Amp Fiddler

[Mike Taylor]

Hey all,

I thought this might be of interest:

"We humbly request your offerings & donations to support Detroit's own
international ambassador of funk, soul & electronic music, keyboardist,
record producer, Afro-futurist, AMP FIDDLER.

After many months in the hospital, and now at home recuperating from
surgery in August, Amp needs our resources to support his continued healing
as he journeys back to the stage.

Many have asked what is needed, or how they can assist. Your loving
generosity is appreciated at this time."


https://gofund.me/c38d8a97

Re: New Dance Show: Jesse the Body

[Mike Taylor]

Thanks for sharing that!

Mystery solved after 30+ years.

On Wed, Dec 21, 2022, 6:41 AM Mel N  wrote:

> The caption  here seemed to suggest he has passed ...
>
> https://youtu.be/-Jcc_Mm8_IU
>
>
> On Mon, 12 Dec 2022 at 04:53, Mike Taylor  wrote:
>
>> I've asked about this since back then and I've never gotten anything but
>> evasive answers from anyone I've ever asked for over 30 years.
>>
>> I watched NDS every single day as a latchkey kid and I still don't know
>> who he was or what he looked like.
>>
>> The only rumor I've heard is that he passed relatively young in the 90's.
>>
>> I've also wondered if he wasn't actually a person but a pseudonym of
>> whoever happened to be hired by the show to produce DJ mixes at a
>> particular time. I starting going out around 95 and I don't remember ever
>> seeing him or seeing the name on an actual flier.
>>
>> He's probably the last great mystery of Detroit dance music.
>>
>> Cheers,
>> M
>>
>>
>>
>>
>>
>>>

Tom Churchill

[Mike Taylor]

Hey all,

I stumbled upon Tom Churchill's YouTube channel a couple of weeks back. He
used to be a fairly regular poster to the list years ago.

He has been working in Eurorack and is doing some of the
deepest/tasteful/musical production that I've seen in that format.

It's worth checking out for the music, but also because he provides very
thoughtful  explanations of his tools and working process.

It's clear that he is a really bright and talented guy.

https://youtube.com/@TomChurchill

Cheers,
M

Re: New Dance Show: Jesse the Body

[Mike Taylor]

I've asked about this since back then and I've never gotten anything but
evasive answers from anyone I've ever asked for over 30 years.

I watched NDS every single day as a latchkey kid and I still don't know who
he was or what he looked like.

The only rumor I've heard is that he passed relatively young in the 90's.

I've also wondered if he wasn't actually a person but a pseudonym of
whoever happened to be hired by the show to produce DJ mixes at a
particular time. I starting going out around 95 and I don't remember ever
seeing him or seeing the name on an actual flier.

He's probably the last great mystery of Detroit dance music.

Cheers,
M





>

Re: RIP Techno Tourist & Electro producer Wibo Lammerts

[Mike Taylor]

He was a good guy. I remember driving KJ, Otto, and him around Greektown
for that first 313 meet. RIP

Hard to believe that was almost 25 years ago.

I was thinking the other day that Fred and Greg seemed mature to me when I
was 20. I'm probably older now then they were at the time.

Time waits for no one. Momento mori.

On Mon, Aug 15, 2022, 11:16 AM kent williams  wrote:

> A long-time 313 subscriber & Dutch "Techno-tourist"  Wibo Lammerts has
> died.
>
> This was sudden, I have no details. He'd just announced an upcoming Berlin
> gig.
>
> Holding his family in the light.
>

Re: Summer Techno Songs

[Mike Taylor]

Hello,

I've been reading Matt Annis' excellent book, Join the Future. I've been
digging through the early bleep stuff. Some of it is still interesting, and
some isn't.

The most striking project I've discovered is Unique 3. There are some cuts
on Jus Unique that are absolutely mind blowing. Think early LFO, but done
earlier and done about ten times better.

It's almost criminal that Frequencies is hailed as the classic album in the
genre when Jus Unique is so much more interesting.

Not sure if this qualifies as summer techno, but it's the techno I've been
listening to this summer.

Cheers,
M

On Mon, Jul 5, 2021, 9:03 PM David Mansfield  wrote:

> Hi all:
>
> Just wondering what has been nice to your ears as far as techno goes this
> summer?
>

Re: Favorite Track

[Mike Taylor]

Thanks for sharing this one. I've not heard this one before.

On Sun, Apr 18, 2021, 7:11 PM Nathan Goode  wrote:

> Yeah this is a VERY hard question. I think I’ll choose the one track that
> turned me onto this music, because if not for this, I may have totally
> missed out on a load of great music. It was - Intellitronic - Pixel.
>
> First heard it on radio in Adelaide, Australia on the China Syndrome show
> which was hosted by Offworld Records’ Jason Martin and Tim Jackiw at the
> time.
>
> Sent from my iPhone
>
>
>

Re: Favorite Track

[Mike Taylor]

DBX - Science Fiction
BFC - Galaxy
Millsart - Capricorn

That's about as close as I can get to a one Detroit techno favorite of all
time.


On Sun, Apr 18, 2021, 6:05 PM David Mansfield 
wrote:

> Hi all:
>
> If you had to choose one Detroit techno track as your favorite, what would
> you choose?  My favorite is Carl Craig Dreamland.
>

Re: Ban hammer

[Mike Taylor]

That's was Jan Hammer. Ban Hammer (pronounced Bahn) was Jan's cousin from
the Hungarian side of the family. He is most remembered for moving to the
San Fernando valley in the late 80's and scoring porn soundtracks using bad
general midi soundcards.

Now don't quote me on this, but I heard that Josh Cheon from Dark Entries
found a couple of boxes of Ban Hammer's lost reel to reel master tapes in
an outhouse in Malibu last month. Expect a 10LP retrospective box set that
with be ready just in time for Christmas. That's just a rumor tho, you
didn't hear it from me.

M

On Mon, Feb 8, 2021, 8:54 AM Alan Heneghan  wrote:

> Didn't he compose the Miami Vice theme..
>
> On Mon, Feb 8, 2021 at 3:27 AM Mike Taylor 
> wrote:
>
>> Kent,
>>
>> It is in your hands. The list would improve vastly if you swung it every
>> once in awhile.
>>
>> Cheers,
>> M
>>
>>
>>

Re: Theorem (M_nus), 29 May 2000, DEMF

[Mike Taylor]

Well played, Mr. Williams.

On Mon, Feb 8, 2021, 12:42 PM kent williams  wrote:

> This just in: Fuck off. You're banned.
>
> On Sun, Feb 7, 2021 at 8:07 AM Matahari-Inc Magazine <
> matahari-...@protonmail.com> wrote:
>
>> And relevance to list being? Perhaps Kent could stop pming me and reply
>> to list like a gentleman?
>>
>> MH
>>
>>
>> Sent from ProtonMail mobile
>>
>>
>>
>>  Original Message 
>> On 3 Feb 2021, 18:59, Thorin Teague < thor.tea...@gmail.com> wrote:
>>
>>
>> Its all secretly a performance art Borat trolling thing
>>
>> On Wed, Feb 3, 2021, 10:03 AM Matahari-Inc Magazine <
>> matahari-...@protonmail.com> wrote:
>>
>>> I think this list is a j/k
>>>
>>>
>>> Sent from ProtonMail mobile
>>>
>>>
>>>
>>>  Original Message 
>>> On 2 Feb 2021, 17:37, Thorin Teague < thor.tea...@gmail.com> wrote:
>>>
>>>
>>> I think Mr. Theakston was making a joke
>>>
>>> On Wed, Jan 27, 2021, 11:12 PM Chaah.Lee <3...@coke-smyth.net> wrote:
>>>
 Wait.. isn't little miss Bounty Hunter gonna explain??

 On 2021-01-07 15:38, Rob Theakston wrote:
 > Never heard of him.
 >
 > On Thu, Jan 7, 2021 at 10:37 AM dubloop  wrote:
 >
 >> for the nostalgics i fell on this:
 >>
 >> the quality is very low but its still pretty nice to me to hear how
 >> he was playing live back then.
 >>
 >>
 >
 https://soundcloud.com/tthings/theorem-2000-demf-detroit-electronic-music-festival
 >>
 >>
 >> peace!
 >>
 >> --
 >> pertin-nce.bandcamp.com [1]
 >> the-end-is-near.bandcamp.com [2]
 >> soundcloud.com/bleupulp [3]
 >> soundcloud.com/maxime-tanguay [4]
 >
 >
 > Links:
 > --
 > [1] http://pertin-nce.bandcamp.com
 > [2] http://the-end-is-near.bandcamp.com
 > [3] http://soundcloud.com/bleupulp
 > [4] http://soundcloud.com/maxime-tanguay

 --
 becaus..

>>>

Ban hammer

[Mike Taylor]

Kent,

It is in your hands. The list would improve vastly if you swung it every
once in awhile.

Cheers,
M

Re: New Mills

[Mike Taylor]

He has hit that older Picasso stage where he is both wildly prolific and
brilliant.

I've made peace with the fact that I can't keep up with Mills' output. The
man is his own universe.

On Fri, Jan 15, 2021, 8:21 PM Tristan Watkins  wrote:

> At risk of being overly clear, I've really liked the three or four Mills
> albums I bought in 2020 (far more than I spent with any other Detroit
> artist except maybe John Beltran), but there is no way I can keep up with
> the cadence and couldn't stop myself from making the joke. Love that this
> music has made it in to the world, but wish it was through less exclusive
> channels at a less ambitious rate.
>
> On Friday, 15 January 2021, Tristan Watkins  wrote:
>
>> Every day has its Every Dog Has Its Day
>>
>> On Friday, 15 January 2021, Patrick Wacher  wrote:
>>
>>> He’s been pumping them out for sure.
>>>
>>> https://www.axisrecords.com/product/millsart-think-again/
>>>
>>

Re: DeepChord history video on Dub Monitor

[Mike Taylor]

good video but a few points:

DC had already released a few 12"s by the time the CD came out. They didn't
start their catalog at 01.

Rod had already had a string of ambient/experimental releases before and
during DC(which got glossed over).

Schommer made this in 2002 which is brilliant and never got mentioned:
https://www.discogs.com/Von-Schommer-dc15/master/1217747

Also, Schommer's started releasing music again, and it's REALLY good. He's
a super talented guy.

On Fri, Jul 17, 2020, 4:35 PM dubloop  wrote:

> lovely video about DeepChord & stuff Detroit
>
> https://www.youtube.com/watch?v=265Rrb3KoSE=youtu.be
>
>
>
> p 
>
>
>
>

Re: Favorite Detroit Techno Tracks

[Mike Taylor]

1. Science Fiction by DBX
2. Alleys of Your Mind by Cybotron
3. Just Another Chance by Reece
4. Dream 17(Mayday mix) by Annette
5. Dem Young Sconies by Moodymann
6. Neurotic Behavior by Psyche
7. Capricorn by Jeff Mills
8. Greater Than Yourself by UR
9. Live For Friction by Shake
10. A Thought Becomes You by Blake Baxter

On Thu, Mar 5, 2020, 5:57 PM David Mansfield  wrote:

> Hello Everyone,
>
> I was wondering what some of your favorite Detroit techno tracks are.  5
> of my favorites are :
>
> 1. Carl Craig- Dreamland
> 2. Robert Hood- Detroit One Circle
> 3. Model 500 -Ocean to Ocean
> 4. Inner City- Good Life
> 5.  Rhythim is Rhythim- Nude Photo
>
>
>

Re: Best Logo?

[Mike Taylor]

I'm still waiting for Paxahau to give Boober Atkins long deserved headline
slot on the underground stage.

On Wed, Feb 26, 2020, 12:46 PM Jason Brunton  wrote:

> I’m so out of practice with emails, I just tried to “ Like” Rob’s response
> there
>
> Sent from my iPhone
>
> On 26 Feb 2020, at 18:00, Rob Theakston  wrote:
>
> 
>
> I wouldn't mistake disinterest for silent observation.
>
> I just don't have anything to add of a substantial nature, and would
> rather give people space to do their thing. People ought to be able to
> express themselves one way or another, unencumbered of what I think.
>
> Plus a bit of a lightness with the heaviness never hurt anything, did it?
>
>
>
>
>
> On Wed, Feb 26, 2020 at 12:56 PM Denise Dalphond 
> wrote:
>
>> Does this mean that you lack interest in the email conversations that
>> some people have been having? Is that what yr saying.
>>
>> It’s how I feel a lot of the time when promoters are taking.
>>
>>
>> Denise Dalphond
>>
>> On Wed, Feb 26, 2020 at 12:54 PM Rob Theakston 
>> wrote:
>>
>>>
>>>
>>> It's the topic everyone is talking about: who has the best logo on the
>>> Movement 2020 poster? Here's my hottest of takes. Get those oven mitts
>>> ready.
>>>
>>> I do appreciate the throwback simplicity of the 9 logo, but
>>> appreciate the Blade Runner nod from Adam Beyer. God love the Swedes for
>>> making Michigan a better place (Lidstrom, Ikea, Swedish Club of Farmington
>>> Hills)
>>>
>>> Enrico Polazzo's logo looks like something you'd see from a
>>> pharmaceutical company or third rate lawfirm, and Loco Dice's looks like
>>> something for a vague startup company that has twee ukelele music in their
>>> commercials. Walker & Royce screams "craft beer for men with neckbeards"
>>> and MK's logo is WAY too close to Michael Kors' logo for my liking. Boris
>>> Brejcha is obviously a juggalo.
>>>
>>> This concludes my wrap up of the logos on the Movement of 2020 poster.
>>> Tune in next week when I propose Seth Troxler play nothing but renaissance
>>> music and vuvuzela during his allotted time spot.
>>>
>>>
>>>
>>>
>>>
>>>
>>> --
>> Denise Dalphond, Ph. D.
>> ethnomusicologist
>> schoolcraftwax.work
>>
>

Re: "Mad" Mike Banks & Stacey "Hotwaxx" Hale at symposium

[Mike Taylor]

Can the 313 HR Dept send me the enrollment packet for benefits and 401k?

Also, how much PTO have I accrued since 96?

