RE: [313] The Future of Detroit
> It will be good to see what a fresh young > mind will bring to the > table. Our last 2 mayors have put the city in the > position it is now. It's a > shame and a disgrace, it really is. What did the last 2 mayors do? Kevin __ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
>> Also Drum and Bass. A load of ex-ravers who discovered a few techno >records >> round about 1993, Weird, considering that Hardcore, which was the the foundation that jungle/dnb developed from, dates back to as early as 1988, with the likes of Lennie De Ice and Shut Up And Dance Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
blahblah hey isn't the artful dodger from detroit?? he sure has made alot of money off of crap. jeff _ hey alex... youre from the uk so you really should know it ,,, seems like youre a bit narrow minded bout that,,,drum n bass is music in deed,you might not like itz but you really cant say that there are only some producers that cut it,,,you should really go and look how people like optical, ed rush or bad company have pushed music and also mastering,,,just have a listen to some of their plates on your system and then play some of your own records,,,you will see what i talk about another tihng,,,you should go to a garage/2.step,,anyway called party and enjoy it,,,dont say its all crap,,be a bit more open-minded and enjoy music.. thats what i mean.. ronster -Ursprüngliche Nachricht- Von: <[EMAIL PROTECTED]> An: <313@hyperreal.org> Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > Ok, I'm new to this mail service, so I'm not familiar with the topics you > discuss. > > But, surely if you subscribe to a mail service like this, you have more > than a passing interest in music from Detroit? > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm > gobsmacked. > > Also Drum and Bass. A load of ex-ravers who discovered a few techno records > round about 1993, what are most of 'em doing now? > Speed bloody Garage, 2-Step, what ever you want to call it. > > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but > overall, I have to say it's bobbins, and barely worth a discussion, that > music is full of people just trying to make a fast buck (I don't blame 'em > for that) but really, is it 'music'? > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
make the music wit yo mouth bayyyb on 25/1/02 10:43 pm, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: > on 1/25/02 5:20 PM, Grammenos, Peter at [EMAIL PROTECTED] > wrote: > >> >> i grew up w/ biz markie, e.p.m.d , in brentwood,ny and for the life of me >> can't figure out where they got their musical skills from, not being from >> detroit and all ;) > > Well, you see, even Hip-hop was actually created in Detroit; people don't > really know about that. You see, there was this guy, uh, Kool Rock Ski who > moved from Detroit to the South Bronx in the '70's and brought the whole > culture there with him. Yeah... ;) > >> >> seriously though, he used to get knocked big time at local parties... > people >> throwing stuff at him, telling him he couldn't rap for dog doo-doo. > > I could see that. I mean, the fact is, Biz IS a total clown. But therein lies > his > genius, as far as I'm > concerned. > > - > This message was sent via the BiznessOnline.com webmail system. > http://www.biznessonline.com > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
i missed the beginning of this thread because i was gone for a couple days and got overwhelmed with emails, but, if someone feels like it could they let me know what exactly a "reese bassline" is...i know where it came from now, but what characteristics define it? josh23 --- [EMAIL PROTECTED] wrote: > In a message dated 1/25/02 6:06:31 PM Eastern > Standard Time, > [EMAIL PROTECTED] writes: > > I wasn't necessarily referring to you personally, > Ian. I was pointing out > and expressing my dismay towards the the myopic > nature of most junglists, > specifically in reference to their naivety regarding > the true nature of the > "Reese" bassline. > > Peter > > > > 1/25/2002 11:39:31 AM, [EMAIL PROTECTED] wrote: > > > > > Just goes to show you that junglists need to > pull the blinders off and > > > > > > listen and learn about something else besides > drum'n'bass. > > > > Why do you think I'm on this list? ;) > > > > > Kevin "Master Reese" Saunderson released some > of the first UK hardcore > > > records in America on KMS for fuck's sake. > > > > Yeah, I know :) > > > > Ian Scott aka DJ Entropy >[EMAIL PROTECTED] > > > > __ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
In a message dated 1/25/02 6:06:31 PM Eastern Standard Time, [EMAIL PROTECTED] writes: I wasn't necessarily referring to you personally, Ian. I was pointing out and expressing my dismay towards the the myopic nature of most junglists, specifically in reference to their naivety regarding the true nature of the "Reese" bassline. Peter > > 1/25/2002 11:39:31 AM, [EMAIL PROTECTED] wrote: > > > Just goes to show you that junglists need to pull the blinders off and > > > > listen and learn about something else besides drum'n'bass. > > Why do you think I'm on this list? ;) > > > Kevin "Master Reese" Saunderson released some of the first UK hardcore > > records in America on KMS for fuck's sake. > > Yeah, I know :) > > Ian Scott aka DJ Entropy [EMAIL PROTECTED] >
Re: [313] The Reese bass
1/25/2002 11:39:31 AM, [EMAIL PROTECTED] wrote: > Just goes to show you that junglists need to pull the blinders off and > > listen and learn about something else besides drum'n'bass. Why do you think I'm on this list? ;) > Kevin "Master Reese" Saunderson released some of the first UK hardcore > records in America on KMS for fuck's sake. Yeah, I know :) Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
on 1/25/02 5:20 PM, Grammenos, Peter at [EMAIL PROTECTED] wrote: > > i grew up w/ biz markie, e.p.m.d , in brentwood,ny and for the life of me > can't figure out where they got their musical skills from, not being from > detroit and all ;) Well, you see, even Hip-hop was actually created in Detroit; people don't really know about that. You see, there was this guy, uh, Kool Rock Ski who moved from Detroit to the South Bronx in the '70's and brought the whole culture there with him. Yeah... ;) > > seriously though, he used to get knocked big time at local parties... people > throwing stuff at him, telling him he couldn't rap for dog doo-doo. I could see that. I mean, the fact is, Biz IS a total clown. But therein lies his genius, as far as I'm concerned. - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
he cant rap. thats why he kicks so much ass -Joe -- R17 is not a fixed velocity, but it is clearly far too fast. -- - Original Message - From: "Grammenos, Peter" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; "Lester Kenyatta Spence" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Friday, January 25, 2002 5:20 PM Subject: RE: [313] The Future of Detroit > > i grew up w/ biz markie, e.p.m.d , in brentwood,ny and for the life of me > can't figure out where they got their musical skills from, not being from > detroit and all ;) > > seriously though, he used to get knocked big time at local parties... people > throwing stuff at him, telling him he couldn't rap for dog doo-doo. > > -pete > > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Friday, January 25, 2002 5:06 PM > To: Lester Kenyatta Spence > Cc: 313@hyperreal.org > Subject: Re: [313] The Future of Detroit > > > on 1/25/02 4:35 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] > wrote: > > > On Fri, 25 Jan 2002 [EMAIL PROTECTED] wrote: > > > >> Interesting essay... I especially enjoyed the part about Kilpatrick > singing > >> along with Biz Markie. That's hilarious! > > > > It's POWERFUL. I don't know if Kilpatrick ever hung out at the > > Institutebut he may be the country's first hiphop/house mayor. > > Astounding. > > Oh, no doubt it is powerful and real cool. Especially due to the fact that > he > had someone as raw as Biz perform. I don't know who else was on the > bill, but the inclusion of Biz definitely gets high marks from me. > > -J > > - > This message was sent via the BiznessOnline.com webmail system. > http://www.biznessonline.com > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] The Future of Detroit
i grew up w/ biz markie, e.p.m.d , in brentwood,ny and for the life of me can't figure out where they got their musical skills from, not being from detroit and all ;) seriously though, he used to get knocked big time at local parties... people throwing stuff at him, telling him he couldn't rap for dog doo-doo. -pete -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 5:06 PM To: Lester Kenyatta Spence Cc: 313@hyperreal.org Subject: Re: [313] The Future of Detroit on 1/25/02 4:35 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote: > On Fri, 25 Jan 2002 [EMAIL PROTECTED] wrote: > >> Interesting essay... I especially enjoyed the part about Kilpatrick singing >> along with Biz Markie. That's hilarious! > > It's POWERFUL. I don't know if Kilpatrick ever hung out at the > Institutebut he may be the country's first hiphop/house mayor. > Astounding. Oh, no doubt it is powerful and real cool. Especially due to the fact that he had someone as raw as Biz perform. I don't know who else was on the bill, but the inclusion of Biz definitely gets high marks from me. -J - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
On Fri, 25 Jan 2002 [EMAIL PROTECTED] wrote: > on 1/25/02 4:35 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] > wrote: > > > On Fri, 25 Jan 2002 [EMAIL PROTECTED] wrote: > > > >> Interesting essay... I especially enjoyed the part about Kilpatrick > singing > >> along with Biz Markie. That's hilarious! > > > > It's POWERFUL. I don't know if Kilpatrick ever hung out at the > > Institutebut he may be the country's first hiphop/house mayor. > > Astounding. > > Oh, no doubt it is powerful and real cool. Especially due to the fact that he > had someone as raw as Biz perform. I don't know who else was on the > bill, but the inclusion of Biz definitely gets high marks from me. > -J Oh...I forgot. Rick Wilhite, DJ Fingers, DJ Snake...and I think Biz was the headliner. No...I KNOW Biz was the headliner, I don't think there were anymore djs though. Wilhite only had twenty or so minutes on the tables, but I was really hoping for some deep deep deep house. He probably left it at the crib though...most house djs leave the deep stuff at the crib when dj'ing "mainstream" gigs. pity. (biz has been in detroit a few times. dennis archer jr. usually uses him at his parties. can keep a crowd on the floor no DOUBT...but he isn't that good technically.) peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
on 1/25/02 4:35 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote: > On Fri, 25 Jan 2002 [EMAIL PROTECTED] wrote: > >> Interesting essay... I especially enjoyed the part about Kilpatrick singing >> along with Biz Markie. That's hilarious! > > It's POWERFUL. I don't know if Kilpatrick ever hung out at the > Institutebut he may be the country's first hiphop/house mayor. > Astounding. Oh, no doubt it is powerful and real cool. Especially due to the fact that he had someone as raw as Biz perform. I don't know who else was on the bill, but the inclusion of Biz definitely gets high marks from me. -J - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
On Fri, 25 Jan 2002 [EMAIL PROTECTED] wrote: > Interesting essay... I especially enjoyed the part about Kilpatrick singing > along with Biz Markie. That's hilarious! It's POWERFUL. I don't know if Kilpatrick ever hung out at the Institutebut he may be the country's first hiphop/house mayor. Astounding. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] The Future of Detroit
Very good essay, Lester. I agree on most points except one: And even though Detroit's suburbs have a vested interest in helping Detroit (as Detroit goes, so goes suburban Detroit), they are too blinded by short-sighted concerns tied to racism to truly engage in the help that the city needs. I don't think that Detroit's suburbs (generalizing here...) are interested in anything but the stadiums and casinos downtown. The main factors are that the majority of jobs are not located in Detroit but in the suburbs so unless you really enjoy hockey, baseball, or gambling there really is no need to go to Detroit (understandable). I'm not saying the avoidance of Detroit is conscious in any way, but if you take away the need to interact with downtown, you ask yourself what's down there that I can't do a couple of miles from home? There are many cities in the U.S. that are thriving without casinos to foot the bill and turn their downtown into a shitty version of Las Vegas. Go a couple of blocks from the Motor City casino and you're in an area most people wouldn't be caught dead walking through. Back in the day when the RenCen was built there were a lot of complaints that it segregated itself with the infamous wall and created a virtual bubble with the rest of downtown Detroit. These casinos have done the same thing. A positive example of rejuvenation was (yes, was) Trapper's Alley in Greektown. Before the renovation, it was literally an alley of cobblestone with some antique shops and a historical landmark. At its peak (84-86), this was the place to hang, shop, eat, buy music on the top floor, they even had a club in there. The point is, it was an attraction for suburbanites as well as locals without alienation of either group. Casinos will never be the answer. They do not provide enough of a service the community, other than taxes, to be a positive addition. As far as Kwame goes, I think that's a good thing. I went to Cass Tech with him and it's really cool to see one of my classmates as mayor, but strange as well. It will be good to see what a fresh young mind will bring to the table. Our last 2 mayors have put the city in the position it is now. It's a shame and a disgrace, it really is. Peace, Alex www.fulcruminn.net -Original Message- From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:51 PM To: 313@hyperreal.org Subject: [313] The Future of Detroit As some of you know, Detroit recently elected a 31 year old as mayor of Detroit. Although we are not "friends," we are colleagues of a sort...so I went to the Inaugural in order to support his installation. I wrote this essay in response...and though it is tangentially related to the list, I think the kicker at the end is directly related. Take a look...and send to others if you wish. peace lks > Lester Kenyatta Spence 314-935-5814 off > Assistant Professor 314-935-5856 fax > Washington University [EMAIL PROTECTED] > One Brookings Drive > Department of Political Science Box 1063 > St. Louis, MO. 63130-4899 > > I was blessed to be able to attend a couple of inaugural events for Kwame Kilpatrickand I've been trying to think of a way to put my feelings and thoughts on his election into words. A discussion I had last night with St. Louis' first black mayor Freeman Bosley (now a business owner and talk show host) help crystallize many of these thoughts into something that should be relatively coherent. First I'll talk about the events themselves. I got a chance to attend both the Inaugural Ball and the Club Crawland to a certain extent these events represented a stark departure from the previous mayor's events. Not so much in the type of event, but moreso the crowd. To give you a brief examplewhen Dennis Archer St. was first inaugurated, a party geared for the younger crowds was held for him at the State Theater. I attended along with my wife, and though we were glad we went, the first thing that jumped out at us was the crowd. Even though the event was open to the public and advertised as such, the only people there seemed to be related through a number of black upper-class networks. The men and women there either knew each other through Jack and Jill, or through a number of prestigious private and public schools (University of Detroit, Cranbrook, Country Day, Cass Tech, Renaissance), or through a number of prestigious universities (Northwestern, University of Michigan, Harvard Law School). I was lucky enough to almost literally sneak into the University of Michigan, but I got the feeling from that event that if I would have gone to Wayne St. instead, I would not have attendedor if I had attended I would not have known anyone there. As the author of "Our Kind of People" (a journalistic account of the black upper class) notes, it was indeed like the black upper class had finally gotten "thei
RE: [313] is it music?
