Thanks Martin.
From: A briefe and plaine instruction 1574 Le Roy
https://gallica.bnf.fr/ark:/12148/bpt6k1176218k/f138.image
The sixtene Rule
For to plaie fower partes, it is easely to be understande, that the
thombe and the three fingers together, serve easely to strike the fower
strynges or
is
remarkably consistent, even to the point of taking into account avoiding
the octave on the "bass" string by using consecutive thumb strokes on
the 4th course.
In the case of the dot under a chord, again just no thumb.
Greetings, Robert
PS And thanks to Rainer for pointing these out
of ladies spinning
even at court.
Robert
Am 17.05.2020 um 21:02 schrieb Frank A. Gerbode, M.D.:
Anybody know what "la rocha il fuso" *means*? Just curious.
--Sarge
--Sarge
--
Frank A. Gerbode, M.D. ([3]sa...@gerbode.net)
11132 Dell Ave
Forest
of ladies spinning
even at court.
Robert
Am 17.05.2020 um 21:02 schrieb Frank A. Gerbode, M.D.:
Anybody know what "la rocha il fuso" *means*? Just curious.
--Sarge
--Sarge
--
Frank A. Gerbode, M.D. ([3]sa...@gerbode.net)
11132 Dell Ave
Forest
This groovy discussion causes me to ponder:
Should the string grooves at the nut be the full width of the string,
or should they be only as deep and wide as required to hold the string
in position - prevent it from sliding laterally?
Similarly how deep / wide should the grooves on a
Hi all,
Can anyone point me to a facsimile copy of � Brown 1546 (8)?
Thanks,
Robert
Virenfrei. [1]www.avast.com
--
References
Visible links:
1.
https://www.avast.com/sig-email?utm_medium=email_source=link_campaign=sig-email_content=emailclient
Hidden links
Many thanks to all who helped out.
Robert
Virenfrei. [1]www.avast.com
--
References
Visible links:
1.
https://www.avast.com/sig-email?utm_medium=email_source=link_campaign=sig-email_content=emailclient
Hidden links:
3.
https://www.avast.com/sig-email?utm_medium
partial
barrés, but I've been way off with translations in the past.)
Saltarello detto Se la passasse
Thanks,
Robert
Virenfrei. [1]www.avast.com
--
References
Visible links:
1.
https://www.avast.com/sig-email?utm_medium=email_source=link_campaign=sig-email_content
That’s tarogato without the accents.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> You might ask why clarinet makers build the instrument with a cylindrical
> bore,
> when a conical bore would be a more efficient way to produce sound. The
> answer
> would be that if itâs built with a conical bore, itâs a saxophone.
or more likely a tárogató
,â¦Bob
--
To get on
with the repeated section, the piece is not very long, and I think
is quite well balanced. ( At one bar = 70 bpm , it is two and a half
minutes long, but this may be a bit on the fast side.)
Grüsse,
Robert
Am 23.02.2019 um 11:43 schrieb Rainer:
Dear lute netters,
I
essen sol,
Sey gsotten oder braten ist alles gut geraten
taugt wohl für die Crabaten.
She apparently cooks Gsotten (boiled meat?) and Braten and it is
suitable for the Crabaten (crabs?).
Robert
Virenfrei. [1]www.avast.com
--
References
Visible links
1.
https://www
in a few other collections on IMSLP , but haven't found them.)
Thanks, Robert
Virenfrei. [1]www.avast.com
--
References
Visible links
1.
https://www.avast.com/sig-email?utm_medium=email_source=link_campaign=sig-email_content=emailclient
Hidden links:
3.
https
Karen Meyers and Russell Ferrara played lute duets in South Street
(Philadelphia) cafes in the early 1990s.
West Chester U Collegium Musicum used to perform regularly, often for
the public or fund raiser madrigal dinners on campus and off, until
2005 or thereabouts.
