Re: RIP Techno Tourist & Electro producer Wibo Lammerts

[Benn Glazier]

 
 

 I caught up with Otto just last week in London (and Hans a couple months 
prior), lots of old 313 (and Lowlands) discussion, including the other Techno 
Tourists.
 

 Sad news.

 
BG
 
 
 
 
 
 

 
 
>  
> On Aug 15, 2022 at 5:47 PM,  mailto:disconihil...@gmail.com)>  
> wrote:
>  
>  
>  
>  
> He was a good guy. I remember driving KJ, Otto, and him around Greektown for 
> that first 313 meet. RIP
>  
>
>  
> Hard to believe that was almost 25 years ago.  
>  
>
>  
> I was thinking the other day that Fred and Greg seemed mature to me when I 
> was 20. I'm probably older now then they were at the time.  
>  
>
>  
> Time waits for no one. Momento mori.
>  
>  
>  
>  
> On Mon, Aug 15, 2022, 11:16 AM kent williams   (mailto:chaircrus...@gmail.com)>  wrote:
>  
> >  
> > A long-time 313 subscriber  &  Dutch "Techno-tourist"Wibo Lammerts has 
> > died. 
> >
> >  
> > This was sudden, I have no details. He'd just announced an upcoming Berlin 
> > gig.  
> >  
> >  Holding his family in the light.  

Re: J3ZUZ FVCK THIS IS HORRIBLE

[Benn Glazier]

  
  

 Yes it is horrible.
  

  
But it would be good to send it so people realise it’s a real email and video 
and not look like spam.
  

  
BG   
  
  
  

  

  
  
>   
> On May 9, 2021 at 7:30 pm,  mailto:chaircrus...@gmail.com)>  
> wrote:
>   
>   
>   
> https://youtu.be/Tc3EPUT_Keo
>

Re: Favorite Carl Craig Remixes

[Benn Glazier]

Going through some old emails... I put a Carl Craig remixes list together
on Spotify together a while back. A caveat is that it hasn't been updated
for about 2 years - but there's a good 11.5 hours of music to get through.
Not sure that he's done much recently that's been noteworthy? Happy to take
instruction.

https://open.spotify.com/playlist/7hqBu8iEsgo99cNJeZZDiR?si=mfDUhQszS-S1IBmuHxQhRQ


Benn


On Mon, 8 Jun 2020 at 23:35, Richard Hester  wrote:

> Favorites for me during the course of the special - Yennek Serena X
> remix, La Funk Mob Ravers Suck Our Sound, Tori Amos Rainforest Mix,
> Designer Music - The Truth, Adult Hand to Phone. TG - Hot on the Heels
> of Love (I had the monitors up loud and was bouncing around the studio),
> Tony Allen Kilode Main Mix. The big surprise was Japanese Synchro System
> Check It, Spread It main remix.
>
> Joe Marougi wrote:
> > Sublime!  Our first release 
> >
> > As far as C2 remix maybe Falling Up?
> >
> > Joe
> >
> >
> >
> > On Mon, Jun 8, 2020 at 3:07 PM Richard Hester  > <mailto:gwrenc...@sbcglobal.net>> wrote:
> >
> > The month of May at KFJC is devoted to radio special features. I
> > like to
> > do a bunch, as it forces me to widen my horizons   as well as
> > providing
> > an opportunity to fatten my music stash (already morbidly obese).
> > This
> > time around, I did features on Japan's Sublime label, spooky dubstep
> > label Skull Disco, Glasgow, Scotland's Ampoule label (Glasgow is
> > one of
> > Claude Young's favorite haunts, but I doubt he throws down
> > anything from
> > Ampoule), and a two part (8 hour) special feature on Carl Craig
> > remixes,
> > just enough time for an introduction. What's your favorite C2
> > remix? I
> > played some old favorites, and encountered some stunning previously
> > unknown trax.
> >
> > Regards,
> > Richard Hester
> > "Goodwrench"
> > "The Wild Kingdom"
> > FR 10P-2A PDST
> > KFJC 89.7-FM
> > kfjc.org <http://kfjc.org>
> >
> >
> > ---
> > This email has been checked for viruses by Avast antivirus software.
> > https://www.avast.com/antivirus
> >
>
>

-- 
**
*BENN GLAZIER*
 b...@bennglazier.com / BENNGLAZIER.COM <http://bennglazier.com/> /
@BENNGLAZIER <http://www.twitter.com/bennglazier> / +44 (0) 7714 300018

Re: Fwd: Techno links from a Black perspective (fixed)

[Benn Glazier]

  
  

 From the discussions that we had in 95 to now. We’ve come a long way in many 
respects and gone backwards in so many others.
  

  
I’ve got my own children to tend to.
  

  
Thanks, I’m out. Unsubscribe.
  
  
  
  
 R1.
  
  
  

  BENN GLAZIER   
b...@bennglazier.com (mailto:b...@bennglazier.com)   /   BENNGLAZIER.COM 
(http://bennglazier.com/)   / 
@BENNGLAZIER (http://www.twitter.com/bennglazier)   /   +44 (0) 7714 300018
  
  
  
  
  
  
  

  
  
>   
> On Jun 26, 2020 at 6:47 pm,   (mailto:barringtonphelo...@gmail.com)>  wrote:
>   
>   
>   
> I know it's time to unsubscribe. Well done. Bye 
>   
>   
>   
> On Fri, Jun 26, 2020 at 6:39 PM Denise Dalphond   (mailto:denisedalph...@gmail.com)>  wrote:
>   
> >   
> >   
> > At one point, Kent called me the Daphne of Techno. So I don’t really know 
> > where we are right here.   
> >   
> >   
> >
> >   
> > Denise
> >   
> >
> >   
> >   
> > On Fri, Jun 26, 2020 at 1:32 PM cnd  <3...@coke-smyth.net 
> > (mailto:3...@coke-smyth.net)>  wrote:
> >   
> > >  Ftr Denise is more welcome on this list than you Kent, purely on the
> > >  basis of being a female black academic.
> > >   
> > >  Moderation? I'd rather hang with Moodymann than the bay city rollers.
> > >   
> > >  $0.02
> > >   
> > >  B-)
> > >   
> > >  On 2020-06-24 18:30, kent williams wrote:
> > >   >  You said it well.
> > >   >
> > >   >  Denise deserves respect and attention.I've made myself clear in 
> > > the
> > >   >  last e-mail what I would like to see happen, and now I regret even
> > >   >  posting that on-list.
> > >   >
> > >   >  I'm not going to say any more on this. If anyone wants to e-mail me
> > >   >  directly, I'll read and respond.
> > >   >
> > >   >  On Wed, Jun 24, 2020 at 12:25 PM Kevin Kennedy   > > (mailto:the...@gmail.com)>
> > >   >  wrote:
> > >   >
> > >   >>  I rarely chime in on the list but trend towards paying attention
> > >   >>  when I can.
> > >   >>
> > >   >>  For many, it can be really difficult to cut through the 'noise' that
> > >   >>  happens on a daily basis, as we are 100% inundated with information
> > >   >>  about nearly any and every subject we could be interested in, and
> > >   >>  some we're not.
> > >   >>
> > >   >>  Maybe the choice of words "perspective" may have been in some ways
> > >   >>  incomplete/misleading, however the intent was understood by me to be
> > >   >>  one of a noble and humble nature.Most people don't have the time
> > >   >>  in their modern life to collect all of the reading documents and
> > >   >>  take the deeper dive necessary to understand any subject.
> > >   >>  Unfortunately, not all techno people are academics-but many are
> > >   >>  curious, which is a great trait for anyone academically-minded.
> > >   >>
> > >   >>  That said, I LOVEDr. Denise, and you all should know that she
> > >   >>  'keeps that same energy' for EVERYTHING...as Ethnomusicology is also
> > >   >>  her life's work.If many had as much passion and persistence to
> > >   >>  rely on, we'd all probably do much more than we already do.
> > >   >>
> > >   >>  Fire and emotional content aren't easy things to channel.It's
> > >   >>  taken me years to learn how to choose when and where I call out
> > >   >>  things I don't like.I've recently done an interview with Peter
> > >   >>  Kirn and while I had some opportunity to say whatever I chose, I
> > >   >>  realized that denigrating people can be messy.
> > >   >>
> > >   >>  DWELLER, as a whole, is a useful resource and may get one more
> > >   >>  person to understand better the history of this music and have a
> > >   >>  better appreciation for what makes it special and influential.We
> > >   >>  must all learn together, those who haven't learned the story should,
> > >   >>  and those who are attempting to be helpful should be encouraged to
> > >   >>  find other resources that could be more relevant if the ones they
> > >   >>  share are in some way not.
> > >   >>
> > >   >>  I'm going to say

Keep it real (and on topic)

[Benn Glazier]

  
  

 I’ve seen Lerato on this list for some time. Just seen on their Insta that 
they’ve been playing back in my old home town in Australia and doing great 
things (nice warm fuzzies there).   And I welcome what Lerato posts - even if 
the emails are few and far between.
  

  
I’ve only ever had to block one person on 313 and unfortunately others still 
are responding to these posts and most if not all   are sick of the bloviation 
being spouted.
  

  
It’s a crying shame that in a community that’s always been about the music that 
someone is causing people to unsub because of their trolling behaviour.
  

  
I couldn’t care less where you sit on the gender binary.   Your personal 
business is your own. I   care about whether you’re a good person who has value 
to add to a conversation. I’m not seeing that.   
  


As I sit here in Amsterdam airport heading home for another week, I reflect on 
the times of the Lowlands list and when 313 had signal and a decent signal to 
noise ratio. Now it’s largely spiteful noise. I’m just about to tune out.
  



  



  
  

  
  
>   
> On Feb 26, 2020 at 7:00 pm,   (mailto:booki...@uzuriartistbookingsandmanagement.com)>  wrote:
>   
>   
>   
> crikey . classic example of how not to built community . 
> i am   writing   to you as a black african queer woman denise who has put a 
> lot into supporting and nurturing a lot of djs and artists .   
>   
> and i continue to work   hard to support communities within the global music 
> network young and old often from marginalized communities   who do not get a 
> look in , in the current climate   in electronic   music   but yeah carry on 
> being tone deaf .   
>   
> my last word . thanks for everything to everyone else over the yrs .   
>   
> keep supporting music not egos .   
>   
> i am   out of here .   
>   
>   
>   
>   
> On Wed, 26 Feb 2020 at 18:52, Denise Dalphond   (mailto:denisedalph...@gmail.com)>  wrote:
>   
> >   
> >   
> > Hey guys, I owe you nothing. You don’t have to like my communication. I’ll 
> > take up as much space as I need. Most people expect women to be quiet. I’m 
> > not. You can read my writing in some published books. It’s all on my 
> > website, which is in my signature. Next up is an article on Detroit and 
> > resistance in the first Oxford Handbook of Electronic Dance Music. It’s a 
> > pretty big series.   
> >   
> >   
> >
> >   
> > I’ve never unsubscribed. This is the 313 list, not the IDM list. It’s 
> > pretty important. I used to never or rarely talk on this list. Now I speak 
> > up more. It’s super patriarchal of everyone to gang up on the woman. Often, 
> > I get private messages of support from subscribers when I speak up on this 
> > list.   
> >   
> >
> >   
> > I’ll email the 313 list any time I have something to contribute.
> >   
> >
> >   
> > Denise Dalphond
> >   
> >
> >   
> >
> >   
> >
> >   
> >
> >   
> >
> >   
> >   
> > On Wed, Feb 26, 2020 at 12:45 PM Joe Marougi   > (mailto:jmaro...@gmail.com)>  wrote:
> >   
> > >   
> > >   
> > > Very well said.What’s worse is the lack of remorse. Just empty 
> > > “admissions of guilt”
> > >   
> > >   
> > >
> > >   
> > >   
> > > On Wed, Feb 26, 2020 at 9:42 AM Lerato Khathi  
> > >  > > (mailto:booki...@uzuriartistbookingsandmanagement.com)>  wrote:
> > >   
> > > >   
> > > > i do   not know you denise but i have been subscribed to this group for 
> > > > a long time therefore i feel that i am a bit qualified to make a 
> > > > comment . 
> > > > i am   a lurker and posted sometimes but only occasionally yrs back .   
> > > >   
> > > > i do   find though that your approach denisecan be very 
> > > > confrontational and can often take up a lot of space . it often feels 
> > > > like the list is dormant bar the denise show .   
> > > >   
> > > > i am personally   not gaining a lot from the listcompared to former 
> > > > times and will need to unsubscribe shortly because i get no joy from 
> > > > these occasional outbursts .   
> > > >   
> > > >
> > > >   
> > > >
> > > > 
> > > >   
> > > >   
> > > > On Wed, 26 Feb 2020 at 18:20, Denise Dalphond  
> > > > mailto:denisedalph...@gmail.com)>  wrote:
> > > >   
> > > > >   
> > > > >   
> > > > > Well, Kent, nobody knows who’s unsubbing except for you. So maybe 
> > > > > it’s just your family.   
> > > > >   
> > > > >   
> > > > >
> > > > >   
> > > > > I wish I had money to go clubbing more often in Detroit. I wish I had 
> > > > > a boyfriend to go clubbing with. But I’m pretty sure I never been 
> > > > > wishin I was Black because then you have to suffer racism.   
> > > > >   
> > > > >
> > > > >   
> > > > > I do love the internet though because I can follow Liquid Sky and 
> > > > > other NYC 90s rave accounts on Instagram and see pics of clubs I used 
> > > > > to go raving at in NYC in 1995-1999 when I was going to NYU. Like 
> > > > > Twilo, I forgot about Twilo. And Shelter. And Vinyl. And Roxy. I 
> 

Re: George Bio?

[Benn Glazier]

  
  

 Is Teep still on the list? I’m sure I asked some silly questions back in 1995 
about Drexicya and he let me know how silly they were.   
  

  
BG   
  

  
  

  
  
>   
> On Feb 24, 2020 at 3:22 pm,  mailto:rob.theaks...@gmail.com)> 
>  wrote:
>   
>   
>   
> "Date: Fri, 30 Sep 1994 20:00:21 -0400 (EDT)
>   From: MORGAN GEIST   
>   Subject: George bio?
>   To: 313 AT lazarus.uta DOT edu
>   Message-Id:   <01HHQHDDS6EU0029LU AT OCVAXA.CC.OBERLIN DOT EDU>
>   X-Vms-To: 313
>   Mime-Version: 1.0
>   Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
>   Content-Transfer-Encoding: 7BIT
>   Sender: owner-313
>   Precedence: bulk
>   Reply-To: 313
>   
>   
>   Hi. Perhaps this should have been a personal mailing, but too late. How 
> about a bio about this George 313-list originator? I'd be interested.
>   
>   
>   George, no prying meant. We don't have to get into background if you don't
>   want. But starting a list seems indicative of a real dedication to the
>   "scene"whassup? Hope 313 thrives...
>   
>   
>   So what's the take on MATRIX Records, people? And does anyone know if ART OF
>   DANCE is doing anything?
>   
>   
>   -morgan geist"
> 
>   
>   
> On Mon, Feb 24, 2020 at 9:08 AM Pwacher   (mailto:pwac...@gmail.com)>  wrote:
>   
> >   
> >   
> >   
> >
> >  Pretty sure he’s one of the shadowy figures behind Drexciya. :D
> >   
> >
> >   
> >   
> >
> >   
> >   
> > >   
> > > On Feb 24, 2020 at 5:22 AM,   > > (mailto:rob.theaks...@gmail.com)>  wrote:
> > >   
> > >   
> > >   
> > > Hi. Perhaps this should have been a personal mailing, but too late. How 
> > > about a bio about this George 313-list originator? I'd be interested.
> > >   
> > >
> > > 
> > >
> > > 
> > >
> > > 
> > >
> > > 
> > > ;)
> > >   
> > >   
> > >   
> >   
> >   
> >   
> >   
>   
>   
>   
  
  
 

Re: In other news... Bubble Chamber

[Benn Glazier]

Thanks P.