Re: carl craig present paperclip people

[Mike Taylor]

I'm going to put on some 69, BFC, Psyche, and Paperclip People and fondly
remember the good old days when he was one of the best to ever do it.



On Mon, Jan 13, 2020, 3:10 PM Mel N  wrote:

> Dear gawd it was so bad I had to post
>
> Is that really him?!
>
> So embarrassed for him
>
> Sound is terrible too, instead of “live” he could have been checking his
> emails...
>
> On Tue, 14 Jan 2020 at 05:34, Joe Marougi  wrote:
>
>> Wish there was a vid of the party we helped throw in LA on NYE 1994/95
>> called Plantasia with C2 live as 69.
>>
>> His sound check was better than Moby’s whole set :-)
>>
>> Joe
>>
>>
>>
>> On Mon, Jan 13, 2020 at 10:21 AM Mister Jones 
>> wrote:
>>
>>> Carl looks like a Detroit pimp in winter in that video. Ski goggles,
>>> full length fur coat... Prolly got on some Now and Later Gators on and a
>>> belt to match too.
>>>
>>> On Mon, Jan 13, 2020 at 9:06 AM Mario De Block 
>>> wrote:
>>>
 You could still see the act here.
 https://www.youtube.com/watch?v=lxEFlbnjgzQ=25s

 It remains quite bizarre to me too. Irony is ok, but overdoing vox fx
 and other technical inadequacies just needlessly damages the music imo.

 Mario
 --
 *Van:* kent williams 
 *Verzonden:* maandag 13 januari 2020 17:58
 *Aan:* list 313 <313@hyperreal.org>
 *Onderwerp:* Re: carl craig present paperclip people

 That video link is broken. Is it the one of him playing with a fake
 backup band of models meant to imitate the Robert Palmer "Addicted To Love"
 music video?

 That was wack. Especially because instead of hiring models to
 unconvincingly fake playing, there are many real women who can actually
 play that would add something meaningful to his live set.

 On Sat, Jan 11, 2020 at 5:29 PM dubloop  wrote:

 i dunno if this was posted here before, probably..

 but this Carl Craig live PA is rather entertaining :

 https://youtu.be/VZfb5DwnvBI
 

 what do you think?

X-Altera

[Mike Taylor]

Hello,

I've been enjoying this album. Reminds me of old 4-Hero and Juice Box era
Guy Called Gerald. Nice stuff.

Cheers,
M

Re: New (Old) Mills & Banks release

[Mike Taylor]

I'm fairly certain that no copies of this are going to immediately wind up
on discogs for stupid money.

On Fri, Aug 10, 2018 at 4:23 PM, Patrick Wacher  wrote:

> In-store release only now only if I can wrangle a flight over there ;)
>
> https://thevinylfactory.com/news/unreleased-under-ground-
> resistance-jeff-mills-mike-banks/
>

Re: Techno CDs

[Mike Taylor]

Hey Marcel,

Since this thread is about traveling back in time...

Are you ever going to upload all those No More Words interviews you did
back in the 90's?

Triple bonus points if you retain the "vintage" web design.

On Thu, Aug 17, 2017 at 2:37 AM, Marsel van der Wielen <
mar...@nomorewords.net> wrote:

> you don't have blue tooth in the US?
>
> :-)
>
> (like stream music from your phone to your car audio?)
>
> Op 16-Aug-17 om 20:17 schreef Lori Polemenakos:
>
> I feel this is known already, but you can buy/download Convextion's album
> onto flash drive or burn to CD using digital files here:
>
> https://mojubarecords.bandcamp.com/album/2845
>
> cheers!
>
> On Mon, Aug 14, 2017 at 4:48 PM, John Sokolowski  > wrote:
>
>> 
>>
>>
>> Yep, just bought a few CDs for a roadtrip myself. Otherwise, download the
>> LPs yourself, burn to disc, and print out the artwork yourself. Such a pain
>> in the arse.
>>
>>
>> --
>> *From:* 3...@coke-smyth.net <3...@coke-smyth.net>
>> *Sent:* Monday, August 14, 2017 12:32 PM
>> *To:* 313@hyperreal.org
>> *Subject:* Techno CDs
>>
>> Hey 313,
>>
>> Really f'd off with vinyl atm. Searching for the new Convextion LP and
>> Jack Peoples on CD.
>>
>> Nothin.
>>
>> Doesn't *anyone* listen to music in their cars anymore?
>>
>> C
>>
>>
>
>

Re: Pittsburgh

[Mike Taylor]

There are a few techno rebels still hiding in the woodwork.

On Jul 30, 2017 4:22 AM, <3...@coke-smyth.net> wrote:

> Anyone about?
>
> C
>

Re: Metroplex represses The Vision & Black Noise

[Mike Taylor]

Anybody know if these pressed from the old plates, or "remastered" like the
M500 reissues from last year?

On May 5, 2017 5:07 PM, "Patrick Wacher"  wrote:

> Looks like Metroplex have a few nice represses on the way...
> The Vision -  Spectral Nomad & Mike Grant's project Black Noise - Nature
> Of The Beast
>
> Both great eps!
>
> https://www.residentadvisor.net/news.aspx?id=38914
>
> Peace,
> Patrick
>

Re: New Axis Records Site

[Mike Taylor]

I came across a rip of that Outer Limits mix on YouTube the other day. I
have to agree that it's a wonderful mix.


On Mon, Jan 30, 2017 at 1:49 PM Patrick Wacher  wrote:

> Just noticed that Axis has updated their site with a whole bunch of new
> stuff. Enjoying the radio show on there called 'Outer Limits' which is
> showcasing a whole bunch of back catalog. Alot of tracks I haven't heard
> before, nice way to catch up with Jeff's work.
>
> https://axisrecords.com/
>
> Thanks,
> Patrick.
>
>
>

Mix

[Mike Taylor]

I found a working link to a mix I did a couple of years ago for LWE. A bit
of disco, Chicago tracks, Nu-Groove, UR, and a Prince jam thrown in for
good measure.

http://media.littlewhiteearbuds.com/tracks/2013/TalkingShopcast18DiscoNihilist.mp3

I need to get back to work and cook up another one of these this summer.

Cheers,
M

Re: Metroplex re-issues

[Mike Taylor]

I'm sure these represses will be great or whatever, but I'm really looking
forward to those Green Velvet and Luciano remixes.

If there is one thing these tracks really need, it is modern club remixes.
It's not like they are untouchable masterpieces by one of the best
producers in any genre of music of the 20th century.



On Tue, Mar 15, 2016 at 12:57 AM, jwan allen  wrote:

> Second copy of the chase would be nice. But reissues save us money.
> On Mar 15, 2016 12:30 AM, "Kevin Kennedy"  wrote:
>
>> Yawn.  Only if night drive through Babylon gets a remaster, I'll keep my
>> copy I got from shake.
>>
>>but, it might make sense to revisit the early catalog for those who
>> might have missed out...
>> --
>> From: Patrick Wacher 
>> Sent: ‎3/‎15/‎2016 12:00 AM
>> To: list 313 <313@hyperreal.org>
>> Subject: Metroplex re-issues
>>
>>
>> http://www.factmag.com/2016/03/14/juan-atkins-model-500-robert-hood-metroplex-reissues/
>>
>> - Patrick.
>>
>>

Re: New Gerard Hanson

[Mike Taylor]

He is an extremely talented guy.

m
On Mar 6, 2016 12:13 PM, "John Sokolowski"  wrote:

> http://www.crosstalkintl.com/node/52662
>
> Due out next month. Sounds like he hasn't lost his touch.
>

Re: Gari Romalis

[Mike Taylor]

Interview starts 16 minutes in:

http://youtu.be/n-XUZMKjoJE

Re: 313 related internet radio?

[Mike Taylor]

http://sonicsunset.com

http://infinitestatemachine.com

Should keep you busy for awhile.

M

On Sunday, October 12, 2014, Ivan Tomasevic to...@tesla.rcub.bg.ac.rs
wrote:


 Hi guys,

 Can someone recommend good 313 or 313 related techno/house internet radio
 station?

 Thanks

 --

Re: Barcelona Info

[Mike Taylor]

You might want to get in touch with these guys:

http://subwaxbcn.com

Cheers,
M

Re: Detroit Music Conference on Friday!!

[Mike Taylor]

Will this be recorded and available for steaming?

On Tuesday, May 20, 2014, Denise Dalphond denisedalph...@gmail.com wrote:

 Detroit Sound Conservancy Conference will be happening at the downtown
 branch of the Detroit Public Library this Friday from 10-6. Here is the
 link:

 http://detroitsoundconservancy.org/conference/

 Here is the facebook event:
 https://www.facebook.com/events/589866551096972/



 Here is a description:

 Please join the Detroit Sound Conservancy for their first conference on
 Detroit music entitled “Conserving Sounds, Telling Stories.” The conference
 will feature local, national, and international journalists, scholars,
 archivists, and sound activists presenting papers on the history and
 culture of Detroit music. Topics will include the history and practice of
 Detroit music journalism, historical designation efforts related to Detroit
 music history, Wikiing about Detroit music, Detroit’s historic ballrooms,
 the history of Detroit radio mix shows, and the compelling need to attend
 to Detroit’s diverse musical legacies. Presenters will also discuss music
 genres such as jazz, rhythm  blues, Latin, house, techno, rock, punk, and
 more.

 The conference will take place in the Music, Arts, and Literature
 Department and the E. Azalia Hackley Reading Room at the Main Branch of the
 Detroit Public Library.

 The deadline for presentation/workshop proposals was Friday, February 28,
 2014. Single presentations will be 15-20 minutes long and panels will be
 60-75 minutes plus QA. Sponsorship opportunities are still available.

 Schedule

 Times and speakers subject to change.

 All Day

 Special Black History 101 Mobile Museum display on Detroit music

 Detroit Music Book Display by Cully Sommers of the Music, Arts, and
 Literature Department

 10:15 – 10:30: Introductions

 Welcome by Carleton S. Gholz
 Opening Remarks by Denise Dalphond

 10:30 – 11:45: Panel 1

 Michelle McKinney, “Planning for a Detroit Sound Legacy”
 Rebecca Binno Savage, “A United Sound Systems Designation Update”
 Madelynn Shackelford Washington, “The Detroit Techno Ontology: A Tool for
 Describing the Digital Diaspora”
 Edward Vielmetti, “Wiking for Detroit Sound: Problems and Possibilities”

 12:00 – 1:15

 Panel 2

 Veronica Grandison  Richard Marcil, “The Graystone Ballroom Legacy”
 Leo Early, “Space is the place: From the Village to the Michigan Palace”
 Consuela Lopez and Osvaldo “Ozzie” Rivera, “The Impact of Latin Artists
 and Music in Detroit”

 Panel 3

 Mike Rubin, “Life After Death: Towards An Understanding of Detroit’s Punk
 Diaspora”
 John Williams, “All My Friends are Legends”
 Cliff Helm, “Recapturing Lost Sounds”
 Mark Slobin, “Subcultures Meet the Superculture in High School, 1940s-60s”

 2:00 – 3:15

 Panel 4

 Detroit Music Journalism Past, Present, Future
 Moderated by Walter Wasacz
 Panelists will include: W. Kim Heron, Keith Owens, Veronica Grandison, and
 Susan Whitall

 3:30 – 4:45

 Panel 5

 Brendan Gillen, “Chicago Underground: The True Story of House Music”
 Marlon Bailey, “Black Queer Ballroom”
 Bernardo Attias, “Sounds of the City in Distress: Sonic Appropriation and
 Cultural Hybridity in Detroit Techno”
 Denise Dalphond, “Detroit Players: Wax, Trax, and Soul in Electronic
 Music.”

 Panel 6

 Khary Turner, “What is Hip Hop Journalism?”
 Carleton Gholz, “The Rise and Fall of the Detroit Radio Mix Show”
 Alex Blue V, “Illuminating Detroit’s Place in the Hip-Hop Narrative”
 Matthew Chicoine, “The Detroit Way: Creative Exchange in Music Production,
 1950-2000”

 5 – 5:45

 Edgar Arceneaux, “A Time to Break Silence, MLK, UR  2001 A Space Odyssey”

 5:45 – 6 pm

 Lauren Murtagh, “The Dan Sicko Papers”

 In addition, on Saturday, May 24th, DSC Founder Carleton Gholz will be
 helping guide a tour of Detroit beyond Hart Plaza for music lovers in town
 for Movement Electronic Music Festival. Limited tickets are now available
 here.

 Please send inquiries to detroitsoundconservancyATgmail.com or leave
 questions at 313-444-8242

 Please tweet to #detsound

 Updated 9 May 2014

 --
 Denise Dalphond, PhD
 Ethnomusicologist
 www.schoolcraftwax.com

Re: (313) EDDIE FOWLKES / DETROIT WAX

[Mike Taylor]

It has been my experience that legends generally don't need to tell you
that they are legends.

On Wednesday, November 27, 2013, kent williams wrote:

 Haha. Eddie is kinda right. He also got Derrick started on crack-talking.

 On Tue, Nov 26, 2013 at 11:49 PM, jeremy bispo 
 jbi...@gmail.comjavascript:;
 wrote:
  An interesting read.
 
  http://testpressing.org/2013/11/eddie-fowlkes-detroit-wax/
 
  This is what a lot of people don’t know about me. I am a legend in
  Detroit, because everyone will tell you “Fowlkes jumpstarted this
  whole game of Detroit Techno”. People will tell you that because I had
  that epiphany from God to start this entire domino effect. A lot of
  people find that hard to believe, but it is the truth. Kevin
  understands how he got his career; if it wasn’t for me, he probably
  would not even be making music.
 
  --
  Best,
  Jeremy
 
  As You Like It
  Founder  Executive Producer
  skype: jeremybispo
  i...@ayli-sf.com javascript:;
  www.ayli-sf.com

(313) I did a mix for LWE

[Mike Taylor]

Hello,

I did a mix for LWE and I think folks around here might enjoy it. It is a
bunch of classic disco, boogie, and Chicago house records with a UR acid
track thrown in for good measure.

http://www.littlewhiteearbuds.com/podcast/talking-shopcast-with-dont-be-afraid/#.UkLOvcu9KK0

Cheers,
Mike

Re: (313) Shake!