And of
Hallo Tristan,
Answers in order:
Zur geflickten Trommel - Gesandtenstr Regensburg.
One pre-concert picknick music in park in Philadelphia last summer
(Piffaro)
We have feasts at home several times per year, usually with early music
- several small groups or ad hoc.
Bob
Hello Monica. Best way I know of is via his Facebook site,
http://facebook.com/amhstrings <http://facebook.com/amhstrings>. Hope that
helps. All best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 24 Oct 2016, at 22
I would call that a âthumbs-upâ performance. Wonderful. Larger orchestra
than I would have liked but you can always count on Bream to put musicality
first. All best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 12
musically satisfying; other times it
is not. But I do feel that the intellectual exercise of authent!
icity is a secondary concern to the aesthetic satisfaction of a performance,
one that can make the listener vibrate. All best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâ
Thanks for this Stuart. Truly lovely pieceâ¦brightened my morning. All best,
Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 05 Jul 2016, at 11:05, WALSH STUART <s.wa...@ntlworld.com> wrote:
>
> a little pie
that sum
usually pip them at the post. All best, Robert
> On 27 Apr 2016, at 20:31, John Mardinly <john.mardi...@asu.edu> wrote:
>
> I just bought some Savarez Alliance KF strings from:
>
> [1]https://www.stringsbymail.com
>
> I have used this site for Savare
Indeed the French in general take a very broad interpretation of the word
science. Sometimes it can help when you have a weak hand in an argument. All
best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 24 Mar 2016, at 11
ary French literature. Nirvana. Those were the
days. All best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 21 Mar 2016, at 22:29, Christopher Stetson <christophertstet...@gmail.com>
> wrote:
>
> Perso
omes across as a bit more
melancholic than does my guitar version. All best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 14 Mar 2016, at 18:41, John Mardinly <john.mardi...@asu.edu> wrote:
>
> There is
Wonderful Gilbert. Canât tell you what a pleasure it is to see someone
wrench the lute out of its usual context of âhistorical instrumentâ and to
make it as contemporary as a Fender Stratocaster. Bravo. All best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013
My preference is for unisons throughout, especially 4th course,
especially if playing with a plectrum (only happened once).
May you enjoy your new lute in the new year!
Bob Purrenhage
__
From: sterling price
Hello Monica. He can be reached at the French Bibliothèque Nationale
mailto:francois-pierre@bnf.fr <mailto:francois-pierre@bnf.fr>. All
best, Robert
Robert Gallagher
Tour Béryl BAL 68-3
40, avenue dâItalie
75013 Paris FRANCE
+33 (0) 983 79 70 48
> On 17 Nov 2015, at
The left hand thumb was also used to fret bass notes on the 18th
century Neapolitan mandolin (very occasionally). There are
instances, as well, in the early 20th century Italian mandolin
literature, such as Ernesto Rocco's "Serenade" and in some of Raffaele
Calace's pieces for
Use a hobby drill. (Not sure if that's the real name.)
real name â âpin vise
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Without the weird character encoding
pin vise
I’d try a good hardware store.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
. (it is also in Das
Erbe Deutsche Musik in the Weiss-Reusner volume)
Many thanks,
Robert
__
[1]Avast logo
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprueft.
[2]www.avast.com
--
References
1
Erbe Deutsche Musik in the Weiss-Reusner volume)
Many thanks,
Robert
__
[1]Avast logo
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprueft.
[2]www.avast.com
--
References
1. https
Greetings Luters,
Interesting lute strap discussion - something I've experimented with
for years. I find sitting cross-legged a strain. With a strap, I can
sit comfortably or stand. (6 cs Larry Brown Frei lute).
Here's what I've come up with that works for me (for what it's worth).
Already got it
thanks to Peter Steur.
---
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.
https://www.avast.com/antivirus
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Already got it.
Many thanks to Peter Steur.
---
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.
https://www.avast.com/antivirus
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi lutefriends,
Does anyone have a digital copy of the facsimile of this? It's the 3rd
piece in the unpublished 6th book of Dresden?