I'm not familiar with Kuldaboli. Given their titles, I guess they're
Icelandic (or at least they proclaim to be from there), but that's about
all I can tell.

bg

On Sun, 23 Feb 2020 at 17:44, Pwacher  wrote:

> Probably an off topic post, especially considering the current direction
> of recent posts. :/
>
> A new Drexciya related comp...
>
> https://thevinylfactory.com/news/drexciya-compilation-bubble-chamber-vinyl/
>
> KTHXBYE,
> ⌘⌥P
>


-- 
**
*BENN GLAZIER*
 b...@bennglazier.com / BENNGLAZIER.COM <http://bennglazier.com/> /
@BENNGLAZIER <http://www.twitter.com/bennglazier> / +44 (0) 7714 300018

Re: Cybotron live this weekend

[Benn Glazier]

For those that asked the question, supporting Juan was Laurens von Oswald
and Tameko J Williams, the latter known to most as Detroit In Effect.

bg

On Sun, 14 Apr 2019 at 23:18, Andrew Duke 
wrote:

> Thanks to all for the reports.
>
> http://andrewdukeinthemix.com
>
>
>
>
>
> On Sun, Apr 14, 2019 at 8:50 AM Benn Glazier  wrote:
>
>> The Barbican is an impressive concert venue, I should also note it's a
>> sit-down venue and I've seen a range of artists from Aphex Twin to Matthew
>> Herbert to Carl Craig's Synthesizer Ensemble play here.  I heard comments
>> from people stating that it was an odd venue due to the seated nature.
>> However given the sound, the size and the ability to see, there' very few
>> standing venues that would provide a better package.
>>
>> Three keyboard stands and a mixing desk; blue light engulfing the stage.
>> Cybotron - Juan Atkins and two others (who at this stage I don't know the
>> identity - people have suggested Mad Mike, Skurge and Aaron Atkins...)
>> walked on stage wearing massive visors, somewhere between welding masks and
>> the huge sun visors favoured by many Chinese people.
>>
>> Ambient noise swirled for several minutes and into the intro of R9.  The
>> visuals and lasers quite impressive, it felt quite spartan, a little retro
>> given the typography of the Cybotron logo, their use overall was quite
>> effective and complimentary.
>>
>> A mix of new material interspersed the old - Alleys of Your Mind, Techno
>> City, Cosmic Cars and of course Clear.  All up they played for about an
>> hour and 40 mins with no support act.
>>
>> Up until Cosmic Cars there were a few people standing and dancing, but it
>> was this track that got people up and out of their seats and into the
>> isles. Pretty much everyone was standing by the time Clear was played.
>> There was a final encore, new material - soon to be released I hear.
>>
>> A brief snippet of Clear:
>> https://twitter.com/bennglazier/status/1117037628090650624
>> ...and a few more photos: https://t.co/mvfyMwmZqH
>>
>> I saw one post on twitter from the artist Shur-i-kan who said he left the
>> show as it was a poor man's version of Kraftwerk and the aging crowd were
>> trying to relive their rave days swilling beer from plastic cups. IMHO,
>> ridiculous comments.
>>
>> Apart from a few parents who had brought teenage children, there were
>> very few people under 35, so yes, it was an older crowd. Whilst that was
>> not completely surprising, I thought there may have been a few more given
>> the somewhat recent resurgence of electro thanks to the likes of Stingray
>> amongst others and how popular he was at a gig here in London a few months
>> back.
>>
>> I took three friends along, one who was a fan of the genre, one who was
>> aware of Juan but not so much his music and the other who was just into
>> good music - all enjoyed the gig. Lots of smiling, happy people... If
>> you're on this list, it's a safe bet that you'll enjoy the show.
>>
>> bg
>>
>>
>>
>>
>>
>>
>> On Sat, 13 Apr 2019 at 12:05, Reuben Wheeler 
>> wrote:
>>
>>> Found a couple of videos on twitter:
>>> https://twitter.com/trevorjofficial/status/1116818150266494977?s=21
>>> https://twitter.com/joemuggs/status/1117003987679629312?s=21
>>>
>>> Interested to here those who attended thoughts. I will be catching the
>>> Sub Club gig and I am very excited.
>>>
>>> Reuben
>>>
>>> On Mon, 8 Apr 2019 at 20:48, Matt Chester  wrote:
>>>
>>>> I'm in :) See you there Benn!
>>>>
>>>> On Mon, 8 Apr 2019, 20:44 Benn Glazier,  wrote:
>>>>
>>>>> I’m going to the Barbican gig in London this Friday. Any other locals
>>>>> attending?
>>>>>
>>>>> BG
>>>>>
>>>>>
>>>>> On Apr 8, 2019 at 7:16 pm, > wrote:
>>>>>
>>>>> I'll be going to the Dekmantel gig July 31st.
>>>>>
>>>>> Op ma 8 apr. 2019 03:19 schreef John Sokolowski <
>>>>> jrsokolow...@hotmail.com>:
>>>>>
>>>>>> So which of you lucky ones are going? The list expects a full report.
>>>>>> :)
>>>>>>
>>>>>
>>
>> --
>> **
>> *BENN GLAZIER*
>>  b...@bennglazier.com / BENNGLAZIER.COM <http://bennglazier.com/> /
>> @BENNGLAZIER <http://www.twitter.com/bennglazier> / +44 (0) 7714 300018
>>
>

-- 
**
*BENN GLAZIER*
 b...@bennglazier.com / BENNGLAZIER.COM <http://bennglazier.com/> /
@BENNGLAZIER <http://www.twitter.com/bennglazier> / +44 (0) 7714 300018

Re: Cybotron live this weekend

[Benn Glazier]

The Barbican is an impressive concert venue, I should also note it's a
sit-down venue and I've seen a range of artists from Aphex Twin to Matthew
Herbert to Carl Craig's Synthesizer Ensemble play here.  I heard comments
from people stating that it was an odd venue due to the seated nature.
However given the sound, the size and the ability to see, there' very few
standing venues that would provide a better package.

Three keyboard stands and a mixing desk; blue light engulfing the stage.
Cybotron - Juan Atkins and two others (who at this stage I don't know the
identity - people have suggested Mad Mike, Skurge and Aaron Atkins...)
walked on stage wearing massive visors, somewhere between welding masks and
the huge sun visors favoured by many Chinese people.

Ambient noise swirled for several minutes and into the intro of R9.  The
visuals and lasers quite impressive, it felt quite spartan, a little retro
given the typography of the Cybotron logo, their use overall was quite
effective and complimentary.

A mix of new material interspersed the old - Alleys of Your Mind, Techno
City, Cosmic Cars and of course Clear.  All up they played for about an
hour and 40 mins with no support act.

Up until Cosmic Cars there were a few people standing and dancing, but it
was this track that got people up and out of their seats and into the
isles. Pretty much everyone was standing by the time Clear was played.
There was a final encore, new material - soon to be released I hear.

A brief snippet of Clear:
https://twitter.com/bennglazier/status/1117037628090650624
...and a few more photos: https://t.co/mvfyMwmZqH

I saw one post on twitter from the artist Shur-i-kan who said he left the
show as it was a poor man's version of Kraftwerk and the aging crowd were
trying to relive their rave days swilling beer from plastic cups. IMHO,
ridiculous comments.

Apart from a few parents who had brought teenage children, there were very
few people under 35, so yes, it was an older crowd. Whilst that was not
completely surprising, I thought there may have been a few more given the
somewhat recent resurgence of electro thanks to the likes of Stingray
amongst others and how popular he was at a gig here in London a few months
back.

I took three friends along, one who was a fan of the genre, one who was
aware of Juan but not so much his music and the other who was just into
good music - all enjoyed the gig. Lots of smiling, happy people... If
you're on this list, it's a safe bet that you'll enjoy the show.

bg






On Sat, 13 Apr 2019 at 12:05, Reuben Wheeler  wrote:

> Found a couple of videos on twitter:
> https://twitter.com/trevorjofficial/status/1116818150266494977?s=21
> https://twitter.com/joemuggs/status/1117003987679629312?s=21
>
> Interested to here those who attended thoughts. I will be catching the Sub
> Club gig and I am very excited.
>
> Reuben
>
> On Mon, 8 Apr 2019 at 20:48, Matt Chester  wrote:
>
>> I'm in :) See you there Benn!
>>
>> On Mon, 8 Apr 2019, 20:44 Benn Glazier,  wrote:
>>
>>> I’m going to the Barbican gig in London this Friday. Any other locals
>>> attending?
>>>
>>> BG
>>>
>>>
>>> On Apr 8, 2019 at 7:16 pm, > wrote:
>>>
>>> I'll be going to the Dekmantel gig July 31st.
>>>
>>> Op ma 8 apr. 2019 03:19 schreef John Sokolowski <
>>> jrsokolow...@hotmail.com>:
>>>
>>>> So which of you lucky ones are going? The list expects a full report.
>>>> :)
>>>>
>>>

-- 
**
*BENN GLAZIER*
 b...@bennglazier.com / BENNGLAZIER.COM <http://bennglazier.com/> /
@BENNGLAZIER <http://www.twitter.com/bennglazier> / +44 (0) 7714 300018

Re: Cybotron live this weekend

[Benn Glazier]

  
  

 I’m going to the Barbican gig in London this Friday. Any other locals 
attending?
  

  
BG   
  

  
  

  
  
>   
> On Apr 8, 2019 at 7:16 pm,  mailto:wibo...@gmail.com)>  wrote:
>   
>   
>   
> I'll be going to the Dekmantel gig July 31st.
>   
>   
>   
> Op ma 8 apr. 2019 03:19 schreef John Sokolowski   (mailto:jrsokolow...@hotmail.com)>:
> 
> >   
> >   
> >  So which of you lucky ones are going? The list expects a full report. :)   
> >   
> >   
>   
>   
>   
  
  
 

Re: The Hydra

[Benn Glazier]

Just going to cut and paste my Instagram post:
https://www.instagram.com/p/BrcqX1XnJjw/

BG



On Mon, 17 Dec 2018 at 08:44, cnd <3...@coke-smyth.net> wrote:

> Any feedback on the 7-headed beast?
>
> cheers
>
>
> On 2018-12-13 23:06, ja...@iridite.com wrote:
> > And genuinely lovely guys too - met them a few times at Rubadub over
> > the years
> >
> > On Thu, 13 Dec 2018 at 22:55,  wrote:
> >
> >> I love Octave One.
> >>
> >> A few years ago, Paxahau actually gave me a press pass and I got to
> >> stand on the stage behind Octave One watching them play. And filming
> >> it.
> >>
> >> They are geniuses. Obviously.
> >>
> >> DENISE DALPHOND, PH.D.
> >>
> >> ETHNOMUSICOLOGIST
> >> SCHOOLCRAFTWAX.WORK [1]
> >>
> >> On Dec 13, 2018, at 17:45, Benn Glazier 
> >> wrote:
> >>
> >> And don't forget Stingray.
> >>
> >> Yes, I have my ticket and as long as I'm over the flu, I'll be
> >> heading down with a small group.
> >>
> >> On Thu, 13 Dec 2018 at 22:35 Jason Brunton 
> >> wrote:
> >>
> >> Anyone going to see big Millsy in London at the weekend?
> >>
> >> Octave One too :)
> >>
> >> Me, Rei Loci and Clyde (who did all the Iridite artwork) are going
> >> down in the train so it’s the Iridite Office Xmas night out, come
> >> and join us
> >>
> >> Sent from my iPhone--
> >>
> >> --
> >> b...@bennglazier.com
> >> WWW.BENNGLAZIER.COM [2]
> >
> >
> > Links:
> > --
> > [1] http://schoolcraftwax.work/
> > [2] http://WWW.BENNGLAZIER.COM
>
>

-- 
**
*BENN GLAZIER*
 b...@bennglazier.com / BENNGLAZIER.COM <http://bennglazier.com/> /
@BENNGLAZIER <http://www.twitter.com/bennglazier> / +44 (0) 7714 300018

Re: Purpose Maker sample

[Benn Glazier]

Continuing on the Trinidad theme, let's fly to the smaller island of
Tobago...
Have a listen to Tobago by Nature Boy -
https://www.youtube.com/watch?v=-shdbDuYyMA

You'll work that sample out pretty quick I'm sure.



On Thu, 13 Dec 2018 at 22:52 kent williams  wrote:

> By George I think you're right!  You could add that to whosampled.com!
>
> One thing I didn't know: Mills did some hip hop production for a female
> Detroit MC called Smiley!
>
> https://youtu.be/YJh8iAJ9oMc
>
> On Thu, Dec 13, 2018 at 4:41 PM Aidan O'Doherty <
> aidan.b.odohe...@gmail.com> wrote:
>
>> Sorry, I should have been more specific - yes, it is the intro, the first
>> few seconds and it is Outsiders.
>>
>> https://www.discogs.com/Jeff-Mills-Java-EP/release/946
>>
>> Thanks to Benn, Don, Kent and Jason. So, I have learnt something new
>> today regarding Detroit techno. I would call that a win. 
>>
>> On Thu, Dec 13, 2018 at 10:18 PM Jason Brunton  wrote:
>>
>>> Ahhhh, maybe it’s that then?  Nice one Benn!
>>>
>>> Sent from my iPhone
>>>
>>> On 13 Dec 2018, at 22:06, Benn Glazier  wrote:
>>>
>>> Java was the one that came to mind. But Trinidad IS sampled by Tori
>>> Amos' "Professional Widow", the club anthem Armand van Helden mix. Which
>>> got me thinking about Carl Craig's remix of "God" by Amos which in turn got
>>> me thinking about some of the other exquisite mixes he's done of pop songs
>>> amongst others.
>>>
>>> Here's a Spotify list of a bunch of his remixes I put together a few
>>> months back.
>>>
>>> https://open.spotify.com/user/1174087448/playlist/7hqBu8iEsgo99cNJeZZDiR?si=-dohAYStQ4y6Jn8caevH6Q
>>>
>>>
>>>
>>>
>>>
>>>
>>> On Thu, 13 Dec 2018 at 21:47 kent williams 
>>> wrote:
>>>
>>>> Which Purpose Maker track?
>>>>
>>>> There's some similar conga sounds on "Java" but if there's latin
>>>> Percussion on a Mills track it's almost always Roland TR-727 latin drum
>>>> machine action.
>>>>
>>>> If you want a real sample spotting challenge there's some orchestral
>>>> hits that are severely EQed but I know I've heard it before on "Automatic"
>>>> Salsoul Orchestra? https://youtu.be/JVNb_Ptkcn4
>>>>
>>>>
>>>> On Thu, Dec 13, 2018 at 3:36 PM Aidan O'Doherty <
>>>> aidan.b.odohe...@gmail.com> wrote:
>>>>
>>>>> https://youtu.be/cwmlrueeLhQ
>>>>>
>>>>> Am I mad, or did Mills sample the above track for one of his Purpose
>>>>> Maker tracks?
>>>>>
>>>> --
>>>
>>> --
>>> b...@bennglazier.com
>>> WWW.BENNGLAZIER.COM
>>>
>>> --

--
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: The Hydra

[Benn Glazier]

And don't forget Stingray.