[Mike Taylor]

IDK, I kind of dig getting Candy Crush and Bejeweled messages from him on
Facebook.

On Thursday, September 19, 2013, kent williams wrote:

 Love the man, love the music, but we need to do a Kickstarter campaign to
 hire him an assistant to manage his internet presence.

Re: (313) Mayday mix on WJLB from ' 88

[Mike Taylor]

Thanks for sharing this Minto!

If you are interested in these kinds of mixes, DJ Assault's website is a
goldmine: http://www.djassault.com/

Go to the mixtape vault and start poking around. I highly recommend the
Farley WBMX mixes and the Mayday NYE mix on WJLB.

Those old radio mixes shit on modern podcast culture from great heights.


On Fri, Aug 9, 2013 at 11:03 AM, Minto George mintogeo...@yahoo.com wrote:

 My good friend Luke Sardello, whom I still think is the greatest DJ I know
 (and one of the primary people that inspired me to get into this whole
 culture) with the best collection of all good music in the world posted
 this old tape of dmay mixing on WJLB on his soundcloud page. Side A is full
 of unreleased rhythim is rhythim and then mayday goes disco on side B.
 Redic mix everyone should check out!

 https://soundcloud.com/lukesardello/sets/derrick-may-wjlb-1988

 minto

(313) Anybody throwing a party in Amsterdam on Sunday?

[Mike Taylor]

Hello all,

I am doing a Disco Nihilist live PA tour in England at the moment and I am
on my way to Brussels for a party on Saturday. I was planning on playing a
party with Gerd Janson and Prins Thomas in Amsterdam on Sunday. Sadly, the
promoter  bailed at the last minute. I still have to travel through
Amsterdam on Monday to make my connecting flight back to America.

I figure if I am going to be there I might as well try to squeeze a gig in.
Any leads would be appreciated. I can do events in other cities in
the Netherlands as well.

Feel free to email with any questions.

Cheers,
Mike

Re: (313) Movement, Music and Detroit

[Mike Taylor]

You definitely want to hit Stormy, but make sure you get there before the
weekend because they close on Sunday and Monday that weekend. If you get in
touch with Windy she will go out of her way to give you a comprehensive
list of the remaining record stores in Detroit.

Record Collector closed their doors earlier this year.

m


On Thu, May 9, 2013 at 12:14 PM, Daniel Bean daniel.b...@bbc.co.uk wrote:

   I’ve never found much IDM in Detroit but for those other genres I’d
 recommend the following spots for vinyl (can’t really comment on CDs):

 ** **

 Stormy Records in Dearborn

 Goth/Punk + plenty more rock vinyl

 ** **

 Record Collector in Ferndale

 I’ve found quite a lot of very good condition old techno 12”s here over
 the years

 ** **

 People’s Records on Woodward

 Quite a random mix of industrial, old techno and drum and bass (e.g.
 Reinforced) can be found in the dollar bins but you’ve got to dig

 ** **

 Street Corner in Oak Park

 Found plenty of old techno here + they sell quite a lot of CDs

 ** **

 *From:* Darnistle McKuik [mailto:darnis...@gmail.com]
 *Sent:* 09 May 2013 16:21
 *To:* 313@hyperreal.org
 *Subject:* Re: (313) Movement, Music and Detroit

 ** **

 Techno- especially Detroit-related
 Drum n Bass
 Goth/Punk
 IDM

 I prefer CDs, but I do buy vinyl as well.

 On May 8, 2013 2:34 PM, Darnistle McKuik darnis...@gmail.com wrote:***
 *

 So it looks like I will be going to the festival again this year!!  YAY!!!
 I can hardly wait!

 As always,  shopping for music is de rigueur.  

 That said, other than Detroit Threads and Melodies and Memories, can any
 of you local peeps recommend other stores worth checking out? Have any new
 stores of interest opened to fill the void?



 

 http://www.bbc.co.uk
 This e-mail (and any attachments) is confidential and may contain personal
 views which are not the views of the BBC unless specifically stated.
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 Do not use, copy or disclose the information in any way nor act in
 reliance on it and notify the sender immediately.
 Please note that the BBC monitors e-mails sent or received.
 Further communication will signify your consent to this.

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Re: (313) Frankfurt Adventure

[Mike Taylor]

Hey Jason,

If you are looking for record shops, you should definitely pay Josha
Baumert a visit at Deo Records:

http://www.deorecords.com/

You might also want to get in touch with Oliver Hafenbauer from Robert
Johnson. He would be able to give some idea of what is going on in
Offenbach and Frankfurt that weekend.

I was lucky enough to play at RJ last September. It was a very good experience.

Cheers,
Mike


On Sun, Mar 3, 2013 at 3:17 PM, ja...@iridite.com ja...@iridite.com wrote:
 Hello brothers and sisters - long time no see!!

 I was in Frankfurt on business last year and managed to get to the Robert
 Johnson club and had one of the top five club experiences I've ever had (or
 at least the ones I can remember anyway)

 I'm getting married this year so the destination for the stag do
 isFrankfurt.  Looking for any tips, advice, record shops etc and even
 places to stay (need to hire a couple of large-ish apartments for the Friday
 and Saturday)

 Where are the Techno Tourists when you need 'em?

 cheers

 Jason

Re: (313) Analysis: Stuck in reverse, Detroit edges closer to bankruptcy OT

[Mike Taylor]

If you think struggle is great, it is likely that you haven't missed
any meals lately.

There is nothing enabling about poverty.

M

On Thu, Jan 31, 2013 at 8:48 AM,  3...@coke-smyth.net wrote:
 Couldn't agree with you less. Nothing is worthwhile without struggle.

 Prolly OT sorry.

 C

Re: (313) Detroit electro funk

[Mike Taylor]

I don't know if it rare, but you might want to look into Flamethrower
Rap by Felix and Jarvis:

http://youtu.be/rCMiABY-sQw

Also, Jam the House:

http://youtu.be/jJ9Tn29dEhs

Another track that is similar but on a go-go tip is Arcade Funk by Tilt:

http://youtu.be/Sjc42OKxz5A

mt

Re: (313) Ask 313

[Mike Taylor]

The first couple records on Digital Soul are solid and completely forgotten:

http://www.discogs.com/artist/Splinterfaction

mt

Re: (313) Not quite 313 but close. Epic story about a failed Lil Louis show.

[Mike Taylor]

That is nothing, go read the 440+ comment long thread about this site
on Resident Advisor.

If you are looking for a message board trainwreck, this is a first
rate example.

m

On Fri, Nov 30, 2012 at 12:17 PM, Patrick Wacher pwac...@gmail.com wrote:
 If you have about 30 mins to spare, go grab a coffee, a warm place by the
 fire and settle in and read this whole cluster between some Australian
 promoters and Lil Louis.

 It's like watching a train wreck in slow motion...

 http://www.whoislillouis.com/

 Enjoy!
 Patrick.

Re: (313) Rolando in Boston

[Mike Taylor]

I am interested as well. I might come down for this.

Are there any promoters in Boston who are involved with serious house or techno?

m

On Fri, Nov 30, 2012 at 1:26 PM, Jimmy Juricevich jjuricev...@gmail.com wrote:
 He's playing next week.
 Anyone seen him lately? The event bio mentions him working with Nic
 Fanciulli who ain't really my thing, but i assume he's still worth a night
 out.

Re: (313) roll call?

[Mike Taylor]

Nothing signifies middle age quite like participating in a Hyperreal
electronic music mailing list.

It's been a minute since 1996, hasn't it?

m

Re: (313) Actual Detroit techno

[Mike Taylor]

I have to second Sleeper Wakes. I have been giving that album a lot of
play recently.

m

On Wed, Nov 28, 2012 at 4:40 PM, Tristan Watkins phonop...@gmail.com wrote:
 So I've been seriously digging the Mills Sleeper Wakes and The Power albums
 lately. Probably going to pick up the others in the series too. Really,
 really on-form. Not news obviously, but easy to overlook I suppose.

 Also like Nighttime World Volume 3: Motor a lot! Worthy of the Nighttime
 World title.

 It's great to hear both these dudes developing their sound still.

 Tristan

Re: (313) Actual Detroit techno

[Mike Taylor]

He has plenty of heaters post-Waveform Transmissions. There is
something wrong with you if you like Detroit techno but you aren't
feeling the first couple Every Dog Has It's Day EPs.


On Wed, Nov 28, 2012 at 5:09 PM, wojciech wojtek@gmail.com wrote:
 It's always great to hear that there are others on this list that
 still enjoy Mills's post-Waveform Transmissions sound!  The Alpha
 Centauri EP is also worthy of checking if you're into Sleeper Wakes
 and The Power.

 -wojtek

 http://twitter.com/detroitio



 On Wed, Nov 28, 2012 at 1:44 PM, Mike Taylor disconihil...@gmail.com wrote:
 I have to second Sleeper Wakes. I have been giving that album a lot of
 play recently.

 m

 On Wed, Nov 28, 2012 at 4:40 PM, Tristan Watkins phonop...@gmail.com wrote:
 So I've been seriously digging the Mills Sleeper Wakes and The Power albums
 lately. Probably going to pick up the others in the series too. Really,
 really on-form. Not news obviously, but easy to overlook I suppose.

 Also like Nighttime World Volume 3: Motor a lot! Worthy of the Nighttime
 World title.

 It's great to hear both these dudes developing their sound still.

 Tristan

(313) Jason Grove

[Mike Taylor]

Hello,

Can anybody confirm/verify the identity of Jason Grove?

http://www.discogs.com/artist/Jason+Grove

*Born in Detroit, he started his career in the late 80’s,
dj-ing in underground parties when the techno house
movement was just at the beginning. He was invited few
times on detroit local stations such as WDRQ  WJLB to
play. Some said he was at that time very close to the
“Wizard”, helping producing their first tracks with anthony
srock as Final Cut. He had many opportunities during the
90’s to release some of his work on various prestigious
labels, however, as the guy is really hardcore  straight
edge, he prefered to continue producing only with analog
gears (don’t ever speak to him about a computer or he’ll
get mad !)  record his work on cassette only, selling it
to indie stores  giving it to friends for some special
events (birthday, graduation etc ... !). We heard this
story long times ago  it was only when we were in L.A.
last year at pooh-bah record shop that we finally managed
to get our hands on one of those tapes (one from june 1991
 the other one done in october 1992) with some of the best
 incredible music we’ve heard in years, it sounded like
Kerri Chandler before Kerri Chandler did even start to
release any tracks. Those first tapes are finally available
after a hiatus of more than 15 years on vinyl only.*

So does this guy actually exist, or was he just made up to sell records on
hype? I've never seen his name come up anywhere over the years, and he
doesn't have any interviews, or photos on the web.  Does anybody know this
guy?

Thanks,
Mike

(313) Re: Research question about vinyl manipulation

[Mike Taylor]

I don't know if anyone in the dance scene has done anything like this.
This kind of stuff falls more into the noise scene. I can remember the
Time Stereo guys drilling holes in records so that they would play off
center and sound wobbly, but that is the only thing that comes to
mind.

This guy has made a career of that gimmick:
http://en.wikipedia.org/wiki/Christian_Marclay

http://www.youtube.com/watch?v=IIFH4XHU228
http://www.youtube.com/watch?v=QVr-_lGxib4

 -- Forwarded message --
 From: Denise Dalphond ddalp...@umail.iu.edu
 To: ...@hyperreal.org
 Date: Wed, 3 Nov 2010 18:08:48 -0400
 Subject: Research question about vinyl manipulation
 Hi all,

 Has anyone ever done or heard of anyone doing the following IN DETROIT:

 Physically manipulating a piece of vinyl by cutting it down the middle
 exactly and then gluing it to another half of vinyl so that the
 grooves match up and it can actually play? Or any other kind of
 dramatic vinyl manipulation? I'm thinking of things beyond concentric
 grooves, groove reversal (starting a record from the inside to play
 outward), and looped grooves.

 Feel free to message me directly if you'd rather. Thanks!

 --
 Denise Dalphond
 Ph.D. Candidate
 Department of Folklore  Ethnomusicology
 Indiana University
 http://denisedjsdetroit.blogspot.com/




This

Re: (313) string synth sound

[Mike Taylor]

Not to pick knits, but the QX21 IS a sequencer.

m

On Tue, Jul 13, 2010 at 12:08 PM, DB d...@renegaderhythms.com wrote:

 Mike Taylor wrote:

 If you want to do the 90's Mills thing, the formula is: 909, Yamaha
 QX21, Akai S3000, EMU Carnival, Yamaha DX100, Yamaha TG33, and an
 early 90's Korg rompler(doesn't matter which one).



 Where's the MAQ and Microwave I and the Korg MonoPoly  You can't forget
 those important sound sources, plus one needs a sequencer if one isn't using
 a computer.
 He wasn't playing all the sounds by hand :)

 I know somewhere on his website for a while, he indicated that one of the
 early EP's is just mainly  a 909, Microwave I and a Delay.
 It's not listed on their anymore and that was before Evernote existed, so
 I don't have a backup of that page... :(

 Cheers,
 Dave

Re: (313) string synth sound

[Mike Taylor]

The sound comes from a Korg rompler, likely an X5d.

If you want to do the 90's Mills thing, the formula is: 909, Yamaha
QX21, Akai S3000, EMU Carnival, Yamaha DX100, Yamaha TG33, and an
early 90's Korg rompler(doesn't matter which one).

I have heard that Neil Oliverra did Sountrack313 on an X5d, and that's it.

The gear used on old Mills records and Soundtrack313 is stupid cheap
these days, the hard part is being disciplined enough to work though
the interfaces. It is a hell of a lot easier to move some colored
blocks around in a DAW.

mt






-- Forwarded message --
From: Daniel Troberg erasemu...@gmail.com
To: kent williams chaircrus...@gmail.com
Date: Mon, 12 Jul 2010 20:32:01 +0200
Subject: Re: (313) string synth sound
well, I still think that the synth patch on these both youtube clips
comes from the
exact same source. that is, a preset or something, on the stuff they
used. and no,
its no modular synth. no its not beefy analog. because most of the
stuff used were
on the cheap side. or gotten cheap. . Im thinking this would be some
kind of sampler
patch or something in that direction. ,, surely someone has dug into
this before.
listen to the clips again, name that synth ,, thats what controlling
my brain atm.

