Re: (313) Dopplereffekt
On Mon, Jun 23, 2008 at 02:38:27PM +0100, [EMAIL PROTECTED] wrote: most people I spoke to Certainly a bit more successfull than the infamous Club 69 gig :) Could you be kind enough to remind us what happened at this gig? 8-) Regards G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: [Fwd: Re: (313) Retro Techno compilation on vinyl !]
On Mon, Jun 09, 2008 at 06:54:31PM +0200, Klaas-Jan Jongsma wrote: i didn't know Network was still in business or is this a bootleg? Given the Network - Hard To Find Records connection, I would say it is difficult to classify as original or boot. But certainly no artist will receive any royalties with this repress. With that in mind this double pack really blew me away. I've not been the same since :) robin... :-) same here with this and other network compilations. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Movement has competition...
Or else: should one worry if he/she actually does know any of the DJs on there? G On Wed, May 28, 2008 at 09:34:56PM +0200, Klaas-Jan Jongsma wrote: Should i worry if i really never have heard of any of the DJ' s on there? kj On 28 mei 2008, at 21:26, Carlos De Brito wrote: wow! that is so 1994. -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Model 500 live in Glasgow
Yep, I second these words. Rubadub specials look always amazing. G On Mon, Apr 28, 2008 at 10:16:15PM +0100, Dan Bean wrote: Gutted to have missed this, sounds amazing. -Original Message- From: [EMAIL PROTECTED] [EMAIL PROTECTED] Sent: 28 April 2008 13:33 To: 313 313 313@hyperreal.org Subject: (313) Model 500 live in Glasgow Well, now that Tom has unsubbed and the list is going to be quiet without him, I've decided to fill the gap temporarily with a quick report of Model 500 who played live here in Glasgow for Rubadub's 16th birthday party. -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Online ecord stores
On Fri, Apr 18, 2008 at 10:26:09PM -0400, Thomas D. Cox, Jr. wrote: if youre outside the US, why would you need to order from the US? Maybe because he is not in Europe, but in sunny BRazil, where it is basicaly cheaper to buy from US than from anywhere else. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: monolake
On Mon, Apr 07, 2008 at 04:31:28PM -0400, Frank Glazer wrote: yet, people consistently recommend him, so i'm curious... is there any monolake release that holds up to the relatively high standards we have on this list? Try his Occam / Arte 12 on DIN: http://www.discogs.com/release/3132 It is one of his best octagrooves, IMHO. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) [OT] record shops in Paris and Egypt
Hi folks, Sorry for the off-topic, but your help is always appreciated. I am travelling to Egypt for a conference, and wondering if there are decent 2nd hand record shops there (Cairo and Alexandria). I also have a 12hs stop-over in Paris, so should have some time to record shop there too. Any tips??? (I am already aware of 12 and Techno Import). Regards, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] record shops in Paris and Egypt
On Tue, Apr 08, 2008 at 06:59:22PM +0200, Carlos de Brito wrote: this thread on djhistory forum has some useful info on record shops in paris: http://195.238.232.184/~djhistory/forum/showthread.php?t=13620 Checked this y'day Carlos. some good tips for Paris, including Betino (but not the nice www link posted here). p.s.: i'd be curious to know if there's ANY 2nd and record shop in cairo. remember reading hans nieswandts book disko ramallah and he mentioned that it was very, very difficult to get any records in the middle east. Yep. That is the question... I guess none of the Nigerian or western Africa beats would get there. But it does not hurt to ask. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] record shops in Paris and Egypt
On Tue, Apr 08, 2008 at 11:32:01PM +0100, Dan Bean wrote: I've heard Crocodisque is a good second hand spot. Yes, was told that too. But, where is it? I read it is near St. Germain, but which street? Greetings G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Rex Club 20 years
On Wed, Mar 12, 2008 at 02:17:50PM +, Martin Dust wrote: On 12 Mar 2008, at 14:06, KiDD*e wrote: Yea, i know. I've missed him last automn, that's why i would really love to hear him play live for the last time. Well harsh... Sorry, I don't get you boys. Why are you saying hear him for the last time? Is Juan retiring? Ill or something? Or have you decided to never get back to a club? G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: ambient?
On Sat, Mar 08, 2008 at 09:35:09AM -0500, Frank Glazer wrote: must thank whomever recommended stars of the lid - and their refinement of the decline. LOVELY! desperately seeking more contemporary ambient electronic music artists, discussion email lists, blogs, forums, labels, stores, etc. Not very contemporary, but my ambient hero is Anthony Manning ( http://www.germstore.com/ ). He released a few killer ambient LPs/EPs on Irdial during the 90's. Irdial has some other very interesting ambient records, too. Check it out! G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: [Fwd: Re: (313) Digital Djing]
On Fri, Jan 04, 2008 at 10:20:51AM -0600, [EMAIL PROTECTED] wrote: I'm not really up my on physics, but if you zoom in far enough into an analog recording at a subatomic level aren't there discrete steps (or does it just keep going?) The Quantum Mechanics of Recording. Anyone? Sounds like a title of a Drexcyia/Translusion tune... G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) let's make a year end list!
On Mon, Dec 17, 2007 at 04:46:52PM -0500, Matt Kane's Brain wrote: Hah, I'd be lucky if I could fill a list of 10 with the 2007 releases I bought this year. Haha, the same here... 313-wise I only got that NWAQ 12 on Delsin, and the first two Sistrum/Aesthetic Audio... But I think both do not count as they were either produced or released before 2007. Oh, I got a couple of C.Craig 12s as well (that Paris live and one or another remix)... Humm, when is Juan releasing a new LP??? G On Dec 17, 2007, at 4:25 PM, [EMAIL PROTECTED] wrote: I haven't bought much of any Detroit techno this year at all it's been a Funk filled 007 for me so tell me what I need to catch up on! -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: UK: Another Distributor gone
How many are still left in the UK for electronic/dance music? I know of BlackHole, but they are rather small I suppose. Is BakedGoods still on? Any other? G On Mon, Nov 19, 2007 at 03:03:57PM +, robin wrote: Sorry for UK bias. Apparrently Amato have closed their doors. To see who they distributed see: http://www.amatodistribution.co.uk/static/labels.shtml robin... -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) old mix by DJ Rolando and a new one by myself
Hi folks, Put a couple of mixes in my blog: An older one from DJ Rolando, digitized from a promo tape that UR sent us circa 1995. Another mix by myself, recorded this weekend as promo for the local Pacha club (it was one of the most accessible/pop mixes I ever did, with Kerry Chandler, Lego, Nuange, Paul Joey, a Carl Craig remix, Reverso 68, Dan Curtin, Sound Stream, Jedi Knights, Queen Samantha and Los Jugadeiros). Blog links are http://www.dinamicas.art.br/blog/2007/10/fitinha-do-dj-rolando-ur/ and http://www.dinamicas.art.br/blog/2007/11/ilha-porchat-mix/ Texts are in portuguese, so if you wanna go straight to the mixes only, for Rolando's go to: http://www.podcast1.com.br/canais/canal2392/2392_20071017_062903.mp3 or for mine go to: http://www.podcast1.com.br/canais/canal2317/2317_20071103_173446.mp3 Hope you enjoy them. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Russ Gabriel's latest releases
On Fri, Nov 02, 2007 at 09:33:20AM -0400, JT Stewart wrote: We've got releases coming on Down Low by a former Ferox artist. He released as Rei Mitsui on Ferox, and also had a stunning record on Russ' short-lived Player imprint as Nebraska. JT, Is this co-produced by James Mason as the Rei Mitsui on Ferox? Sounds exciting anyway. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: new?