Yes, I have my ticket and as long as I'm over the flu, I'll be heading down
with a small group.



On Thu, 13 Dec 2018 at 22:35 Jason Brunton  wrote:

>
> Anyone going to see big Millsy in London at the weekend?
>
> Octave One too :)
>
> Me, Rei Loci and Clyde (who did all the Iridite artwork) are going down in
> the train so it’s the Iridite Office Xmas night out, come and join us
>
>
> Sent from my iPhone

-- 

--
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: Purpose Maker sample

[Benn Glazier]

Java was the one that came to mind. But Trinidad IS sampled by Tori Amos'
"Professional Widow", the club anthem Armand van Helden mix. Which got me
thinking about Carl Craig's remix of "God" by Amos which in turn got me
thinking about some of the other exquisite mixes he's done of pop songs
amongst others.

Here's a Spotify list of a bunch of his remixes I put together a few months
back.
https://open.spotify.com/user/1174087448/playlist/7hqBu8iEsgo99cNJeZZDiR?si=-dohAYStQ4y6Jn8caevH6Q






On Thu, 13 Dec 2018 at 21:47 kent williams  wrote:

> Which Purpose Maker track?
>
> There's some similar conga sounds on "Java" but if there's latin
> Percussion on a Mills track it's almost always Roland TR-727 latin drum
> machine action.
>
> If you want a real sample spotting challenge there's some orchestral hits
> that are severely EQed but I know I've heard it before on "Automatic"
> Salsoul Orchestra? https://youtu.be/JVNb_Ptkcn4
>
>
> On Thu, Dec 13, 2018 at 3:36 PM Aidan O'Doherty <
> aidan.b.odohe...@gmail.com> wrote:
>
>> https://youtu.be/cwmlrueeLhQ
>>
>> Am I mad, or did Mills sample the above track for one of his Purpose
>> Maker tracks?
>>
> --

--
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: Mad Mike Tresor interview

[Benn Glazier]

Well there's no denying that the Red Bull logo is a license to print money
these days; it's also one to spend money. The focus is on the brand as
opposed to the product and their brand alignment is with anything that
could be deemed edgy, from skateboarding to space diving.

I guess there's a couple of ways to look at it...  their engagement can aid
with the promotion of artists, event and activities and it has the
potential to kick start artists careers due to the collaboration process
and unlocking doors. They've got their record label as well - no artists
I'm familiar with, to be honest.

On the flipside, it's nothing more than brand positioning and posturing.
Sponsor activities that are deemed cool per se and people will buy our
drinks.  They could walk away from RBMA at any time, or if they thought
that electronic country and western trance was the next big thing then they
just adjust their musical charter to follow what's popular or in turn lead
and drive what will be popular. Worth noting, RB dominate the category they
play in today and it would be hard to see anyone dislodging them from that
mantle any time soon.

So yeah, they're a commercial outfit, they made the measly sum of about
€6.5b in revenue last year.  To put that into perspective for a minute,
that's about one-fifth of what Coca-Cola did last year. Yes, they have
their finger in many sub-culture pies, but we all can view it whichever way
we wish.

Also, they could also not be doing any of this... and if Mike fucks with
RB, Moody fucks with RB, do you think RB actually care? With an
oversimplified view It will just drive more eyeballs to their youtube
videos, which at the end of the day is exactly what they want.

BG




On Thu, 13 Dec 2018 at 10:16 Martin Dust  wrote:

> > What started it all? Red Bull simply wanted to develop a way of
> fostering the discourse of underground music and dance culture.
>
> First time I’ve heard called that.

-- 

--
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: Mad Mike Tresor interview

[Benn Glazier]

  
  

 Red Bull Music Academy is a series of collaborative workshops and festivals 
that’s been running for 20 years now.
  

  
In a different city each time, it’s run in two parts. One is for the public - 
music and art installations, lectures (like the one you mention), club nights.  
  The other is an invitation only programme where talented individuals are 
teamed with industry pros to collaborate in a large recording studio venue.
  

  
What started it all? Red Bull simply wanted to develop a way of fostering the 
discourse of underground music and dance culture.
  

  
BG   
  

  
  

  
  
>   
> On Dec 13, 2018 at 9:29 am,  mailto:3...@coke-smyth.net)>  wrote:
>   
>   
>   
>  Hey 313,  
>
> It's out there. Forgot the url. Don't understand the red bull connection  
> tho.  
>
> C  
>  

Re: Cybotron live shows.

[Benn Glazier]

Who else is in London?

BG

On Fri, 30 Nov 2018 at 04:52, <3...@coke-smyth.net> wrote:

> Nice tip. Perhaps we could organise a 313 field trip?
>
> :-D
>
> C
>
> On 2018-11-30 00:07, Patrick Wacher wrote:
> > Looks like Cybotron is back up!
> >
> > https://www.barbican.org.uk/whats-on/2019/event/cybotron
> >
> > P.
>
> --

--
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: Why Drexciya Took Detroit Electro Underwater

[Benn Glazier]

Denise - Steven has cap in hand apologised. You are now denigrating him for
that. I do not feel it serves a purpose to further chastise him about the
matter.

We know how you feel, and rightly or wrongly people will agree with you.
You've spent a lot of time discussing your point of view and others have
shared theirs which I'm all for. Remember, all of us do not live in Detroit
or the US or have had first-hand contact with racial discrimination.

Whilst that doesn't at all mean for one minute we're disagreeing with how
blacks have been downtrodden in society, it means our exposure is
different. In my eyes your points are more than valid but one's own
experiences elicit a response, and whilst we can be more well read than in
previous years thanks to technology, there's still a lot to learn for
anyone who has not grown up with or been subject to this oppression. Humans
are fickle and behaviour to get people on board needs to be constructive.
Short answer, it would have been great if RA had of produced the piece in
the way that has been discussed!  Bottom line, Denise, you made Stephen dig
deeper and read and learn and that's great, but don't beat him down further!

Now to not be faceless, for those that don't know me I'm a white guy (who
has some north African roots!) who grew up in Australia. Where does even
one start to discuss what we've done to our Indigenous population.  I live
in London now, and I look around the office today and I can see people of
all backgrounds getting on harmoniously - and that's London for you. Our
racial issues, whilst still existing, pale in comparison with many other
countries and cities.  Speaking of London, for those of you here, check
these black history walks around the city (I just did the Soho one) -
http://www.blackhistorywalks.co.uk/

Hatchet buried? Just not in his head (or mine).  Where's George M Smiley
these days?

Now... I just picked up on some music by Javonntte.  Hadn't heard of him
until a couple of weeks ago. Great to find a new name.

BG











On Tue, 6 Nov 2018 at 13:12 Steven Robertson  wrote:

> If I am, I really don't mean to be.  Guilty of poor communication.
>
> Conversation very confusing.
>
> On Tue, 6 Nov 2018, at 1:08 PM, denisedalph...@gmail.com wrote:
>
>
> Your tone is extremely condescending. I chose the emoji because it is rude.
>
> You could read my works. My latest essay that addresses Drexciya and UR
> and Moodymann and revolution is getting some pretty good reviews.
>
> I already shared the book in an earlier email. I’m arrogant, but not
> arrogant enough to post the link again.
>
> Also, I don’t care about 1 or 10 or 50 white people who are bigots, you’re
> all the same to me. I’m not gonna waste my energy debating with you about
> who you are. And I have to look like you. It sux. 
>
> Denise
>
>
>
>
> On Nov 6, 2018, at 07:42, Steven Robertson  wrote:
>
> Yes I suppose it did. I wasn't aware that I was thinking about it, but as
> it happens I came across other information a couple of days ago which
> opened my eyes, and I will admit when I was wrong. To be fair, I am
> sometimes processing things well beyond a conversation.  I do not have a
> neuro-typical mind, and often struggle to keep up with a conversation.
>
> The feeling I woke up with this morning was that James Stinson did feel
> very strongly about it, that I should know, and I hand't really listened to
> what he said in the interview. I felt bad about it, because it was
> ignorant. In the same manner I would defend other parties that fail to
> appreciate the sensitive nature of it, as probably not aware of the insult.
> I just didn't see it that way, that the interpretation as a listener
> probably just suited my own world view. I want to be clear that I'm not
> disappointed if that were the case, and I regret writing that I would be
> disappointed. I am not personally ashamed, but I see no reason to be
> disappointed. It's fair enough. I just don't really know enough about it,
> leading to my ignorance.
>
> It's funny the emoticon you have put there looks like happy surprise
> (though it probably depends on the image being used in the particular email
> reader I guess). It's hard to tell if it's meant to be. You seem happily
> provocative, and I don't really object to that. I might go and read more of
> what you have got to say about it. The music is something else in any case,
> but I accept that you probably know a lot better the motivations behind the
> music, and that you may be right.
>
> On Tue, 6 Nov 2018, at 12:15 PM, denisedalph...@gmail.com wrote:
>
>
> It took you this long to think of a response. 
>
> On Nov 6, 2018, at 04:07, Steven Robertson  wrote:
>
> Denise
>
> I woke up this morning having had a dream where I hadn't really heard what
> James Stinson was saying to Andrew Duke, that it was about racism, and that
> Denise was right. The feeling was strong. Only 20 minutes later I'm writing
> this and I'm still half asleep, but I know this was playing on 

Re: Transllusion - A Moment Of Insanity(12inch)

[Benn Glazier]

I’m sure Teep can answer that (if he’s still on the list! ;)

Royal one out.

On Fri, 8 Jun 2018 at 16:12, Patrick Wacher  wrote:

> Any know who Drexciya is? ;)
>
> Newly unearthed project coming out via Clone.
>
> https://clone.nl/item51575.html
>
-- 

--
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: 20-year service pin

[Benn Glazier]

Good to see a few people about...  I would have got mine at the start of
2015. :)

Top of the pops for me this year...
>From The Heart, It's A Start, A Work Of Art - Shinichi Atobe
Kern Vol 4 - DJ Stingray
Anguilla - Porter Ricks
Have You Been There. Have You Seen It - Helena Hauff
Theory of Colours - Dauwd
Accidental Meeting - Chaos in the CBD

Hat tip to the call out of the Derek Carr release. Wasn't familiar with it
and it's a lovely record.


bg
www.bennglazier.com


On Sun, 17 Dec 2017 at 08:04 Greg Earle  wrote:

> > From: majord...@hyperreal.org
> > Subject:  Majordomo results: subscr!be
> > Date: November 6, 1997 at 4:14 AM
> > To:   [Me]
>
> Just realized I recently passed my 20th anniversary on this list.
>
> (And I remember hearing about it a couple of years beforehand, but hey -
> I was lazy.)
>
> Shout-outs to the other old-timers!
>
> - Greg
>
> P.S. Re:
>
> > 2017
> > Vatican Shadow ‎– Luxor Necropolitics
> > The Exaltics ‎– Das Heise Experiment 2 [The Prequel]
> > ASC - Sentinel
> > [...]
>
> No lists for me this year but I just wanted to say that James/ASC is a
> genius.
>
-- 

--
@BENNGLAZIER
b...@bennglazier.com
WWW.BENNGLAZIER.COM

Re: Detroit

[Benn Glazier]

We’re all doing our best to block out Trump. So with that in mind…

Certainly 313 related; Porter Rick (so we’re just in scope) and their new album 
on Tresor - “Anguilla Electrica” is worth a listen, been on high rotation here 
over the past few weeks. Also on Tresor was a mix CD by DJ Stingray. One hell 
of a mix, at a time when mixes seem nothing more than a commodity, this one is 
bringing life back into the genre.




BENN GLAZIER 
WWW.BENNGLAZIER.COM
@BENNGLAZIER
+44 (0) 7714 300018


From: 3...@coke-smyth.net <3...@coke-smyth.net>
Reply: 3...@coke-smyth.net <3...@coke-smyth.net>
Date: 17 August 2017 at 10:40:26
To: 313@hyperreal.org <313@hyperreal.org>
Subject:  Detroit  

What up Detroit?  

There is some Trump news on in the Uk atm - New York/ Detroit?  

Any info? Anyone peepin out there  

cheers  

C  

Movement 2015

[Benn Glazier]

Hey all, happy 2015.

I’m making plans to come to Movement this year. It’s only taken me 21 years to 
get to Detroit since I joined this list!

Wondering if anyone knows of any guides, info, tips for visitors? 
Neighbourhoods and hotels to check out etc..

thanks



BENN GLAZIER 
b...@bennglazier.com  /  WWW.BENNGLAZIER.COM  / 
@BENNGLAZIER  /  +44 (0) 7714 300018

Re: Mid-Nineties Detroit techno...

[Benn Glazier]

Jeff Mills released Waveform Transmissions Vol 1 on Tresor in 1992.  

There were subsequent releases by Rob Hood in the Waveform Transmission series, 
with him releasing Vol 2 in 1993 and Mills releasing Vol 3 in 1994.

bg



BENN GLAZIER 
b...@bennglazier.com  /  WWW.BENNGLAZIER.COM  / 
@BENNGLAZIER  /  +44 (0) 7714 300018

On 12 Aug 2014, at 08:04, Jason Trolian djkontr...@comcast.net wrote:

 Mills had a dope 7th city release from that time.  Wave Transmissions I think 
 it was called.
 
 T
 
 Sent from my HTC One max on the Verizon Wireless 4G LTE network
 
 - Reply message -
 From: Minto George mintogeo...@yahoo.com
 To: David Powers cybo...@gmail.com
 Cc: 313 313@hyperreal.org
 Subject: Mid-Nineties Detroit techno...
 Date: Tue, Aug 12, 2014 12:42 AM
 
 The best era of Detroit techno IMO. Countless good records from this time.
 
 All the 7th City stuff from that time
 Elevate Records releases
 Detroit by way of Kalamazoo (Sonic Mind Records stuff by D Knox, Black Nation 
 Records stuff by Jay Denham)
 Dan Curtin's stuff from the mid 90s was my favorite stuff he did. 
 Stasis (everything by Steve Pickton)
 Nuron / B12 / Kirk D / The Black Dog
 Nu Era 
 These are just a few... 
 
 
 Sent from my iPhone
 
  On Aug 11, 2014, at 1:24 PM, David Powers cybo...@gmail.com wrote:
  
  Mid-90's is a time period for that I'm not too familiar with.
  
  Anyone got recommendations for stuff along the lines of Frictional 001 
  (Claude Young Changing Factors)?
  
  ~David

Re: (313) Moritz von Oswald and Derrick May in Washington, DC

[Benn Glazier]

I saw Moritz play last month here in London.

Fantastic music, but played a clunky laptop DJ style set. Lacked any flow
or rhythm. He played a lot of his own stuff (BC, Main St, Rhythm and Sound)
and some moments of nice techno and house as well.

Probably didn't help that the club put him on from 5-7am, for which there
was less than 10 people on the dancefloor in a club which has only just
added techno to their lineup.

bg




On 6 February 2014 14:51, Darnistle McKuik darnis...@gmail.com wrote:

 Just found about these shows happening tonight (2/6/14) and tomorrow
 (2/7/14):

 http://flashdc.com/




-- 

*BENN GLAZIER*
 b...@glzr.info / BENNGLAZIER.COM /
@BENNGLAZIERhttp://www.twitter.com/bennglazier

Re: (313) Gifted and Blessed (GB) live in London this weekend

[Benn Glazier]

Damn, it's in my hood as well. I'm off to Rewire Festival in The Hague this
weekend actually.  Just got a response from one of the old TechnoTourists
as well who is joining me on the Friday for Nils Petter Molvær  Moritz von
Oswald and Ricardo and Max Loderbauer doing their Re:ECM.
http://www.rewirefestival.nl

Benn


On 4 November 2013 22:45, Andrew Green mr.verd...@gmail.com wrote:

 I'm lucky enough to be promoting an event this weekend SUNK in London
 where we will be hosting GB for a live debut and hardware performance of
 his signature deep and emotive electronics (as heard on Wild Oats,  Eglo,
 Valentine Connexion and his own label)

 So just sharing a notice for anyone in the UK/london area,  would love to
 see a few of you along.

