Reaction, Scion Versions, Berlin) LIVE
DJ PETE aka SUBSTANCE (Chain Reaction, Hardwax, Berlin)
RENÉ
-- Forwarded message --
From: Thomas D. Cox, Jr.
if you could pass this along to 313 it would be greatly appreciated
Time: Thursday at 9:30pm - Friday at 2:00am
Location: Pulse Detroit
156 Monroe st
Detroit, MI
Residents Todd Weston and Guy Lafleur have been out to Pittsburgh
. :)
Sent from my iPhone
On Oct 6, 2010, at 7:55 AM, kent williams chaircrus...@gmail.com wrote:
-- Forwarded message --
From: Thomas D. Cox, Jr.
if you could pass this along to 313 it would be greatly appreciated
Time: Thursday at 9:30pm - Friday at 2:00am
Location: Pulse
Those of you up early in the US who checked Facebook or Twitter
already know this, but Aaron Carl Ragland died overnight, having just
started chemotherapy for a just-diagnosed cancer. This is a terrible
loss for Aaron's family, Detroit, and the world.
I didn't know the man well, other than a
Reposting to get my mix in the swanky 313 list podcast feed.
Urban Tribe, Falty DL, one of my Tracks, W1B0, Cooly G, Iknoka, Pinch
and various and sundry other bottom-heavy bangers from all over. Not
so much oontz oontz bangers as skippy-skittery-swingy bangers. With a
guest appearance from Hall
I think they look adorable!
On Sat, Sep 25, 2010 at 3:38 PM, gj log...@cox.net wrote:
wow... we really looked like that???
smh...
-Original Message-
From: Greg Earle [mailto:ea...@isolar.dyndns.org]
Sent: Saturday, September 25, 2010 12:21 PM
To: 313@hyperreal.org
Subject: (313)
I disagree with most of what Wilhite says about working digital, but
I have to say he knows how to make a party deep.
It is always the case that people with venal motivations can parlay a
small amount of talent and a ruthless instinct for self-promotion into
a career. They can appeal to an
It's not my raison d'être and I doubt it is Rick's. And it's a side
issue to what I was talking about.
On Thu, Sep 23, 2010 at 9:04 AM, Martin Dust mar...@dustscience.com wrote:
On 23 Sep 2010, at 14:11, kent williams wrote:
But you can't force people to take their own lives seriously.
So
I think that people should produce music how they want to produce, and
be judged on the results. I think if you stand where Rick Wilhite
stands, you'd be justifiably skeptical of digital DJs. I can disagree
with him and still have mad respect for him.
And honestly, what he believes that
Last I heard was this: http://aaroncarl.blogspot.com/
I hope we can get more details, when AC is ready to talk about it.
On Thu, Sep 23, 2010 at 6:39 PM, Greg Earle ea...@isolar.dyndns.org wrote:
Bad news: Angie Schwendemann Linder is reporting on her FB page that
Aaron-Carl has been
Wasn't Mills DJing long before he began making records? Or am I
misunderstanding the connection you're making?
I started making music long before I ever tried to DJ, but it was more
lack of opportunity and not having $1200 to drop on 1200s and a mixer.
Somehow picking up a synth for a couple
Urban Tribe, Falty DL, one of my Tracks, W1B0, Cooly G, Iknoka, Pinch
and various and sundry other bottom-heavy bangers from all over. Not
so much oontz oontz bangers as skippy-skittery-swingy bangers. With a
guest appearance from Hall Oates.
At the Goodwill today:
http://music.cornwarning.com/wp-content/uploads/2010/09/technobeat.jpg
I would have bought it but it had no audio out or provision for AC
power...and I have a dozen random toy keyboards around the house
already.
Just like Rephlex to be under the radar doing their own thing, but I
stumbled upon the fact that they've digitized the entire catalog and
sell mp3s/wav direct. Which has direct 313 implications:
http://www.rephlex.com/artists/view/Urban%20Tribe
http://www.rephlex.com/artists/view/Dopplereffekt
Heh, I occasionally notice sample bites -- like the fact that DJ
Shadow sampled practically the entire Stanley Clarke discography
making Endtroducing -- but it's exhausting to think about trying to
pick out every instance.
