(313) test
testing 123...12
Re: (313) movement weekend comments
On Wednesday, May 28, 2003, at 03:41 PM, James Grindle wrote: . Can you imagine what would have happened if he could have encored with pullover or something for your mind?!?!?! interesting...nigel richards on saturday at the tronik treatment night at alvins, played something for your mind. the cool thing was watching The Matrix I and a bootlegged-filmed-at-the-theater-copy of The Matrix: Reloaded on their big projection screen with driving techno running in the background. nice. g.
Re: (313) Planet E/Eevolute?
On Monday, April 7, 2003, at 01:46 PM, Klaas Jan Jongsma wrote: It's awesome people have been mentioning Eevo stuff on here lately. Stefan sure does deserve the respect. Eevo Lute is one of my favorite record labels of all time! There is talk of possibly re-releasing the 2000 and One 12 on eevo lute. Let's cross our fingers that Stefan does! :) To be honest he did not release his best material on Eevolute, my personal favourite are his to releases on GPR, Midioligy and My Mirror Image. Excellent stuff, if you do like the first eevolute records you do need to get your hands on these ones! [EMAIL PROTECTED] Yep, I got those recs when they first came out and they're fabulous. I also like that pinkish-red-clear vinyl one Stefan as Terrace did for DJAX, the one with Terrace in graffiti art on the label. Plus the Florence one on DJAX as well, with the greenish cartoony/scribble art on label. Can't remember the titles but I'm sure someone here does. = ) g. There are always updates on the Eevo Lute website so check it out: http://www.eevolute.net There will be an EP from Terrace on down low as Alex had mentioned coming out in early 2004. minto = down low music http://downlowmusic.org UPCOMING 2003: dL ltd tribute 12 dLpgccX Polarius Jams from the funk dump dL009 Dan Curtin distort.archive.desire dL010 The Connection Machine Painless dLCMLP1
(313) Basic Channel on the Tube
Heard Maurizio's M5 on CSI: Miami. I love it. Should be more of this going on for Techno. g.
Re: (313) DJ Shine (Jason Spanu) - Toronto?
I've heard of him. He appeared/spun on this TV dance music programme in Montreal called Bouge. Also djing on the same programme was DJ T-1000 and Christian Smith. Shine's a pretty good DJ on that Techno-House tip. On the show he said that he participated in DJ workshop, teaching people how to spin. He said that spinning is a all about problem solving. If you can problem solve then you can easily learn to spin. He also talked about releasing an album or compilation like you said. This show took place Dec. 2001 so it should've been way out already. Bouge is a darn good programme. I wish they had shows like this in America. g. On Friday, February 28, 2003, at 01:18 PM, [EMAIL PROTECTED] wrote: Anyone heard of this guy - I've got a compilation CD with a deep house track by him that could easily slip onto a MoodsGrooves/Track Mode release. I was wondering if anyone in Toronto has ever heard him play. Info says he plays house and techno on three turntables alongside samplers and effects. just curious MEK
Re: (313) this friday in detroit
isn't that Kevin Saunderson night happening on friday at the works? but for the movie I recommendDaredevil! ;-) Looking forward to that one myself. ::) wrote: valentines, is there anything going on friday in the D? I'd like to do the dinner/movie/techno date with my girl, if possible. thanks -Joe
(313) Test
bonk*
Re: (313) I'm losing my edge. Was: What! Nothing about Lost? (rant)
Hey, you forgot to mention that you were there in Queens, NY circa 1979 when they started breakdancing! LMFAO! G. Tosh Cooey wrote: I'm losing my edge, the kids are coming up from behind. But I was there. I was there, in the Paradise Garage DJ booth with Larry Levan. I was there in Jamaica during the great soundclashes. I was naked on the beach in Ibiza in 1988. But I'm losing my edge. Yes, you're all so special. Tosh
Re: (313) Hip Hop and Techno (was 8-Mile)
I will have to agree with robin here and I'm from the US. I read this article in an old DJ Magazine that talked about The Summer of Love and there was a part where someone would say (I'm paraphrasing here) you gonna rave? or have you raved yet? which meant taking a hit of e and going to a party and rave like mad. Indeed the Acid House and Rave are one of the same. \ I suggest doing some research at the mag's website. robin pinning wrote: The rave scene started over there, as their answer to our Hip-Hop scene. don't think that is truethe rave scene developed out of the northern soul scene (from what i've read)...original rave music was acid house (the other key ingredient to raves was the rapid take up of ecstacy at the same time) I don't agree that the Acid House Scene was the Rave Scene. I think it was definetly proto-rave, but I don't feel RAVE happened until after the Acid House Raids in 1989, and 1/2 the promoters went underground into the warehouses. That is when the culture grew, and it wasn't just a random occurence of club-rebellion. hmmm we'll agree to disagree... :) rave was defo happening around 88's summer of love (see the national newspaper headlines!!), this was quite a bit before hardcore happened which was 89/90 - Hence all the dancehall and street influences in the original Rave Music: Hardcore. that came later... nah, Hardcore started in 1987, with Lennie de Ice's We Are I.E., and the early SUAD releases. SUAD started in 1989 (i have a few of their releases, froma round the time) and i'm failry sure we are ie came out in 89 too (what a tune btw) cheers robin...
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Speaking of which g. Original Message Subject: DJ T-1000 rocks Record Time Ferndale Date: Wed, 6 Nov 2002 08:47:31 EST From: [EMAIL PROTECTED] To: undisclosed-recipients:; The Last DJ On Earth returns to Record Time Ferndale ! November 8th 2002 7-9 pm 262 W. Nine Mile Rd one block west of Woodward Hor d'oeuvres by La Soups, so come and eat to the beat All Pure Sonik and Generator products are specially-priced www.recordtime.com www.puresonikrecords.net www.generatormusic.com FC2 Richards wrote: what if it was DJ T-1000 commanding everyone to dance...as he usually does. I think I would obey because he is a bad mother f*ucker! -Original Message- From: T.J.Johnson [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 6:01 PM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Amen Jeff! It always bugs the hell out of me when the self-elected party revolutionary leader stands up at the show and starts yelling at people to start dancing. If he/she needs other people to dance for them to fell comfortable with dancing themselves, maybe they should get drunk or something. Bite me is what I usually end up thinking... On Mon, 04 Nov 2002, Mxyzptlk wrote: While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) Fwd: Re: ot politics
Since this thread talks about war and guns, I also recommend that everyone go see Michael Moore's new-ish film Bowling For Columbine. That one is a real kick in the head. g. Grammenos, Peter wrote: It's feasible considering that when the us embassy was bombed in Sudan (99), we refused to have the two al queda suspects extradited to the US along with voluminous information on the al queda terrorist network which in hindsight would have most probably helped prevent the attacks. CIA called it the biggest intelligence blunder ever. Sorry for the OT . This stuff gets me all riled up. -Original Message- From: J. T. [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 06, 2002 11:41 AM To: 313@hyperreal.org Subject: (313) Fwd: Re: ot politics last i'll say -- PLEASE read this if you haven't read it already. PLEASE. if you dont wanna read an intro here's the link: http://lists.econ.utah.edu/pipermail/rad-green/2002-October/004980.html grabbed off Global Darkness..: --- The cover of either the Daily News or the Post (I can't keep them straight) here in New York had a headline after the Predator aircraft took out those guys in Yemen that simply said ZAP! Isn't that messed up? Everyone and their mothers in America right now should read 1984 and then take a very critical look at the Bush administration and the mainstream media. Speaking of which, Gore Vidal published a screed in the Observer (a Sunday paper published in the UK) entitled The Enemy Within, that claimed Bush had foreknowledge of the 9/11 attacks and allowed them to happen in order to justify a Central Asian war, leading to U.S. control of oil resources throughout the region. You can read the full 7,000-word essay here: http://lists.econ.utah.edu/pipermail/rad-green/2002-October/004980.html _ Tired of spam? Get advanced junk mail protection with MSN 8. http://join.msn.com/?page=features/junkmail
Re: (313) Friction w/ Chris L
T.J.Johnson wrote: Is Chris Leibing not the happiest DJ on earth? Oh yeah, he was in good spirits. In a conversation before his set, he said he was very honored to play in Detroit and really liked the decor of the venue: exposed brick and all. But hey, I'll take a happy DJ over someone standing there like a zombie anytime. Chris has alot of personality on the decks (and even took some time out to snap some photos of the crowd during the set!) and I dig that. Not to mention all that pumpin', fierce, angry Techno you can handle that he was spankin' people with which got everyone all riled up and cheering. Nice! You can really get your rocks off to that stuff, figuratively speaking. :-) Unfortunately, I didn't get a chance to experience it in full force when he spun in the bunker at Tresor Love Parade this year. I wasn't about to go down there again a 3rd night in a row because it was just TOO hot. However, I heard the moisture down there crashed his Final Scratch (Doh!) and luckily he had brought some records with him to continue on with. It was also my first time hearing Acid Pimp and he was on fire too! All in all, it was a great time last night. And tomorrow, its off to see Christian Smith! Whooohoo, finally there's some good Techno shows in the D that won't make me fall asleep. Zzz. Ta-ta, g. Did anyone else check him out last night? It was pretty energetic along the lines of DEX FX 909... Pretty interesting and fun! He really grooves and that definitely adds to the excitement... T! www.acidsonicresearch.com ~~go here www.mp313.com ~~and here PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) Friction w/ Chris L
T.J.Johnson wrote: Is Chris Leibing not the happiest DJ on earth? Yeah and that's cool. I'll take that over someone who doesn't seem like they're having fun, standing there like a zombie. Chris has alot of personality on the decks (and even took some time out to snap some photos of the crowd during the set!) and I dig that. Not to mention all that pumpin', fierce, angry techno you can handly that he was playing which got everyone all riled up and cheering. Nice! You can really get your rocks off to it, figuratively speaking. :-) Unfortunately, I didn't get a chance to experience it full force when I was at Tresor Love Parade this year. He spun in the bunker and I wasn't about to go down there again a 3rd night in a row because it was TOO bloody hot. However, I heard the moisture down there crashed his Final Scratch and luckily he had brought some records with him to continue on with. It was also the first time I heard Acid Pimp and he was on fire too! All in all, it was a great time last night. Tomorrow, its off to see Christian Smith! Finally! There's some good techno shows in the D. Ta-ta, g. Did anyone else check him out last night? It was pretty energetic along the lines of DEX FX 909... Pretty interesting and fun! He really grooves and that definitely adds to the excitement... T! www.acidsonicresearch.com ~~go here www.mp313.com ~~and here PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
(313) double posts
sorry guys if you get double posts from me. i wasn't sure if it when through the first time and had rewrite them over again. ack, g.
Re: (313) Betr.: (313) MatrixPreviews
I believe that would be Gerrard Jensen from Texas? g. [EMAIL PROTECTED] wrote: Hi, who made the convextion-record? Was it also Sean Deason? Great tracks... Thanks, Remco
Re: (313) Betr.: (313) MatrixPreviews
Is it Gerrard Jensen from Texas? g. [EMAIL PROTECTED] wrote: Hi, who made the convextion-record? Was it also Sean Deason? Great tracks... Thanks, Remco
Re: (313) Betr.: (313) MatrixPreviews
woops, sorry for posting twice... glyph1001 wrote: Is it Gerrard Jensen from Texas? g. I believe that would be Gerrard Jensen from Texas? g. [EMAIL PROTECTED] wrote: Hi, who made the convextion-record? Was it also Sean Deason? Great tracks... Thanks, Remco
Re: (313) Mailing lists?