 DJ support from myself, Truly Madly and Chris Chippindale

 details here

 http://www.facebook.com/events/345439072259435/?ref=tsfref=ts



 thanks in advance
 Andy







-- 

*BENN GLAZIER*
 b...@glzr.info / BENNGLAZIER.COM /
@BENNGLAZIERhttp://www.twitter.com/bennglazier

Re: (313) I think I kinda soiled myself.

[Benn Glazier]

Just bought my ticket. It's only a few days before I head off to
Kilimanjaro but what the hell, you don't get to see these guys and get
to scale big mountains in a week all that often.

bg



On 10 July 2013 23:11, Patrick Wacher pwac...@gmail.com wrote:

 I did recently fly from SFO to Sydney for 4 days to go see 3 Kraftwerk
 shows, so doing a quick trip to the UK would be a walk in the park ;)



 On Wed, Jul 10, 2013 at 8:17 AM, Lori Polemenakos girly...@gmail.comwrote:

 OMG yes +1 on the drum machine duel. I would legit fly over JUST for
 this, except my nephew's baptism is the same day... looks epic.
 super-jealous of anyone attending this!


 On Wed, Jul 10, 2013 at 9:28 AM, kent williams chaircrus...@gmail.comwrote:

 sounds wonderful.  Though I wish sometime that Mills and Hood would
 engage in a drum machine duel.  Machinedrums at 10 paces.

 On Wed, Jul 10, 2013 at 3:05 AM, Paul Kendrick p...@dagmar-tara.com
 wrote:
  Yeah solid line up, I have a ticket, looking forward to it very
 much...I
  hope the venues good as that's a sure fire way to kill a potentially
 good
  party before its started.
 
  London does get good 313 line ups but not like this...Hood  Mills
 playing
  at the same party. been a long long time since that happened.
 
  
  From: Patrick Wacher [mailto:pwac...@gmail.com]
  Sent: 10 July 2013 05:56
  To: 313@hyperreal.org
  Subject: (313) I think I kinda soiled myself.
 
  UR/Timeline, Jeff Mills, Rob Hood  James Ruskin
  24th August, UK
 
  http://www.residentadvisor.net/forum-read.aspx?id=235852






-- 

*Benn Glazier*
b...@glzr.info b...@glzr.info

I'm climbing Mt. Kilimanjaro for charity in Aug/Sept 2013.
Find out how you can donate at http://kilimanjarocharitytrek.org

www.bennglazier.com ¦ @bennglazier

Re: (313) Depeche Mode - Personal Jesus remix

[Benn Glazier]

There's a Francois Kevorkian mix.  Perhaps that's it.
http://www.youtube.com/watch?v=5KEMD0NyJTw


On 10 June 2013 16:16, Daniel Bean daniel.b...@bbc.co.uk wrote:
 That’s pretty dire.



 From: Diego Simak [mailto:diego.si...@gmail.com]
 Sent: 10 June 2013 13:36
 To: edward thompson
 Cc: 313@hyperreal.org
 Subject: Re: (313) Depeche Mode - Personal Jesus remix



 https://www.youtube.com/watch?v=3xLvArgSp3k



 2013/6/10 edward thompson ed612...@iinet.net.au

 Hi guys,
 I went to 2 parties today (David Morales during the day and Jamie 3:26 at
 night and at both gigs Depeche Mode - Personal Jesus remix was played. An
 absolute dance floor killer of a track. Must be relatively new.
 Does anyone know what the remix is and who did it?
 Id say all the big boys would be playing it atm.
 Peace
 Ed





 

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-- 
Benn Glazier
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I'm climbing Mt. Kilimanjaro for charity in Aug/Sept 2013.
Find out how you can donate at http://kilimanjarocharitytrek.org

www.bennglazier.com ¦ @bennglazier

(313) Records for charity

[Benn Glazier]

Hey 313ers.

A little left of centre for the normal 313 chat, and it's good to see so
much going on here talk wise compared to usual :)

Anyway, I’m currently working on raising funds for developing education
programs for children in Uganda.  In today’s economic climate that’s not
the easiest thing to do.

As part of this, I will be climbing Mt Kilimanjaro at the end of August and
I'm trying this out as an idea to raise funds - thought it might be a bit
of fun to organise too.

What I want to do is run an auction for artist autographed copies of music
and even merchandise for artists that have it. All profits will of course
to the cause and I am currently in discussion with the likes of ebay to
minimise the auction fees (or in their specific case, get the cause
listed).  I'm also looking at teaming with some record stores to see what I
can do, and should I make this happen, promote it through channels like
Resident Advisor.

Interested?  If so – drop me an email (b...@glzr.info) and we can discuss.
.
You can find out more info about my trek and charity at
www.kilimanjarocharitytrek.org.

Back to the music.
Benn


-- 

*Benn Glazier*
b...@glzr.info b...@glzr.info

I'm climbing Mt. Kilimanjaro for charity in Aug/Sept 2013.
Find out how you can donate at http://kilimanjarocharitytrek.org

www.bennglazier.com ¦ @bennglazier

Re: ( 313) Google Street View and Drexciya [not serious]

[Benn Glazier]

It's in Bergen, Norway.

Here's the live view.

https://maps.google.co.uk/maps?f=qsource=s_qhl=engeocode=q=rugdevein+30+Bergensll=60.391321,5.330558sspn=0.016136,0.038495ie=UTF8hq=rugdevein+30hnear=Bergen,+Norwaylayer=ccbll=60.360884,5.369468panoid=vIlVwLm8kDoxekaRJ0MwdQcbp=12,275.75,,0,11.78ll=60.360887,5.369654spn=0,359.99673t=hz=19




On 31 January 2013 17:06, Odeluga, Ken ken.odel...@dowjones.com wrote:

 313-related silliness.

 What does this apparent prank on the Google Street View van remind you of?


 http://bp2.uuuploads.com/funny-google-street-view-photos/funny-google-street-view-photos-34.jpg


 I have no idea of the location or whether the image was genuinely taken
 [by accident] from one of the vehicles Google uses to take images of
 streets.

 K







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Re: (313) newish shiz

[Benn Glazier]

Thanks for the tip on Delano's LP. Feels like it could have been releases on 
Guidance Recordings were they still around today. 

--
Benn Glazier
b...@glzr.info
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On 30 Nov 2012, at 00:14, Andy Green mr.verd...@gmail.com wrote:

 I really like Delano's LP on Sushitech.  Hoods Night time world 3 is very 
 impressive and beautifully mastered and cut.   Steve Tang has been making 
 some really nice deep techno on several labels including his own Emphasis 
 imprint.   liking stuff by Anton Zap,  Vakula, Joey Anderson, Fred P too.   
 The last Deepchord LP on Soma is tasty too.  
 
 On 29 Nov 2012, at 09:33, Philip McGarva philipmcga...@gmail.com wrote:
 
 so what's been floating everyone's boat recently, detroit or otherwise? i 
 been outta the loop but i've enjoyed flying lotus (tho not the newie so 
 much) and redshape, also dig the king midas sound remix album 'without you'. 
 keen to hear anything deep, fonky, unusual, original, creative. answers on a 
 postcard etc
 
 
 
 

Re: (313) Kraftwerk: Concerts next year

[Benn Glazier]

Tried and failed.  I'm afraid.

On 13 December 2012 11:55, Paul Kendrick p...@dagmar-tara.com wrote:

 You not going Ken?

 Id have been up for going if I was able to go...its a great room for
 exhibitions, but it could have sound problems if not handled correctly and
 the Tate have failed at the first hurdle so I hope its not a sign of things
 to come.

 Nicholas Serota (Director of Tate) says it's not the first time the
 website has crashed from over demand, so he must have known there would be
 the same problem. So this leads me to think he doesn't care enough to sort
 out the problems and in turn couldn't care about the shows them self's and
 the sound bouncing around in that concrete room.


 -Original Message-
 From: Odeluga, Ken [mailto:ken.odel...@dowjones.com]
 Sent: 13 December 2012 11:43
 To: Paul Kendrick; Williams Graham G; 1-11
 Cc: 313@hyperreal.org
 Subject: RE: (313) Kraftwerk: Concerts next year

 Some Bleep43 folk got tickets I think, Paul.



 -Original Message-
 From: Paul Kendrick [mailto:p...@dagmar-tara.com]
 Sent: 13 December 2012 11:42
 To: Williams Graham G; 1-11
 Cc: 313@hyperreal.org
 Subject: RE: (313) Kraftwerk: Concerts next year

 Hey,

 Did any of the UK peeps get tickets for the London Tate shows? From
 looking at forums it seems the Tate didn't handle the demand very well and
 their system crashed immediately. The web site said no in person sales and
 they were selling tickets over the counter too

 I can't go so didn't even bother but it seems like chaos, I hope this is
 not a sign of things to come and that the shows go off ok.



 -Original Message-
 From: Williams Graham G [mailto:graham.willi...@hpcds.com]
 Sent: 26 November 2012 22:24
 To: 1-11
 Cc: 313@hyperreal.org
 Subject: Re: (313) Kraftwerk: Concerts next year

 Are there any original members still playing live or is just a cover band
 now?

 G

 Sent from my phone...



 On 22 Nov 2012, at 14:26, 1-11 1...@bethere.co.uk wrote:

  http://www.kraftwerk.com/concerts/index-concerts.html
 
 
 
 
  __ Information from ESET NOD32 Antivirus, version of virus
  signature database 7720 (20121122) __
 
  The message was checked by ESET NOD32 Antivirus.
 
  http://www.eset.com
 
 




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Re: (313) roll call?

[Benn Glazier]

Still here - resubbed a couple years back after leaving the list for several 
years during the high noise period. 

In NYC this week and back to London next week.

--
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b...@glzr.info
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On 28 Nov 2012, at 06:57, maxphi...@gmail.com wrote:

 I'm still here - writing from a train on the way from Hamburg to Berlin.
 
 Anyone else?
 
 m50
 
 
 At 2012.11.28 11:47, Marsel van der Wielen wrote:
 how many subscribers are left anyway?
 
 and will there be a 20 years anniversary party?
 
 
 Op 28-11-2012 11:46, Philip McGarva schreef:
 btw i haven't been lurking for like 5 years - i just resubbed. it's good to 
 be back!
 
 

(313) Mike Dearborn

[Benn Glazier]

OK, so it's not strictly 313, let's not get petty now, but what's Mike
Dearborn up to these days?  Just pulled out Intenze Musik from 1992, and
then went to Discogs to see that he's not released anything since 2008 and
hasn't been releasing much up to that.


-- 

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Re: (313) lawrence's top ten theo list

[Benn Glazier]

On 30 August 2012 16:53, Joe Marougi jmaro...@gmail.com wrote:

 Sorry, I didn't realize I was the only one posting about stuff I'm
 up to.  Isn't that pretty much what most others do around here that
 are putting out music?

 Or should I keep it real and let everyone find out on their own?
 You take this shit way too seriously bro..


Thanks Joe, keep us posted.  That's what this list is for IMHO. And with
the amount of traffic on here, it's hardly swamping my mailbox like the
list did in the late 90s.



*Benn Glazier*
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Re: (313) 55 minute BBC Radio 1 interview with Richie

[Benn Glazier]

On 8 August 2012 21:57, Greg Earle ea...@isolar.dyndns.org wrote:

- Greg

P.S. London/Manchester/Berlin/Switzerland 313'ers - I am all up in your
 grill over the next 3 weeks.  (Are there any Switzerland 313'ers?)

We'll see you London side for the Black Dog and Andy Stott gig. Plus a few
drinks. Any other London 313ers want to join in, hit me or Greg up off list.




-- 

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Re: (313) From the mouth of babes...

[Benn Glazier]

Ignorance is bliss. And I'll continue to be blissfully ignorant of David
Guetta.

bg

On 12 July 2012 14:15, Frank Glazer cpe1704...@gmail.com wrote:

 Serious is where it's at. But UR also have a sense of humor. Heard get a
 phone?

 Sent from my iPhone

 On Jul 12, 2012, at 8:30 AM, Rob Taylor barringtonphelo...@gmail.com
 wrote:

  Why? He's right in a way. UR ARE a bit po-faced. Detroit techno is in
 general, quite SERIOUS.
 
  On 12 Jul 2012, at 12:23, Frank Glazer cpe1704...@gmail.com wrote:
 
  This makes me so angry and sick
 
  Sent from my iPhone
 
  On Jul 12, 2012, at 1:15 AM, Fred Heutte ph...@sunlightdata.com
 wrote:
 
  What else can be said about a guy who's party brand is Fsck Me
  I'm Famous.
 
  Naturally, he plays music by serious people.
 
  http://www.youtube.com/watch?v=hgZGsMGU4GE
 
  Next.
 
  fh
 
  -
 
 http://www.thedailyswarm.com/headlines/david-guetta-mocks-underground-resistance/
 
  'For [David] Guetta, dance music’s newfound popularity can only be a
  good thing. He won’t convince everyone, but few in the industry would
  deny his phenomenal success in the US has given the industry as a
  whole a healthy financial boost. “Listen, some people take themselves
  very, very seriously,” Guetta says. “I’m not a politician, you know
  what I mean? You remember in the old days you had people like
  Underground Resistance?” [a late 80s militant dance collective from
  Detroit]. He pauses and smiles. “I never took myself so seriously.”'
 
  WOW.
 
  ~David
 
 
 




-- 

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Re: (313) Shopping For Music In Detroit?

[Benn Glazier]

All this talk... very jealous. I couldn't quite time a business trip well
enough. As it happens I'll back on the east coast a week later.  Such a
shame. Hopefully next year! Looking forward to the recordings in all
formats.

bg



On 10 May 2012 16:59, jwan allen jwan.al...@gmail.com wrote:

 That pretty much sums it up. Glad to hear that S.I.D. will be open
 during the festival this year. .There's also Record graveyard which is
 around the corner from Threads in hamtramack, if you need to further
 your digging needs after you hit all the other spots.

 I don't know about anyone else, but I'm excited to be going to the  D
 once again over memorial day weekend. Granted I'm only 4.5 hours away,
 but each festival excursion is a further reminder of all the great
 things that Detroit has to offer any music fan.

 jw


 On Thu, May 10, 2012 at 10:01 AM, John Sokolowski
 jrsokolow...@hotmail.com wrote:
  There is also Peoples Records. They recently moved to a new location in
 the
  Majestic/Magic Stick complex on Woodward. I heard S.I.D. will be open
 during
  the fest this year as well. They were not open last year.
 
  The best place by far is Detroit Threads in my opinion. They get new and
  used stuff in all of the time. Plus artists like Theo, Kyle Hall, etc
 hand
  deliver their new releases as soon as they get them. Melodies and
 Memories,
  sadly, doesn't get much new stuff in at all. They have had the same
 records
  on the wall in the dance room for the last 2-3 years.
 
  Date: Wed, 9 May 2012 23:49:02 -0400
  From: darnis...@cafe-ebola.com
  To: 313@hyperreal.org
  Subject: (313) Shopping For Music In Detroit?
 