> turning your nose up at d'n'b is no better than > the d'n'b people (a load of ex-ravers who discovered > a few techno records round about 1993) That's stretching the truth -- nobody spun a hardcore/drum'n'bass set with just Bug in the Bassbin and a few KMS records... There were a lot of great records coming straight out of the British hardcore/rave scene back then, and though Detroit techno influenced a *few* of them, the scene was totally self-supporting. John -Original Message- From: Stephen Kelly [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 3:31 PM To: 313@hyperreal.org Subject: RE: [313] is it music? a couple of thoughts.. it's a reese bassline - kevin master reese saunderson.. not alex 'metalheadz' reece.. d'n'b/hardcore had reese basslines before it had alex reece.. nobody who was into d'n'b should even make this mistake or else they haven't been listening.. d'n'b has proved itself - it's influenced modern r'n'b and spawned the whole uk garage thing - personally i'm not into either, but it proves that d'n'b has influenced/inspired people - so it's music.. techno influenced d'n'b (see above) and you don't have to be into both, but you can't go around saying one thing isn't music just 'cause you're not into it.. turning your nose up at d'n'b is no better than the d'n'b people (a load of ex-ravers who discovered a few techno records round about 1993) who deserted photek when he put house tracks on the last album.. i like delsin.. the new delsin album by dimension5 is lush.. rave on kids - [EMAIL PROTECTED] http://twoplayer.net/theo http://twoplayer.net/kdj _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] is it music?
as a person who started out in drum`n`bass- that was my first music i really got into - than i decided to build a little studio and started spinning. i can say i feel drum`n`bass in a lot of the techno i hear today, people like charles Noel which i really really like and stuff like Bpitch control (mainly i feel the ellen alien tracks are full of drum`n`bass ideads). i agree with stephan the dimention 5 on delsin is just great album. - Original Message - From: "Stephen Kelly" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 25, 2002 10:31 PM Subject: RE: [313] is it music? > a couple of thoughts.. > > it's a reese bassline - kevin master reese saunderson.. not alex > 'metalheadz' reece.. d'n'b/hardcore had reese basslines before it had alex > reece.. nobody who was into d'n'b should even make this mistake or else they > haven't been listening.. > > d'n'b has proved itself - it's influenced modern r'n'b and spawned the whole > uk garage thing - personally i'm not into either, but it proves that d'n'b > has influenced/inspired people - so it's music.. techno influenced d'n'b > (see above) and you don't have to be into both, but you can't go around > saying one thing isn't music just 'cause you're not into it.. turning your > nose up at d'n'b is no better than the d'n'b people (a load of ex-ravers who > discovered a few techno records round about 1993) who deserted photek when > he put house tracks on the last album.. > > i like delsin.. the new delsin album by dimension5 is lush.. > > rave on kids - [EMAIL PROTECTED] > > > http://twoplayer.net/theo > http://twoplayer.net/kdj > > > > > _ > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Future of Detroit
Interesting essay... I especially enjoyed the part about Kilpatrick singing along with Biz Markie. That's hilarious! -J on 1/25/02 12:50 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote: > > As some of you know, Detroit recently elected a 31 year old as mayor of > Detroit. Although we are not "friends," we are colleagues of a sort...so > I went to the Inaugural in order to support his installation. I wrote > this essay in response...and though it is tangentially related to the > list, I think the kicker at the end is directly related. Take a > look...and send to others if you wish. > > peace > lks > > >> Lester Kenyatta Spence 314-935-5814 off >> Assistant Professor 314-935-5856 fax >> Washington University [EMAIL PROTECTED] >> One Brookings Drive >> Department of Political Science Box 1063 >> St. Louis, MO. 63130-4899 >> >> > > > I was blessed to be able to attend a couple of inaugural events for Kwame > Kilpatrickand I've been trying to think of a way to put my feelings and > thoughts on his election into words. A discussion I had last night with > St. Louis' first black mayor Freeman Bosley (now a business owner and talk > show host) help crystallize many of these thoughts into something that > should be relatively coherent. First I'll talk about the events > themselves. > > I got a chance to attend both the Inaugural Ball and the Club Crawland to > a certain extent these events represented a stark departure from the > previous mayor's events. Not so much in the type of event, but moreso the > crowd. To give you a brief examplewhen Dennis Archer St. was first > inaugurated, a party geared for the younger crowds was held for him at the > State Theater. I attended along with my wife, and though we were glad we > went, the first thing that jumped out at us was the crowd. Even though > the event was open to the public and advertised as such, the only people > there seemed to be related through a number of black upper-class networks. > The men and women there either knew each other through Jack and Jill, or > through a number of prestigious private and public schools (University of > Detroit, Cranbrook, Country Day, Cass Tech, Renaissance), or through a > number of prestigious universities (Northwestern, University of Michigan, > Harvard Law School). I was lucky enough to almost literally sneak into > the University of Michigan, but I got the feeling from that event that if > I would have gone to Wayne St. instead, I would not have attendedor if I > had attended I would not have known anyone there. As the author of "Our > Kind of People" (a journalistic account of the black upper class) notes, > it was indeed like the black upper class had finally gotten "their" kind > of person into the mayoraltyand they came out in full force to recognize > his (and their) ascension. > > Kilpatrick's eventseven the Ball with ticket prices at $100/headdid not > have that kind of feel at all. The Michigan folks were there in full > effectbut along with them I saw people representing the Shrine of the > Black Madonna, the InnerCity Sub Center, the Community Coalition, and a > number of other working class organizations and institutions. > Furthermore, I also saw brothers and sisters who most likely didn't make > it to college period much less an institution like Northwestern or > Michigan. And I saw a mixture of people from the East side of the city > and the West side. Now I didn't see too many white men and womenso > arguably Kilpatrick's events weren't as racially integrated as that of his > predecessorbut these events were definitely more integrated by class. The > same vision was apparent at the club crawlall sorts of black men and women > came out to see the new mayor. There were conservative lawyers dressed in > Armani, there were gangsters dressed in Coogi, and a host of people in > between. Truly a microcosm of Detroit came to celebrate the new mayorand > it was a beautiful sight to see. The power of Detroit lies within the > souls of its black folkand in these events it seemed as if the new mayor > was very cognizant of this factand perhaps no more so than the end of the > night of the Club Crawl event. The last DJ to perform was Biz Markiean > old school hiphop head who now spends more of his time dj'ing than he does > in the studio. As Biz Markie played his own most memorable song "the > vapors" the mayor of the tenth largest city in Americaarguably the > blackest city in North and South Americabegan to sing with the song. > > Until that momentI didn't know how older men and women in Detroit felt > when they finally elected Coleman Young. But when I saw thatI got it. > We'd finally elected one of our own. We'd truly made historynot only by > electing a man with a strong working class consciousness, but electing a > young man with such a consciousnes
RE: [313] is it music?
a couple of thoughts.. it's a reese bassline - kevin master reese saunderson.. not alex 'metalheadz' reece.. d'n'b/hardcore had reese basslines before it had alex reece.. nobody who was into d'n'b should even make this mistake or else they haven't been listening.. d'n'b has proved itself - it's influenced modern r'n'b and spawned the whole uk garage thing - personally i'm not into either, but it proves that d'n'b has influenced/inspired people - so it's music.. techno influenced d'n'b (see above) and you don't have to be into both, but you can't go around saying one thing isn't music just 'cause you're not into it.. turning your nose up at d'n'b is no better than the d'n'b people (a load of ex-ravers who discovered a few techno records round about 1993) who deserted photek when he put house tracks on the last album.. i like delsin.. the new delsin album by dimension5 is lush.. rave on kids - [EMAIL PROTECTED] http://twoplayer.net/theo http://twoplayer.net/kdj _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] The Reese bass
AND if i remember right a couple of Carl Craigs early records were spun by Grooverider at 45rmp to make what would be called Drum and Bass nowadays...Lets face it folks. everything musically comes from Detroit! > -Original Message- > From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED] > Sent: Friday, January 25, 2002 8:47 AM > To: [EMAIL PROTECTED]; 313@hyperreal.org > Subject: Re: [313] The Reese bass > > > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > Yesss, tell 'em how it is Oscillate. > > That's my point exactly, put exactly how I would want to put it. > > > > > > [EMAIL PROTECTED] on 25/01/2002 16:39:31 > To: [EMAIL PROTECTED], 313@hyperreal.org > cc: > > > Subject: Re: [313] The Reese bass > > > In a message dated 1/25/02 7:03:48 AM Eastern Standard Time, > [EMAIL PROTECTED] writes: > > > > That's really odd, because everyone I have ever known in the jungle/dnb > > scene has thought the "Reese Bass" comes from Alex Reese... > > Just goes to show you that junglists need to pull the blinders off and > listen > and learn about something else besides drum'n'bass. > > Kevin "Master Reese" Saunderson released some of the first UK hardcore > records in America on KMS for fuck's sake. > > pw > gg > ny > > > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you > received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] so is it really music?
i`ll tell u a little secret, i have learned it in a long life of checking defenition. if u want a good defeniton of something its for sure not in the Dictionary. defetions are someting that the human reasoning needs but i am not too sure that it can be done. since any object (like let say MUSIC) is infinitive.. C - Original Message - From: "Rusty Blasco" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 25, 2002 8:22 PM Subject: [313] so is it really music? > Dictionary definition of music according to Webster (sorry the edition is a > little old): > > 'the art and science of combining vocal or instrumental sounds or tones in > varying melody, harmony, rhythm, and timbre, especially so as to form > structurally complete and emotionally expressive compositions' > > interesting third definition: > > 'any rhythmic sequence of pleasing sounds, as of birds, water, etc.' > > and: > > 'ability to respond to or take pleasure in music' > > Music does not have to be melodious. It is merely a contemplated > arrangement of sounds for the purposes of communicating emotions. Believe > me, debates about what is music vs. what isn't raged in my mind for quite > some time during my early college years. Music is most essential when it > reflects the environment and society in which it was conceived, hence, the > increasing utilization of technological sounds (as an indication of > industrial and intellectual advancement). The beauty is in discovering the > underlying human thoughts and feelings which comprise the core of a piece > and subsequently a moment in time. The subjective experience of music (art > in general) protects it from the myopic qualifications which critics > (amateur and professional alike) impose upon it. Our desire to create music > stems from a desire to convey our deepest emotions in a way words themselves > can't oblige. It is a means to transcend our physical limits. > > Here I will halt though I could probably compose a thesis on said subject. > Comments? > >Rusty > > > > _ > Chat with friends online, try MSN Messenger: http://messenger.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] SCAN7
Anyone else check out this show? Very good show, in my opinion. The 2 opening DJ's were pretty good as well and they even had some live conga players during the sets. Very nice! The crowd, though small, was very diverse. A refreshing alternative to the Motor crowd. It seemed they went on later than they wanted too or weren't looking at the time (went on about 1:30) because when they went to do their first shout out at 2 the sound was shut down and it was "bye bye folks". Peace, Alex www.fulcruminn.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] so is it really music?
