(313) New Beat video
A quicktime video hosted by Esteban Morientes from Discogs. A small take on The beginnings of New Beat circa 86 (I think?). Sorry, but it's mostly only in Dutch... http://homepage.mac.com/marcgrouls/iMovieTheater15.html -D
Re: (313) new site
Perhaps it is because they originate in Belgium? http://en.wikipedia.org/wiki/The_Smurfs > Apparently Smurfs are huge in Belgium. > > http://www.mcphersonassociates.com/enews/UnicefSmurfs.htm > > Tristan > === > [EMAIL PROTECTED] > http://www.phonopsia.co.uk > > - Original Message - > From: "Peteri, Jochem" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, January 10, 2006 9:47 AM > Subject: RE: (313) new site > > > anyone involved in smurfs can be trusted. theyre pretty techno as well, > like > lil blue martians. combined with the highpitched vocals i guess its all on > topic. and lil smurfette is always on topic i guess : ) > > ah well... > > > > groet, > > Jochem, > Servicedesk ICT > > > -Original Message- > From: Odeluga, Ken [mailto:[EMAIL PROTECTED] > Sent: dinsdag 10 januari 2006 10:44 > To: Peteri, Jochem; 313@hyperreal.org > Subject: RE: (313) new site > > > There is a section in there called 'Actueel Nieuws' which you can > trust!! > ;-) > > > -Original Message- > From: Peteri, Jochem [mailto:[EMAIL PROTECTED] > Sent: 10 January 2006 09:33 > To: 313@hyperreal.org > Subject: (313) new site > > >> http://www.vader-abraham.com/ >> >> >> > > The information contained in this e-mail communication is solely > intended for the person/legal person to whom it has been sent, and as > it may contain information of a personal or confidential nature, it may > not be made public by virtue of law, regulations or agreement. If > someone other than the intended recipient should receive or come into > possession of this e-mail communication, he/she will not be entitled to > read, disseminate, disclose or duplicate it. If you are not the intended > recipient, you are requested to inform the sender of this e-mail message > of this immediately, and to destroy the original e-mail communication. > Neither Randstad Holding nv nor its subsidiaries accept any liability > for incorrect and incomplete transmission or delayed receipt of this > e-mail. > > The information contained in this e-mail communication is solely intended > for the person/legal person to whom it has been sent, and as it may > contain > information of a personal or confidential nature, it may not be made > public > by virtue of law, regulations or agreement. If someone other than the > intended recipient should receive or come into possession of this e-mail > communication, he/she will not be entitled to read, disseminate, disclose > or > duplicate it. If you are not the intended recipient, you are requested to > inform the sender of this e-mail message of this immediately, and to > destroy > the original e-mail communication. Neither Randstad Holding nv nor its > subsidiaries accept any liability for incorrect and incomplete > transmission > or delayed receipt of this e-mail. > >
Re: (313) Ghost of 313's past...
> > > On Wed, 14 Sep 2005, Thomas D. Cox, Jr. wrote: > >> -- Original Message -- >> From: "Lance @ Inaudible" <[EMAIL PROTECTED]> >> >> dan curtin might still be in cleveland but he seems to be >> maintaining a generally low profile. >> > > > > > god, id love to hear him dj again. heard him twice, killer both times. > Dan Curtain was just here in Belgium a month or so ago. Killed it. D
(313) Origins of House music on apple.com...
http://www.apple.com/pro/video/ramoseberhart/ The thing that caught my attention the most, was his mentioning, We were able to make it in our houses, thats one reason we called it house music. Didn't that name come from the (ware)House in Chicago? Has anyone heard of these movies? Are they any good? Dense.
Re: (313) RE: mayday mix - news on Jerry Lewis
>>Of course the more interesting question is: what is the original sample >>used by CC? > > for 4mypeepz? Maybe not the original sample source, but this remix (and the original) sounds ALOT like "Disco at the End of the Universe" by Dirty House Crew. The snare is almost the same (if not the same), and the melody is even very, very similar... http://www.discogs.com/release/7812 Dense.
RE: (313) DJ BONE - ATTACK - WEEK 3
> > -- Original Message -- > From: "Odeluga, Ken" <[EMAIL PROTECTED]> > >>I agree with Greg. Tom, this is a mailing list about music. No one's >>f* with you. > > okay, last week i post what i think about people getting sampled. > the response was "youre so f*cking disrespectful." this week i > post my opinion on how to keep people from taking an mp3 file that > somebody doesnt want anyone to have, and i get someone getting > their verbal jabs in about a completely unrelated topic. any > argument ive had in the past with that guy "/0" or whatever his > thing is usually started with me offering an opinion on music and > getting a personal attack in return. and i respond to personal > attacks the way i would any other time. I could care less who is who, or what is what, but can't you see that the majority (or dare I say it, the VAST majority) of squabbles on this list contain you? Seriously. This list *IS* about music, and you seem to think that any opinion different than yours is a personal attack on you. That is your deficiency, not the list's or other listmembers'. Personally, I could care less about whatever you sqaubble about, but the endless tirades the you continue to take to the public side of this list are bringing down the quality of the entire list. No, it's not your words that bring down the quality, it's the meaningless mails that create apathy towards the list. Some of the senior members of the list just have better things to do than listen to your relentless battles about how you are this or that or whatever else. They unsub, and the experience of everyone decreases, all because you have a gigantic chip that is immovable. Please. I don't know you from Adam, and I don't dislike you, nor have I said anything worthy of a personal attack towards you. Just let these things go, and let us talk about our music... or lack thereof... Dense.
Re: [Fwd: Re: (313) Robert Hood - Minimal Nation]
I have the same copy. > > > i put a thread up on discogs the other day about this... enquiring > about a 5 track promo a friend of mine has with hand written robert > hood minimal nation on it...cat # AX XA and AX XB. > > any thoughts... > > p > > Derek Plaslaiko. wrote: > >> >> >> >> over the years, ive aquired a few copies here and there. not all of >> them are identical. and i know some of you guys would have the proper >> solution to this. >> >> >> can we outline all the mispresses, with sound samples and track names? >> not so much full encodes or anything like that. just a page (that i >> can even host) that has 8 clips that would be the ACTUAL minimal >> nation, and then the 2 (or more...?) mispresses, with clips, and id's >> as to what the mispresses are? >> >> >> or maybe this has been done? >> >> >> >> derek. >> >> >> >> > > >
(313) RE: [SPAM] - RE: (313) Movement 2004? - Email found in subject
I've talked with people who were/are in on the making of the highlight film, of which the sole purpose is to solicite sponsorship money and vendors. I'd say that the outlook is pretty positive. Dennis -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Monday, December 15, 2003 2:27 PM To: 'Tom Churchill'; '313' Subject: [SPAM] - RE: (313) Movement 2004? - Email found in subject I've heard the gears are in motion. I'm sure we'll here some details early in the new year. The fact that there isn't a bidding war on it like last year should help smooth out the whole process. Cheers! G -Original Message- From: Tom Churchill [mailto:[EMAIL PROTECTED] Sent: Monday, December 15, 2003 7:49 AM To: 313 Subject: (313) Movement 2004? Anyone know if there's any firm plans for a Movement/DEMF event in 2004 yet? Cheers, Tom
(313) RE: [SPAM] - (313) work that mothafxcka - Bayesian Filter detected spam
The ones that are the most popular, are the DJ funk version, and the killabite (ben sims) version. You're probably thinking about the ben sims remake of it - which has some really funky congas/toms, and a bit different beat. Dennis -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: Friday, November 28, 2003 11:16 AM To: 313@hyperreal.org Subject: [SPAM] - (313) work that mothafxcka - Bayesian Filter detected spam how many mixes of this track are there? what are the more popular ones? I've been tracking down mp3s of it, but when I finally got it, its very unlike the song I was after (which I'd heard mills spin) perhaps the version I heard mills spin was just 2 or 3 records mixed, but there are female vocals saying something about "the men beat on their drums" and the tom sequences are much cooler than the original.. please help, I want to start working this into DJ outtings but Im at a loss now as to what to look for -Joe jinjin_a_gogo: i wonder what he's listening to in those bigass headphones while's he's spinning this shxt for us
(313) RE: [SPAM] - Re: Re: (313) Kraftwerk on tour - Email found in subject
Magda and I will be going :) :) They are already sold out tho, according to http://www.abconcerts.be Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 20, 2003 11:03 AM To: Glenn McClements; Martin; 313 Subject: [SPAM] - Re: Re: (313) Kraftwerk on tour - Email found in subject Does anyone fancy going to the Brussels concert? I got me tickets yesterday. High risk of more Technotourists being present... Cheers, John PS I'd be quick if you want tickets for the Brussels show. I saw plenty of people on a forum who had already bought some... >Anyone know if tickets are available for Barcelona yet? The Belgian ones >are already on sale from http://www.abconcerts.be/ > >>Barcelona for me - only two hours away on a plane - takes longer to get to >>London Village >> >> >>20/11/03 3:43 PM Blackman, Ryan (UKEKT)[EMAIL PROTECTED] >> >> >> >>>where's the UK? >>> >>>-Original Message- >>>From: Martin [mailto:[EMAIL PROTECTED] >>>Sent: 20 November 2003 3:39 >>>To: 313 >>>Subject: (313) Kraftwerk on tour >>> >>> >>>http://www.kraftwerk.com/flash/konzert.html >>> >
RE: Re: (313) 'Techno' Music
Don't forget that Kraftwerk had a tune named "Techno Pop" on Electric Cafe in 1986, as well. Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, October 24, 2003 8:34 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: Re: (313) 'Techno' Music >I always thought that Juan coined the term by taking the phrase from Toffler's book when he made 'Techno City' . It was Rushton who jumped on it and >pushed it as a genre name to try and differentiate thier music from Chicago House. aha, thats more than likely. my head tends to get muddled at the best of times, so forgive me. do I get half a point for trying though? I wanna win a 313 chequebook & pen. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) paxahau/kompakt
I haven't seen Detroit dance like that in a long while. Big ups to Paxacrew and to the people that came out and had a great time. For those that weren't there: The party started off at "Times Square Detroit", which normally caters to shiny shirts and sequins. Michel Mayer was playing some really wicked tracks, very "bleepy" and "bloopy", for lack of better adjectives. The intensity of the crowd hasn't been felt like that since at least DEMF. Reinhard Voigt came on with a live set that was extremely facsinating to listen to and at the same time EXTREMELY dancable. At 2am, the party was moved to the "afterparty" location, which happens to be the Legendary Burst Audio equipment warehouse. I shouldn't even have to add that the sound was impeccable, but it was - and the venue was a cement warehouse out on Michigan Ave., not too far from "the Works" or the Old Tiger Stadium. Immediately upon entering, everyone knew what was up. There was an electricity and a (dare I say) "vibe" that only a warehouse party in Detroit can offer, and it was certainly well recieved. The Paxahau residents, Drew Maddox and Chuck Flask were on point to start the after party, and as soon as the entire crowd had relocated, it was just madness. To close off the night, Deadbeat (from Montreal) played some really "dub" type ambient or downtempo that eased the crowd, and sounded spectacular. Dennis BTW - I'm still recovering, and I'm sure that most everyone is - as Christian Bloch's going away party on Friday kicked off the madness, and Saturday drove it home... -Original Message- From: atomly [mailto:[EMAIL PROTECTED] Sent: Monday, September 29, 2003 1:53 PM To: 313@hyperreal.org Subject: (313) paxahau/kompakt I'm pretty damn surprised nobody's been talking about this. The Paxaahau Five Year Kompakt Party (Three Parties in One!) totally went off in Detroit last weekend. Haven't raved (yes, I raved) like that in years. -- :: atomly :: [ [EMAIL PROTECTED] : www.atomly.com ... [ atomiq records : po box 805319 chicago il 60680 : 312.804.5389 ... [ e-mail [EMAIL PROTECTED] for atomly info and updates ...
RE: (313) I Love Techno in the Fall.
>>does anyone else find that their musical tastes change with >>the seasons? I always reach for my "Smiths" and "cure" records in the Fall. They seem to go together with Autumn, like Beer and nuts... (for me) Dennis -Original Message- From: Lee Herrington IV [mailto:[EMAIL PROTECTED] Sent: Thursday, September 25, 2003 10:13 AM To: 313 Subject: (313) I Love Techno in the Fall. >>does anyone else find that their musical tastes change with >>the seasons? cheers, lrh
RE: (313) ANYTHING TO DO THURSDAY/FRIDAY IN THA D?