On Thu, Nov 01, 2007 at 10:34:08PM +1100, Philip McGarva wrote: frequencies, textures, dynamics. do you love what you feel? I do. Actually, Chaka Khan is playing on town tonight. Maybe I should check it out... G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: votes
On Tue, Oct 23, 2007 at 01:57:21PM +0200, [EMAIL PROTECTED] wrote: can I have your votes pls..? Allen Heath 62 Allen Heath 92 Pioneer DJM 800 I'm impressed ppl still buy analog mixers nowadays. :-p G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Re: Dubstep Geneology
On Wed, Oct 10, 2007 at 02:39:13PM -0400, Thomas D. Cox, Jr. wrote: On 10/10/07, Guilherme Menegon Arantes [EMAIL PROTECTED] wrote: John Kennedy might have made so much money from selling the shop (and the Big Apple label stock) that he has been travelling the world (mostly South America) for a couple of years. The two last carnivals he stayed with me in SP before going to Rio (and he promissed to do it again next year). Nice bloke and one of my best friends from the UK. didnt he also own the rights to daniel bedingfield's gotta get thru this when it was a white label coming out of big apple, long before it was a pop hit? No, the rights are Arthur's (aka Grain) who produced it. Arthur's studio used to be on top of Big Apple shop and I think he co-run the label. Actually Arthur lives at John's house in Croydon nowadays... G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Re: Dubstep Geneology
On Thu, Oct 11, 2007 at 12:45:16PM +0100, Alan Heneghan wrote: John Kennedy is back in Argentina at the moment. Nopes, he is in Cali, Colombia (at least since two weeks ago when we last talked), preparing to run the London Marathon in april... hehehe I hassle him every time I see him to make some more Grain tracks. He has to do those prank call tunes again. That one in the 10 that came with his first Grain (me thinks) that he pretends his dog can play the piano is so funny... Au auauauau! G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Re: Dubstep Geneology
On Thu, Oct 11, 2007 at 01:40:31PM +0100, Odeluga, Ken wrote: John Kennedy has little if anything to do with Grain aka Arthur Smith. (Apart from probably knowing him, I would guess) ... No, they are big mates (probably best friends). See my previous emails on this thread. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Re: Dubstep Geneology
On Wed, Oct 10, 2007 at 12:21:57PM +0100, Toby Frith wrote: Emile and I used to shop at Big Apple in Croydon, and it's interesting seeing all the little whippersnappers who populated the shop in the days when you could buy a Chain Reaction record in there (the shop changed hands a few years ago) now being big names in this genre, such as Benga and Hatcha (real name Terry). Arthur Smith, who recorded as Grain, is one of the key influences in this techno element. His Red EP is still my favourite record... John Kennedy might have made so much money from selling the shop (and the Big Apple label stock) that he has been travelling the world (mostly South America) for a couple of years. The two last carnivals he stayed with me in SP before going to Rio (and he promissed to do it again next year). Nice bloke and one of my best friends from the UK. BTW, has anyone tried a dubstep + samba fusion??? :-) http://www.discogs.com/release/82528 I have that one for sale if anyone is interested. It is big, IMHO. As was the followin Benga on Big Apple. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) fat cat
If you put it, I will also auction my Fat Cat sticker that they sent me back in '93... It is the cat logo, in black. Oh, and if you have got one of theirs first t-shirt (the one with the telephone in front and fat cat records in the back, blue dotted ink in blue cotton), I can pay top-dollar for that! (which I can easily gain back by auctioning my Axis chocolate coin)... ;-) G On Thu, Oct 11, 2007 at 12:13:33AM +0100, Dan Bean wrote: Worth a go I reckon - see what happens. On 10 Oct 2007, at 16:41, [EMAIL PROTECTED] wrote: just came across an old plastic fat cat shop bag you think i should put it on ebay? -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: Interesting piece on house/techno
On Mon, Oct 08, 2007 at 07:19:17PM +0100, robin wrote: As the subject says. http://www.de-bug.de/texte/5129.html Thanks for the tip Robin. The writer touches many points but does not go deep in any of them, so I am kind of unsure of what he was trying to say (other than that CC is the best). But, certainly there isn't much futurism in electronic music nowadays, maybe because it doesn't sell anymore. Ppl look a bit sick and tired of this technological rush, IMHO. My impression from the local gang of DJs/clubbers is that ppl is not really interested to know details about music as they used to be 10 years ago. They just want to have fun. (And I believe this has changed somewhat because music is so easy to get/ID/download nowadays). Perhaps, the free exchange of music that seems (hopefully) to be the way of the future will trigger some creative fusions. I am not sure how this mechanism will work for electronic music, since the live element is not really there (not yet, so maybe this is a clue for the future). So, when an acoustic/band musician benefits from releasing free music by getting more publicity/gigs, I am wondering if this will also work for the electronic act/DJ. The writer talks about South America a few times. I mostly agree with him, besides saying that Funk carioca is global. It is not a phenomenon here anymore (and was never in Sao Paulo, as the writer says), so faded away (thankfully) rather fast (as most over-hyped crap music does). He is also right when saying that getting vinyl is very hard/expensive here. It certainly has stopped local DJs of getting more recognition, but even nowadays with easily accessible downloads, there aren't many big players from SA (most of the guys who get well-know globally have left their home countries long before, e.g. Villalobos). So, I am inclined to say there is something extra (more cultural/social than technical) to this. Ok. Just my R$0,02. It was a nice reading, anyway. Greetings, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: NYC
If this is not late... Tonight Todd Terje will be DJing at the 205 Club (205 Crystie St.). It looks he will be opening for FK on monday too. So, don't mind if you get this too late. I am just off to a bar at East Village called Heathers, where Jeremy Campbell's dazzle ships party is supposed to happen now... If you want to hang around with a 313 subscriber from Brasil, just drop me an email. I will probably be checking out most of the 313 related nights as well. Greetings, G On Wed, Aug 29, 2007 at 11:17:09AM +0200, Williams, Graham wrote: Thanks for all the info... G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) visiting Boston / Philadelphia / NYC
Hi folks, Will be visiting these cities starting from next saturday to Sept 10th and would like to know if there is any 313 related or general music event that I should not miss. Tips about 2nd hand shops in those cities are mostly welcome, too. I am mostly after disco, early house, jazz/funk, and the odd electronic bits. And if any locals are up to meet up for a beer or two, please let me know in pvt. Greetings from the south, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: OT: Bola - K*
Is it any good? Or at least close to his Soup LP??? His last EPs/LPs were far far away from the nice ambience and quality of Soup... G On Thu, Aug 02, 2007 at 12:16:49AM +0300, Jussi Lehtonen wrote: Sorry for/about OT. Regarding the subject, would you happen to know if Bola's Krougrine will appear as vinyl? Sister Ray did not have it a forthnight ago - only on CD, then. Jussi Lehtonen Metaprogram yourself. -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Alex Knight : Bloodsugar tape/mix from 1995
Hi folks, From my dusty boxes, I have just digitalized an old tape recorded by Alex Knight (Fat Cat Records) back in 1995. I think it was handled as a promo/gift in the Bloodsugar party/club, where Alex DJed... This tape was very influential to DJs here in Sao Paulo, to the point that I booked Alex to DJ here in 1996, covering expenses with my own money... hehehe... If you can read portuguese and want more details, look here: http://www.dinamicas.art.br/blog/festas/aqua-techno/ Anyway, the mix is available here: http://www.podcast1.com.br/canais/canal2317/2317_20070729_090733.mp3 and I really would like your help to ID some of the tracks. The partial playlist I could ID myself is: Blaze : Moonwalk ? ? ? ? No Smoke: Koro Koro (but which mix?) ? ? Forever Monna Scion : Emerge ? Maurizio: M5 Bam Bam : Where is your Child Ecstasy Club : Jesus Loves The Acid Phuture : Spank Spank QX1 : Wont Hurt You M-D-Emm : 1666 Lil Louis: Music takes U away ? ? ? ? UR+Juan : Journey of the Dragons Enjoy the mix and thanks for your help! G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
RE: (313) Alex Knight : Bloodsugar tape/mix from 1995
On Tue, Jul 31, 2007 at 06:58:56PM +0100, Robert Taylor wrote: Great mix - no idea about the Ids yet, but the track at 32/33 minutes in sounds very very familiar - I'll kick myself when it's IDed That is already ID as Forever Monna... It was on Balance/Prescription, produced py Chez Pullen... G Anyway, the mix is available here: http://www.podcast1.com.br/canais/canal2317/2317_20070729_090733.mp3 and I really would like your help to ID some of the tracks. The partial playlist I could ID myself is: Blaze : Moonwalk ? ? ? ? No Smoke: Koro Koro (but which mix?) ? ? Forever Monna Scion : Emerge ? Maurizio: M5 Bam Bam : Where is your Child Ecstasy Club : Jesus Loves The Acid Phuture : Spank Spank QX1 : Wont Hurt You M-D-Emm : 1666 Lil Louis: Music takes U away ? ? ? ? UR+Juan : Journey of the Dragons -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) MOS // Aroy Dee website
On Thu, Jun 28, 2007 at 10:40:48AM -0400, J.T. wrote: awesome to see the architectural pictures and sketches (aroy is an archytech fyi), and dammmn that record shelf he made is CLASS (see interviews mixes page) Yep, interesting to see that Sao Paulo is an inspiration as well... It looks that there are many concrete junkies in the music business. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) carl craig do us a tape
Hi list, Again out of my dusty boxes with old magazines, found this article in a 1995 edition of Muzik with C2 compiling some interesting bits: http://www.dinamicas.art.br/blog/2007/06/fitinha-do-carl-craig/ Cheers G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) carl craig do us a tape
On Mon, Jun 25, 2007 at 09:31:07AM +0100, Brendan Nelson wrote: Are you sure that's from 1995? Seems a bit odd that it mentions the Matrix and the new Star Wars films. It must be a bit more recent than that... Yes, you are right... It was 1999... hope the article is enjoyable the same way... Greetings G Brendan On 25/06/07, Guilherme Menegon Arantes [EMAIL PROTECTED] wrote: Hi list, Again out of my dusty boxes with old magazines, found this article in a 1995 edition of Muzik with C2 compiling some interesting bits: http://www.dinamicas.art.br/blog/2007/06/fitinha-do-carl-craig/ Cheers G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __ -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) how to appear underground
Hey List, I was openning some dusty boxes here and browsing through old magazines ... Found some gems like this report on Juckey Slut from back the days it was still a funny and interesting mag to read... So I scanned and re-arranged it to fit in my blog, so if you wanna look underground to your mates better check it in: http://www.dinamicas.art.br/blog/2007/06/como-parecer-underground/ The best underground effect IMHO is the KMS one! heheheh Enjoy! G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) b12 12 CD box...
