(313) What's happening with 'Miranda'?
Y'know, the forthcoming convextion 2x12 on matrix... I've had this bad boy (or girl) on preorder for ages, and the release date keeps slipping... it seems that a few people on here are probably more in the know on what's happening with this than my record store is, so I wonder if somebody would be able to fill in any blanks? Not angry or anything, I'll wait as long as it takes (on Sunday I finally received some deepchord records about 14 months after I ordered them, they'd been collecting dust at my neighbour's house until they started packing to move!) but if there's any firm info it'd be appreciated! Thanks! Si
Re: (313) Your favorite CD only compilations/mixes
Another vote here for the Dan Bell mixes; both really good. I also loved Akufen's Fabric mix, don't mind the new Cassy mix at all and I heard one of the Sound Signature mix CDs which is amazing. An older mix I really like is the Bentley Rhythm Ace edition of the FSUK series. Crazy stuff, totally all over the place! theREALmxyzptlk [EMAIL PROTECTED] 9/03/2007 6:55 am The new Riley Reinhold romp through Trapez territory isn't half bad, either. (Selection 5, mixed by Triple R) YMMV depending on how you define 'minimal', but he does a good job with what he's using; for the most part he keeps it flowing. jeff [EMAIL PROTECTED] wrote: Peter Grummich - Club Maria Berlin: Dirty Floor http://www.discogs.com/release/622969 Cassy - Panorama Bar 01 http://www.discogs.com/release/772763 m50
Re: (313) Carl Craig Remix Of X-Press 2
Yes. I haven't heard it on anything but my headphones, it sounds OK. Sort of ravey. I quite like the vocal but some people can't stand it. It's alright, it has some nice sounds in it but I don't think it's that special. Has anybody heard it out? Is it actually mind-melting? Cyclone Wehner [EMAIL PROTECTED] 12/11/2006 10:32 pm Anyone heard his mix of X-Press 2's Kill 100?
(313) Red Bull Music Academy
Hello folk I'm at the Academy now, it's bloody brilliant. There are daily updates to http://www.redbullmusicacademy.com/ and I'm also keeping a blog at http://blogs.inthemix.com.au/simonfromuk - photos will come soon. On a 313 note, we have Todd Osborne and Mark Pritchard here for the full time to teach us stuff. I strongly suggest you all check out the academy website where the lectures will be posted. Also check out the academy's radio station on http://www.rbmaradio.com/ - plenty good stuff on there, a Theo mix coming on soon and we'll all be making mixes to go on there. Peace Si
Re: (313) NYC in the next fortnight?
If I was in NYC I'd be heading to Deep Space. Check out the website http://www.deepspacenyc.com/ Cielo looks like the most beautiful-looking club in the world! Has anyone actually been there? Their weekend nights seem a little arduous and I'm sure the crowd is probably quite chi-chi, but boy it's a good looking joint. Benoît Pueyo [EMAIL PROTECTED] 19/09/2006 6:13:46 am When i was in NYC i really enjoyed the Depp Space party @ Cielo. Sounded as if it was the only place in meat packing with open minded people and not only posh girls. Of course the best part was the music ! -- Benoît. Melody Ng a écrit : Hi all Long time no write! I'll be in NYC from Wed 20 for about 2 weeks. Anyone who's got any recommendations or any parties that are coming up, let me know. I only just realised technotourist boards are down and I'd planned to pull out some info... sigh.. I do have soem recs, and I've been keeping an eye out for parties etc but there doesn't seem to be anything much on? cheers mel
Re: (313) The joy of ordering from Submerge?!
Seconded. I also like all the extra goodies they throw in the box - flyers, stickers, scrunched up pages from detroit newspapers for packing. Very nice touches. Fred Heutte [EMAIL PROTECTED] 14/09/2006 11:04 am Yes, I've heard that Submerge has a direct connection with Mars :) This is a good moment to express my own appreciation to Submerge, UR and everyone involved. This is a major anchor to the techno and independent music community worldwide, and the dedication to strong customer service is a big part of it. To borrow a phrase from someone I know: That sh!t is t!ght! fh - If you lived on Mars or in an alternate dimention we would still try to find a way to ship it to you. Russia shouldn't be a problem. I know we've shipped there before. :) Bridgette will take care of you good. --- [EMAIL PROTECTED] wrote: From: Vasya [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: (313) The joy of ordering from Submerge?! Date: Thu, 14 Sep 2006 01:27:28 +0400 I wish to order some things @ Submerge but I wonder if they ship their stuff to Russia and how long will it take. Thay have some great records for sure. vasya kent williams wrote: Maybe this is too obvious to mention, but mail-ordering from Submerge is great! Bridgette Banks held some records for me ever since DEMF, and e-mailed me to ask if I still wanted them -- 13 weeks later. I called in with my credit card number, and they went out the same day. And they have pretty much everything you'd ever want in the way of Detroit electronic music, including things that can't be found anywhere else. So I'm anxiously awaiting what may be the last copies anywhere of SID 1-3, and DJ 3000's new CD...