Besides the $25 Motor reunion on Friday night, there is also a Detroitluv.com "bandwidth" party: http://www.detroitluv.com/index.php?board=4;action=display;threadid=10130 There is also a going away party for Christian Bloch, Mike Perry, and their respective women ;) http://www.detroitluv.com/index.php?board=4;action=display;threadid=10090 Cheers, Dennis -Original Message- From: Stephen Hart [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 23, 2003 12:34 PM To: 313@hyperreal.org Subject: (313) ANYTHING TO DO THURSDAY/FRIDAY IN THA D? HELP! I have a friend from Brasil who is leaving within a week that wants to go and hear some good house or techno. I haven't had time to go out for months because of school (and the fact that I live in East Lansing because MSU just HAS to be in the middle of the state) and work, so if anyone could please let me know of any good events going on this week, I would greatly appreciate it. Stephen Dallas Hart _ Instant message in style with MSN Messenger 6.0. Download it now FREE! http://msnmessenger-download.com
RE: (313) Laurent Garnier
I was at the Detroit show (well, all three of them actually). The party
happened at 3 different locations throughout the night, as it got busted at
the first location (Johannen gallery?) moved to corktown tavern (which had
to close due to bar laws) and then moved to "the Works" to wrap it up.
Wicked time, though, and he even played some remixes of his own stuff via CD
player (man with redface rework etc.)
Dennis
-Original Message-
From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 11, 2003 10:06 AM
To: '313@hyperreal.org'
Subject: (313) Laurent Garnier
A new release from Garnier with three mixes he's done over the past few
years, one in detroit. Was anyone at the detroit show ? Too bad they didn't
add the Sonar mix from this year!
Laurent Garnier : Excess Luggage
Extremely limited release! Features 3 live mix CDs. Disc 1 'Mix At Sonar',
recorded live in June 2000, disc 2 'Mix In Detroit', recorded live in
November 2002, and disc 3 'PBB Late Night Mix'. Packaged in a metal
'mini-suitcase', which folds out, and features room for 2 more discs, which
will be available exclusively through the F Communications label website
('10 Years At The Rex Club Mix', & 'BBC Annie On One Mix'). Also includes a
20 page color booklet designesd especially for this tour.
---
Peter Grammenos
Goldman Sachs & Co.
Tel : 212.902.2446
---
RE: (313) gear list subscribe address
I think he was actually asking about [EMAIL PROTECTED] which requires you to sign up at groups.yahoo.com first, and then add the group. BTW - if anyone is interested, I have a production oriented board up at www.dungeonofdetroit.com Dennis -Original Message- From: MM [mailto:[EMAIL PROTECTED] Sent: Thursday, September 04, 2003 3:50 PM To: House of Suki Cc: 313@hyperreal.org Subject: Re: (313) gear list subscribe address well here is the info for Analog Heaven its all old analog gear discussion as well as new Virtual analog discussion. http://machines.hyperreal.org/Analogue-Heaven/ Here is the archive page for Digital Hell. you can search the archives and it also tells you how to subscribe http://www.midiwall.com/archives/dh/#Subscribe hope that helps... michael www.renegaderhythms.com House of Suki wrote: > Technical oriented. repairs and such on old gear > > -Original Message- > From: MM [mailto:[EMAIL PROTECTED] > Sent: Thursday, September 04, 2003 11:32 AM > To: House of Suki > Cc: 313@hyperreal.org > Subject: Re: (313) gear list subscribe address > > which gear list are you looking for?? analog heaven? digital hell?? or > more > specific like the waldorf list??? > > michael > www.renegaderhythms.com > > House of Suki wrote: > > > What is subscribe addy for the gear list? I could not find it on > hyperreal > > > > thnx > > _alt
(313) Plastikman - Closer
Please forgive me if this has already been discussed, as I haven't yet seen anything about it. After giving "Closer" a few listens, I have to say that I'm very impressed at not only the musical quality but the way in which "Plastikman" was able to keep that traditional Plastikman sound, yet meld it into a new album that isn't walking on exactly the same ground that he's walked before. The whole album plays out like an album should, a full context of itself, with each song becoming a part of a greater whole, which is very enjoyable as a listener. All of the compositions include somewhat basic production methods, but used in a sort of finesse that really uses each part to its potential, instead of relying on tons of layers to tune out things that don't quite work. The very industrial-inspired vocal work is pretty non-descript and not over-the-top or cheesy, as one would suspect simply given the description. The heavy use of delay and reverb gives every production a lot of space and feel, ala "Consumed", but the songs all have more of driving presence akin to the direction of earlier albums (sheet one, musik). This album is a marvel in keeping pace with expectation without dissapointing the faithful followers of a specific sound, while adding some new elements. Definitely Plastikman, but at the same time, definitely new. Buy on site. -dmd
RE: (313) 2 track id's
The horn song, by DJ Pierre? On Strictly Rhythm? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, July 31, 2003 1:39 PM To: Odeluga, Ken Cc: Phonopsia; ed612313; 313@hyperreal.org Subject: RE: (313) 2 track id's that song reminds me of 'music sounds better with you' and that song with the trumpet (maybe its called trumpet song?). all from the same summer of 98(?) On Thu, 31 Jul 2003, Odeluga, Ken wrote: > >Eddie Amador's 'House Music' on Yoshi Toshi. Seems its had a bit of a > >revival lately! > > > >Tristan > > Never died in my house! (No pun intended.) > > k >
RE: (313) Technics 1200s question
That's not entirely true. I used to own a pair of Technics 1200s that were brought over from Germany, and the PSU on that model could handle 110v-120v 220v-240v and 50hz-60hz. I didn't have to do anything except change the plug. I see that all of the ones being sold in the UK and Germany advertise the same sort of power supply, but I don't know if the ones sold in the US have the same PSU. It's very likely that it will say the power supply properties where the power cable exits the molded plastic. If it can handle 110v-120v 220v-240v and 50hz-60hz, then you'll only need to change the type of plug :) Dennis -Original Message- From: ::P [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 22, 2003 5:16 PM To: Dennis DeSantis; 313@hyperreal.org Subject: Re: (313) Technics 1200s question hey dennis, probably nto gonna be easy. you can get a step up tranformer from radio shack though, and it will handle the conversion for you - Original Message - From: "Dennis DeSantis" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, July 22, 2003 5:04 PM Subject: (313) Technics 1200s question > Hi folks, > > I'm no DJ, so this is probably a dumb question for most of you. > I'm wondering if it's possible/easy to modify the Technics 1200 to have > a power supply that's switchable between US and European voltages? > There doesn't appear to be a handy switch for it the way there is on > lots of computer gear. > Anyone done this? > > Thanks, > > -- > Dennis DeSantis > www.dennisdesantis.com >
RE: (313) Chris Liebing
There are a few different thoughts on how Schranz [the word] originated (some say that it was used in WWII comic strips as a loud onomatopoeia) (others say that it was made up combining the German words Schrieen (to Cry or Yell out : To scream) and Tanzen (to Dance) - which would mean dancing and screaming at the same time...). Chris Liebing started using this word on his release in 97-98, and it has come to define a form of techno that sound like really fast organ grinder music (ala the Stigmata releases, or alot of umek records, you can also hear that sound on alot of schall-platten records). This created a movement in Germany, where there was a large following of "trendy" types of clubgoers - alot like the "Trance" following in America, which may be where the "bad word" connotation stems from (bad meaning "tasteless" not offensive). Cheers, Dennis -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: Thursday, July 17, 2003 8:46 AM To: 313@hyperreal.org Subject: Re: (313) Chris Liebing yes but apparently it has some negative connotations..as if it is a swear word or something along those lines fab - Original Message - From: "ian cheshire" <[EMAIL PROTECTED]> To: "David Powers" <[EMAIL PROTECTED]>; "'Jernej Marusic'" <[EMAIL PROTECTED]>; "'m a t t [d]'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, July 17, 2003 2:33 PM Subject: RE: (313) Chris Liebing > shranz is the german way of describing hard techno. I think :) > > -Original Message- > From: David Powers [mailto:[EMAIL PROTECTED] > Sent: 17 July 2003 01:33 > To: 'Jernej Marusic'; 'm a t t [d]'; 313@hyperreal.org > Subject: RE: (313) Chris Liebing > > > What is "schranz"??? > > -Original Message- > From: Jernej Marusic [mailto:[EMAIL PROTECTED] > Sent: Wednesday, July 16, 2003 6:18 PM > To: 'm a t t [d]'; 313@hyperreal.org > Subject: RE: (313) Chris Liebing > > I've heard him 2 months ago. Really boring hard techno (schranz), and > his > mixing was also boring. He seams to like playing with gadgets, so he had > Alesis AirFX, Korg KaosPad2, some music to midi sync thing and laptop > with > final scratch. Most of the mixes was like one track playing with fx, > second > track playing with fx... but all the rave kiddies seam to like him > around > here. > > > Jernej > www.soundoflj.com/octex > > > -Original Message- > > From: m a t t [d] [mailto:[EMAIL PROTECTED] > > Sent: 16. julij 2003 15:07 > > To: 313@hyperreal.org > > Subject: (313) Chris Liebing > > > > > > > Anyone seen Chris Liebing spin? He's here on Friday @ > > Space34 and I was > > > going to go check him out I was wondering if anyone had > > heard him before. > > > > I saw him at the End for an 'open for torture' night. I'd > > heard some good > > sets of his before so I was hopeful. However when I saw him > > it was the most > > soul destroyingly bland hard as nails techno with very little > > imagination. > > Technically able, but there was no real funk to it. I like a > > bit of hard > > techno but he completely turned me off. > > > > There again, people have told me since that that's what you > > get at an 'open > > for torture' night anyway so maybe he's better at a place with a less > > proscribed music policy. > > > > Matt > > > > --- > > [EMAIL PROTECTED] > > > > > > --- > Incoming mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.501 / Virus Database: 299 - Release Date: 14/07/03 > > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.501 / Virus Database: 299 - Release Date: 14/07/03 >
RE: (313) version most familiar to me
> Do you think these people really hear the strident trebles and excited > musicianship of 1970s music and think it stylistically obvious that the hard > 909 kickdrum and joyless trance arrangements of the 1990s are a more vintage > sound? Or has the word "original" become, for them, a euphemism for "version > most familiar to me"? I think you are correct, in that "original" = "version most familiar to me". Several times now, I've played Stevie Wonder's "Pastime Paradise" (from Songs in the Key of Life), and had people ask me what kind of BAD cover this was of "Coolio".
RE: (313) VERY OFF-TOPIC. DON'T READ IT
Also try: 1) go to google.com 2) type in "great french military victories" 3) hit the "I'm feeling lucky button" -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Wednesday, July 16, 2003 9:28 AM To: [EMAIL PROTECTED] Org Subject: (313) VERY OFF-TOPIC. DON'T READ IT but I couldn't resist! Try this soon, before Google fixes its site: 1) Go to Google.com; 2) type in (but don't hit return): "weapons of mass destruction" 3) Hit the "I'm feeling lucky" button, instead of the normal "Google search" button; 4) read what appears to be a normal error message carefully. k
RE: (313) Tour de France 03 video
Apologies if you get this twice, because I recieved it through 313, but it appears no one else did... -Original Message- From: Dennis Donohue [mailto:[EMAIL PROTECTED] Sent: Thursday, July 10, 2003 10:29 AM To: '[EMAIL PROTECTED]'; 313@hyperreal.org Subject: RE: (313) Tour de France 03 video Alex said: look, I'm not starting anything, and this is not a sarcastic question. But, >This is why Juan Atkins came up with a similar sound with out even hearing of Kraftwerk. Is this true? just interested to know. -- Dennis: This taken from: http://www.jahsonic.com/DetroitTechno.html "I've always been a music lover," says Juan Atkins. "Everything has a subconscious effect on what I do. In the 1970s I was into Parliament, Funkadelic; as far back as '69 they were making records like Maggot Brain, America Eats Its Young. But if you want the reason why that happened in Detroit, you have to look at a DJ called Electrifying Mojo: he had five hours every night, with no format restrictions. It was on his show that I first heard Kraftwerk." He admits that Mojo was the reason for what happened in Detroit, and attributes that to the fact that he first heard Kraftwerk on that show...
RE: (313) Tour de France 03 video
look, I'm not starting anything, and this is not a sarcastic question. But, >This is why Juan Atkins came up with a similar sound with out even hearing of Kraftwerk. Is this true? just interested to know. -- This taken from: http://www.jahsonic.com/DetroitTechno.html "I've always been a music lover," says Juan Atkins. "Everything has a subconscious effect on what I do. In the 1970s I was into Parliament, Funkadelic; as far back as '69 they were making records like Maggot Brain, America Eats Its Young. But if you want the reason why that happened in Detroit, you have to look at a DJ called Electrifying Mojo: he had five hours every night, with no format restrictions. It was on his show that I first heard Kraftwerk." He admits that Mojo was the reason for what happened in Detroit, and attributes that to the fact that he first heard Kraftwerk on that show...