http://www.b12records.com/#comingsoon That B12 has two new 12 released now (or tomorrow, aka B12015 and B12016) was already mentioned here, but it looks that later in the year there is going to be a B12017 12 and a 12 CD boxset containing all the first 11 releases on B12 Records, completely remastered, plus remixes, etc... This is very good news for the CD collectors, but what about us vinyl addicts? OK, I don't want to start a discussion about all the difficulties surrounding vinyl pressing and distribution nowadays, but if they are going half the way with remastering/re-releasing all the catalog, why do not repress small quantities of the vinyl as well? Old time fans that do not own the full catalog, neither buy bootlegs nor pay ridiculous amounts of money for 12s on eBay, would be very happy as well. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) That mix (and some UK parties)
On Thu, Jun 07, 2007 at 03:56:56PM +0100, [EMAIL PROTECTED] wrote: Actually I should of course said thanks to you, Gui and Anthony (you'll have to pass that one on for me!) for the pics I knicked! Cool! Luckily I managed to escape being caught. errr... I am afraid you didn't escape Robin!!! http://www.dinamicas.art.br/info/trip/manc/hpim1073-1-0.html hahahahha I wish I could make the camping this year. had a great time in 2005! Cheers! G PS Francis: have you got the pics from my party? any news on the records? -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Movement 2007 - Saturday reflections
On Sun, May 27, 2007 at 02:33:00PM -0400, David Armin-Parcells wrote: of the day. Can't wait for the full download of their marathon session. Which website/URL will this be available from? Regards, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) since I won't be at DEMF
On Fri, May 25, 2007 at 12:48:53PM -0500, David Powers wrote: The buses also don't run at night... and the bus drivers did indeed walk out Wednesday, so the situation is very shaky. Be careful riding the buses: the bus drivers walked out, because they want cops to ride the buses, because driving them has become so dangerous. According to yahoo news: Gaffney said drivers are regularly assaulted physically and verbally abused aboard the buses. One driver was badly beaten on Tuesday evening by a passenger, he added. Humm... It looks like it is time for the RoboDriver to be introduced. ;-) G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: As consolation for those not going DEMF Manchester goes Dutch this weekend
On Wed, May 23, 2007 at 01:56:52PM +0100, [EMAIL PROTECTED] wrote: be too much (and also Alex Bond, who, I guess, will be mighty frustrated to be DJing somewhere the same night I.F. is playing). That's exactally what happened to me two saturdays ago when I-F was DJing here... At least we took him to lunch a typical feijoada during the day (and yes, he ate all of it!) G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Vinyl underground
And if you have the chance to visit them in person, just do it. Not that Northampton is something special. But Vinyl Underground is a proper underground shop, run at the end of a dark room, on top (ok, so an overground shop) of a furniture shop (it looks that the furniture shop is owned by Aidy's father. Aidy is VU owner) Really a family business! And if you pay with a credit/debit card, the payee will be the furniture shop, so you can show the slip to your girlfriend and tell her that the money was spent re-decorating home instead of buying records... ;-) They have some unusual openning hours, so give them a call before you go. They can even arrange an appointment out of business hours. Good stock, decently organized, but just watch your step because the place was always too busy with records, in stacks/shelves and all around the floor... G On Tue, May 22, 2007 at 02:16:43PM +0100, Odeluga, Ken wrote: (Late, I know but) they've found some 'hard-to-find' stuff for me in the past, without fuss and good service all-round. Quite a personal service in fact. Wish more on-line shops were like them... K -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: What disco record was sampled for Carl craig The CLimax
On Wed, May 02, 2007 at 12:40:26PM +0100, Placid wrote: Im doing a little compilation and cant remember what it is for the life of me.. Isn't it Martin Circus' 'disco circus'? G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) The Grand Son... WAS Re: theo p - sound sculptures
Speaking of Theo, have you listen to his collaboration with Omar S, called The Grand Son Of Detroit Techno??? The clip sounds pretty dope, but wondering if longer samples are available and/or if this is avalable now for digital download anywhere??? (I am DJing in a big rig on wednesday and need it desperately!) See: http://www.juno.co.uk/products/263661-01.htm G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) OT - another Richie clone
OK list, I don't who this guy is (and pls, don't tell me), but if copying someone else's music style isn't enough crap, what can you say about someone who also copies his hairstyle http://www.rraurl.com/cena/texto.php?id=3564 G PS dont mind about the portuguese words. I just spotted this in a local portal... -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) Re: Rare event
On Wed, Apr 18, 2007 at 11:07:23AM +0100, [EMAIL PROTECTED] wrote: I did a mix. There's a story to it but who cares? If anyone does I'll tell then ask the list a question... http://www.thatamazingthing.com/Mixes/Brasil.mp3 Hey Francis! so whats the story? :-) G PS Got your CD last week. thanks... been mad busy but will sent you some pictures asap. -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) Footage of C2 in San Francisco
On Wed, Apr 11, 2007 at 06:19:24AM -0400, J.T. wrote: not how i'm used to watching dj's shop..that aint digging...and i think it's kinda weird/pointless..i like the part with the baile funk cd tho.. So do I, JT. Funny to see him diplomatically slagging this crap Rio *for gringos* Funk... G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
(313) A Number Of Names: Sharevari - repress
Hi list, Is this a genuine repress? What about the sound quality? Regards G - Forwarded message from Hard Wax [EMAIL PROTECTED] - A Number Of Names: Sharevari **Capriccio 928** (UK 12) - EUR 12.00 _2007 UK re-issue of classic 80???s Detroit electro tune _ Tracklisting: 1. Sharevari (Vocal MIx) 2. Sharevari (Instrumental Mix) URL: http://hardwax.com/53521/ - End forwarded message - -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: FW: (313) Plaslaiko in LA
On Thu, Mar 22, 2007 at 02:26:12AM -0700, Greg Earle wrote: [EMAIL PROTECTED] wrote: I suppose The Beginning is the least likely to be heard but I've heard it played out occasionally, I've heard it this year - in Brazil! (OK it was a list member that played it). Erotic City is one of many Prince tracks Have you mentioned that The Beginning version you heard was a homemade edit/remix? ;-) heheheh G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] Stevie Wonder Drum Solo
On Wed, Mar 14, 2007 at 08:59:16AM +0100, P.A. Keur BICT wrote: indeed! sure he`s blind? I really doubt it sometimes! Once saw an interview Steve was telling the journalist that himself played the drums on a couple of LP tracks (can't remember which LP, but might have been Innervisions) and that it was written in the sleeve credits. The journalist kind of did not belive and replied he wasn't credited. Steve got a bit how come? face and AFAIK he is not properly credited as a drummer in those tracks. G PS Funny this recording was done here in Brasil... that kind of explains the really good quality of the images ;-) ... TV Record was the biggest one here in the early 70s and also sponsored all those MPB festivals that some of you might have heard about. On 3/13/07, Nick Breinich [EMAIL PROTECTED] wrote: On 3/13/07, Martin Dust [EMAIL PROTECTED] wrote: Tom, you're going to love this: http://www.youtube.com/watch?v=4SCZv7786KY m that is just sick. -nick -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) MIDI controllers for dummies
On Mon, Mar 12, 2007 at 03:30:33PM +, robin wrote: I swear by my faderfoxes (LV1, LD2...there are tracktor versions too). I've had the evolution uc33 and uc17 (xsession) too. Both worked out ok but I love the build and compact size of the faderfox. I second Robin here. The LV2 is great, well-built, compact and gives you lots of control at the same time (although it still lacks some features)! G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) CJ is back!