And what it's done mostly for me is to push me back to the original
Dave Huisman Mix for LWE w/interview:
http://bit.ly/cD77zM
LWE: Who, or what records specifically, are really floating your boat
when it comes to techno and house?
2562: Oh man… I could talk about this all day. I gotta name Rick Wade.
Whenever I’m in a bad mood I can put his beats on, bop my
This came up in a comment on my blog on this post:
http://bit.ly/aNPI3r
The commenter wanted a track id of the last track Terrence Parker played.
I figured it out basically with Google, as Agent K Feed The Cat
http://www.youtube.com/watch?v=4ELDNDSluDk
But TP was playing a Housed Remix I
I (or anyone with the right audio interface, or Audio Hijack Pro)
could record the mix from Soundcloud. Of course, Spin-D probably got
permission to stream the mix, not to put it up for download.
If anyone has a contact at Axis, and wants to ask nicely if we can
have the original file I can host
I'd be more worried that the show portrays the Detroit police in a
more positive light than they deserve.
At any rate this show won't take place in Detroit, it will take place
in Detroit. And the subtext will be, like all cop shows, that cops
are good and brown people are criminals.
On Mon, Aug
Greg's post about Bethany Shorb's post reminded me of this: This
weekend is the Maker Faire in Detroit.
http://makerfaire.com/
When they announced this event, I wrote them and suggested they
contact some of the local businesses associated with Techno --
Submerge in particular, because nothing
Got my memory jogged today by someone on Facebook and listened again
for the first time in years to Spacetime Continuum Emit Ecaps
album. I'd forgotten how good it is, and in the current context it
sounds even better.
But what really struck me (and actually is relevant here) is the
companion
Comprising tracks purchased/received in the last few months + location
recordings and one of my Derek Piotr remixes. On the general theme of
the good kind of sweatiness. Tracks from all over the map: Gemmy,
Brackles, Rob Hood, Echospace, 2Junxion, Octave One, Joe, T-Polar,
Machine Drum, Kryptic
some colored
blocks around in a DAW.
mt
-- Forwarded message --
From: Daniel Troberg erasemu...@gmail.com
To: kent williams chaircrus...@gmail.com
Date: Mon, 12 Jul 2010 20:32:01 +0200
Subject: Re: (313) string synth sound
well, I still think that the synth patch
It's also a sound module you can sequence externally. And a car wax
and dessert topping.
That last part I made up.
On Tue, Jul 13, 2010 at 12:31 PM, Mike Taylor disconihil...@gmail.com wrote:
Not to pick knits, but the QX21 IS a sequencer.
m
On Tue, Jul 13, 2010 at 12:08 PM, DB
I think that I'd classify that as an analog string sound, which I'd
try to approximate using pulse width modification of a square wave,
then run it into a chorus + reverb. I don't think that Neil was
borrowing Jeff's synth. They both used similar sounds and then did
similar (but not the same)
to the clips again, name that synth ,, thats what controlling my
brain atm.
On 12 jul 2010, at 16.10, kent williams wrote:
I think that I'd classify that as an analog string sound, which I'd
try to approximate using pulse width modification of a square wave,
then run it into a chorus + reverb. I
New record is 'revisited' mixes of Dema and Meridian. Dema is from
The X Files EP from 1994, and Meridian from Detroit Techno City
from 1995.
I didn't pull out the originals (they were both on The Collective
the retrospective OO comp from 1998) so I was comparing them with
Youtube rips. They
This is a collaboration between me Derek Piotr. Derek does
experimental edit/glitch/spoken word pieces. I chose 5 to use as
source material for new tracks, and one (Vend) is a piece I made and a
piece Derek made mashed up.
I'm releasing this on Bandcamp, as an experiment. I'm asking a
minimum
Our guy Wibo Lammerts has been getting attention from high profile DJs
like Dave Clarke, and just sent me an announcement of a new download
release that's pretty sweet:
Gravitas -- moody slow burner
Anxious -- banging track with a hint of that UR Acid Style
Pretty ripping stuff in my opinion. Anyone with a cracked copy of
fruity loops can put together a techno loop with a couple of one bar
synth loops, but it takes Rob Hood to make it into something
compelling.