I think he meant SNAIL mail-ing lists. g. logic7 wrote: The only way i've ever recieved free records was from the artists handing them to me. Never knew that one could get 'em from a mailing list. -Original Message- From: s mcgill [mailto:[EMAIL PROTECTED] Sent: Thursday, October 24, 2002 3:12 PM To: 313 Subject: (313) Mailing lists? Does anybody out there have any idea on how to get on record mailing lists. I have been djing for years and never got a one record free, apart from ooops sorry, Claude Young and James Ruskin. Seriously though, I have my own club night too and don't know what I should do, any advice? Cheers Scott McGill www.tfunkshun.com
Re: (313) new NSC release
I heard this one and its a happy, knee-slapping, feet stompin', hands-in-the-air tune. :-) Good schtuff. g. Simon Walley wrote: MP3 snippet : http://217.158.65.110/MP3/SF102673.mp3 From juno.co.uk: DR FEELGOOD HIS FUNKY INTERNS: Dee-Dee-Dee (Yes-Yes-Yes) (NSC US) (MP3) - Techno 12: Dee-Dee-Dee (Yes-Yes-Yes) (vocal mix, instrumental dub)/Think Twice Before You Go (NSC 7) [6.99] - add Simon From: Rc [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: (313) new NSC release Date: Tue, 15 Oct 2002 20:48:00 +1000 anyone heard: NSC-7/8 DR. FEELGOOD HIS FUNKY INTERNS new NSC? with UR, Shake, KMS, Vmax, Rob hood contributing to past releases I'm keen to know who's behind this one Rc || [CiM] || [EMAIL PROTECTED] || http://www.warmdata.net/ _ Join the world’s largest e-mail service with MSN Hotmail. http://www.hotmail.com
Re: (313) Laura Gavoor...
No...I'm afraid its true. An aneurysm caused it. Thoughts and prayers to her family friends. g. Tosh Cooey wrote: Somebody please tell me I am only hearing a bad joke about Laura. Tosh
Re: (313) claude young contacts
try www.claudeyoung.com g. moog wrote: hey we really want to try and bring him to play with us, any chance for his contacts? kind regards yair.
(313) [Fwd: gear for sale]
In case anyone is interested. g. Original Message Subject: gear for sale Date: Wed, 25 Sep 2002 19:10:23 EDT From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Roland SP-808 groove sampler Hyper-Stylized Life machine w/ manual $500 USD Roland R-8 used on almost every Pure Sonik record w/manual + expansion dance card $375 USD or trade for Emu Planet Phatt or Mo' Phatt US only please. You pay shipping. E-mail at [EMAIL PROTECTED] or call 313-417-4471 Thanks, Alan
Re: [313] Religious producers/DJ's (was: TERRENCE PARKER)
they're worth that but they actually care. Unquote-- What I see happen alot and it kills me, is how these people be sleeping on it and time go by, then they complain they're not where they want to be and lay the blame on other factors. I can not tell you how much of that I see going on and the real fact is that they're a bunch of lazy wankers trying to perpetrate. So think of all the djs you feel deserve a chance and figure out how many are doing absolutely everything that needs to be done to hang with the big boys, and most importantly developing the right mental attitude or 'awareness' to obtain that chance. I doubt there are many. I have to give TP alot of credit because here's a guy, with a career lasting over 20 years, CHOOSING to retire. Being able to have that freedom to choose is admirable. And the reason for his retirement is not because of some young talent making him feel obsolete either. He's just a man with nothing to lose, but with much to gain and I wish him the best of luck in this new phase of his life. [EMAIL PROTECTED] wrote: there are some old dudes who are still relevant. but there's a lot of them who are still djing just because they don't know what else to do with their lives. but they seem to have no interest in new music, new sounds, or new ideas. and that's why the new generation of kids (at least here in america) aren't flocking to events like they used to. now granted- its not all the djs fault. its the fault of promoters who won't take a chance and book new talent. and its also the fault of the public who only go check out a dj if its a tried and tested name. its a viscious cycle that is eating away at our music. yes- there are some exceptions. recloose is a new, young exciting name. the perlon guys are experiencing some new found popularity. i guess its mostly tied to production. if you can get you're records out there, you can get your name out. it just frustated me that i know so many great djs who could smoke the 'famous' dudes, but never get the chance. On Sun, 15 Sep 2002, glyph1001 wrote: Why should veteran jocks need to quit before they're ready to? If there's great young talent out there, then they can step up regardless of so-called tired jocks. Its up to the young djs with talent to knock the old guys out the box, not the old guys graciously stepping out of the way for them just because they're the younger generation. Just my 2 cents, g. [EMAIL PROTECTED] wrote: There's actually a lot of tired old jocks (not saying TP is one) who need to retire so some newer, younger talent can step up. On Fri, 13 Sep 2002, T.J.Johnson wrote: Everybody retires at some point in their life! I bet that all of y'all people who are bitchin' about TP realizing his time are jealous that you can't retire after 20 years of service!!! I don't care if it is music or not. When something becomes your job, it is just that--your job. You will get sick of it. You will make enough money then quit happily!!! T! www.acidsonicresearch.com ~~go here www.mp313.com ~~and here PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Religious producers/DJ's (was: TERRENCE PARKER)
Why should veteran jocks need to quit before they're ready to? If there's great young talent out there, then they can step up regardless of so-called tired jocks. Its up to the young djs with talent to knock the old guys out the box, not the old guys graciously stepping out of the way for them just because they're the younger generation. Just my 2 cents, g. [EMAIL PROTECTED] wrote: There's actually a lot of tired old jocks (not saying TP is one) who need to retire so some newer, younger talent can step up. On Fri, 13 Sep 2002, T.J.Johnson wrote: Everybody retires at some point in their life! I bet that all of y'all people who are bitchin' about TP realizing his time are jealous that you can't retire after 20 years of service!!! I don't care if it is music or not. When something becomes your job, it is just that--your job. You will get sick of it. You will make enough money then quit happily!!! T! www.acidsonicresearch.com ~~go here www.mp313.com ~~and here PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] your most soulful DJ?
Hells yeah and Marco Carolla. His set at Globus (Tresor) during Love Parade 2002 was off the freakin' chain. He's such a bad ass. :-) And funky, soulful German, DJ Tom Clark. g. FC3 Richards wrote: Only one really DJ T-1000 he destroys the floor everytime he plays... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, August 09, 2002 8:43 AM To: 313@hyperreal.org Subject: Re: [313] your most soulful DJ? Also - maybe it's not just one person - give me a list of top 5, 10... whoever you'd pay time and again to see because you know you're going to walk out floating on clouds I'm really curious (and it'll give me a list of people to check out possibly) MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 08/09/02 02:36 PMSubject: [313] your most soulful DJ? Hey all- I know it's a big and open question to ask but I'm curious to hear who - in your own opinion- is the most soulful DJ. What I mean is - for you who is the one whose got it and manages to bring it to your heart every time. And I'm talking only DJs here. Now I know that people will want to argue about what is soulful and what isn't - personally I don't care - and I really don't want to hear any negative comments please - I'm just interested in the positive. I don't want to see this go down as a Richie Hawtin doesn't play soul music thread - if your grandma is the most soulful let me know and I'll respect your opinion. Give some examples or details if you want. I'm not looking to stir up controversy - just want to see who makes the list(s). Please keep this a fun discussion (argue off list). MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dave Tarrida
I have this and here's the tracklisting and you can judge for yourself: 01. Raiders of the Lost Arp - Funk 002 (combo)/Plasmek 02. Smash TV - I Love You Now / B Pitch Control 03. Tobias Schmidt - Make Me / Tresor 04. Christian Vogel - Diggin Fo Da Earth Gamba / Exclusive 05. Aeox - She's Gotta Gun / Mental Industries 06. Tobias Schmidt - This Is Your.../ Exclusive 07. Steve Glencross - Running Down / Exclusive 08. Spoof - Soopa Bass / Missle 09. Mick Willis - Kill! Kill! / International Deejay Gigolo 10. Digital Princezz - Out of Focus / Mosquito 11. Si Futures - Freestyle Disco (Hakan Libdo remix)/ Novamute 12. Dave Tarrida - Terminally Yours / Exclusive 13. The Mover - Frontal Sickness / ACA 14. Black Ops - Untitled / B Rave 15. Subhead - In The Blue Corner / Sativae 16. Wilko - Feel The Base / Pimp 17. Dave Tarrida - Music For Victims / Exclusive 18. Lamonde - Dr. Smith (Tarrida Remix) / Feis 19. Si Begg - Sound Equipment / Sativae 20. Neil Landstrumm The Horroist - The Boy Who Held His Breath Too Long / Exclusive 21. Tube Jerk - Blue Lip / Exclusive 22. Anthony Lynn - Substances Illicites / Kobayashi 23. Dave Tarrida - Cracking Mirrors / Exclusive Its a mix of, 80's industrial-ish, Electro-clashy noise techno with funk and is pretty good for home car listening . But that's just me. G. Martijn de Blaauw wrote: Hi all, Anybody have an opinion on this mixalbum from Dave Tarrida on Tresor ´Dave Tarrida plays records´? Is it any good, worth buying? or a bit to freaky...? Thanx, Martijn de Blaauw Searchline Van Breestraat 154 P.O. Box 9292 1006 AG Amsterdam The Netherlands Tel: +31 (0)20 578 86 86 Fax: +31 (0)20 662 92 81 http://www.searchline.biz Disclaimer: This e-mail and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from Searchline, are confidential and solely for the use of the intended recipient. If you have received this e-mail in error please notify the system manager at [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Theremin/Electronic Odyssey
I'm watching this documentary on cable at this moment and its pretty darn interesting. Its a profile of Leon Theremin, the inventor of the electronic musical synthesizer that bears his name, follows his early days spent developing and perfecting the instrument and explains what happened in subsequent years after he was abducted by the KGB in the Mid-1930's. Features comments by musicians Todd Rundgren, Brian Wilson, and Clara Rockmore, plus inventor Robert Moog, and Theremin himself. Has anyone else seen this? g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Theremin/Electronic Odyssey
Channel 375 Starz Cinema East g. Alexandres Lugo wrote: what channel? Peace, Alex www.fulcruminn.net -Original Message- From: glyph1001 [mailto:[EMAIL PROTECTED] Sent: Tuesday, June 18, 2002 4:22 PM To: 313@hyperreal.org Subject: [313] Theremin/Electronic Odyssey I'm watching this documentary on cable at this moment and its pretty darn interesting. Its a profile of Leon Theremin, the inventor of the electronic musical synthesizer that bears his name, follows his early days spent developing and perfecting the instrument and explains what happened in subsequent years after he was abducted by the KGB in the Mid-1930's. Features comments by musicians Todd Rundgren, Brian Wilson, and Clara Rockmore, plus inventor Robert Moog, and Theremin himself. Has anyone else seen this? g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Theremin/Electronic Odyssey
Whoops, my bad...posted private message by mistake. g. glyph1001 wrote: Channel 375 Starz Cinema East g. Alexandres Lugo wrote: what channel? Peace, Alex www.fulcruminn.net -Original Message- From: glyph1001 [mailto:[EMAIL PROTECTED] Sent: Tuesday, June 18, 2002 4:22 PM To: 313@hyperreal.org Subject: [313] Theremin/Electronic Odyssey I'm watching this documentary on cable at this moment and its pretty darn interesting. Its a profile of Leon Theremin, the inventor of the electronic musical synthesizer that bears his name, follows his early days spent developing and perfecting the instrument and explains what happened in subsequent years after he was abducted by the KGB in the Mid-1930's. Features comments by musicians Todd Rundgren, Brian Wilson, and Clara Rockmore, plus inventor Robert Moog, and Theremin himself. Has anyone else seen this? g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Finally A Conference About the Business...
This is a nice one! And in Vegas too! :-) One thing I wish they would have is an 'in' towards the movie industry where movies houses can license music from indie electronic/dance labels. Nonetheless, its looks like a great conference. g. SOS wrote: Finally a Conference about the Music Business and the little people like US can afford to go... Check out www.dancetechconference.com site about a cool conference Their E-Mail Address:[EMAIL PROTECTED] SOS will be there... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Plastic Jacket Sleeved
check with www.erikarecords.com for a more accurate price but I got vinyl plastic sleeves from them @ 0.50 each + freight and they will also ship them to your specified pressing plant for packing upon request. g. SOS wrote: Does anyone have a good lead/price on plastic jacket sleeves... If you can give a general price if you have one for 500 - 1000 pieces... Peace - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] (OT) Detroit got balls
Yeah be on topic next time or you'll get the same fate as the man in the article! snip! j/k :-) lates, g. :P wrote: not only is this totally off topic and a waste of everyones time, its a shoddy piece of writing. kerb? lol sorry Tim, -Joe - Original Message - From: Tim Maughan [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Thursday, June 13, 2002 11:09 AM Subject: [313] (OT) Detroit got balls http://www.ananova.com/news/story/sm_606275.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Montini - The Reunion
Does anyone have the tracklisting for this Belgium techno comp? I checked their website, no luck. g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Grr! (final?) Shari Vari Lyrics
Roland van Oorschot wrote: Heading for the heighest heights Could 'heighest' be 'highest'? :-) g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Italo disco top fives anyone?