(313) Blade Runner sampling
So I've just ordered a bunch of stuff from the sound signature represses and blow me away if Solitary Flight doesn't sample the Blade Runner soundtrack (actually I think it might be the New American Orchestra version). Excuse me if I'm very late on the boat (or spinner) on this one, which I think I am! Anyway, are there any other tracks which sample from the soundtrack? Are any of them any good?
Re: (313) Blade Runner sampling
http://www.discogs.com/release/488248 So when blade runner came out (so the story goes), Vangelis was as disappointed with the edit as Ridley Scott was, and refused to release his soundtrack. So they got the New American Orchestra (whoever they might be) to do their own interpretation of the soundtrack and released that, and it was the only legit version of the soundtrack you could get for years. When the director's cut of Blade Runner came out, Vangelis finally allowed his original version of the soundtrack to be released. That's the story I heard anyway, the truth probably involves a little less artistic integrity ;-) Both are great releases in their own rights though. Client Services CCSU-ISTAR Level 27, Governor Macquarie Tower, Sydney, email [EMAIL PROTECTED] Telephone: 61 2 9228 5501 Facsimile: 61 2 9228 4435 __ This email message, including any attached files, is confidential and intended solely for the use of the individual or entity to whom it is addressed. The NSW Department of Commerce prohibits the right to publish, copy, distribute or disclose any information contained in this email, or its attachments, by any party other than the intended recipient. If you have received this email in error please notify the sender and delete it from your system. No employee or agent is authorised to conclude any binding agreement on behalf of the NSW Department of Commerce by email. The views or opinions presented in this email are solely those of the author and do not necessarily represent those of the Department, except where the sender expressly, and with authority, states them to be the views of NSW Department of Commerce. The NSW Department of Commerce accepts no liability for any loss or damage arising from the use of this email and recommends that the recipient check this email and any attached files for the presence of viruses. __ Cyclone Wehner [EMAIL PROTECTED] 08/25/06 6:11 PM Wow, I want to know this too. What is the New American Orchestra one? On 25/08/2006, at 4:42 PM, Simon Hindle wrote: So I've just ordered a bunch of stuff from the sound signature represses and blow me away if Solitary Flight doesn't sample the Blade Runner soundtrack (actually I think it might be the New American Orchestra version). Excuse me if I'm very late on the boat (or spinner) on this one, which I think I am! Anyway, are there any other tracks which sample from the soundtrack? Are any of them any good?
(313) Martin Buttrich (was: new planet e)
He is also Timo Mass' production partner (responsible for that mix of Azzido Da Bass' Dooms night a few years ago that blew the f*ck up), and is also Production partner for all the current super hits on M_nus etc that bear Locodice's name. Does anyone else think that there is something a bit odd about this production partner moniker? I'm sure if I had a decent enough DJ profile and made some label contacts and had enough benjamins I could probably get in the studio with this dude as my production partner and get a few tracks out as well... Not sour grapes or anything, but I think it's an interesting situation. I wonder how many of these co-productions are actually that.
Re: (313) deep lables
FXHE Mule Ai Logistic (sometimes) Echocord And also the netlabel Thinner (www.thinner.cc) The new Styrax Leaves by redshape is great! Loving it. J.T. [EMAIL PROTECTED] 27/07/2006 12:41:02 pm also down low music. hi. convextion 2x12 album will be out around november -Original Message- From: sqrrt [EMAIL PROTECTED] Sent: Jul 26, 2006 9:15 PM To: henrique casanova [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) deep lables Styrax Leaves, New Religion, Narita, Creme Eclipse... Your description is pretty wide so we could go on and on, but starting with the labels you've already mentioned, these are what pop up to my mind right afterwards. Francis. At 07:14 PM 7/26/2006, henrique casanova wrote: hi there. my name is henrique, I been in the list before but now I was away for years. I would apreciate some help here. Im making a list of lables releasing deep stuff, detroit techno oriented but also near deep house and electro, musicaly. so I mean lables like Delsin, Headspace. can you brothers grow this list for me? Delsin, Digital Soul, Rush Hour, Headscape and what about detroit lables? it seems many of them had stop pressing records. I still canot beliave Transmat is stoped but I'll make a new topic on this. _ Acompanhe os desfiles do evento S�o Paulo Fashion Week. !