RE: (313) Tour de France 03 video
Just because Kraftwerk came out with music using the same instruments, does not mean that it _sounded_ the same. If all music created with like instruments sounded exactly the same, than Jimi Hendrix should have never even picked up a guitar... Spw, you have good "devil's advocates" thoughts and comparisons (and that type of thinking is usually condusive to broader horizons), but you really do put your foot in your mouth alot... Dennis -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Thursday, July 10, 2003 10:00 AM To: 313@hyperreal.org Subject: Re: (313) Tour de France 03 video make that + synthesizers. That's the premise of all electro and techno music: "look I can make futuristic sci-fi sounding music with this mechanical sounding drum machine and electronic sounding on synthesizer which does a poor job imitating acoustic sounds" --- spw <[EMAIL PROTECTED]> wrote: > The man machine concept = mechanical sounding drum machines = synthesizers. =
(313) OT: need assistance with Record label legalities/song licensing l aws
If anyone that is very familiar with song licensing and record label legalities could spare a few minutes to discuss something privately, I'd be indebted... Dennis Donohue
RE: (313) Cartridges for SL1200's
I used to buy Stanton Carts and styli, and I was buying them about one replacement stylus every 6 months (and carts about once a year, sometimes twice), until I purchased my first set of Ortofons 4 years ago. They lasted over 2 years (styli were pretty worn, but never had any cartridge problems at all), and I'm on my third set now (one set was stolen). I've NEVER had the problem described with a tonearm, and when I was using stanton's I remember the contacts being very small, which in turn led to alot of cartridges buring out fast (and then you have to lick the contacts, etc.). I've never had to do anything like that with any ortofons that I've used. My tables are 6-7 years old, and I've been using ortofons for 4 years, with none of the aforementioned problems... Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, June 23, 2003 12:21 PM To: 313@hyperreal.org Subject: RE: (313) Cartridges for SL1200's > I would say to stay away from the one piece Ortofons. They have been known > to mess up the tone arms on technics turntables because of size the > contacts. If you can, compare how much bigger the contacts are on an ortofon > compared to a normal headshell, they will push the contacts apart inside > your tone arm causing them to come loose after time. Anyone else ever had > this problem? > I have always heard this from people who don't own ortofon needles. and have had friends who have had ortofons for a few years with no problems like this. i just can not imagine ortofon would realese a product tha would destroy the tone arm, who knows maybe i'm wrong? on the same note, stanton trackmasters and groovemasters are the same style as the ortofon one peice style and the contacts are even bigger and i never hear this rumor about them? > Ortofon makes a good sounding cartridge though, you should check out the > ones that mount under a headshell. The model #s on these all start with OM. > Musicians friend has the OM PRO S with an extra cart for 49.99 right now, > you could get 2 for just over a hundred with shipping. > i have used these carts and they sound really good and track very good. they look funky as hell. scotto laninsg, mi. plaztikjezuz.com
RE: (313) Crazy sick
My sore throat started Sunday, and now it's moved into a full on lung thing. :( :( Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, May 30, 2003 2:22 PM To: Anya Stang Cc: 313 Subject: Re: (313) Crazy sick "Anya *too jet-lagged and nose-blocked to write more atm*" Anybody else come back and immediately get sick as a dog? My wife and I are both fighting nasty cold/sore throats note to Drew - I'll try to be better before we meet up this weekend ;) MEK Anya Stang <[EMAIL PROTECTED]To: 313 <313@hyperreal.org> erve.co.uk> cc: Subject: Re: (313) Crazy 05/30/03 12:37 PM Spot on Nicole! At least that's what I think, too. Can I please turn the clock back and do it all over again?! I had such a good time - one of the best birthday treats for me ever! : ) Anya *too jet-lagged and nose-blocked to write more atm* On Friday, May 30, 2003, at 06:59 PM, nicole wrote: > >> I didn't see Richie or Juan so I cannot comment about that. As I said >> about Mills I kinda wished he'd played a wicked bangin' set (vs the >> hit >> parade) > > my take on this was totally different. i thought as the finale to the > year > that Detroit artists took their festival back, he was playing a set > that > reflected something of a history of the music and it's diversity but > maybe > i'm just totally out there... ?
RE: (313) Body Surfing and Moshing
here is the article, in case anyone wants to read it. http://www.freep.com/entertainment/music/move27_20030527.htm -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, May 28, 2003 4:32 PM To: Carissa Tintinalli Cc: 313@hyperreal.org Subject: Re: (313) Body Surfing and Moshing the Freep article on Tuesday had something like - it seemed like more of an excuse for kids to cut loose away from parental supervision - (I'm paraphrasing) I agreed wholeheartedly with the statement. MEK "Carissa Tintinalli" To: 313@hyperreal.org <[EMAIL PROTECTED]cc: mail.com>Subject: Re: (313) Body Surfing and Moshing 05/28/03 03:05 PM I was at the Pontch as well for the second year in a row and it was WAY more out of control this year. Last year, there was a big Judo convention at Cobo and many of those attendees were in the hotel. Also, all of the National Guard (about 100) that were helping with border security at the time were staying there as well. So no matter where you went, you were surrounded by people who could kick your arse if you acted up. As for the crowd surfing and moshing, we were discussing this at the media tent on Monday. I don't remember seeing it quite that bad in previous years. Two of the people I was working with were from a local media relations firm and not familiar with the techno scene. The rest of us were explaining that we were just as stunned as that is NOT something electronic music fans are into. I blame it on local teenagers who only came down because there was "something going on at Hart Plaza". >From: [EMAIL PROTECTED] >To: 313@hyperreal.org >Subject: (313) Body Surfing and Moshing >Date: Wed, 28 May 2003 14:42:00 -0500 > >so the only low points for us were the attitudes and actions of a large >number of people staying at the Pontchartrain. One couple apparently >arrived well after their check-in time and lost their reservation - at >which point the female of the couple proceeded to call the poor desk clerk >every name in the book. We later saw her and her boyfriend fighting. The >hallways were trashed, etc. I don't think the party on the terrace level >helped in any way. Anyone go to that? The feeling in the hotel was more >Miami/WMC than Detroit I thought. The two rooms on both sides of us were >busted early Sunday morning and I think everyone was kicked out because it >was really quiet after that. We heard several people (during the long >elevator rides) saying they were being kicked out of the hotel. > >Hey Fred, you were staying there too - your thoughts? > >MEK > >p.s. so did a bus load of Pearl Jam fans make up portion of the crowd at >the main stage? > > > _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
(313) In Detriot Tonight (Thursday) DIVERSITY
See fellow 313er: __IAN CHESHIRE__ aka Kube72!! (first time in Detroit) "DIVERSITY" Hosted by Logixhouse.com and TechnoCity Records 88TH AVE. 10200 Conant, Hamtramck (313)871-0550 GUESTS: *Ian Cheshire aka kube72 (Tag Records/U.K. - techno) *Der Mercenary (mp313.com, Mission:Detroit, DST, - techno) RESIDENTS: *Neil V (TechnoCityRecords/Detroit - techno) -18+, 10pm-2am, no cover
RE: (313) John Acquiviva
Paxahau had an event there not too long ago (Times Square Detroit). It's normally one of those places where you have to lay down a credit card to get a reserve booth, etc. They usually don't play proper techno (that I know of). Dennis -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Tuesday, May 20, 2003 2:06 PM To: Kent williams; Grammenos, Peter Cc: 'Ryan Snowden'; 313@hyperreal.org Subject: Re: (313) John Acquiviva johns playing at times square in detroit this sunday does anyone know what the hell that is? I've never even HEARD of times square in detroit. :\ - Original Message - From: "Kent williams" <[EMAIL PROTECTED]> To: "Grammenos, Peter" <[EMAIL PROTECTED]> Cc: "'Ryan Snowden'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, May 20, 2003 11:42 AM Subject: RE: (313) John Acquiviva > Speaking of live PAs -- book Tony. He bangs it! Some of my favorite > Rotation nights in Iowa City came courtesy of the Hidden Agenda crew. > Who could ever forget Dietrich Schoenemann jumping the curb into someone's > front yard in a rented Subaru Outback? > > Oh, and they play good techno too! > > On Tue, 20 May 2003, Grammenos, Peter wrote: > > > > TONY ROHR PURISTS KILL TECHNO HIDDEN AGENDA > > >
RE: (313) Museum of techno
Martin said http://www.museumoftechno.org/ F*cking is discouraged apparently That's hilarious. Did anyone else catch on the first page: "he museum of techno exists to preserve, research and celebrate our shared techno heritage. The museum was founded in 1837, around founder Sir James Soame's unique collection of badboy kickdrums. It moved from its original location in Manchester to premises in London in 1863, opening its doors to the general public for the first time. 1837 ?? Dennis.
(313) DEMF Meet and Greet, May 23rd
This is a reminder that Magda and I will be having our "Meet and Greet" for 313ers, Dluvers, Mission:Detroiters, G-techers, and all techno enthusiasts. We found that it is really nice to be able to recognize faces throughout the weekend, by meeting people beforehand. Due to some recent happenings at our house, I'm going to have to ask all interested parties to contact me individually to get directions. We will be BBQing and we'll have kegs, as well as some good music playing. We plan on starting in the afternoon (4 o'clockish) and going until the pre-parties start (11? or 12?). If you'll be in town on or before Friday, we'd love to have you over :) Please contact me at [EMAIL PROTECTED] for driving directions or any questions. Dennis Donohue
RE: (313) HOOD
Just so everyone knows, Rob Hood will NOT be at recordtime tonight, as per a post on www.detroitluv.com. -Original Message- From: Kookie [mailto:[EMAIL PROTECTED] Sent: Friday, May 02, 2003 2:01 PM To: Pryor, Ryan N; 313@hyperreal.org Subject: Re: (313) HOOD For the Detroiters out there, Hood will be playing at Recordtime May 9th @ 8pm for 3 hours. DJ set with live elements.
RE: (313) Best club night names (was Friday)
Best one that I can think of atm, is the night here in Detroit that celebrates women (djs and producers). It happens once monthly, and is called "flow". Cheers, Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, May 02, 2003 11:33 AM To: Martin Cc: 313 Hyperreal. Org Subject: Re: (313) Best club night names (was Friday) So this got me thinking about names for club nights - what's some of the better ones you fellow 313ers have run across? Most of the nights around here are called "Ladies Night" for some reason ;) MEK Martin <[EMAIL PROTECTED]To: "313 Hyperreal. Org" <313@hyperreal.org> com> cc: Subject: (313) That Friday Question 05/02/03 08:05 AM There's a new night starting in your town, there no names on the posters or flyers that you recognise but it looks kinda cool and the price looks OK, do you go?
RE: (313) Here we go....
Is there a URL for this info? Or an article explaining it? Dennis -Original Message- From: Sylvia [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 10:01 AM To: 313 list Subject: (313) Here we go Wave Music is pioneering a new format: CD Twelve! CD Twelves is a revolutionary format of music, which simultaneously meets the demands of both mainstream music lovers and DJs. The concept behind CD Twelves is quite simple: 12" on CD. This innovation will appeal to the music savvy consumer who desperately wants access to the music being played in clubs, previously available only on vinyl or on compilations, as well as to DJs who are increasingly incorporating CDs into their sets. 3 Wave's CD twelves will be out on April 29th.
RE: (313) gotta do the do/do the do/do da doo?
Robotman "Do Da Doo" - released on: Robotman - Never (Definitive) Catalog#: 12DEF003 Tracklisting: a1 Never (Late Night @ Heaven Mix) a2 Never (Richie's Freakin' Mix) remix by Richie Hawtin a3 Hypno-Freak co-produced by Richie Hawtin b1 Never (Karl's Krispy Dub) remix by Karl L Kowalski b2 Never (DBX mix) remix by DBX b3 Do Da Doo Cheers, Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 30, 2003 10:59 AM To: 313@hyperreal.org Subject: (313) gotta do the do/do the do/do da doo? I have always been curious. who originally composed this song. i have quite a few releases of it on definitive, but also have a older recording of a simular track on an old acid house comp. i thnk marshall jefferson did that one (dont have wax here right now), but it has a simular riff w/ a cool sax solo. how many versions are out there of this track? scotto lansing, mi. plaztikjezuz.com
(313) OT - DEMF meet and greet 23rd
Since the DEMF-meetup-list has little to no activity, (and it hasn't been discussed (the list) on this list), I figured that I'd remind everyone that Magda and I will be having a meet and greet at our house on the 23rd (Friday). We'll have an international contingency setting up base at the house, so it'd be nice to see some new and old faces from the list. I'll be more specific in the weeks to come - but if you are arriving in Detroit on or before Friday, keep us in mind. We're in Southfield, very close to the Lodge (M-10). Cheers, Dennis
RE: (313) Amsterdam next week
KJ lamented: Ah queensday don't ya love it :) It's almost as great as Memorial Day :) :)
RE: (313) plastikman font
Sorry to keep this dying thread going, but when I was browsing through the link that Sicko gave, I came across this font: http://www.fontshop.com/virtual/FSSF/products/fuse10.htm Did anyone else see the most recent Plus8 logo in there? Pretty w4rm. Dennis -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 23, 2003 9:50 PM To: Dan Sicko Cc: [EMAIL PROTECTED]; [-[-]-[]-[|]-]; spw; 313@hyperreal.org Subject: Re: (313) plastikman font one more item on this: http://www.fontshop.com/virtual/FSSF/products/fuse04.htm On Wednesday, April 23, 2003, at 07:57 PM, Dan Sicko wrote: > The font is called "(F) Uck N' Pretty," designed by Chicago's Rick > Valicenti. It was part of the Fuse 4 collection of conceptual fonts. > > -d
RE: (313) the weather
I think moods and music are very interrelated, and I think you can say the same about weather (and moods). I also think that seasons play a part in the "weather" scheme, as I have music that I generally listen to in the fall (read: The Smiths, Morissey). Dennis -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Thursday, April 17, 2003 10:03 AM To: 313@hyperreal.org Subject: (313) the weather simple question: does the weather strongly influence the music you listen to? i realise a lot of the music i listen to, regardless of genre, has a melancholic edge to it (which is why a lot of 'detroit' music really touches me), which when the sun shines, say, is not really fitting for my mood. (i usually listen to dub, 70s reggae when the sun shines) i just wondered what others thought. obviously cos i live in manchester uk, it's p**sing down most of the time and i'm playing the 313 all the way :) just thought we could do with discussing music for a change :) cheers robin...