Wow, lots of great picks mentioned...here's a few to add to the list: Gino Socio: I Remember (Atlantic Records) Koto: Visitors (label ?) Fun Fun: Happy Station (or anything by them)(label ?) RIS: Lovin' Music (Proto label) Wet: That's The Game (label ?) g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Austin, Pittsburgh and Detroit
I kinda agree with what the article says about Detroit. Especially where it notes that Detroit is basically a city that shuns on forward thinking or creative ideas (Techno and The Heidlburg Projects are perfect examples). I mean sheesh, it took THIS long to have a DEMF in Detroit where this music has been around for almost 20 years! And quote They created a lifestyle mentality, where Pittsburgh and Detroit were still trapped in that Protestant-ethic/bohemian-ethic split, where people were saying, You can't have fun! or What do you mean play in a rock band? Cut your hair and go to work, son. That's what's important. This is so true because I've heard this from Detroiters I know who are creative whose parents would tell them basically that...get a blue collar job instead of doing music or art or whatever...but until they see that you're successful in it (and they'll only understand it when you're sucessful in it), their attitudes don't change because all they understand is a job with a little security, a small house, a wife or a husband, kids...the normal life. But from what I was told it takes people in Detroit a long time to see potential in creativity and new ideas. That's just the way it is. Lates, g. Fred Heutte wrote: I don't subscribe to a lot of the theorizing in this article, but it's interesting -- about recent research done on the role of the creative class in revitalizing cities. In fact, Detroit has a pretty active creative class (the electronic music scene is even mentioned obliquely in the article, but nothing else, showing how little either the author or researcher seem to know about the city), and the *potential* exists, as we've all known, for this to spur the true rebirth of the city. We'll see whether the new mayor rises to that challenge. Anyway, 313 related but not exactly electronic music related: http://www.salon.com/books/int/2002/06/06/florida/index.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 / Dave Clarke...
Did you also hear that blow horn? :-)Everytime it was blown, the crowd would cheer right after it. g. Greg Earle wrote: Hi all - I heard from a friend that Dave Clarke absolutely rocked it ... did anyone get a chance to see him I heard the same thing, and I hear he's just finished a Fisherspooner remix that is the proverbial sh*t. He played said remix at the end of his set. It was the sh*t. This year's DEMF was all about Detroit Moments for me. Clarke's set was one of them. I haven't seen a crowd (absolutely rammed) go so ballistic in *years*. He *completely* killed it. Perfect. (Well ... I wouldn't have minded some Electro; it was sorta a sparse weekend, Electro wise) And when, during Red 2, a thousand or so of 'em started the DE-troit! DE-troit! DE-troit! chant - totally spontaneously - I could've cried. THAT was truly a Detroit Moment[tm]. Every so often I say to myself, Self, you're approaching 44, you've got a drop-dead gorgeous ex-model girlfriend who doesn't like Techno, maybe it's time to quit dressing like a kid and grow up and wear Sensible Middle Aged Male All-Black Clothing and move on with your life. Then I see stuff like Clarkey's set and it reminds me of The Heyday[tm] of my raving years and I remember why I love the music and events like that, and I say Hah. Fcuk that sh*t. :) - Greg (who hung out with Dave marmoset Walker a couple of times) I'm a simple man. Just give me a 4/4 beat and a nice melody, and I'm happy. - Otto Koppius - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF sets that you where impressed with
I thought Dave Clarke had the best set. He did play some electro-type stuff towards the end. He started it off with Juan Atkin's No UFO's. g. Catherine Eberhardt wrote: I liked Steve Rachmad's set- first time seeing him, and Marco Carola's set. I missed Jay Langa but I wanted to see him. Oh well... I was dissapointed in Dave Clarke's set- was hoping for electro... The sets that were most impressive were outside of DEMF- Rolando at the UR party on Saturday and Marco vs. Adam Beyer on 4 tables last night was far superior to anything I saw at the festival. Did anyone see Luomo play on Saturday at Panacea? I wanted to go but by the time I got there at 1 AM all I heard was european techno and I asked if Luomo was going to play or did I miss it and the stupid idiots at the door said that Luomo was on now... I was aggravated so I left, I'm sad if I missed Luomo. Anyone have a review of this night? Rob Theakston [EMAIL PROTECTED] 05/28/02 16:37 PM Other favorites--Jay Langa with a welcome to Detroit set of UR classics i'll raise my mug to that. though i was there for about an 90 minutes max, i was most impressed by Mr. Langa's selections. it's just a damn shame they didn't have him on later/on a better stage in front of more people. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: Liquid Metal Meltdown
Nah, that was actually Juan Atkins, speaking at a New Music Seminar wa back in the day. Hehehe, that quote still trips me out even today. I also love that soundbite from Revolutions of Change. It really hypes you up. g. In a message dated 05/23/02 11:29:18 AM, [EMAIL PROTECTED] writes: anyone know if thats also where the intro to ben sims detroit mix (http://www.bensims.com/ comes from??? if you're gonna call it techno, know what techno is. buy some $hit from detroit and then you'll find out In a message dated 05/23/02 3:37:17 AM, [EMAIL PROTECTED] writes: as i recall it's either Rob Hood or Alan Oldham. it's taken the Utrecht show on the world tour that UR did back in 1991 or 1992. the speech is featured in the intro section to UR Live in Utrecht, Holland which is on the Underground Resistance Revolution for Change album on Network, and a shorter (slightly different?) version is also on the fairly scarce DJ T-1000 Liquid Metal Meltdown 10 on Generator. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re:(OT) JanD interview is up (word__
Nope, I'm afraid I don't see any illustrations or links on the emails/posts I'm getting. g. PhedX wrote: word the link to the qt which is the interview word is at the bottom underneath the illustration word word it works here word... is it working for you peeps word? :) (thankx) word - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re:(OT) JanD interview is up
a link to the interview would help. :-) g. PhedX wrote: Hey all find out a little bit about JanD. She has been spinning at numbers. The lady spins Electro and is fresh. So check it out, I am converting the cd now... audio samples from her CDsampler up tomorrow am phedx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) DJ ESP on Generator
Site just up: www.generatormusic.com [EMAIL PROTECTED] wrote: h GEN009... My favorite Generator release! Woody at his best! Isn't that Telesender record on Generator by ESP as well? As to a German Generator label, I only know of a Generation or Generatio label that apearred around that same time. -Original Message- From: FC3 Richards [EMAIL PROTECTED] at inet-1 Sent: Tuesday, May 14, 2002 4:55 PM To: '313@hyperreal.org' 313@hyperreal.org at INET-1 Subject: [313] DJ ESP on Generator here is a tough question I have this release on Generator records from a few years back by DJ ESP. It says that plainly on the label. And inscribed on the wax itself is the GEN009 matrix number for the release. It is a double pack and is (i believe) called Transporter. Now why is it that when you go to the pure sonic web page and look at the Generator release's GEN009 is clearly not listed. Was this never released to the public, or is this a release on the other Generator records out of Germany. I am assuming it is AO's Generator because of the fact that Woody did plenty of work with him in the past. HELP...Mr Oldham maybe your explanation would be the best. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] advice? from seattle to demf.
Isn't there a Blue Nile (also Ethiopian) in Greek Town also? g. Andy Kellman wrote: :P said: general FYI, priceline.com is running a sale on airline tickets right now. And if you can get out here during the day Friday, you can catch Eddie Money in Clarkston. Andy (Whose favorite place for vegetarian eats -- it's Ethiopian, specifically -- is The Blue Nile on 9 Mile in Ferndale, a block west of Record Time Jr.) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: DEMF hotels
check out Days Inn on Jefferson: www.daysinn.com; locate the hotel by clicking reservations and locations. i check the rates and its as low as $67.96 and high as $119.95. The dates I used is May 24th through May 28 so it can be more or less according to how long you're staying. Days Inn 3250 E. Jefferson Detroit, Michigan, 48207 United States 313-568-2000 check out Comfort Inn on Jefferson: www.comfortinn.com or www.sleepinn.com and choose 'Comfort Inn' at the 'Select Brand' pull down menu; locate the hotel by clicking reservations and locations. i check the rates and its as low as $109.00 a night and high as $159.00 Comfort Inn Downtown 1999 E. Jefferson Ave. Detroit, MI, US (313) 567- if I find more I'll let you guys know. g. Carissa Tintinalli wrote: I got my room at the Ponchartrain through Travelocity for $80/night but they aren't offering that price anymore. The hotel is also completely booked Fri. May 24th and Sat. May 25th. Priceline was offering $60-$70 rooms at the Courtyard Marriot but they don't accept non-US credit cards (which is why I went through Travelocity). And as the official DEMF hotel they are most likely completely booked. I believe there's still room at the Best Western although the rooms are going for $130 and up. The same goes for the RenCen (even more expensive...$160 and up).You might want to try the Ramada on Cassit's a few blocks away but definitely cheaper. Does anyone still have a copy of the 313 DEMF Guide from last year? Maybe a repost (it used to be on the technotourist site) would help some out people out :) From: Pryor, Ryan N To: '313@hyperreal.org' 313@hyperreal.org Subject: [313] DEMF Hotels Date: Thu, 9 May 2002 18:21:12 -0400 I recently saw a deal for The Ponchatrain. $80 a night // 2 beds= $20 a night per person. I will see if I can hunt down a link to the site to post, but just be aware there are good deals on nice downtown hotels Memorial Day weekend :) -=ryan=- _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF Update
What do you mean? There are Detroit DJs/acts performing this year. Or you meant to say that there's too many unknown Detroit acts that are not the ones you like or expect? All those expected to play have pretty much played already, except Mills, Young, Hood, all of whom were contacted, asked and/or invited to play but were unavailable. G. PhedX wrote: I would be happy with more Detroiters too. They (the comittee) we nt outta their way not to pick from the DETROIT crowd... R e p r e s e n t... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002
Nope, Tang has always been on the list. Further info on this artist is at www.emphasisrecordings.com. Cheers! :-) g. Jongsma, K.J. wrote: I noticed a few changes in the DEMF 2002 line-up, Electric Indigo is suddenly doing a live-set. Green Velvet is bringing some green friends because it's now Green Velvet The Rejects. New on the list are the People Movement, Dilated People and something called Tang. Oh and Paul Johnson is now back on the list but he now no longer will be known as just Paul Johnson, no no he now wants to be called The Legendary Paul Johnson. I'll be on the look out for the following changes on the DEMF website: The Legendary A Number of Names The Legendary Art Payne Keith Martin The Legendary George Clinton The Legendary Juan Atkins The Legendary Blake Baxter The Legendary Alan Oldham The Legendary Mad Professor The Legendary Eddie Fowlkes The Legendary Kenny Dope The not so legendary [EMAIL PROTECTED] PS. add your own legendary names for personal pleasure -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: I have one thing to say....
One more thing. The character development of X-Men, I feel, was crucial to the story telling of the film because not everyone read comics and know what the heck these characters are all about aside from the fact that they're mutants. I liked X-Men and I believe the formula (which is making the movie to be just like the comic book and not adding new and sometimes awful elements to the characters plus utilizing lesser known actors) used and the consequential success of that formula revived the interest in making superhero films. Its the way all the previous superhero flicks should've been done, except Superman, that's like the bible of all superhero flicks. In fact, you can tell that for Spider-Man, they made the production team watch Superman movie on DVD and take notes (i.e. Peter Parker ripping apart his shirt, revealing the costume as he ran to change into Spidey). G. sean deason wrote: hell yeah!! I second the motion! Tobey (deer caught in the headlights) Maguire nailed it! Not since Michael Keaton has an actor *really* gotten into the psyche of a legendarysuperhero, but I was very impressed. I'm ready to plop down another 6 bucks to give it another spin. One thing that does bother me though. the new way he spins his webs is kinda gross. and where does the material for the webs come from? wouldnt he run out of it after a while? Maybe thats something they adapted from the Venom costume, but still it grosses me out :^) XMen was a big disappoinment (too much character development and by the time the action started the movie was over) but I love this movie! sean deason Kirsten Dunst in the rain is well worth the price of admission :^) sean glyph1001 wrote: Spider-Man. Go see it. It RAWKED! :-) g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: I have one thing to say....maybe two.