(313) Disco Nihilist vinyl in Detroit this weekend

[Mike Taylor]

Hello all,

I am dropping a line to let folks know that you can buy Disco Nihilist
vinyl in Detroit this weekend at:

Stormy Records
13210 Michigan Avenue
Dearborn, Michigan 48126, USA
(Above Green Brain Comics)
313-581-9322

Weekend Hours:
Thursday 11-8
Friday 11-8
Saturday 11-8
Closed Sunday and Monday

They have limited quantities of all three of my releases as well as a
strong selection of used Jazz, Soul, and RB. Last time I was in there
I picked up every Motown anthology you could think of in mint
condition with all inserts for $8 a pop as well as a bunch of old Sun
Ra, Lonny Liston Smith and Herbie Hancock records. I also picked up a
bunch of disco stuff cheap as well.

I also want to let people know about a new shop carrying my music in
Detroit called Ya Digg Records in the Russell Industrial Center.

Ya Digg Records
1610 Clay Ave
#210 Bldg 2
Detroit MI 48211
313-285-9988

Weekend Hours:
Friday 12-6
Saturday 12-5
Sunday 12-5
Closed Monday

Ya Digg is a brand new spot that just opened last month. Terri McQueen
aka DJ Whodat runs that shop and has a selection of mainly used
records. I just sent her a package of records and I know Theo Parrish
has dropped a lot of product in the store as well. She has a large
used selection of house and soul records.

I would also like to mention to label owners that Terri is looking to
stock underground house and techno vinyl in the shop. She will buy
direct for cash, hit her up!

Take care,
m

Re: (313) New WPA record

[Mike Taylor]

I can't speak for UR, but I have seen some interesting things happen
with USPS when you try to ship international.

I have a promo package for CP01 that I sent to RA in Berlin that went
from Austin, Texas, to Switzerland, to Germany, to Spain, back to
Austin, and then to Portland, Maine. This trip took two months. The
only reason I know this is because I have stamps from the different
countries on the cardboard mailer. This was the second package that I
sent out, the first one just disappeared completely. This happened
twice in a row.

It costs about 17-20usd to send a package of records over to Europe
from the states. That is just the postage, it doesn't include the cost
of the merch itself. That can kill your already thin margins if you do
a lot of overseas business and lose a few packages a month.

Omar S. has the same disclaimer on his website regarding USPS shipping.

Take care,
mt

 -- Forwarded message --
 From: Martin Dust mar...@dustscience.com
 To: 313 313@hyperreal.org
 Date: Wed, 10 Feb 2010 10:01:51 +
 Subject: Re: (313) New WPA record
 Hey Ang,

 How comes Submerge only use UPS? $36 is a lot of wedge for postage.

 m

Re: (313) Pure Acid

[Mike Taylor]

Thanks for dropping the first record on Construction Paper!

I sent the masters for CP-002 out to be cut at Prairie Cat on Friday.
Hopefully we will have some white labels from Archer in a couple
weeks. The A-side has a couple deep Chicago cuts and the B-side is raw
jacking cassette acid. It should be available from Crosstalk
Distribution in early February. 250 copies, vinyl only, no digital.

A few copies of the first Construction Paper record are still floating
around. You can order them through Clone, Forced Exposure, Gramaphone,
Rush Hour, Hardwax, Dio Records, and Underground Gallery. My first
record on Love What You Feel just got repressed and should be
available everywhere.

Thanks,
Mike Taylor







From: KiDD*e 3...@qui-design.fr
To: Three-One-Three 313@hyperreal.org
Date: Sat, 12 Dec 2009 14:16:20 +0100
Subject: Re: (313) Pure Acid
Pure lovely delights ! :)
Nice new gem to my ears :
http://www.discogs.com/Acid-Sex-Acid-Sex-002/release/1954278
Thanks Placid.

— K*


Le 11/12/2009 00:43, Placid a écrit :

NO need for waffly introductions on this one

The acid is here - http://www.acid-house.net/Pure_Acid.mp3
(uploading as i post this..will be available in about an hour)

Bomb the Bass- Bug Powder Dust - K7
Le Mystere - Opus 303 - Buzz
Air Liquide - Radiowaves - white
Air Liquide - Electronic Dub - White
Plastikman -
Air Liquide - The Increased Difficulty Of Concentration - Smile
Tin Man - Acid Acid - Global A
XDB - Lost Tapes - Wave Music
Keith Worthy  - Deep For Dayz - Sistrum
808 State - Narcossa - Creed
Acid Sex - Acid Sex 002 - Acid Sex
Sendex - Just Dance - Bunker
Sysex - Cr Acid Trax 1 - Plus 8
Disco Nihilist  Daetron Vargas - EP - Construction Paper
Phase Phorce - Complications - Djax
J.T.C. - Take 'em Off - Creme Jak
Jared Wilson - Last Two - 
Music Institute 20th Anniversary (Pt 2 Of 3)
DJ ESP - Put A Smile On Your Face - Aciiieeed!
MS Crew - Acid Trojan II - Minimum Syndicat
Steve Parker - Loaded (Damon Wild Acid Dub) - Synewave
KiNK  Neville Watson  - Inside Out - Hour House Is Your Rush Records
Ongaku - Mihon - Pod Communication
A Jackin' Phreak - Acid Sex - RZ
Adrian Forciniti - Class Of '94 - SYRA

Done in one hit on 2 x 1210's  approx 289 MB @ 320 kbps

Forthcoming Gigs and More mixes -
http://www.facebook.com/group.php?gid=41658902688

[313] take care 313

[Mike Taylor]

Hello,

I spent an hour of my life deleting 250 posts about rich hawtin, 
globalization, and final scratch this afternoon. I have met a lot of good 
character and gained a lot of insight about this music for the list. Its 
been 6 years now, and I think it is time for me to move on.


Current will be changing its sound in the next few months. I am going to 
play nothing but Throbbing Gristle in July. Look for early Mute and vintage 
electro in August. If you want to receive playlists and updates regarding 
the show, send an email to:


[EMAIL PROTECTED]

Thanks,
Mike Taylor

np The Fall-I Am Daimo Suzuki





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[313] Transmat Re: [313] stephen again

[Mike Taylor]

Hey Martin,

This is the second 12 in a three part series. I have had the white label of 
it for awhile, but it has not fit where the show has been going lately. It 
is very Stephen Brown'y, if you liked the last one you will like this one, 
and if you didn't...


I also have a couple cdr's that were supposed to be the pre-release version 
of Time:Space 2. After I premiered several tracks on the show, I got an 
email from [EMAIL PROTECTED] saying that they want to play around with the 
tracklisting a bit more and asking if I could hold off on playing any of the 
material. It is a shame because there is definitely noteworthy material on 
those cd's. The Rodenbush and San Soleil tracks immediately come to mind. 
For the tracklisting as it was to be as of a month ago, check my playlist 
at:


http://groups.yahoo.com/group/currentelectronic/message/14

You can get some ideas as to what is going on in their camp from the 
tracklisting. As always, Transmat will do what it wants when it wants, so 
you will just have to wait and see. I remember back when the first 
Time:Space comp came out back in 99 and there was a great deal of talk about 
Transmat releasing full albums from all the artists involved. Obviously, 
other than Deepartures In Time, none of the artists involved released albums 
after that comp.


Keep your fingers crossed. I know that I am not the only person who would 
like to see a lot more material come out of the Transmat camp. From what I 
have been told, they have arranged a better distro deal on the continent, 
and that there should be more material on the way as a result of that deal. 
I hope they get it all sorted out, because Transmat has some great music 
that needs to see the light of day.


Take care,
mt




From: Maarten Baute [EMAIL PROTECTED]
Reply-To: Maarten Baute [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] stephen agian
Date: Mon, 3 Jun 2002 21:31:23 +0200

Waah

Saw this at JUNO today..

BROWN, Stephen: EP #2 (Transmat US) (ASF) (MP3)
  12: I Am Someone/The Year Zero (MS 027) [6.99] - add

Does anyone know more about other possible releases this year on transmat?

Cheers,
Maarten


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Re: [313] Rob Hood Mix CD

[Mike Taylor]

http://www.cheap.at/record.php?id=31

http://www.cheap.at/artists.php?name=patrick+pulsinger

take care,
mt



From: ryan burns [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] Rob Hood Mix CD
Date: Tue, 04 Jun 2002 00:16:20 -0500


every time i hear hood mix he plays  Pulsinger  Tunakan - I.O Sustain what 
is it?  ive never heard of them... its a dope track..any info??




Track Listing for
Robert Hood Mix: Rare Species
06. Pulsinger  Tunakan - I.O Sustain


ryan


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[313] Current 06.01.02

[Mike Taylor]

Hello,

Current Playlist: 06.01.02

Hour One:

Thomas Koner-Nunatak Gongamur (Nunatak Gongamur) Barooni
Robert Henke-Piercing Music (Piercing Music) Imbalance Computer

Hour Two:

Cabaret Votaire-Photophobia (Mix-Up) Mute
Throbbing Gristle-Six Six Sixties (20 Jazz Funk Greats) Mute
Throbbing Gristle-Dicipline (20 Jazz Funk Greats) Mute
Throbbing Gristle-Untitled (Heathen Earth) Mute
Mono Junk-The Place (Gloom) Dum
Pan Sonic-Vaihtovirta (Aaltopiiri) Mute
Autechre-Second Bad Vilbel (Anvil Vapre) Warp
Monolake-White_II (unreleased) Imbalance
Monolake-The Battle Of Tetris (unreleased) Imbalance

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, visit our website at:
http://groups.yahoo.com/group/currentelectronic/

Thanks,
Mike Taylor
Current



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[313] payola

[Mike Taylor]

http://www.salon.com/ent/music/feature/2001/04/03/payola2/index.html

not particularly 313 related, but it is part of the reason Detroit artists 
are not getting ahead in US markets.


take care,
mt


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[313] Below The Surface: Resurface

[Mike Taylor]

Below The Surface: Resurface

If you are looking for a low key place to relax before things heat up this 
weekend, you might want to try Foran's tomorrow night. This is going to be 
the kick off for Alvin Hill's series of monthly gatherings at Foran's.


Thursday 5.23.02

DJ's:
Munk
Judy B.

Live PA's:

Seagreen
Anti-Logic
Mike Taylor

Foran's Irish Pub
612 Woodward Ave.
Detroit
2 blocks n. of Jefferson
313-961-3043


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[313] Saturday list meet at the festival?

[Mike Taylor]

Hello,

If any 313'ers want to meet up during the festival I will be around for the 
DeepChord live PA. Drop me a line if you are interested. Also, if any of the 
techno tourists hit town early and have cell phones hit me and I will trade 
numbers with you.


Take care,
Mike



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[313] Fwd: FC: Webcasters spared high music royalties -- for now

[Mike Taylor]

From: Declan McCullagh [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: FC: Webcasters spared high music royalties -- for now
Date: Tue, 21 May 2002 13:51:27 -0400

Politech archive on CARP process:
http://www.politechbot.com/cgi-bin/politech.cgi?name=carp

---

Date: Tue, 21 May 2002 11:29:41 -0400 (EDT)
From: Paul Jones [EMAIL PROTECTED]
To: Declan McCullagh [EMAIL PROTECTED]
Subject: CARP plan rejected!
Message-ID: 
[EMAIL PROTECTED]

MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
X-UIDL: 90f187d52dc3599d258ebe4d7002faed

rejoice young net.radio-ists!

http://www.copyright.gov/carp/webcasting_rates.html
the most authoratative source

On May 21, 2002, the Librarian of Congress, based upon the recommendation
of the Register of Copyrights, issued an Order rejecting the Panel's
determination proposing rates and terms for these licenses. In such cases,
the law provides that the Librarian shall issue his final determination
within 30 days of his decision to reject the Panel's proposed rates and
terms. The final determination is due on June 20, 2002.

and http://www.copyright.gov/carp/webcasting-rates-order.html

On February 20, 2002, the Copyright Arbitration Royalty Panel (CARP)
reported its determination to the Librarian of Congress in the
above-captioned proceeding. In accordance with 17 U.S.C. 802(f), the
Librarian is given 90 days from date of delivery of a CARP report to
review the determination and issue a decision setting forth the final
royalty fee and terms of payment. However, if the Librarian rejects the
CARP's determination, section 802(f) provides an additional 30 days for
the Librarian to render his final determination.

The Register of Copyrights recommends, and the Librarian agrees, that the
CARP's determination must be rejected. A final decision will be issued no
later than June 20, 2002.

==
 Paul Jones
Gort! Klaatu barada nikto!
http://www.ibiblio.org/pjones/ at the Site Formerly Known As 
MetaLab.unc.edu

  [EMAIL PROTECTED]   voice: (919) 962-7600 fax: (919) 962-8071
===




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[313] Current 05.18.02 Dennis Desantis live feature

[Mike Taylor]

Hello,

This week Current featured Rochester, New York based producer Dennis 
Desantis. Dennis has released two 12s on Kanzleramt sublabel k2o. The 
recording played on the show was taken from his debut live performance at 
Java's in May of 2002. Dennis will also be embarking on his first European 
tour in June. The tour will be in support of his debut album Clock Wise on 
k2o. For more information on Dennis Desantis and k2o records:


http://www.dennisdesantis.com/
http://www.k2o-records.com

Current Playlist: 05.18.02

Hour One:

Disposable Information-Repetition (Product One) Disposable
Sutekh-Untitled (Periods.Make.Sense) Force Inc.
Pan Sonic-Vaihtovirta (Aaltopiiri) Mute
Faust-d.i.g. Surgeon Remix (Freispiel) Klangbad
Pan Sonic-Askel (A) Mute
Christian Kleine-Kritzel (Beyond Repair) City Centre Offices

Hour Two:

Dennis Desantis-Live PA

Hour Three:

Adult-Nausea (Resuscitation) Ersatz Audio
Le Car-Flame Job (Auto-Biography) Ersatz Audio
Perspects-Desire  Efficiency (Forgotten Sounds...) Ersatz Audio
Optic Nerve-Detroit Night Drive (Optic) Delsin

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, visit our website at:
http://groups.yahoo.com/group/currentelectronic/

Thanks,
Mike Taylor
Current


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Re: [313] Questions

[Mike Taylor]

Hi Cyclone,

Here are a few links that you might find helpful. I had to do the same 
research a few months back for Current.


http://www.430west.com

also:

http://www.overloadmedia.co.uk/archives/interviews/lawrence_burden.html

and this is a good one too:

http://techno.ca/cognition/octone.htm


Speaking of research, tonight I read an electronic music column in a local 
weekly paper that refers to Vladislav Delay/Luomo being both German and a 
group.


http://www.mille-plateaux.net/mp/artists/vladislav_delay/vladislavdelay.html

Word to anybody who views journalism as being something greater than 
paraphrasing press releases.


salty as ever,
mt



Also, does anyone know where I can find a good Octave One biog off the Web?

