And here is the second page.
Thanks!
Scott
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
My drummer once said- "Counting in seven is easy;
One, two, three, four, five, six, se-, ven".
Keith in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Carl Ders
Hi All,
I am trying to identify which Mozart piece the included excerpt is from
(it has been arranged from its original). I know I should know it, but
I just can't place it. If anyone out there might have a chance to take
a look and help me out, I would very much appreciate it.
Thanks in a
At 7:44 PM -0400 5/29/06, Christopher Smith wrote:
On May 29, 2006, at 6:36 PM, David W. Fenton wrote:
In short, there is no hard and fast rule about whether repeats are
obligatory just because they are found in the score, even if it's the
composer's autograph.
Wow. Really? I would have thou
Thanks, Don.
One of my jobs is to play in a large church orchestra. We have, in
fact, played quite a few of your fine arrangements.
As I'm sure you know, it is common in church music for orchestral parts
not to have the same rehearsal numbers or same repeat layout as the
choral part which c
Christopher Smith wrote:
"There's really only three types of musicians: those who can count, and
those who can't." ~ Me
8-)
Some of whom can only count to 4.
And-a-one, and-a-two...
cd
--
http://www.livejournal.com/users/dershem/#
___
Finale mai
On 29 May 2006 at 19:44, Christopher Smith wrote:
> On May 29, 2006, at 6:36 PM, David W. Fenton wrote:
> >
> > In short, there is no hard and fast rule about whether repeats are
> > obligatory just because they are found in the score, even if it's
> > the composer's autograph.
>
> Wow. Really? I
The lines that form repeat boxes are not "smart", that is, they keep the
same length regardless of how the music gets spaced, and they do not break
intelligently at system breaks.
I had a very long first ending over three systems, and I had to manually
adjust the box ends for the
1) first b
On May 29, 2006, at 8:10 PM, John Howell wrote:
At 11:46 AM -0400 5/29/06, Kim Patrick Clow wrote:
"There's really only two types of music: good and bad." ~ Rossini
This is at least 8 copies of this message, maybe 10.
"There's really only three types of musicians: those who can count, a
At 11:46 AM -0400 5/29/06, Kim Patrick Clow wrote:
Dennis Collins asked about restoring lyrics to a default setting the
other day.
My question is along similar lines: how to restore the page layout
to default settings.
I know you can use the 100 percent option on page reduction to get
that si
On May 29, 2006, at 6:45 PM, David W. Fenton wrote:
On 29 May 2006 at 11:06, Ken Moore wrote:
"Steve Currington" <[EMAIL PROTECTED]> wrote
The keyboard shortcuts that use
the for example alt or ctrl etc keys and numeric on the laptop do not
work when I try using the USB keypad.
I keep a not
On May 29, 2006, at 6:36 PM, David W. Fenton wrote:
In short, there is no hard and fast rule about whether repeats are
obligatory just because they are found in the score, even if it's the
composer's autograph.
Wow. Really? I would have thought that something like a repeat in the
composer's
On 29 May 2006 at 11:06, Ken Moore wrote:
> "Steve Currington" <[EMAIL PROTECTED]> wrote
> The keyboard shortcuts that use
> the for example alt or ctrl etc keys and numeric on the laptop do not
> work when I try using the USB keypad.
>
> I keep a notepad file on the desktop with all the special
On 28 May 2006 at 15:39, Aaron Sherber wrote:
> At 01:34 PM 5/28/2006, dhbailey wrote:
> >Your third example is how it is done in all the engraved music I've
> ever >seen.
>
> Really? David, I think you're misunderstanding the intent. #3 looks
> like AABA with a missing repeat sign. That is pla
On 28 May 2006 at 18:16, Kim Patrick Clow wrote:
> Richard Smith wrote:
>
> > Current practice is often stuck in the habits of previous centuries
> > and
> > does not reflect the
> > capabilities of our software. Finale or Sibelius (even most of the
> > "toy" notation programs) eliminate the ne
At 05:02 PM 5/29/2006, D. Keneth Fowler wrote:
>I did a Google search for "mozart normal font" which took me to the Mozart
>web site. You will find a lot of information about what Mozart is today.
Ah, yes -- you mean where it says: "Important: these fonts are not
freely distributable. They are
After sending this, I realized that 1680 64ths exceeds 32767 EDUs. It
may give Finale and/or my plugin fits. You could try it. You should have
no problem at all with a denominator of 512th notes, but unfortunately I
know of no way to enter 512ths thru Finale's UI. (Behind the UI, 512th
notes ar
So why not enter the whole thing on an underlying tuplet of 1680 64th
(1680=7x5x3x16) in the time of 64 64ths? The denominator doesn't matter,
but I picked the smallest one that is in Finale's UI to keep the EDU
values reasonable. (You don't want any EDU value to exceed 32767.)
Now within the
Hi Eric,
The font file I have is named mozart normal. It is a 52K file dated
11-8-1993. I have no idea now when I loaded it in my computer.
I did a Google search for "mozart normal font" which took me to the Mozart
web site. You will find a lot of information about what Mozart is today.
Hi
At 03:07 PM 5/29/06 -0500, Robert Patterson wrote:
>I went back and read the original post, and I guess I don't understand
>you requirement. What's interleaved about it? The total duration adds up
>to 16 16ths right?
Here's a sample page I was working out, with suggestions to the composer
for di
At 03:07 PM 5/29/06 -0500, Robert Patterson wrote:
>I went back and read the original post, and I guess I don't understand
>you requirement. What's interleaved about it? The total duration adds up
>to 16 16ths right?
