I found this illustration of the BACH motif as a single note. I am
wondering if this could be done using Finale.
See my home page for the image. [A great relief from the picture of me I had
there for more than a year!]
Had my first piano lesson 43 years ago today. [29th September, 1959]
David M
On Sunday, September 29, 2002, at 12:50 AM, Crystal Premo wrote:
> What is the advantage of inputting chords as lyrics?
Oh, Jesus Christ...
> Just because they have to appear below the staff does not seem like
> enough reason for it.
God, no. I hate to be the bearer of bad news, but I susp
On Sunday, September 29, 2002, at 12:26 AM, Christopher BJ Smith wrote:
> Um, yeah, but if I have used the Tempo expression from the Setup
> Wizard, it, too gets repeated 999 times, and if I have ever set any
> double bars, entered rehearsal marks, or any other measure-specific
> items, they
In a message dated 9/28/2002 7:12:34 AM Pacific Daylight Time,
[EMAIL PROTECTED] writes:
<< "You'll know you are living in 2002 when you find "confidential" messages
posted to email lists and newsgroups." >>
Not only that, this is a classic--indeed textbook--example of a scam that's
been arou
Can anyone recommend a good book for learning Finale, preferably something
that caters to the intermediate-to-advanced user. I've tried two
and both were too simple, borderline-useless. (One was "The Finale
Primer," can't remember the name of the other one.)
Thanks,
Elliott
--
***
www.o
At 12:50 AM -0400 9/29/02, Crystal Premo wrote:
>I got some work to do this weekend that involves taking over someone
>else's project, a couple of new songs for a new musical, plus
>editing, extracting and printing the songs already done.
>
>The work that has been done is quite clean and neat, b
At 8:56 PM -0400 9/28/02, David W. Fenton wrote:
>
>But why should I have to do *anything* to get things attached to
>nonvisible notes to be invisible? Isn't it more logical that the
>default should be that invisible notes and objects attached to them
>are, by default, invisible?
No, not to me a
At 4:07 PM -0400 9/27/02, Darcy James Argue wrote:
>On 9/27/02 3:37 PM or thereabouts, Christopher BJ Smith
><[EMAIL PROTECTED]> intoned:
>
>> I'm starting to come over to your way of thinking - if I change ALL
>> the regular notation to Layer 4, then I don't have to do it more than
>> once. Th
At 8:29 PM -0400 9/28/02, David W. Fenton wrote:
>On 27 Sep 2002 at 8:35, Christopher BJ Smith wrote:
>
>> At 8:22 PM -0400 9/26/02, David W. Fenton wrote:
>> >On 26 Sep 2002 at 20:05, David H. Bailey wrote:
>> >
>> >> I, for one, like the way it is implemented and have no confusion working
>
I got some work to do this weekend that involves taking over someone else's
project, a couple of new songs for a new musical, plus editing, extracting
and printing the songs already done.
The work that has been done is quite clean and neat, but I have encountered
some things which puzzle me.
On 27 Sep 2002 at 14:57, Mark D. Lew wrote:
> At 2:51 PM 09/27/02, Darcy James Argue wrote:
>
> > If that ever happens, I won't object to having blank notation set up
> >to hide items attached to notes by default -- but honestly, I suspect lots
> >of others will.
>
> I think it's worth noting h
On 27 Sep 2002 at 13:39, Mark D. Lew wrote:
> At 12:48 PM 09/27/02, David W. Fenton wrote:
>
> >Frankly, I'm beginning to conclude that many of the regular users of
> >Finale on this list are victims of the Stockholm syndrome, because
> >they seem unable to do anything but rationalize many of Fi
On 27 Sep 2002 at 13:39, Mark D. Lew wrote:
> At 1:58 PM 09/27/02, David W. Fenton wrote:
>
> >Would it not make more sense to add a property to chord symbols that
> >allows them to display when attached invisible notes, rather than
> >mucking up blank notation for everyone else?