RE: (313) re: Mills on NSC
The Brown Brothers are really good friends of Ron Murphy. -Original Message- From: Dr Underground [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 16, 2003 9:48 AM To: 313 web Subject: (313) re: Mills on NSC I just purchased this record, and it is hot as Hell!!, Jeff has done it again. However i like the remixes better than the Jeff Mills mixes. Who are the brown brothers? and how did they pull this off or is it just another UR name change deal -Original Message- From: Klaas Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: Friday, April 11, 2003 7:14 PM To: 313@hyperreal.org Subject: (313) Mills on NSC Anyone who heard this: Jeff Mills and NSC Records have teamed up to bring you this soon to be Techno classic: “TWILIGHT SCENARIO’’ here is another innovative masterpiece by the master “Wizard’’ himself. Recorded especially for NSC Records. TWILIGHT SCENARIO is NSC 9/10 with remixes by The Brown Brothers Tony & Unsel Brown. from: http://www.nscrecords.net/ any soundclips or reviews?
RE: (313) Mills on NSC
I heard this at NSC in January, very cool tune, although it lacks a prominent Kick throughout. It's more in the flavor of "every dog..." than in any Purposemaker style. The remixes are actually quite good - and any long time 313ers should cuckle at the name of the brothers doing the remixing: Tony and Unsel Brown Cheers, Dennis -Original Message- From: Klaas Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: Friday, April 11, 2003 7:14 PM To: 313@hyperreal.org Subject: (313) Mills on NSC Anyone who heard this: Jeff Mills and NSC Records have teamed up to bring you this soon to be Techno classic: “TWILIGHT SCENARIO’’ here is another innovative masterpiece by the master “Wizard’’ himself. Recorded especially for NSC Records. TWILIGHT SCENARIO is NSC 9/10 with remixes by The Brown Brothers Tony & Unsel Brown. from: http://www.nscrecords.net/ any soundclips or reviews? [EMAIL PROTECTED]
RE: (313) UR
>While I do not support the rip-off, I think the footer message "War when >necessary" sucks big time. >Peace in the good times/War when necessary. What defines necessity. >If the US economic situation continues to deteriorate does this necessatate >enforcing control through trigger happy kick ass advanced technology toting >red-necks - know what I'm sayin'? When plugged into my "anti war-talk" machine: I need a good foot massage. Big time. Bunnies make kick ass red-neck soup. Cheers. -Original Message- From: Kai [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 09, 2003 2:25 PM To: 313@hyperreal.org Subject: Re: (313) UR
RE: (313) handbags
I usually don't reply to things like this, as it just clutters up an already cluttered list. Why are you taking offense if you didn't bootleg? It seems clear that the comment is directed soley at the bootleggers, and not at all at Brittish people in general. Cheers, Dennis -Original Message- From: rob [mailto:[EMAIL PROTECTED] Sent: Monday, March 24, 2003 9:52 AM To: Paul Hudson; 313@hyperreal.org Subject: RE: (313) handbags Hello, The killer here is that it has taken years for music to pull people of all nations together and its ignorant comments like this that help to drive us apart real quick. Here in Britain, just like in the US we have people of all colours and from most countries, so unless you know what colour and nationality the person is that bootlegged the tracks I suggest you just say "Scum"! That way you can make your point about that fact that you are unhappy with bootleggers (not the colour of the bootlegger or should I say...lack of it) without offending your white friends here in the UK that buy tons of "Detroit's musical underground" I hope colour does not come into it again, music has no colour! Peace -Original Message- From: Paul Hudson [mailto:[EMAIL PROTECTED] Sent: 24 March 2003 13:46 To: 313@hyperreal.org Subject: Re: (313) handbags Particularly offensive when 'Pasty-White British' are busy fighting and dieing for the current 'regime target'. And where would Detroits musical underground be without the 'pasty-white British scum' who worship the music? Not pressing up limited records to sell at an inflated price in order to get rich quick, thats for sure. As the statement says "-- the ironies are just too much to take" > contingent (too bad we can't tell 43 that the next regime target should be > all the pasty-white British scum who bootleg Detroit's musical underground > -- the ironies are just too much to take). Another great piece of deep > > "Pasty-White British Scum"? I ain't no bootlegger, but that offends. Does > he fancy saying that face to face? >
RE: (313) a night without a name
I just want to make a quick response, to state that I attended one of these events, about a month ago, and it was *TOP NOTCH*. Very cool club, that is both eccentric and inviting - cool selection of beer, awesome presentation - and great talent. We had a lot of fun. -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 04, 2003 1:37 PM To: 313@hyperreal.org Subject: (313) a night without a name Just thought i'd pass along the info for this party, if anyones going to be in the Toronto, Canada area this weekend. Cheers! Saturday March 8th A Night Without A Name featuring a very special performance... by a known nomadic minimal techno & deephouse dj/producer, who has performed all over the world, and has numerous releases on the most respected underground labels. alongside a dj and another dj, spinning deephousetechnosoul. no cover, 19+ Volume Lounge 577 King St. West 416-280-6436 http://www.anightwithoutaname.com
RE: (313) Surgeon - How good is he?
I've seen Tony Childs a few times, and he ALWAYS brings it. Plays pretty hard - MHS (that's what we call it), and if you're a fan of his production, you're sure to have a grand time. He always has 15 - 20 remakes of his own stuff, dubplates (the last time he used final scratch), and he's just a really fun DJ to watch and dance to. Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 26, 2003 11:32 AM To: 313@hyperreal.org Subject: (313) Surgeon - How good is he? ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** I'm thinking of going to hear Surgeon DJ this w/e & was wondering what peoples general opinion of him is. Has he got the skills? I'm seem to remember his style is what my mates call 'ARMS' (i.e quite hard!) Cheers, G.
RE: (313) Tektite and Mad Monkey records
the other mailing list = global techno Info = http://www.hardcorps.org/gtech/info.htm -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: Friday, February 14, 2003 6:23 PM To: [EMAIL PROTECTED] org [The Music Institute] (E-mail) Cc: Cyhl Subject: RE: (313) Tektite and Mad Monkey records > and if you want more info on merrick brown, he has his own website.. > http://www.merrickbrown.net Merrick used to be an active member of 313... he is missed. The kid can MIX!! and a really nice guy to boot. Didn't he start up another list or something? Reminds me to dig up my old Tektite records... Stewart Walker and Chis Gray from 1998, etc. peace, Matt MacQueen
RE: (313) t-1000 interview (techno rant)
But aren't you the same Rob Jarvis that used the name "Killabite", to make a third record even though Ben sims (who played a large part in the other records) asked you not to? I must admit, the work on that record would fall into the "tracky" Swedish category as well. If that sound is bastardizing techno, I think you're at fault as well... D -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 12, 2003 11:06 AM To: [EMAIL PROTECTED]; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) t-1000 interview (techno rant) Hmmm. Steady on there, i can't believe some are comparing Derrick Mays - Wiggin / nude photo to the over produced blandness of Adam Beyer's drum code series. or am i wrong? yes i do fall into the to the older (elitist) generation, the reason for maturing away from techno is because the "tracky" Swedish sound has bastardised MY interpretation of real Techno. labels like Transmat set the standard for ME. The rest can follow i'll still dip my toe in a bit, the 'new' techno by listening to stuff from Umek, Carola...but it just doesn't do it for memaybe it's the strings. ...phew! loads to say on this I'll be back ;-) Rob Jarvis. Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback > From: "Toby Frith" <[EMAIL PROTECTED]> > Organization: Telegraph Group Limited > Reply-To: "Toby Frith" <[EMAIL PROTECTED]> > Date: Wed, 12 Feb 2003 14:54:40 - > To: "spw" > electronic music genres out there, I would attribute the lack >> of interest to the popularity of house and trance and the >> older >> (elitist) generation maturing away from techno to other >> forms >> of electronic music. (i.e., IDM, Larry Heard, Broken Beat, >> Moodyman, "soulful" house, electro, ect..) >> One of the major dance ma>, <313@hyperreal.org> > Subject: Re: (313) t-1000 interview (techno rant) > > "How is Drumcode really that different than Mayday, Wiggin > (one of the first techno records) or Nude Photo?" > > That's a big can of worms you're opening there. > > > > > *** > This e-mail is from Telegraph Group Ltd. - 1 Canada Square, Canary Wharf, > London E14 5DT. > Registered in England No 0451593. > This message, its contents and any attachments to it, are private and > confidential. Any > unauthorised disclosure, use or dissemination of the whole or any part of > this message (without > our prior consent in writing) is prohibited. If you are not the intended > recipient of this message > please notify us immediately. No contracts may be concluded on behalf of > Telegraph Group > Limited by means of email. > > *** > > - Original Message - > From: "spw" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: 12 February 2003 14:04 > Subject: Re: (313) t-1000 interview (techno rant) > > >> It's sad how a lot of people have turned their backs on >> techno. >> It really is one of the most misunderstood and hated >> electronic music genres out there, I would attribute the lack >> of interest to the popularity of house and trance and the >> older >> (elitist) generation maturing away from techno to other >> forms >> of electronic music. (i.e., IDM, Larry Heard, Broken Beat, >> Moodyman, "soulful" house, electro, ect..) >> One of the major dance mags should dedicate an entire issue >> to >> 'techno' highlighting some of the established techno talent >> like Carola, and the few surviving techno artist from Detroit >> like T1000 still creating >> "Detroit techno" of course also the new up and coming >> talent >> from >> around the World you dont hear much about making techno >> for the 21'st Century. >> Some guy once told me 'techno' no longer resembles the >> early Detroit techno sound. >> How is Drumcode really that different than Mayday, Wiggin >> (one of the first techno records) or Nude Photo? >> They are both repetitive track based DJ Tools oriented >> electronic music based >> in minimalism, abstraction, and futurism. >> People like Robert Hood are one of the few Detroit schooled >> techno artist still making techno records. >> >>> http://www.gothamgrooves.com/newsletter/feb-03/T-1000Intvw.html >>> >>> Not sure if this has been posted already >>> >>> >>> www.bleep43.com >> >> > > From: <[EMAIL PROTECTED]> > Date: Wed, 12 Feb 2003 10:49:28 -0500 > To: "Andrew" <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: Re: (313) t-1000 interview (tec
RE: (313) Suburban Knight
Actually - Ron was just talking about one of these instances, and it was for Deepchord. It was not to sound "like Jeff Mills", but rather to give it more noise in the background. -Original Message- From: Andrew [mailto:[EMAIL PROTECTED] Sent: Monday, February 03, 2003 12:54 AM To: 313@hyperreal.org Subject: Fw: (313) Suburban Knight hear hear - too much pro tools, over-production, or over-mastering. That's why I keep buying Detroit, cause the producers remember to keep the grime in there. I heard stories about people asking Ron Murphy to blend in tape noise from a seperate channel so it can ''sound like Jeff Mills'' - how lame is that? > > - Original Message - > From: <[EMAIL PROTECTED]> > To: "James Bucknell" <[EMAIL PROTECTED]> > Cc: "313 Detroit" <313@hyperreal.org>; "Cyclone Wehner" > <[EMAIL PROTECTED]> > Sent: Monday, February 03, 2003 3:14 AM > Subject: Re: (313) Suburban Knight > > > > Gotta agree with you both - it's getting hard to find new releases that > don't sound super slick - techno, house, what have you. Especially anything > tagged tech-house. Blech. I like to hear some intrinsic errors in the music > - it makes it sound like someone is actually behind the work. There are > countless tunes out there that sound so "professional" yet they lack any > sense of a heartbeat. Take just about anything off the Wiggle label, for > example. Everything is too clean and smooth - they compensate with a "phat" > bassline but the real funk is missing. Give me some ruff cut samples ala > Todd Edwards/Todd Terry any old day. > > MEK > > > > > James Bucknell > <[EMAIL PROTECTED]To: Cyclone Wehner > <[EMAIL PROTECTED]>, 313 Detroit <313@hyperreal.org> > com.au> cc: >Subject: Re: (313) Suburban > Knight > 02/03/03 11:20 PM > > > > > > > > i've always loved house and techno for their minimalism--a few bits of > roland equipment and a four track reel to reel. > > > i find most contemporary tracks to be as overproduced as any bit of prog. > house/trance. it's a challenge to spend any money when i go record > shopping. > > instead, i've taken to re-editing older tracks and saving my money for > final > scratch. > james > > > > > >> Wibo Lammert: > >>> As to the Mastering: Those first 2 transmats of his sounds like sh*t. > That > >>> Dark Energy doublepack sounds a whole lot better. > >> > >> Gotta disagree wth u for the first time old bean (let's not make a habit > of > >> this ;-) - My opinion is that 'Art of Stalking' along with many other > >> seminal Detroit techno (which implies a particular period) benefitted, > >> purposefully or not, from the ironic lack of the latest technology at > all > >> points of the production process. Those trax sound grimy, glitchy, > scratchy > >> and minimal, sometimes even the sequencing is a bit suspect. But somehow > (I > >> admit, I'm not sure how) often, all those elements came together to form > an > >> unmistable kind of human touch which proved there really was a ghost in > the > >> machine (called soul.) > >> k > > > > > > > > >
RE: (313) sleep music
>Well since this thread won't die >Here's some of my fave 313-ish tracks with sleep in the title, not all that >good for sleeping but good tracks: >Rob Hood - Sleep is the Cousin of Death - M-Plant One of my favorite tracks of all time.