Re: (313) Congrats to Simon Hindle
Thank you guys, it's pretty crazy news. I haven't really gotten my head round it at all! they don't let you know who the guest teachers/speakers are going to be until you get there (it is in Melbourne this year), but there are a few clues - it seems like Cut Chemist, Marco Passarani and Mark Pritchard will be amongst the tutors and apparently there's a post on deephousepages where David Mancuso says he's going. () I'm definitely going to keep some sort of blog while I'm there, and the academy website is a phenomenal resource that everyone on this list ought to check out - nearly all the lectures from previous academies are available to view (a notable exception is when UR/Galaxy 2 Galaxy went in and made them turn the cameras off!) Many are so 313 it's unbelievable so check it out. Thanks again, I promise to do my best! [EMAIL PROTECTED] 25/07/2006 11:45:29 pm Congratulations Simon! Any clue as to who the guest teachers/speakers are going to be? MEK Joost P [EMAIL PROTECTED] wrote on 07/25/2006 04:18:27 AM: List member Simon got into the Red Bull Music Academy that's being held in Melbourne this year. A fantastic opportunity! I didn't get in myself. Again. So I'm jealous as hell. But nevertheless I hope Simon will have a great time there. It would be great if you could keep us updated a bit on what's going on when you're there, if you even get the time. But that's up to you of course. For those who don't know what the RBMA is, check this: http:// www.redbullmusicacademy.com/ and check out the lectures. Way to go Simon! Joost
Re: (313) Richie Hawtin now Jeff Mills
He recently put out a 12 on Klang under the alias Raudive. The A-side is bloody brilliant stuff. Discogs tells me there's a new Raudive out as well. Hurrah! Cyclone Wehner [EMAIL PROTECTED] 03/07/2006 13:30 What happened to Oliver Ho? I personally prefer his work to Surgeon's... an original. It's hard to get Ho's music, really hard! On 01/07/2006, at 11:23 PM, /0 wrote: surgeon seems a little more into industrial techno and rephlex-ish stuff that mills. surgeon sets sound too clean and precise to me. part of the fun with mills is you can hear that he's going so fast, he's just on the verge of trainwrecking everything. - Original Message - From: kent williams [EMAIL PROTECTED] To: list 313 313@hyperreal.org Sent: Friday, June 30, 2006 8:52 PM Subject: Re: (313) Richie Hawtin now Jeff Mills I dimly remember people saying Surgeon bit Mills' style, but if I remember correctly, once Jeff started playing Surgeon records, people shut up. If anyone took the time to listen to his music, they were always records in the same general style as Mills, but completely his own thing. And Surgeon has indeed gone on to do amazing things that have nothing to do with 2 beat loop bangers. On 6/30/06, Wes Prince [EMAIL PROTECTED] wrote: It's never initially clear, as you say -- only time tells. I remember back in the mid-90s a lot of people came hard downwards on Surgeon for (badger) biting Mills and his style -- some of the more outraged even printed up I Hate Surgeon tees to advertise their dismay at his growing popularity.
Re: (313) Isomer Transition - Shadowlands
It's RJ Valeo who made this. If you go to his website you can download the ep in MP3 format. It's pretty good stuff. theREALmxyzptlk [EMAIL PROTECTED] 8/06/2006 7:08 am Nice, dub-edged techno here. Not sure from which corner this emerged, but I'm game for more. Supposedly this is from some 'mystery producer'... It has a basic sound you'd expect from a certain channel - or I could just be experiencing some kind of chain reaction. jeff
(313) See Mi Yah remixes 4
Phowar... talk about saving the best till last! C2 and Basic Channel on duties this time - only heard the clips on the basic channel website but it seems like they might have saved the series... of course, does this mean that they're going to do the whole series? There are a couple left to go yet...