I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: I have one thing to say....
Hmmm, I think the Ben Affleck casting is interesting, actually. We'll just have to see if he's acrobatic enough. :-)I also heard that the 'Alias' chick (can't think of her name at the moment) is Elektra and its proven she can fight on camera so that's a good choice. But then again, casting a mega movie-star as a masked superhero is a no-no because what producer would pay mega-movie star money to only have the star's face covered half the time so I'm hoping that need doesn't get in the way of things. I'm personally looking towards a Spider-man X-men team up and perhaps a 'Justice League' live-action movie in the future. :-) In super-hero fever, g. Tim Maughan wrote: on 4/5/02 6:42 pm, glyph1001 at [EMAIL PROTECTED] wrote: Also, Sean, did you see the new Star Wars preview along with the Hulk and directed by Ang Lee!?!?! Whooohoo!! That's gonna be bad-ass! it should be ggod, better than the Ban Affleck daredevil movie they're shooting now... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: I have one thing to say....
Spider-Man. Go see it. It RAWKED! :-) g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF mistake
Yeah, I guess so. They're still posted on the official demf site as a live act and also on deepchord's own website: www.deepchord.com g. Grammenos, Peter wrote: What about deep chord? Are they still doing a live set -Original Message- From: glyph1001 [mailto:[EMAIL PROTECTED] Sent: Sunday, April 21, 2002 12:39 PM To: 313 Subject:Re: [313] DEMF mistake Chad Novak Gene Farris Dave Angel -was contacted but had prior engagements Kevin Saunderson DJ Shadow Sarena Tyler X-Excutioners Black Eyed Peas Roni Size - was contacted but had prior engagements Drexciya Rob Hood - contact was attempted but no response g. Trevor Wilkes wrote: I seem to recall Dave Angel as well...last i checked he wasn't there anymore. Trevor Wilkes - Original Message - From: kenneth taylor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, April 21, 2002 11:39 AM Subject: [313] DEMF mistake Hey- Can someone repost the names that were announced on this year's DEMF website but were later pulled? Repeat: NOT the entire roster, just the names that got PULLED from the list. Here's what I have so far: DJ Shadow X-Ecutioners Black Eyed Peas Drexciya Kevin Saunderson anyone remember the others? thanks, Ken _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF mistake
Chad Novak Gene Farris Dave Angel -was contacted but had prior engagements Kevin Saunderson DJ Shadow Sarena Tyler X-Excutioners Black Eyed Peas Roni Size - was contacted but had prior engagements Drexciya Rob Hood - contact was attempted but no response g. Trevor Wilkes wrote: I seem to recall Dave Angel as well...last i checked he wasn't there anymore. Trevor Wilkes - Original Message - From: kenneth taylor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, April 21, 2002 11:39 AM Subject: [313] DEMF mistake Hey- Can someone repost the names that were announced on this year's DEMF website but were later pulled? Repeat: NOT the entire roster, just the names that got PULLED from the list. Here's what I have so far: DJ Shadow X-Ecutioners Black Eyed Peas Drexciya Kevin Saunderson anyone remember the others? thanks, Ken _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Real Detroit: DEMF Article
www.getrealdetroit.com Plus, early this morning, the commmittee members appeared on Fox 2 News Detroit on and off throughout their broadcast discussing the event and its intentions this year. A few artists who were mentioned to be on the lineup is: DJ Zap Mad Professor Green Velvet ...a sneak preview. =) g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] a confirmation
Stew is definitely in. He's quite excited to play from what I hear. =) g. henrique casanova wrote: sorry for this post but i can't read all e-mails today. anyone knows if these artists will be at demf for sure?: -drexciya -robert hood -stewart walker henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] official DEMF lineup up
Dear Mr. Kooky Scientist. With all fondness, due respect, and admiration of your music, etc. I think its time that you not continue to bring up the same story of you getting stuck with the hotel bil for the 4th or 5th time. The reason is that 1): you are an important techno artist with bad ass tracks that are hard to get and being nit-picky about this will just make you look bad. 2) I'm sure you are now getting more gigs due to the exposure from the DEMF and the money you get from the gigs I'm sure has made up for the hotel money a twice fold and then some, so please find it in your heart let it go. 3) If you are not responsible for any hotel fees, never put yor credit card down, just explain why you're not responsible and explain to them who will be responsible and leave the hotel 50 bucks for incidentals. And last but not least 4) DJ's and acts get dicked like that all the time...not just DEMF...its like...an occupational hazard so the only thing you can do is learn from the mistakes made and protect yourself next time. I don't mean anything bad or disrespect by this but you're just too important of an artist, you should be above it all. Thanks for reading. Peace, G. Fred Giannelli wrote: on 4/12/02 12:01 PM, Klaas-Jan Jongsma at [EMAIL PROTECTED] wrote: At 08:54 -0700 12-04-2002, Bill Van Loo wrote: Available at: http://www.electronicmusicfest.com WOW! It actually says Drexciya!!! It's not live but AFAIK this will hopefully be the first live appearance from our favorite aqua-funkers Oh and George Clinton is nice too... and so is Deepchord live, Rob Hood Well let's hope everybody gets paid what they've been promised and the hotel rooms don't get charged back to all the artists like last year... ; O Telepathic regards, The Kooky Scientist - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: DEMF- Larry Heard, Moodymann, Hanna...
Yep, April 12th is when all hell breaks loose. = D g. Matthew L. Thompson wrote: Ok, I was thoroughly confused myself but I think I've made sense of that now. Still wondering how or why last year's lineup for that party was posted to the list, that was confusing as hell. Glad we got that straight. :) So is April 12th the date that the DEMF lineup is officially going to be made public? That's the sound of it from Gregg McPhedrain's post... Matt E-mail: [EMAIL PROTECTED] Web Site: http://www.magicmattkelly.com - Original Message - From: Otto [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Saturday, April 06, 2002 3:16 PM Subject: Re: [313] FW: DEMF- Larry Heard, Moodymann, Hanna... Dan Sicko wrote: the names below are from last year's party, right? Yep. (names deleted to avoid further confusion) Where was the first post in this thread? -- I don't remember seeing it come through. I'd like to see the party line-up again. Here's what George Jones forwarded: ---begin Forwarding this to the list for Chris Gray... Hey guys, I just spoke with Brett and since there maybe isn't that much definitive information about what to expect at this year's DEMF, I thought I'd pass this along to all those interested. Thanks for allowing my intrusion. Brett Dancer and Track Mode Recordings announce the following event: = Sunday, May 26th Banco Building on Woodward 10pm-7am $25 (approximately, TBD) Live acts: -- Hanna (Warren Harris) Moodymann (J.A.N.) Larry Heard (Mr. Fingers) - Larry also on vocals, accompanied by Norma Jean Bell on sax and Jerry the Cat on percussion DJs: Robert Barrett, Music Is... Records - UK Brett Dancer, Track Mode Recordings Malik Theo Parrish, Sound Signature ---end--- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Blade II (OT)
Hehe, yeah Paul Oakie sure gets around. I gotta hand it to the guy thoughhe's pushing himself and his brand of music into where it needs to be. Can't even mess with it. g. Lester Kenyatta Spence wrote: On Sat, 23 Mar 2002, glyph1001 wrote: This movie hauls amazing ass...my gawd!!! Just wish there was some good techno in it. g. the soundtrack is supposed to meld hiphop with electronica artists. just imagine if ice cube was with carl craig instead of whomever... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Blade II (OT)
This movie hauls amazing ass...my gawd!!! Just wish there was some good techno in it. g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Blade II (OT)
Based on what I heard, I doubt it. Its nothing that will jump out at you and could remember IMO, although its mostly collaborations between electronica and rap artists. Bottomline, you're defintely in for a treat film-wise.The Matrix had better come out rocking harder than this because the camera shots on this flick are insane...total superhero shit. I mean views you never thought possible and the special effects/cgi is jaw-dropping. One of my fave martial arts actors, Donnie Yen (Iron Monkey) turns out to be in it and choreographed the fighting scenes. :::swoon::: One thing that gets me is how people bring their little kids to a film like this. A little 7 or 8 yr old girl ended up sitting next to me and she was covering her face on some scenes because it was pretty gorey. Anyway, I'm planning to see it again. :-) Resident Evil is next. And from what I've seen...Milla is Orietta St. Cloud, hands down, ok? Let there be no doubt! :-) I can't wait for Spiderman, Triple X with Vin Diesel and Sam J(ackson): its like extreme sports meets james bond, and Minority Report with Tom Cruise which looks interesting. Have a nice movie weekend folks, g. Matthew L. Thompson wrote: I'm planning to see it Sunday evening. That's been one of my key thoughts about this movie all along, as to whether another rave anthem would be born from the sequel's movie soundtrack (as was the played-to-death Confusion remix by New Order from Blade I). Oh well... I'm going because I plan to enjoy the film, regardless of the music, right? Well... maybe. ;) Matt E-mail: [EMAIL PROTECTED] Web Site: http://www.magicmattkelly.com - Original Message - From: glyph1001 [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, March 23, 2002 8:55 AM Subject: [313] Blade II (OT) This movie hauls amazing ass...my gawd!!! Just wish there was some good techno in it. g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 313 related gear [Fwd: JP-8000 for sale]
Original Message Subject: JP-8000 for sale Date: Fri, 15 Mar 2002 13:38:05 EST From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Roland JP-8000 for sale. The big blue Sean Deason Razorback machine. I used it on Progress (one track). I paid $1100 for it used, asking $400 plus shipping (USA only). Patch list/manual included. Please e-mail me privately at [EMAIL PROTECTED] Alan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] Space Dj´z
Actually that mix series was pretty much started by Alan. He approached Prime Dist. to do a mix cd and came up with that title/concept which he thought at first was only for his mix cd only. The name stuck for the Space DJz release due to a slight miscommunication and it was too late to change it. Although, I must comment that the design work for Alan's import or UK version is a bit 'yucky' compared to the domestic. have a nice day, g. Pryor, Ryan N wrote: hehe...I wonder who named their release that first. T-1000 or Space Dj's.. -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Thursday, March 14, 2002 5:22 AM To: 313@hyperreal.org Subject: [313] Space Dj´z Hello, I saw a copy of a mixalbum by the SPACE DJ'Z called ´THE LAST DJ'Z ON EARTH´ in a shop today..the tracklisting looked quite cool..anybody any info on this??? Thanks, Martijn Searchline IIC Van Breestraat 154 P.O. Box 9292 1006 AG Amsterdam The Netherlands Tel: +31 (0)20 578 86 86 Fax: +31 (0)20 662 92 81 http://www.searchline-iic.com Disclaimer: This e-mail and any files transmitted with it, including replies and forwarded copies(wich may contain alterations) subsequently transmitted from Searchline IIC, are confidential and solely for the use of the intended recipient.If you have received this e-mail in error please notify the system manager at [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding Business
I want to respond to the music has no color bit If music has no color, I'd like to see 4 black dudes play the roles of the 4 Beatles in a movie. Or a white man playing the role of Jimi Hendrix in a movie. g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding Business
clap clap clap: there ya go! i know we've been through this and the opinions of it is varied but that new de9 is slammin', even now. g. Berislav wrote: trance: oakenfold, sasha digweed (white) techno: carl cox? (black) jungle: goldie (black) come on, man ,techno carl cox if somebody is mega super star in techno thats got to be Richie Hawtin, who is that carl cox figure. fat ass dj running intec nothing special b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding Business
cox is definitely more known in a 'mainstream' type of way as opposed to richie. I certainly didn't see richie in a commercial in europe where he's got an apron on and mixing batter in a bowl in a kitchen, promoting some mix cd or club night. g. [EMAIL PROTECTED] wrote: hmmm. hawtin or cox. internationally, i really think cox might have a slightly higher profile, although i could be wrong. On Wed, 6 Mar 2002, Berislav wrote: trance: oakenfold, sasha digweed (white) techno: carl cox? (black) jungle: goldie (black) come on, man ,techno carl cox if somebody is mega super star in techno thats got to be Richie Hawtin, who is that carl cox figure. fat ass dj running intec nothing special b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Portal
When I watched Pump Up The Volume, it did say that Paradise served non-alcholic drinks but once in a while they would spike the punch. g. [EMAIL PROTECTED] wrote: I don't know about the Paradise Garage, but Studio 54 most definately served alcohol. Vinyl (home of Body and Soul) in NYC doesn't sell alcohol. I guess that's not really bad for a Sunday afternoon club, but I was there once on a Saturday night (afterparty for the only ever Nuyorican Soul live concert- yes, i'm bragging ;) ). That was a bit weird not getting a drink during prime bar hours. On Mon, 4 Mar 2002, robin pinning wrote: well, i don't know what info has been posted alreadymy understanding is that it is some or all former founders of the Music Institute who have leased out the first floor of the 2030 building to provide quality music on weekend nights from approximately 12-6am in an alcohol-free venue. opening nite: march 22nd. wow, an alcohol free venue...that just wouldn't survive over here (which is more the pity really)...interesting and yes i am aware the paradise garage and studio 54 (and the warehouse?) were alcohol free robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Great White Hype...was IT'S ABOUT TIME!!!