RE: (313) Sienkiewicz
Actually, seeing as my wife is from Poland, the proper Polish pronunciation would be: She(soft e like in head)n-KEEev eetch. Cheers, Dennis -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: Wednesday, January 15, 2003 7:06 PM To: Mark S. Krüx Cc: 313@hyperreal.org Subject: (313) Sienkiewicz > btw...How the Hell does one pronounce that name anyway??? (my Polish is > non-exsistent;) > after one of my favorite comic book artists, it'd be "Sin-KEV-itch" but I've heard people with the same spelling say "Sin-KAY-vitch" -d
RE: (313) Top tunes 2002
-Original Message- From: Bren [mailto:[EMAIL PROTECTED] Sent: Monday, January 06, 2003 12:27 PM To: ian cheshire; 313@hyperreal.org Subject: RE: (313) Top tunes 2002 >4. Grain ( aka Arthur smith) no title just FAT CAT 041 Was I wrong in thinking that Grain = Santos Rodrigeuz??? Or is that another name for Arthur smith? Dennis
RE: (313) OT- 313 gear and technology list
[EMAIL PROTECTED] you can sign up at: groups.yahoo.com Dennis -Original Message- From: Cyborg K [mailto:[EMAIL PROTECTED] Sent: Thursday, January 02, 2003 3:17 PM To: 313 Subject: (313) OT- 313 gear and technology list I'm sorry I know this has been asked before but could someone point me to the address of the 313 mailing list for discussing gear and technology ... thanks, Dave
RE: (313) FWD: Dave Clarkes top ten 10/21/2002 (http://www.davecl arke.com/)
>Top Ten for the new year... > >9) Skinny Puppy "Assimilate" >(Musicman) - on Terence Fixmer Comp >Aktion >Mekanik Is this a remix? I love this song - Can anyone provide more info? Dennis
RE: (313) t-1000 in the d last night
>>anyone go to farina? >>how was it? >>were there people there? >>t-1000 rocked it, but he always does. Check http://www.detroitluv.com/index.php?board=3;action=display;threadid=4211 ...for a bunch of reviews. I understand it was packed.
RE: (313) t-1000 in the d last night
Mark Farina was at Alvins last night as well... I'm sure there aren't enough wednesday night clubgoers to fill both events. Dennis -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 19, 2002 1:07 PM To: 313@hyperreal.org Subject: (313) t-1000 in the d last night man what the hell happened? we left at 130 am and there were MAYBE 15 people there?!? this is a total shame, he was spinning great tracks and I felt bad for him looking out to see about 10 people, 7 of which were just standing there. I thought that place would be packed since school is out for most of us. *I* had a great time -Joe
RE: (313) that time of year...
Sean said: >Its about time for a top ten of 2002. These are in no particular order and >with the proviso that I'm waiting for a package from Submerge which may >nudge one or two out when I get it! I'll add one track, that has me absolutely pumped everytime I hear it: UK Gold "Agent Wood" (rmxs) on Primevil I'm sure my tastes differ greatly from most of you, but this is a track that borders that raw energy in house music and the driving punch of harder techno. D
(313) Finally, My I Love Techno review...
<<>> Call me "spoiled", call me "rotten", call me "an idiot", but don't call me "late for dinner". This was our, (my wife Magda and I), third time at the more than annual "I Love Techno" festival. Our first year, we witnessed the best live PA I've ever seen (Speedy J) along with Jeff Mills, Richie Hawtin, Technasia Live, Marco Carola, G-Force, and all the yearly residents (Carl Cox, Sven Vaeth, DJ Rush). The second year, we witnessed a the festival take a very "rave" angle - as we saw American influenced rave styles and attitudes penetrate the large festival, as well as seeing acts such as: Slam Live, Chris Liebing, Umek, Richie, and the regulars. The lineup didn't look as "star-studded" (if there is such a thing in the world of Techno [techno as a subgenre of Electronic Music, not as a genre]), but looked very interesting for my wife and I, as we are followers of the hardest of techno - and acts such as: Adam Beyer, Marco Carola, Marco Bailey, Redhead, Tomaz, Filterheads live, Rino Cerrone, and Bryan Zentz live, were something we knew we'd enjoy. Organization of a 35,000 person event has got to be stressful. That being said, the first time we entered the Flanders Expo in 2000, we were most suprised at the ease of which we gained entrance, checked coats, and we able to move around. In 2001, the tides turned, and the security was backed up upon arrival, coat check was terrible (both waiting in line, and getting someone to help you), and the general policing of the rooms was uncalled for - but with all due respect, it was less than two months after September 11th, and there was still an unseasy feeling about large events flowing through everyone's minds. This year's event promised to be different than the other years, simply because the ownership of the promotion of the party had changed hands, into a corporate conglomerate (SFX) and we were unsure if that was going to have an effect. When we arrived at the Flanders Expo, we walked right up to the gate, right into the first holding area (which was set up a bit differently than in years past), and you were in a huge room that was empty (obviously for holding a ton of people inside, while waiting to be searched and for coatcheck. Coatcheck was clearly labelled, and went by in a few minutes. Searching was quick and painless, and in less than ten minutes we were inside the Flanders Expo Orange room, and ready to get the night started. Compared to an hour and a half of standing in line last year, I'd have to say I was presently suprised (again!). We first sought out Stanny Franssens (g-force), who happens to be a close friend of the person with whom we were staying, so I'm going to have to admit my biased approach to his mixing, as he's a really great guy. Track selection was superb, with a bunch of Zenit, Genetic, and Primate records (all labels that Stanny has a bunch of records on). Stanny has always had a groove about his sets, mixing hard tunes, with really groovy ones - to end up with a nice funk to his hard edged techno. If you've ever heard Stanny's production, his sets are very similar to what he produces. Due to jet-lag and some early jitters, we didn't yet get into our groove (dancing), though it was no fault of Stanny's. After Stanny (who played in the Blue Room [similar to past years, there were five rooms named after colors, all adjoined to the main room - but this year three of the colored rooms were sponsored by labels] or Cocoon room), we made our way to the Red Room (sponsored by the Belgian label "Session") to hear (appropriately enough) Redhead. I'd never seen him before, and was expecting something similar to Marco Bailey (as Redhead and Bailey team up on alot of EPs). I was really impressed. The early party jitters were easily abandoned, and the product of Belgium's Northern neighbor (use your imagination here) helped us to get our dance on. After an hour of redhead, we went off to hear Justin Berkovi (in the Blue Rooom) play a live set (which we'd really enjoyed in 2000). Berkovi's selection and deliverance really couldn't match the energy we'd felt with Redhead, so after 15 minutes we headed back into the Red Room, to catch the end of Redhead's set. If you've never seen him, he is a very short guy, and we couldn't even see him over the decks from where we were (except by way of the camera screens that were around the room showing the DJ). At this point, I began to notice the detail with which the rooms had been laid out, reminiscent of how they were in 2000 (very carefully planned, and aesthetically pleasing). In 2001, the promoters of the party had just sold the name, so the care and planning reflected that. The Red Room had about 15-20 large projection screens that were showing the DJ performing, and they were on either side of the room to the left and right of the dj. They were quite impressive, and were set at a slight angle which gave the viewer the impression that the DJ was higher up than he really was, and that the gargant
[313] DEMF visitors
Could anyone that is coming into town for DEMF from out of state, or out of country please mail me? Cheers, Dennis - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] MK on KMS
Anyone know where I can hear this??? >>heard the new remakes of Big Fun today, >>I actually very like that version by Daryll Wynn >>somewhat jazzy, fresh and breezing Dennis - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Josh Wink responds to Dan Bell
1- how can i hear those two tracks???!! 2- "dan bell - acid phreak" or "dbx - beat phreak" DBX "phreak", and DBX "beatphreak". - Original Message - From: "marsel" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, April 23, 2002 12:50 PM Subject: [313] Josh Wink responds to Dan Bell > > >From: "Ovum Mailing List" <[EMAIL PROTECTED]> > >Reply-To: "Ovum Mailing List" <[EMAIL PROTECTED]> > >Organization: Ovum Mailing List > >Subject: Josh Wink responds to Dan Bell > > > >For Immediate Release: > > > >I was very surprised to learn of Dan Bell's claim that my track called > >"Superfreak" infringes on his track entitled "Phreak." I did not copy or > >sample his work and, apart from being of the same genre of music, I don't > >believe the tracks are similar. Except for Dan, no one else has come to > >me and said that my track reminded them of Dan's track, and those I know > >who have heard both tracks, agree with me that the tracks are not similar > >except for the genre of music. I seldom sample, but when I do, I clear > >the samples and follow procedures to ensure everything is legal. My > >"Superfreak" track is 100% sample free. > > > >I am very pleased that the track has promotionally been doing well. I > >don't know what Dan's motives are in making these claims but it sounds > >like "sour grapes" to me. I have known Dan for a while and bear no ill > >will toward him. However, I do strongly disagree with his claim and his > >recent tactic of trying to tarnish my reputation in the music industry > >through mass email mailings and press releases broadcasting his unfounded > >allegations against me of copyright infringement. Given that Bell has not > >yet begun a lawsuit, much less won one, it is disturbing to say the least > >that Bell would stoop to such hurtful and unwarranted mudslinging against > >a fellow artist. I stand behind the integrity and originality of my > >"Superfreak" song without reservation. > > > >The letter that Dan wrote to an industry publication regarding his claim > >against me has gotten a lot of attention. Unfortunately for me and for > >the music community, it contains numerous inaccuracies and false > >allegations on top of his baseless claim concerning "Superfreak." To > >highlight a few: > > > >-In regard to my track "How's Your Evening So Far," Dan is completely off > >base. My label, Ovum Recordings properly sought to clear the Lil' Louis > >sample included on the track prior to the release of my record. We agreed > >to give Lil' Louis 100% of the publishing. An issue arose with the > >clearance because we had been incorrectly advised that Sony controlled the > >song for the world when it only controlled it for North America. A > >lengthy negotiation ensued between Sony and London Records, which > >published the song outside North America, which held up the release > >outside North America. However, neither I nor Ovum had resisted giving > >Lil' Louis proper writer credit for the song. > > > >- Dan implies that my track "Don't Laugh" mimics his track "Losing > >Control." However, I wrote "Don't Laugh" before I ever heard "Losing > >Control." > > > >- Dan suggests that he originated the technique of manipulating a > >frequency filter over a repeated vocal phrase that on his "Losing Control" > >track released in 1995. However, my 1993 track entitled "How's the > >Music," released on Nervous Records NYC in 1994, among others, uses that > >technique. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] techasia live
There are a couple of Technasia tunes that start off with a killer electro beat and turn into nice textured techno. Here are a couple to try and listen to: "Motion" - is most likely the tune you are talking about, as it has a real Detroit feel to it, and has good strings ala Red Planet. Also try "the Declamation" - as it has an incredible buildup of crazy noises with some weird vocal noises. Technasia truly have a sound of their own. "The Force" was a big favorite around these parts, but not my favorite. "Themes from a Neon City" has an aggressive techno beat that turns into a REALLY slow Electro tune and then works back into the original fast paced techno again, and "Hydra" has a very nice tune as well. Cheers, Dennis -Original Message- From: henrique casanova [mailto:[EMAIL PROTECTED] Sent: Monday, April 22, 2002 9:31 PM To: 313@hyperreal.org Subject: [313] techasia live hi.. i just saw thecnasia live yesterday. i was in the most POP party of the world!! really sad.. the scnene in brazil isnt dead, but it would be muc better if it was. considering this, technasia live was a gift! i discovered that they have two tracks that i like a lot. one its "swarm" with that efect sounding like a good jeff mills track, and the oder is a electro. a great electro, with detroit classic drums. sounding like a red planet or something.. anyone know about this track? the rest of the show was nice too. much more seruious then the rest of the party so it was allready great to me. i dont know technasia discog but i think they played their classics. one of the songs was singed by one of them, and this guy played something like a flute on another song.. a cool song by the way. the show didnt took more than 45 minutes i think. take care u all - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] NSC?