Hey list, Dunno if this was posted before, but it looks CJ Bolland is back to business: http://www.last.fm/music/CJ+Bolland/The+5th+Sign Sharp Pumping! Nice mixing and complex effects!! Ahhh!!! It is so good when someone returns in great style like this, isn't it? I feel power! hehehe G PS The Detroit 9 track is one of the best in the LP, IMHO... -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) a nice and old C. Young record
On Thu, Mar 01, 2007 at 08:47:22AM +0900, Michael Bramwell wrote: I can't say that I have heard this record before but I do have a Brother from another planet ep Updating The Existing Systems, from 1996 which is all quality and gets a play every now and then. The 2nd Acid Wash Conflict and 3rd Updating... Brother from another planet ep's are great... but is One Complete Revolution better IMHO. Actually I think it is the best C.Young record I have heard. G Mike. On 3/1/07, Guilherme Menegon Arantes [EMAIL PROTECTED] wrote: OK list, Since a few test emails surfaced here, and other list members gave me a hand, I feel like telling that it looks I am back to business. Over a month, the whole .br (that is Brazil) domain have not received any hyperreal.com emails. Hope it is fixed fine now. Thanks for Kent for helping out. But, yesterday I was browsing through my old records and found that really nice Claude Young One Complete Revolution... it is from the days that vinyl used to be stuffed with as many as 6 tracks of pure gems... Time Distortion was one of my secret weapons back in an after-hours club running here in 94/95... good times (both musically and party wise!)... Anyone over here also praise this record? Anyway, it's good to be back! G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __ -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Yet another liveset
On Wed, Feb 28, 2007 at 02:47:07PM -0600, kent williams wrote: Or http://tinyurl.com/yoy428 if linebreaks in URLs are getting you down ;-) On 2/28/07, Klaas-Jan Jongsma [EMAIL PROTECTED] wrote: Now we are all posting livesets here... ;) I recon most of you don't get the EevoLute mailouts (you should though, nudge, nudge, wink, wink ;_)) But we posted a liveset of mine online. It is a set i played in April 2006 at the Bootleg DJ Cafe in Rotterdam for Arne W. AW recordslabel night. If you are interested here is the link: http://public.eevolute.com/Data_ELMT/ 2007/20070221_Moderator_LIVE_Bootlegdjcafe.mp3 Hey KJ, this live is magnifique!!! Great stuff! But, may I ask why aren't you mixing tracks? Looking forward to your new stuff on Eevo... G PS1 KJ: I blogged it, so my local crowd will get to listen it, too: http://www.dinamicas.art.br/blog/2007/02/moderator-ao-vivo/ PS2 Kent: I got the digest fine. So, it is not fully back to working mode. Thanks! -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) a nice and old C. Young record
OK list, Since a few test emails surfaced here, and other list members gave me a hand, I feel like telling that it looks I am back to business. Over a month, the whole .br (that is Brazil) domain have not received any hyperreal.com emails. Hope it is fixed fine now. Thanks for Kent for helping out. But, yesterday I was browsing through my old records and found that really nice Claude Young One Complete Revolution... it is from the days that vinyl used to be stuffed with as many as 6 tracks of pure gems... Time Distortion was one of my secret weapons back in an after-hours club running here in 94/95... good times (both musically and party wise!)... Anyone over here also praise this record? Anyway, it's good to be back! G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) this is a test, but with 313-related content!
Do you see me? If so, have a look in Manuel Gottsching live, playing E2-E4 at Berghain: http://www.polylog.tv/wildpark/videocast/4168/ http://www.polylog.tv/wildpark/videocast/4169/ G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) 313131313131313131313
On Tue, Dec 12, 2006 at 08:08:34PM +0100, Carlos de Brito wrote: Von: Robert Taylor [EMAIL PROTECTED] So has anyone heard any good music from Detroit recently? AUDION! Mouth To Mouth and his remix for Hot Chip's Over And Over are both just incredibly great! checka: http://hype.non-standard.net/search/audion This Hot Chip remix is nice... I'm really looking forward to see him live on Saturday @ Berghain/Panorama Bar in He was playing live here early this year and I might say it was one of the most boring live gigs I have ever heard. However, I might also say I am not into this minimal thing... Berlin. plus Theo Parrish, DJ Rolando and (on a norwegian off-topic tip, Lindstrøm Prins Thomas ;) . It's Berghain's 2 year birthday party and I've no f'#!ing idea how I should make it to work on monday... This sounds great! Make us a report on tuesday! G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Manuel Gottsching live
So after reading Carlos email about the Berghain anniversary I went to check their website and saw that yesterday Manuel Gottsching played E2-E4 live there. Anyone attend this??? How was it? I think he also did it in Japan a couple of months back. G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Downloading the Rebelbass CD, or And People Wonder Why I Own A Mac
On Tue, Dec 12, 2006 at 09:42:51AM -, [EMAIL PROTECTED] wrote: Thanks for that Greg. The list needs more nerd stuff and less bickering. Oh and how about someone talks about some music. No one bought any records recently they'd like to talk about? I got a copy of that Richard Whanfried Time Actor LP. What an incredible and funny techno track! His eq-ing with high freqs is also very interesting/unique... Anyone has got the other Whanfried LPs? Are they similar? More nonsense vocals + 4/4 beats? Read he (Klaus Shulze) produced some trance/techno in the 90s. (i think it is the last 3 Whanfried LPs), any comments on them? And which are you faves YMO/Logic System/Sakamoto/Hosono LPs??? G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Mills' Last Weekend Tracklist Update
On Tue, Dec 05, 2006 at 04:24:42PM -, Toby Frith wrote: He was incendiary that night, just like he was in his Golden period of '95 - '97. Lots of mistakes, but the energy was relentless. Techno by its very nature is rigid and fixed, and when someone like Mills adds that rough, human element, it takes it to another level. Hawtin by contrast just seems to be plotting a linear route. Yeah, Mills 95! those were the days... Reckon his gig in the July/95 Lost party under some arches. It was damn hot, water was condensing on the vinyl so the DJs could not hold/cue records properly (they actually had to hold the MKII plate!) and the stylus was jumping all the time, so the mix was getting to trainwrecks all the time... I was having fun with it because I could see how good and experienced Mills was, because he could fix the mix/beat matching in miliseconds after a jump, mostly without even cueing or cutting any of the channels... Oh, and he was also DJing with a reel-to-reel that day... Hawtin was playing as well. He was OK, played loads of acid, one of them as Misjah's Access with that endless drum-roll (which Hawtin mixed with a backspining record going faster and faster)... Anyway, I have a theory about Mill's mistakes: Sometimes he does it on purpose. To bring some human element to his sets... From all the sets I heard him play (probably half-a-dozen), those with the more mistakes were the best and/or the parties got the best atmosphere. Just my R$0.02. G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) the reactable
On Sun, Nov 26, 2006 at 03:18:32PM -0600, kent williams wrote: When I play live, I want tools that I don't need to look at in order to manipulate. Hence fader boxes and keyboards are better for me than something like this. I really like taking my basket of hand percussion too, because it means I'm actually using my body, and not just my eyes. I meant using the virtual reality control, not the holografic image/visualisation thing (although that would be cool, too, however pretty far away from our current technology). Think of rewinding and cueing the next track(s) just by moving your hands circularly (counter)clockwise, just like vinyl, but without touching anything... G I saw this MIT thing as well (because it was running some linux stuff I was interested)... Anyway, what all we digital boys are looking for to control their music live is something like that system Tom Cruise had to control/scan/rewind/play the images in Minority Report, isn't it!?! -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) the reactable