 
  It looks like I'll be going to DEMF this year YAH
 
  So now the question as always is: WHERE TO BUY MUSIC??
 
  Now that Record Time's gone, where can I go shopping other than Detroit
  Threads and Melodies and Memories?
 
  If pickins are too slim, I'm always willing to trek out to Flat Black
  and Circular... :)



 --
 Technoir Audio
 http://www.technoiraudio.com
 dealing with your imperfect world




-- 

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Re: (313) New Yorker: Sound Machine

[Benn Glazier]

Glad you mentioned that Patrick.

I was going to check it out this weekend. I'll probably just go now to see
DJ Harvey - which isn't such a bad thing I guess.

Any other 313ers in NYC this weekend up for it?

bg

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On 23 April 2012 18:28, Patrick Wacher pwac...@gmail.com wrote:

 Thanks for the article!

 Being one of those sad people who missed out on a ticket, I thought i'd
 treat myself a trip to NYC to go see the exhibit at MoMA PS1 this past
 Saturday.

 Man was I disappointed. I assumed incorrectly that there would have been
 an exhibition of old photos, artworks, memorabilia and whatnot. I quickly
 learnt that the exhibit was Kraftwerk music vids playing in a big dome.
 Speakers were sooo distorted that I could only stay in there for a whole of
 10 mins.

 Probably my fault for not researching the exhibit info before booking the
 5 hour flight.

 I really needed a t-shirt that said, I went to the Kraftwerk exhibit and
 all I got was this lousy T-Shirt.

 Carry on...
 --
 Patrick Wacher



 On Sunday, April 22, 2012 at 11:47 PM, Fred Heutte wrote:

 
 http://www.newyorker.com/arts/critics/musical/2012/04/30/120430crmu_music_frerejones
 ?
  currentPage=all
 
  Sound Machine
 
  How did a pop band end up in a museum?
 
  by Sasha Frere-Jones
 
  April 30, 2012
 
  On an August night in 1981, the German band Kraftwerk played at the
  Ritz, on East Eleventh Street in Manhattan, in support of its latest
  album, “Computer World.” The only instruments onstage were actually
  machines: reel-to-reel tape recorders, synthesizers, keyboards, and a
  calculator. All four members of the group had short hair and dressed
  identically, in black button-down shirts, black pants, and shiny
  shoes, which made them look more like valets than like musicians. That
  didn’t bother them, as they didn’t like the idea of being a band—or
  even musicians—and often referred to themselves as “operators.”
 

--

(313) Carl Craig 69 show in London

[Benn Glazier]

I caught Carl play in London on Thursday night.

A late venue change due to a stabbing at a BlackBerry party at the previous
venue meant we were now at the Coronet at Elephant  Castle. For anyone who
doesn't know this space, it's generally used as a live venue. An old
theatre, it's quite a large space, and this meant that the gig lost a fair
amount of the intimacy that I was expecting.

Playing live as 69, he performed in three different masks. First up was
something that looked a cross between the Scream ghost mask and a hockey
mask, second was Medico Della Peste mask, a Venetian mask that was most
memorable as the long beak mask from Eyes Wide Shut. Last was the sad clown
or Pierrot. And then at the end he lost the mask 'revealing his identity'.

Not really sure what that had to do with the music, it wasn't as if he
played in 3 (or 4) parts.

Music was predominantly 69 with some sounds that sounded like a nod to
Paperclip People.

I can remember he played:
My Machines
Rushed
Sound On Sound
Poi et Pas
Ladies  Gentleman
Desire (well a weird version that featured the beats reworked a little
without the strings)

Not sure whether Carl likes to play longer when he plays live, but 1 hour
felt short.  I thoroughly enjoyed it, but it was really a retrospective at
the end of the day. Considering he's not released any new music as 69 for
18 odd years apart from some reworkings, I was a little perplexed as to why
he was doing gigs as 69 today.

Also, interesting crowd. Was very young but I guess it's kinda cool to
think that there were quite a few in the crowd enjoying sounds that were
produced before they were born. They were into it though, the floor was
full when he started and remained that way.

Latest darling of the electronic set, Maya Jane Coles played after Carl,
and whilst most people I spoke to said they were attending the gig for her,
she was boring, flat and didn't get out of 2nd gear. After an hour or so I
left... which was a shame as Efdemin was playing, but not until 5.15 so I
doubt I was going to stay that late anyway!

BG

-- 

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Re: (313) acoustic jazz strings of life?

[Benn Glazier]

I thoroughly enjoyed Drum Lesson Vol.1. Saw them play at 10 Days Off in '08 and 
thought they were one of the best artists I saw there.

Benn

--
Benn Glazier
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www.BennGlazier.com
www.twitter.com/BennGlazier
+44 (0) 7714 3000 18

On 20 Dec 2011, at 13:57, kent williams chaircrus...@gmail.com wrote:

 Christian Prommer does dance classics as acoustic jazz
 Cant decide if it's great or awful:
 http://www.sonarkollektiv.com/tracks/DE-P96-06-00245/

Re: (313) acoustic jazz strings of life?

[Benn Glazier]

Pressed send too quickly.., I think Strings is good but not the best on the 
album. Probably Claire and Can You Feel It are my faves. Well worth a listen 
and IMHO better than the follow up album.

Benn

--
Benn Glazier
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+44 (0) 7714 3000 18

On 20 Dec 2011, at 14:06, Benn Glazier bennglaz...@gmail.com wrote:

 I thoroughly enjoyed Drum Lesson Vol.1. Saw them play at 10 Days Off in '08 
 and thought they were one of the best artists I saw there.
 
 Benn
 
 --
 Benn Glazier
 b...@glzr.info
 www.BennGlazier.com
 www.twitter.com/BennGlazier
 +44 (0) 7714 3000 18
 
 On 20 Dec 2011, at 13:57, kent williams chaircrus...@gmail.com wrote:
 
 Christian Prommer does dance classics as acoustic jazz
 Cant decide if it's great or awful:
 http://www.sonarkollektiv.com/tracks/DE-P96-06-00245/

Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs

[Benn Glazier]

On 25 November 2011 17:11, David Powers cybo...@gmail.com wrote:

 Hi Mike, I'm trying to figure out what you are saying here?

 People don't buy mix CD's really any more, as far as I know, so surely
 that is correct.


Hmm.. I can't say Fabric would release mix CDs as a loss leader to promote
their club.   Perhaps people don't buy them as CDs but purchase them
digitally.

What drives your perspective on the matter?

Benn

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Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs

[Benn Glazier]

On 25 November 2011 22:31, Joe Marougi jmaro...@gmail.com wrote:

 Yo bro,
 It's cool if u wanna pimp that cd with your track on it here, but to
 be honest I think the DMay mix is a bit more relevant based on what
 this list is all about.  Barely anyone ever comments on what I post
 but I don't get sore about it.  It's all good.  We're not obligated to
 comment on each other's stuff.


For real? First chain of posts in a while for one, and I don't see harm in
someone pimping their own stuff when it's been released on a mix by a guy
who works at Hardwax, and I don't think I need to discuss the degrees of
separation from Detroit to Berlin there.

Now if he bangs out 10 posts about it, I'll have a beef.

Otherwise, let the conversation flow.  FWIW, I liked the one night I spent
at Berghain. Whomever was playing there when I arrived was playing Drexciya
- that was a sign of good things to come.

Now funnily enough I'm listening to MF Doom's MM.. More Food record...

-- 

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Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs

[Benn Glazier]

On 25 November 2011 22:46, Joe Marougi jmaro...@gmail.com wrote:

 Agreed,

 Main point was that we don't need to be scolded for not commenting on
 a post by another member, that's all.  Plus I don't think I'm that off
 by suggesting that DerrickHardwax Employee (for the purposes of this
 forum).



Sure, there's no denying that Derrick is a brilliant DJ and his place in
the evolution of the music that we regard highly will never be disputed.

However, let's remember why the word 'techno' was chosen when it comes to
these sounds.  What's Derrick released recently? And how about Marcel and a
whole swag of artists who are ripping it up right now... don't they deserve
the air time? If they're producing excellent music, then yes.

What is Detroit techno anyway these days? Is it a sound or an ethos? Or
both? Or something else all together. That's not a dig, but a serious
question being asked when borders are transcended and sounds cross over and
meld; largely due to two things - the Internet and the reduced cost of air
travel. And what does it mean? Well, yes, there's a lot of crap music to
wade through, but there's the ability for people to access music far more
readily, and this can drive the influence of artists, and beyond that,
these new artists have a playing field to that is far more even than any
other than before.  And before I ramble off on another tangent whilst I
should be finishing paperwork so I can enjoy my weekend, I'm just happy to
see a thread with 20+ posts on the list for a change!


-- 

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Re: (313) Silly fanboy collectors question...

[Benn Glazier]

On 10 November 2011 23:17, ja...@iridite.com ja...@iridite.com wrote:


 Come on you lot, what you got?


I have a copy of Nude Photo with the Alan Oldham artwork. Derrick has put
his initials on the record and then took about 2 minutes doodling all over
the white sleeve. He then proceeded to do the same thing all over Strings
Of Life.

No issue with the getting the record home. I was working with another guy
doing a documentary and we interviewed Derrick on the night. All happened
backstage so he had plenty of time

More Transmat stuff, I was record shopping at Octave Records in Melbourne
and picked up a copy of the first Stacey Pullen Silent Phase release.
Downstairs from the record store was a hairdresser where by pure chance
Stacey was getting his hair cut. He poked his head upstairs say Whassupp?
to the guys running the store...

There might be a couple more but the situations don't come to mind and 95%
of my record collection is in storage so I can't check.


-- 

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Re: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues)

[Benn Glazier]

Depressurization for mine.

But there is a tonne of brilliance there, so picking numbers 2, 3, 4 and 5
is extremely difficult.

Benn

On 2 September 2011 17:02, Patrick Wacher pwac...@gmail.com wrote:

 I have to put my vote in for Aqua Worm Hole... when those bubbling
 appegiated lead synth comes in, transports your mind to another level
 (another Drexciya ref there for the spotters)... oh and that stepped
 bassline carries that track all the way thru.

 Oh and Sighting In The Abyss is something else, almost new wave... was
 a great way to finish off that Aquatic Invasion ep.

 8-203X out...

-- 

*Benn Glazier*
b...@glzr.info
www.BennGlazier.com
www.twitter.com/BennGlazier http://www.twitter.com/bennglazier
+44 (0) 7714 3000 18

Re: (313) Lets start some old topics

[Benn Glazier]

OK then...

Yes. So, how about:
- Who is Drexciya?
- Is anyone into techno-trance?
- The monthly Hawtin thread.  Hair or no hair?

Ahem.

:^)




On 3 September 2011 01:27, Klaas-Jan Jongsma grand...@mac.com wrote:

 Hey now watch it, we invented 'gabber' , you are on thin ice buddy :-)

 On 3 sep 2011, at 02:15, Rob Taylor wrote:

 the dutch don't know shit

 On Sat, Sep 3, 2011 at 12:54 AM, Klaas-Jan Jongsma grand...@mac.comwrote:

 Okay now we have new subscribers and i am seeing some old cats back on the
 list, lets start some 90's topic all over again :-)

 I will start:



 - Is Plus 8 considered to be real Detroit techno?

 :-))

 KJ

(313) London 313ers

[Benn Glazier]

Hey peepz,

Old-school (vintage 313er) circa 1995 whom lurks on the list has just
relocated to London from Australia.

Likes fine food and wine, Matthew Herbert and Ricardo Villalobos.

Feel free to drop me a line - would like to meet others in the same
headspace.


Cheers
Benn

RE: (313) Strings remix Danny krivitt

[Benn Glazier]

I believe the guys on the Global Techno list did a remix type competition
for Mills' The Bells. Whether it's what FK has is another story.

bg

On Thu, 30 Oct 2003 13:04:08 -, McAllister, Nic
[EMAIL PROTECTED] said:
 Francois K apparently has an edit of The Bells he is yet to play out.
 Don't think I have ever heard this remixed?  Anyone
 
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 30 October 2003 13:02
 To: Placid; 313@hyperreal.org
 Subject: RE: (313) Strings remix Danny krivitt
 
 
 Not Kelvin Andrews' version, that's for sure!
 Does anyone know if Derrick May named the song after the line in King
 Lear: 
 His greefe grew puisant, and the strings of life
 Began to cracke twice, then the trumpets sounded
 
 Or is it just a coincidence?
 
 -Original Message-
 From: Placid [mailto:[EMAIL PROTECTED]
 Sent: Thursday, October 30, 2003 12:49 PM
 To: 313@hyperreal.org
 Subject: (313) Strings remix Danny krivitt
 
 
 Personally think its a pretty good job, retains the feel of the 
 original and still has the trademark intro piece.
 
 Usually i just think originals should be left alone.
 
 What other remixs are worth mentioning of classic detroit stuff?
 
 placid
 
 
 #
 Note:
 
 Any views or opinions are solely those of the author and do not
 necessarily
 represent 
 those of Channel Four Television Corporation unless specifically stated.
 This email 
 and any files transmitted are confidential and intended solely for the
 use
 of the 
 individual or entity to which they are addressed. If you have received
 this
 email in 
 error, please notify [EMAIL PROTECTED]
 
 Thank You.
 
 #
 
 
 
 The information contained in or attached to this email is
 intended only for the use of the individual or entity to
 which it is addressed. If you are not the intended
 recipient, or a person responsible for delivering it to the
 intended recipient, you are not authorised to and must not
 disclose, copy, distribute, or retain this message or any
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 The views expressed in this email are not necessarily the
 views of Centrica plc, and the company, its directors,
 officers or employees make no representation or accept any
 liability for its accuracy or completeness unless expressly
 stated to the contrary.
 
 
 
 
-- 

Benn Glazier
email: [EMAIL PROTECTED]
phone: +61 (0)413 316 618
http://www.royaltech.net

(313) Re: wax for s4le

[Benn Glazier]

Whole bunch'o'stuff on eB4y - mainly tech, but a couple of hip hop
records and some deeper stuff.

http://tinyurl.com/ilgz

AURORA BOREALIS Aurora Borealis w/ Garnier Rmx FNAC   
BEN SIMS  TONY DAX Stability Theory
BLUE MAXX Terra Firma Synewave
CLAUDE YOUNG Pattern Buffer 02 Dax
DAVE ANGEL New Orchestrations FNAC   
DJ T-1000 Track Machine Pure Sonik
DJ T-1000 Thesis Part Two Pure Sonik
DJ DEEP  TERRY DEMOPOLOUS The Lane Basenotic
ECHOPLEX Divisible Integrale
EQUINOX Curtains Synewave   
FUNK D'VOID Lucky Strike Soma  
JEFF MILLS Waveform Transmission Vol 3 Tresor
JOEY BELTRAM JB3 Through The Mixer Mute
MEMORY FOUNDATION Heated Heads Central
MORGAN Sum Of One Synewave   
STERAC One With Hats Tresor 
THE ADVENT Brassik Kombination Research
VARIOUS THE HISTORY OF TECHNO 5 (has KA Happy remix of Club MCM) -
http://www.discogs.com/release/88718
MONRELLA Helsinki ZET   
LL COOL J I Can't Live Without My Radio Def Jam
PUBLIC ENEMY Can't Truss It Def Jam

Cheers
Benn

-- 

Benn Glazier
email: [EMAIL PROTECTED]
phone: +61 (0)413 316 618
http://www.royaltech.net

Re: (313) rarities found and a few questions about them

[Benn Glazier]

On Mon, 20 Oct 2003 21:36:10 +0200, Marsel van der Wielen
[EMAIL PROTECTED] said:
 
  the last one that I have a question about Steve Rachmad's My Life in the
  Bush EP - I found the 100% Pure copy but the picture on discogs has a
  brownish yellow coloured label - mine is black  white.  Was one a
 reissue
  and another the original pressing?
 
 this one is not by Steve Rachmad,
 but by Dylan Hermelijn and Sandy Huner
 
 it was re-issued through Music Man, i believe
 with different artwork
 
 the original pressing was more brownish / yellow
 but i don't know of any re-issue

I've got two copies of this, from memory they have similar, if not the
same, just slightly different colored, however one of them has no track
information.