I have one that is a white disc. There was only the single 12' to the one that I have. Not essential Hood, but it's still Hood. D -Original Message- From: FC3 Richards [mailto:[EMAIL PROTECTED] Sent: Monday, April 22, 2002 12:12 PM To: '[EMAIL PROTECTED]'; 313@hyperreal.org Subject: RE: [313] NSC? Is this that 2 set picture disc thing that came out a few years back?? I am looking for another copy of that since I only have one disc... > -Original Message- > From: [EMAIL PROTECTED] > [SMTP:[EMAIL PROTECTED] > Sent: Monday, April 22, 2002 6:52 AM > To: 313@hyperreal.org > Subject: RE: [313] NSC? > > NSC is National Sound Corporation, a pressing plant in Detroit that's been > central to the city's music industry for decades. I believe they were > pressing Motown records back in the day, and a lot of the P-Funk material > was pressed there. They noticed the techno explosion, and the main guy > there > (forgot his name) gave Mad Mike and Jeff Mills the idea for doing locked > grooves - "I can't help but notice that a lot of this music you guys are > pressing these days is a bit... repetitive...", he said, tactfully, and > suggested that he cut a record so one beat just loops indefinitely. UR > were > impressed, and from then on they used NSC to do all those weird > inside-to-out pressings and stuff like that. > > Eventually NSC decided to launch an imprint of sorts, and a few records > came > out under it. The Silicon track on the EP you mentioned below is Heath > Brunner's best, I reckon, and I often play it if I'm spinning booty or > ghetto tech. And I'd say that the Rob Hood track is probably *less* > minimal > than a lot of his other track - there's some latin percussion in there > besides the standard 909, and a voice that sounds to me like it's saying > "latté!"... > > Brendan > > > -Original Message- > > From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] > > Sent: 22 April 2002 14:37 > > To: '313@hyperreal.org' > > Subject: RE: [313] NSC? > > > > > > One side is from Rob Hood with a minimal (wow wath a suprise > > KJ) techno > > track with piano loop. Not one of his best tracks but it > > still sounds great. > > The b-side is a stunning electro track from Heath 'V-Max' > > Brunner who used > > to do some of the NSC cuts. > > > > Dunno if he is still working at NSC... > > > > [EMAIL PROTECTED] > > > > > > > Was taking another look at the Submerge website and I noticed > > > the NSC-056 > > > Robert Hood/Silicon record. Does anyone know anything about > > > what NSC is or > > > about this record? I did listen to the preview and i thought > > > the electro > > > track sounded pretty dope (as far as anything compressed into > > > RealAudio > > > can!!!) /dave > > > > -- > > DISCLAIMER > > > > De gemeente Almelo aanvaardt voor haar medewerkers geen enkele > > aansprakelijkheid voor eventueel onjuist, onrechtmatig of > > ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). > > > > Dit e-mail bericht is door de gemeente Almelo gecontroleerd op > > de aanwezigheid van eventuele virussen. Wij kunnen echter geen > > garantie afgeven dat al onze e-mail berichten volledig virus > > vrij zijn. Het is daarom verstandig uw binnenkomende e-mail > > berichten zelf op de mogelijke aanwezigheid van virussen > > te controleren. > > -- > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > Legal Disclaimer > > This message contains confidential information and is intended only for > the individual named. If you are not the named addressee you should not > disseminate, distribute or copy this e-mail. Please notify the sender > immediately by e-mail if you have received this e-mail by mistake and > delete > this e-mail from your system. > mail transmission cannot be guaranteed to be secure or error-free as > information could be intercepted, corrupted, lost, destroyed, arrive late > or > incomplete, or contain viruses. The sender therefore does not accept > liability for any errors or omissions in the contents of this message that > arise as a result of e-mail transmission. If verification is required > please request a hard-copy version. This message is provided for > informational purposes only. > our website at: http://www.widelearning.com > > Wide Learning is a trading name of Wide Multimedia Ltd Registered office: > 33-41 Dallington Street, London EC1V 0BB > Company number: 3339664 VAT number: 690 8399 83 > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] F
RE: [313] DEMF Afterparties
>Where did you hear this? It makes sense to me that some of the artists play >@ the afterparties since they are in town. Makes sense to me as well ;). It's just that I heard the reason for Mark Farina's not playing the DEMF, was due to his commitment to an after-party. I was searching for the validity of that statement :) Thanks Dennis - Original Message ----- From: "Dennis Donohue" <[EMAIL PROTECTED]> Subject: RE: [313] DEMF Afterparties I thought there was a clause in the contract for the DEMF that stated, an artist playing the DEMF was not allowed to appear at an after party? Wasn't that the reason that Mark Farina didn't play DEMF last year? Or is my information not correct? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] DEMF Afterparties
>Viktor of Tronic Treatment just sent me his after party list for this year. >He's having two this year : >Advent >Steve Rachmad >Marco Carola I thought there was a clause in the contract for the DEMF that stated, an artist playing the DEMF was not allowed to appear at an after party? Wasn't that the reason that Mark Farina didn't play DEMF last year? Or is my information not correct? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Bell v Winx - Submerge board
I have the DBX "phreak" on my server. (gasp) I hope Dan doesn't mind that I'm using it to support his case against Josh Wink. www.mp313.com/dennis/dbx_phreak.mp3 Cheers, Dennis -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: Friday, April 12, 2002 10:52 AM To: 313 mailing list Cc: Sean Creen; [EMAIL PROTECTED] Subject: RE: [313] Bell v Winx - Submerge board > I think this, again, comes down to the fact that there are tracks > incorrectly labelled as Phreak on the 'net. Wink's track is very similar to > the original Phreak... Yep, people who are comparing the 2 tracks posted earlier are only getting half the story. This is important for list members who don't own these DBX 12-inches to accurately make up your own mind for yourself. The origial DBX track "Phreak" has the same bleep line as the Wink track, and repeats the vocal word 'phreak' over and over on 1 bar lines, just like the Wink track. Can anyone post a few bars or a snippet of the REAL DBX track 'phreak' so others can hear? RealAudio or whatever... I think it's on the original B-side of Losing Control 12" on Peacefrog, and also was on Accelerate at some point too. The one worth the word said over and over... It's just important people hear the correct dbx track here to compare so everyone can make up their own mind, that's all I'm saying. Peace, Matt MacQueen -Original Message- From: Sean Creen [mailto:[EMAIL PROTECTED] Sent: Friday, April 12, 2002 10:37 AM To: [EMAIL PROTECTED] Cc: 313 mailing list Subject: Re: [313] Bell v Winx - Submerge board > I'd heard both tracks and even then I have to say I didn't feel the track was similar enough to really have a huge rant about. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Dan Bell Vs. Josh Wink - legalities
Hi all, Received a mail from Matt Brookman (the General Manager at Ovum records - label to which the Josh Wink song ['superfreak' is licensed) - and he stated that he wanted my phone and mailing address, as I "posted" the song on the web. Is there any legal implications that I should be aware of? Also - I took the song down. Cheers, Dennis - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] FWD: Letter from Daniel Bell
Okay, I've uploaded the two tracks in question up to the site for a couple days only - so check them quickly ;) Josh wink's "Freak" http://www.mp313.com/dennis/josh_wink-freak.mp3 Dan Bell "speakerphreaker" http://www.mp313.com/dennis/dbx_beatphreak.mp3 The josh wink song sounds like an exact copy of both beatphreak and phreak (combined) by Dan Bell. It even has the vocorded "phreak" sample (from phreak). It's a blatant ripoff (IMO). Cheers. Dennis -Original Message- From: Mark S Flintoft [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 10, 2002 1:41 PM To: Wes; Yair Etziony Cc: 313@hyperreal.org Subject: Re: [313] FWD: Letter from Daniel Bell Yeah as soon as someone locates an MP3 for the track please post it to the list:) Peace, m* - Original Message - From: "Wes" <[EMAIL PROTECTED]> To: "Yair Etziony" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, April 10, 2002 2:32 PM Subject: RE: [313] FWD: Letter from Daniel Bell > Is the track on Audiogalaxy definitely DBX's "Superphreak"? I haven't had > a chance to listen, but a couple of people on global-techno > are wondering if it's mislabeled, as the similarities aren't > particularly pronounced (apart from the 808 etc.) Anyone know for sure if > that is indeed the DBX track in question? > > Wes > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Mistress Barbara
She has a couple of releases on Primate and one on primevil, nothing special IMO. Her EP Sagittarius on Zync is the best of her works (for me). I think she also has a release on "relentless" (or something like that) that's rather weak. She also did some tracks for In-tec when they were doing a different tune from a different country on EPs, but the track that I have on In-tec 02 is nothing special. Dennis -Original Message- From: T.J.Johnson [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 27, 2002 8:59 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: [313] Mistress Barbara Ok Ok. I've heard that her vinyl releases are hot as well. Any recommendations??? Has she realeased on Primate??? On Wed, 27 March 2002, "Martijn de Blaauw" wrote > > you mean Misstress Barbara - Relentless Beats Vol. 2?? > I believe it's on moonshine records..i think??? > > If you like your techno a bit more harder then you should > check this mix out!! not your usual bang and loop stuff but more > pumping and jumping techno..very, very nice!!! > > Regards, > Martijn > > > > - Original Message - > From: "T.J.Johnson" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Wednesday, March 27, 2002 3:47 PM > Subject: [313] Mistress Barbara > > > > What label is that latest release that everyone was > > talking about a few weeks ago on?\ > > > > Thanks! > > > > TJ (Last one on the B.Wagon) > > > > TJ > > > > "The future was yesterday..." > > > > www.mp313.com <~~go here > > > > PeoplePC: It's for people. And it's just smart. > > http://www.peoplepc.com > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] TJ "The future was yesterday..." www.mp313.com <~~go here PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Jacek Sienkiewicz info?