I saw this MIT thing as well (because it was running some linux stuff I was interested)... Anyway, what all we digital boys are looking for to control their music live is something like that system Tom Cruise had to control/scan/rewind/play the images in Minority Report, isn't it!?! G On Thu, Nov 23, 2006 at 11:51:01PM -, Tristan Watkins wrote: -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: 23 November 2006 20:32 To: 313@hyperreal.org Subject: (313) the reactable The Reactable, a glimpse of the future? The reactable, is a multi-user electronic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical objects on a luminous table surface. http://youtube.com/watch?v=0h-RhyopUmc Looks very similar to a thing that came out of M.I.T. a few years ago which I had a chance to play with when I stumbled across it in a science and technology museum in Austria on holiday. This actually looks like the exact same thing with a software upgrade and some new shape thingys. When I first saw the video clips I was really excited about it, and was drolling when I first sawit in person, but I got bored of the generic loops they were running in about 10 minutes. To be honest, I don't see that it's a big improvement on the standard knob box. I mean, it's nothing more than a big interface which has a cool visual element to it that more than one person can use, but you could accomplish the same thing with multiple knob boxes and the shape thingys aren't really any better than a knob. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.430 / Virus Database: 268.14.14/548 - Release Date: 23/11/2006 15:22 -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: FW: (313) the connection machine
On Fri, Nov 24, 2006 at 12:10:44PM -0500, J.T. wrote: there's a new connection machine 12 coming from us in march/april...with all new material, dark dreamy and not far off from some of carl craig's stuff..a little more dancefloor friendly this time Yo JT! And what about the C.Craig remix of one track from the CD? Maybe it would be great to have some of the CD tracks on an EP (we already talked about this in Glasgow, remember?). Any news? Or since you will release their new material, the 2-years old CD is a closed project now? G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Berlin this past weekend
On Wed, Nov 22, 2006 at 04:34:19PM -0800, Fred Heutte wrote: a fine lunch at the cafe on the corner. That seals it - Hardwax is one of maybe four or five top DJ stores I've ever been to :) I am curious: which are the other three or four? G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Re: Reload [Evolution] represses
On Fri, Nov 24, 2006 at 12:05:26AM -, Tristan Watkins wrote: -Original Message- From: Guilherme Menegon Arantes [mailto:[EMAIL PROTECTED] Sent: 23 November 2006 23:47 To: 313@hyperreal.org Subject: (313) Re: Reload [Evolution] represses Will answer my own question: Yes, it is legitimate, all records were re-mastered and are distributed as triple pack by Clone in limited quantities... Are represses of EVO05 The First Link EP and EVO06 The Cyberdon EP also planned? No idea about that but this would be the best place to ask: http://www.reloadonline.com/forums/viewtopic.php?t=684 yep, saw it. but one have to register to post, and I got lazy... Anyone? G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Berlin this past weekend
On Thu, Nov 23, 2006 at 08:07:27PM -0800, Fred Heutte wrote: Hmm . . . Tweekin in San Francisco, Submerge/SID (of course), and three no longer in existence -- Ameba in SF (not the current Amoeba which is a good super-store), Exotique in Seattle and Sonic Groove in NYC. Other ones I have liked include Record Time in Detroit, 12-Inch Dance Records in DC (also out of business now), Eightball in NYC (also gone), BPM in SF, Flying and Vinyl Junkies in London, Gramophone in Chicago and and our own Platinum and Starbass (gone) here in Portland. There are quite a few well known house/techno stores that I have not been to (LA and Toronto in particular) so this is hardly a comprehensive list. I haven't been to shops in the USA other than in Miami, but think I have been to many memorable shops in (central) Europe/UK. Fat Cat back in 1995 was the only one I think would rival Hardwax, both in terms of classic stock, unsual stuff to discover, and interesting/funny situations, like bumping into Dave Angel entering the shop with his spliff on, or introducing Basic Channel 01 to then Advent's Colin McBean... Reckon that Hardwax in 1999 had an almost complete catalog in stock for labels like UR, Metroplex, Dancemania, Strictly Rhythm, many Trax/DJ Int'l, etc... Clone in Rotterdam and Rub-a-Dub in Glasgow are/were very good and also carry loads of classics and (techno) labels catalogs. Also Piccadilly in Manchester is rather good, but they are more diverse and do not stock so much... On a somewhat lower level, than the list would go onon like Rare Records in Eindhoven, Vinyl Junkies and Smallfish in London, Import in Paris, etc... But only Hardwax is on a block (actually they are in a back One thing really cool about HW is the staircase leading to the shop full of grafitti and signatures from DJs/artits... Oh, and seeing the first snow flakes falling last year while some rather deep and dope stuff was on the shop soundsystem was fun as well (at least to a tropic guy like me). G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Reload [Evolution] represses
Hey! Have you seen this? I am v. excited! Words on its legitimacy and quality are mostly welcome. Cheers G - Forwarded message from Hard Wax [EMAIL PROTECTED] - **Evolution 001 / 002 / 003** (UK 3x 12) - EUR 25.00 _Valueable re-issue of essential fundamental early 1990s UK pre-intelligent techno - Must Have!_ Tracklisting: 1. Can???t Wait Tonight 2. Death Of A Disco Dancer 3. Birth Of A Disco Dancer 4. Feedback Energy 5. Nasu 6. Ptyzm 7. Peschi 8. Teque 9. The Biosphere 10. Nemm 11. Mosh URL: http://hardwax.com/52614/ - End forwarded message - -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: Reload [Evolution] represses
Will answer my own question: Yes, it is legitimate, all records were re-mastered and are distributed as triple pack by Clone in limited quantities... Are represses of EVO05 The First Link EP and EVO06 The Cyberdon EP also planned? Greetings G PS Francis: your email is bouncing. Pls, get back to me! On Thu, Nov 23, 2006 at 09:18:08PM -0200, Guilherme Menegon Arantes wrote: Hey! Have you seen this? I am v. excited! Words on its legitimacy and quality are mostly welcome. Cheers G - Forwarded message from Hard Wax [EMAIL PROTECTED] - **Evolution 001 / 002 / 003** (UK 3x 12) - EUR 25.00 _Valueable re-issue of essential fundamental early 1990s UK pre-intelligent techno - Must Have!_ Tracklisting: 1. Can???t Wait Tonight 2. Death Of A Disco Dancer 3. Birth Of A Disco Dancer 4. Feedback Energy 5. Nasu 6. Ptyzm 7. Peschi 8. Teque 9. The Biosphere 10. Nemm 11. Mosh URL: http://hardwax.com/52614/ - End forwarded message - -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __ -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: prescription / ron trent
Oops, and add to that the vFeel the Rhythm ersion in Nature Of Retribution (PRES113). G On Sat, Nov 18, 2006 at 12:19:36AM -0200, Guilherme Menegon Arantes wrote: Hi there ppl, Can you tell me the differences between the Feel the Rhythm versions found in Hip To Be Disillusioned Vol. 1 (PRES107), Nagual (PRES102) and the Primitive Arts LP (on PeaceFrog)? And which track(s) from the Hip To Be Disillusioned two tracker recently re-release were available in the original PRES107 ? Regards, G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __ -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) prescription / ron trent
Hi there ppl, Can you tell me the differences between the Feel the Rhythm versions found in Hip To Be Disillusioned Vol. 1 (PRES107), Nagual (PRES102) and the Primitive Arts LP (on PeaceFrog)? And which track(s) from the Hip To Be Disillusioned two tracker recently re-release were available in the original PRES107 ? Regards, G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: United Arab Emirates Techno/House?
On Wed, Nov 15, 2006 at 09:37:58AM -0700, Mike Davis wrote: If anyone is from the UAE on this list, can you email me back? I'll be there next week for a while and am trying to find a club that will fit the music/style I enjoy. (Armin Van Buren just doesn't do it for me). Hopefully there are some events in Abu Dhabi or Dubai instead of the other emirates. COuld you fwd me any replies you have or fwd to the list (if it is 313 related)? It would be interesting to know if there is any electronic dance music going on there... Regards, G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) rhythim is rhythm?