RE: (313) techno live acts
We just had Modeselektor play for us here in Sydney and they were really bloody good. They've been playing live for AGES now and are really tight. They put on a great show, and their sound is just so fkin HUGE! It's not straight-up tech, more along that electronic dancehall/junglist sound that's coming out of the states a fair bit at the moment (think Shockout/Mashit, Kid606-style stuff) but it definitely references the detroit sound, which they're both big fans of; I had a good chat with the guys and they were wistfully reminiscing about seeing UR back in the day when it was Mills, Hood and Banks. They're playing a bunch of dates in the states at the moment, including an afterparty at DEMF and then they're off to Mutek. Definitely check these guys out. One of the best live acts I've ever seen. And also props to Lidell, Andy Vaz and Monolake as well, all of whom I've seen this year and really rated. Tristan Watkins [EMAIL PROTECTED] 23/05/2006 10:00 am -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 22 May 2006 21:54 To: 313 Subject: (313) techno live acts and you're allowed to add a short line why Jeremy Ellis and John Arnold -simply the best live performance I've ever seen. Two people making 98% of the sounds that come out of the speakers on the fly. Live moog, singing, 2xMPC, guitar and whatever else they decide to throw in. Music so good it makes me goofy Jamie Lidell -ditto, except I'm only slightly less enthused But maybe you mean proper techno??? Shawn Rudiman -More traditional techno/electro, but also doing it mostly on the fly, with a preference for MACHINES Sendex -ditto Carl Craig -Be it Innerzone, Detroit Experiment, his best-of thing he did last year or whatever the incarnation, it's good ...and a fair share of pretty damn good laptop PAists. I dunno man, there are a lot to chose from these days, and a lot of poo. But I've seen far too much good music in the last few months to worry about that. I need a break. Live highlights of the last month would have to be Henrik Schwarz and Convexion. Can't ask for much more than that... Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.392 / Virus Database: 268.6.1/344 - Release Date: 19/05/2006
Re: AW: (313) berlin, berlin wir fahren nach berlin :)
Yup, this weekend seems to be the bomb time to be in Berlin - a friend is over there at the moment. Theo on Friday, Weatherall on Saturday and Rhythm Sound + Tikiman live on Sunday. Damn! [EMAIL PROTECTED] 19/05/2006 6:45 am hey B... you can get Theo Parrish there this weekend in Berlin. here's the data: 20. Mai 2006 ab 23 Uhr Weekend, Alexanderplatz 5, Berlin-Mitte have fun ! cheers dUb Hi list, i'm for some days in Berlin (this Saturday 20 - 23 May) and would like to know if somebody could give some hints where to find good discs (new + 2nd hand), restaurants/bars, shoping etc... I was already in Hardwax, WMF and Tresor (a bit too late now hehe) and that's all. Also parties would be cool ! I heard about the one in berghain... looks good. Any info welcome ! Please hit me back in private Cheers, B Can be in English, German, French or Dutch
Re: (313) CC on DFA
PS a 'friend' told me that an mp3 of the cc mix of revilee has been leaked and is making its way round soulseek, whatever that is. (minus Tim Sweeney getting all orgasmic at the breakdown as well) :P
Re: (313) CC on DFA
But you see this is what's so good about the death of vinyl... these days when purchasing MP3s you just buy the mixes/tracks you like. It's great! Records are lame anyway. *ducks* Thomas D. Cox, Jr. [EMAIL PROTECTED] 12/05/2006 07:59 On 5/11/06, /0 [EMAIL PROTECTED] wrote: yeah and of course, they all sit around in dim, smoke fill rooms, conspiring to release records with a song that tom cox likes, along with a bunch he doesn't because you're the center of the universe tom, OKAY PEOPLE WHO CANT UNDERSTAND A SIMPLE IDEA AND READ OTHER THINGS INTO IT. WHAT MAKES ME MAD IS WHEN A TRACK COMES OUT ON A DOUBLE PACK OF REMIXES, NOT ALLOWING ME TO CHOOSE THE ONES I WANT. UNLIKE FOR EXAMPLE THE INNERZONE ORCHESTRA REMIXES OF PEOPLE MAKE THE WORLD GO ROUND. I ONLY WANTED THE KDJ MIX SO I ONLY BOUGHT ONE OF THE 12S. ITS AS SIMPLE AS THAT. WITH THIS SET I HAVE NO CHOICE BUT TO PAY FOR CRAPOLA THAT I DONT WANT AND THAT IS WACK. UNDERSTAND NOW? tom
(313) AUS Spam - Modeselektor this weekend
Hello everyone - a bit of spam for you all. MODESELEKTOR are playing in Australia this weekend as part of their world tour which will see them jet off to North America next for DEMF and Mutek amongst others. But before then they're playing in Melbourne tonight at the Mercat, details at http://www.inthemix.com.au/whatson/show/28587/ and then tomorrow we've got them in Sydney - details at http://www.snarl.org/modeselektor Tix on the door for both parties will be in the $30 mark. Don't sleep on this, it's gonna be fkin wicked - the guys are amazing live! Apols to the 99.99% of people this doesn't apply to.