A friend is looking for it, and my copy seems to be avoiding me in one
of the piles of music around here.
Many thanks,
Robert
Hi lutefriends,
Does anyone have a digital copy of the facsimile of this? It's the 3rd
piece in the unpublished 6th book of Dresden.
A friend is looking for it, and my copy seems to be avoiding me in one
of the piles of music around here.
Many thanks,
Robert
[1]https://youtu.be/hilComFz8mM
By the way, I think I presented the first dedillo vs. figueta
comparison a bit too soon. I've only been trying dedillo for a few
months in my spare time and have been doing figueta on and off for more
years than I'd care to mention. While comparing
Here are two versions of Milan's Fantasy #10. One with dedillo and one
with figueta (p-i thumb under)(Fantasies 10, 11 and 12 are the
introductory dedillo pieces if I understand correctly.)
There is actually not that much dedillo in this piece. It seems to be
an exercise for an
and thumb under have certain advantages but with thumb
under angle it's possible to almost entirely avoid the nail on the back
stroke.
Robert
---
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.
http://www.avast.com
To get on or off this list see list information at
http
Thanks for your interest and kind responses.
I'm playing on a viola da mano (60cm) by Richard Fletcher with a capo on
the second fret. (I have a smaller one on order.)
I have a few test videos of dedillo here:
https://youtu.be/Oe0TYyR8TM4
and here from a few months ago in a more thumb out
[1]https://youtu.be/Cn6fmQXP2Pc
Here is a first attempt at dedillo with one of the Milan Fantasies.
__
[2]Avast logo
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprueft.
[3]www.avast.com
--
fuller though. It may be quicker just to grab that
octave than to place the finger carefully for the split course (which
also alters the intonation slightly).
Robert
---
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.
http://www.avast.com
To get on or off this list see
It seems we have at least 5 different threads going here under the same
heading. I think several are still worth discussing so maybe we could
divide them up somehow?
1. split string early 16th century where one fingers only one string of
the course but strikes both Capirola etc.
I'm very open to Michael's ideas, but am really not sure about a few
things. Could we collectively look at Carlo Cantu playing the guitar
(easy to google) and decide whether he is playing a 4 or 5 course
guitar? There sure is plenty of space for 10 pegs.
If he really split his 4th
It's the same thing with the Cellier illustration (search Cellier 4
course guitar pictures).
Why split for both hands? It makes no sense if you just want one octave
or the other.
---
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprüft.
http://www.avast.com
To get on or off
I'm sorry if I was unclear.
What I'm saying is that in both pictures the 4th course is wider for
both the right and left hands which does not support Michael's ideas.
If you're going to split the course, then only for the right hand.
The Cantu picture looks to me like a 5 course with single
Regarding the Spain versus rest-of-Europe issue ( a most
fascinating
topic--thanks for introducing it, Robert Barto ), English Prof
Brittany
Hughes said that one reason the Spanish kings/queens so brutally
expelled or forced conversion on the Moors (1523
Sorry. I didn't see all that stuff was still hanging on my first
message of this thread. Please excuse the clutter.
--
Sent from my Android phone with GMX Mail. Please excuse my brevity.
To get on or off this list see list information at
Some rather sweeping generalizations here.
Iâm currently reading Wolf Hall. My knowledge of Tudor England is not what it
could be so the book often sends me Googling. I every case Iâve encountered
so far it seems that Ms. Mantel has done her research.
As for adaptations - while I
Hi all,
In the early 1500s, why are dances so common in Italian lute music and
so rare in the vihuela rep. ?
Thanks
--
Sent from my Android phone with GMX Mail. Please excuse my brevity.
To get on or off this list see list information at
Hi all,
In the early 1500s, why are dances so common in Italian lute music and
so rare in the vihuela rep. ?
Thanks
--
Sent from my Android phone with GMX Mail. Please excuse my brevity.