Other (non 313) things I got today -- Pansonic Gravitoni, Autechre
Move Of Ten and the
This is nice. Perfect for my hangover this morning!
On Thu, Jun 10, 2010 at 2:11 AM, Joe Marougi jmaro...@gmail.com wrote:
Hello all,
I'd like to share this track with the group. Hit me up for the mp3 if
you want it. Thanks!
I've stopped buying ambient/dub/whatever stuff because I own hours and
hours of it, and beyond the classics, one track is hard to tell from
the next.
I make an exception for Blamstrain. This is a pretty sweet release.
At a minimum y'all should stream it from the bandcamp site, and def
consider
http://www.caratulas.com/caratulas/T/Talking_Heads/Talking_Heads-Fear_Of_Music_(2006)-Frontal.jpg
On Mon, Jun 7, 2010 at 5:09 PM, Andy Mitchell a...@yokoso.co.nz wrote:
I've been a bit too scared to put the CD in my computer to listen to
the album (it looks a wee bit thicker than a normal CD
I read and enjoyed your reports. I think a lack of feedback is easy
to mistake for being ignored ;-)
On Wed, Jun 2, 2010 at 7:21 AM, Jacob Arnold ja...@gridface.com wrote:
Since I didn't get any responses to part 1, I didn't post parts 2 and 3 of my
daily reports to the list, but there are
Looking on the bright side -- an evening in my studio...
http://music.cornwarning.com/2010/05/29/new-track-missing-the-d/
Since I've accused Kevin Saunderson of playing bad Big Room Techno
recently, I was amused to see a notice of this product:
http://www.soundstosample.com/info/Hy2rogen/Big_Room_Elements/576#
Listening to the demo for this sample set is interesting in a couple
of ways: First, it does exhibit some
This is some mutant sad broken robot techno!
http://autechre.ws/move-of-ten/
Well, to my mind it's a no brainer -- Inner City will be meh, Derrick
May plays everywhere all the time.
Robert Hood is a monster, not to be missed. You know how every DJ
that plays banging minimal techno sounds the same? Robert Hood
doesn't. His sets are hard as nails, and always exciting.
Honestly, if it were the only thing going on, I'd love May, but he's
going to be playing records (and likely the big room tracks most
313'ers don't care about), but Hood live will melt your face off and
then rush your t*ts off.
On Mon, May 24, 2010 at 9:41 AM, darnistle darnis...@cafe-ebola.com
makes me super curious.
Changes are opt for May and Hood and pop into Inner City occasionally
I hate having to float from stage to stage, but sometimes it can't be
helped.
{}0+|
On 5/24/2010 10:03 AM, kent williams wrote:
Well, to my mind it's a no brainer -- Inner City will be meh
One DEMF tip for all -- if you're in one spot and you're enjoying it,
don't be tempted to try a different stage because it might be better!
You end up spending the whole weekend walking between stages, and you
still miss the good stuff.
It's like traveling in Europe -- do you want to see places,
Since people are debating this record, and not everyone's heard it:
http://www.youtube.com/watch?v=cpUdR4HZ6Bw Oar003-A
http://www.youtube.com/watch?v=3grTvaQ8pAM Oar003-B
A side sound like the guy has been listening to Carl Craig (or maybe
Sierra Romeo or East Island -- it has a very Eevolute
Somewhere in Detroit is a must, for so many reasons. It's also close
to downtown. Melodies and Memories I could lose myself in for days.
A smaller, newer shop that sounds interesting is Ya Digg, written up
here by Denise D:
http://denisedjsdetroit.blogspot.com/
I don't imagine Detroit is a
Clocked by Davor O.
http://soundcloud.com/r_co/claude-young-live-dommune-tokyo-16-05-2010
Weird -- someone sent a subscription request apparently from
regis...@gnomonschool.com and I approved it this morning. Gone now!
They have forum-based classes? Should you get college credit for
participating in DetroitLuv?
In a week where I had some seriously effed up police troubles in my
family, I guess I should count my blessings:
http://www.detnews.com/article/20100517/METRO01/5170340/Family-grieves-death-of-girl--7--in-police-raid
Talking about 313 music coverage, Little White Earbuds covers Detroit
in a very clued-up manner, and features Mike Huckaby and Kyle Hall
this week...
http://www.littlewhiteearbuds.com/
If you don't already know, and I'm sure many of you do...