Cheers

Cyclone

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[313] Fwd: too much gear

[Mike Taylor]

http://acapella.harmony-central.com/Forum7/HTML/009209.html

this guy has the most ridiculous studio I have ever seen.

mt



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[313] Mute has been bought by EMI

[Mike Taylor]

Thought some of you might be interested in this.

Take care,
mt

http://www.emigroup.com/news/pr166.html

EMI ACQUIRES MUTE

10th May 2002


LONDON, 10 MAY 2002 -- EMI Recorded Music has acquired Mute, one of Europe’s 
leading independent record companies, extending an existing licensing 
relationship that Mute has had with EMI’s Virgin Records for over 15 years.


Founded in London in 1978 by Daniel Miller, Mute has consistently been at 
the forefront of artist development with an artist roster that includes Moby 
and Depeche Mode - whose last albums sold 8 million and 2 million each 
respectively - Nick Cave  The Bad Seeds and Goldfrapp. The acquisition 
includes Mute’s catalogue and its operations in the UK, US and Germany.


Miller, executive chairman of Mute, will continue to be responsible for all 
of the company’s global activities.


Commenting on the agreement, Alain Levy, EMI Recorded Music’s chairman and 
CEO said: “It’s a great sign of confidence that Daniel Miller has decided to 
associate his future with EMI.  Daniel is one of the most respected finders 
and nurturers of talent in the industry and we’re incredibly proud to be 
strengthening the relationship.”


The new agreement was initiated by EMI Recorded Music’s chairman and CEO of 
Continental Europe, Emmanuel de Buretel.  He said: “This deal is a natural 
progression of our relationship with Mute.  I believe in the independent 
sector.  It provides the business with an immense wealth of new talent.  
It’s a source of new musical trends and an integral part of the industry’s 
future.”


EMI will pay £23 million for Mute, plus up to £19 million of potential 
performance-related payments, over a period of four years.





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Re: [313] Iridite 002

[Mike Taylor]

Day 24 by Nieux is a great detrambient track as well. I give Iridite credit, 
their releases keep getting stronger. I am looking forward to I003 myself.


Take care,
Mike



From: John Osselaer [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] Iridite 002
Date: Thu, 09 May 2002 20:37:03 +0200

Yeah! A big thumbs up for that Iridite release. I got sent that mixcd of
Claude Young a while back and during work the two tracks that made look up
to check the tracklist were the Iridite ones.

Keep 'em coming mr. Brunton! ;-)

John



From: [EMAIL PROTECTED] (Arne Weinberg)
Reply-To: [EMAIL PROTECTED]
To: 313 Mailing List 313@hyperreal.org
Subject: [313] Iridite 002
Date: 09 May 2002 08:03 GMT

Hello dear listmembers!


Anybody heard the new Iridite 002
A very good record!

A1: Methodology-La triste
B1: Iridite Prod. feat. Jason Brunton-Track title 2
B2: Nieux-Day 24

B1 was licensed by Claude Young for his Mix CD on DJsets.com a while ago.
Very deep and sensual stuff. highly recommended!


cheers, Arne

°°°
  www.arneweinberg.de
  STARBABY Rec.
  DOWN LOW MUSIC
  NATIVE Rec.
  KEYNOTE Rec.  (ex-Ground Zero Rec.)
°°°

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[313] when did starlight come out in relation to basic channel?

[Mike Taylor]

Did Starlight by M500 come out before or after the basic channel records?

Thanks,
mt



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[313] Current 05.04.02 Time:Space 2

[Mike Taylor]

Hello,

This week Current featured a few selections from the upcoming Time:Space 
compilation on Transmat. It should be available in stores by June. The track 
listing is as follows:


Disc One:
Bytes - Aril Brikha
BC Style - Microworld
Inca - Indio
I Am Someone - Stephen Brown
Actualization - Louis Haiman
Story Of China Man - Yellow Planet
Metu Neter - Reggie Dokes
Stretched Blue Oval - Sans Soleil

Disc Two:
Respectall - John Arnold
Tyme Spice - L.S.E.
The Fugitive - Yellow Planet
Awakening - Rodenbush
Sahara VHF - Sans Soleil
Pasando Una Puerta - Lucien Nicolet
Tranquility - Rodenbush
Wings - Tony Drake

For more information: http://www.transmat.com

Current Playlist: 05.04.02

Hour One:

Labradford-Accelerating On A Smoother Road (Prazision) Kranky
Pulse Programming-There Will Never Be (Prelim) Aesthetics
Robert Rich-Night Sky Replies (A Troubled Resting Place)Fathom
Aphex Twin-D1T1 (SAWII) Warp
Aphex Twin-D2T11 (SAWII) Warp
Christian Kleine-Kritzel (Beyond Repair) City-Centre-Offices
Monolake-Indigo (Cinemascope) EFA/Imbalance
Pan Sonic-Vaihtovirta (AAltopiiri) Mute
Sutekh-Untitled (Periods Make Sense) Force Inc.

Hour Two:

Arovane-Thaem_Nue (Atol Scrap) Din
Autechre-Bronchusevenmx24 (Garbage EP) Warp
up/down-Smorrebrod (Men With Boxes)  DUB
Funkstorung-Economy (Post.Art) Chocolate Industries
Spacetime Continuum-Vertigo (Emit Ecaps) Astralwerks
Sans Soleil-Streched Blue Oval (Time:Space 2) Transmat
Roden Bush-Awakening (Time:Space 2) Transmat
Aril Brikha-Bytes (Time:Space 2) Transmat
Roden Bush-Tranquility (Time:Space 2) Transmat
Model 600-Update (Update EP) Metroplex

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, visit our website at:
http://groups.yahoo.com/group/currentelectronic/

Thanks,
Mike Taylor
Current




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[313] Karaoke Kalk RE: [313] Andrew Pekler

[Mike Taylor]

Actually, I have been curious about Karaoke Kalk. The only release I have 
from the label is Northern Classic by Donna Regina. Upon the first couple 
listens I liked it, but it was more background listening rather than serious 
critcal listening. When I really started paying attention to it I had 
problems with the really bad English-As-Second-Language lyrics. I would have 
enjoyed the album if the lyrics were not so trite.


Does this represent the label as a whole, or are there other releases I 
should be looking out for instead? Where would you recommend I start?


Take care,
mt



...There is one decent track that would fit in with the first couple
Pan-American LP's.

Speaking of which, their new LP The River Made No Sound on Kranky is
*very* nice IMO. This label and Karaoke Kalk are both really doing it for 
me

at the moment. Go the Ks...

Respect
JasonB





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[313] Harmonia Re: [313] Re: Scape One

[Mike Taylor]

Hello,

The Harmonia stuff is not that hard to track down really. I know that Music 
Von is still in print in Japan. It is one of those things that comes down to 
tracking down specialist retailers. You might very well pay through the 
noise for bootlegs, but the audio can be obtained. A good retailer for this 
stuff in Detroit is Stormy Records.


http://www.stormyrecords.com/

The Cluter material was good, but I have always had a soft spot for the 
Cluster and Eno records. After The Heat is an album of weird angular 
grooves. It is a very German, Tutonic rhythm if you know what I mean. There 
are echos of this album in a lot of the stiff German stuff that has been 
coming for the last few years. Very groovy, but not. ;) Cluster and Eno is 
more atmospheric. They are both good, but very different records. I still 
need to get my hands on Harmonia 76, which is Cluster, Michael Rother from 
Neu! and Brian Eno.


My copy of After The Heat is a German LP on Skyy (sp Sky?) and I am not sure 
if it has been reissued or not. My copy of Cluster and Eno was reissued 
through Gyroscope on CD.


One of the best musical experiences of the last couple years was seeing 
Roedelius play piano suites at the DIA. Very lovely soft piano music. If you 
ever get the chance to see him live, it is in your best interest to do so.


Take care,
mt






From: Jonny McIntosh [EMAIL PROTECTED]
To: tom churchill [EMAIL PROTECTED], [EMAIL PROTECTED], 
313@hyperreal.org

Subject: Re: [313] Re: Scape One
Date: Wed, 1 May 2002 12:21:32 +0100

 Tiger Sushi - More GDM Vol 1
 The Cluster track on side A is a Krautrock thing from 1974 which I 
haven't

 really got my teeth into yet. Side B has 'Present Pretence' from John
Tejada
 which is simply superb - like a cross between his beautiful downtempo
stuff
 on Defocus and his housier output. Highly recommended.

Cluster were the oddly named Moebius and Roedelius - and often Michael
Rother of Neu! and, once upon a time, Kraftwerk. That trio were also
Harmonia. Check out Harmonia's Musik Von..., Harmonia Deluxe. They're
both effin' ace but far too tough to track down. I've heard a fair bit of
really good Cluster stuff (though the fluctuating line ups of so many
interconnected bands is quite confusing) and '74 was a bit of a kosmische
creative peak.



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RE: [313] demf website

[Mike Taylor]

It also helps that he is one of the hardest workers in Detroit.

From my dealings with the people who have made it or whatever you want to 
call it, the thing that separates all of them is that they work very hard. 
Talent will only take you so far, it all comes down to how hard you work at 
it.


There are a lot of people who want to sit around, smoke dope, not return 
phone calls and not work in the studio who think race is the reason they are 
not blowing up. I do not care what color your skin is, your work ethic 
determines where you end up. Hawtin sells more records than me for a reason, 
he workers harder and smarter than I do.


Where Kharris is coming from, and where I agree with her, it that his image 
is much easier to market than say Juan Atkins. It is much easier for an AR 
or marketing exec to comprehend you and your weird science fiction music 
when you are a skinny white dude who wears funny glasses and jump suits. The 
larger music industry, in which Hawtin has an advantage, cannot comprehend 
and sell an image of a middle aged black dude from Detroit making weird 
electronic music from outer space. The only thing black they know how to 
sell is rap music and sex jams, period.


This is where race comes into it. Because of Hawtin's skin color, he can 
play on stereotypes that black artists do not have access to. In the small 
indie-dance scene, I do not think color is as big of an issue. In the larger 
industry, where real money is made and where culture at large is 
manufactured, black artists who do not play off of black stereotypes do not 
get signed. Any good Detroit Techno artist is at odds with those racial 
stereotypes in the US music industry, and therefore cannot get ahead. Black 
people don't make sci-fi music, they make songs about sex, greed, and 
violence(unless they are conscious brothers, and then they make typical 
conscious brother music...)


All of that being said, I think that if a lot of the black dudes who cry 
race worked as hard and were as talented as Hawtin, they would be selling a 
hell of a lot more records. The glass ceiling is definitely there, but most 
dudes will never hit it because they do not have what it takes to get that 
far. Juan is a perfect example of somebody who has hit that ceiling. Jeff 
Mills has hit that ceiling. To avoid that ceiling Carl Craig is referencing 
jazz and RB. Race had nothing to do with why some people have not gotten as 
far Mr. Mills, Mr. Craig, or Mr. Atkins. I do not care what color you are, 
if you have talent and tenacity, you will get ahead in this business.


Take care,
mt


From: FC3 Richards [EMAIL PROTECTED]
To: 'neon tse tse' [EMAIL PROTECTED]
CC: '313@hyperreal.org' 313@hyperreal.org
Subject: RE: [313] demf website
Date: Mon, 29 Apr 2002 22:21:19 -0700

i'll answer this one!


 ability to market himself and his music FAR surpases anyone else
in detroit.

very interesting -

how do you know that ?

what are your facts, making you say this ?

He is the only Detroit artist that I have seen lately that has had an ad in
a magazine from Detroit lately.  DJT-1000 had an ad for The Last DJ on
Earth CD, but it only took up a quarter of the page from top to bottom.
Richie Hawting on the other hand has thrown his picture out and made it
recognizable with full page ads, huge posters, and stickers handed out all
over the place.  He has made the m_nus symbol almost as recognizable as his
face.

there is no point in arguing it...he just knows how to market himself.  he
isn't ge greatest everbut he is damn good.

Peace


Jeff


 -Original Message-
 From:  neon tse tse [SMTP:[EMAIL PROTECTED]
 Sent:  Monday, April 29, 2002 5:02 PM
 To:Jayson B.; 313@hyperreal.org
 Subject:   Re: [313] demf website

 am 30.04.2002 0:47 Uhr schrieb Jayson B. unter 
[EMAIL PROTECTED]:


  ability to market himself and his music FAR surpases anyone else in
 detroit.

 very interesting -

 how do you know that ?

 what are your facts, making you say this ?



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[313] Andrew Pekler Re: [313] ~scape sc12

[Mike Taylor]

I got ahold of a copy Station to Station by Andrew Pekler on ~scape this 
weekend. It is pretty weak for the most part; take some jazz guys, record 
their jams, and hack them up in post-production. It doesn't really go 
anywhere, it is just noodly cut-ups.


There is one decent track that would fit in with the first couple 
Pan-American LP's. The record is not horrible, but your record money could 
be better spent elsewhere.