I feel to many Americans, movements would seem more exotic, 'cooler', and unique' if it came from the UK. Its just the way it is, I guess. g. Dan Sicko wrote: Speaking to the Why SD and not Juan? issue directly, I'd just like to offer up the strange infatuation the US media holds for UK pop culture exports (I know this term is a bit of the large blanket variety) ... I think often times a movement seems that much more legitimate to the US (and I mean the lowest common denominator US) when it comes back to us through a UK prism. Inferiority complex? Just another obstacle to overcome? -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Hype, Marketing, and BS
does anyone notice how before its more records sold per record and now its less records sold but with more releases? hope that makes sense. g. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Great White Hype...was IT'S ABOUT TIME!!!
because you're not doing anything else but worry about someone else's bee's wax. what are you doing for yourself? if you're not part of the solution, you're part of the problem. i mean no offense at all, but its the truth. g. neon tse tse wrote: am 01.03.2002 19:10 Uhr schrieb [EMAIL PROTECTED] unter [EMAIL PROTECTED]: People, you are always going to be broke if you're worrying about someone else's income. always going to e broke ? who are you talking to ? what you mean by that ? m planetz2002 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?
I read this article in the Real Detroit last night over dinner. A good article, I especially LOVE the last thing Lenny says on there. He speaks the gospel alright.:-) Peace, G. [EMAIL PROTECTED] wrote: here's an octave one interview i just did for real detroit. www.getrealdetroit.com/articles/aricle.php?id=741 On Thu, 28 Feb 2002, s mcgill wrote: Originally I thought it was called Untold as it was on Blackwater EP on 430 west. It has since I think featured Anne Saunderson vocal and Kev remix. But I prefer the later Kaotic Spatial Rhythms remix myself. Go on, give our lil' brother a bash. No. go on. No. go on, everyone else has. Oh alright then. - Original Message - From: Dennis Donohue [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 27, 2002 4:50 PM Subject: RE: [313] black water with vocals? Wasn't the Blackwater with vocals the original? I have the release on 430 west by Octave One with the instrumental on one side and Ann Saunderson singing vocals on the other side. IMO - those vocals are excellent. If you're talking about a vocal that just says, balckwater over the background, that's very E-dancer sounding - it's actually the e-dancer remix also out on 430 west. Those vocals are pretty hairy IMO. There's also a new Octave one remix of the tune that is supposed to be the strings remix. Haven't heard it, but Mike Taylor was supposed to play it on his show last weekend - maybe he can shed some light. Dennis -Original Message- From: Brian 'balistic' Prince [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 10:29 AM To: Neil Wallace Cc: 313 Subject: Re: [313] black water with vocals? Wednesday, February 27, 2002, 9:25:37 AM, a knob was tweaked and out came: NW i was in hmv on saturday and heard black water with a (IMHO) pretty duff NW female vocal slapped on top - what is this? Was it the Ann Saunderson vocal mix? Just open your heart, open your mind, let the love flow let the sun shine? That's been out for a while now. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Lady Aida interview @ technotourist dot org
Nah, there's nothing wrong with ya. Sometimes, in order to 'break in' certain measures have to be taken. Surely,there's plenty of ways to go about it and your explanation is one. If you want to suffer through, you can. Or if you want to play to it and change your style later on, that's a great way too. This also occurs in the movie industry where an indie producer may work his way up to notoriety and financial award by producing a money-making film and then down the road he/she will have the clout and freedom and most importantly THE MOOLAH to do serious/experimental films. This may not sit well with alot of people but its just how the world works from my observation. Laters, g Ploegmakers, Joost wrote: Hi, I'm always a bit confused about how I feel on these practises. I've seen it happen before: D.J. or producer or singer gets famous easily by being friends with the right people at the right time, (sometimes good looks are are great help in this) get noticed by the larger ignorant crowd and media by playing commercial crap music and when at the righ momentum they get educated, miraculously develop a sense of taste and decide to break with the past and now all of a sudden expect the true people to take them seriously. That's the negative point of view. On the other side, the good taste was probably always there, it just needed some time to surface. And at least the person in question has seen the light (some people never do). We've seen it happen with big names like: Madonna George Michael Robbie Williams And now with 100% Isis (and I bet there are more examples from the underground) My dilemma is: I really have respect for Madonna, George and Robbie. Is there something wrong with me? Joost -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: dinsdag 26 februari 2002 09:28 To: bart wolff; 313@hyperreal.org Subject: RE: [313] Lady Aida interview @ technotourist dot org Her latest mix-cd called ´reformations´or ´transformation´(i believe?) is quite good, as mentioned already, deep/dark/funky techno and no more clubby stuff, she broke with that kind of sound and scene... What´s next..dj Joost van Bellen playing Awakenings??? -Oorspronkelijk bericht- Van: bart wolff [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 26 februari 2002 9:57 Aan: 313@hyperreal.org Onderwerp: Re: [313] Lady Aida interview @ technotourist dot org Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact At 25-2-2002 + 16:00, you wrote: Following on from that, maybe some of the Dutch and Belgian contingent on here may be able to help... I heard a mix by a female Dutch DJ called 100% Esis (or something like that) on London's Kiss FM a couple of years back which mixed the likes of 16b, Mills and others in a quick half hour mix. Anybody heard of her or seen her play? Cheers Toby - Original Message - From: Jongsma, K.J. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 25, 2002 3:48 PM Subject: [313] Lady Aida interview @ technotourist dot org Hi, We have added an interview with one of Hollands leading techno DJ's, Lady Aida to our website. She is an excellent DJ, she writes her column for a big dutch music magazine and her clubnight (Fluid) in her hometown Eindhoven is one of the longest running clubnights in Holland. For those of you who don't have a clue who she is (proberly 95% of you :)) we have added to DJ mixes from her to our website. One of them is recorded live at Fluid, the other one shows the state of the dutch techno scene, so one mix with only dutch artists. read and listen here: http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexr eq =viewarticleartid=10 or: http://technotourist.org and click on 'Interviews' and select 'Lady Aida' Enjoy! [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For
Re: [313] Carl Craig on Equinox
That has to be the same 'Wrap me in his arms' as 'Rap Me In Its Arms', the title I saw on a playlist recently on an old copy of one WDET Fast Forward Newsletter playlist, dated 12/07/90. --g. Koen Mariën wrote: 'Wrap me in his arms' was released on Retroactive and did feature on the Equinox compilation on Buzz. check marsels retroactive discography @ http://nomorewords.net/retroactive/ ! IMHO it's one of the best tracks C2 ever made, thx to the heavenly voice of Sarah Gregory. been looking for this track for years, a friend of mine paid about 65 $ for his copy of CAD004. happy huntin'! koen --- BEATS @ KindaMuzik http://www.kindamuzik.net/beats -Oorspronkelijk bericht- Van: o Z [mailto:[EMAIL PROTECTED] Verzonden: woensdag 20 februari 2002 12:04 Aan: 313@hyperreal.org Onderwerp: [313] Carl Craig on Equinox I remember a Carl Craig track called Wrap me in his arms but cannot find it. I am sure it was on an album called Equinox on Buzz. Does any know of this and could let me know. -- ___ Sign-up for your own FREE Personalized E-mail at Mail.com http://www.mail.com/?sr=signup 1 cent a minute calls anywhere in the U.S.! http://www.getpennytalk.com/cgi-bin/adforward.cgi?p_key=RG9853KJu rl=http://www.getpennytalk.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
Ok, let me put a quash on all this talk about how World Party was a flop. Have you considered the fact that maybe the music wasn't there yet? Meaning the event/concept was probably ahead of its time. How many people were into techno as much as today? I seem to remember artists like Derrick and Inner City were on the bill right? So if you are referring to musical credibility, you can't get any more credible than those guys. They were the big, superstar headliners, right ? And it still failed. The bottom line is, not too many people were even aware of Detroit techno, especially not early 90's Detroit. And certainly not enough to fill an entire arena. After all the Music Institute couldn't even last, and that club was the size of one closet in the Joe Louis Arena (not Cobo). Besides, that was almost 10 years ago. You have to figure that the people into techno now were kids back then and knew nothing of this music. If anything, Carol's mistake was that she put TOO MUCH faith in the drawing power of this music at that time, to her financial regret. --g. Holly MacDonald-Korth wrote: well, we all know what a great success World Party was! what credibility!! -Original Message- From: glyph1001 [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 19, 2002 11:03 AM Cc: 313@hyperreal.org Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313 I'll even say further that Pop Culture themselves has experience in organizing (or have been involved in) huge events and festivals in the past (i.e. as far as I know, the 'World Party' and the Jazz Festival) so that's the 'promoter' component there. As if Carl had previous experience in putting together a huge festival on his own. To be quite frank, it seems to me alot of 'buddies' were picked to play the last two years. Flame, flame, --G. (Truth Be Told) wrote: Why would it be necessary to have promoters? Don't they bring in their favorites anyway or do they bring in big names for a big payday? If you look at the first statement if the Free Press article: A seven-member board of longtime Detroit techno musicians will choose the artist lineup... the panel is there only to choose the talent they don't need to know how it works (festival producer/promoter = Pop Culture Media). I would think that traveling and developing relationships with other DJs/artists, they are more then qualified to choose a lineup. The fact there are 7 shows there will be checks and balances where someone couldn't just bring in their buddies (perhaps as before). Plus, most of them have been around almost 20 years and know who was there from the start. I'm hopeful too that they'll produce a good lineup and keep the spirit alive. Truth I wouldn't have believed it if I didn't see it for myself... _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
I think the last two DEMF's were successes on commercial *and* artistic levels. But that's just one aging-techno-gone-all-downtempo-and-broken-beat man's opinion. :) -d Tee hee, its all good Dan. :-) I don't know...out of all the things she could've invested money in she chose to invest in a Detroit Techno music event in '93 or '94 with great talent rather than doing some other mainstream mish-mash, because where would that leave us? With NO techno music event to enjoy, period. Of course she didn't capitalize and it was her risk..another lesson learned. Chalk one up for experience. Nonetheless, it was a gamble on techno. And she had the decency to choose someone who knew what's up. How about some props for that? She could've easily chosen some cheese label of the month AR jerk to pick the talent so our ears can bleed. The one who shells out the cash get no props because its automatically 'always about the money.' Could it just be that she saw potential for this to be bigger in a positive way, even almost 10 years ago? Yes, yes, yes!...we live in a shameless, capitalistic country/world...that's life. And like most things in life, any investment made, there is a hope, and sometimes an expectation of a return. But what makes a big difference is whether or not this person have the foresight to remain true to the art...without having to go broke in the process. The original point is that there should be promoters in the committee, yes? I'm saying Carol has had experience in organizing/promoting big events therefore she's the 'promoter' element. Whether or not the gigs were good is a new ball game and gawd, one promoter is good enough...sheesh! :-) Have a good day all, --g. Dan Sicko wrote: Ok, let me put a quash on all this talk about how World Party was a flop. no ... I at least meant flop in every American, commercial sense of the word. The music was definitely not there yet ... this was the city that couldn't keep the narrow confines of the Music Institute open. And a year or so later she books Joe Louis Arena ... not smart. It was a shallow attempt to capitalize on all the Europeans in for the World Cup games. Too bad they were all staying a half hour away around Pontiac where the games were being held. Carol took a huge risk and it didn't pay off. And the credibility ... that would all be down to that event's artistic consultant ... Gary Arnett. Props. I'll have to drag out the flyer to list the killer line-up. I think the last two DEMF's were successes on commercial *and* artistic levels. But that's just one aging-techno-gone-all-downtempo-and-broken-beat man's opinion. :) -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: STOP PRESS NEWS FROM DETROIT
Uh...how quickly we take sides without hearing the truth from BOTH sides. --g MD wrote: How quickly ppl forget.. The committee was formed by DEMF founder Carol Marvin. md --- Lorie R [EMAIL PROTECTED] wrote: From: [EMAIL PROTECTED] To: undisclosed-recipients:; Subject: STOP PRESS NEWS FROM DETROIT Date: Mon, 18 Feb 2002 13:59:23 EST FOR IMMEDIATE RELEASE--ALAN OLDHAM TO SERVE ON ARTISTIC COMMITTEE FOR DEMF 2002 DETROIT-- Former WDET-FM program host, international DJ, Generator/Pure Sonik Records producer/owner and most recently, Pure Comics writer/artist/publisher Alan Oldham (also known by his stage name of DJ T-1000) has officially been invited by Pop Culture Media, the producer of DEMF, to sit on the seven-member Artistic Committee of the 2002 Detroit Electronic Music Festival. Each member of the Committee, which also includes Godfather of Detroit Techno Juan Atkins and Moods and Grooves owner/DJ Mike Grant among tohers, will have the opportunity to submit the names of people that they think should perform at this year's DEMF, discuss reasons why, and eventually vote democratically on the results. What a difference a year makes ! says a visibly-excited Oldham. Needless to say, I'm honored to have been sought out and asked to participate. I look forward to working together with all of my fellow Committee members to help map out the creative direction of this year's DEMF. What DJs and/or live acts are Oldham planning to propose to the committee ? Well, it's a little too soon to divulge that specific info, but I will say that my emphasis will be on a few Detroit people like myself who were overlooked in years past. Also, my personal criteria and logic is that you must have records out, or if you're a non-Detroit artist, you must have recorded for or have some connection to a Detroit label. I'd consider lesser-known talents also. Of course, that's just me. There are six other very esteemed opinions to take into account. And will DJ T-1000 finally get to rock the DEMF as a performer ? I'm proud to say that I'll be finally taking the stage as a DJ at the DEMF this year. It's been a long time coming.I've played big European parties like Mayday, Astropolis,Tribal Gathering and Love Parade, but this is home. I can't wait to bang it. Also due to this news, Oldham's new artist CD on Pure Sonik as DJ T-1000, Neutra, originally scheduled for late March, will be delayed to debut exclusively at the DEMF in May. The Neutra EP, the three-track vinyl preview of the album, is out on schedule in late February. All other details about this year's DEMF will be announced shortly by Pop Culture Media. On the web at: electronicmusicfest.com. For information about Alan Oldham, contact Pure Sonik Records at 313-417-4471 or on the web at: www.puresonikrecords.net --Achmed el-Gibar for Pure Sonik Records Detroit --30-- _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