Dictionary definition of music according to Webster (sorry the edition is a little old): 'the art and science of combining vocal or instrumental sounds or tones in varying melody, harmony, rhythm, and timbre, especially so as to form structurally complete and emotionally expressive compositions' interesting third definition: 'any rhythmic sequence of pleasing sounds, as of birds, water, etc.' and: 'ability to respond to or take pleasure in music' Music does not have to be melodious. It is merely a contemplated arrangement of sounds for the purposes of communicating emotions. Believe me, debates about what is music vs. what isn't raged in my mind for quite some time during my early college years. Music is most essential when it reflects the environment and society in which it was conceived, hence, the increasing utilization of technological sounds (as an indication of industrial and intellectual advancement). The beauty is in discovering the underlying human thoughts and feelings which comprise the core of a piece and subsequently a moment in time. The subjective experience of music (art in general) protects it from the myopic qualifications which critics (amateur and professional alike) impose upon it. Our desire to create music stems from a desire to convey our deepest emotions in a way words themselves can't oblige. It is a means to transcend our physical limits. Here I will halt though I could probably compose a thesis on said subject. Comments? Rusty _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] The Future of Detroit
As some of you know, Detroit recently elected a 31 year old as mayor of Detroit. Although we are not "friends," we are colleagues of a sort...so I went to the Inaugural in order to support his installation. I wrote this essay in response...and though it is tangentially related to the list, I think the kicker at the end is directly related. Take a look...and send to others if you wish. peace lks > Lester Kenyatta Spence 314-935-5814 off > Assistant Professor 314-935-5856 fax > Washington University [EMAIL PROTECTED] > One Brookings Drive > Department of Political Science Box 1063 > St. Louis, MO. 63130-4899 > > I was blessed to be able to attend a couple of inaugural events for Kwame Kilpatrickand I've been trying to think of a way to put my feelings and thoughts on his election into words. A discussion I had last night with St. Louis' first black mayor Freeman Bosley (now a business owner and talk show host) help crystallize many of these thoughts into something that should be relatively coherent. First I'll talk about the events themselves. I got a chance to attend both the Inaugural Ball and the Club Crawland to a certain extent these events represented a stark departure from the previous mayor's events. Not so much in the type of event, but moreso the crowd. To give you a brief examplewhen Dennis Archer St. was first inaugurated, a party geared for the younger crowds was held for him at the State Theater. I attended along with my wife, and though we were glad we went, the first thing that jumped out at us was the crowd. Even though the event was open to the public and advertised as such, the only people there seemed to be related through a number of black upper-class networks. The men and women there either knew each other through Jack and Jill, or through a number of prestigious private and public schools (University of Detroit, Cranbrook, Country Day, Cass Tech, Renaissance), or through a number of prestigious universities (Northwestern, University of Michigan, Harvard Law School). I was lucky enough to almost literally sneak into the University of Michigan, but I got the feeling from that event that if I would have gone to Wayne St. instead, I would not have attendedor if I had attended I would not have known anyone there. As the author of "Our Kind of People" (a journalistic account of the black upper class) notes, it was indeed like the black upper class had finally gotten "their" kind of person into the mayoraltyand they came out in full force to recognize his (and their) ascension. Kilpatrick's eventseven the Ball with ticket prices at $100/headdid not have that kind of feel at all. The Michigan folks were there in full effectbut along with them I saw people representing the Shrine of the Black Madonna, the InnerCity Sub Center, the Community Coalition, and a number of other working class organizations and institutions. Furthermore, I also saw brothers and sisters who most likely didn't make it to college period much less an institution like Northwestern or Michigan. And I saw a mixture of people from the East side of the city and the West side. Now I didn't see too many white men and womenso arguably Kilpatrick's events weren't as racially integrated as that of his predecessorbut these events were definitely more integrated by class. The same vision was apparent at the club crawlall sorts of black men and women came out to see the new mayor. There were conservative lawyers dressed in Armani, there were gangsters dressed in Coogi, and a host of people in between. Truly a microcosm of Detroit came to celebrate the new mayorand it was a beautiful sight to see. The power of Detroit lies within the souls of its black folkand in these events it seemed as if the new mayor was very cognizant of this factand perhaps no more so than the end of the night of the Club Crawl event. The last DJ to perform was Biz Markiean old school hiphop head who now spends more of his time dj'ing than he does in the studio. As Biz Markie played his own most memorable song "the vapors" the mayor of the tenth largest city in Americaarguably the blackest city in North and South Americabegan to sing with the song. Until that momentI didn't know how older men and women in Detroit felt when they finally elected Coleman Young. But when I saw thatI got it. We'd finally elected one of our own. We'd truly made historynot only by electing a man with a strong working class consciousness, but electing a young man with such a consciousness. A man who, if he wasn't known, could easily fit the profile of "America's most wanted" presented daily in the papers and on tv. This was a majestic momentwhich brings me back to my conversation with Mayor Bosley. The hardest thing for Bosley was never running and winning, even though the odds were stacked against him. The hardest thing was always governanc
RE: [313] is it music?
> This is barely comprehensible. Sorry. > what do you mean by that ? - the grammar and stuff ? - pffr or you got the meaning and you complain about that ? you could complain a bit more detailed then - - oh and robin - about the bla-man thing hm listen - I would love to shut up and just read and learn more about the deeper things in 313-culture - (beside the always good2know record collector-stuff) but most comments here - are so flat and are just üärgh - I mean why the f±±± is this rubbish almost every day, like: "Mills should do and write this and that", or yesterday - "Stacey Pullen should mix like this" so people give him a mark as if it´s about getting marks at school ? the Music needs to be like this and that ? ? ? What do you know about the meaning of certain drum patterns ? The meaning of african culture in music (and techno music) and how it developes through the circumstances the dominating nations create on the planet. What is it that makes you move - beside "banging beats" or that it´s "hot" ? I´m here 4 understanding more ... does that make sense ? ps - alex reece "c" not "s" was the pulp fiction one - and - adam f - bob james sampling - octave one - bob james roadies off 2day party nite nite m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] bassline
where does the name 'bassline' come from? where does the name 'alex' come from? .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
delsin's good. so are mangos. kevin saunderson rocks. i'd like for him to bring back some of those older tracks via repress. and i thought it was Kevin Maurice Saunderson into Master Reese as a nickname/play on words which led to Reese? maybe professors sicko/van loo/malbon know the answers? -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:01 PM To: 313@hyperreal.org Subject: Re: Re: [313] inside out At 1/25/2002 + 11:19, you wrote: > > > > but where did the name "reese bassline" come from? > > > > >kevin "master reese" saunderson (ehm.. plug alert) about mr reese, he'll be doing a five hours (!) set next week at the melkweg (milky way) here in amsterdam. . fri feb 1 before that, you can enjoy two hours of dj'ing by peel seamus, the guy from delsin.. fri 1feb from 10h pm - 5am bleep .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
i thought it's Kevin Maurice Saunderson and then Maurice -> M'Rice -> Reese ? At 1/25/2002 + 11:41, you wrote: Wrong. KMS was called 'Reese' much earlier. .. . :: http://nomorewords.net
Re: Re: [313] inside out
At 1/25/2002 + 11:19, you wrote: > > but where did the name "reese bassline" come from? > kevin "master reese" saunderson (ehm.. plug alert) about mr reese, he'll be doing a five hours (!) set next week at the melkweg (milky way) here in amsterdam. . fri feb 1 before that, you can enjoy two hours of dj'ing by peel seamus, the guy from delsin.. fri 1feb from 10h pm - 5am bleep .. . :: http://nomorewords.net
Re: [313] Bobbins
Oh, let's not go down that road again... ...at least, not unless you have access to a large amount of capital and want to co-own a musik mag? - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Friday, January 25, 2002 4:33 PM Subject: Re: [313] Bobbins > Sorry to kiss a**e, but, yeah it was a great little mag. > It's been a long long time since I saw a copy though, 3/4 years? > > > > > [EMAIL PROTECTED] on 25/01/2002 16:17:30 > To: Alex Bond/UK/INF/PwC > cc: 313@hyperreal.org > > > Subject: Re: [313] Bobbins > > > > I do and I thought it was great > > > > > [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM > > To: 313@hyperreal.org > cc: > > Subject: [313] Bobbins > > > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > Mr Magic Feet will not thank me for saying this, but he nearly shares his > name with a little bit of English rhyming slang. > > E.g. > > "What do you think of that dope new So Solid mix little Johnny?" > > "It's f***in Tim Robbins that mate" > > By the way Tom, what happened to the rather excellent little magazine you > used to do? > Any other 313ers remember that? > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > -- > > Warning : The information contained in this message may be privileged and > confidential and protected from disclosure. If the reader of this message > is not the intended recipient, you are hereby notified that any > dissemination, distribution or copying of this communication is strictly > prohibited. If you have received this communication in error, please notify > us immediately by replying to this message and then delete it from your > computer. All e-mail sent to this address will be received by the Providian > Financial corporate e-mail system and is subject to archiving and review by > someone other than the recipient. > > == > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Yesss, tell 'em how it is Oscillate. That's my point exactly, put exactly how I would want to put it. [EMAIL PROTECTED] on 25/01/2002 16:39:31 To: [EMAIL PROTECTED], 313@hyperreal.org cc: Subject: Re: [313] The Reese bass In a message dated 1/25/02 7:03:48 AM Eastern Standard Time, [EMAIL PROTECTED] writes: > That's really odd, because everyone I have ever known in the jungle/dnb > scene has thought the "Reese Bass" comes from Alex Reese... Just goes to show you that junglists need to pull the blinders off and listen and learn about something else besides drum'n'bass. Kevin "Master Reese" Saunderson released some of the first UK hardcore records in America on KMS for fuck's sake. pw gg ny - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] mysterious mag mystifys
Yeah I can remember that magic feet magazine used to think it was ok but could never find it very easily. Whilst on the nostalgia trip does anyone remember the old fanzine that "the droid" used to put out forget its name was it overload or something like that please advise or I will go insane otherwise. Also does anyone out there remember "Chillin FM" Aaahh happy days Shosh _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
In a message dated 1/25/02 7:03:48 AM Eastern Standard Time, [EMAIL PROTECTED] writes: > That's really odd, because everyone I have ever known in the jungle/dnb > scene has thought the "Reese Bass" comes from Alex Reese... Just goes to show you that junglists need to pull the blinders off and listen and learn about something else besides drum'n'bass. Kevin "Master Reese" Saunderson released some of the first UK hardcore records in America on KMS for fuck's sake. pw gg ny
Re: [313] 2001 gems
From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] 2001 gems Date: Fri, 25 Jan 2002 08:11:21 -0800 As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I haven't missed anything major which I should have bought. I bought Cannibal Ox "The Cold Vein" the other day, which has turned out to be really interesting "musical" hip hop (although I'm not a big fan of the genre). Has anyone any comments on this album, or any albums which they resisted buying / didn't hear about all year, and have now bought, and recommend. Cheers. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] did you pick up the album by maurice fulton "stress why put me through it?" very good experimental, quircky, cool use of sounds. very nice. also Labfunk by Atjazz on mantis-recordings and something by Schmoove called "while you wait" on diy's label DiY Discs. Does anyone remember DiY the crowd from nottingham? Check these three albums out if you didn't get them first time round. Shosh _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bobbins