From: Anya Stang [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Subject: [313] ~scape  sc12
Date: Tue, 30 Apr 2002 21:54:55 +0100

Bit OT I spose, still...

staedtizism 3 instrumentals
http://www.scape-music.de/releases/instrumentals.html
to be released end of this month.
Tracklisting looks good, anyone
heard this yet? : )
Cheers,

Anya

Leverkusen's in the Final, yay!!
; )


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[313] Current 04.27.02

[Mike Taylor]

Hello,

Current Playlist 04.27.02

Hour One:

Steve Roach-Infinite Shore (Magnificent Void) Fathom
Kit Clayton-Nia-Ikala (Nek Sanalet) Scape~
Funkstorung-Economy (Post.Art) Chocolate Industries
Funckarma-Cellular (Men With Boxes) DUB
Ervin L. Green Jr.-Untitled (Fragments And Permutations) Unreleased
Autechre-Eutow (Tri Repetae) Warp
Boards Of Canada-Everything You Do Is A Baloon (Hi-Scores EP) Skam
Bomb The Bass-Clear Cut (9101112) Electric Tones
Indio-Snowdrifts (Indio) Transmat

Hour Two:

Optic Nerve-Detroit Night Drive (Optic) Delsin
Model 500-Sonic Sunset (Sonic Sunset) RS
Dimension 5-Network (Alien Artform) Delsin
Adult-Lost Love (Resuscitation) Ersatz Audio
Adult-Hand To Phone (Resuscitation) Ersatz Audio
Adult-Minors At Night (Resuscitation) Ersatz Audio
Aux 88-Electro-Techno (Man Or Machine) Direct Beat
Cybotron-Clear (Enter) Fantasy
Octave One-Blackwater (Blackwater EP) 430west
Octave One-Nicolette (The Collective) 430west
Prince-Sign O'The Times (Sign O'The Times) Warner Bros

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, send a blank email to the following
address: [EMAIL PROTECTED]

Thanks,
Mike Taylor
Current


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Re: [313] Juan Atkins party

[Mike Taylor]

I second that, Update is a must have.

mt



From: DJ HEAT [EMAIL PROTECTED]
To: DETROIT 313@hyperreal.org
Subject: [313] Juan Atkins party
Date: Fri, 26 Apr 2002 08:38:01 -0700 (PDT)

Wow last night at Porter st was live. THE NEW JUAN
ATKINS IS TIGHT. and does any one know who the dj
before buzz is? he rocked the house? imust give that
guy credit.

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[313] Los Hermanos Re: [313] metropolis screening in the

[Mike Taylor]

Hi,

I went to the three PM showing and I have to agree that it was an excellent 
experience. While I was at the shop I picked up UR3000, Los Hermanos, and 
Update. I am glad that I am not the only one who had problems with the Los 
Hermanos record. One side is fine, but the other skips in a few places. 
Regardless, Birth Of 3000 is going to be a hit.


I agree, all three of those records will slay the dancefloor. Despite what 
some of the haters who heard the RA files on this list have said, UR 3000 is 
a good record.


Take care,
mt




i am on the digest so i don't know if this has
 already been discussed...but metropolis was sweet.  i
 have never seen the film but felt that even though the
 movie was cut from 2.5 hours to 60 min, it was
 complete in plot. plus having jeff mills introduce the
 film and then answer questions was quite nice.  the
 soundtrack that jeff made finally made sense when
 added to the edited film.
the submerge building is great inside though it
 still has the old laundry workers union sign on the
 outside.  UR had opened S.I.D. for shopping all day
 and I picked up the Model 600 Update whitelabel, UR
 3000, and the Los Hermanos EP.  all three are
 dancefloor destroyers.  i prefer the B side on the UR
 3000 EP but both tracks are great.  the Model 600 is
 almost evil electro with strong showings on all four
 tracks.  the Los Hermanos EP was great too, but i
 think the pressing was bad.  there were four or five
 skips on each side where the needle would jump about
 4-5 grooves.  did anyone else who has this have
 similar problems?
 
 there was talk of an after party of sorts after the
 last screening.  does anyone know what went on?
 
 -sam
 
 
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[313] Deepchord at DEMF Re: [313] DEMF mistake

[Mike Taylor]

I spoke with one of them last week. They hired some extra hands on their 
Dairy Ranch in Wisconsin, now they can leave for a weekend to play the 
festival. You would be suprised at how much work it is to raise all those 
cows, it is a wonder they even have time to release records.


mt


From: glyph1001 [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Subject: Re: [313] DEMF mistake
Date: Mon, 22 Apr 2002 07:31:54 -0400

Yeah, I guess so.  They're still posted on the official demf site as a
live act and also on deepchord's own website: www.deepchord.com

g.

Grammenos, Peter wrote:


What about deep chord? Are they still doing a live set


-Original Message-
From:   glyph1001 [mailto:[EMAIL PROTECTED]
Sent:   Sunday, April 21, 2002 12:39 PM
To: 313
Subject:Re: [313] DEMF mistake

Chad Novak
Gene Farris
Dave Angel -was contacted but had prior engagements
Kevin Saunderson
DJ Shadow
Sarena Tyler
X-Excutioners
Black Eyed Peas
Roni Size - was contacted but had prior engagements
Drexciya
Rob Hood - contact was attempted but no response

g.



Trevor Wilkes wrote:

I seem to recall Dave Angel as well...last i checked he
wasn't there
anymore.

Trevor Wilkes
- Original Message -
From: kenneth taylor [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Sunday, April 21, 2002 11:39 AM
Subject: [313] DEMF mistake


Hey-

Can someone repost the names that were announced on this
year's DEMF

website

but were later pulled? Repeat: NOT the entire roster, just
the names that
got PULLED from the list.

Here's what I have so far:

DJ Shadow
X-Ecutioners
Black Eyed Peas
Drexciya
Kevin Saunderson


anyone remember the others?

thanks,

Ken





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[313] Current 04.20.02 Metropolis

[Mike Taylor]

Hello,

I saw the Jeff Mills edit of Metropolis at the new Submerge building this 
weekend. The film and the experience of visiting the Submerge building has 
completely changed my thoughts on electronic music. If there was one thing I 
learned this weekend, it was that the future is what you make of it.


Current Playlist: 4.20.02

Hour One:

Brian Eno-Stars (Apollo) EG
Anon-Interview b2 (tw001) Tomorrow
Schizophrenia-Schizophrenia (Tresor 3) Tresor
808 State-Pacific202 (Utd. State 90) Tommy Boy
Octave One-I Believe (The Collective) 430west
$tinkworx-Todas Las Noches (Todas Las Noches) Delsin
Cybotron-Clear (Clear) Fantasy
Model 600-Update (M-15) Metroplex
Jeff Mills-Entrance To Metropolis (Metropolis) Axis/Tresor
Jeff Mills-Perfecture (Metropolis) Axis/Tresor
Jeff Mills-They Who Lay Beneath (Metropolis) Axis/Tresor
Jeff Mills-Convicted to Paradise (Metropolis) Axis/Tresor
Jeff Mills-The Keeping Of The Kept (Metropolis) Axis/Tresor
Jeff Mills-Landscape (Metropolis) Axis/Tresor

Hour Two:

Jeff Mills-Blue Print (Metropolis) Axis/Tresor
Jeff Mills-Transformation A (Metropolis) Axis/Tresor
Jeff Mills-Transformation B (Metropolis) Axis/Tresor
Jeff Mills-Robot Replica (Metropolis) Axis/Tresor
Jeff Mills-Revolt (Metropolis) Axis/Tresor
Jeff Mills-Flood (Metropolis) Axis/Tresor
Jeff Mills-The Storm Among Us (Metropolis) Axis/Tresor
Jeff Mills-Silence (Metropolis) Axis/Tresor
Jeff Mills-New Beginning (Metropolis) Axis/Tresor
Jeff Mills-Humana (The Other Day) Axis
Aril Brikha-Groove La Chord (Deepartures In Time) Transmat
Kraftwerk-Expo2000(DJ Rolando Mix) (Expo2000) Kling Klang/EMI
DFD-PG (Satellite Cities) Down Low
Convexion-Overproof (Satellite Cities) Down Low


Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, send a blank email to the following
address: [EMAIL PROTECTED]

Thanks,
Mike Taylor
Current


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[313] Down Low Records

[Mike Taylor]

Hello,

I just wanted to let people know that they should be on the look out for 
some of the upcoming releases on Down Low. I received a CDr of Arne 
Wineberg's next 12 and it is top notch. Arne's stuff is just deep and moody 
Detroit Techno with excellent strings and percussion. It is due in August.


Also, KJ aka The Moderator has a 12 on the way as well, it is currently 
available on White label. The Moderator record is more of a Detroit'y 
minimal juno strings/bass line and 909 work out, an excellent mix tool. My 
only disappointment is that there is a short purpose-maker style track that 
should have been longer than the minute long snippet; It had the potential 
to be the most driving cut on the record. This record is due in May.


Currently available is Muffler Strut from Macho Cat Garage. This mysterious 
Hague-based duo have recently released a 12 on I-F's Viewlexx records. If 
you are looking for VCO-based sleazy analogue grooves, Muffler Strut is a 
good bet. It is very tracky, but the analogue hook is strong enough to hold 
your attention.


Todas Los Noches is the new 12 by $tinkworx. Although this 12 actually 
appears on Marsel Van Der Weelen's Delsin imprint I will mention it here as 
well. Probably the strongest thing he/they(?) have done. If you are looking 
for records on the Nu-Italio tip, this 12 is well worth looking into. for 
more info: http://delsin.org/28dsr.html


For more info on releases, artists, and news on Down Low Records:

http://downlowmusic.org/

Take care,
mt

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[313] Current 04.06.02 Delsin 12 Feature

[Mike Taylor]

Hello,

This show featured various 12 releases from Amsterdam's Delsin label. For 
more information: http://www.delsin.org/


Current Playlist:

Hour One:

Jeff Mills-Entrance To Metropolis (Metropolis) Axis/Tresor
Derrick May-Icon (Innovator) Transmat
Future Beat Alliance-Eon Link 500 (Audio Photos) Delsin
Future Beat Alliance-Earth Message (Headways EP) Emoticon
Sandor Caron-Zwepg Typis (Zwepg Typis) Delsin
Innerzone Orchestra-Bug In The Bass Bin (Programmed) Planet E
Titonton Duvante-untitled (Rush Hour Sampler) Rush Hour
Marco Passarani-Deep Orbit (Sexy Adventures...) Pure Sonik

Hour Two:

Optic Nerve-Detroit Night Drive (Optical) Delsin
Mike Grant-Rest In Peace My Brother (Detroit Thing) Moods And Grooves
Mike Grant-Sunshine (Detroit Thing) Moods And Grooves
Carl Craig-How The West Was Won (Psyche/BFC) Planet E
Future Beat Alliance-Void (Disconnected) Delsin
Dimension 5-A1 (Control Complex) Delsin
Dimension 5-Network (Disconnected) Delsin

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, send a blank email to the following
address: [EMAIL PROTECTED]

Thanks,
Mike Taylor
Current



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[313] Current 04.13.02 CiM Live PA Feature

[Mike Taylor]

Hello,

CiM is a UK-based producer by the name of Simon Walley. Over the years he 
has released music through labels like DeFocus, Delsin, Emoticon, and ADSR. 
Recently he completed a US tour with Clair DeFocus. Simon posted his Chicago 
performance to his website for people who did not have a chance to catch him 
on tour. Simon was kind enough to allow me to feature his set for the first 
hour last week.


For more info on Simon Walley:

http://www.warmdata.net

and for an MP3 of his Chicago performance:

http://www.warmdata.net/audio.html

Current Playlist:

Hour One:

CiM-Live In Chicago

Hour Two:

Neu!-Leb'Wohl (75) Bootleg
Neu!-Seeland (75) Bootleg
Neu!-Fur Immer (2) Bootleg
Beach Boys-Vegetables (Smiley Smile) Capitol/Brother
Kraftwerk-Trans-Europe Express (TEE) Captiol
Telex-Moskow Diskow (Looking For St. Tropez) Sire
Metro Area-Here Miura (Metro Area 4) Environ
Georgio Moroder-The Chase (Midnight Express) Polygram

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, send a blank email to the following
address: [EMAIL PROTECTED]

Thanks,
Mike Taylor
Current




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[313] extra metropolis ticket, 3pm show

[Mike Taylor]

Hi,

I have an extra reserved seat for metropolis tomorrow. It is for the 3pm 
show. The first person to hit me before 3pm today gets the seat.


Take care,
mt


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[313] Lenny Burden on Direct Beat Records

[Mike Taylor]

(a fwd from Lenny Burden of 430west/Direct Beat)

Hello Mike,

Thanks for the forward from the 313. Please forward the following to the 
list:


We have Direct Beat on hiatus at the moment. We kind of felt that we lost 
direction (no pun intended) with the label, and lost the real purpose why we 
started the thing in the first place. Back when we started, there were great 
producers, making some great music, (much of it 'electro'), that no label in 
the world was paying attention to. It did quite fit on 430 West (we tried it 
with 4w-190 Aux 88 Bass Magnetic), but it needed to be heard. There was no 
outlet for these people who made the music, and we also got tired of hearing 
the
Detroit doesn't play techno line. We think we accomplished our goals in 
re-exposing this sound, since the whole dance world is now laying claim to 
it. We kick started some careers along the way, so we have some things to 
feel good about. Just think, we couldn't give away our first 'electro' 
record on DB (outside of Detroit), Aux 88 'Technology' is now refered to as 
a classic. Who would thought it?


We have refocused our attention on our music, 'Octave One', and on 430 West 
as a label. For a while there, we were we were too focused on the 'business' 
and not the 'music'.


We will probably do somethings with DB in the future (never say never), but 
we have no plans to repress the back catalog or release any new records 
right now.


Thanks to everyone who supported the label.

-Lenny Burden





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Re: [313] PROMO COPY - Not for resale

[Mike Taylor]

It also means that the label does not have to pay the artist any royalties 
for the production of the unit. Also, it is a back handed way to avoid 
payola accusations. The promo copy does not actually belong to you, the 
label still technically owns it, they are just letting you hold onto it for 
awhile. ;)


mt



From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Subject: Re: [313] PROMO COPY - Not for resale
Date: Sun, 14 Apr 2002 23:32:02 +1000

Actually, that's right too. If it's a second hand store though it could be 
a

press copy.