I'll even say further that Pop Culture themselves has experience in organizing (or have been involved in) huge events and festivals in the past (i.e. as far as I know, the 'World Party' and the Jazz Festival) so that's the 'promoter' component there. As if Carl had previous experience in putting together a huge festival on his own. To be quite frank, it seems to me alot of 'buddies' were picked to play the last two years. Flame, flame, --G. (Truth Be Told) wrote: Why would it be necessary to have promoters? Don't they bring in their favorites anyway or do they bring in big names for a big payday? If you look at the first statement if the Free Press article: A seven-member board of longtime Detroit techno musicians will choose the artist lineup... the panel is there only to choose the talent they don't need to know how it works (festival producer/promoter = Pop Culture Media). I would think that traveling and developing relationships with other DJs/artists, they are more then qualified to choose a lineup. The fact there are 7 shows there will be checks and balances where someone couldn't just bring in their buddies (perhaps as before). Plus, most of them have been around almost 20 years and know who was there from the start. I'm hopeful too that they'll produce a good lineup and keep the spirit alive. Truth I wouldn't have believed it if I didn't see it for myself... _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
That doesn't matter. Experience only adds to the knowledge of doing better next time. --G. Dan Sicko wrote: I'll even say further that Pop Culture themselves has experience in organizing (or have been involved in) huge events and festivals in the past (i.e. as far as I know, the 'World Party' Let's not forget what a huge flop the World Party was ... I haven't been to a jazz festival since Branford Marsalis was supporting his Crazy People Music album, so I don't know how well that's been handled ... -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] it makes me wonder why i care
Uh...of course they take it seriously. For many of these dj's, its a career. g. Bill VanLoo wrote: http://news.bbc.co.uk/hi/english/in_depth/sci_tech/2002/boston_2002/newsid_1 822000/1822822.stm Hoping this inspires some heady discussion, To the contrary, I think this quote from the article says it all: It also seems to be about having a bit of a laugh. Chris Csikszentmihalyi, Assistant Professor of Media Arts and Sciences at the Media Lab, cannot resist poking a little fun at human DJs who take the project far too seriously and feel their midnight hour is about to be taken away. BVL - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] it makes me wonder why i care
I am aware of that these professors are just having fun. I'm just pointing out as to why certain dj's would take their craft more serious than others...that's all. ;-) peace, g. Bill VanLoo wrote: Uh...of course they take it seriously. For many of these dj's, its a career. Sure, of course it is. Yet I still have a sneaking suspicion that this fall firmly into the category of we did it because it was a fun thing to build, not we did it to replace Richie Hawtin or Carl Cox. As I was pointing out earlier, the article says as much. This really isn't especially (313) relevant, though. Also, don't take my examples too seriously - I don't necessarily consider either Hawtin or Cox to be the pinnacle of the DJ craft. Cheers, Bill - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[Fwd: Re: [313] Black techno artists]
Original Message Subject: Re: [313] Black techno artists Date: Sat, 9 Feb 2002 23:14:26 -0600 From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Ok then - let's discuss some American artists (black artists that is) that don't get their dues, within the techno/house/drumbass/etc. community that is, because we all know that outside of it they are virtually unknown. So I'll throw out a couple of names just to get the ball rolling (hopefully). Pick which ever you want and tell us what and why you think they are -- oh man I feel like I should be wearing a tweed coat with elbow patches. Eddie Flashin' Fowlkes (or is it Old Skool now) - he was there along with the other magnificent three but never got the recognition. Alan Oldham - not only is he a great music producer but without him DJAX-UP-BEATS would not be the same. Has never made enough comic books. and here's some that aren't in the dance music genres but should be celebrated and discovered James Blood Ulmer - guitarist Steve Coleman and the M-Base Collective Andrew Cyrille - drummer Just thought we could talk about the artists instead of bitching about whether we should be talking about the artists. Oh I'll also add Mary Wilson of the original Supremes - listen to her with Cannonball Adderly for proof of her superior voice (compared to scary Diana Ross) MEK glyph1001 cc: Subject: Re: [313] Black techno artists 02/09/02 12:30 PM Please respond to glyph1001 Right on!! Can't say it better myself. =) Have a nice day! g. If you ain't feelin' it, this ain't for you! --Steve Harvey (Kings of Comedy) Nicole Slavin wrote: at the risk of being slated, how can so many people remove the context of this music. it comes from a society and a place that has been a long time marginalised. and, you will find the same problems in any european country you decide to venture into. you cannot divorce the artists' experience from their music and to deny that race is an issue for this music is well, frankly, weird. why the dismissiveness towards this subject? would you look at a piece of art without wondering about its social and historical context, would you read a book and take it only at face value? i know many people on the list feel this subject has been talked to death, but it hasn't. it is still relevant and unresolved. how can you say you have no need to understand problems of the US, they are our problems too and the cultural and policitical and economic hegemonies of the US run the entire world. do you want us to be programmed and passive forever? there, i've had my say, criticise if you will. N -Original Message- From: Berislav Oremus To: 313@hyperreal.org 313@hyperreal.org Date: 09 February 2002 07:07 Subject: Re: [313] Black techno artists With no disrespect intended (I really love your music and your contributions to the list), I think a lot of Europeans have trouble relating to racial problems in the US this is so offtopic again, but im asking my self how we europeans cant understand a racial problem in us, and again everything we do (in smaller countreys) is so not democratic and we always live on some teritory of economic sanctions, but we have to understand a rical problem in US. im confused i have a very big respect for black artist, and realy i dont have any problems with black or white. but i dont have any need to understand problems in US, at the same time that somebody from US have no need to understand problems that we have, or we had and lets take that off this list... music learnd
Re: [313] Black techno artists
Right on!! Can't say it better myself. =) Have a nice day! g. If you ain't feelin' it, this ain't for you! --Steve Harvey (Kings of Comedy) Nicole Slavin wrote: at the risk of being slated, how can so many people remove the context of this music. it comes from a society and a place that has been a long time marginalised. and, you will find the same problems in any european country you decide to venture into. you cannot divorce the artists' experience from their music and to deny that race is an issue for this music is well, frankly, weird. why the dismissiveness towards this subject? would you look at a piece of art without wondering about its social and historical context, would you read a book and take it only at face value? i know many people on the list feel this subject has been talked to death, but it hasn't. it is still relevant and unresolved. how can you say you have no need to understand problems of the US, they are our problems too and the cultural and policitical and economic hegemonies of the US run the entire world. do you want us to be programmed and passive forever? there, i've had my say, criticise if you will. N -Original Message- From: Berislav Oremus [EMAIL PROTECTED] To: 313@hyperreal.org 313@hyperreal.org Date: 09 February 2002 07:07 Subject: Re: [313] Black techno artists With no disrespect intended (I really love your music and your contributions to the list), I think a lot of Europeans have trouble relating to racial problems in the US this is so offtopic again, but im asking my self how we europeans cant understand a racial problem in us, and again everything we do (in smaller countreys) is so not democratic and we always live on some teritory of economic sanctions, but we have to understand a rical problem in US. im confused i have a very big respect for black artist, and realy i dont have any problems with black or white. but i dont have any need to understand problems in US, at the same time that somebody from US have no need to understand problems that we have, or we had and lets take that off this list... music learnd me to be tolerant b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: 313 Digest 3 Feb 2002 14:27:23 -0000 Issue 917
Mr. Atkins, As always, thanks for speaking out and clearing up all misconceptions. Peace, G. JuanAtkins wrote: Once again, I see I have to get on this M.F. to set somebody strait. The article that this Luna person is referring to, was a Detroit panel discussion with a lot of other Detroit artist (other than Derrick May) as well. The quote that this Luna person is referring to, about Richie Hawtin, was actually from Eddie Fowlkes and not myself because I make it a point not say anything personal about other Detroit artist when I do interviews. If I've said it once, I'll say it a hundred times, please have your facts tight when you post something about Juan Atkins on this M.F. OK Looney, Oops I mean Luna -*** - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313]Pump Up Thee Volume
Ok, my turn to rave about this show... Finally saw part one last night after 2 1/2 hours of downloading and I must say it worth the wait. Gosh, I was a little kid in those days and I had no idea there were such clubs like Muzic Box or the Warehouse (until way later) but I too felt the same excitement from this music and all I did was buy it (whenever I can scrounge up $5.00. Domestics were $4.32, tax incl. by then) and listen to it on the radio. The Imports Etc. we saw in the program is the second location on Plymouth Ct. The first one was small, had a tiny front window w/bars, and small steps lead to the door with a homemade Import Etc sign in front of the door . A third location was later opened in the Bucktown Milwaukee Ave neighborhood by the same owner when rave music was the new thing but it closed a few years later.Another record store they failed to mention was Loop Records on State Street. I went to that one the most with my $4.32. A few steps down was State Street Records where Liz Torres and Master CJ released In The City and Face It Those were some bad-ass records too. If you can find those on vinyl, I suggest you snag em'. But, in the late 80's it was all closed down and in the 90's most of it was demolished and turned into a small park. Only the jewish college and Walgreens drug store survives today. Loop Records later on reopened on Michigan Ave, not far from the old location but it didn't last too long. During the summers, I'd open the living room windows and blast house music out the window. The neighborhood kids would end up hangin out under our window and I'd play records like Summertime Summertime by Nocera on Sleeping Bag Records, Puerto Rican Lover and Baila by Ralphi The Razz Rasario. Time to Jack by Chip E. (one of my big favs). Jack The House by Femme Fion on DJ International, We Rockin' Down The House by Adonis, all the fingers Inc. stuff... Anyway, those where the days. If anyone hasn't seen the program, please do. Thanks for reading, G. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] U R souldiers
Ok let me uh..try and use my deciphering skills here. Heheh. What the guy means here Micheal is that why would you respond with such fervor (wild) when you can delete (click it away=delete) the post so that you wouldn't have to read it. Glyph [EMAIL PROTECTED] wrote: hm and to big Michael If this is meant to be me then I'd appreciate you not using my personal name in such a condescending manner - if it's a fight with words you want... - the subject 'boring is interesting - That was not my subject line - I was replying to someone else's who added the word boring how can u go so wild, when u can click it away ? What exactly does this mean? Click WHAT away? What am I going wild over? You are being VERY vague and I do understand you have a language barrier to overcome but I'm willing to work with that and understand what you mean. you wouldn´t even need to read ? Again, read WHAT?! - I was just answering your answer anyway - - but till I get kicked off the list today :D - gonna make some more noise - Make all the noise you want but until you actually DO SOMETHING TO IMPROVE THE WORLD IN A TANGIBLE FORM (like volunteer in your community, etc.) - noise is all you will be making. Any more personal communications between myself and you I'd like to keep off the 313 list because so far it has had little to do with music... peace MEK [EMAIL PROTECTED] x.netTo: 313@hyperreal.org cc: 01/31/02 Subject: [313] U R souldiers 10:49 AM need 2 add this - I never wanted 2 speak with the words of others and instrumentalize them 4 my own sight if this happens or happened I am sorry and tell me but I do see that the way it´s treated here is also instrmentalizing sometimes, by not talking about the things that are there - - it´s a thin line - this is xactly why I want to get the messages straight, that people talk about what the ideas of what the artists want to communicate and if they interact to it - yep dancing, singing swinging and feeling and moving one thing that I do know 4 sure is - it´s not only music hm and to big Michael - the subject 'boring is interesting - how can u go so wild, when u can click it away ? you wouldn´t even need to read ? - I was just answering your answer anyway - - but till I get kicked off the list today :D - gonna make some more noise - -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ain´t no Ewoks (BORING!)