Re: (313) new carl craig mixes/beauty room
Delia Gavin mix is great! I think the reason sweeney talks across it is so that people can't edit it and play it out ahead of its release. And I was always under the impression that tres demented used a 606, not an 808. Those toms are a bit of a giveaway. Carlos de Brito [EMAIL PROTECTED] 19/04/2006 2:07:36 am you can listen that remix for delia and gavin on this beats in space show: http://www.beatsinspace.net/audio/2006/jan31/bis013106part2.mp3 Part 2: ... 17. Lindstrom - Another Station (Todd Terje Remix) - Feedelity 18. Theo Parrish - Ugly Edit 7 19. Delia gavin - Revelee (Carl Craig remix) - DFA 20. Syclops - The Fly - Tirk ... sadly, tim sweeney talks massively over that track, but hey, you get an idea how killer that track must sound on a big system. c* [EMAIL PROTECTED] schrieb: Delia galvin from DFA??? It just can NOT be the new CC style... whaddya mean? I meant I think their music sounds like his new style music. or it reminds me of him anyway. do you not think? its probs just me then. just an opinion. I always thought they sounded pretty similar. darkness etc? 5 pound says both parties have been listening to alot of krautrock v.recently. p.s. hope its sunny in brazil. its fecking raining here. I blame you. ; ) but anyway. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Daniele Baldelli mixes
The totally wicked http://www.discopia.com/ has some good stuff about cosmic: Daniele Baldelli interviewed by Danny Wang: http://www.discopia.com/portal/issues/issue3/baldelli Story about Cosmic and the sound: http://www.discopia.com/portal/issues/issue7/cosmic Get on to Discopia if you haven't already - there's some really good stuff on there. The story about the audio system at the Loft is crazy! Carlos de Brito [EMAIL PROTECTED] 12/04/2006 02:41 wasn't aware that it's members only now. found this emailadresses ([EMAIL PROTECTED] and [EMAIL PROTECTED]) on the site, maybe that helps. btw: their archives seem to be huge. start your search here: http://www.mixarchives.net/Afrodiscofunky.htm c* Jamil Ali schrieb: How do you download from there? The links are all to an ftp server, and it asks for user/pass. But I dont' even see any way of joining this site... thanks, Jamil Carlos de Brito wrote: looks like this site is cosmic heaven, it has a lot of cosmic tapes mixes: http://web.tiscali.it/mix_archives/No.1-50.htm these two threads on djhistory.com-forum have good infos on those cosmic guys (though, most of those yousendit links posted there might not work anymore): http://www.djhistory.com/forum/showthread.php?t=11972 http://www.djhistory.com/forum/showthread.php?t=13823page=4 c* Peteri, Jochem schrieb: Mixarchives.net isnt working, any chance to get a hold of these mixes or wake these guys up? Man that is one nice archive.. Try here, some are still online I hope: http://www.mixarchives.net (afrocosmicfunky) http://www.gomma.de/content.html (mixtapes) The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) minimal sounds
Hell yeah! I love that raudive release. There's another oliver ho out at the moment that's really good as well. Ryan Crosson is from detroit and has had a couple of promising releases. Check out the new galoppierende zuversicht on bruchstuecke as well! fab. [EMAIL PROTECTED] 7/04/2006 1:26 am me too.im especially digging what i call post-minimal techno, often wierd and f**ked up, like the louderbach material and the new oliver ho 12 on klang, under the raudive moniker
RE: (313) how Richie does it -- how do most do it?
I saw Stewart Walker a couple of months ago and he was basically using ableton and one of those doepfer pocket faderboxes running into a DJM600, nothing else. Seeing Monolake live using ableton was quite impressive - after all he basically designed the software for himself to use. He played a set of really good, deep, chain reaction-type stuff, and all he used was the ableton instruments and effects, no plug-ins. All sounds were generated by operator and he was just tweaking stuff and writing clips on the fly. And again, all he was using to control everything was a doepfer pocket fader and the laptop touchpad/keyboard; the much-vaunted monodeck was nowhere in sight. Mindblowing stuff. Sure, if you recorded the output the sound quality might not be so amazing that you could release it as a track, but in the context of a live show it was wicked. First time I've ever seen ableton used as an instrument, if you know what I mean. For 'proper' live, though, I think you'd have to go a long way to beat Jamie Lidell. He makes pretty much every sound using his mouth and has a custom max/msp program that samples and loops his beatboxing/wailing/silly banter, and then runs that through a mixing desk with some delay and reverb sends, together with an MPC1000 with some beats on it and a minimoog for extra phat crunch. And he puts on a proper show. And it's dripping with soul. You MUST see him if he's playing within 100 miles of you. (further if you have means of transport beyond walking). I'd like to see galoppierende zuversicht live as well - they show up with a bunch of hardware (NO laptops), a fair bit of it home-made, and just jam away for an hour or so. Tristan Watkins [EMAIL PROTECTED] 5/04/2006 10:09 am There are a few different types of live PAing. You've got an Ableton live arrangement/dub, or