To get on or off this list see list information at
possibilities as the Cleartune?
Regards
Anthony
On 5 mars 2015, at 15:31, Robert Clair rcl...@elroberto.com wrote:
If you have an iPhone or iPad ( or iPod Touch) check out Pitchlab:
https://itunes.apple.com/us/app/pitchlab-guitar-tuner-free/id732850624?mt=8
Basic app is free
Bob, it sounds as though it combines the best of the expensive Peterson
strobe and the temperaments of cleartune, but might it be a little cluttered?
The various displays are on different views. You can show 1 view on the screen
or two views side by side. The latter is slightly crowded on
http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online?utm_medium=emailutm_source=alumnewsletter
http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-music-go-online?utm_medium=emailutm_source=alumnewsletter
Apologies if someone already posted this.
â¦Bob
Dear Martin,
Thanks. That does make sense.
This would imply then that gradually in all of Europe this conversion
had taken place and was finally reaching England. Do we have any other
evidence of this from the sources?
Robert
--
Sent from my Android phone with GMX Mail
Hello lute friends,
How many sources do we have in all of Europe from @1500-1600 that tell
exactly how the lute was tuned concerning the octaves on the 4,5 and
6th courses?
Thanks,
Robert
__
[1][avast-mail
Thank you all for this so far.
I just checked out Barley (1596) which is apparently a revision of the
previous English translation of le Roys instructions. It clearly calls
for octaves on 4, 5 and 6. So this tuning seems to have been propagated
in the tutors in late 16th century
sorry, meant to say octaves were being used more in England at that
time than elsewhere
__
[1][avast-mail-stamp.png]
Diese E-Mail wurde von Avast Antivirus-Software auf Viren geprueft.
[2]www.avast.com
--
Well, if you must:
http://www.youtube.com/watch?v=1nlfUAsTZXo
--
And while we're on the subject:
http://www.youtube.com/watch?v=Ew3v568fmq8
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
still lifehttp://www.epilogue.net/art/21154-i-vampiri-il-liuto Just look at
that excellent plucking-hand technique! Regards, Daniel
Lute and hand position borrowed from Bartolomeo Veneto:
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=772handle=li
..Bob
--
To get on or off
You're all probably right. I'll blame it on presbyopia - I didn't put on my
reading glasses and take a close look at the image. But it is curious why they
used a photo - Alpha seems to use real paintings for their early music CD
covers. (Including, oddly, a couple of Holbein drawings for two
Can anyone identify this painting:
http://www.elroberto.com/pix/LutePicture.pdf
This copy was on some promotional material from the French record label Alpha
Productions.
thx
Bob
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Balsa wood is a bad choice: It's soft fuzzy and not very strong. It *is* very
light, which is why it is used for model airplanes. I'll leave it to the real
lute builders to suggest something appropriate, but if you want something that
is available in a good hobby shop, use basswood. It is
Wasn't nylon originally discovered by research into spiderweb/silk
materials, i.e. investigating the C-N peptide bond? My chemistry
experience is now 40 years outdated, but i seem to remember that tidbit.
Actually they have a brilliant survival strategy. Normally spiders
do not
Has anybody gotten this to work on Windows 7? It seems to run fine
except that I can't get it to recognize any sound input.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Sat, 2/4/12, Sam Chapman manchap...@gmail.com wrote:
From: Sam Chapman
Naphtha (lighter fluid) will remove it without hurting most finishes.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Tue, 1/17/12, Herbert Ward wa...@physics.utexas.edu wrote:
From: Herbert Ward wa...@physics.utexas.edu
Subject: [LUTE] Beeswax
A bit of an odd request, but there is an old ( ~ 1960's I think) record of
Renaissance ensemble music - Susato and such. I don't remember the title but it
was an RCA record with a very pink jacket. Walter Gerwig played lute in the
band.
Does anybody have a digitized copy that they would be
OK. Google before you post.