Now c'mon guys. Be nice, will ya? The man's trying to understand and explore the messages behind Detroit Techno. Its not all just about Artists and Titles. Like Mike says, alot of this music are the dreams of artists who live in Detroit. Why do they have these dreams? Is it because these dreams are based on the truths that many are not willing to admit or want to sweep under the rug? I'm not saying we have to talk about them everyday but when it comes up, please show some respect to those who are looking for deeper answers. If you have nothing to enlighten us all with, then delete the post and move on. Peace, Glyph [EMAIL PROTECTED] wrote: Yeah, enough with the armchair philosophy and politics - if you really want to do something constructive - the 313 list (add the entire internet to that) is not the place to get it done - your community/neighborhood is. Get away from the computer and be active - then maybe you can come back and tell us what you did to make it a better place but sitting around talking metaphysics isn't going to do it. Vote Nader. Thank you. MEK Jussi Lehtonen To: [EMAIL PROTECTED] [EMAIL PROTECTED]cc: Somewhere in Internet 313@hyperreal.org pl.fi Subject: Re: [313] ain´t no Ewoks (BORING!) 01/31/02 10:13 AM On Thu, 31 Jan 2002 [EMAIL PROTECTED] wrote: the culture is a construction based on the things we got planted inside :D the idea of a nation is the most negative methaphysical construction I can think off - How about taking this conversation to alt.culture.* or alt.metaphysics.* or if newsgroups aren't your thing to some web-forum. Perhaps I'm the only one but this thread (among few other self-evident recent ones) has grown very boring and I'm tired of hitting delete. I just lve acting as net police... J -- Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman Do not allow yourself to be programmed. For once, in your life, take control. Take control. - UR - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
This is like filling out a AOL profile. =) Name: Marina Sex: Female Age: 28/ Taurus =) Born: Hong Kong, Kowloon Raised: NYC/Chicago Living currently: Doing a stint in Detroit. On list since: 1997. Record/CD Collection? I share a big rec. collection with my brother dating back to the 80's. Small CD collection. =) Occupation: I help run a (soon to be 2) labels in Detroit. I also do graphics and web design for the labels. Hobbies: All of the above and want to get into doing documentaries and films, script writing...the whole nine yards. Fave Quote: Don't ask because you probably won't like what I have to say. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
OH OH OH, One more goal I'd like to achieve, along with my partner in life is to apply for a grant that can enable us to get iMacs and fruity loops, cubase, reason, rebirth etc into a Detroit school and teach inner city kids how to make music. I think the future of Techno lies there. =) glyph1001 wrote: This is like filling out a AOL profile. =) Name: Marina Sex: Female Age: 28/ Taurus =) Born: Hong Kong, Kowloon Raised: NYC/Chicago Living currently: Doing a stint in Detroit. On list since: 1997. Record/CD Collection? I share a big rec. collection with my brother dating back to the 80's. Small CD collection. =) Occupation: I help run a (soon to be 2) labels in Detroit. I also do graphics and web design for the labels. Hobbies: All of the above and want to get into doing documentaries and films, script writing...the whole nine yards. Fave Quote: Don't ask because you probably won't like what I have to say. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members huh
yep, if the elders are down with posting statsi'm down.:-) Dan Sicko wrote: At 4:13 PM -0500 1/31/02, J. T. wrote: uhh...is this 313 lovelines...im 25, all man, on 313 longer than you, got more records than you.. i love you guys and im not complaining but this is kinda ridiculous. how many people are on this list...are only the extra-important people supposed to post their stats...i dont get it uh, no ... everyone who wants to can post their stats ... why must we take everything so seriously? -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] r s song in vanilla sky
David Morley...hadn't heard that name in a long time. I'm thinking of this record I have by him on R S. Clear vinyl. My collection is back in Chi-town so does anyone remember? Glyph Dan Sicko wrote: *Too Good To Be Strange by Andrea Parker and David Morley Performed by Andrea Parker / Two Sandwiches Short of a Lunchbox Courtesy of Strictly Confidential / R S Records god bless IMDB At 3:41 PM -0500 1/28/2002, Jim Grindle wrote: I finally saw vanilla sky this weekend There is a song playing when Tom is drunk in the club and the lasers are over his head...Not the leftfield cut I watched the credits but missed the song title but saw an r s release that I have to assume was the song in question. Anyone help me out? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
This is quite an interesting subject, a subject he spoke about quite vehemently at Musikundmaschine last year during a breakfast/brunch session, courtesy of Axis. Sitting across from me and plus other journalists, the distinguished man went on in a rant about how tired he is of it all. Tired of the press, tired of conforming to what is expected of him. Seems to me, he just wants to move on with his music/dj style. Like totally move on. I thought he must've gone off his rocker but then as he explained himself, I gradually understood. Frankly, I believe its up to his audience to appreciate the switcher-roo he is contemplating and perhaps progress along with him. Those I think are the true believers of this talent. Its unfair to carelessly lump Jeff in the 'overrated, under skilled + massively over paid superstar dj category, if not tech. Looking at his career, he has worked his butt off (ever noticed how skinny the man is?) to arrive at his current prestige. His schedule is non-f***ing stop. In observing him at Musik, I've come to the conclusion that this man is just amazing. A bloody genius who has a genuine passion for the music and its progression. So basically my friend, with all due respect...I don't know what to tell ya. Heheh, it is what it is, eh?. We can only progress with him in the belief that he can lead this music into a new direction or get out there and make it ourselves. Me, I'm sticking around. My 2 ¢, --Glyph innercity records wrote: we just heard that jeff's quitting (quit?) techno and in future will only play house clubs with dates this year at fabric and the god awful tribal sessions in manchester. he's totally blown out the uk's most important clubs orbit, lost, slam and atomic jam after constant assurances that he'd be touring uk this year. if he feels the need to take his sound to another new audience then fair play but to turn his back on what he's best known for really beggars belief. i for one won't be putting on me best shiny shoes and sparkly shirt and paying £20 to see him while in the company of a bunch of clueless fashion victims who are probably in the club only to prance around to some overrated, under skilled + massively overpaid superstar tech dj. after 3 years of not playing the uk due to his bollocks immigraion excuse this is how he repays his long time fans and followers who've spent countless money on his records and hours queing in the rain to go hear him spin. i don't think i'd actually be as angry over any other dj doing this which just shows the kind of admiration this guy has over here and i'm sure it'll be the same for many others. simple reply of course is for all us to turn our back to him and stop buying his music and going to his club dates. it works both ways. pure arrogance (again) innercity. . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
OH, I'm not feeling this one. What do you or people you've spoken to know about what made Jeff who he is? This all keepin' it real stuff is extremely annoying. Its another way of keeping a man back from his potential and achievements. In other words, Playa-hatin'! Look, before living in Detroit, (I used to commute back and forth from Chicago) I used to have a romanticized view of the D because of the music. Since living here for the time being, I've had in many conversations been told about life in detroit from people who've been here all their lives who they themselves are busy looking for opportunities to leave. Not only was I schooled on the mentality of the city, but also politics in the music and how people treat each other on a basic level. My conclusion? It is not what its cracked up to be. Lots, including me are drawn to Detroit because of the music and insist that Detroit is this and that...Go Detroit! Its cool, but we must remind ourselves that we're all looking at it from environments more pleasant and we need to understand that its ok if some folks can careless. My perception is quite balanced now. Don't get me wrong, I really wish things were better here but I'm not as naive about it as before. In regards to Jeff, I don't and won't say he's dissing Detroit or blame Mills for not being a detroit artist because to me, he has risen above the crap and became a global figure when his opportunity came. Bigger than life itself to some. Mills transcends Detroit. If you're in a bad environment, you get the hell out. You don't stay if you can help it and I don't care who you are (exception being that it depends on a person's mentality). It applies especially if it deals with keeping your sanity and spirts up so you can WRITE music and live life to its fullest. Yeah, sometimes it takes a bad situation to force a person to do something remarkable but the sad, awful truth is that it HAS to take that sort of environment. I always wanted to know why not California, as opposed to Detroit...now I know. Have a nice evening...flame away. =) glyph I know some people in detroit that can't forgive Mills for, as they see it, dissing detroit. never forget what made you what you are. -Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
innercity records wrote: you misunderstood me. i dont class him with the overpaid etc. as i personally feel he's been in a league of his own for years with nobody even now able to touch him on a good night. Hmm, ok. and it would be nice for him to give us the chance to progress with him at the clubs we all love and have seen him rock many times. not in some super money club full of people who really won't understand what he's actually doing. Now you wouldn't know that. The one thing I've learned about the masses or mainstream, is that you have to beat em over the head with it. You can't expect people to use their own minds to seek out something anymore. That's not how the masses think. Its maybe how we think but certainly not the general population. I feel he's trying to break into those clubs and play music for people who doesn't have any idea what techno is. He is opening himself up to a new market, I guess. I see it as a challenge for him to do so. if he wasn't so far up his own arse as to believe his music isn't techno anymore then maybe we'd all get this chance. wasn't he the one who said techno is whatever you want it to be.. so why is he now restricting himself to house clubs? To you, they're house clubsto him they're places to wreak havoc in. =) I think we just need to remain calm and see what happens. Peace, Glyph paul - Original Message - From: glyph1001 [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, January 27, 2002 8:55 PM Subject: Re: [313] jeff mills stars again off his rocker but then as he explained himself, I gradually understood. Frankly, I believe its up to his audience to appreciate the switcher-roo he is contemplating and perhaps progress along with him. Those I think are the true believers of this talent. Its unfair to carelessly lump Jeff in the 'overrated, under skilled + massively over paid superstar dj category, if not tech. Looking at his career, he has worked his butt off (ever noticed how skinny the man is?) to arrive at his current prestige. His schedule is non-f***ing stop. In observing him at Musik, I've come to the conclusion that this man is just amazing. A bloody genius who has a genuine passion for the music and its progression. So basically my friend, with all due respect...I don't know what to tell ya. Heheh, it is what it is, eh?. We can only progress with him in the belief that he can lead this music into a new direction or get out there and make it ourselves. Me, I'm sticking around. My 2 ¢, --Glyph innercity records wrote: we just heard that jeff's quitting (quit?) techno and in future will only play house clubs with dates this year at fabric and the god awful tribal sessions in manchester. he's totally blown out the uk's most important clubs orbit, lost, slam and atomic jam after constant assurances that he'd be touring uk this year. if he feels the need to take his sound to another new audience then fair play but to turn his back on what he's best known for really beggars belief. i for one won't be putting on me best shiny shoes and sparkly shirt and paying £20 to see him while in the company of a bunch of clueless fashion victims who are probably in the club only to prance around to some overrated, under skilled + massively overpaid superstar tech dj. after 3 years of not playing the uk due to his bollocks immigraion excuse this is how he repays his long time fans and followers who've spent countless money on his records and hours queing in the rain to go hear him spin. i don't think i'd actually be as angry over any other dj doing this which just shows the kind of admiration this guy has over here and i'm sure it'll be the same for many others. simple reply of course is for all us to turn our back to him and stop buying his music and going to his club dates. it works both ways. pure arrogance (again) innercity. . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