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Sorry to kiss a**e, but, yeah it was a great little mag. It's been a long long time since I saw a copy though, 3/4 years? [EMAIL PROTECTED] on 25/01/2002 16:17:30 To: Alex Bond/UK/INF/PwC cc: 313@hyperreal.org Subject: Re: [313] Bobbins I do and I thought it was great [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM To: 313@hyperreal.org cc: Subject: [313] Bobbins Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this, but he nearly shares his name with a little bit of English rhyming slang. E.g. "What do you think of that dope new So Solid mix little Johnny?" "It's f***in Tim Robbins that mate" By the way Tom, what happened to the rather excellent little magazine you used to do? Any other 313ers remember that? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bobbins
I do and I thought it was great [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM To: 313@hyperreal.org cc: Subject: [313] Bobbins Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this, but he nearly shares his name with a little bit of English rhyming slang. E.g. "What do you think of that dope new So Solid mix little Johnny?" "It's f***in Tim Robbins that mate" By the way Tom, what happened to the rather excellent little magazine you used to do? Any other 313ers remember that? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Bobbins
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this, but he nearly shares his name with a little bit of English rhyming slang. E.g. "What do you think of that dope new So Solid mix little Johnny?" "It's f***in Tim Robbins that mate" By the way Tom, what happened to the rather excellent little magazine you used to do? Any other 313ers remember that? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 2001 gems
Everybody on this list has probably got and savoured it but Herbert's "Bodily Functions." Why this guy is not a star is beyond me. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 25, 2002 4:11 PM Subject: [313] 2001 gems > As it's still near the beginning of the year, I thought that this is still > a relevant topic. > Over the last few weeks there have been loads of lists in magazines, net > etc. with top lists of 2001. > While I don't slavishly go out and buy all the top 10 records, I do find > these useful to check I haven't missed anything major which I should have > bought. > I bought Cannibal Ox "The Cold Vein" the other day, which has turned out to > be really interesting "musical" hip hop (although I'm not a big fan of the > genre). Has anyone any comments on this album, or any albums which they > resisted buying / didn't hear about all year, and have now bought, and > recommend. > Cheers. > > > -- > Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. > > == > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 2001 gems
If you like that you should check out "One/Three" by Dabrye on Ghostly International. One of my top 10 of '01. Agci -- >From: [EMAIL PROTECTED] >To: 313@hyperreal.org >Subject: [313] 2001 gems >Date: Fri, Jan 25, 2002, 11:11 AM > > As it's still near the beginning of the year, I thought that this is still > a relevant topic. > Over the last few weeks there have been loads of lists in magazines, net > etc. with top lists of 2001. > While I don't slavishly go out and buy all the top 10 records, I do find > these useful to check I haven't missed anything major which I should have > bought. > I bought Cannibal Ox "The Cold Vein" the other day, which has turned out to > be really interesting "musical" hip hop (although I'm not a big fan of the > genre). Has anyone any comments on this album, or any albums which they > resisted buying / didn't hear about all year, and have now bought, and > recommend. > Cheers. > > > -- > Warning : The information contained in this message may be privileged and > confidential and protected from disclosure. If the reader of this message > is not the intended recipient, you are hereby notified that any > dissemination, distribution or copying of this communication is strictly > prohibited. If you have received this communication in error, please notify > us immediately by replying to this message and then delete it from your > computer. All e-mail sent to this address will be received by the Providian > Financial corporate e-mail system and is subject to archiving and review by > someone other than the recipient. > > == > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 2001 gems
As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I haven't missed anything major which I should have bought. I bought Cannibal Ox "The Cold Vein" the other day, which has turned out to be really interesting "musical" hip hop (although I'm not a big fan of the genre). Has anyone any comments on this album, or any albums which they resisted buying / didn't hear about all year, and have now bought, and recommend. Cheers. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Put that in your column and smoke it, I dare you! >-Original Message- >From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 3:47 PM >To: 313 mailing list >Subject: Re: [313] string 'n' pad > > >Personally I enjoyed Alex's post, if only for the outstanding use of the >word 'bobbins', one of my favourite English colloquialisms and one I've >hardly heard since the great days of Madchester. Discuss. > >And if you ask me, he's right about that garage/2-step bobbins >too. So Solid >my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) > >TOM > >> -Ursprüngliche Nachricht- >> Von: <[EMAIL PROTECTED]> >> An: <313@hyperreal.org> >> Gesendet: Freitag, 25. Januar 2002 14:19 RON >> Betreff: [313] string 'n' pad >> >> >> > Memo from Alex Bond of PricewaterhouseCoopers >> > >> > Start of message text >> > >> > Ok, I'm new to this mail service, so I'm not familiar with the topics >you >> > discuss. >> > >> > But, surely if you subscribe to a mail service like this, you have more >> > than a passing interest in music from Detroit? >> > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? >> I'm >> > gobsmacked. >> > >> > Also Drum and Bass. A load of ex-ravers who discovered a few techno >> records >> > round about 1993, what are most of 'em doing now? >> > Speed bloody Garage, 2-Step, what ever you want to call it. >> > >> > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) >but >> > overall, I have to say it's bobbins, and barely worth a >discussion, that >> > music is full of people just trying to make a fast buck (I don't blame >'em >> > for that) but really, is it 'music'? >> > >> > - End of message text >> > >> > This e-mail is sent by the above named in their >> > individual, non-business capacity and is not on >> > behalf of PricewaterhouseCoopers. >> > >> > PricewaterhouseCoopers may monitor outgoing and incoming >> > e-mails and other telecommunications on its e-mail and >> > telecommunications systems. >> > >> > The information transmitted is intended only for the person or >entity to >> > which it is addressed and may contain confidential and/or privileged >> > material. Any review, retransmission, dissemination or other >use of, or >> > taking of any action in reliance upon, this information by persons or >> > entities other than the intended recipient is prohibited. If you >> received >> > this in error, please contact the sender and delete the material from >any >> > computer. >> > >> > >> > - >> > To unsubscribe, e-mail: [EMAIL PROTECTED] >> > For additional commands, e-mail: [EMAIL PROTECTED] >> > >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> >> > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
This is barely comprehensible. Sorry. >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 3:31 PM >To: 313@hyperreal.org >Subject: RE: [313] is it music? > > >music is so much more - > >communication and projections > >much of 313-music is full of things to talk about > >but it should happen a much higher level then only comments about taste - > >incl. some respect 4 the musicians beeing judged by others - > >so much more then any other people get judged 4 what they do 4 some reason > >Of course it also can´t go without bringing in your perspective... > >but a lil more reflective then sometimes b4 - pleeez > >(respect 4 some ewoks too) > >... still preparing some blabla in my mind bout that 4 the list > >soon > >m >planetz2002 > >-- >LoveThemPlanetZ >peoplez >plantz >peaze >pluz >m > >GMX - Die Kommunikationsplattform im Internet. >http://www.gmx.net > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] Will any of you...
Surely listmember Prof. Sicko should just publish his paper online, or better still, on this list, once all the brow-furrowing is over?Maybe Adam Miller could be persuaded to do the same... TOM > > So still need someone who's going to kindly give us even the most > sketchiest > > of reports back please please please ... in the name of anorak-dom at > least! > > :o) > > > > Shorter Oxford English Dictionary: Anorak - noun; colloquial; (UK) an > > obsessive about a particular hobby or pastime, e.g. angling, philately, > > Detroit techno. > > > > Have a nice weekend all. > > > > K > > > > >-Original Message- > > >From: glyph1001 [mailto:[EMAIL PROTECTED] > > >Sent: Friday, January 25, 2002 2:34 PM > > >Cc: '313@hyperreal.org' > > >Subject: Re: [313] Will any of you... > > > > > > > > >Uh...I take that lie back: my lift to the event backed out on me last > > >min, so somebody else will need to do the reporting. > > > > > >=( > > > > > >Grand opening, Grand closing, > > > > > >Glyph. > > > > > > > > > > > >glyph1001 wrote: > > > > > >> I'll be going...it'll be VERY interesting. =) > > >> > > >> Glyph > > >> > > >> Pryor, Ryan N wrote: > > >> > > >>> 313'ers be attending this? > > >>> > > >>> Critical Studies:Humanities Lecture Series "Detroit Sound" > > >>> Lecturing from 1:00 - 4:30 pm > > >>> Adam Lee Miller-Adult. > > >>> Carl Craig-Planet E > > >>> Rita Sayegh > > >>> Dan Sicko > > >>> > > >>> Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, > > >>> Michigan > > >>> Open to the public on a first-come, first-served basis with museum > > >>> admission > > >>> > > >>> For more information and directions: > > >>> http://webserver.cranbrookart.edu/site/events_info_frameno.html > > >>> > > >>> > > >>> - > > >>> To unsubscribe, e-mail: [EMAIL PROTECTED] > > >>> For additional commands, e-mail: [EMAIL PROTECTED] > > >>> > > >>> > > >> > > >> > > >> > > >> - > > >> To unsubscribe, e-mail: [EMAIL PROTECTED] > > >> For additional commands, e-mail: [EMAIL PROTECTED] > > >> > > >> > > > > > > > > > > > >- > > >To unsubscribe, e-mail: [EMAIL PROTECTED] > > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: RE: [313] is it music? Date: Fri, 25 Jan 2002 16:30:30 +0100 (MET) music is so much more - communication and projections much of 313-music is full of things to talk about but it should happen a much higher level then only comments about taste - incl. some respect 4 the musicians beeing judged by others - so much more then any other people get judged 4 what they do 4 some reason Of course it also cani?t go without bringing in your perspective... but a lil more reflective then sometimes b4 - pleeez (respect 4 some ewoks too) ... still preparing some blabla in my mind bout that 4 the list soon m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] I know exactly what you mean it is so much more than just taste, but before anything else you have to appreciate the music, first you have to feel it then and only then can you offer a view. In the end though if music is a feeling and you ain't feeling it it ain't music to you. Your view can however change if you are prepared to open yourself to new experiences and through practice, ie. listening, you can then train your ear to enjoy it. When you know the effort and thought that has gone into a composition you can't help but admire the individuals or person that created the piece. Question is a piece of music as valid knowing the creator/s are doing it to make a quick killing or are the struggling musicians out there the true music makers? Blimey what a heavy composition! Shosh _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
Personally I enjoyed Alex's post, if only for the outstanding use of the word 'bobbins', one of my favourite English colloquialisms and one I've hardly heard since the great days of Madchester. Discuss. And if you ask me, he's right about that garage/2-step bobbins too. So Solid my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) TOM > -Ursprüngliche Nachricht- > Von: <[EMAIL PROTECTED]> > An: <313@hyperreal.org> > Gesendet: Freitag, 25. Januar 2002 14:19 RON > Betreff: [313] string 'n' pad > > > > Memo from Alex Bond of PricewaterhouseCoopers > > > > Start of message text > > > > Ok, I'm new to this mail service, so I'm not familiar with the topics you > > discuss. > > > > But, surely if you subscribe to a mail service like this, you have more > > than a passing interest in music from Detroit? > > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? > I'm > > gobsmacked. > > > > Also Drum and Bass. A load of ex-ravers who discovered a few techno > records > > round about 1993, what are most of 'em doing now? > > Speed bloody Garage, 2-Step, what ever you want to call it. > > > > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but > > overall, I have to say it's bobbins, and barely worth a discussion, that > > music is full of people just trying to make a fast buck (I don't blame 'em > > for that) but really, is it 'music'? > > > > - End of message text > > > > This e-mail is sent by the above named in their > > individual, non-business capacity and is not on > > behalf of PricewaterhouseCoopers. > > > > PricewaterhouseCoopers may monitor outgoing and incoming > > e-mails and other telecommunications on its e-mail and > > telecommunications systems. > > > > The information transmitted is intended only for the person or entity to > > which it is addressed and may contain confidential and/or privileged > > material. Any review, retransmission, dissemination or other use of, or > > taking of any action in reliance upon, this information by persons or > > entities other than the intended recipient is prohibited. If you > received > > this in error, please contact the sender and delete the material from any > > computer. > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: is it music?