>
> It doesn't
On 27 Sep 2002 at 13:39, Mark D. Lew wrote:
> At 1:38 PM 09/27/02, Michael Cook wrote:
>
> >You can undo most of these things with Mass Edit - Clear Items.
> >Choose "Only Selected Items", "Entries", then check all the items
> >that correspond to your needs. This will clear notehead positioning,
On 27 Sep 2002 at 13:39, Mark D. Lew wrote:
> At 12:40 PM 09/27/02, David W. Fenton wrote:
>
> >Yes, yes, I know, ask Coda, but I'd like to have someone explain the
> >reasoning for why it's set up the way it is.
>
> Why? Seriously, what's the point in having someone explain this to you?
So t
On 27 Sep 2002 at 16:47, Andrew Stiller wrote:
> >I mostly *never* want to clear manual positioning, but when I do need
> >to, having to make a change to a document-wide setting (and then
> >change back) seems a very poor solution -- it's much too easy to
> >forget to set it back after clearing t
On 27 Sep 2002 at 15:20, Christopher BJ Smith wrote:
> At 12:48 PM -0400 9/27/02, David W. Fenton wrote:
> >
> >Frankly, I'm beginning to conclude that many of the regular users of
> >Finale on this list are victims of the Stockholm syndrome, because
> >they seem unable to do anything but rationa
On 27 Sep 2002 at 8:35, Christopher BJ Smith wrote:
> At 8:22 PM -0400 9/26/02, David W. Fenton wrote:
> >On 26 Sep 2002 at 20:05, David H. Bailey wrote:
> >
> >> I, for one, like the way it is implemented and have no confusion working
> >> with it.
> >
> >You like seeing 1:23 go to 2:1 and the
Multiple the total bars by the number of beats in each bar (so a 90
measure work in 4/4 would have 360 beats) and divide this total by the
tempo in beats/minute. So the 360 beats, if performed at a tempo of 60
would take 6 minutes.
If the work has sections in different time signatures but at
You need to go to the MIDI menu (or the Options menu/Midi Devices in
earlier versions of Finale) and be sure you have selected the proper
device that you have attached your midi cables to, as INPUT DEVICE.
You also have to be sure you have hooked up the cables properly. Midi
is a circular con
I have just completed a file using FinMac 2003, and as part of the piece, I
downloaded the figured bass library and also added many more figures for
the continuo.
How can I take the entire chord library I used (and saved) as part of this
Finale 2003 file, and make it my default chord library in t
Harold, thanks for the details you gave about NotePad.
[Harold Owen:]
>Finale makes it easy to upgrade to the relatively cheap
>programs PrintMusic (has MIDI keyboard input) and Allegro (adds
>editing features). However, Finale itself it not so expensive,
>especially if you qualify for the
Hi all:
What is the formula for timing music without a stopwatch?
Something about number of bars or beats and measures and rate of spped.
Thanks;
BF
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Anybody on the list have experience with the actual issuing of
mechanical licenses? CRI is recording two pieces I publish and I need
to send them the license. Is anything more required than a note on my
stationery saying "A mechanical license under the standard statutory
terms is hereby grante
I've been working with php-Nuke enough for the last 6 months, it's about
time to put it to good use. :)
I'm trying to develop a *FREE* MIDI Composer Community that people can
use to showcase their stuff. I think that the software we're using for
the website would be perfect for doing this sort of
At 21:44 +1000 28/09/2002, Michael Edwards wrote:
> I do not do music professionally, and do not have to meet deadlines, so
>perhaps I can afford to be flexible like this, and organize the way I work
>around NotePad and its limitations for some months, at least -
>depending on just
>what those
David H. Bailey wrote:
> I believe Robert Patterson has a settings-scrapbook plug-in which can
> copy what you need from one document to another
Yes, but not (yet) metatools, except for tuplet metatools.
--
Robert Patterson
http://RobertGPatterson.com
__
Michael wrote:
> Well, I suppose it would depend on just what the limitations of NotePad
> are.