Apologies if this is received twice, I sent yesterday to no avail: Love that stuff absolutely. Jaciek's Brother Maciek is on this list (somewhere), and I'm sure he would be more than happy to help out. You can contact Jaciek at [EMAIL PROTECTED], and you can check out his label info at recognition.art.pl Jaciek is really making some great things, and if someone out there hasn't picked up anything on recognition, you should at least consider it. Dennis -Original Message- From: John Osselaer [mailto:[EMAIL PROTECTED] Sent: Sunday, March 24, 2002 4:07 AM To: 313@hyperreal.org Subject: [313] Jacek Sienkiewicz info? Hi folks, Does anybody have any info on Jacek Sienkiewicz other than the small German bio on the Cocoon website? Dennis D., do I recall you saying that you loved his stuff or was that another Polish artist? Thanks in advance, John _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] ID Rother's gear
Another addendum - the 909 looking thing is a Jomox Xbase 09 (909 emulator). Now can I have the crown ;) Dennis -Original Message- From: Dennis Donohue [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 19, 2002 12:29 PM To: '[EMAIL PROTECTED]' Cc: '313@hyperreal.org' Subject: RE: [313] ID Rother's gear In the first picture, he's got a Nord Micro Modular (red thing on top right), a Virus A rack(bottom black and red), some crazy sequencer(grey thing that almost looks like a 909), and some stuff that I can't see (black boxes). In the second picture, there is some sort of midi controller (I think) on top, definitely a Roland Alpha Juno second (can't tell if it's a one or two, based on the picture - most likely a 2), and what looks like a larger korg board on the bottom, but it could be anything. There is also a digital mixer in the third picture, but it's too blurry to tell. Can I at least share the crown?? Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 19, 2002 12:00 PM To: 313@hyperreal.org Subject: [313] ID Rother's gear Who will be the first one to ID all the equipment in these photos and claim the throne of the gearhead King/Queen? http://www.soundoflj.com/photo/12/index.html http://www.soundoflj.com/photo/12/02.html http://www.soundoflj.com/photo/12/03.html MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] ID Rother's gear
Addendum: bottom keyboard is an Ensoniq ASR -10. -Original Message- From: Dennis Donohue [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 19, 2002 12:29 PM To: '[EMAIL PROTECTED]' Cc: '313@hyperreal.org' Subject: RE: [313] ID Rother's gear In the first picture, he's got a Nord Micro Modular (red thing on top right), a Virus A rack(bottom black and red), some crazy sequencer(grey thing that almost looks like a 909), and some stuff that I can't see (black boxes). In the second picture, there is some sort of midi controller (I think) on top, definitely a Roland Alpha Juno second (can't tell if it's a one or two, based on the picture - most likely a 2), and what looks like a larger korg board on the bottom, but it could be anything. There is also a digital mixer in the third picture, but it's too blurry to tell. Can I at least share the crown?? Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 19, 2002 12:00 PM To: 313@hyperreal.org Subject: [313] ID Rother's gear Who will be the first one to ID all the equipment in these photos and claim the throne of the gearhead King/Queen? http://www.soundoflj.com/photo/12/index.html http://www.soundoflj.com/photo/12/02.html http://www.soundoflj.com/photo/12/03.html MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] ID Rother's gear
In the first picture, he's got a Nord Micro Modular (red thing on top right), a Virus A rack(bottom black and red), some crazy sequencer(grey thing that almost looks like a 909), and some stuff that I can't see (black boxes). In the second picture, there is some sort of midi controller (I think) on top, definitely a Roland Alpha Juno second (can't tell if it's a one or two, based on the picture - most likely a 2), and what looks like a larger korg board on the bottom, but it could be anything. There is also a digital mixer in the third picture, but it's too blurry to tell. Can I at least share the crown?? Dennis -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 19, 2002 12:00 PM To: 313@hyperreal.org Subject: [313] ID Rother's gear Who will be the first one to ID all the equipment in these photos and claim the throne of the gearhead King/Queen? http://www.soundoflj.com/photo/12/index.html http://www.soundoflj.com/photo/12/02.html http://www.soundoflj.com/photo/12/03.html MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] 313 Party @ DEMF
Should we setup a different list for all the people that want to have a party, as to keep all this off the list Cheers, -Original Message- From: dj revolver [mailto:[EMAIL PROTECTED] Sent: Thursday, March 07, 2002 3:58 PM To: 313@hyperreal.org Subject: Re: [313] 313 Party @ DEMF we had a pre-demf party in windsor for 313ers and mp313ers last year at amsterdam and everyone had a great time. i can look into this venue again this this. let me know what everyone thinks and i'll see if the venue is available. >From: [EMAIL PROTECTED] >To: 313@hyperreal.org >Subject: Re: [313] 313 Party @ DEMF >Date: Thu, 7 Mar 2002 16:53:40 EST > >who's setting this party up ? > >please contact me privately > >Thanks ! > >Nelson Fernandez > HREF="www.signalcommunications.net/miamimeetsdetroit.htm">miamimeetsdetroit > http://thor.prohosting.com/~djnova2";>DJ Nova, Miami Beach dj revolver www.mp3.com/djrevolver www.enjoyproductions.8k.com _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] 313 Party @ DEMF
I could help in the party... I'll be living in the Detroit area from April on. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 07, 2002 3:54 PM To: 313@hyperreal.org Subject: Re: [313] 313 Party @ DEMF who's setting this party up ? please contact me privately Thanks ! Nelson Fernandez miamimeetsdetroit< /A> http://thor.prohosting.com/~djnova2";>DJ Nova, Miami Beach - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Juan in LA Weekly (WAS: regarding Business)
This gave me the chuckles for awhile: (quoting Juan): "I'd have to say that I'm affected by it (trance) and somewhat disappointed. I don't play much trance music. Fact is, trance -- it has no life, no soul. It's almost like marching music. There's nothing to it. " Dennis
[313] New UR!!
Also - did anyone else notice the cool new feature on the new UR site - the fact that you can look at the actual label of the record by clicking on the catalog number? That's pretty swell, especially if you remember your records by what the label looks like. Cheers, Dennis
RE: [313] black water with vocals?
Wasn't the Blackwater with vocals the original? I have the release on 430 west by Octave One with the instrumental on one side and Ann Saunderson singing vocals on the other side. IMO - those vocals are excellent. If you're talking about a vocal that just says, "balckwater" over the background, that's very E-dancer sounding - it's actually the e-dancer remix also out on 430 west. Those vocals are pretty hairy IMO. There's also a new Octave one remix of the tune that is supposed to be the "strings" remix. Haven't heard it, but Mike Taylor was supposed to play it on his show last weekend - maybe he can shed some light. Dennis -Original Message- From: Brian 'balistic' Prince [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 10:29 AM To: Neil Wallace Cc: 313 Subject: Re: [313] black water with vocals? Wednesday, February 27, 2002, 9:25:37 AM, a knob was tweaked and out came: NW> i was in hmv on saturday and heard black water with a (IMHO) pretty duff NW> female vocal slapped on top - what is this? Was it the Ann Saunderson vocal mix? "Just open your heart, open your mind, let the love flow let the sun shine"? That's been out for a while now. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Contact Info for Background Records
Also not sure if this email address still works but Andy Vaz can be reached at : [EMAIL PROTECTED] that's Backgroun(zero) Cheers, Dennis -Original Message- From: Steve Nails [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 3:04 AM To: 313@hyperreal.org Subject: Re: [313] Contact Info for Background Records Hi ! it´s: andy vaz = b a c k g r o u n d r e c o r d s subdevision: a TOUCH of CLASS rec. write: ++49.211.7885417 [EMAIL PROTECTED] Steve Nails www.corridor-productions.com www.besonic.com/stevenails - Original Message - From: Phonopsia <[EMAIL PROTECTED]> To: 313 <313@hyperreal.org> Sent: Tuesday, February 26, 2002 7:32 AM Subject: [313] Contact Info for Background Records > Does anyone have contact info for Background records? Sorry about two posts > in a row. I didn't realize Background Records would have such a legal twist > on Google. All I got that was close was the forced exposure site. > > Tristan > -- > http://www.mp313.com <- Music > http://www.metrotechno.net <- DC techno + more > http://www.metatrackstudios.com <- DC DJ/Production studios > http://phonopsia.tripod.com <- Hub > [EMAIL PROTECTED] <- email > <- AOL Instant Messenger > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Carl At The Camilian
I went to see Carl, as I was up from Chicago. Synopsis: First of all, it wasn't free (as I was expecting it to be), but no biggie - $5 to see Carl Craig. When my wife and I first got there, there were hardly 20 people there and Carl was spinning some seriously old hip-hop. It was a very nice hodge-podge of songs for the first hour or hour and a half, as Carl went through old hip-hop and disco, and mixed in some jazz. It was almost like he was at home showing someone his record collection, as he would frequently stop the record in the middle of play and take it off the turntable and go and grab another record while there was silence. If someone really wanted to find a problem with Carl that could have been their gripe, but he was just having so much fun! About two hours into it, the camillian cafe was full to the gills (but it's very small - which means about 50 people were there). A few people started dancing, and it really caught on. At this point Carl was playing strictly old house tunes from the late 80's for all of his friends that had come out to chat and say hi. 80% of the people in there knew all the words to all these songs, most of which I'd only heard once or twice before, the rest I'd never even heard. Really cool mixing, really nice crowd. I'd say that most of the people in the place were at or around 30 years old - so it made for a cool atmosphere. We ended up leaving at around one, and the place was still packed, the music was still fresh, and the sandwiches were out of this world! Absolutely splendid tasting sandwiches. Cheers, Dennis -Original Message- From: (Truth Be Told) [mailto:[EMAIL PROTECTED] Sent: Monday, February 18, 2002 7:54 PM To: 313@hyperreal.org Subject: [313] Carl At The Camilian Did anyone check out Carl's five hour set? Truth I wouldn't have believed it if I didn't see it for myself... _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] DEMF or what?
Yes... mails have been bouncing from that address ever since the Carl Craig incident last year. Does anyone know a more specific mailing address for PCM??? -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 12, 2002 12:58 PM To: Chana Goodman; 313@hyperreal.org Subject: Re: [313] DEMF or what? I don't think anyone on the list knows anything ... anybody tried emailing [EMAIL PROTECTED] ? -d At 6:35 PM -0500 2/12/2002, Chana Goodman wrote: >WE WANT TO KNOW, WE WANT TO KNOW!!! [fists pounding] > > > >_ >Chat with friends online, try MSN Messenger: http://messenger.msn.com > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Steve Bug
Has anyone seen Steve Bug? What should I expect? Cheers, Dennis
RE: [313] about the members
---I didn't realize that so many people had moved lately... I'm a Johnny-come-lately on this. Name: Dennis Donohue Age: 24 Location: Born in Wayne, MI - lived in and around the area until after college. Now residing in Chicago, though my wife and I are looking to find a house in the Southfield area. Occupation: I'm a Network Administrator for a medium sized corporation with World offices. I've recently been certified as a CCNA. Music: Where to start. I attended many parties in Detroit as a high school student (can you say "packard plant" ;) which led to my involvement and interest in the music. I spin records and produce my own inspired music. (PLUG! www.mp313.com) Favorites: Rob "noise" hood, Scan 7, Carola, Sims. Technotourism: Much the opposite of most of the listmembers, I've had the pleasure of seeing most of the reknown DJs in Detroit - so my wife and I travel abroad to see them. Going on three years of ILT, and many many, overseas technotourists have helped us (read: John O., Otto, JC, ect.). Played host to several parties of 313ers in Chicago - which is the best thing about this list! Known as: Rob Hood Stalker. If I'm in the Netherlands, than Rob Hood can't be far behind ;) Member since: '96 (as mercenary) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Feelin' at the mo'(WAS: ain´t no Ewoks (BORING!))
>so MEK what music are you really feeling at the moment? (to bring the conv. >on topic) robin said: >me i'm into 313 techno more than ever (after being into it for many >years, playing house, electro, etc i alwasy come back around to 313) >some tunes i'm feeling at the mo: >funk d'void - diabla (kevin 'master reese' saunderson mix) Great tune right there. Have you checked the flipside? The Hacker mix is one of my favorites (even though it varies less from the original than KMS's) It's got a lot of the same feel as the Hacker works that I really like. If you like that one, check out the Goodlife EP (on Goodlife) with Oxia and the Hacker. The Hacker tune on there is good, and the Oxia track is excellent! Cheers, Dennis - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] David Donohoe
Has anyone else on this list checked out David Donohoe from Ireland??? He has an LP out on D1 (Day One) that is absolutely brilliant. I can't stop playing this thing. It's called "first course in hygiene" and it's in the same vien as the other D1 stuff (most appropriately - Mark Broom). If you haven't heard it, I suggest you take a listen to it. Very nice and inspiring. Dennis Donohue (no relation, I swear ;) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Help!