--
From: sean deason [EMAIL PROTECTED]
To: W Lammerts [EMAIL PROTECTED]
Subject: Re: [313] PROMO COPY - Not for resale
Date: Sun, 14 Apr 2002 11:25 PM


 it is my understanding that promotional copies are supplied free by 
the
 record companies as pre-release review copies. the are given to records 
ahead
 of release dates so they can place advance orders. the media gets them 
ahead

of

 release date for review purposes.since they are supplied free the stores 
arent
 supposed to sell them at retail prices to the public since the store 
didnt

 actually *buy* them from a wholesaler. thats why they can offer them at
 discount prices.

 sean deason

 W Lammerts wrote:

 What does this actually mean? Yesterday I went to this recordshop, to 
get me
 a copy of the Blue 6 album. It has a sticker on it, saying that it's a 
promo

 copy, and not ment for resale.

 And this album was the full release. It's isn't a white label, it isn't 
a

 promotional sample thingy, it is the full release!

 But they had a box filled with the Blue 6 albums, and they were selling 
them

 all.

 So what is the deal here? I see this on a lot more records also. All
 promotional copies, but I still have to buy them...

 Something for your sunday afternoon,

 W

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Re: [313] DEMF schedule

[Mike Taylor]

Hi,

His new 12 on Delsin is extremely hot as well. Very worth looking into if 
you are looking for sleazy nu-disco.


mt


From: Michael D Tyrer [EMAIL PROTECTED]
To: J. T. [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] DEMF schedule
Date: Sat, 13 Apr 2002 00:14:24 +0100

$tinkworx is a brilliant dj well worth shelling out for - we heard him
recently at Lost - blew the house away 

- Original Message -
From: J. T. [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, April 12, 2002 10:54
Subject: RE: [313] DEMF schedule


 who the hell is that??
 :P

 we want $tinkworx!!!
 
 
 
 At 12-4-2002 -0400 17:23, you wrote:
 what a pathetic mess. my excitement is rapidly falling, the chances of
me
 going are rapidly dropping.
 not that i was too excited to travel 1000 miles to watch primarily dj
sets
 anyways.
 
 
 in less than four hours:
 
 people who are out
 
 DJ Shadow
 Frankie Knuckles
 Gene Farris
 Roni Size
 Kevin Saunderson
 Rob Hood
 Paul Johnson
 Drexciya
 XEcutioners
 Black Eyed Peas
 Dave Angel
 Bill Beaver
 Sarena Tyler
 DJ Funk
 
 people who are in:
 
 korie
 keith kemp
 brian gillespie
 jay langa
 ufm and billy love
 marco carolla
 dj krust
 waxmaster d smooth
 raybone
 
 
 .. . :: http://nomorewords.net
 
 
 
 
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[313] Fwd: Re: Senator, Please Help Save Internet Radio

[Mike Taylor]

Here is the next phase in the legislation. Time to write more letters.

mt


From: Senator Debbie Stabenow [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Senator, Please Help Save Internet Radio
Date: Thu, 11 Apr 2002 17:53:20 -0400

April 11, 2002



Mr. Michael Taylor


(snip personal address)



Thank you . . .

 . . for contacting me to express your support for Internet radio.  I
understand your concern about the decision of the Copyright Arbitration
Royalty Panel (CARP) to enforce royalty fees and the effect it will have
on Internet radio stations.

At this time, the Copyright Office has not accepted the proposed rates and
terms of the CARP proceeding.  The current statute requires the Librarian
of Congress to accept the terms so long as they are in compliance with the
Copyright Act.  A decision will be made no later that May 21, 2002.
Currently, there is no pending legislation before Congress that would
address this issue.  Should related legislation come before the full
Senate for a vote, please rest assured that I will keep your thoughts in
mind.

Thank you again for taking the time to make me aware of your concerns.
Please do not hesitate to contact my office again whenever I can be of
assistance to you and your family.


Sincerely,
Debbie Stabenow
United States Senator















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Re: [313] Re: The Future of Underground Music and the Internet

[Mike Taylor]

Ask any bar owner who ASCAP or BMI extorts money from every year regardless 
of whether or not they play published music in their establishments. You do 
not have to be right, they have more money for lawyers than you do.


mt


From: james bucknell [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] Re: The Future of Underground Music and the Internet
Date: Thu, 11 Apr 2002 10:44:02 +1000

what happens if you ignore their letters? what powers do they have?
james
www.jbucknell.com





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Re: [313] FWD: Letter from Daniel Bell

[Mike Taylor]

The issue was not sampling, the issue was reprogramming the hook(which was 
the bassline and drums) and using it as the basis of another song. According 
to the old interpretation, that was not actionable. Drums and Bass were not 
copyrighted, just melody and lyrics.


If you record yourself playing a Beatles song on the guitar, you are not 
sampling the Beatles.


mt


From: Christian Bloch [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Subject: Re: [313] FWD: Letter from Daniel Bell
Date: Thu, 11 Apr 2002 16:04:08 +0200

even though maybe you can't sew for stealing intellectual property when it
comes to drums and baselines, you can still sew for the mechanical
rights it's a recording someone else did, you stole it... if you 
program

the excact same drum pattern, nobody can do anything, but if you sample it
from somebody else's recording well you're basically a theif!

Christian Bloch
http://mp3.com/bloch
http://www.mp313.com/christianblochmp313.htm

Tresor/LL/Deep Night Essentials/Simple Muzik/Funque
Droppings/Set.Go/Restructured

- Original Message -
From: Mike Taylor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Thursday, April 11, 2002 3:38 PM
Subject: Re: [313] FWD: Letter from Daniel Bell


 Hello,

 It was this way. It used to be that the bassline and drum pattern were 
not

 considered part of the song. The melody and lyrics were the only thing
 recognized under the law. I have a side thread going with Phred on this,
so
 I will sum them both up together. There was a group whose name escapes 
me

 that completely stole the drum patterns and bassline from Pump Up The
Volume
 by M/A/R/R/S and 4AD took them to court. The arguement in court was
whether
 or not the bassline constituted a melody. If it did, then 4AD could take
 legal recourse, and if not, then they were out of luck.

 Again with Ice Ice Baby, that track was pretty late in the game for 
legal

 challenges like that. Pump Up The Volume was out in 87, and Ice Ice Baby
was
 out in 89-90 right?

 Take care,
 mt


 From: Eric Scuccimarra [EMAIL PROTECTED]
 To: Mike Brown [EMAIL PROTECTED], 313@hyperreal.org
 Subject: Re: [313] FWD: Letter from Daniel Bell
 Date: Thu, 11 Apr 2002 09:06:26 -0400
 
 
 I remember seeing an interview with (I think) Bootsy Collins, who
remarked
 that (at least it used to be) you couldn't sue someone over a drum
pattern
 or a bass line. Melodies and lyrics only. So if there's not much more 
to

a
 track than beats and bass, you put it out at your own risk. That's 
not

a
 song. That is, outside of electronic music, the studio is still
 considered window dressing. I just doubt there's much precedent in the
law
 for what would be considered engineering techniques, like the EQing of 
a

 vocal sample.
 
 Regarding the bass line issue - what about Ice Ice Baby and Under
 Pressure?
 
 That was a law suit over a bassline and a successful one if I remember
 correctly. The former track shared nothing in common with the latter
except
 for an obviously ripped off bassline but there was still a lawsuit over
it.
 
 
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Re: [313] Titonton/Rush Hour

[Mike Taylor]

I got a copy of this from Christiaan at RH last weekend. I played the 
Titonton track last saturday, it is the best thing on the sampler. The 
Double Helix material is quite lovely as well.


mt



From: Andy Mitchell [EMAIL PROTECTED]
To: 313 List 313@hyperreal.org
Subject: [313] Titonton/Rush Hour
Date: Wed, 10 Apr 2002 09:32:21 +1200

 Speaking of Titonton, I heard he has a single on Archive Records coming 
out.

 Can't wait!!

He's got one due on Rush Hour too... a nice little tune.

Speaking of Rush Hour, there's a recent live DJ set of Titonton's on their
site (www.rushhour.nl) which I haven't been able to get to work. Has anyone
else had problems with accessing their audio?

And keep an eye out for this one, out this  month:
[RH 010] DOUBLE HELIX ³Funxtiles EP²
A nice noodly Detroit jazz thang :)

Andy


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[313] more on internet radio

[Mike Taylor]

Here are some interesting links regarding internet radio.

http://www.politechbot.com/p-03295.html
http://www.politechbot.com/p-03296.html
http://www.politechbot.com/p-03335.html
http://www.politechbot.com/p-03339.html

Take care,
mt



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[313] Current 03.30.02 Delsin Label Feature Pt. 1

[Mike Taylor]

Hello,

Last week I said that I was going to do a feature on Amsterdam's Delsin 
Records. While I was in the process of digging through the labels back 
catalogue, I decided to extend the feature for another week. There is so 
much good material that I featured highlights from the full length albums, 
and next week I will play material from the various 12 ep's that have come 
out over the last few years. For more information on Delsin Records:


http://www.delsin.org/

Current Playlist 03.30.02

Hour One:

Brian Eno-Ikebukuro (The Shutov Assembly) Opal
Ulf Lohmann-Untitled (Because Before) Kompakt
Aphex Twin-Untitled (SAWII) Warp
Autechre-Nine (Amber) Warp
Spacetime Continuum-Out Here (Emit Ecaps) Astralwerks
Future Beat Alliance-Sweet (Disconnected) Delsin
Future Beat Alliance-Void (Disconnected) Delsin
Future Beat Alliance-Until Tomorrow (Disconnected) Delsin

Hour Two:

Future Beat Alliance-Audio Photo (Disconnected) Delsin
Dimension 5-909 Thing (Alien Artform) Delsin
Dimension 5-Automation (Alien Artform) Delsin
Dimension 5-Network (Alien Artform) Delsin
Dimension 5-Intruders (Alien Artform) Delsin
Aardvark-Accept (Find The Cow) Delsin
Aardvark-Oef (Find The Cow) Delsin
Aardvark-Zom (Find The Cow) Delsin
Aardvark-Th#5 (Find The Cow) Delsin
CiM-Shift (Service Pack) Delsin
Marco Passarani-Deep Orbit (Sexy Adventures...) Pure Sonik
Carl Craig-At Les (Programmed) Planet E
Visage-Fade To Gray (Visage) Polydor


Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, send a blank email to the following
address: [EMAIL PROTECTED]

Thanks,
Mike Taylor
Current


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Re: [313] electro clash

[Mike Taylor]

Grunge for the 21st?



From: Jason Donnelly [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] electro clash
Date: Thu, 28 Mar 2002 09:01:22 +

heres the new crazy for summer 2002:


It get's worse. They've given it a new name, Electroclash! One of the 
UK's

leading newspapers, The Guardian, recently did a little article about it.
Url is http://www.guardian.co.uk/Archive/Article/0,4273,4378739,00.html

The interesting bit for me is the top tunes they list at the end. 
Repeated

here from the article for those people who won't bother taking a look.

Space Invaders Are Smoking Grass, by I-F (Interdimensional Transmissions,
1998)
Eurotrash Girl, by Chicks On Speed (Go, 1998)
I Wanna Be Your Dog, by Daker  Grinser (Disko B, 1999)
Play Girl, by Ladytron (Invicta Hi-Fi, 2000)
Emerge, by Fischerspooner (International Deejay Gigolos, 2000)
1982, by Miss Kittin  The Hacker (International Deejay Gigolos, 2001)
Silver Screen, by Felix Da Housecat featuring Miss Kittin (Shower Scene)
(City Rockers, 2001)

once again the UK press has jumped on the band wagon

take care

jason


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[313] Current 03.23.02 KLF: Chill Out Album Feature

[Mike Taylor]

Hello,

Last week we heard The KLF's 1990 ambient masterpiece Chill Out. This 12 
year old album was one of the harbingers of the ambient and ambient house 
movements of the early 1990's. It is said that this album was actually half 
Alex Patterson from The Orb and The KLF. Regardless of who mixed it, it 
remains a remarkably successful collision of found sound and electronics. 
While in some ways it sounds naive after more than a decade of polished 
ambient releases, it retains the charm of an album that was made by a few 
geezers who were up for a laugh.


I also had some extra time last week, so I played Radio-Activity by 
Kraftwerk in its entirety as well.


This week, March 30th, Current will be doing a feature on Amsterdam's Delsin 
label. Delsin is an electronic soul label that features artists such as 
Dimension 5, New World Aquarium, Strand, Optic Nerve, $tinkworx, CiM, 
Aardvark, and Future Beat Alliance. For the second hour of the show I will 
be doing a retrospective of the highlights of this excellent Dutch label.


Current Playlist: 03.23.02

Hour One:

Christian Kleine-Kritzel (Beyond Repair) City-Centre Offices
Pulse Programming-Light (Prelim) Aesthetics
Plaid-Eshish (Trainer) Warp
Brian Eno-The Secret Place (Apollo) EG
Harold Budd and The Cocteau Twins-Memory Gongs (The Moon  Melodies) 4ad
Harold Budd and Brian Eno-First Light (The Plateaux Of Mirror) EG
David Bowie-Warszawa (Low) Rykodisc
Monolake-Indigo (Cinemascope) EFA/Imbalance
Vladislav Delay-Kohde (Entain) Mille Plateaux
Arovane-Scapen Te (Atol Scrap) Din
Jega-Geometry (Geometry) Matador
Boards Of Canada-Everything You Do Is A Balloon (Hi-Scores EP) Skam
Arovane-Eleventh! (Tides) City-Centre Offices

Hour Two: The KLF Chill Out Album Feature

Brownsville Turnabout on the Tex-Mex Border
Pulling Out of Ricardo and the Dusk is Falling Fast
Six Hours to Louisiana, Black Coffee going Cold
Dream Time in Lake Jackson
Maurugada Eterna
Justified and Ancient Seems a Long Time Ago
Elvis on the Radio, Steel Guitar in my Soul
3am Somewhere out of Beaumont
Wichita Lineman was a Song I Once Heard
Transcentral Lost in my Mind
The Lights of Baton Rouge Pass By
A Melody from a Past Life Keeps Pulling Me Back
Rock Radio into the Nineties and Beyond
Alone Again with the Dawn Coming Up

Hour Three: Kraftwerk Radio-Activity Album Feature

Geiger counter
Radioactivity
Radioland
Airwaves
Intermission
News
The voice of energy
Antenna
Radio stars
Uranium
Transistor
Ohm sweet ohm


Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

To join the Current Mailing List, send a blank email to the following 
address: [EMAIL PROTECTED]


Thanks,
Mike Taylor
Current

Take care,
Mike Taylor
Current


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[313] Delsin Stuff was Re: [313] Dimension 5

[Mike Taylor]

Hi James,

According to the Delsin website it should be available on the 29th of March. 
I played the entire record on the show a couple months ago, and I am going 
to play a good chunk of it again when I do a Delsin feature this weekend.