i personally like when artists put thought into their craft... be it minimal house/tech...d'n'b or ambient...you can tell. but at other times no thought is just as good...as long as it has funky rythms!! Is your boss reading your email? Probably Keep your messages private by using Lycos Mail. Sign up today at http://mail.lycos.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] artist question
hi,,, can anyone tell me whos behind the project A.E.S. ,, i got a tracl called "music in my head" and its just so awesome was it released on vinyl?? i didnt find anything ron ron lux _ jahnstr.7 _ d-71299 wimsheim _ fon | fax _ (+49)_7044_48199 _ cell _ (+49)_171_6574162 _ come to www.megahertz.org www.heckengaeu.de www.fortransit.com --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
> > ... still preparing some blabla in my mind bout that 4 the list no, not more blabla! robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
hey alex... youre from the uk so you really should know it ,,, seems like youre a bit narrow minded bout that,,,drum n bass is music in deed,you might not like itz but you really cant say that there are only some producers that cut it,,,you should really go and look how people like optical, ed rush or bad company have pushed music and also mastering,,,just have a listen to some of their plates on your system and then play some of your own records,,,you will see what i talk about another tihng,,,you should go to a garage/2.step,,anyway called party and enjoy it,,,dont say its all crap,,be a bit more open-minded and enjoy music.. thats what i mean.. ronster -Ursprüngliche Nachricht- Von: <[EMAIL PROTECTED]> An: <313@hyperreal.org> Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > Ok, I'm new to this mail service, so I'm not familiar with the topics you > discuss. > > But, surely if you subscribe to a mail service like this, you have more > than a passing interest in music from Detroit? > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm > gobsmacked. > > Also Drum and Bass. A load of ex-ravers who discovered a few techno records > round about 1993, what are most of 'em doing now? > Speed bloody Garage, 2-Step, what ever you want to call it. > > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but > overall, I have to say it's bobbins, and barely worth a discussion, that > music is full of people just trying to make a fast buck (I don't blame 'em > for that) but really, is it 'music'? > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
music is so much more - communication and projections much of 313-music is full of things to talk about but it should happen a much higher level then only comments about taste - incl. some respect 4 the musicians beeing judged by others - so much more then any other people get judged 4 what they do 4 some reason Of course it also can´t go without bringing in your perspective... but a lil more reflective then sometimes b4 - pleeez (respect 4 some ewoks too) ... still preparing some blabla in my mind bout that 4 the list soon m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
From: "Rob Theakston" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Subject: RE: [313] is it music? Date: Fri, 25 Jan 2002 10:12:04 -0500 i like delsin. and mangos for breakfast! -Original Message- From: SHAUN SWINDELL [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:06 AM To: 313@hyperreal.org Subject: [313] is it music? the age old is it music or is it noise debate,at the end of the day if it makes you moove then it is justified as a form of entertainment, thus who are we to comment on whether or not it is or is not music. for the people who enjoy d'n'b it most certainly is music but for the rest it sounds like, a person that fell down a flight of stairs with their drum kit. however if it entertains then it justifiably takes its place as a musical genre. i would like to think thath there are a number of people that enjoy d'n'b that enjoy all good music not just their own particular favourite, there is after all only two types of music out there "good" and "bad" music. as the old saying goes "beauty is in the eye, or in this case ear, of the beholder. finaly if you get nothing out of a particular piece of music it's fair to say for you it's "bad" music and vice versa if it's "good" music, but your "bad" music is just your own taste or opinion and as everyone knows opinions are like arseholes. everyone has one and sometimes they are full of shit. so now a little pause for thoughtit's all house music Shosh. P.S it's just my opinion _ Join the worldÂs largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] i dunno what delsin is, is it nice? oh i like traffic lights little hobby of mine. red...yellow...green...ah bliss Shosh _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Will any of you...
So still need someone who's going to kindly give us even the most sketchiest of reports back please please please ... in the name of anorak-dom at least! :o) Shorter Oxford English Dictionary: Anorak - noun; colloquial; (UK) an obsessive about a particular hobby or pastime, e.g. angling, philately, Detroit techno. Have a nice weekend all. K >-Original Message- >From: glyph1001 [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 2:34 PM >Cc: '313@hyperreal.org' >Subject: Re: [313] Will any of you... > > >Uh...I take that lie back: my lift to the event backed out on me last >min, so somebody else will need to do the reporting. > >=( > >Grand opening, Grand closing, > >Glyph. > > > >glyph1001 wrote: > >> I'll be going...it'll be VERY interesting. =) >> >> Glyph >> >> Pryor, Ryan N wrote: >> >>> 313'ers be attending this? >>> >>> Critical Studies:Humanities Lecture Series "Detroit Sound" >>> Lecturing from 1:00 - 4:30 pm >>> Adam Lee Miller-Adult. >>> Carl Craig-Planet E >>> Rita Sayegh >>> Dan Sicko >>> >>> Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, >>> Michigan >>> Open to the public on a first-come, first-served basis with museum >>> admission >>> >>> For more information and directions: >>> http://webserver.cranbrookart.edu/site/events_info_frameno.html >>> >>> >>> - >>> To unsubscribe, e-mail: [EMAIL PROTECTED] >>> For additional commands, e-mail: [EMAIL PROTECTED] >>> >>> >> >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> >> > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
i like delsin. and mangos for breakfast! -Original Message- From: SHAUN SWINDELL [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:06 AM To: 313@hyperreal.org Subject: [313] is it music? the age old is it music or is it noise debate,at the end of the day if it makes you moove then it is justified as a form of entertainment, thus who are we to comment on whether or not it is or is not music. for the people who enjoy d'n'b it most certainly is music but for the rest it sounds like, a person that fell down a flight of stairs with their drum kit. however if it entertains then it justifiably takes its place as a musical genre. i would like to think thath there are a number of people that enjoy d'n'b that enjoy all good music not just their own particular favourite, there is after all only two types of music out there "good" and "bad" music. as the old saying goes "beauty is in the eye, or in this case ear, of the beholder. finaly if you get nothing out of a particular piece of music it's fair to say for you it's "bad" music and vice versa if it's "good" music, but your "bad" music is just your own taste or opinion and as everyone knows opinions are like arseholes. everyone has one and sometimes they are full of shit. so now a little pause for thoughtit's all house music Shosh. P.S it's just my opinion _ Join the worldÂs largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] is it music?
the age old is it music or is it noise debate,at the end of the day if it makes you moove then it is justified as a form of entertainment, thus who are we to comment on whether or not it is or is not music. for the people who enjoy d'n'b it most certainly is music but for the rest it sounds like, a person that fell down a flight of stairs with their drum kit. however if it entertains then it justifiably takes its place as a musical genre. i would like to think thath there are a number of people that enjoy d'n'b that enjoy all good music not just their own particular favourite, there is after all only two types of music out there "good" and "bad" music. as the old saying goes "beauty is in the eye, or in this case ear, of the beholder. finaly if you get nothing out of a particular piece of music it's fair to say for you it's "bad" music and vice versa if it's "good" music, but your "bad" music is just your own taste or opinion and as everyone knows opinions are like arseholes. everyone has one and sometimes they are full of shit. so now a little pause for thoughtit's all house music Shosh. P.S it's just my opinion _ Join the worldÂs largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Will any of you...
Uh...I take that lie back: my lift to the event backed out on me last min, so somebody else will need to do the reporting. =( Grand opening, Grand closing, Glyph. glyph1001 wrote: I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series "Detroit Sound" Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
No offense, Alex, but it sounds like you have more of a hatred for the people and not the music... TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Point taken Ken, Sorry, just was on a bit of a rant. Of course people should come here ignorant, it's a good resource for people. I just can't stand a lot of that sort of music - the boundaries between that and techno, I admit ,are blurred. It's a lot of the jokers associated with that sort of music that I have a pet hate for as well (of course, NOT ALL of them). For the record I hate Student, Puffa-Jacket wearing wanna-be bad boys as well (You know the sort, were dead into rave/happy hardcore, then found some 'credibility' with 'Jungle' and now are speed garage producers/know-it-alls) - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Is It All Over My Face
Was reissued in 2001 on 12 inch Loose Joints ~ "Is It All Over My Face" - West End Records www.westendrecords.com
Re: [313] inside out
> Reece-Kevin Saunderson > Reese-Alex Reese? > > or something like that. i could have it backwards. Yeah, you do have it backwards... T - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Careful about asking 'Is it music?' almost any dance music afficionada has to ask themselves the same question in a dark night of the soul ... But for me personally, it IS music. Perhaps a new kind of music which takes the aesthetic principles of modern art and applies them to sound - CF: The Art of Noise (the name itself is a kind of manifesto, non?). Their early records could be seen as early techno, in which the potentional of Kraftwerk, Devo, etc were finally fused into as much a new way of appreciating sound as a new kind of music(That's my stock answer to 'Is it Music' anyway!). Also, I'm happy for people to come here ignorant - to educate on modern detroit dance music is what the site's meant to do, after all. Finally, sorry for preaching to those who know more than me. Peace. >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 1:19 PM >To: 313@Hyperreal.Org >Subject: [313] string 'n' pad > > >Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > >Ok, I'm new to this mail service, so I'm not familiar with the topics you >discuss. > >But, surely if you subscribe to a mail service like this, you have more >than a passing interest in music from Detroit? >How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm >gobsmacked. > >Also Drum and Bass. A load of ex-ravers who discovered a few techno records >round about 1993, what are most of 'em doing now? >Speed bloody Garage, 2-Step, what ever you want to call it. > >Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but >overall, I have to say it's bobbins, and barely worth a discussion, that >music is full of people just trying to make a fast buck (I don't blame 'em >for that) but really, is it 'music'? > >- End of message text > >This e-mail is sent by the above named in their >individual, non-business capacity and is not on >behalf of PricewaterhouseCoopers. > >PricewaterhouseCoopers may monitor outgoing and incoming >e-mails and other telecommunications on its e-mail and >telecommunications systems. > >The information transmitted is intended only for the person or entity to >which it is addressed and may contain confidential and/or privileged >material. Any review, retransmission, dissemination or other use of, or >taking of any action in reliance upon, this information by persons or >entities other than the intended recipient is prohibited. If you received >this in error, please contact the sender and delete the material from any >computer. > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: Re: [313] inside out
doesn't it all depend on how it is spelled?? Reece-Kevin Saunderson Reese-Alex Reese? or something like that. i could have it backwards. i know they are both big names in their respected genre's, but i think the names are spelled backwards... but then again i could be wrong as usual... jeff > -Original Message- > From: DJ Entropy [SMTP:[EMAIL PROTECTED] > Sent: Friday, January 25, 2002 3:18 AM > To: '313@hyperreal.org'; Jongsma, K.J. > Subject: Re: RE: Re: [313] inside out > > 1/25/2002 6:19:25 AM, "Jongsma, K.J." <[EMAIL PROTECTED]> wrote: > > >> "Reese", of course, coming from Alex Reese, who first used > >> that "wobble" type sound in 1994, I believe. > >> > >> *useless hardcore/jungle/dnb knowledge tidbit #8757345763* > >> > >> Ian Scott aka DJ Entropy > > > >No, Alex Reese has nothing to do with it. The name Reese comes from Kevin > >Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' > >Saunderson (KMS). 'Master Reese' is a spin of from his middle name, > >Maurice... > > Uh... > > The "Reese Bassline" that people were talking about in the jungle/dnb > world does come from Alex Reese. > > I don't know if Kev Saundy ever made a bassline that was called the > "Reese", but that is irrelavent, that's not what they were talking about. > > Ian Scott aka DJ Entropy > [EMAIL PROTECTED] >(bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, > boston) > http://www.djentropy.comhttp://www.ne-hardcore.com > Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html >"There is no ONE right way to live" - Daniel Quinn >Producers: http://groups.yahoo.com/group/us-production > "Educate the narrow minds, they see what they want to see. Educate > the > narrow minds, they feel what they want to feel." - Narra Mine - Genacide > II > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: Adam F
He's also the son of Alvin Stardust. - Original Message - From: DJ Entropy <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Org <313@hyperreal.org>; Odeluga, Ken <[EMAIL PROTECTED]> Sent: Friday, January 25, 2002 12:14 PM Subject: [313] OT: Adam F > 1/25/2002 7:09:38 AM, "Odeluga, Ken" <[EMAIL PROTECTED]> wrote: > > >Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the > >guy people into DnB love to hate. Not always justifiably. But it's true that > >he doesn't have much of a body of work behind him - compared to say someone > >like Ed Rush ... AF's making a packet now as a hip hop producer ... good for > >him. > > Well, Adam F is a guy who hopped into jungle/dnb for a little bit, made a few totally innovative tunes (for the time), and then hopped out as fast as he got in. He just said "this > is my intrepetation of what you guys are doing"I can respect that. He brought some outside influences into the genre, which is usually a good thing. > > I don't care too much, I don't necc love him or anything, there are people I'm way more into for jungle/dnb that deserve more of my respect, but he has way more integrity than > say, Bad Company or Klute or any of those clowns.. > > :) > > Ian Scott aka DJ Entropy [EMAIL PROTECTED] >(bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com > Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html >"There is no ONE right way to live" - Daniel Quinn >Producers: http://groups.yahoo.com/group/us-production > "Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - Genacide II > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] song ID