Benn
-- 

Benn Glazier
email: [EMAIL PROTECTED]
phone: +61 (0)413 316 618
http://www.royaltech.net

RE: (313) Dub

[Benn Glazier]

Another interesting interpretation that I think has been missed.

dub
v. dubbed, dub·bing, dubs 
v. tr.
To thrust at; poke. 
To beat (a drum). 

v. intr.
To make a thrust. 
To beat on a drum. 

n. 
The act of dubbing. 
A drumbeat. 

[Perhaps from Low German dubben, to hit, strike.] 
 
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED] 
 Sent: Wednesday, 1 October 2003 12:56 AM
 To: Martin; Cobert, Gwendal; 313@hyperreal.org
 Subject: RE: (313) Dub
 
 
 Dub is short for double, no? ie copy/transfer? I work in television and
 the word dub is used to describe any copy of a master tape. Dub also
 means to strike/hit with a sword - ie The Queens does it when she
 knights people. There will a plethora of varying etymologies of the word
 cos it is a very simple 3 letter word with many possible origins.
 
 -Original Message-
 From: Martin [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, September 30, 2003 2:48 PM
 To: Cobert, Gwendal; 313@hyperreal.org
 Subject: Re: (313) Dub
 
 
 The meaning in Reggae came from this:
 
  to furnish (a film or tape) with a new sound track, as one recorded in
 the language of the country of import.
 
 
 martin
 
 30/9/03 1:48 PM Cobert, [EMAIL PROTECTED]
 
  yeah, words like overdubs for example... I always though it was a 
  derivation of duplication, because you were adding a second track ; 
  this being said, it might be the Jamaican origin... or both words have
 
  a common and very ancient origin, with always that idea of having 
  things in double, body  ghost, track 1  track 2... any linguist on 
  this list ?
  
  Gwendal
  
  -Original Message-
  From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
  Sent: Tuesday, September 30, 2003 3:43 PM
  To: Cobert, Gwendal; 313@hyperreal.org
  Subject: RE: (313) Dub
  
  
  Very vry interesting and intriguing. One bit jars though:
  
  Indeed, dub is rooted in the word dup, which is Jamaican patois 
  for ghost.
  
  I'm not denying the meaning or existence of the patois word 'dup' 
  (I've heard a word which seems to derive from it, 'duppy'). But I
  always thought
  the term 'Dub' as applied to reggae and eventually to any
  remixed 'version'
  of a popular music track/song, came from the term 'dub' which
  is simply
  another word for recording, especially making a copy of an existing
  recording.
  
  k
  
  
 
 
 #
 Note:
 
 Any views or opinions are solely those of the author and do not
 necessarily represent 
 those of Channel Four Television Corporation unless specifically stated.
 This email 
 and any files transmitted are confidential and intended solely for the
 use of the 
 individual or entity to which they are addressed. If you have received
 this email in 
 error, please notify [EMAIL PROTECTED]
 
 Thank You.
 
 #
 
 
 
 --
 NOTICE: If received in error, please destroy and notify sender.  Sender
 does not waive confidentiality or privilege, and use is prohibited.
 
 
 
-- 

Benn Glazier
email: [EMAIL PROTECTED]
phone: +61 (0)413 316 618
http://www.royaltech.net

Re: (313) track id

[Benn Glazier]

On Tue, 23 Sep 2003 20:42:38 -0400, Thomas D. Cox, Jr.
[EMAIL PROTECTED] said:
 at movement, one of the three chairs cats played this track that
 had a sample saying welcome to the warehouse. we hope you enjoy
 the music. spoken over a raw house type joint. anyone have any
 idea what it is? 

That sounds like Armando w/ Paul Johnson Welcome II the Warehouse.
Haven't heard that cut for a while!

Benn
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

(313) Re: +8 and other gems found

[Benn Glazier]

Peepz,

Sorry for spam, but I've dug outsome more records and paraphenalia, now
on our favourite auction site: 
http://tinyurl.com/il9c 

DJ Assault, Mr De', Plastikman, Speedy J, Mike Dunn, Jamie Hodge, Golden
Girls plus a brand new Plus 8 sweatshirt circa 94 and a Soma tshirt for
the clothing headz.

Thanks,
Benn
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

Re: (313) Peacefrog website

[Benn Glazier]

Better late than ever?

Also, how many of you knew you could order a selected back catalogue from
them??


bg


On Mon, 18 Aug 2003 08:48:04 -0500, [EMAIL PROTECTED]
said:
 
 
 
 
 Regarding the website - it's nice but why now? The label has been around
 for so long without one. Not that I don't like it - it's a nice site.
 
 MEK
 
 
   
   
   Thomas D. Cox, 
   Jr. To:  
   313@hyperreal.org
   [EMAIL PROTECTED]cc:
   h.com   Subject:  Re: (313)
   Peacefrog website
   
   
   08/17/03 11:32 AM   
   Please respond to   
   death   
   
   
   
   
 
 
 
 
 -- Original Message --
 From: Tom Churchill [EMAIL PROTECTED]
 
 At long last:
 
 http://www.peacefrog.com
 
 i was wondering what was up with that alton miller. i got a promo
 CD of it from my local shop the other day, and its really really
 sweet. i hadnt heard anyone on here talk about it, but it was on
 discogs and allmusic. whatever, ill be amped. and that moodymann
 definitely isnt worth 16 pounds plus shipping to the US. thats
 just ridiculous.
 
 tom
 
 
 andythepooh.com
 
 
 
 
 
 
 
 
-- 

Benn Glazier
email: [EMAIL PROTECTED]
phone: +61 (0)413 316 618
http://www.royaltech.net

(313) Re: Carl Craig DEMF Lawsuit

[Benn Glazier]

I thought this was quite interesting.. an email from Carol Marvin's
attorney on the Marvin vs Craig dispute.

My review was simply a rework of the press release sent out from Planet E
a few months back, so something like this comes as a suprise.  

Anyone care to comment or 'know' anything further?

--

Royal, I just read your review of the Carl Craig DEMF lawsuit. I
represented Carol Marvin in that matter. Contrary to what you heard from
Carl, he did NOT win his suit. The jury affirmed that Carol had the right
to terminate him from the THREE YEAR contract - for his failure to
perform his duties under the agreement - but that she owed him a PORTION
of his 2001 payment because his termination was effective May 30, 2001,
and she did not pay him for the last few weeks of the 2001 festival. The
jury pro-rated the amount he should have received up until that date
(less than 10k), which Carol would have paid him had Carl not filed the
unwarranted lawsuit before she cut final checks following the event. He
made himself look like an ass. He was suing for defamation and 50k under
the contract; a contract under which was supposed to serve as the
creative director through the 2002 festival. The judge agreed with me and
threw out the defamation claim as lacking any legal merit, whatsoever,
and the jury awarded him a sympathetic 9k, plus a few extra thousand
dollars for some expenses he was crying about all trial. You can't even
get into Wayne County Circuit Court unless the amount in controversy is a
legitimate 25k MINIMUM dispute. You do the math. He waster two years of
his attorney's time (his attorney couldn't have made more than a few
thousand dollars on the case), his time, and Carol's time, and wasted tax
payer money, as well, all because he is too proud and arrogant to admit
that he screwed up. It's unfortunate that reporters, like yourself,
create fiction out the facts to write what they think their audiences
want to hear, and do it at the expense of others, like my client. I would
appreciate it if you could clear this up with your readers, as it
reflects on my reputation as an attorney, as well. You can check the
Wayne County jury verdict by visiting the Wayne County Michigan Circuit
Court web-site (do a Google search) and doing a docket seach by the last
names of the parties to verify everything.
-- 

Benn Glazier 
aka DJ Royal
[EMAIL PROTECTED]
ph:+61 (0)413 316 618
http://www.royaltech.net

Re: (313) How about Depeche Mode? was: new order.

[Benn Glazier]

I know in Sicko's Techno Rebels, he lists such groups as ABC in lists of
records pertaining to various chapters within the book.

I'm still playing Heaven 17's Penthouse and Pavement to this day.  ;)


On Sun, 10 Aug 2003 14:19:00 +1000, Cyclone Wehner
[EMAIL PROTECTED] said:
 While we're on this topic, what was the ABC record that Mayday remixed! 
 Always wondered about that.
 Just played Lexicon Of Love last night, it really stands up.
 
 --
 Wrom: PWIGYOKSTTZRCLBDXRQBGJSNBOHMKHJYFMYXOEAIJJPHSCR
 To: 313 313@hyperreal.org
 Subject: Re: (313) How about Depeche Mode? was: new order.
 Date: Sun, 10 Aug 2003 2:33 PM
 
 
  Hallo!
 
  This whole new order thread reminded me of something I once read in the FAQ
  section of the 313 mailing list at Hyperreal:
 
  The MI, through Derrick, brought a European vibe to our city, something 
  that
  there never was before. Before, we were just a bunch of middle-class black
  kids who read The Face and GQ and Melody Maker and dreamt about what London
 or
  New York would be like; now ABC and Depeche Mode came to the MI in its 
  heyday
  to witness the relentless Mayday at work, and to hang out with us. Real 
  Brits
  ! Real accents ! In our club !
 
  So, the question is: Depeche Mode and Detroit techno has something to do?
  We've read a lot of comments about New Order already. And how 'bout DM?
 
  I'm very curious to know what you guys think about that.
 
  []s
 
  2/0
 
 
  Maarten Baute wrote:
 
  Hi,
 
  this question was probably asked a couple of times allready on this list...
  well... then once more.
 
  Can someone please tell me how important new order was for the development
  of techno? What do the detroit guys think of new order? how did it 
  influence
  what they were doing?
 
  Can I find some information on the net covering the link between new order
  and detroit techno?
  And what new order albums should I buy as an introduction to the band?
 
 
 
 
  ---
  Check out TWO DIVIDED BY ZERO new track:
 
  I | N | T | R | O | S | P | E | C | T | I | V | E
  http://www.twodividedbyzero.com/music/trax/introspective.mp3
   |||   ||  |
  |   |||  ||
  from the forthcoming album A P P E A R E N C E
  http://www.twodividedbyzero.com
  mailto:[EMAIL PROTECTED]
 
 
  
 
-- 

Benn Glazier
email: [EMAIL PROTECTED]
phone: +61 (0)413 316 618
http://www.royaltech.net

(313) Re: Probe and new Plus 8

[Benn Glazier]

Short and quick... found a couple of old Probe records today...

Probe 1 is the limited edition of 100, one side Probe (with FU and Texas
Audio Assassin) and the other side Hi-Bias release.

Probe 19 is Hardphunk by Hawtin.

Check it - http://tinyurl.com/il9c 

Whilst I speak of Probe, the new False record on Plus 8 is excellent.
Don't think I've seen any discussion on here about it as so far, however
it's reminiscent of something I might hear on Perlon or Playhouse. Does
anyone have any futher information about Matthew Dear? He's someone on
the up and up


-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

(313) Re: Old 313 Tshirts found

[Benn Glazier]

Found...

1x Transmat Innovator Derrick May tshirt
1x Planet E Ear tshirt

Brand new - http://tinyurl.com/il9c  



-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

(313) BMG in Australia

[Benn Glazier]

We've got BMG in Australia this weekend for a few parties playing off
laptop. I know it's gonna be a little quirky. ;)

Anyone know of mixes lying about?

r./

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

Re: (313) Vestax or Technics

[Benn Glazier]

On Tue, 29 Jul 2003 07:05:58 -0500, spw [EMAIL PROTECTED] said:
 on 7/28/03 8:44 PM, Kent williams at [EMAIL PROTECTED] wrote:
 
 
 Good times go-good go-good times go-good go-good times, that's almost a
 played out trick in turntablism.
 The Invisible Scratch Pickles can run circles around the best Detroit
 jocks.
 DJ Q-Bert makes Jeff Mills look like slow motion.

You're talking apples and oranges.  Jeff Mills doesn't perform for 7
minutes at a time either.

Turntablism isn't about taking people on a journey and so on and so on...





-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

RE: (313) 313 Weekend in London

[Benn Glazier]

On Mon, 14 Jul 2003 12:24:47 +0100, Ryan Snowden
[EMAIL PROTECTED] said:
 I thought it was very average in Manchester.  If I wanted a hip hop gig
 I'd
 go to one.  Is this what planet-e is pushing for?  And he could have
 played
 some better hip hop too *snigger*.  Apart from that, the fact that an MC
 was
 talking over everything and one air conditioning wall unit upstairs
 blowing
 smoke really made it an average night.  And those curtains just did
 NOTHING
 except get in the way.  Whats the point?

On Mon, 14 Jul 2003 13:07:52 +0100, Ryan Snowden
[EMAIL PROTECTED] said:
 A hip hop gig where they play deep house  disco.  Interesting.  It must
 be
 a manchester thing.. You know, next thing mills will be playing drum and
 bass.

Well Mills plays disco and house as well as techno. Laurent Garnier
whilst being a techno/tech-house producer (to box him in) plays anything
and everything. I've seen him layup 155bpm Roni Size records alongside
Luke Slater records.

The key is to playing good music, no matter what the genre.  Who says you
can't play Sade next to T La Rock next to Common Factor next to Drexciya?
 Throw the rule book out the window. Are the tracks good? Yes. Does the
transition work? Quite possibly.

Unfortunately, some DJs are a little one-dimensional in the attitude
towards playing music, and those that can trascend genres are typically
better DJs IMHO.  When I was younger, it was detroit tech and nothing
else. I gradually eased into other genres such as house, and now I'll
play whatever I think will make people dance and be happy. 

I remember a night in Adelaide where HMC used to play for 6 or so hours,
and it would range from dub to minimal tech, vocal house some electro,
and whatever. Recloose the two times I've seen him (as previously
mentioned by a few other Sydney-siders) laid down the full 9, hip-hop,
broken beat, house, electro etc..  Sure, you wouldn't put him on at a
straight up hip hop night, but put him on at a 'deep house' night and it
will work because he's the type of artist that has a following of
slightly older persons who are more excepting to a little variet in their
music tastes - as long as it's off class, then it's all good.


-- 

Benn Glazier 
aka DJ Royal
[EMAIL PROTECTED]
ph:+61 (0)413 316 618
http://www.royaltech.net

RE: (313) Soul Music (was some nonsense spw was going on about)

[Benn Glazier]

On Sun, 22 Jun 2003 16:34:39 -0700 (PDT), spw [EMAIL PROTECTED]
said:
 the term soul had a resergance in trend with the music industry
 starting around the mid to late
 90's
 Soul is only a figment of the hu-man imagination which can not be
 scientifically proven, a
 primitive concept based in tradition.


I must pick up my latest copy of Muzik or MixMag so I can catch up with
the latest trends. I didn't realise 'soul' wasn't trendy again until
1996.  You can now imagine the despair that I face when I see my
'friends' next, now that I know I just wasn't cool in 1995.  Oh the
humanity!