The album title was Dance Music of the Renaissance.
It was reissued on CD as Tanzmusik Der Renaissance with the band listed as
Collegium Aureum and a decidedly non-pink cover. (I verified that it is indeed
the same recording by listening to a couple of the tracks on
The Bow Brand Harp Strings are a lacquered beef gut. A better choice
may be Pirastro strings which are a oiled sheep gut string. They offer
a lacquered also so be sure to request the oiled if that is what you
want. They are hard to find on the Pirastro website so -
See:
agno3ph...@yahoo.com
Subject: Re : [LUTE] Re: Pulling on your gut harp strings
To: Craig Robert Pierpont crpierp...@yahoo.com
Date: Monday, November 28, 2011, 9:23 AM
But which is it, or both; do you play the harp in out doors?
Anthony
Light the end of one with a match. It will be obvious pretty quickly
if they are gut or synthetic.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Thu, 11/17/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Has anyone done business Chris Henriksen/Boston Catlines lately? I
was once very satisfied dealing with him, but I don't think I've
actually bought any strings in this century, and now that I finally
need new ones, I feel like a string virgin again.
I buy strings from him all
I own a 10-course by David Fitzpatrick. I ordered one of David's
instruments after hearing an example played at a lute-tasting (LSA
2008) by Paul O'dette.
I am very pleased with the instrument. It is very loud, and projects
extremely well in a concert hall. I would say it is
Hi David,
The tensile strength of Dupont Tynex Nylon is 44600 lbs per square
inch which Google translates as 31 356 903.3 kg / m2.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Sat, 6/25/11, David Tayler vidan...@sbcglobal.net wrote:
From:
My theorbo, which I think is pretty much the same as Howard's, came (years ago)
from Germany via UPS. Things to be careful of:
* UPS, and probably the others, have size limitations - maximum on length +
width + height (or length + circumference, I forget which). The theorbo in its
box was
We went to see Rango yesterday. The film features a Greek chorus in the form of
a Mariachi band made up of four owls with Mexican accents. At one point Rango
and the townspeople of Dirt attempt to get close to the bad guys by putting on
a thespian performance. The owl guitarist (who also plays
I have used these Savarez KF strings on harps for some time now. I
understood the original post to be about some newer version.
I ave no way to ferret the truth out of Savarez's promo material. I
don;t know if they discovered the formula in a cave or have found some
suitable type
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
It seems that I remember hearing something of this but little more
than you have mentioned here. I would be interested in finding out
more. Being primarily a harpbuilder, I know most of the harp repair
people likely to have been at this convention. (If it was the
convention in St.
These transcriptions are not for theorbo per se, but should be of use.
http://www.clivetitmuss.com/lutebooks.asp
Robert.
On Mar 18, 2010, at 6:59 AM, Graham Freeman wrote:
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recorded
I have two parts to Drewries Accordes, but maybe I'm missing something.
dt
One if them is a reconstruction.
Pretty old reconstruction. :-)
My copy of Jane Pickeringe (the book, not Jane) has both parts. Brogyntyn has
one part and Ballet allegedly (don't have a copy here) has both parts.
For a laugh (or to be appalled, as is your nature) take a look at:
http://en.wikipedia.org/wiki/Music_in_Elizabethan_Era
This is the single worst Wikipedia article that I've ever seen. There is hardly
a single word that is correct in the Instruments section. The author's main
source of
Get up on the wrong side of the bed this morning, did we Roman? Grownups do not
write nasty flame-war-provoking posts at the least (imagined) provocation. Did
you even look at the article ? It needs replacing, not editing. While I do know
more than a few things, I have a book contract with a
Hello Charles,
Consider posting your request to the Yahoo Harplist and the Yahoo
HistoricalHarplist.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Fri, 10/16/09, Charles Browne char...@brownecowie.fsnet.co.uk
wrote:
From: Charles Browne
foam as a potential soundboard material for
it's combination of lightness and stiffness, but it seems to be
lacking in bass response. Robert.