something like Stewart Walker where he uses an MPC + his other kit where he will have most of the patterns sequenced in advance, but he'll play some of them live on the MPC pads, and then trigger the sequences from the MPC as well (although I vaguely recall hearing he's using a laptop now)? Herbert will have most things pre-sequenced, and then he'll sample the sounds live. Then there's an entirely different level of liveness where almost all of the music is created on the fly a la Ayro and John Arnold, or Shawn Rudiman, where they play multiple instruments or machines in real time, have the seuencer take over for some of those parts, then move on to something else, only relying on a few bits of pre-arranged material. I'd say this last type has the most bang for the buck for sure. That Sendex show I was talking about on Sunday was sort of a cross between Stewart Walker and Shawn Rudiman styles maybe. Oh, and I was corrected after my last post that he actually had an 808 as well if anyone cares. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.3.4/299 - Release Date: 31/03/2006
Re: (313) CD Mixers
Hmmm, it's a funny one really. My flatmate bought a final scratch recently and I must say that while beforehand I was quite ambivalent towards a 'scratch' solution that now I'm seriously considering buying a FS unit. There is something quite nice about being able to use turntables as the control surface, and this really has nothing to do with whether or not 'records is the only way to play tunes' - I play ableton sets every now and then, and use CDs quite happily with no sense of stigma. I guess it might have something to do with records being what I'm the most used to, and therefore comfortable with, but I really do enjoy using FS to play digital files more than any other method. That being said, Traktor DJ Studio 3 is bloody amazing software. You can use it with FS2 but even in standalone mode it's wicked. It has some really cool effects (that are tons better than DJ-mixer effects boxes) and brilliant looping features and you can run 4 decks at once with it. So I guess that even though my heart loves final scratch, if anyone was looking for a solution for playing digital files I would recommend Traktor DJ Studio 3 above them all - above CD decks, above final scratch, above ableton even. It's less than US$300 as well so it's easily the most affordable. And you don't even need a mixer. Couple it with the Behringer BCR2000 controller for lots of hands-on knob-twiddling and you're laughing. Kowalsky [EMAIL PROTECTED] 5/04/2006 1:14 pm I agree with you. I hate people trying to reproduce the perfect saxofone sound in a synth. God damn it, call a saxofone player. Why use serato or final scratch? If your music is in a digital format, you can use a large range of softwares to do virtualy everything when it comes to mixing, beat matching or whatever. Why stay tied to the limited possibilities of a turntable? If you want to do what turntables do, damn, put a real vinyl record on and do your thing, Finally, let me say: i'm a turntable dj. I like turntables, i do the turntable style thing. But if i go digital, like songs in a hard disk, i'll not limit myself to a turntable. CDJ is usefull for me to make some loops, play things that require great amount of pitch up or down (like +/- 16) with master tempo. There a lot of DJs using final scratch and serato just to show up in a glamour vinyl style without giving up the confort of carrying just a laptop. That makes no sense to me. I like music more than i like equipment. Kw On 04/04/2006, at 10:36, Kent Williams wrote: Given what these things cost, I'm not sure why one wouldn't just get Traktor on a laptop -- it's a much more flexible, easier to way to mix. That being said, I love mixing on the old Denon DN 2000s, because they were really simple. Find your cue point once, instead of over and over like with records, then drop the track in and tweak tempo. I also liked picking up the controller in one arm and tweaking with the other hand. People would ask me what instrument I was playing. Both Final Scratch and the fancy CD players with platters seem to me to be trying to preserve a paradigm for mixing and beat matching that's inappropriate to the technology. Traktor is really easy to beat match in, even if you ignore the 'automatic' beat matching. And if you can't give up the wikki-wikki you can get Traktor with Final Scratch. Of course, for me, the idea of paying hundreds of dollars for something that REQUIRES you to have turntables in order to mix is kind of crazy. That only makes sense in Ubercoolische world, where the DJ equipment is something you specify in a rider, not something you haul up and down stairs. Once you learn to beat match in one medium it shouldn't be that hard to transfer the skills to a new one. IMHO. On 4/3/06, Adam Smith [EMAIL PROTECTED] wrote: Sup List, anyone own a cd mixer that they enjoy playing 313 music related CDs on? Or dislike a CD mixer that you own? I'm considering buying one and saw a couple models in my price range. The Pioneer CDJ-200 Mixer and the Denon DN-S1000, both around $400 US each. Wondering if there are any thoughts on either of these and if they're decent, or if I should hold out for the Pioneer CDJ-800 (around $600US) (can't bring myself to spend $1000 US on the CDJ-1000). Thanks for any tips or info, Adam