Right. But the pattern is this:
1st 7th of 7 - 1st 4th of 4 - 1st 3rd of 3 - 1
FinMac 2K4, OSX.3 A solo-guitar piece from a composer who likes very
generous spacing. Every measure, practically, changes meter, and the
cautionary meter signatures at the ends of many systems fall on chunks
of staff that are much longer than required for the width of the
cautionary sig.
I
Dennis Bathory-Kitsz wrote:
I have a score where all the note rhythms are exactly the same, consisting
of interleaved tuplets (sixteeenth tuplets of 7:6, 5:4, 4:4 and 3:2).
I went back and read the original post, and I guess I don't understand
you requirement. What's interleaved about it? T
Dennis Bathory-Kitsz wrote:
Notes moved with the
note mover tool (which is the only option for interleaving tuplets) isn't
copied.
Actually, there is another option for interleaving tuplets AND there is
a way to copy note mover spacing. Furthermore, the way to do the latter
makes the former
Kim Patrick Clow wrote:
Dennis Collins asked about restoring lyrics to a default setting the
other day.
My question is along similar lines: how to restore the page layout to
default settings.
I know you can use the 100 percent option on page reduction to get that
sizing restored.
But what wo
Hey, I hear you, man!
I am dealing with your exact situation right now, and I have used a
number of workarounds, including the alternate numbering system you
describe.
In one case, I wrote a double staff part for the repeated section,
indicating to play the top staff 1st time and the bottom
On May 29, 2006, at 11:46 AM, Kim Patrick Clow wrote:
Dennis Collins asked about restoring lyrics to a default setting the
other day.
My question is along similar lines: how to restore the page layout to
default settings.
I know you can use the 100 percent option on page reduction to get
th
John Howell wrote:
At 10:03 AM -0700 5/28/06, Richard Yates wrote:
There are many assumptions being made about the situation in which the
score
would be used. I absolutely believe that in the one you, and others, have
assumed (sight-reading with a group of players) that you are correct.
Yo
At 10:42 AM 5/29/06 -0400, Christopher Smith
<[EMAIL PROTECTED]> wrote:
>Under "Items to Copy"... Measure Items... Note Positioning doesn't do
>it? I don't know how it would apply to partial tuplets...
I had checked that. I thought that would do it, but no. In reading the
help, I see why. It only
There is a situation where I've felt compelled to use a repeat in spite of
the circumstances you mention. It's when I've been hired to orchestrate and
record a choral piece that is already in print or well on its way. For the
sake of future live performances (the publisher offers the score and pa
I should also have mentioned the soloist's part should *never*
include a page turn in mid-solo. This seems glaringly obvious, but
you wouldn't believe how often composers/arrangers who copy their
own parts make this mistake.
The above can become a challenge. My wonderful hand written copyi
At 11:46 AM 5/29/2006, Kim Patrick Clow wrote:
>My question is along similar lines: how to restore the page layout to
>default settings.
>I know you can use the 100 percent option on page reduction to get
>that sizing restored.
>But what would you do to restore the page and system margins?
Enter
At 11:30 AM 5/29/2006, D. Keneth Fowler wrote:
>The way I have entered the roll sign is very tedious. In the Mozart font
>there is a character, number 103, I used at 26 point. The character is only
>one "element". So I enter a bunch of these elements and then place and
>align each one. What a dra
Dennis Collins asked about restoring lyrics to a default setting the other day.
My question is along similar lines: how to restore the page layout to default settings.I know you can use the 100 percent option on page reduction to get that sizing restored.
But what would you do to restore the page a
Mozart font?
D. Keneth Fowler wrote:
Thanks Eric, Leigh, Christopher and Scot for your response to my
questions. I do not rank as a power Finale user, but there are always
useful things to learn in any new source. It looks like the note heads
have beat out the stems in the rolled chord competi
Thanks Eric, Leigh, Christopher and Scot for your response to my questions.
I do not rank as a power Finale user, but there are always useful things to
learn in any new source. It looks like the note heads have beat out the
stems in the rolled chord competition.
The way I have entered the roll
On May 29, 2006, at 10:11 AM, Dennis Bathory-Kitsz wrote:
Hi all,
Maybe it's the long weekend, but I'm coming up blank on this.
I have a score where all the note rhythms are exactly the same,
consisting
of interleaved tuplets (sixteeenth tuplets of 7:6, 5:4, 4:4 and 3:2).
The
composer would
Hi all,
Maybe it's the long weekend, but I'm coming up blank on this.
I have a score where all the note rhythms are exactly the same, consisting
of interleaved tuplets (sixteeenth tuplets of 7:6, 5:4, 4:4 and 3:2). The
composer would like them spaced according to their absolute positioning in
tim
I have a question about swapping hard drives. I want to replace the
contents of my internal ATA drive with the contents of my external
SCSI hard drive.
I currently boot from the external drive, but want to start using the
internal drive instead. I want to use the System Folder of the
extern
At Andrew's request, I'm forwarding this message he's having a problem
getting through to the list.
David H. Bailey
Original Message
Subject:Do me a favor?
Date: Sun, 28 May 2006 20:37:54 -0400
From: Andrew Levin <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
D
"Steve Currington" <[EMAIL PROTECTED]> wrote
The keyboard shortcuts that use
the for example alt or ctrl etc keys and numeric on the laptop do not
work when I try using the USB keypad.
I keep a notepad file on the desktop with all the special characters I
am likely to need. CTRL-C and CTRL-V a
Or 87%, or 61%, or some other fraction.
The total number of posts received is substantial, so the system isn't broken. But on a regular basis, threads I read in their entirety contain quotations from posts that never reached me. If it happened only very occasionally, those could be private e-mails
42 matches
Mail list logo