I am also in the middle of an interview with John Harvey/D5, I will let you 
know when it hits the web.


On an unrelated note, the new Donna Regina album on Karaoke Kalk is kicking 
my ass. If Nico was still alive and was working with Cologne style 
electronics, it would sound like this record. A Northern Classic indeed.


Take care,
mt



From: james boylan [EMAIL PROTECTED]
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] Dimension 5
Date: Mon, 25 Mar 2002 11:35:32

Is the Dimension 5 album available yet on Delsin? I just came across the
'Control Complex' 12 recently and I really love itit has a certain
spacey x-factor that I think some of the melodic stuff I've heard has been
lacking of late.  Plus I love the sound of whatever synth(s) he uses.





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[313] Fwd: FC: Internet radio fees may push hobby webcasters off the air

[Mike Taylor]

From: Declan McCullagh [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: FC: Internet radio fees may push hobby webcasters off the air
Date: Sat, 23 Mar 2002 01:48:32 -0500


---

From: Richard Uhl [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Subject: Internet Radio Performance Rights Fees
Date: Thu, 21 Mar 2002 11:32:37 -0500

Declan-

I thought you and other Politech readers would like to know about the
recent Copyright Arbitration Royalty Panel (CARP) decision that internet
radio Webcasters should pay performance rights fees of  0.14¢ per song
per listener for Internet-only Webcasters, 0.07¢ per song per listener for
broadcast radio simulcasts, and 0.02¢ per song per listener for
non-commercial radio simulcasts.  This is more than 100% of most
Webcasters' gross revenues, including the revenues on my tiny (10
listener max) station www.ulyssesaudio.com. I maintain the station for
free, with no advertising or revenue source of any kind. This will
effectively shut down mine and most other independent internet radio 
stations.


In perspective, with my max listenership (12 songs/hour x 10 listeners max
X 24 hours/day x 365 days/year x 0.14¢) that equals more than $122,000 per
year. Remember when I said I had no revenue sources?

Many Webcasters had hoped that the CARP's recommended royalty rate would be
based between 3% (proposed by webcasters, in line with ASCAP, BMI, etc.
composer royalty fees) and 15% (RIAA proposal to webcasters).

Note that this is ALL based on the DMCA demand that performers be
compensated for perfect digital copies. However, that reasoning is flawed
since most internet radio isn't copied, merely streamed, and the broadcast
is usually much lower quality than perfect.

Check out www.saveinternetradio.org for more information. Thanks for your 
time.

___
r. ulysses uhl
webmaster, broadcaster, shoutcaster
www.ulyssesaudio.com
[EMAIL PROTECTED]

---

Date: Thu, 21 Mar 2002 12:49:45 -0500 (EST)
From: Paul Jones [EMAIL PROTECTED]
To: Declan McCullagh [EMAIL PROTECTED]
Subject: net.radio: CARP comment period extended to April 5

Declan,

You and politechers may be aware that the Copyright Arbitration Royalty
Panel handed down some extremely complex and onerous constrains on the use
of music on the net by webcasters and by on-air stations doing simulcasts.

Basically webcasters are dead by being priced out of the market, being
required to do complex recordkeeping at the song and listener level,
having programming restrictions placed on the content that are far more
constraining than on-air and more. Fees will be collected and distributed
by the RIAA, even for non-RIAA members, after a 'reasonable management
fee' has been taken by that organization. All of this is retroactive to
1998.

Low revenue non-commercial community on-air stations doing simulcasts
(ibiblio.org serves 4 of these at the moment - WXYC, first internet
simulcast station; WCPE, 7/24 classical; WUNC, regional NPR; WXDU, Duke's
college radio) are also killed -- unless they are Center for Public
Broadcasting members; CPD has cut a separate deal (in our case this covers
only WCPE).

The case for non-commercial community stations doing simulcasts are
covered well at http://www.ruf.rice.edu/~willr/cb/sos/ and at
http://www.wxyc.org/sos.html

The case for webcasters is made at http://www.save-the-music.org/ and
http://saveinternetradio.org/

No one is against artists or copyright holders being paid. The complaint
is that the combinations of a high minimum fee, complex -- and invasive in
the case of individual listener data -- reporting, and content
restrictions. Kill the young and delightfully diverse pratice of
net.radio.

http://www.loc.gov/copyright/carp/webcasting_rates.html is the CARP
webcasting proposal

http://www.loc.gov/copyright/fedreg/2002/67fr10652.html is the notice in
the Federal Register that the comment period has been extended.

==
 Paul Jones
Gort! Klaatu barada nikto!
http://www.ibiblio.org/pjones/ at the Site Formerly Known As 
MetaLab.unc.edu

  [EMAIL PROTECTED]   voice: (919) 962-7600 fax: (919) 962-8071
===

---




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Re: [313] vladislav delay?

[Mike Taylor]

I think it is just an anagram. However, Vladislav Delay (I cannot remember 
his name off hand) is a jazz drummer. So I would not consider it completely 
unlikely that he was aware of the track when he named the piece.


BTW, was anybody else seriously dissapointed by this release? This 
performance is definitely not entain quality. It is basically his girlfriend 
talking for an hour with some VD textures and such coming in and out every 
so often. The vocals were kind of interesting for about 5 minutes or so, and 
then it just became very samey for me. It just seemed like it could have 
been a lot more than it was.


The ARS festival write-up was very interesting though. I wish Detroit were 
cultually forward enough to string up a bunch of speakers around downtown 
and have people create music for the space once a year. The DEMF seems very 
backwards compared to a cultural project like that.


take care,
mt


From: Naeema Rehmani [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] vladislav delay?
Date: Fri, 22 Mar 2002 07:32:38 -0800

question about this naima cd, is that just the title of the cd or is there 
a
track naima? and if so is it a rmx work of john coltranes naima, or is it 
an

original piece?

wondering,
naeema



 I picked up the Vladislav Delay: Naima cd on Staubgold a while back, 
still

 haven't had a chance to listen to it, let alone review the thing. Seems
 like he's sourcing the Anima material from his last release as VD for 
this

 live extemporization. Love the credits: vocals: girlfriend

 Wes

 On Fri, 22 Mar 2002, Grammenos, Peter wrote:

 
  Try [EMAIL PROTECTED] , it's moderated by Kim Cascone.
 
  -pete
 
  -Original Message-
  From: Mike Taylor [mailto:[EMAIL PROTECTED]
  Sent: Friday, March 22, 2002 12:32 AM
  To: [EMAIL PROTECTED]
  Cc: 313@hyperreal.org
  Subject: RE: [313] other music mailing lists?
 
 
 
  Actually, if there is a mailing list that represents exactly what I am
not
  looking for, it is the [EMAIL PROTECTED] list. ;)
 
  To be even more specific, what I am looking for is a list that is 
pretty

  broad in range, something that encompasses the whole of electronic
music. I
  am looking for a list that will discuss Vladislav Delay, Electric 
Tones

  Records, Edgard Varese and Derrick May during the course of a single
day.
  Basically, a big mailing list that covers the whole of electronic 
music

and
  is more content than chatter.
 
  I want a list with more discussions about why Ionisation was better or
worse
 
  than Deserts, what is happening with obscure amsterdam IDM labels, and
what
  were the 12s to pick up this week. Ideally, it will be low traffic 
high

  content.
 
  mt
 
 
 
 
  From: Pryor, Ryan N [EMAIL PROTECTED]
  To: 'Mike Taylor' [EMAIL PROTECTED]
  CC: '313@hyperreal.org' 313@hyperreal.org
  Subject: RE: [313] other music mailing lists?
  Date: Fri, 22 Mar 2002 00:17:33 -0500
  
  IDM http://music.hyperreal.org/lists/idm/
  
  -Original Message-
  From: Mike Taylor [mailto:[EMAIL PROTECTED]
  Sent: Thursday, March 21, 2002 11:48 PM
  To: 313@hyperreal.org
  Subject: [313] other music mailing lists?
  
  
  Hello,
  
  Does anybody have any recommendations for music mailing lists that 
are

  interesting and informative? I am looking for something that covers
313,
  ambient and IDM without a lot of OT opinion posts, and other 
gratuitous

  traffic that seems to plague this list. Something web based would be
nice
  as
  
  well, something like I Love Music, but with more electronic content.
  
  As much as I love this list and the people that I have met through 
it,

it
  is
  
  taking up to much of time time for too little information.
  
  Take care,
  mt
  
  
  
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  For additional commands, e-mail: [EMAIL PROTECTED]
 
 


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[313] other music mailing lists?

[Mike Taylor]

Hello,

Does anybody have any recommendations for music mailing lists that are 
interesting and informative? I am looking for something that covers 313, 
ambient and IDM without a lot of OT opinion posts, and other gratuitous 
traffic that seems to plague this list. Something web based would be nice as 
well, something like I Love Music, but with more electronic content.


As much as I love this list and the people that I have met through it, it is 
taking up to much of time time for too little information.


Take care,
mt



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RE: [313] other music mailing lists?

[Mike Taylor]

Actually, if there is a mailing list that represents exactly what I am not 
looking for, it is the [EMAIL PROTECTED] list. ;)


To be even more specific, what I am looking for is a list that is pretty 
broad in range, something that encompasses the whole of electronic music. I 
am looking for a list that will discuss Vladislav Delay, Electric Tones 
Records, Edgard Varese and Derrick May during the course of a single day. 
Basically, a big mailing list that covers the whole of electronic music and 
is more content than chatter.


I want a list with more discussions about why Ionisation was better or worse 
than Deserts, what is happening with obscure amsterdam IDM labels, and what 
were the 12s to pick up this week. Ideally, it will be low traffic high 
content.


mt





From: Pryor, Ryan N [EMAIL PROTECTED]
To: 'Mike Taylor' [EMAIL PROTECTED]
CC: '313@hyperreal.org' 313@hyperreal.org
Subject: RE: [313] other music mailing lists?
Date: Fri, 22 Mar 2002 00:17:33 -0500

IDM http://music.hyperreal.org/lists/idm/

-Original Message-
From: Mike Taylor [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 21, 2002 11:48 PM
To: 313@hyperreal.org
Subject: [313] other music mailing lists?


Hello,

Does anybody have any recommendations for music mailing lists that are
interesting and informative? I am looking for something that covers 313,
ambient and IDM without a lot of OT opinion posts, and other gratuitous
traffic that seems to plague this list. Something web based would be nice 
as


well, something like I Love Music, but with more electronic content.

As much as I love this list and the people that I have met through it, it 
is


taking up to much of time time for too little information.

Take care,
mt



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Re: Re: [313] Luke Slater the Pop princess

[Mike Taylor]

Hot On the Heels Of Love by Throbbing Gristle?



  Which 80s band do Adult sound like, for example?

Hmmm, listened to any Chris and Cosey lately?

Sean.



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[313] Current 03.09.02 Emoticon Feature

[Mike Taylor]

Hello,

This week I did a one hour feature on Tom Churchill's label, Emoticon 
Records. Emoticon is a Glasgow based label that features an electic blend of 
electronic music from Minimal Techno, Ambient Electro, West London Breaks, 
and everything in between. For more information on the label:


http://www.emoticonrecordings.com

Current Playlist 03.09.02

Hour One:

Monolake-Ionized (Cinemascope) Imbalance Computer Music/EFA
Autechre-Clipper (Tri Repetae) Warp
Arovane-Tascel 7 (Atol Scrap) Din
Arovane-Thaem Nue (Atol Scrap) Din
Autechre-Overand (Tri Repetae) Warp
Aphex Twin-Untitled (SAWII) Warp
Monolake-Indigo (Cinemascope) Imbalance Computer Music/EFA
Robert Henke-Delta (Floating Point) Imbalance Computer Music

Hour Two: Emoticon Feature

Future Beat Alliance-Headways (Headways EP) Emoticon
Total Science-I Know (Emot 003) Emoticon
Q Project-Spek (Spek EP) Emoticon
Mark McLaren-Lexington Avenue Funk Button (Nevernet) Emoticon
Scape One-Fizzy Soda (Fizzy Soda EP) Emoticon
Future Beat Alliance-Earth Message (Headways EP) Emoticon
Scape One-Mind Bridge (Fizzy Soda EP) Emoticon
Tom Churchill-At Home (Emot 003) Emoticon
Octave One-I Believe (The Collective) 430 West

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

Take care,
Mike Taylor
Current

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[313] Rock To The Beat[313] TECHNO 2: The Next Generation

[Mike Taylor]

This Is New Beat was also available on Vinyl. I bought it used at recordtime 
out of curiosity about 18 months ago. Nothing particularly interesting, 
except for the fact the Renaat of RS fame was actually behind that comp in 
a pre-RS guise.


I cannot tell you the label, as I got rid of the record in one of my 
goodbye 1990's record purges awhile back. The record really has no value 
outside of trivia.


mt


101's Rock to the Beat was on This is the New Beat (can't remember the
label - the tape is long-since lost), and I think it was just a cassette/CD
release??? This very well may have been the Subway records release. I
haven't seen my copy in at least 10 year though, so my details may be off a
bit.

Tristan
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[313] Neil Rushton [313] TECHNO 2: The Next Generation

[Mike Taylor]

Hello,

Neil is still in the music business. His latest accomplishment was getting 
Blackwater by Octave One licenced to Concept Records and helping it hit #2 
in the UK.


Take care,
mt




Also, this compilation was compiled by Neil Rushton. But what is he up to
these days? Is he still in the music biz?


i thought so, he did 'six to six' after that, next to some irregular
network repressings. nowadays - not clear to me



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