It's a Derrick Carter track - Derrick L Carter : The Unterschrift EP (Classic) UK Release the particular track is : End Of the Line (Got Change For A Twenty?) The rest of the EP is superb also. Cheers, Howard Date: Fri, 25 Jan 2002 10:39:39 +0100 To: <313@hyperreal.org> From: "Maarten Baute" <[EMAIL PROTECTED]> Subject: Re: [313] song ID Message-ID: <[EMAIL PROTECTED]> > it's a common one, Derrick Carter also plays it a lot. undulating piano line > and some guy talking over it "wherever I go, I'm always on the move..." sort > of thing. please answer on the list, also I am very interested. "Got change for a twenty .. " Cheers, Maarten This e-mail and any attachment is for authorised use by the intended recipient(s) only. It may contain proprietary material, confidential information and/or be subject to legal privilege. It should not be copied, disclosed to, retained or used by, any other party. If you are not an intended recipient then please promptly delete this e-mail and any attachment and all copies and inform the sender. Thank you. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] string 'n' pad
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Ok, I'm new to this mail service, so I'm not familiar with the topics you discuss. But, surely if you subscribe to a mail service like this, you have more than a passing interest in music from Detroit? How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm gobsmacked. Also Drum and Bass. A load of ex-ravers who discovered a few techno records round about 1993, what are most of 'em doing now? Speed bloody Garage, 2-Step, what ever you want to call it. Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but overall, I have to say it's bobbins, and barely worth a discussion, that music is full of people just trying to make a fast buck (I don't blame 'em for that) but really, is it 'music'? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: Adam F
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Had to forward some of these posts onto a D & B head I know ... ;o) -- Forwarded by Gary Girard/Sales/Blyth/EUK on 25/01/2002 13:00 --- "Rob Mckechnie" <[EMAIL PROTECTED]> on 25/01/2002 12:59:02 To: [EMAIL PROTECTED] cc: Subject: Re: [313] OT: Adam F Lemme at em! lemme at em! Adam F is damn good. His tune, "Brand New Funk" is the tune that really got me into Drum and Bass. Just ask KT, i'd scream like a loon when it came on. I'm listening to the Andy C remix of "Stand Clear" as we speak, it's got the whole scene buzzing at the mo. And his tune "Metrosound" is currently one of the most saught after tunes as well, it's only on promo. I want it bad, and Sheldon went ape on NYE when he heard it. And the guy who said that about Bad Company - who's he? Cheeky sod. Rob. Original Message Follows From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: [313] OT: Adam F Date: Fri, 25 Jan 2002 12:46:58 + ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** -- Forwarded by Gary Girard/Sales/Blyth/EUK on 25/01/2002 12:46 --- DJ Entropy <[EMAIL PROTECTED]> on 25/01/2002 12:14:39 Please respond to [EMAIL PROTECTED] To: "[EMAIL PROTECTED] Org" <313@hyperreal.org>, "Odeluga, Ken" <[EMAIL PROTECTED]> cc: Subject: [313] OT: Adam F 1/25/2002 7:09:38 AM, "Odeluga, Ken" <[EMAIL PROTECTED]> wrote: >Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the >guy people into DnB love to hate. Not always justifiably. But it's true that >he doesn't have much of a body of work behind him - compared to say someone >like Ed Rush ... AF's making a packet now as a hip hop producer ... good for >him. Well, Adam F is a guy who hopped into jungle/dnb for a little bit, made a few totally innovative tunes (for the time), and then hopped out as fast as he got in. He just said "this is my intrepetation of what you guys are doing"I can respect that. He brought some outside influences into the genre, which is usually a good thing. I don't care too much, I don't necc love him or anything, there are people I'm way more into for jungle/dnb that deserve more of my respect, but he has way more integrity than say, Bad Company or Klute or any of those clowns.. :) Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
Wasn't Aphex's NYC debut playing sandpaper on one deck? I'm sure I read something ludicrous like that some years back? Saw Mills in Zurich late last year and after about 2 hours he looked at the admittedly lame crowd and raised his eyebrows, and probably thought "I can't be arsed with this"... he had been dropping a number of classics throughout. - Original Message - From: Odeluga, Ken <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; [EMAIL PROTECTED] Org <313@hyperreal.org> Sent: Friday, January 25, 2002 12:48 PM Subject: RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation > So the final verdict on DJ Pullen? :o) > > I vote yes (as in I think he's 'good'). My reasons is that he's versatile > and competent. Any reports to the contrary I'd attribute to fatigue or > deliberate archness. Someone said that one of the nights upon which it's > claimed he played poorly there were a lot of 'MTVers' in the crowd ... I > know of at least 2 other occasions I've seen djs deliberately attempt to > rile a crowd they didn't like: Aphex Twin - when his assessment of some > skinheads he'd spotted at the front was not good, Carl Craig at The End - > when no one liked his remix of Buena Vida - that was funny: 'What The Fuck!' > he said when no one danced - But it got a cheer! > >-Original Message- > >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > >Sent: Friday, January 25, 2002 12:22 PM > >To: s mcgill > >Cc: 313; :P > >Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric > >relaxation > > > > > > > >I remember the night you're talking about although I think I was mainly in > >the main room for Hawtin & Aquaviva that night. I caught him the time > >before at The End and that was only about a month earlier. That time was > >the first time I heard him spin and I liked what I heard, all good > >dancefloor material. I imagine this style to be a more typical Pullen set, > >somewhere in between techno & house but all excellent tracks to dance to. > >After that night I remember going record shopping & looking for Stacey > >Pullen material as I was so impressed by what I heard. > > My point is really that he must have played a lounge set in the lounge, > >let him play in the main room and you'll get the harder side of Pullen - > >unless you're at Motor of course ;o) > > > >GG > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
So the final verdict on DJ Pullen? :o) I vote yes (as in I think he's 'good'). My reasons is that he's versatile and competent. Any reports to the contrary I'd attribute to fatigue or deliberate archness. Someone said that one of the nights upon which it's claimed he played poorly there were a lot of 'MTVers' in the crowd ... I know of at least 2 other occasions I've seen djs deliberately attempt to rile a crowd they didn't like: Aphex Twin - when his assessment of some skinheads he'd spotted at the front was not good, Carl Craig at The End - when no one liked his remix of Buena Vida - that was funny: 'What The Fuck!' he said when no one danced - But it got a cheer! >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 12:22 PM >To: s mcgill >Cc: 313; :P >Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric >relaxation > > > >I remember the night you're talking about although I think I was mainly in >the main room for Hawtin & Aquaviva that night. I caught him the time >before at The End and that was only about a month earlier. That time was >the first time I heard him spin and I liked what I heard, all good >dancefloor material. I imagine this style to be a more typical Pullen set, >somewhere in between techno & house but all excellent tracks to dance to. >After that night I remember going record shopping & looking for Stacey >Pullen material as I was so impressed by what I heard. > My point is really that he must have played a lounge set in the lounge, >let him play in the main room and you'll get the harder side of Pullen - >unless you're at Motor of course ;o) > >GG > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
I remember the night you're talking about although I think I was mainly in the main room for Hawtin & Aquaviva that night. I caught him the time before at The End and that was only about a month earlier. That time was the first time I heard him spin and I liked what I heard, all good dancefloor material. I imagine this style to be a more typical Pullen set, somewhere in between techno & house but all excellent tracks to dance to. After that night I remember going record shopping & looking for Stacey Pullen material as I was so impressed by what I heard. My point is really that he must have played a lounge set in the lounge, let him play in the main room and you'll get the harder side of Pullen - unless you're at Motor of course ;o) GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: RE: Re: [313] inside out
i played drum and bass for 5 years and was pretty into that scene in Boston, where i lived at the time. other dnb head friends from coast to coast pretty much all respected adam f. but then again, most dnb people love to hate almost anyone anyway, admittedly. "colors" "metropolis" "brand new funk" were all adam f anthems, all from around the same time though. good to see he's moving on. lk On Fri, 25 Jan 2002, Odeluga, Ken wrote: > Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the > guy people into DnB love to hate. Not always justifiably. But it's true that > he doesn't have much of a body of work behind him - compared to say someone > like Ed Rush ... AF's making a packet now as a hip hop producer ... good for > him. > > >-Original Message- > >From: DJ Entropy [mailto:[EMAIL PROTECTED] > >Sent: Friday, January 25, 2002 11:49 AM > >To: [EMAIL PROTECTED] Org; Odeluga, Ken > >Subject: Re: RE: RE: Re: [313] inside out > > > > > >1/25/2002 6:46:36 AM, "Odeluga, Ken" <[EMAIL PROTECTED]> wrote: > > > >>u sure? > > > >Actually, I was worng, I just corrected myself. > > > >As it turns out, the tune that was sampled by all the jungle/dnb > >cats was "Just Want Another Chance"by Reese (aka kevvy > >saundy)still lookin for a sample of it, or an > >mp3... > > > >>Nearly all the young bass heads are in awe of Kevin Saunderson > > > >Well, I dunno about that ;) > > > >>and > >>it's definitely him they mean when they say a Reese Bassline. > >Can't think of > >>any who actually admit to liking Alex Reese ... he's almost akin to Adam F > >>to them ... Did you know Alvin Stardust is Adam F's dad? > > > >Hey, Circles is a classic tune. :) > > > >Who is Alvin Stardust? > > > > > >Ian Scott aka DJ Entropy [EMAIL PROTECTED] > > (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, > >neverworld, boston) > > http://www.djentropy.comhttp://www.ne-hardcore.com > >Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html > > "There is no ONE right way to live" - Daniel Quinn > > Producers: http://groups.yahoo.com/group/us-production > >"Educate the narrow minds, they see what they want to see. Educate the > > narrow minds, they feel what they want to feel." - Narra Mine - > >Genacide II > > > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: Adam F
on 25/1/02 12:14 pm, DJ Entropy at [EMAIL PROTECTED] wrote: > Name another Adam F classic, except Colours :o)? Metropolis. techno pads and rolling Reese bass. awesome. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: Adam F
1/25/2002 7:09:38 AM, "Odeluga, Ken" <[EMAIL PROTECTED]> wrote: >Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the >guy people into DnB love to hate. Not always justifiably. But it's true that >he doesn't have much of a body of work behind him - compared to say someone >like Ed Rush ... AF's making a packet now as a hip hop producer ... good for >him. Well, Adam F is a guy who hopped into jungle/dnb for a little bit, made a few totally innovative tunes (for the time), and then hopped out as fast as he got in. He just said "this is my intrepetation of what you guys are doing"I can respect that. He brought some outside influences into the genre, which is usually a good thing. I don't care too much, I don't necc love him or anything, there are people I'm way more into for jungle/dnb that deserve more of my respect, but he has way more integrity than say, Bad Company or Klute or any of those clowns.. :) Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 313-FAQ
> > No, Alex Reese has nothing to do with it. The name Reese > comes from Kevin > > Saunderson nickname Reese, actualy he called himself Kevin > 'Master reese' > > Saunderson (KMS). > > > surely this should be in the FAQ, lol. did we ever settle on a FAQ? This is what is on the [313]-website (geez, the 313-faq, that's almost callisc 313 history:)): http://music.hyperreal.org/lists/313/faq.html I doubt if this is the good ol' FAQ Otto Koppius and Matt Macqueen where making some years ago ;) the website also says this as the the [313]-FAQ: " For some historical perspective about the stated subject matter of the list I encourage you to pick up a copy of Dan Sicko's book on the early days of techno entitled Techno Rebels. Consider it the unabridged version of the 313 FAQ. " [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: RE: Re: [313] inside out
Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the guy people into DnB love to hate. Not always justifiably. But it's true that he doesn't have much of a body of work behind him - compared to say someone like Ed Rush ... AF's making a packet now as a hip hop producer ... good for him. >-Original Message- >From: DJ Entropy [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 11:49 AM >To: [EMAIL PROTECTED] Org; Odeluga, Ken >Subject: Re: RE: RE: Re: [313] inside out > > >1/25/2002 6:46:36 AM, "Odeluga, Ken" <[EMAIL PROTECTED]> wrote: > >>u sure? > >Actually, I was worng, I just corrected myself. > >As it turns out, the tune that was sampled by all the jungle/dnb >cats was "Just Want Another Chance"by Reese (aka kevvy >saundy)still lookin for a sample of it, or an >mp3... > >>Nearly all the young bass heads are in awe of Kevin Saunderson > >Well, I dunno about that ;) > >>and >>it's definitely him they mean when they say a Reese Bassline. >Can't think of >>any who actually admit to liking Alex Reese ... he's almost akin to Adam F >>to them ... Did you know Alvin Stardust is Adam F's dad? > >Hey, Circles is a classic tune. :) > >Who is Alvin Stardust? > > >Ian Scott aka DJ Entropy [EMAIL PROTECTED] > (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, >neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com >Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html > "There is no ONE right way to live" - Daniel Quinn > Producers: http://groups.yahoo.com/group/us-production >"Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - >Genacide II > > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
> > > "Reese", of course, coming from Alex Reese, who first used > > that "wobble" type sound in 1994, I believe. > > > > *useless hardcore/jungle/dnb knowledge tidbit #8757345763* > > > > Ian Scott aka DJ Entropy > > No, Alex Reese has nothing to do with it. The name Reese comes from Kevin > Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' > Saunderson (KMS). surely this should be in the FAQ, lol. did we ever settle on a FAQ? > 'Master Reese' is a spin of from his middle name, > Maurice... which is why my cat is known as maurice :) robin... ps. it's kevin sauderson not kevvy saundy! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Contact information for Jacek Sienkiewicz?