Re: (313) 31-03-06 Süd Electronic Present Traum / Trapez / Mbf With Alex Under , Triple R /Riley Rei
Here are my faves: http://www.discogs.com/release/101347 Pleite - Pleite (this is Donnacha Costello) http://www.discogs.com/release/158405 Jeff Samuel - Knob (Remixes) (Steve Bug mix is lovely) http://www.discogs.com/release/249792 Riley Reinhold Steve Barnes - Mondrian http://www.discogs.com/release/188792 Akufen - Psychometry III (Remixes) http://www.discogs.com/release/494011 Oliver Hacke - Subject Carrier (Remixes) http://www.discogs.com/release/518755 Alex Under - Dispositivos De Mi Granja LP http://www.discogs.com/release/481989 Swat-Squad - Gecko I find Trapez can be a bit hit and miss, and they seem to be going in quite a proggy direction. Also definitely worth checking out is the sub-label, Trapez Ltd. Tends to have darker stuff on it. Check out the Coccopuffs EP by Und, bloody wicked stuff... http://www.discogs.com/release/344574 Matt Chester (313) [EMAIL PROTECTED] 16/03/2006 4:53 am This one's wicked: http://www.discogs.com/release/17409 - Original Message - From: /0 [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, March 15, 2006 5:39 PM Subject: Re: (313) 31-03-06 Süd Electronic Present Traum / Trapez / Mbf With Alex Under , Triple R /Riley Reinhold , Portable + Anyone make some suggestions on good Trapez releases? I've been told (despite the fact that I dont release my music) that I would fit in well there, which to me, means I'd probably like the music they put out. I'm always up for more good tunes, and if someone is making the stuff I make, I dont need to. suggestions appreciated, -Joe [EMAIL PROTECTED] wrote: Hi all ! A quick reminder ! Not too long to go before our first outing for 2006 . We Still Have Some Spaces Left on Our 8 Pounds Concession List . It's Filling Up Fast though !. I would advise that you submit your names to us via email , if you've not done so already . Remember , this concession List is only Open to Our Mailinglist subscribers ; is valid between 11pm 12 am On The the actual Nite . Submit , (or subscribe ) your names on the concession list via [EMAIL PROTECTED] Berlin;s Minlove , a resource for all things Minimal , has put a night piece toghether about this event , Go to : www.minlove.net click on news , and then click on our flyer away you go :) Here are the details for the Event ! Süd Electronic Present Traum / Trapez / Mbf In London Süd Electronic Presents Traum/Trapez/Mbf Germany's Super Heavy Weight Label , Traum It's Sublabels , Trapez Mbf will be in london shortly ! Traum was founded in 1998 by Jacqueline Klein/ DJ Anima and Riley Reinhold/Triple R . Out of Traum came , Trapez , Then Trapez Limited ; Then MBF most recent , Mbf Limited. Traum has since seen 54 vinyl releases 16 cds , from an internatinal roster of artists . Trapez has released 47 records plus 27 Trapez Ltd records and 3 CD*s ; whilst 14 records have been released on Mbf Mbf Limited . Traum it's sublabels have become a huge force in techno in the last few years have been rightly so ; voted as Germany's 2nd biggest label , by the highly influential , Groove Mag . Live Alex Under ( Trapez , Cymk , Apnea , Plus8) Portable (Süd , Spectral , Background , Karat , Context ) Dj's Triple R / Riley Reinhold ( Trapez , Traum , Mbf ) Lakuti ( Süd ) Marco Shuttle ( Guerilla Lime Soda Visuals by Brittski Squint Date : 31st March 2006 Venue : Venue : The Departure 2 Crutched Friars, Aldgate, London, EC3N 2HT ( 2 minutes from Aldgate Tube ) click on the link below for a map www.multimap.com/map/browse.cgi?lat=51.5114lon=-0.0781scale=5000icon=x browse.cgi?lat=51.5114lon=-0.0781scale=5000icon=x The Departure is a great basement space with a great soundsystem a 24 hour license . Times : 11 pm - 6 am Door Charge : £8 - £ 10 ( Limited Early Bird Tickets available from 11 pm - Midnight . They are priced @ £8 These early bird tickets are for those of you on our Mailing list . Email You can Subscribe to the mailinglist by emailing : [EMAIL PROTECTED] infoline 07865 339 311 More On The Artists Alex Under After 2 very successfull 12s on Trapez and several eps on his own label in Madrid , CMYK, Alex Under has become the most sought after Techno artist , in Spain . His been running the Cmyk label and record shop since 2001. He has also launched Net 28 a discographic platform including a distribution network for artists in Spain . His productions are based on construction/deconstruction, hypnotic melodies, over blunt electronic rhythms and fine basslines.Dispositivos De Mi Granja is his debut Lp on Trapez and includes a explosive version of his hit Las Bicicletas son para el Verano from his first ep on Trapez plus the biggest variety so far on one format.. contrasting minimal techno with playful techno house.. ranging from deep Techno to the most psychedelic track he has done and one of the biggest hits he has done so far: El Establo Queado.
Re: (313) space disco
Check out 12AM Maternal at http://12ammaternal.blogspot.com/ - good collection of cosmic stuff there, lots of weird vintage stuff as well. Slight segue - does anybody else have any mp3 blogs that they enjoy? I have to admit to taking some guilty pleasure in recent Lindstrom and co tracks: they're always over-the-top, but have the right spirit. Any other recommendations?