Hi list, I just found out something very important. :-) That Derrick May project, Rhythim Is Rhythim, is actually written with an i after the th. I always thought it was named rhythm is rhythm, err, without the i. Funny cause I might have read the labels trillions of times. So I looked in dict.org and Google, and rhythim is not on the first and gives references only to the May project on the second. So, can any of the english speakers here let me know if rhythim is some sort of slang for rhythm? I still hope May meant rhythm... hehehe Many thanks G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) [Eevoinfo] News Flash November 2006: EevoNext announcement
- Forwarded message from [EMAIL PROTECTED] - http://www.eevolute.net Eevo Lute Music Technology NEWS FLASH NOVEMBER 2006 _ EevoNext http://www.eevolute.com/uploads/n_Next00_cover900.JPG EevoNext: Platform for a new techno generation EevoNext, a brand new record label, will be opening its virtual doors on November 6, 2006. http://www.eevonext.com/ EevoNext is a digital music web shop and label, which will be presenting new releases on a monthly basis. The birth of this new label will be celebrated on the 6th of november with its first release, Next00 'What's next EP', which will be offered as a one-off free download. EevoNext is built upon the impressive foundations of Eevo Lute Muzique. This seminal label, based in Eindhoven, the Netherlands, played a leading role in defining techno in the nineties, featuring releases by Florence, 2000One and Wladimir M. to name a few classics. It was co-founded and run by Stefan Robbers, also known for his work as a producer with The Acid Junkies and Terrace. Digital labels are the way ahead, for distribution as well as promotion, explains Robbers. Hence our decision to migrate from a vinyl-based business model to a more download based format. For the current generation of DJs, digital downloads are rapidly becoming the standard. EevoNext will present a new release every month, beginning in November 2006. These releases will also be available through renowned online music stores, such as I-Tunes,Bleep and Beatport . Each EevoNext-release will consist of at least four tracks, including a remix by one of the EevoNext-artists mentioned above. For EevoNext, Robbers has joined forces with Amsterdam-based DJ/producer Estroe (Esther Roozendaal) and techno musician The Moderator (Klaas-Jan Jongsma). They will jointly manage the new label, providing material on an ongoing basis and signing new talent from the Netherlands and elswehere. The label further gives artists extended promotion using modern techniques like rss-feeds, podcasts and a promo-pool where member dj's get the downloads automatically on release for direct exposure of the artist in the clubs. Every month there is a free download of dj or live set and the possibility of booking a label night with featured shows of the label's artists and dj's. The label maintains high sound quality standards. Anyone can upload an MP3, states Robbers: However, as a label we provide a form of quality control. Not only where the selection of tracks is concerned, but also in the area of mastering. In a club setting, our releases are indiscernible from music played back from CDs. However, the birth of EevoNext does not necessarily mean a complete abandonment of vinyl, states Esther Roozendaal. Despite the fact that EevoNext is primarily a web label, we'd be mad to miss out on the opportunity to make our most popular tracks available on 12. _ EevoNext http://www.eevolute.com/uploads/n_eevonextlogo_PMS302_900.jpg More information: Eevo Lute Music Technology Postbus 2169 5600 CD Eindhoven Tel: 040-2961270 Email: mailto:[EMAIL PROTECTED] [EMAIL PROTECTED] LINKS website: http://www.eevonext.com/ http://www.eevonext.com podcast: http://public.eevolute.com/2006_podcasts/promo_basic.xml http://public.eevolute.com/2006_podcasts/promo_basic.xml rss feed: http://www.eevolute.com/news.rss http://www.eevolute.com/news.rss ___ Eevoinfo mailing list [EMAIL PROTECTED] http://mail.eevolute.com/mailman/listinfo/eevoinfo Powered by Eevo Lute Music Technology - End forwarded message - -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: Clarence G on ebay.
On Mon, Oct 23, 2006 at 11:39:42AM +0100, robin wrote: Fancy wasting some money? :) http://cgi.ebay.co.uk/CLARENCE-G-HYPERSPACE-SOUND-LAB-E-P-U-S- FLOURESCENT_W0QQitemZ180040822890QQihZ008QQcategoryZ58642QQrdZ1QQcmdZVie wItem Isn't it the same seller as the previous one (which went for over £4000 last year)??? G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: Marco Passarani
On Thu, Oct 19, 2006 at 01:35:47AM +0100, Tristan Watkins wrote: -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 19 October 2006 00:43 To: 313 313 Subject: Re: (313) Luke Slater I should have written 'averse' as well. All this stuff is really helpful. What does everyone think of Mark Passarani? Some of his electro (from around 5 years ago) is great, and his ``6 Katun'' LP on Nature is tha BOMB! G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: As One - Interplanetary Folklore Part II
anyone heard this? If it is as good as the first one, i could wait even more 5 years... More info on the release schedule? format? Regards G On Tue, Oct 17, 2006 at 07:01:00PM +1300, Andy Mitchell wrote: Ten years later... http://www.goyamusic.com/shop/product.jsp?prodid=14581 -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: FW: (313) 3 Chairs, Manchester - OT: Johnny
On Tue, Oct 17, 2006 at 01:50:21PM +, David Beattie wrote: There were a few proper techno tracks (nice surprise to me), I dont recall the one the was slowed down but I remember Jonny Abstract talking to me about some mental stuff going on that he thought was Rob Hood?? The old Jonny Abstract!!! How is he doing folks? Tell him he needs to come over here... we need some nutters like him!!! G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) martin buttrich programmer
On Wed, Oct 04, 2006 at 12:39:59PM +0100, robin wrote: Really? It strongly reminds me of FNAC era Ludovic Navarre. Which is not that bad a thing. Not at all! reckon his deepside was one of my secret weapons... many years i don't check that record, though... will have a look for it (next thing to do: organize record collection). G robin... [EMAIL PROTECTED] wrote: is it just me or is almost this entire track a photek track? -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: questions sparked by the Kenny Larkin (bootleg?)
Francis, something is out of order with your brain. It looks like you need vacations. ;-) But to clear things up: Wondering and Q (right Brain mix) were originaly (and only AFAIK) released in a 7 included in the first (1000?) copies of the Azymuth LP on Warp. Both tracks were prod. by Kenny L. Incogdo is C.Craig + Mayday on edit mode, both Simply Just A Ventage and Ventage (Institutional Mix) featured in this Blame America 12 were originally released on a 12 by Outland/Spiritual Records from Amsterdam. http://www.discogs.com/release/33575 Is it clear? G On Wed, Oct 04, 2006 at 04:19:24PM +0100, [EMAIL PROTECTED] wrote: 1. What is that track listed as A1 Kenny Larkin: Incogdo (Carl Craig Derrick May Remix) http://hardwax.com/audio/52/52187/52187_A1.mp3 I have it on another release listed as Incogdo Simply Just A Ventage (Derrick May Carl Craig Mix) which is odd as the next track on the Hardwax booty (which I don't know) is listed as Simply Just A Ventage (Institutional Mix) http://hardwax.com/audio/52/52187/52187_A2.mp3 and I don't know the third track B1 Wondering http://hardwax.com/audio/52/52187/52187_B1.mp3 either. 2. On the fourth track B2 Q (Right Brain Mix) http://hardwax.com/audio/52/52187/52187_B2.mp3 what's the whole score again? I think it may be:- only on the Warp 7 that came with the LP? the other version was on the CD? was the other version on the LP? I KNOW it's on the track listing but I have a feeling there's an error (which is transmitted on to Discogs) where the same track list is on both the CD and LP but the LP in fact is one track less that the CD. I can't remember which. Or if any of this is true. D**n having my e-mail and records in different locations. -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Kenny Larkin - Blame America 666
This smells like a bootleg. Anyone has more info? Or listenned to this? What is the sound quality like??? I really need this Q mix, because was never able to get the 7 from Warp... G - Forwarded message from Hard Wax [EMAIL PROTECTED] - **Blame America 666** (UK 12) - EUR 12.00 _2006 UK re-issue of rare hard to find classic Kenny Larkin tracks mixes_ Tracklisting: 1. Kenny Larkin: Incogdo (Carl Craig Derrick May Remix) 2. Simply Just A Ventage (Institutional Mix) 3. Wondering 4. Q (Right Brain Mix) URL: http://hardwax.com/52187/ - End forwarded message - -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: FW: (313) Kenny Larkin - Blame America 666
On Tue, Oct 03, 2006 at 03:24:05PM +0100, [EMAIL PROTECTED] wrote: Don't know how different that was to the other mix anyway? This right brain mix is more derrick may-ish... More raw and using some phase/flanger effects (i guess). Check the samples at Hardwax http://hardwax.com/52187/ G -Original Message- From: Guilherme Menegon Arantes [mailto:[EMAIL PROTECTED] Sent: 03 October 2006 01:36 This smells like a bootleg. Anyone has more info? Or listenned to this? What is the sound quality like??? I really need this Q mix, because was never able to get the 7 from Warp... G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Carl Craig remix of X-Press 2's 'Kill 100'
On Fri, Sep 29, 2006 at 10:55:11AM +0100, robin wrote: Had to pass on this for the same reason (though I got sent a CD of it). Also it just sounds like a genero-carl craig remix to my ears. The C2 remix I'm waiting with baited breath for is that Japanese Syncro System remix that's about to land (if the US pressing plants stay open for 5 minutes :) ). The clips of that sound awesome. Are samples of this available online? Links?? I wasn able to find any... Cheers G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Dj livingrooms
On Fri, Sep 29, 2006 at 12:08:39PM -0400, Gil Yaker wrote: These aren't living rooms! Most are living room spaces converted to a DJ's studio. My turntables are integrated into our living room space in much the Interesting link Martijn. But I agree with Gil here. These aren't proper living rooms (except maybe Villalobos), and it brings me a question: Do these DJs actually enjoy listenning to music? I mean, do they sit down with a warm and tasty cup of coffee, turn on their sound systems, and enjoy a record? It looks like they don't, there isn't (from the pictures seen) a nice soundsystem (other than 2x MKII + studio monitors), neither a comfy sofa nor armchair... It would be nice to see livingrooms from ppl like Kirk DeGiorgio, Carl Craig, etc, who look like music lovers in the first place. G -Original Message- From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED] Sent: Friday, September 29, 2006 11:47 AM To: 313@hyperreal.org Subject: (313) Dj livingrooms I know, it's a bit scary but some german magazine asked german dj's such as Hell, Väth, Villalobos and Hawtin (well he's almost german) to take a pic of their livingroom...some funny, some filthy, some scary.. Check: http://ilx.wh3rd.net/thread.php?msgid=7308676 Unfortunately the text is in germanbut the pics speak for itself:-) Sorry i'm bored... Regards, Martijn -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) black nation crew, where are you?