-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

Re: (313) kdj represses

[Benn Glazier]

On Wed, 18 Jun 2003 17:54:28 +0200, Fabrizio Nahum
[EMAIL PROTECTED] said:
 yep, Live in LA 1996

Being pedantic, but isn't 1998? Such an awesome record!
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

Re: Re[2]: (313) Richie Hawtin k

[Benn Glazier]

On Wed, 18 Jun 2003 11:23:51 -0700, Garrett McGrath [EMAIL PROTECTED] said:
 Steve, seriously... Didn't Ben just ask you to tell us why you think
 this
 way?  That doesn't sound like an attack.  

 - Original Message -
 From: spw [EMAIL PROTECTED]
 To: Benn Glazier [EMAIL PROTECTED]; 313 313@hyperreal.org
 Sent: Wednesday, June 18, 2003 10:23 AM
 Subject: Re: Re[2]: (313) Richie Hawtin k
 
  I cant spend all day position email to this list but let me just say this
 thread
  is a case of my criticism hitting a little to close to home to some people
 on
  the 313 list.
  I really don't mind people having a little fun with threads like Richie
  hawtin k but if you don't like my opinion that's tuff, my opinion of the
  Plus 8 label looking like crap and other label's that try to go minimal
 but it
  doesn't look right because of the imagery or style font/ logo they are
 using
  is only my opinion.

Spot on Garrett. I'm just looking for why you think the way you do.
Saying the 'k' looks crap because of the typeface doesn't say much. It
could simply be that while one person likes Helvetica, you in turn like
Univers.

Justification of your point is all that was asked for.

Here's a question Steve. You see a rare Retroactive record, Feel The
Fire for $5 with the basic artwork in red and black and say a record on
Nukleuz that has some mind blowing artwork but the music IMHO leaves a
lot to be desired, which do you choose, and why?

Can I have my pacifier back now?

thanks
Benn
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

Re: (313) OT: UK TechnoTourist alert: British Airways' 1 day sale (fwd)

[Benn Glazier]

On Thu, 19 Jun 2003 14:18:13 +1000, Cyclone Wehner
[EMAIL PROTECTED] said:
 Yeah, you can come and see me Cyclone, aka The Witch, 'DJ' on 10 decks 
 Saturday at Honkytonks playing all my new Detroit records, then stay for
 Stacey Pullen (supported by Christian Vance, official record bag security
 for Francois K and D May at Movement afterparty) and LTJ Bukem over the
 week, they're some up-and-coming kids, I hear. You can look at my sexy
 Movement pictures too. ;)


After all... where do you think Mad Mike came up with the name for UR-18?
 Working all the decks with hands, feet and ESP. All I have to say is
'unbelievable'! 

;)
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

Re: (313) Richie Hawtin k

[Benn Glazier]

On Mon, 16 Jun 2003 09:54:17 -0700 (PDT), spw [EMAIL PROTECTED]
said:
 label design and music are equally important.
 Some labels have a minimal approach to design or at least they try even 
 though it doesn't look right.
 

I'm interested in your rationale behind these statements, as yet you are
to release them to us - you keep iterating the same point. Perhaps we're
not worthy?

If it's a pop record, then yes, Britney's t*ts must look bigger on the
cover so that more people will buy it. This ain't pop music dude. 

As someone who has done label art on this list (and gee... there aren't
many otheres on this list who have done it ;P), yes.. label art is
important, but at no point is it so important that it's importance
eclipses that of the music.

If it was, we'd all be employing TDR to do our artwork and releasing
white noise.  
-- 

Benn Glazier 
aka DJ Royal
[EMAIL PROTECTED]
ph:+61 (0)413 316 618
http://www.royaltech.net

Re: Re[2]: (313) Richie Hawtin k

[Benn Glazier]

On Tue, 17 Jun 2003 11:12:10 -0700 (PDT), spw [EMAIL PROTECTED]
said:
 Seriously, if you don't like my opinion kiss my ass and continue to
 discuss 
 313 record label design, it's on topic.
 

Opinion is one thing, but tell us why you think this way. Substantiate
it!
-- 

Benn Glazier
[EMAIL PROTECTED]
ph: +61(0)413 316 618
http://www.royaltech.net

Re: (313) Richie Hawtin k

[Benn Glazier]

On Sat, 14 Jun 2003 03:50:19 -0500, spw [EMAIL PROTECTED] said:
 What do you mean for no other reason?
 How a name looks and sounds is pretty important when designing a techno
 label.
 
  The label name KMS works well using the letter k especially in caps, it's a
  nice short abbreviated word, the letter k is not being used as a clever
  substitution in a word.

I actually thought the music was important. Seems like it's secondary to
the music though. I'd sooo not buy a record that had good music but the
label art or name was poorly executed.

I just bought the new Moodymann record. Whilst the music was kinda cool,
I loved the cover with the rose, but the clincher was that I thought this
cat was on the level as he uses two n's in Moodymann.

I feel sorry those people who release a record with nothing more than a
hand stamped piece of information on it like some of those Ersatz Audio
records. They must sell so few records, same for those records like M6
and M7. I mean like who the hell is it and what sort of name is M for a
label?  :/


-- 

Benn Glazier 
aka DJ Royal
[EMAIL PROTECTED]
ph:+61 (0)413 316 618
http://www.royaltech.net

Re: (313) OT - cantina band

[Benn Glazier]

On Tue, 10 Jun 2003 08:38:11 +1000, [EMAIL PROTECTED] said:
 
 peeps
 
 what is the track that derrick carter plays that samples the cantina band
 from star wars ? i think there's one on juice records but there might be
 others too...? thanx.

There's Canteena [sic] Tango on the Dirty Dubs EP on Dirty House.. not
sure if this is the one Derrick Carter plays though.
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net

RE: (313) Mills and hawtin at movement (private replies)

[Benn Glazier]

On Fri, 30 May 2003 23:25:25 -0400 (EDT), [EMAIL PROTECTED] said:
 actually-  read somewhere that mills only owns about 3000 records, a
 pathetic amount compared to most djs, professional or even amature.
 
 and good bad or otherwise, you certainlky can't claim that mills plays
 new
 music.
 

Why is it pathetic?  Some people heavily recycle their collections,
rather they are tools and not collections, as with collections, one would
generally keep.  

People like to have new records and don't have a thing for old ones and
so forth. Does the amount of records one owns have a correlation to the
quality of performance that DJ could give?

You could also argue that he has the cream and none of the sh*t. I know
that in my time of buying 'techno' and 'house' or dance music records,
that I've sold about 0.25% of my records because the sound is 'tired' or
I just didn't like it. 

 
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) Techno Family Tree

[Benn Glazier]

Need we say anymore  comparing Nukleuz to Peacefrog??  Pfft..

Hardhouse is born in Chicago by the hand of artists such as Paul Johnson,
Cajmere, and Bad Boy Bill. 




r./

On Fri, 23 May 2003 17:15:16 +0100, Brendan Nelson
[EMAIL PROTECTED] said:
 An Alan Oldman is listed as a fourth member of UR...
 
 The description of jungle's origins kind of sounds like ghetto tech
 (..mix House music and Hip Hop at 45 rpm)
 
 Speed garage did not seriously emerge in the UK until 1996, with 1997
 being the year it properly blew up. They list it at 1993...
 
 Sheesh, there are too many errors in this to bother listing them all
 without coming across as an insufferable pedant. I recognise what
 they're trying to do with the site... but they're wrong!
 
 Brendan
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
  Sent: 23 May 2003 17:12
  To: Martin; 313 Hyperreal. Org
  Subject: Re: (313) Techno Family Tree
  
  
  Is it me, or are loads of the dates and facts wrong on this? e.g. 
  speed garage predates jungle? ministry of sound and cream on ibiza in 
  1997? Panasonic's 'Vakio' LP most influential experimental LP of the 
  90s. As the supposed result of 2 years of research, it seems kind 
  of sparse and innaccurate to me.
  
  Is anyone else able to correct my ignorance/agree with me?
  
  Dan
  
  
  At 12:21 pm + 23/5/03, Martin wrote:
  Thought a few people here may be interested in this link...
  
  http://www.intuitivemusic.com/technoguidetimeline.html
  --
  Martin Dust
  Parkhead House
  26 Carver Street
  Sheffield
  S1 4FS
  
  
 
 
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) techno-house recommendations?

[Benn Glazier]

On Mon, 19 May 2003 10:28:46 -0500, spw [EMAIL PROTECTED] said:
 What your inquiring about seems pretty subjective and broad, sounds like
 your into the German tech house/ micro house sound like on
 Playhouse (check out Rework)/ Klang/ Ladomat, ect... go to the Hardwax
 record store web site
 http://www.hardwax.com/ and browse through their catalog.

Check out the Inhouse - Modern House Sounds From Deepest Germany
compilations.  There's been 3 so far, with tracks by Rework, Steve Bug,
Vincenzo, Lowtec and others, these are a great starter to that german
deep tech/house sound.


 



-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) techno-house recommendations?

[Benn Glazier]

On Mon, 19 May 2003 16:06:14 -0500, spw [EMAIL PROTECTED] said:
 from the SG web site:
 
 Tracks: 
 *Sexuality (Ben Sims Hardgroove Remix)
 *Sexuality (Ben Sims Ingoma Remix)
 *Sexuality (Original 89 Mix)
 *Sexuality (Frankie Bones Remix)
 Description: Finally after a long wait, We deliver to you Blake
 Baxters
 classic Sexuality! The original is here along with 2 Pumping tribal
 techno
 remixes from Ben Sims 

Yay... Ben Sims remixes and they're tribal techno too. Just what we
needed. *groan*

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: FW: (313) DJ BOX Warning

[Benn Glazier]

On Thu, 15 May 2003 12:49:52 +1000 (EST), David Gillies
[EMAIL PROTECTED] said:
 
 Security: What's in your bag sir?
 Me: Records
 Security: What?
 Me: Records!
 Security: Oh, rekkids! Its rekkids George! This guy's a d-jay.

Classy. 

If you can't manage to have all the records as carry on, split your
record collection up so that the 'least valuable' go as baggage.

My last trip wasn't too bad as I was with my girl and we were both able
to carry bags on. 150 records thereabouts in the cabin easily. 

However, it does get very difficult, and when you need to take say
300-400 away at a time, that's when you need to disguise them. Then
again, I've never disguised, just used a massive lock and that seems to
be a decent enough deterrant.

bg/
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) 313 t-shirts?

[Benn Glazier]

On Wed, 14 May 2003 12:06:19 -0500, John Sokolowski
[EMAIL PROTECTED] said:
The '01 313 List shirts were limited to a run of about 500 each.
Thanks to
your support they sold out at the Record Time tent during the fest. A
few
lucky  folks  got  some 'test' shirts printed on different color T's.
Mike
Himes (RT owner) generously funded the venture and did it pretty much
at
cost.

Maybe it's time to run a new competition.  I'll gladly administer it. 
Who did all that business last time, specs and the rest...

bg
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) DJ Bone Radio1 Mix 2002 - Track id

[Benn Glazier]

On Thu, 15 May 2003 13:10:30 +0100, Brendan Nelson
[EMAIL PROTECTED] said:
 The only thing that annoys me about this excellent mix from Bone is that
 he mixes out of Flash at the same point almost every other DJ does -
 namely, right before the best bit of the entire track! Whenever I hear
 that segment where the phasing on the beat starts to slowly rise
 upwards, I stare at whatever DJ is playing, thinking don't mix out,
 don't mix out, don't mix out...!. But they invariably do! And the
 *rudest* part of the track is cut. It's sort of like that with Star
 Dancer a bit as well - the most popular part of the track for mixing out
 is typically right before my favourite bit of the track (the bit where
 the wheeling synth line comes in, just after halfway through the track).
 

Perhaps his favourite part isn't the part that is your favourite!  

Talk about picky! Hands down it's a f**king sweet mix.

r./
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) Best Drexciya

[Benn Glazier]

On Fri, 09 May 2003 14:52:37 -0400, Dan Sicko [EMAIL PROTECTED]
said:
 Oh, we're talking tracks now ... I meant Grava 4 was their best album 
 IMHO.  My favorite track is still Depressurization off their first EP 
 on Shockwave.
 


Depressurization easily was the best...  After that, The Journey Home and
Positron Island would be my favourite tracks.

bg
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

(313) More deleted records to sell

[Benn Glazier]

If you hate me, press delete, but I'm sure a few of you will appreciate
the post

Just a few of the things on offer: Seller: Royaltechdotnet (eby)
http://www.royaltech.net/dj/forsale.html

WINDELL STORM - Welcome To Chicago (Djax) 
MEMORY FOUNDATION - Heated Heads (Central) 
WILDPLANET - Genetic Remixes (430 West)
HAWTIN HARDTRAX - Hardphunk (Probe)
DAMON WILD - Subtractive Synthesis VI Rmxs Auto-Relist (Synewave)
EQUINOX - Pulzar: Jeff Mills Remixes (Death)
DJ RECTANGLE - Ultimate Battle Weapon Vol 2 
DJ RECTANGLE - Ultimate Battle Weapon  
DAMON WILD - Avion / Red Dog / Rotary (Synewave) 


Peace,
Benn
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) electro house is taking over (maybe not just in OZ)

[Benn Glazier]

On Wed, 30 Apr 2003 13:34:55 -0500, Matthew MacQueen
[EMAIL PROTECTED] said:
.  The 2 coming together is
 bliss, especially for people who like both techno AND disco, but you
 rarely get to hear that sound together on more than a handful of good
 records.

Interestingly enough, there's been no mention of Daniel Wang. Of course
there's his releases on Environ which undoubtedly gave a little influence
to Morgan and Darshan, but his releases on Balihu.. .whoa!

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) 2000 One, Serge Blenner

[Benn Glazier]

On Tue, 29 Apr 2003 16:21:07 +0930, Scott Vallance
[EMAIL PROTECTED] said:
   I picked up a second hand record on 100% Pure by an 
   artist(s) under the name of 2000  One. The ep is 
   called 'Belongings'classic sounding Detroit string-
   laden stuff...Anyone any ideas who's behind this?
  
  it's Dylan Hermelijn aka Edge Of Motion
  also try to catch the one on Eevo Lute

What's the artwork on the 100% Pure record. I've got one which is white
and has blue pen like drawings on it. Quite electro in sound..  Can't
remember of the top of my head..

r./
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) electro house is taking over in OZ

[Benn Glazier]

On Wed, 30 Apr 2003 11:28:10 +1000, Cyclone Wehner
[EMAIL PROTECTED] said:
 I think it's still very, very underground, though Metro Area are popular
 and
 commercial DJs have discovered them. The DJs who are playing that sound
 are
 still fairly underground. A few people are inventing new nights around
 it.
 That's the thing in Melbourne - boutique nights with really eccentric
 music
 policies. There is an amazing DJ here called Agent 86 who mixes up
 electro
 with everything rom HMC to Amerie to The Seed by The Roots and his own
 electro productions and he scratches and everything. That hybrid style is
 the new 'sound' in the underground. He plays RB clubs as DJ Dumb, and
 electro as Agent 86. I think ever since the hard minimal sound of techno
 fell out of favour people have embraced electro-house. In Melbourne this
 is
 partly because Gasp Entertainment left and stopped doing innovative
 parties
 and the other techno promoters tended to push the hard big room Euro tech
 which people got tired of.
 Ministry Of Sound Aust are too busy pimping that revolting Euro-trance,
 so
 we're safe.