Of interest? I should think!
-- Forwarded message --
From: Greg Bird bird...@gmail.com
Date: Wed, May 5, 2010 at 1:37 PM
Subject: [idm] SF: Sat.May.8th [KONTROL] presents minimalist icon
DANIEL BELL in an intimate NINE HOUR set!
Only about 50 tix or so left and they're moving
The sound down there will always suck. There's a reason that the
great concert halls of the world are not reinforced concrete boxes.
And it smells bad down there too.
What it would take to fix the space would be several tens of thousands
of dollars of acoustic treatment. And it would still be an
Yeah, but ... Patrice Scott! I wonder where they're setting up the 5th stage?
On Mon, Apr 26, 2010 at 9:42 AM, David Powers cybo...@gmail.com wrote:
dOP has great productions... hoping they're great live as well!
~David
On Mon, Apr 26, 2010 at 9:17 AM, John Sokolowski
Not had a chance to listen to it all yet but def worth a look, and you
can't beat the price.
http://angelalanis.bandcamp.com/album/freedom-series-vol-3
Kruder and Dorfmeister, Tosca, Stereotyp, Peace Orchestra, et al
http://www.g-stoned.com/artists/sixteenyears/eflyer/index.html
Yeah, and Dennis played on it!
On Sat, Apr 17, 2010 at 3:04 PM, Matt Kane's Brain
mkb.dirty...@gmail.com wrote:
On Sat, Apr 17, 2010 at 15:40, Dennis DeSantis
den...@dennisdesantis.com wrote:
19) Terry Riley – In C – Ghostly International
I just heard about this. There are remixes out, and
Apparently there was a problem on Hyperreal, whereby people who
subscribe to the 313-digest were having their posts bounce. This was
apparently a problem system-wide on hyperreal and it's now resolved.
I know I heard from 3 or 4 people who were getting their posts
bounced; I presume there may be
I got the digital version of this the other day. I find it really
enjoyable listening, both for it's proto-techno qualities, but also
because of its inherent musicality. The guy plays some absolutely
ripping raga solos on the synth, generally using a legato, liquid
sounding synth patch. That
A lot of Disco is 'naff and commercial' and still kicks butt. Dr.
Love for example.
I had a long discussion with Tom Cox about disco edits and he made a
valid point -- either a track is too cheesy to play, or it isn't, and
playing an edit that cuts out the cheesy bits just isn't true to the
If the original was good on its own terms, you don't improve it by
editing it. There's a bazillion 'disco edits' right now, and they
bother me because they take something with its own internal pace and
flow, and fit it to the procrustean bed of DJ expediency. And
usually, to fit the ADD no-soul
I guess it's no secret that once you hear certain Italo, Neue Deutsche
Welle, and No Wave tracks, it's clear what the direct percursors of
Detroit techno are. But this new comp on Stone's Throw is another
missing link:
http://www.stonesthrow.com/store/album/various/minimal-wave
Crash Course In
There's this wicked sound mangling program called Paul Stretch, and
when I ported it to OS X, it became the one post to my blog that
consistently gets hits.
Now, I've gone back and done a refresh -- found more current versions
of the libraries it depends on, tinkered with my build scripts. My
New Kyle Hall. Sure it's broken-beat, two-steppy, but it's Detroit
thru and thru. Fresh record.
My blog post, with streaming players of all sets: http://tinyurl.com/ycfnwaq
Link w/all mp3 files for downloading:
http://www.cornwarning.com/xfer/2010-04-02-Gabes/
My mini-live set from earlier in the evening: http://tinyurl.com/yd47cb7
That's because Gene was doing way it before GU, and GU was probably
imitating him ;-)
On Mon, Apr 5, 2010 at 9:50 AM, robin ro...@fivetones.org wrote:
On 5 Apr 2010, at 15:14, ja...@iridite.com wrote:
Most of the stuff on Rush Hour's various labels are really hitting the
spot for me
Yeah.