glyph1001 wrote: innercity records wrote: you misunderstood me. i dont class him with the overpaid etc. as i personally feel he's been in a league of his own for years with nobody even now able to touch him on a good night. Hmm, ok. and it would be nice for him to give us the chance to progress with him at the clubs we all love and have seen him rock many times. not in some super money club full of people who really won't understand what he's actually doing. Now you wouldn't know that. The one thing I've learned about the masses or mainstream, is that you have to beat em over the head with it. You can't expect people to use their own minds to seek out something anymore. That's not how the masses think. Its maybe how we think but certainly not the general population. I feel he's trying to break into those clubs and play music for people who doesn't have any idea what techno is. He is opening himself up to a new market, I guess. I see it as a challenge for him to do so. if he wasn't so far up his own arse as to believe his music isn't techno anymore then maybe we'd all get this chance. wasn't he the one who said techno is whatever you want it to be.. I've neglected to respond to the above: What part of his music do you consider not techno anymore? Is it what you think he will play at these house clubs or do you think his current material isn't techno? I really believe his quote is a genuine one and he's not full of shite. LOL I think we're the ones who have the problem because we have put techno in a box or given techno a stereotype whereas Mills hasn't, hence the quote. Techno IS whatever we want it to be. Its Beligum Rave, Gabber, its breaks, its tech-step, its tech-house, its TRANCE =), its IDM, its glitch, its click-house, ambient...on and on. Techno is Techno. Even Detroit Techno is its own brand of techno. Ok, gotta go...the neighbors got the RB blastin' now and I have try and to get back to work. =) Peace, glyph so why is he now restricting himself to house clubs? To you, they're house clubsto him they're places to wreak havoc in. =) I think we just need to remain calm and see what happens. Peace, Glyph paul - Original Message - From: glyph1001 [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, January 27, 2002 8:55 PM Subject: Re: [313] jeff mills stars again off his rocker but then as he explained himself, I gradually understood. Frankly, I believe its up to his audience to appreciate the switcher-roo he is contemplating and perhaps progress along with him. Those I think are the true believers of this talent. Its unfair to carelessly lump Jeff in the 'overrated, under skilled + massively over paid superstar dj category, if not tech. Looking at his career, he has worked his butt off (ever noticed how skinny the man is?) to arrive at his current prestige. His schedule is non-f***ing stop. In observing him at Musik, I've come to the conclusion that this man is just amazing. A bloody genius who has a genuine passion for the music and its progression. So basically my friend, with all due respect...I don't know what to tell ya. Heheh, it is what it is, eh?. We can only progress with him in the belief that he can lead this music into a new direction or get out there and make it ourselves. Me, I'm sticking around. My 2 ¢, --Glyph innercity records wrote: we just heard that jeff's quitting (quit?) techno and in future will only play house clubs with dates this year at fabric and the god awful tribal sessions in manchester. he's totally blown out the uk's most important clubs orbit, lost, slam and atomic jam after constant assurances that he'd be touring uk this year. if he feels the need to take his sound to another new audience then fair play but to turn his back on what he's best known for really beggars belief. i for one won't be putting on me best shiny shoes and sparkly shirt and paying £20 to see him while in the company of a bunch of clueless fashion victims who are probably in the club only to prance around to some overrated, under skilled + massively overpaid superstar tech dj. after 3 years of not playing the uk due to his bollocks immigraion excuse this is how he repays his long time fans and followers who've spent countless money on his records and hours queing in the rain to go hear him spin. i don't think i'd actually be as angry over any other dj doing this which just shows the kind of admiration this guy has over here and i'm sure it'll be the same for many others. simple reply of course is for all us to turn our back to him and stop buying his music and going to his club dates. it works both ways. pure arrogance (again) innercity. . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED
Re: [313] KMS tonight
Oh and while you're there, please ask Kevin about the Reese Bassline if possible, perhaps that may resolve things. =) --Glyph David Pinter wrote: Anyone planning on catching this and looking to do a list meetup at Centro Fly? btw, anyone else catch Paris spinning on GT yesterday? If it's archived it's worth a listen for track content. Lots of gems in that set. -dave - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Will any of you...
I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Will any of you...
Uh...I take that lie back: my lift to the event backed out on me last min, so somebody else will need to do the reporting. =( Grand opening, Grand closing, Glyph. glyph1001 wrote: I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Jeff Mills Every Dog Has His Day CD
don't mean to be nit pick but the laugh was done by Allison Moyet of Yazoo. =) Whatever happened to her? glyph Hans Veneman wrote: On Fri, Nov 23, 2001 at 02:34:22PM +0100, Jongsma, K.J. wrote: Is it definitely a sample of Nude Photo? I didn't pick that up! I thought it sounded similar. Really dope track. Just the little laugh, which is sampled, nude photo had the same sample, who did the original laugh? For some reason the Human Leagua keeps poppin up. Wasn't it Situation by Yazoo (Yaz in the US). Hans - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] a story?
Yeah its sad. I think the problem is that there is barely any money to market techno and it doesn't help if alot of artists like to remain anonymous. The mainstream like a photo on the cover of CD or record, etc. There's has to be something physical that they can grab on to. If you look at every big name cheesehead electronica artist, there is big money which includes publicity working behind the scenes pushin' them. Look at the labels their on. This is of course a general view but if one look at the details and make the right choices, no artistic integrity will be compromised. If there's a will, there's a way. We just have to make the box we sell techno in...prettier. Peace, Glyph Javier Drada wrote: Don't feel bad it's not any better in the States. Yeah you have some things here and there but if you look at the big picture, Underground is like a needle in a haystack. The majority of the club scene is all that rave progressive cheese crap. We have parties here in New Orleans and its like 30 people, no one really digs it, it's just chick. Miami not mucj different. Out in the West Coast a little different but in the Northeast, now we are talking. But like I said the US is pretty big and Underground, well it's like a needle in a haystack j.d. http://www.undergroundcommittee.com 504.837.4783 tel 504.553.5628 tel 504.553.5627 fax Keepin' it real, keepin' it UNDERGROUND..Underground Committee.com Original Message Follows From: Analog Headz [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] a story? Date: Fri, 23 Nov 2001 06:58:48 +0200 well this is a funny story i would like to tell u people here. i am a dj and i am from israel, in case u don`t know Psy-trance is huge here, techno is very small, and yes when people here talk about techno they only like hard stuff, like most people here really like hawtin but not like carl craig and such.(i think that all the techno people here r less than 1000). we did a couple of nits we got like 90 or less people inside. now a good friend of main who is a goa dj but gives much respect to detroit told asked me and my partner to spin is the small room of a big Goa party, i mean they play stuff like 145BPM and even more. it was very funny but sad too. i kicked off with stuff from SND,basic channel,and alot of minimal dub music. after that we did play alot of micro house stuff from poker-flat,playhouse,palette,kompakt force inc. ,7th city,raygun and such. except for a couple of friends who likes us no one did even pay attention some people looked at the SND record like it was a crazy thing from mars. after 2 hours i got the idea no one cares so i played a killer set of good minimal techno and mean ass elektro (there was only 1 guy who did breakdancing!!!- that was my audience). i finished with the last 7th city with duvante and Lig. i didn`t know if i should cry or lough. thats the story wanted i wanted to share and i`ll be happy for some remarks. AH - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Speaking of Jeff van dyke...
He's was pretty good, except for a few minor trainwrecks. I wonder what is making him so nervous, he was spot on at the musikundmaschine party. Anyway the guy busted out some old goodie, goodies like Shari Vari, people when ape over that...he also played an old early belgium techno track that goes, rock to the beat...I said rock to the beat..., forgot what it's called at the moment. One Rythim is Rythim track which I call The Straw because it sounded like someone blowing into one. Can anyone name that tune? =) He played alot of his purposemaker tracks and whoever said tracks like Bells isn't good, like those on the G-tech list, are haters because that track is hype, is well loved all over the world and the most important thing: the crowd goes nuts on it, everytime! I didn't stay to hear the end of Jeff's set, and left at 5:30 am 'cause my feet were killing me from dancing with heels on but over all it was a wonderful night. I had fun. glyph Lorie R wrote: Oops! I mean Mills. How was he lastnight? Lorie _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313][Fwd: Check out DJ spotlight: T-1000 a.k.a. Alan Oldham]
a little sumtin' sumtin to read. =) happy turkey day! --Glyph Original Message From: - Thu Nov 22 17:34:56 2001 X-UIDL: tvpjei.lu9.37tiu4s.0 X-Mozilla-Status: 0001 X-Mozilla-Status2: Status: U Return-Path: [EMAIL PROTECTED] Received: from imo-m04.mx.aol.com ([64.12.136.7]) by merlin (EarthLink SMTP Server) with ESMTP id tvpjei.lu9.37tiu4s for [EMAIL PROTECTED]; Thu, 22 Nov 2001 02:05:06 -0800 (PST) Received: from [EMAIL PROTECTED] by imo-m04.mx.aol.com (mail_out_v31_r1.9.) id f.152.469c4fa (4381) for [EMAIL PROTECTED]; Thu, 22 Nov 2001 05:05:03 -0500 (EST) From: [EMAIL PROTECTED] Message-ID: [EMAIL PROTECTED] Date: Thu, 22 Nov 2001 05:05:02 EST Subject: Check out DJ spotlight: T-1000 a.k.a. Alan Oldham To: [EMAIL PROTECTED] MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit X-Mailer: AOL 5.0 for Mac sub 28 Click Here: DJ spotlight: T-1000 a.k.a. Alan Oldham http://freep.com/entertainment/music/dj21_20011121.htm - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FinalScratch package price
Damn that's wack...no Mac Version glyph. M Elliot-Knight wrote: This is from an email directly from n2it that I got about FinalScratch... this version is $2,999.00 so that little Spin feature on DJ equipment was correct (if you buy this verison). Check the added feature that Richie and John have added to the package. MEK As part of this limited iiPROFSlo we will offer a completely congured, ready-to-use and ready-to-go system that consists of the following components: + FINALSCRATCH software package + ScratchAmp signal processor + Three FINALSCRATCH records + Two FINALSCRATCH slipmats + Audio and USB cables + Installation and User's Manual + Sony Vaio or similar laptop loaded with a dual boot system of BeOS and Windows + After sales service, maintenance and e-mail support FINALSCRATCH will come already loaded and ready to play with selected tracks from the catalogue of Plus 8 and Denitive Records. You can then just load and `rip' your own music les and go from there. The price for the complete PROFS is USD 2,999.00 excluding shipping, handling and taxes. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