http://recognition.art.pl/ (under construction) mailto:[EMAIL PROTECTED] > -Original Message- > From: s mcgill [mailto:[EMAIL PROTECTED] > Sent: Friday, January 25, 2002 12:42 PM > To: 313 > Subject: [313] Contact information for Jacek Sienkiewicz? > > > Anyone? > > I know his brother or relation comes on here. > > appreciated, > SM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
on 1/25/02 6:43 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: > Oops. I said Martin. Sorry. I was closer than suggesting it was lame d n > b'er Alex Reese though, so I can still hold my head up high ... Well, IMO, Alex REECE has actually done some quite nice drum n' bass stuff like the classic Pulp Fiction. But hey, to each their own... -J - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: RE: Re: [313] inside out
1/25/2002 6:46:36 AM, "Odeluga, Ken" <[EMAIL PROTECTED]> wrote: >u sure? Actually, I was worng, I just corrected myself. As it turns out, the tune that was sampled by all the jungle/dnb cats was "Just Want Another Chance"by Reese (aka kevvy saundy)still lookin for a sample of it, or an mp3... >Nearly all the young bass heads are in awe of Kevin Saunderson Well, I dunno about that ;) >and >it's definitely him they mean when they say a Reese Bassline. Can't think of >any who actually admit to liking Alex Reese ... he's almost akin to Adam F >to them ... Did you know Alvin Stardust is Adam F's dad? Hey, Circles is a classic tune. :) Who is Alvin Stardust? Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: Re: [313] inside out
u sure? Nearly all the young bass heads are in awe of Kevin Saunderson and it's definitely him they mean when they say a Reese Bassline. Can't think of any who actually admit to liking Alex Reese ... he's almost akin to Adam F to them ... Did you know Alvin Stardust is Adam F's dad? >-Original Message- >From: DJ Entropy [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 11:18 AM >To: '313@hyperreal.org'; Jongsma, K.J. >Subject: Re: RE: Re: [313] inside out > > >1/25/2002 6:19:25 AM, "Jongsma, K.J." <[EMAIL PROTECTED]> wrote: > >>> "Reese", of course, coming from Alex Reese, who first used >>> that "wobble" type sound in 1994, I believe. >>> >>> *useless hardcore/jungle/dnb knowledge tidbit #8757345763* >>> >>> Ian Scott aka DJ Entropy >> >>No, Alex Reese has nothing to do with it. The name Reese comes from Kevin >>Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' >>Saunderson (KMS). 'Master Reese' is a spin of from his middle name, >>Maurice... > >Uh... > >The "Reese Bassline" that people were talking about in the >jungle/dnb world does come from Alex Reese. > >I don't know if Kev Saundy ever made a bassline that was called >the "Reese", but that is irrelavent, that's not what they were >talking about. > >Ian Scott aka DJ Entropy [EMAIL PROTECTED] > (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, >neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com >Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html > "There is no ONE right way to live" - Daniel Quinn > Producers: http://groups.yahoo.com/group/us-production >"Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - >Genacide II > > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Contact information for Jacek Sienkiewicz?
Anyone? I know his brother or relation comes on here. appreciated, SM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Oops. I said Martin. Sorry. I was closer than suggesting it was lame d n b'er Alex Reese though, so I can still hold my head up high ... >-Original Message- >From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 11:19 AM >To: '313@hyperreal.org' >Subject: RE: Re: [313] inside out > > > >> "Reese", of course, coming from Alex Reese, who first used >> that "wobble" type sound in 1994, I believe. >> >> *useless hardcore/jungle/dnb knowledge tidbit #8757345763* >> >> Ian Scott aka DJ Entropy > >No, Alex Reese has nothing to do with it. The name Reese comes from Kevin >Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' >Saunderson (KMS). 'Master Reese' is a spin of from his middle name, >Maurice... > >[EMAIL PROTECTED] > >-- >DISCLAIMER > >De gemeente Almelo aanvaardt voor haar medewerkers geen enkele >aansprakelijkheid voor eventueel onjuist, onrechtmatig of >ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). > >Dit e-mail bericht is door de gemeente Almelo gecontroleerd op >de aanwezigheid van eventuele virussen. Wij kunnen echter geen >garantie afgeven dat al onze e-mail berichten volledig virus >vrij zijn. Het is daarom verstandig uw binnenkomende e-mail >berichten zelf op de mogelijke aanwezigheid van virussen >te controleren. >-- > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Wrong. KMS was called 'Reese' much earlier. >-Original Message- >From: DJ Entropy [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 11:11 AM >To: [EMAIL PROTECTED]; [EMAIL PROTECTED] >Cc: 313@hyperreal.org >Subject: Re: Re: [313] inside out > > >1/25/2002 6:08:16 AM, robin pinning <[EMAIL PROTECTED]> wrote: > >>> Pardon my ignorance but the drum and bass people around 5 years ago were >>> all doing variations on a fat bassline sound, which they called a Reese >>> bassline. Although pretty easy to synthesize, I think that a >KMS record's >>> bassline was widely sampled for this. I thought when I picked >up 'bassline' >>> that it would be that one, but I don't think so. Have I just >invented this, >>> or does someone know what I'm talking about? >> >>i know what yer talking aboutthe reese bassline is in vogue again >>now. check anything by mr.sliff (a beyer alterego) or diabla by funk >>d'void and by now a million other copyists > >"Reese", of course, coming from Alex Reese, who first used that >"wobble" type sound in 1994, I believe. > >*useless hardcore/jungle/dnb knowledge tidbit #8757345763* > >Ian Scott aka DJ Entropy [EMAIL PROTECTED] > (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, >neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com >Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html > "There is no ONE right way to live" - Daniel Quinn > Producers: http://groups.yahoo.com/group/us-production >"Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - >Genacide II > > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Eh? Kevin 'Master Reese' Saunderson was the early nickname. Which in itself is derived from his real middle name Kevin Martin Saunderson ... At last somebody knows (a bit) less than me :o). Not anymore tho. :o( >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 11:02 AM >To: [EMAIL PROTECTED] >Cc: 313@hyperreal.org >Subject: Re: Re: [313] inside out > > > >but where did the name "reese bassline" come from? > > > > >"robin pinning" <[EMAIL PROTECTED]> on 25/01/2002 11:08:16 AM > >Please respond to [EMAIL PROTECTED] > >To: [EMAIL PROTECTED] >cc: 313@hyperreal.org > >Subject: Re: Re: [313] inside out > > > >> >> Pardon my ignorance but the drum and bass people around 5 years ago were >> all doing variations on a fat bassline sound, which they called a Reese >> bassline. Although pretty easy to synthesize, I think that a KMS record's >> bassline was widely sampled for this. I thought when I picked up >'bassline' >> that it would be that one, but I don't think so. Have I just invented >this, >> or does someone know what I'm talking about? > >i know what yer talking aboutthe reese bassline is in vogue again >now. check anything by mr.sliff (a beyer alterego) or diabla by funk >d'void and by now a million other copyists > >robin... > > > > > > > > > > > > >--- >--- >Warning : The information contained in this message may be >privileged and confidential and protected from disclosure. If the >reader of this message is not the intended recipient, you are >hereby notified that any dissemination, distribution or copying of >this communication is strictly prohibited. If you have received >this communication in error, please notify us immediately by >replying to this message and then delete it from your computer. >All e-mail sent to this address will be received by the Providian >Financial corporate e-mail system and is subject to archiving and >review by someone other than the recipient. > >=== >=== > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
> The "Reese Bassline" that people were talking about in the jungle/dnb world > does come from Alex Reese. Does it bollocks. It comes from Kevin 'Master Reese' Saunderson - a track like 'Human Bond' is a good example of his use of the sound. Alex Reece (note correct spelling of his surname) has absolutley nothing to do with it... Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
Djing reflects that sound - well when I've seen him - hence trax selection like Mr Sliff, Oxia etc - still one of the best DJs I've seen. - Original Message - From: Mann, Ravinder [CCS] <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, January 25, 2002 11:38 AM Subject: RE: [313] The Reese bass > i thought Kevin S was well known for the 'Hoover Bass' found on some of the e-dancer tracks. Is this the same thing as the 'Reese Bass' ? > > > -Original Message- > > From: DJ Entropy [SMTP:[EMAIL PROTECTED] > > Sent: Friday, January 25, 2002 11:27 AM > > To: 313@hyperreal.org > > Subject: [313] The Reese bass > > > > HmI believe I stand corrected here, although I would like some clarification on this. > > > > So the "Reese Bass" that was used in Jungle/DNB back in 1994 was sampled from Kev Saundy? I did some searching and this appears to be the case, however, is it just a > > coincidence that Alex Reese was floating around at this time in Jungle/DNB, and he had nothing to do with it? > > > > That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the "Reese Bass" comes from Alex Reese... > > > > If this is the case, what is the name of Kev Saundy's tune where this bass comes from, cause I'd like to hear it. > > > > > > *learnsomethinneweveryday* > > > > > > Ian Scott aka DJ Entropy [EMAIL PROTECTED] > >(bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) > > http://www.djentropy.comhttp://www.ne-hardcore.com > > Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html > >"There is no ONE right way to live" - Daniel Quinn > >Producers: http://groups.yahoo.com/group/us-production > > "Educate the narrow minds, they see what they want to see. Educate the > > narrow minds, they feel what they want to feel." - Narra Mine - Genacide II > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] it's all over my face
I know there were at least 2 complilations on the 'Garage last year or so and from reading the listings they all contained 'Is it...' so >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 10:57 AM >To: 313@hyperreal.org >Subject: [313] it's all over my face > > >Does anyone know whether Loose Joints' "It's all over my face" is easy >enough to get hold of / on vinyl compilations etc. ? > > >--- >--- >Warning : The information contained in this message may be >privileged and confidential and protected from disclosure. If the >reader of this message is not the intended recipient, you are >hereby notified that any dissemination, distribution or copying of >this communication is strictly prohibited. If you have received >this communication in error, please notify us immediately by >replying to this message and then delete it from your computer. >All e-mail sent to this address will be received by the Providian >Financial corporate e-mail system and is subject to archiving and >review by someone other than the recipient. > >=== >=== > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Tonight in Chicago
--- friday 25 jan gramaphone, interrupt media, and material present: OLIVER HO @ rednofive oliver ho has shown himself to be one of the most talented producers of out-of-the-ordinary dancefloor techno in recent years, investigating a distinctive sound that fuses cut-up vocal samples with well-designed percussion and dark textures. as a solid 3-turntable jock, his dj skills are also not to be discounted. don't miss it! with JOSH WERNER (somebody come up with a rhyme for this guy) KARL (the fire) MEIER MARKO KATIC (no static) MANI MIGLANI (the urban turban) mail [EMAIL PROTECTED] before 7 pm friday for reduced admission. come out and enjoy material while it lasts! rednofive 440 n halsted 21+ $15 --- -- ken meier interrupt media group www.interrupt-media.com [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Detroit 1992 - Flyer