...and he's originally from Adelaide. :)  A masterful Paradroid indeed

r./



-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) where???? (was electro house is taking over in OZ)

[Benn Glazier]

On Wed, 30 Apr 2003 18:48:56 -0500, James Bucknell
[EMAIL PROTECTED] said:
 where is metro area stuff being played in australia, who is playing it?
 i'm very very desperate for a dance.
 james 

In Sydney you'll find it at:
Mad Racket parties (Simon Caldwell, Jimmi James, Ken Cloud and Zootie -
any one of them will play it.)

Also, I've been playing once a month at an indoor/outdoor bar called the
Lounge in Surry Hills, Friday nights post-work drinks. Think I'm back
there again in late May.

I went back to Adelaide to do a gig late last year and it was going on at
a place called Minke. If you can catch HMC in Adelaide, he'll be throwing
it down. The catch is that he's not playing much anymore.

Melbourne, Honkytonks and probably Soul'sa (if it's still running), check
out the GoBang! nights at Suede with Jason Martin, Askew and others.
Also, Jason Martin plays back room at Revolver... Martino can you fill in
the details?

Best bets for a boogie woogie coming up in Sydney is May 10 at Mad
Racket. Tom Clarke is guesting.  

It's around, just have to hunt it down! :)

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) WE WANT LYRICS!

[Benn Glazier]

On Wed, 30 Apr 2003 12:51:24 +0100, rob [EMAIL PROTECTED] said:
 A few Tip Top Lyrical tunes from back in the day
 

Wladimir Manshanden's work on Eevolute (or is it now Eevo Lute) was
something I enjoyed.

r./
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

(313) Re: For Šale List

[Benn Glazier]

Monthly update (autumn clear out time in the southern hemispheer) on some
hard to find and not so hard to find vinyl gems out there...

For Šales, include:
Plaid
Blake Baxter
Stewart S. Walker
X-102
Brian Harden
Claude Young
T-1000
Drexciya
Joe T Vanelli
Ron Trent
Luke Slater
Steve Stoll

http://www.royaltech.net/records/index.html or check the 3*Bay link at
the top of the page.

Cheers
Benn


-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) Adelaide/ Australia/ things?

[Benn Glazier]

On Tue, 15 Apr 2003 13:45:18 +0100, Ryan Snowden
[EMAIL PROTECTED] said:
 I heard there are lots of churches and suicides...  Although neither are
 an
 option so I suggest hard liquor to prepare yourself to the comparison to
 Canberra.
 
 All things considered, generally avoid anything that far east as I found
 that most things unacceptable reside under a big M.
 
 Off with the percolator!
 
 -Original Message-
 From: Sam Karmel [mailto:[EMAIL PROTECTED] 
 Sent: 15 April 2003 13:44
 To: 313@hyperreal.org
 Subject: (313) Adelaide/ Australia/ things?

 Going to be in Adelaide for the first time from 18th
 till 29th.  Any gigs/clubs worth going to?  Are there
 any music stores worth a peek?  Is there anything else
 worth checking out, galleries, cool stores, weird
 people etc.

Well... yes it's the city of churches, but suicides? Comparing it to
Canberra? Quit smoking your crackpipe.  I don't know what to make of the
other email?!

Clubs to check out:
Minke and Cargo in Rundle St West. 
If HMC is playing, see him. He's not playing much these days.

Record stores:
Cube Music in Rundle Street East is ok.

Don't be afraid if you bump into this guy:
http://www.adelaide.citylegends.com/  :)

Nice bars:
Fumo Blue Cigar Lounge - Rundle St East
Tapas - Rundle St West
Botanic - North Tce

Shops:
Walk all the way along Rundle St (east through to west), the main
shopping precinct in the CBD.
Area 101 - Rundle St West

Food:
Ying Chow - Chinatown (cheap but very good chinese)
Bridgewater Mill - Bridgewater (OTT)
To Relish - King William St Hyde Park 
The Store - Melbourne St, North Adelaide (Best breakfast)

Wineries:
Coriole - McLaren Vale
Turkey Flat - Barossa Valley

Maybe try and catch a game of AFL at AAMI Stadium if you can if sports
are your thing:
http://afl.com.au/default.asp?pg=fixture

Misc:
Botanic Gardens - North Tce
Central Markets - Gouger St

I lived there for 16 years, it's certainly one of the nicer cities I've
lived in, almost a big country town. Historically, from a electronic
dance music point of view, it was arguable the birth place of it all in
Australia, thanks to the aformentioned HMC.


-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) Planet E/Eevolute/DJAX?

[Benn Glazier]

On Mon, 7 Apr 2003 16:18:54 -0500, [EMAIL PROTECTED] said:
 
 Yeah I think they are still alive but has recently degenerated into
 releasing rock hard slap you in the face with a brick noise like Organ
 Grinder.
 
 I'd like to see some more emotive stuff like Ismistik and some of the
 Stephen Brown of old. That's just me though...
 

I think alot of people would. The album 'Remain' by Ismistik is still a
favourite.   

Claude Young is up to Pattern Buffer 8 with Djax-Up 360. I have the first
2 in this series, but they were all hard techno. Have they all followed
in the same path?

Oh... BTW.. the Terrace record which had the piece on the back was
'Straight Trippin'. I think the red pressing was limited to the first
1000.

On a side note, AO's artword is still up to scratch looking across the
djax.nl site. I haven't seen a lot of Djax records in the last couple of
years, but I'm not suprised!

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)

[Benn Glazier]

On Tue, 8 Apr 2003 13:42:03 - , Robert Taylor
[EMAIL PROTECTED] said:
 Acid Jazz was responsible for some truly horrendous music!
 

That goes for every genre.  Think of 2 Unlimited and 'techno'. ;)

Here's two very different tunes on the acid b-linen tip.. 
Krakpot - Plastikman
Acid Eiffel - Choice


r./
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) Planet E/Eevolute?

[Benn Glazier]

On Thu, 03 Apr 2003 10:38:37 +0100, Max Duley / ARCart [EMAIL PROTECTED]
said:
 
 Eevo 1 is by Florence (aka Stefan Robbers) but Eevo 2 is under the name
 of Wladimir M., does anyone know if this is actually Robbers under one of
 his many monikers (Terrace, Acid Junkies etc.)?
 

Wladimir M. is Wladimir Manshanden. His music production was assisted by
Stefan AFAIK.

Also a note, Acid Junkies was the combination of Stefan Robbers and
Harold de Kinderen.

Eevolute Muzique was quintessential techno, when it comes to those early
releases, along with Florence's (again aka S. Robbers) LP Dominions on
New Electronica.  

I certainly won't be selling any of mine! :)



-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) Sharivari on eBay??

[Benn Glazier]

On Mon, 24 Feb 2003 01:27:41 -, FC2 Richards
[EMAIL PROTECTED] said:
 Did anyone notice the copy of A Number of Name's Sharivari on eBay with
 Terrence Parker's name written in black marker on both sides???  Could it
 be
 an autographed copy??

More likely a record TP owned since he's been selling a whole bunch of
records.

Sold earlier today for SU$100.

Benn
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) jamie myerson

[Benn Glazier]

On Wed, 12 Feb 2003 09:01:14 +1030, Alex Bates [EMAIL PROTECTED]
said:
 anyone heard of this bloke? i heard a song of his called 'rescue me'
 which
 is quite cheesy but i dont mind it, does he have any other decent stuff
 or
 is he some trance/progressive(!) type of guy?

http://www.discogs.com/artist/Jamie_Myerson

Discogs is always your friend.

r./
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) jamie myerson

[Benn Glazier]

On Wed, 12 Feb 2003 09:21:05 +1030, Alex Bates [EMAIL PROTECTED]
said:
   anyone heard of this bloke? i heard a song of his called 'rescue me'
   which
   is quite cheesy but i dont mind it, does he have any other decent stuff
   or
   is he some trance/progressive(!) type of guy?
 
  http://www.discogs.com/artist/Jamie_Myerson
 
  Discogs is always your friend.
 
  r./
  --
 
 yeah i read that but it doesnt really tell me if his tunes are good or if
 they are complete rubbish :)

only _your_ ears can do that.  Personally, I have no idea, and looking at
the description of the said artist, it looks as if he's not of the 313
state of mind.
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

RE: (313) Suburban Knight

[Benn Glazier]

On Mon, 03 Feb 2003 02:13:35 +1100, Cyclone Wehner
[EMAIL PROTECTED] said:
 Interesting you say that, I thought the same when I was playing a Theo 
 Parrish compilation this weekend, one track didn't sound as clear as it
 could be but it actually enhanced it. Made it sound 'old', in a good way.
 I think hip-hop brought in the idea of textured recordings. I like it
 too.
 

Further to this, whether it was rumour or not, but I 'heard' that
Maurizio would do 'destructive' things to his DAT/Audio tapes. Things
like spraying hairspray on them to give them even dirtier, trashed out
sounds.  

Believable, considering the sounds tha Maurizio would make.  

Another question, are we ever going to hear any more M records?  Correct
me if I'm wrong, but was the Basic Channel reshape of Carl Craig's The
Climax the last work he did?

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

Re: (313) final scratch on mac! - FK in Sydney

[Benn Glazier]

On Sun, 12 Jan 2003 14:25:59 +1100 (EST), David Gillies
[EMAIL PROTECTED] said:
 Benn Glazier said:

  I was less than impressed with the night to be honest. Mixing quite
  ropey at times, however I found from about 3 to 4.30 was the best - left
  shortly afterwards.
 
  Nice to hear tunes like Maurizio's M4.5, Baby Wants to Ride by Frankie
  Knuckles,
 
 Jamie Principle actually ;-)


Interesting you say this..  As I have a copy of it on FFRR which credits
Jamie Principle, and the original (Trax 150 I think) which creds it to
Frankie. I'm sure it should be by Frankie with vocals by Jamie.

-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

-- 
http://fastmail.fm - A fast, anti-spam email service.

Re: (313) final scratch on mac! - FK in Sydney

[Benn Glazier]

On Sun, 12 Jan 2003 01:56:51 -0500, James Bucknell
[EMAIL PROTECTED] said:
 francois k played sydney last night using a titatium powerbook and two
 turntables. looks like final scratch has been ported for mac osx!
 
 so, anybody want to buy a few thousand classic chicago/detroit/new york
 house and techno records?

Unless he was running Linux off it.

I was less than impressed with the night to be honest. Mixing quite ropey
at times, however I found from about 3 to 4.30 was the best - left
shortly afterwards.

Nice to hear tunes like Maurizio's M4.5, Baby Wants to Ride by Frankie
Knuckles, Miura by Metro Area and Signals by Microworld. He played very
differently to what was heard in Melbourne. Blackwater (vocal mix) by
Octave One seems to go down a treat, especially since it's been placed on
several Ministry Of Sound compilations (not that it didn't before). 

Certainly not the best technical skills, and overworked the EQs and
echo/delay effects. Further to that, I was dissapointed with his
programming as this is what he is reknowned for, but instead of going in
one direction, he flailed all over the place, probably in an effort to
hold the floor which had many types of punter... and there was that song
that was on a TV commercial for Intel... 
-- 

Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
http://dj.royaltech.net

-- 
http://fastmail.fm - Email service worth paying for. Try it for free

Re: (313) re: best decks

[Benn Glazier]

You use the pitch fader and notch it up and down. It takes a bit of
getting used to.  That said, I prefer touching the platter or using the
spindle, except when I'm playing tracks with strings.

r./



On Thu, 21 Nov 2002 11:07:47 -0500, James Bucknell
[EMAIL PROTECTED] said:
 jeebers--it's bad to slow a record by dragging your finger against the
 platter? does the same apply to speeding the record up by twisting the
 spindle?
 
 i just watched what dj pierre did and tried to do the same.
 
 so how are you meant to slow a record on the 1200s without touching the
 platter?
 james
 
 
 
  From: seth redmond [EMAIL PROTECTED]
  Date: Wed, 20 Nov 2002 11:49:45 +
  To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org
  Subject: RE: (313) re: best decks
  
  I'm still undecided on whether the torque is better or worse. Although it
  seems logical to get as much as possible, when I tried mixing on Vestax I
  missed the ability to drop a record back into time by dragging my finger
  across the edge of the plate as I could with 1200s; although unexpectedly
  had no trouble moving back to technics again.
  I am pretty convinced that once I got out of this habit (bad for the motor
  in any case) I wouldn't mind. The only thing I am sure I would miss on
  technics is the +10 pitch control. I never had to use the +50's but I've
  often found that I was agonisingly just-out-of-range on the technics and had
  to piss about subtely speeding the other record up / down
  
  it's not the first time I've heard doubts about the build quality, but don't
  know anyone who's had them long enough for it to be an issue. their mixers
  have always been pretty nice mind.
  
  -s
  
  From: Neil Wallace [EMAIL PROTECTED]
  To: 'Langsman, Marc' [EMAIL PROTECTED],'seth redmond'
  [EMAIL PROTECTED],313@hyperreal.org
  Subject: RE: (313) re: best decks
  Date: Wed, 20 Nov 2002 10:49:55 -
  
  
  I got one pdx 2000 (as it was all I could afford at the time) and I
  really love it: -50% is actually really useful as use you can mix things
  at half tempo to do some weird x2s, having a reverse button is also very
  useful and yes they seem to have quite a lot more torque - which may not
  be a good thing if you play out a lot as after using vestax technics
  feel very light and you need to use a much gentler touch and yeah
  skipping is virtually non existent which I believe is due to the tonearm
  being designed to produce no lateral force perpendicular to the tonearm
  instead all the forces run parallel to the tonearm (or that's the theory
  anyway)
  Build quality wise I would say that echnics still have the edge insomuch
  as touching the deck with the needle on the record doesn't seem to make
  a noise thru the speakers whereas at high volumes if you tap the vestax
  you can hear the tapping.
  
  
  _
  Add photos to your e-mail with MSN 8. Get 2 months FREE*.
  http://join.msn.com/?page=features/featuredemail
  
  
 
 

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Benn Glazier
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http://www.royaltech.net


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(313) Re: Minimal Nation (4 sale spam)

[Benn Glazier]

Sorry to annoy most of you, but there's a few out there that would like
the original copy of this release on Axis.

I have one to sell...  please hit me off list.

Few more other things like some Dan Curtin and Burial Mix -
http://www.royaltech.net/records

Thanks
Benn

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Benn Glazier
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Re: (313) Planet E Original Releases

[Benn Glazier]

On Thu, 14 Nov 2002 22:52:00 +0100, Wibo Lammerts
[EMAIL PROTECTED] said:

 I think you have seen these, the Planet E re-presses with blue-ish labels
 (pictures of buildings) and mostly on coloured vinyl (blue) that came out
 around 92-93.
 
 Quadrant (Original Release 6, blue vinyl)
 Piece (Original Release 3, kind of clear vinyl)
 
 So, what are the others? And how many were pressed in these series?

I think my Piece release was on green vinyl.

r./


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Benn Glazier
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RE: (313) Metro Area interview

[Benn Glazier]

Another new MA interview at http://www.inthemix.com.au

Cheers
Benn

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Benn Glazier
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Re: (313) Suburban Knight WAS:RE: (313) 3 posts in one

[Benn Glazier]

On Fri, 4 Oct 2002 01:52:58 +0200, D.E [EMAIL PROTECTED] said:
  The Navarre mixes of Suburban Knights Art of Stalking.
 
 So is this available on 12  ? ? I asked before and got no answer, this
 must mean it exists though..

This was released on FNAC. Memory is very rusty on this one, but I
think it was 3 mixes plus original. Label artwork had a big silver
Transmat logo. Release in around 93(?)


r./


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Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net