On Mon, Sep 25, 2006 at 08:12:04AM +0100, Odeluga, Ken wrote: JD and the BN in general, always seemed to be largely on the fringes of the scene, in Europe at least, mostly because - imo (1) JD never (I think) got booked for Lost (therefore, never really took off in the UK - Hasn't JD played at least once/twice? Well, he has a release under Bicknell's Cosmic label at least. G
(313) John Beltran - Going Home EP
Have you listen to this? Heard some samples and r. liked it! His output last 4/5 years wasn't much my thing, but I am a big fan of his 90s stuff, and this new EP seems to go on this direction. Any comments? Or pointers to longer samples/mp3s? Regards G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) John Beltran - Going Home EP
You are talking about the Open House Aquatic on Buzz, aren't you? This was repressed/bootlegged last year. It originally came out in 1991 on Retroactive and Buzz... One of his best works, IMHO. G On Wed, Sep 20, 2006 at 08:32:40AM -0700, Joel Gajewski wrote: I really like that Aquatic ep he did earlier this year, which is along the same lines as his 90's stuff. jeg - Original Message From: Carlos de Brito [EMAIL PROTECTED] To: robin [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, September 20, 2006 6:13:13 AM Subject: Re: (313) John Beltran - Going Home EP did you check these snippets (roundabout 2 min long)?: + JOHN BELTRAN presents NOSTALGIC GOING HOME EP + CATALOG#: GROOVIA 002 RELEASE DATE: 9/18/06 FORMAT: VINYL RECORD 4TRACK EP 1.Placid Angles http://www.grooviasoundproject.com/placidangles.mp3 2.Sweet Soul http://www.grooviasoundproject.com/sweetsoul.mp3 1.Detroit Moments http://www.grooviasoundproject.com/detroit_moments.mp3 2.Going Home http://www.grooviasoundproject.com/goinghome.mp3 sounds very nice, indeed. c* Original-Nachricht Datum: Wed, 20 Sep 2006 08:59:21 +0100 Von: robin [EMAIL PROTECTED] An: Guilherme Menegon Arantes [EMAIL PROTECTED] Betreff: Re: (313) John Beltran - Going Home EP hey gui, Have you listen to this? Heard some samples and r. liked it! His output last 4/5 years wasn't much my thing, but I am a big fan of his 90s stuff, and this new EP seems to go on this direction. Any comments? Or pointers to longer samples/mp3s? I've probably heard the same clips as you, but it sounds very nice indeed to me. robin... -- NEU: GMX DSL Sofort-Start-Set - blitzschnell ins Internet! Echte DSL-Flatrate ab 0,- Euro* http://www.gmx.net/de/go/dsl -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) 69
69 - lite music and 69 - jam the box are both being repressed. happy days! Anyone know if Mr. Fingers I'm Strong and S. Pullen's Silent Phase - (The Theory Of) LP are going to be repressed? G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: 313 fives
On Thu, Sep 07, 2006 at 10:40:20AM +0100, Kelly, Stephen wrote: Also, from a time when signal-to-noise on the 313 was better balanced please find below the 313 top fives from Forcefield.org in June 2001. http://www.twoplayer.net/2006/09/313_fives.php Thanks for bringing it back Stephen. Now, it would be really nice to listen from Juan/May/Kevin/Mills/Banks/Craig which are their top5 313 tracks. Has this ever been answered by one/some of them? Cheers G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Re: kings of techno
On Tue, Sep 05, 2006 at 09:48:48AM -0500, kent williams wrote: Laurent Guarnier started coming to Detroit a long time ago, and is a huge fan of detroit techno. Knowing Garnier personaly for a while (since 1995 when booked him to DJ around here - funded with own money and health! - Organized a couple of tours here for him since then, visited his place in Paris, etc...), I am aware of his interest in Detroit. Bone has great stories about Laurent DJ'ing without monitors at sketchy Detroit parties back then. Agreed. Similar stories when he was around here. IMHO, he is a great DJ, great technique, but not that great taste. And as for Aretha and Iggy, why wouldn't he know about them? Never tried to judge who's 'Detroit' enough. My point is: this History of Detroit CD and his Retrospective CD sound like a commercial opportunity, without much musical value (not discussing the tracks themselves, they can be found elsewhere). It is only a personal opinion I would like to share (maybe a bit overemphasized last post, sorry!). I'm from Iowa, so I don't think I can judge who's 'Detroit' enough, any more than, say, a guy from Brazil. I do know that whether you Hey! Am I the only one feeling some prejudice here? Why should the place someone is from matter??? Dont understand why you are mentioning this fact. like Laurent's music or not -- and he's hit or miss for me -- his hearts in the right place. I disagree. Peace. G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Re: kings of techno
On Tue, Sep 05, 2006 at 10:59:20AM -0400, Dale Lawrence wrote: I also remember Sonar 1999 when Rich, Jeff Mills, and Laurnet Garnier were all riding bumper cars together--with much 'bloodthirstiness'. That was definitely surreal. I was there as well, together with Stefan Robbers. Great fun. My thoughts were At least once I can bump these guys as much as their music bumps me!!! IIRC, Ferrenc (I-F) was DJing outside at the same time... G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Re: kings of techno
On Wed, Sep 06, 2006 at 09:07:54AM +0100, Martin Dust wrote: Also, the explanation to me is very much in line with that Retrospective of Garnier, recent out on F Comm (not to criticise the quality of his music, but what is the point of a retrospective of tracks that are all newer than 10 years, easily available from other sources, some of them released in his last year LP!!!): Pure commercialism/opportunism. Aren't the tracks reworkings with jazz musicians and as such not available anywhere else in that form. No, it cointains only two live tracks (among a total of 23) which were recorded with jazz musicians. These are actually the only two previously unreleased tracks. G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: kings of techno
On Mon, Sep 04, 2006 at 11:53:44PM +0200, [EMAIL PROTECTED] wrote: rapster / bbe Tracklisting: CD 1: LAURENT GARNIER 1- The Stooges ?No Fun? 2- Aretha Franklin ?Rock Steady? 3- The Temptations ?Plastic Man? 4- Funkadelic ?Bettino?s Bounce? 5- Carl Craig ?No More Words? 6- Jeff Mills ?Utopia? 7- BFC ?Galaxy? 8- Arpanet ?NTT DoCoMo? 9- D.I.E. ?Get Up? 10- Dabrye ?Game Over? Funny this CD1 is supposed to be a History of Detroit which kind of puzzles me: If it is a History of Detroit Techno, then what are Stooges or Aretha doing there??? (dont say they were D. May inspirations, pls!); Or if it is a Musical History of Detroit (which then explains why Stooges, Aretha and Temptations are listed), then what does Mr. Garnier know about it? Either way, this CD obviously does not represent Detroit musical heritage. Also, the explanation to me is very much in line with that Retrospective of Garnier, recent out on F Comm (not to criticise the quality of his music, but what is the point of a retrospective of tracks that are all newer than 10 years, easily available from other sources, some of them released in his last year LP!!!): Pure commercialism/opportunism. Beware, save your money and your ears! G -- http://www.dinamicas.art.br
(313) Göttsching and Claussell
Hey 313, Anyone listened to this? http://www.discogs.com/release/683571 Any good? Can you point me to longer .mp3/samples? (there are short ones in ashra.com) The ideia looks nice on paper, probably borrowed from the Sueno Latino concept (latin percussion + repetitive electronics). I am not a Claussel fan but love Gottsching and Sueno is one of my all time classics... BTW Manuel will be performing E2-E4 live, for the first time ever, in Japan next weekend... wowww! G PS to be on topic: CCraig remixed E2-E4... -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Hawtin
On Thu, Aug 24, 2006 at 04:40:22PM +0100, Jason Brunton wrote: I don't actually mind him that much although I don't find much of his music very interesting- I'm not too keen on the crazed Hawtin fanboys Me neither, since probably the Plastikman days as S. Craig mentioned. I can never work out if he's just a nice guy who's pretty clever about his marketing in order to make himself stand out from the crowd I belive this is more the case... Which is in line with what I was told that these Slices bits were all sponsored by the featured artists/labels/etc... G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: Metaphor repress quality