I actually have State Farm renter's insurance, and the price varies with the amount insured and the amount of deductable. I have almost $10,000 locked up in equipment, and tons of records - as well as appliances and furniture (not to mention a certain important Server!) - and my agent insured my apartment from everything (for a total amount of $13000) for something like $150 a year. This covers theft, water damage, fire damage and everything in between. And the deductable is $500. Cheers, Dennis -Original Message- From: DJdMAN To: 313@hyperreal.org Sent: 1/9/02 6:38 PM Subject: RE: [313] Help! it cant be covered at all through state farm even alone. hence, i am looking to see who else will only cover the equipment. thanks, t./ -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: Wednesday, January 09, 2002 5:52 PM To: Brian 'balistic' Prince; DJdMAN Cc: 313@hyperreal.org Subject: Re: [313] Help! - Original Message - From: "Brian 'balistic' Prince" <[EMAIL PROTECTED]> To: "DJdMAN" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, January 09, 2002 6:15 PM Subject: Re: [313] Help! > D> Ok, I am trying to get insurance for my equipment and my State Farm Agent > D> said it is not covered. The thought of losing my 3 1210s and records etc to > D> disaster scares the hell out of me, but, not getting anything to replace it > D> all with? That frightens me worse that the thought of death (sorry satin). > D> So, anybody know who I can call up to get something setup for my equipment? > > Renter's insurance should cover that, assuming you live in an > apartment. Mine is only $120 a year, but I live in a fairly > crime-free area (Provo, Utah . . . shut up . . . seriously.) Yeah. If State Farm won't cater to your insurance needs, shop elsewhere for home owners/renters insurance. It's cheap and I've never heard of exclusions to policies like this, although many auto policies have a limit or restriction on stolen CDs in cars. Tristan -- http://www.mp313.com <- Music http://www.metrotechno.com <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email <- AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] leo anibaldi
Another good site is: www.gemm.com But they frequently have high prices on harder to get stuff. Dennis -Original Message- From: Kao Jyan [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 18, 1989 1:09 PM To: 313 Subject: [313] leo anibaldi hi all, i'm trying to find some older techno stuff and leo anibaldi is #1 on my hit list right now. i've tried the usual suspects like groovetech/satellite and ebay etc but no luck. someone posted a while ago about some site, possible an auction site for music. any help is greatly appreciated kaojyan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] NYE letdown
Motor was completely full. And off the hook. D -Original Message- From: Samuel Hobbs [mailto:[EMAIL PROTECTED] Sent: Wednesday, January 02, 2002 11:41 AM To: 313@hyperreal.org Subject: [313] NYE letdown i am not sure if this has already been discussed, but i thought that this NYE was sub-par. I went to porter street. the line-up had shaped up to be awesome with boo wiliams, glenn underground, minx, rick wilhite, and waxmaster d smooth. i thought the music all night was awesome. i also thought that rick wilhite was amazing. but there were only 35 people there (max). maybe ten people at the most danced all night. the ball drop moment was much like a premature orgasm...you were happy it happened but wished it would have happened differently. i do have to give props to porterstreet, they had great dj's, a buffet, good sound, and still the stiffest cranberry and vodkas known to man. I just have one question...WHAT HAPPENED TO ALL THE PEOPLE WANTING TO PARTY? was it like that at other clubs across the city and country? -sam __ Do You Yahoo!? Send your FREE holiday greetings online! http://greetings.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313]international travel with records
I always take mine as carry-on and have never had a problem. My case is a smaller one though with a capacity of only 50 or so. I've heard several other international DJ's that do the same practice because of past experiences or horror stories (Stanny Franssen, Nigel Richards, Rob Hood, ect.). Dennis -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Friday, November 30, 2001 11:27 AM To: 313@hyperreal.org Subject: [313]international travel with records i'm taking my record box on an international flight for the first time and was wondering how safe they are. they are my most prized old chicago/detroit/new york rarities and i'm nervous, very nervous. is there any substance to these rumours? anything i can do to minimise the risk of theft? i heard that baggage handlers mistakenly think there are high end electronics in the boxes, and aren't after records. james - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] I Love techno 6 review [LONG]
I will start by stating that I've read in a few places that this was the fifth installment, but I Distinctly remember the theme for I Love techno 2000 being "5 years 5 rooms" and I even have a shirt from last year that says that, so I'm going to refer to I Love Techno 2001 as the sixth version. My first impressions of this year's event were severe disappointment, and utter frustration - as the two MAIN reasons I came back to I love techno were opposite spectrum this year. One of the best things about last year's party (besides the amazing line-up) was the collection of people who came to see the talent, and the way that they appeared to be enjoying the music much more than coming just because its a huge party and they wanted to get messed up. This year's endeavor was a complete flip-flop, with extremely messed up people everywhere and lots of (American reminiscent) Candy-raver types with their glowsticks, plastic beads, and shiny clothes. Perhaps I just had a different view last year, or I managed to miss all the action, but I didn't pull that sort of reaction, and the people seemed to be there for support, rather than for drugs or anything else (albeit they still got down!). The second dissapointment was immediatley apparent and was the thing that kept reappearing all night - the organization and planning for all the people was poor. Last year, my wife and I left the Flanders Expo feeling like there were only 1500 people in there, when there were really 30,000+. The lines to get in last year were non-existant, the bathrooms took mere seconds to get into, the main room was only filled about 1/4 at any one time, - and the only time I felt like there were a ton of people in the place, was when only one superstar DJ was playing, and all of the people mobbed into one room. This year, they had awful planning, and I think it was partially because the organizers or promoters wanted to be really tight with the police or governing authorities. Last year, the doors had somewhat lax security and no cattle lanes which kept the line moving at all times, and it took us no more than 5 minutes to get in and check our coats. For I Love Techno 2001, it took us almost 2 hours to do the same thing, and they had cumbersomely placed movable barracades everywhere where there was a flock of people (front door, coat check, bathrooms) which only made things horribly worse. Fortunately, I'm not going to wank on about how horrid this party was compared to last year, and as a matter of fact, I'm going to tell you how itblew last year out of the water, in terms of Artist participation (does that make sense?) and overall feel. First, let me describe the size of the space. The Flanders Expo (at least the portioins they were using), has a gigantic Warehouse feel to it, with six enormous rooms flanked on to it three on each side of the rectangular "chill" area which had no music in it, just concessions and merchandise - and a VIP entry area. The main area was much larger than any warehouse I have ever been in, let alone any rave or party I've ever attended. Each room that branched off, was easily the largest party I'd ever attended being (in my sometimes distorted perception) at least larger than an american Football field for the people to dance and congregrate (but it felt like everyone in the building was dancing like mad - at all times, compared ot last year's crowd that [while severly entertained] mainly just smiled and bopped their heads). Getting from the front of one room back into the "main" area, and then on to the front (or stage) area of another room took around 30 minutes at one point in the evening - but was not too cumbersome that it was frustrating. On to the talent - I will try my best to explain what I was feeling objectively, but it's very hard to do so. There are so many things that go into a really good set or performance or even one of the rooms that they had built, and someone at the same party could have been in different rooms the entire time and possibly had a completely different experience than I had. That said, I didn't travel to Europe to have a crappy night, and I was destined to have fun - but my expectations were shattered. We arrived in time to catch Umek, but with the lines and coat check taking 2 hours - completely missed his set (much to my dismay). We headed first into the "yellow" room (each of the five performance rooms were dubbed a color, and the sixth room was were the coat check, EMS and other functional things such as the exit vestibule were setup). When we entered, it seemd like people were leaving, and Bandulu had just stopped playing a live song. Bandulu (at least two of them - I'd heard that there were 3 originally???) were just stopping in between songs, and we were able to catch 20 - 30 minutes of their set, which was really nice sounding - but the sound quality in that room wasn't the best. They
[313] Paging Collin Chen
I've been misplaced for a few months, but if Collin Chen could respond (or someone with a valid email address) - I'd really appreciate it. Dennis - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313]I love techno [was: ADULT. live show]
Perhaps it's a perception thing (on either side of the globe). D Hey, what this thing with Chicago peepz and I Love Techno? We had Dennis and his wife over last year, they're coming back and now also John Sokolowski and his wife are coming over for that party. I'll better refrain myself from uttering my opinion about that party... John From: atomly <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: Re: [313] ADULT. live show Date: Wed, 26 Sep 2001 15:54:11 -0500 [Fixer <[EMAIL PROTECTED]>] > prices are very cheap for european flights right now...Cork to Glasgow > for about £25 each leg with no advance notice...techno tourists, engage... Chicago-> Amsterdam $219 Amsterdam -> Brussels $90 Time to go to I Love Techno. -- :: atomly :: [EMAIL PROTECTED] | [EMAIL PROTECTED] http://www.atomly.com/ | 877.741.3571 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] NIMDA Virus
Very nasty indeed. Not only through compromised websites, but through email (with attachment of "readme.exe" - that doesn't een have to be opened!) and through the unicode hole that allowed the code red worm through. Cheers. D I'll skip saying "this is off topic" but I just spent a long day on this problem and needed to share. This virus is pretty nasty since one way it infects your pc is thru compromised websites. I would recommend going to http://housecall.antivirus.com/housecall/start_corp.asp and scanning your machine. Keith - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313]online record stores
I've had similar experiences with satellite - I had to wait 3 1/2 weeks for a record, and then I was overcharged (on a debit card - which cost me money for overcharged account - which was severely overcharged (not jsut $2 or something)). I have had good luck with sixeleven records 611records.com though they never tell you if they're out of a record, neither does sonicgroove (www.sonicgroove.com) - groovetech is easily the best online record retailer - as planetx (planetxusa.com) and sonicgroove start charging premiums for sought after records, and never tell if they are in stock or not (though planetx sometimes did - and they may have changed since i ordered from them 1 1/2 years ago) You can also try large record stores with online presence - gramaphone records in chicago has a deep back-catalogue of house (though I'm not sure how much is advertised online) but they only advertise records that are in-stock. You can always call them as well. Disadvantages to large record stores include sales tax, large shipping fees, and having to deal with people that don't want to be on the phone. I've also found that you must know where your online shop is, as some are in teh uk (or even germany) and you might think you're getting a good deal on imports, but you're getting charged for it in shipping. Hope this helps a bit! Cheers! Dennis no offense to anyone who may be satisfied with satellite records, but I and many other people I've talked to about them have had nothing but problems. Problems range from over charging accounts all the way down to a month or two long wait for shipment of records that should be available immediately. I've had the later happen to me the few times I did order from satellite. I would suggest trying www.planetxusa.com for any online record orders. They were one of the pioneers in online music shopping and have been around long enough to have built a solid reputation throughout the industry. I only talk highly of them because I personally, as well as a good majority of their shoppers have had nothing but solid performance by PX. just thought i'd throw in my experiences danny - Original Message - From: "Thomas Van Steen" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, September 19, 2001 8:54 AM Subject: Re: [313]online record stores > Hi, > > I do several order at Satellite Records ( http://www.satelliterecords.com ) > .. I live in France (Paris). > I never had problems with this online records shop. They have big catalogue > (with Real audio samples). > They answer quickly to email if you have problem or you want to have > information. > On the other hand, I have never to control with UPS. > > For French who would to order with satellite. Be Carefull, made not too > important order. > The French customs stop 2 parcels that contains almost 20 each one. (They > required that I pay the TVA taxes) > I never had problems with small the parcels (less than 10 Vinyls). > > In my website, a list of online record shops : > http://www.pulsation.com/category1.php3?cat=66 > > > Thomas Van Steen. > http://www.pulsation.com > Free index of electronic music related sites > > > > - Original Message - > From: "FC3 Richards" <[EMAIL PROTECTED]> > To: "'Samuel Hobbs'" <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Wednesday, September 19, 2001 1:26 PM > Subject: RE: [313]online record stores > > > > they are the one of the ones i have had good luck with. it is especially > > great if you are in the US and they pay the shipping for you. i think > that > > is a great move on their part. i am getting ready to do another order > with > > them. > > the other is record time. a great place to get all your detroit music > > needs. plus thier prices on domestic vinyl is cheaper then the rest of > the > > country. if only they would pay shipping...maybe i should put that in > Ani's > > suggestion box :) > > everyone else i have delt with has had something up thier ass and you had > to > > do certain things the hard way to recieve your package. like satellite > > records...have to be at the house for the UPS man to show up so you can > pay > > himi don't remember. i gave up on them long ago. they suck. big > > selection, but unless they revamped their delivery method i won't shop > from > > them. > > I ALSO LOVE E-BAY! > > > > > > jeff > > > -Original Message- > > > From: Samuel Hobbs [SMTP:[EMAIL PROTECTED] > > > Sent: Tuesday, September 18, 2001 8:11 PM > > > To: 313@hyperreal.org > > > Subject: [313] organic/online record stores > > > > > > hi all, > > >i was hoping someone out there in 313 land would > > > send me some info about the weekly clubnight organic > > > at porterstreet station(?) what is the music, vibe, > > > crowd, dress style like there. i'd like to check it > > > out if i get some thumbs up vis a vi siskel and ebert. > > >also i made my first online vinyl purchase at > > > groovetech the
Re: [313] WTC
Very true, but there are very bad traffic jams in Chicago around the hospitals to give blood (a good sign obviously) - so media are encouraging calling to schedule a time. Dennis From: "Dennis DeSantis" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Subject: Re: [313] WTC Date: Tue, 11 Sep 2001 15:22:29 -0400 Please, PLEASE do the following: - find your local Red Cross office to find out about giving blood. This is perhaps the most important thing that civilians can do right now. - love other people. Take care, Dennis www.mp3.com/vanderrohe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Lawrence Burden
Speaking of Lawrence Burden - anyone on that single "Blackwater" by Octave One??? That's one stellar tune right there. One side is an extremely jumping House tune, the other side is a "true detroit" instrumental with full strings. If you haven't heard it yet, check it out. Dennis From: Jason Donnelly <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] Lawrence Burden Date: Thu, 06 Sep 2001 16:15:15 +0100 Evening heres one for the UK'ers: Sat 15th Sept, 4am, Radio 1: Lawrence Burden mix on Annie Nightgale (after essential mix, which that week is NY dj - Victor Calderone) jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] live sets (was "new topic")
Best Live sets ever: Rob Hood @ Elysium (sp) ---It just doesn't get any better in a minimal techno live PA than Rob Hood's shows. Always entertaining, and seemingly spontaneous. Speedy J live @ I love Techno 5 ---Started with a 20 mix of electric deluxe, played something for your mind, and ended with a blasting mix of "pullover" - I couldn't walk for days. Innercity Live at DEMF 2001 ---Big fun - good life - hallaluyah -- I have chills just remembering that set. I think if someone would have been standing in front of Paris Gray they would have been blown off of the stage, she's definitely worthy of Diva status. Carl Craig @ state theater ---Very inspiring and heartfelt. Cheers! D _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Richie Hawtin - DE909
From: "Jayson B." <[EMAIL PROTECTED]>:: I'd just like to mention that i find it fascinating that someone who is so very concerned with being forward thinking has obsessively used one single instrument for 10 years or so. mind you richie has done things with the 909 that not many have done. I'm not disrespecting him in ANY way, i'm just trying to see what everyone thinks about this. Without keeping something constant, you have nothing to build with. Constantly changing mediums means you'll never be doing something long enough to truely master it. Who cares if he uses the same instrument for 20 more years, as long as the inspirations are kept and the music is pushed to the limits. Cheers. Dennis _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] NYC people...CJ Bolland at Guernica tonite!!
cj bolland It's been quite awhile since I've seen that name!!! Has he been up to anything in the past few years linus dave hollands are you ready :) -Jill ___ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