Not visible to everyone. Shame. >-Original Message- >From: Mario Atienza [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 10:56 AM >To: 313 >Subject: [313] Detroit 1992 - Flyer > > > >>From the Board of Submerge Site : > > > > > > >- >Do You Yahoo!? >Yahoo! Messenger! > Comunicación instantánea gratis con tu gente. > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Probably been answered already but yes, it's the same Reese - (NOT Alex Reese either!) I doubt it's necessary to sample it though - it's relatively easy to produce I understand from my lil bro' with an er 808? Is it? I'm sure I'll be told. n/eway, he says only a fool would sample it - unless of course you don't have the required kit ... And of course now you have soft emulators .. definitely not worth sampling. >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 10:30 AM >To: [EMAIL PROTECTED] >Cc: Niko Tzoukmanis; 313@hyperreal.org >Subject: Re: Re: [313] inside out > > > >Pardon my ignorance but the drum and bass people around 5 years ago were >all doing variations on a fat bassline sound, which they called a Reese >bassline. Although pretty easy to synthesize, I think that a KMS record's >bassline was widely sampled for this. I thought when I picked up 'bassline' >that it would be that one, but I don't think so. Have I just invented this, >or does someone know what I'm talking about? >Thanks > > > > >[EMAIL PROTECTED] on 25/01/2002 10:29:59 AM > >To: "Niko Tzoukmanis" <[EMAIL PROTECTED]> >cc: 313@hyperreal.org > >Subject: Re: Re: [313] inside out > > >The Uk release on Network records of this on red vinyl had 'bassline' and >'Funky, funk funk' > > >> >> From: Niko Tzoukmanis <[EMAIL PROTECTED]> >> Date: Fri 25/Jan/2002 11:19 CET >> To: "Mark S Flintoft" <[EMAIL PROTECTED]>, >313@hyperreal.org >> Subject: Re: [313] inside out >> >> isn't that bside track called >> 'funky, funk, funk' >> >> At 05:04 25.01.02 -0500, you wrote: >> >Reese Bassline / Inside-Out Fragile FRG-04 >> > >> >A Bassline >> >B Inside-Out >> > >> >m* >> >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> >> >> > > >___ >Never pay another Internet phone bill! >Freeserve AnyTime, for all the Internet access you want, day and night, >only £12.99 per month. >Sign-up at http://www.freeserve.com/time/anytime > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > >--- >--- >Warning : The information contained in this message may be >privileged and confidential and protected from disclosure. If the >reader of this message is not the intended recipient, you are >hereby notified that any dissemination, distribution or copying of >this communication is strictly prohibited. If you have received >this communication in error, please notify us immediately by >replying to this message and then delete it from your computer. >All e-mail sent to this address will be received by the Providian >Financial corporate e-mail system and is subject to archiving and >review by someone other than the recipient. > >=== >=== > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
I was disappointed to see Stacey in the backroom of the End a year ago. It was the Plus8 night with Mr C, Hawtin and Acquaviva in the other room. Stacey was playing a slow jamming house set and more or less sitting down. I was gutted at this point because I had gone all the way to see him especially. I remember seeing him in 95-97 play sets at Voodoo and he was tearing it up. Very different style of djing, all top end mixing so it was like a watery sound just like his album in parts. This is a lot harder to mix like this as you can notice when the hats start to go out quicker than a kick but he was always premier league. Maybe he hasn't felt the need to perform as hard these days or suffering from a change in direction but I certainly wouldn't write him off. Fair enough though if you have seen him 4 times and he hasn't delivered for u. - Original Message - From: :P <[EMAIL PROTECTED]> To: <313@hyperreal.org>; Niko Tzoukmanis <[EMAIL PROTECTED]> Sent: Friday, January 25, 2002 2:31 AM Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation > is Staceys release work good? > > his the shittiest DJ I've even gone to see 3-4 times > > -Joe > > -- >R17 is not a fixed velocity, but it is clearly far too fast. > -- > - Original Message - > From: "Niko Tzoukmanis" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Thursday, January 24, 2002 7:43 AM > Subject: RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation > > > > r&s still exists, latest releases afaik is > > air frog 'bon voyage' with a remix by... > > stacey pullen ;O) > > > > At 12:41 24.01.02 -, you wrote: > > >Wow, the end of an era then. Best see if I can stil pick up that 'Ten > > >years...' comp from about 2 yeras back. > > > > > >>-Original Message- > > >>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > >>Sent: Thursday, January 24, 2002 12:01 PM > > >>To: Maarten Baute; 313@hyperreal.org > > >>Subject: [313] RE: (313) RE: (313) stacey pullen - electric relaxation > > >> > > >> > > >>I don't know why they did it, but one thing is sure: TMT-01, TMT-02 and > > >>MS-19 & MS-20 will never get a repress... > > >>You can get any transmat record nowadays, except for those four released > > >>thru R&S.. (and I hate it) > > >> > > >Oh? Didn't know that. > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] The Reese bass
i thought Kevin S was well known for the 'Hoover Bass' found on some of the e-dancer tracks. Is this the same thing as the 'Reese Bass' ? > -Original Message- > From: DJ Entropy [SMTP:[EMAIL PROTECTED] > Sent: Friday, January 25, 2002 11:27 AM > To: 313@hyperreal.org > Subject: [313] The Reese bass > > HmI believe I stand corrected here, although I would like some > clarification on this. > > So the "Reese Bass" that was used in Jungle/DNB back in 1994 was sampled from > Kev Saundy? I did some searching and this appears to be the case, however, > is it just a > coincidence that Alex Reese was floating around at this time in Jungle/DNB, > and he had nothing to do with it? > > That's really odd, because everyone I have ever known in the jungle/dnb scene > has thought the "Reese Bass" comes from Alex Reese... > > If this is the case, what is the name of Kev Saundy's tune where this bass > comes from, cause I'd like to hear it. > > > *learnsomethinneweveryday* > > > Ian Scott aka DJ Entropy [EMAIL PROTECTED] >(bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com > Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html >"There is no ONE right way to live" - Daniel Quinn >Producers: http://groups.yahoo.com/group/us-production > "Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - Genacide II > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] The Reese bass
HmI believe I stand corrected here, although I would like some clarification on this. So the "Reese Bass" that was used in Jungle/DNB back in 1994 was sampled from Kev Saundy? I did some searching and this appears to be the case, however, is it just a coincidence that Alex Reese was floating around at this time in Jungle/DNB, and he had nothing to do with it? That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the "Reese Bass" comes from Alex Reese... If this is the case, what is the name of Kev Saundy's tune where this bass comes from, cause I'd like to hear it. *learnsomethinneweveryday* Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] song ID
It's Unterschrift by DC himself on Classic. What a tune? I thought it was Cal Craig at first as tehy have a similar lilt to there voices. SMc - Original Message - From: seth redmond <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 25, 2002 9:33 AM Subject: [313] song ID > about 10 mins in, gene farris mix on frequency detroit (thanks > christian...). > > http://www.frequencydetroit.com/instructions/Gene_Farris1.htm > > it's a common one, Derrick Carter also plays it a lot. undulating piano line > and some guy talking over it "wherever I go, I'm always on the move..." sort > of thing. > > -s > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
also there is a Samuel L. Session record, I thnk Cycle number one. On it there is a typical Reese sounding tune. The best for me though is the 100 not out ep by DJ Q on Filter records. It has been appropriately described as the best Kevin Saunderson tune not to be done by Kevin Saunderson. I had it but some bastard switched it at a gig once - it's that good. - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: Niko Tzoukmanis <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, January 25, 2002 10:30 AM Subject: Re: Re: [313] inside out Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? Thanks [EMAIL PROTECTED] on 25/01/2002 10:29:59 AM To: "Niko Tzoukmanis" <[EMAIL PROTECTED]> cc: 313@hyperreal.org Subject: Re: Re: [313] inside out The Uk release on Network records of this on red vinyl had 'bassline' and 'Funky, funk funk' > > From: Niko Tzoukmanis <[EMAIL PROTECTED]> > Date: Fri 25/Jan/2002 11:19 CET > To: "Mark S Flintoft" <[EMAIL PROTECTED]>, 313@hyperreal.org > Subject: Re: [313] inside out > > isn't that bside track called > 'funky, funk, funk' > > At 05:04 25.01.02 -0500, you wrote: > >Reese Bassline / Inside-Out Fragile FRG-04 > > > >A Bassline > >B Inside-Out > > > >m* > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
> > but where did the name "reese bassline" come from? > kevin "master reese" saunderson :) robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: Re: [313] inside out
1/25/2002 6:19:25 AM, "Jongsma, K.J." <[EMAIL PROTECTED]> wrote: >> "Reese", of course, coming from Alex Reese, who first used >> that "wobble" type sound in 1994, I believe. >> >> *useless hardcore/jungle/dnb knowledge tidbit #8757345763* >> >> Ian Scott aka DJ Entropy > >No, Alex Reese has nothing to do with it. The name Reese comes from Kevin >Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' >Saunderson (KMS). 'Master Reese' is a spin of from his middle name, >Maurice... Uh... The "Reese Bassline" that people were talking about in the jungle/dnb world does come from Alex Reese. I don't know if Kev Saundy ever made a bassline that was called the "Reese", but that is irrelavent, that's not what they were talking about. Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] inside out
... Pls also include the year. Cheers. >-Original Message- >From: Maarten Baute [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 9:43 AM >To: 313@hyperreal.org >Subject: [313] inside out > > >Could someone please mail me the tracklisting of the "inside out ep" from >Kevin Saunderson (as reese) on Fragile? > >Thanx a lot, >Maarten > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] it's all over my face
It was repressed recently on West End records. Should be easy enough to find. Awesome classic Garage jamm! on 1/25/02 5:57 AM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: > Does anyone know whether Loose Joints' "It's all over my face" is easy > enough to get hold of / on vinyl compilations etc. ? > > > -- > Warning : The information contained in this message may be privileged and > confidential and protected from disclosure. If the reader of this message is > not the intended recipient, you are hereby notified that any dissemination, > distribution or copying of this communication is strictly prohibited. If you > have received this communication in error, please notify us immediately by > replying to this message and then delete it from your computer. All e-mail > sent to this address will be received by the Providian Financial corporate > e-mail system and is subject to archiving and review by someone other than the > recipient. > > = = > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
> "Reese", of course, coming from Alex Reese, who first used > that "wobble" type sound in 1994, I believe. > > *useless hardcore/jungle/dnb knowledge tidbit #8757345763* > > Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). 'Master Reese' is a spin of from his middle name, Maurice... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Detroit Grand Pubahs
Paris The Black Fu from the Detroit Grand Pubahs on Groovetech London today from 2 - 4pm GMT. www.groovetech.com
Re: [313] inside out
No, you're right... I think the track in question is Reese "Just Want Another Chance", originally released on Incognito. on 1/25/02 5:30 AM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: > > Pardon my ignorance but the drum and bass people around 5 years ago were > all doing variations on a fat bassline sound, which they called a Reese > bassline. Although pretty easy to synthesize, I think that a KMS record's > bassline was widely sampled for this. I thought when I picked up 'bassline' > that it would be that one, but I don't think so. Have I just invented this, > or does someone know what I'm talking about? > Thanks > > > > > [EMAIL PROTECTED] on 25/01/2002 10:29:59 AM > > To: "Niko Tzoukmanis" <[EMAIL PROTECTED]> > cc: 313@hyperreal.org > > Subject: Re: Re: [313] inside out > > > The Uk release on Network records of this on red vinyl had 'bassline' and > 'Funky, funk funk' > > >> >> From: Niko Tzoukmanis <[EMAIL PROTECTED]> >> Date: Fri 25/Jan/2002 11:19 CET >> To: "Mark S Flintoft" <[EMAIL PROTECTED]>, > 313@hyperreal.org >> Subject: Re: [313] inside out >> >> isn't that bside track called >> 'funky, funk, funk' >> >> At 05:04 25.01.02 -0500, you wrote: >>> Reese Bassline / Inside-Out Fragile FRG-04 >>> >>> A Bassline >>> B Inside-Out >>> >>> m* >> >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> >> >> > > > _ __ > Never pay another Internet phone bill! > Freeserve AnyTime, for all the Internet access you want, day and night, > only £12.99 per month. > Sign-up at http://www.freeserve.com/time/anytime > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > -- > Warning : The information contained in this message may be privileged and > confidential and protected from disclosure. If the reader of this message is > not the intended recipient, you are hereby notified that any dissemination, > distribution or copying of this communication is strictly prohibited. If you > have received this communication in error, please notify us immediately by > replying to this message and then delete it from your computer. All e-mail > sent to this address will be received by the Providian Financial corporate > e-mail system and is subject to archiving and review by someone other than the > recipient. > > = = > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
1/25/2002 6:08:16 AM, robin pinning <[EMAIL PROTECTED]> wrote: >> Pardon my ignorance but the drum and bass people around 5 years ago were >> all doing variations on a fat bassline sound, which they called a Reese >> bassline. Although pretty easy to synthesize, I think that a KMS record's >> bassline was widely sampled for this. I thought when I picked up 'bassline' >> that it would be that one, but I don't think so. Have I just invented this, >> or does someone know what I'm talking about? > >i know what yer talking aboutthe reese bassline is in vogue again >now. check anything by mr.sliff (a beyer alterego) or diabla by funk >d'void and by now a million other copyists "Reese", of course, coming from Alex Reese, who first used that "wobble" type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