On Oct 4, 2009, at 11:06 AM, morgan cornwall wrote:
Even though all member of the trio intently they studied the score
as they played, I couldn't
The Harp lists are almost the opposite.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Thu, 9/10/09, Peter Martin peter.l...@gmail.com wrote:
From: Peter Martin peter.l...@gmail.com
Subject: [LUTE] Imbalance
To: Lute list
This comes up periodically, so search the archives. I don't have time
for the full lecture but a summary:
Choosing a case requires a bit of thinking about what you are trying
to do. Simply getting a hard shell case doesn't solve everything. A
case can provide some or all the following:
*
Howard,
One of the most interesting things of following this list is to watch
Roman get worked up about something. You should not take it personally.
It's what he does. It's delightfully unamerican. Every now and then I
think of coming up with something just to torque him up for
The Gerwig Bach record was reissued on CD at one point. I walked into
the (now long gone) neighborhood HMV some years ago and was startled
to see it.
Johann Sebastian Bach
Werke Fur Laute
Walter Gerwig
M 51538
Cantate Musicaphon Records, Kassel
Their web site lists it as still in print:
It is most likely a larger size shawm. Bass and larger 16th C recorders
usually had a removable cap, often with a brass band on the end,
similar to the ones on the fontanelle (the pepper-pot covering the
little finger key). You would see this even if the instrument were
turned so
Pretension: state of the string before it is tuned up (BOB).
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
While I think that Howard has made an excellent beginning on a theory
of Relativity of Theorbo Toyness, I think it's
incomplete as it stands. To completely specify whether the theorbo is
toy or not we need to know if the theorbo is
in motion relative to the listener, the speed,
For my thicknesses I resawed on the bandsaw, then I tried both the
Luthier's Friend sanding device and the Wagner Saf-T-Planer - both on
the drill press. The final thickness probably should be with a cabinet
scraper -
one way to use a planner to thickness the ribs is, to plane a good
You're probably looking for The Garden of Earthly Delights by
Hieronymus Bosch:
http://en.wikipedia.org/wiki/The_Garden_of_Earthly_Delights
Just chock full of fun, don't try this at home things to look at.
It lives in the Prado in Madrid. It's very famous - you should have no
trouble
It is summertime. The humidity is high. High humidity causes wood to
swell causing pegs to stick. Simply moving the instrument to a dryer
environment for a few weeks may help.
Craig
Craig R. Pierpont
Another Era Lutherie
www.anotherera.com
--- On Wed, 8/6/08, [EMAIL
I think Mr. Tayler is referring to the 14th piece in Francisque (counting
from the beginning of the book). I played it this morning. It is
definitely a Dowland theme.
Robert Margo
On Thu, Jul 24, 2008 at 9:45 AM, Sauvage Valery [EMAIL PROTECTED] wrote:
Hello David,
Do you have more precise
I'm interested in Mr. Tayler's reasoning. It certainly is a very beautiful
setting.
Robert Margo
On Thu, Jul 24, 2008 at 10:33 AM, David Rastall [EMAIL PROTECTED] wrote:
On Jul 24, 2008, at 9:53 AM, Robert Margo wrote:
I think Mr. Tayler is referring to the 14th piece in Francisque
What's the cover story? Looks like Mr. Kevelos. Especially the
sandals. Why would the Economist have a luthier on its cover?
It's an article on Iraq - Iraq starts to fix itself :
http://www.economist.com/opinion/displaystory.cfm?story_id=11535688
Illustrations in the Economist are rarely
Check out the cover of this week's Economist.
If you're not near a newsstand, this is the cover image:
http://media.economist.com/images/20080614/2408LD1.jpg
...Bob
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
might be an Oud not a Lute.
That's why the subject heading was almost lute ;-)
..Bob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
1 - 100 of 213 matches
Mail list logo