Your statement does seem to beg the question of whether you've consulted the Coda
website, especially the pages ,
, and
ns
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"DR.SOLOMON .B. AZEEZ" wrote:
> REQUEST FOR ASSISTANCE- STRICTLY CONFIDENTIAL
Earlier in this week, I came across one of those jokes that circulate on the internet.
This one, which [at least] some of you probably have seen, bears the subject line,
"You know you're living in 2002 when",
FROM THE DESK OF
DR.SOLOMON .B. AZEEZ
CHIEF ACCOUNTANT FFICER
FEDERAL MINISTRY OF PETROLUEM RESOURCES(F.M.P.R)
FALOMO OFFICE COMPLEX
IKOYI LAGOS .
ATTN:SIR,
REQUEST FOR ASSISTANCE- STRICTLY CONFIDENTIAL
I am DR.SOLOMON .B. AZEEZ, Chief Accountant in the Ministry of petroleum Resources
(
Eden - Lawrence D. writes:
> I want to use one of the ready-made templates that come with Finale, but I
> want to have my default file's meta-tools too. I Can't remember how to
> get my old settings into the new template...
If you use FinWin2003, you can do it with the Settings Transfer
compo
Hello El et al- (my, that sounds like Arabic!!)
I for one would be glad to help as needed,,as would *many* people on the
Finale-L, I'm sure. My limitation is this: I still use Finale for Mac 97c
and Finale for Windows 98. Basics I can help with but there are things like
staff styles, etc, I hav
I'm trying to hook my computer up to 2-manual Rodger's electric organ via MIDI cables. However, when I playnotes in hyperscribe mode, expecting the notes to be picked up by Finale, nothing happens. Is there a setting that needs to be changed regarding the MIDI channels? I'd be happy to read any
"David H. Bailey" wrote:
> While your suggestions of mini-libraries is a good one, I am not really
> clear about why you would want to create them in the earliest version
> you own. Have you run into problems with backward compatibility with
> libraries?
The fact that there are a couple of in
[Noel Stoutenburg:]
>My hunch is, if you are a serious musician (in whatever sense you wish to use
>the word, you are quickly going to come up against the limitations imposed by
>Notepad, and I suspect my suggestion to most people would be to start with
>Printmusic or Allegro, or at least plan to
I believe Robert Patterson has a settings-scrapbook plug-in which can
copy what you need from one document to another, so you can open your
default document, and open the new template, then use the plug-in to
copy your settings from the default file to the template.
Of course, the settings may
While your suggestions of mini-libraries is a good one, I am not really
clear about why you would want to create them in the earliest version
you own. Have you run into problems with backward compatibility with
libraries?
Also, how often do you need to use your earlier versions of Finale? I
I've been getting these, too, and they always appear immediately after I
have posted a message to Finale, so you have found the "missing link."
What we can do about it is anybody's guess, but perhaps notifying Henry
Howey about can get the person unsubscribed from this list since
apparently he
Michael Edwards wrote:
> Although it will be some time before I get Finale (for a variety of
> reasons), I am still interested in purchasing it. Someone mentioned "NotePad
> 2002" on the list recently, and I see that it is available free from the Coda
> Music web site; and I'm just wonder
Got an easy oneI hope.
If I use one of Finale's ready made templates, how can I get the settings
that I am used to working in into the new template?
For example: my metatool assignments
Larry
[EMAIL PROTECTED]
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[EMAIL P
Although it will be some time before I get Finale (for a variety of
reasons), I am still interested in purchasing it. Someone mentioned "NotePad
2002" on the list recently, and I see that it is available free from the Coda
Music web site; and I'm just wondering if that would be a good way to
Dear List,
I want to use one of the ready-made templates that come with Finale, but I
want to have my default file's meta-tools too. I Can't remember how to
get my old settings into the new template...
Larry
[EMAIL PROTECTED]
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Finale mailing li
>>I'm looking for a Finale mentor. I'm not much for NGs and other lists
>>(swamped in too many as it is) <<
You should stick with this list as a whole for a short period of time. You
would find a large group of mentors here with overlapping areas of
expertise. You don't have to read everyon
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