For the impurists among us, two great things together -- Detroit music
and Hyperdub!
http://www.boomkat.com/item.cfm?id=285066
I have a room reserved at the Shorecrest, where all the cool kids
stay, and am wondering if anyone wants to share a room. So far I've
had excellent luck with 313'ers.
This year it's 112 a night, on the low end of cost for downtown
Detroit. It's a 20 minute walk from the festival, and has secure
The 'Makers' movement celebrates the culture of individuals making
things for themselves -- crafts, electronics, musical instuments,
inventions If you're not familiar with Make magazine, it documents
and celebrates the DIY impulse.
I think Detroit is a great site for one their Maker Faire
Maybe not the iconic Dilla track but it's free as a promo for a
special Dilla vinyl release...
http://www.stonesthrow.com/news/2010/03/jdilla-serato-donutshop
Heh -- let the hating begin ;-)
It looks like I for one will find enough to keep me busy.
Let me be the first to predict that there will be technical
difficulties that delay the start of the Plastikman set.
I'm hoping M500 live has happened enough times they won't trip up.
On Wed, Mar 10, 2010
Hah, so he's putting something together using Ableton Live, Max For
Live AND Plogue Bidule. And he wants to control the video along with
the audio.
Nothing could ever go wrong with that -- outdoors, at night with
possible weather complications, right?
Was I the only one who got the e-mail from
Hah, there's always time for Hawtin bashing.
On Wed, Mar 10, 2010 at 9:29 AM, Martijn de Blaauw
martijn.de.bla...@woonconcept.nl wrote:
It's about the DEMF lineup not about Hawtin bashing...
Yeah, as I said I liked most of the line-up, and didn't really want to
start a Hawtin-bshing thread. But I'm human and I have a weakness for
sniping at targets of opportunity.
I think the article makes some good points but mostly in the context
of the UK, where musical sub-genres are written about as though they
were stars in their own right.
The Detroit attitude is, I'd hope, more eclectic, and the musicians I
talk to think more in terms of good or bad than this genre
Both British Music Press and a lot of UK artists namecheck Detroit as
shorthand -- mentioning Detroit means you know your history, you're
'down,' you have some 'soul,' or at least you appreciate it. It goes
back to pre-Acid House times, with the Northern Soul movement.
On the one hand, soul is
If you're in the midwest, I want to recommend the upcomming Mission
Creek Festival. It's not Electronic for the most part butI'm
excited about several of the acts that will be playing, in particular
Tim Hecker, The Bomb Squad, and Acid Mother Temple, among many
others...
People start booking agencies without the slightest concept of what it
takes to do the job properly. They are inexperienced, they might be
incompetent, they might be dishonest, and they might be insane. Only
the first of those 4 possible attributes are curable. Many people get
surprisingly far
Dale's last release was on M_Nus in 2002. No idea what he's up to
now. The myspace page has no tracks that weren't part of his pre-2002
oeuvre.
According to myspace, he hasn't logged in since december 09.
He's very active on Facebook but he's talking more about politics than music.
On Fri, Mar
... repeated with permission
Your name came up on the 313 list ...
Why would they do that? I haven't released anything since 2001! Of
course, I am glad to hear that. :-)
I've been writing music on and off and working a lot of hours doing
web development at my current job for the past few
I don't know how he does it but Kirk Degiorgio always comes up with
tracks that I'm powerless to resist:
http://planetary-folklore.blogspot.com/2010/03/kirk-degiorgio-membrane-planet-e.html
You could say that it's a bog standard beat, it's tracky as hell, and
that minor/major7 chord through
Sharivari is always cited as the first Detroit Techno record, but
given that it's a matter of weeks between when Sharivari was cut and
when Alleys was pressed, it is probably better to award a tie. This
also happened years before Juan talked to the UK music press and the
term 'techno' was coined.
I pulled down Dan Sicko's Techno Rebels and what he writes about
Shari Vari and is that there's some debate as to which record hit the
streets first. You'd think someone would have some definitive memory
-- heck, Mojo is still alive, why doesn't someone ask him?
On Tue, Mar 2, 2010 at 8:16 AM,
Detroit relevant (and tasty) track list:
http://sonicrouter.blogspot.com/2010/02/download-martyn-xlr8r-podcast.html
All hardware is The Detroit Way(tm), and one can't argue with results.