On Thu, Aug 31, 2006 at 11:37:20PM +0100, Tristan Watkins wrote: -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 20 August 2006 13:24 To: 'Guilherme Menegon Arantes'; 'Tristan Watkins' Cc: 313@hyperreal.org Subject: RE: (313) Re: Nice Detroit reissues floating around I don't have it to-hand just yet, but I'll let you know when it arrives. I'd expect it to be good, as the quality of the recordings on the original CD were brilliant, and the other RS represses have been good quality so far. So Guilherme, my copy is OK but I'd hesitate to say it was great. I very much doubt it's been remastered, but I don't think it was ever supposed to be. I should hedge my comments by pointing out that my cartridges probably need to be replaced, so I'm kind of abstracting how good I think it is relative to other new purchases. I've got some pops on 'Intro' that may or may not occur on all copies, and both Loop 1.5/Catatonic Part 2 sound a bit distorted on the kicks. All-told, it's very listenable/playable given that it's an LP with an emphasis on the 'L' (20+ minutes on two of the sides). I don't think that we could hope for much better given the limitations of vinyl when compressing this much music on to a couple of slabs. It's just those tracks I specifically mention above that sounds lik they could have been pressed or recorded better. Oh, and 'Butterfly' has a few audible pops when the hats drop out, but again, this could just be my copy. That's a bit of a shame since it's my favourite track on the album. :( Hi Tristan, Thanks for the long review... My vinyl copy is an original and it is in excellent shape in terms of conservation, but as you mentioned there is a lot of music there and it get somewhat compressed (although I have other long long LPs which sound much better), so the dynamics is not the best and you end up hearing a lot of surface noise. I have a pretty decent cartridge (Goldring 1042) which helps a bit, but cant make miracles. The remastered tracks put out on Rush Hour sounded great , although I only have the POD one (also have the Azymuth original, so didn't buy the last two RH represses). Now I might consider buying the Metaphor RH repress... Or wait for this quadruple pack you mentioned!!! hehehe In fact I have the digital/CD copy and it sounds rather good. Have you compared the CD to the RH repress??? Sorry to sound a bit picky on these, but I agree 100% w/ you when you said it is one of the top 10 thecno LPs, so it is great to listen to it in top form. Thanks again, G Anyhow... I'm very happy to have it again. I never knew Loop 1.5 or Catatonic Part 2 existed, so that's been a nice surprise. It's one of those odd releases where the vinyl has more tracks than the CD. Maybe some day we can hope for a remastered 4x-pack where each track gets the loud cut it begs for. I'd gladly pay stupid money for that! And if for some reason it needs repeating, it's a masterpiece. Certainly one of the 10 best techno albums. Every track is solid. It holds together brilliantly as an album. It never tires. I can't believe I haven't heard it in 5 years and didn't replace it sooner. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- Internal Virus Database is out-of-date. Checked by AVG Free Edition. Version: 7.1.405 / Virus Database: 268.11.5/425 - Release Date: 22/08/2006 -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: FW: (313) more blankheadedness - or post Berlin
On Wed, Aug 23, 2006 at 05:07:03PM +0100, [EMAIL PROTECTED] wrote: Berghain's up there. Massive. A maze. Incredible soundsystem. Which just churns out that wonderful sound of continuous hard tech Yep Francis, you had a great time. Berghain is a unique experience. last (some mad gay club under a railway arch on Alexanderplatz) was still going strong. Where else are you gong to find that at 11am on a Monday? You can find it here, too. But in a smaller scale, and with worse music (which can be a good thing sometimes! hehehe)... G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) John Beltran on Styrax
Hi ppl! Have you got Styrax 005 - John Beltran: Part 1 ? I can recoganise the 3 tracks (hearing the mp3 in the hardwax shop now), but I dont have his 12/LPs at hand now (moving home), so can not check whether the tracks where previoulsy released and if they are the same versions. Any other info on this release? Regards G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: Nice Detroit reissues floating around
On Fri, Aug 18, 2006 at 08:56:10PM +0100, Tristan Watkins wrote: Kenny Larkin - Metaphor Could you describe the press quality of this RS repress? I have the original and it is not the best vinyl on earth (some pops and surface noise), so I am considering another copy... G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
Re: (313) Digital Downloads
Unfourtunately to ppl like me, who live in areas without decent record shops selling current dance/eletronic music, but also enjoy quality in music reproduction, digital music for sale nowadays is still too bad in quality (so I agree with v12 here) and also very expensive (dl a full LP or EP cost almost the same to buying it, discounting the shipping cost, but, as Robin pointed, i would rather stay with the physical object). Actually, I dl a lot of mixes/shows and the odd track from blogs and friends, so digital music is more like a way to meet new music which I will look for on vinyl later. my R$0.02 (even cheaper! hehehe) G On Fri, Aug 18, 2006 at 08:55:34PM +0200, v12 wrote: ive heard a lot of those 320 kbps from various sources and decided i wont ever spend a cent on mp3/ogg etc . none of the files sounded better than the 192s i made myself. if it's wav / cd-r sure ,ok. but those commercial mps3 are still sort of a joke. -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) fingers track ID
Hi list, Do you know if the playlists of the Mr. Fingers older mixes on deephousepage.com are available somewhere??? Otherwise, can someone ID the song around 24 minutes in the following mix: http://dhpmixes.com/mixes/LarryHeard101505deephousepage.mp3 In fact, I am ondering about all tracks after Only Friend... Regards G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: Sao Paulo / Rio
Hi Otto, Hope it is not too late, but if you are still up to meet fellow 313s in SP, give me a bell, my mob is: 011-92560004. Have you been to the bellow clubs? Dany Bell was supposed to DJ in Lov.e on friday, but I missed it. If you are still in town till next friday (21st), I will DJ at D-Edge (it will be a good chance to listen to 313-related music...) and you can come with me... Let me know. Greetings, G On Fri, Jul 14, 2006 at 12:08:06AM -0300, Otto wrote: The TT-site may be submerged, but that doesn't mean that technotourists aren't travelling :) I'm finding myself in Sao Paulo for another week (planning to hit D-Egde and Lov.e this weekend, but other tips are welcome too) and going to be in Rio for a few days later this month as well. Any 313-ers in the area, feel free to drop me a line. Cheers, Otto PS And to everyone else: hi! It's been too long... -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Re: old Strictly Rhythm 12s
IMHO, their best release is Phuture's Inside Out. G On Thu, Jul 06, 2006 at 04:50:23PM +0100, António Alves Felizardo wrote: Hello list, Apologies if this has already been covered before. What are, in everyone's opinion, the best Strictly Rhythm releases, 313 related or not? I came across a huge Strictly Rhythm for sale list in some random shop, but I don't know many of them and there are probably some gems in that pack. Any help? Thanks in advance Antonio -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __
(313) Trax reissues
What is your impression on the sound quality of the recent Trax represses (TXR*) ??? Are they much better (i am still looking for decent quality pressing of Virgo Four)? Any special miss or hit in terms of press/sound quality? AFAIK, NEWS at Belgium is behind these, and they said the releases were remastered (from which sources???)... Cheers G -- Guilherme Menegon Arantes, PhD Sao Paulo, Brasil __ Por favor, note meu novo email: [EMAIL PROTECTED] Please, note my new email: [EMAIL PROTECTED]