Virtually ('Virtually'?) every track that defines Detroit Techno and
House music was made with hardware synths and mixed down outside the
computer. As it happens, prior to roughly 1998, a computer was of
limited utility for
http://www.archive.org/details/LostLandscapesOfDetroit2010
This is an hour's compilation of film footage in both black and white
and color, some silent, some with sound, all shot in Detroit.
Someone should def. use it for a music video.
On Mon, Feb 22, 2010 at 9:45 AM, Odeluga, Ken ken.odel...@dowjones.com wrote:
I'm just suggesting that the non-music trivia seems to make up the bulk of
what gets discussed nowadays, that's all.
I think my original post that started this thread was very much on
topic and music-focused for what
I don't know about 'over' but perhaps slumbering. I know that I'm
starting way too many threads relative to other people on the list.
Keep in mind that in the dark days when the 313 list started, people
could subscribe without even having a regular internet connection. I
think a fair percentage
form. No offence
meant.
Steve
-Original Message-
From: kent williams chaircrus...@gmail.com
To: Odeluga, Ken ken.odel...@dowjones.com
Cc: Matt Kane's Brain mkb.dirty...@gmail.com; cheater cheater
cheate...@gmail.com; Frank Glazer cpe1704...@gmail.com; list 313
313@hyperreal.org
This is what I played on the radio Tuesday night -- modulo a few
tweaks after the fact. Durban Deepness meets Shake Meets Chip E meets
UK funky, culminating in a mental wonky track from Loops Haunt.
http://music.cornwarning.com/2010/02/21/durban-to-detroit-to-chicago-to-london-dj-mix/
I've been digging this South African guy Black Coffee, but the track
'100 Zulu Warriors' cracked me up -- listen and you'll know why:
http://tinyurl.com/ya87zbu
don't get it either kent. it's NOT jaguar if that's what
you're implying. ::squint::
On Sun, Feb 21, 2010 at 10:31 PM, kent williams chaircrus...@gmail.com
wrote:
I've been digging this South African guy Black Coffee, but the track
'100 Zulu Warriors' cracked me up -- listen and you'll know why
I tried ordering from Amazon, but they seem to be permanently out of
stock. Then I tried one of the Amazon-affiliated retailers, and they
took my order, then canceled it.
Then I broke down and ordered it direct from Rush Hour, and it was
about a $1 less than it would cost from Amazon with
I've had good luck with USPS internationally, including shipping CDs
to soviet union, when there was still such a thing.
All bets are off shipping something to India, though. I tried
shipping something to my son a few months back when he was in
Kottayam, Kerala Province, and it was a comedy of
All Shake, all the damn time!
http://www.urb.com/2010/02/12/anthony-shake-shakir-friction-at-its-best
The track is My Computer Is An Optimist which is on Frictionalism
http://www.urb.com/files/2010/02/2-07-My-Computer-Is-An-Original-1.mp3
I get involved a bit, but more interesting are posts from Leonard Remix Roy
http://www.beatportal.com/feed/item/black-history-jesse-saunders-and-house-music/
First of all, I think the whole Hall Oates @ DEMF thing isn't 100%
serious, and I doubt Paxahau even has HO on their radar. And it's
Carl Craig who will (mostly) be programming this year ...
I think hating on Paxahau is a waste of time. In the world of event
promotion they're a large scale
DEMF-related:
http://tinyurl.com/ycsu5cy
on a technofied Hall Oates section
of my set.
- Original Message -
From: Denise Dalphond ddalp...@umail.iu.edu
To: kent williams chaircrus...@gmail.com
Cc: list 313 313@hyperreal.org
Sent: Tuesday, February 9, 2010 9:32:47 PM GMT -05:00 US/Canada Eastern
Subject: Re: (313) my WTF
this is transitioning into a Shake One Shake mailing list! About
which I have no complaints
On Mon, Feb 8, 2010 at 1:18 PM, Wes Prince wespri...@clear.net.nz wrote:
Just in case anyone misses this great podcast:
http://www.littlewhiteearbuds.com/
Cheers,
Wes
--
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