(313) Classic beatdown tracks?
Carl's remix of Theo has all of Berlin going crazy. I read an interview with Andy Vaz of background records saying that Beatdown was all the rage over there now. So what are the best beatdown tracks? And does anyone else like the stuff that's been coming out on Philpot records? Does that count as beatdown, even though it's made by Germans?
Re: (313) Classic beatdown tracks?
I guess my understanding of beatdown is similar - slower (ie no faster than mid-120 bpm), deep as hell, soulful with detroit stylings. http://www.beatdownsounds.net/ has a good description, though I wonder if it's simply a micro-genre. I just mention it because I've found a good amount of slower deep stuff recently (eg philpot records' releases) and wondered if there was perhaps more of this stuff that I was unaware of (beyond early house etc which is often slower), and so I thought 313 would be the best folk to ask about it. Please excuse my ignorance and bandying around of a buzzword I read in an interview :-) Client Services CCSU-ISTAR Level 27, Governor Macquarie Tower, Sydney, email [EMAIL PROTECTED] Telephone: 61 2 9228 5501 Facsimile: 61 2 9228 4435 __ This email message, including any attached files, is confidential and intended solely for the use of the individual or entity to whom it is addressed. The NSW Department of Commerce prohibits the right to publish, copy, distribute or disclose any information contained in this email, or its attachments, by any party other than the intended recipient. If you have received this email in error please notify the sender and delete it from your system. No employee or agent is authorised to conclude any binding agreement on behalf of the NSW Department of Commerce by email. The views or opinions presented in this email are solely those of the author and do not necessarily represent those of the Department, except where the sender expressly, and with authority, states them to be the views of NSW Department of Commerce. The NSW Department of Commerce accepts no liability for any loss or damage arising from the use of this email and recommends that the recipient check this email and any attached files for the presence of viruses. __ Carlos de Brito [EMAIL PROTECTED] 02/06/06 6:59 PM not that i could define beatdown, although i have a certain dirty, 110bpm kinda housesound in mind, as featured on the mentioned 3rd ear-compilation... my question is another: is there a word for that (actually quite popular) style of house, discribed with too many one-finger chords? cc remix of theo's falling up or ame's rej and there are some more tracks for sure that i can't recall now. like, beatdown trance? ;) c* p.s.: simon, i don't know if it's beatdown what philpot are releasing, but if you mean that it has a similar vibe to some of theo parrish's or kdj's stuff: definitely yes! the german label running back and the stuff from dan electro (from france, i guess) go into that direction, too. Peteri, Jochem schrieb: wtf is a beatdown track? didnt like the rework btw, too many one-finger chords... terry brookes is the C2 version of choice(the dub, that is) groet, Jochem, Servicedesk ICT -Original Message- From: v12 [mailto:[EMAIL PROTECTED] Sent: maandag 6 februari 2006 3:09 To: 313@hyperreal.org Subject: Re: (313) Classic beatdown tracks? the CC remix is good,if not better than that - but i must say that when i hear beatdown the first thing that comes to mind is the CD on 3rd ear,especially the opening tracks by Alston and Miller. +the original 'falling up' or backbone waltz by 3 chairs. isnt carl's rework a bit too floor-friendly for a beatdown track btw? - Original Message - From: Simon Hindle [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 06, 2006 2:36 AM Subject: (313) Classic beatdown tracks? Carl's remix of Theo has all of Berlin going crazy. I read an interview with Andy Vaz of background records saying that Beatdown was all the rage over there now. So what are the best beatdown tracks? And does anyone else like the stuff that's been coming out on Philpot records? Does that count as beatdown, even though it's made by Germans? The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) Hawtin at the Winter Games
How's about this Richie Hawtin: http://img4.imageshack.us/img4/2449/282lk4iw.jpg and Wheels from Degrassi http://www.tvsizzle.com/degrassi_files/wheels_main.jpg seek [EMAIL PROTECTED] 2/02/2006 8:08:42 am - Original Message - From: Matt Kane's Brain richie hawtin http://www.mutelibtech.com/mute/novamute/hawtin/images/richie.jpg and http://www.deaconlight.com/music/recordcovers/1979/garynuman_replicasx10.jpg adam x http://www.djadamx.com/Photo2.jpg and http://www.martialinfo.com/contacts/images/13835.gif ricardo villalobos http://www.tdktimewarp.de/e46/e48/e83/RicardoVillalobos_ger.jpg and http://www.urbanaddiction.com/ab/AdrianBrody.jpg troy pierce http://www.electricity-festival.de/upload/bilder/Troy_Pierce1_1126360070_150x150.jpg and http://www1.plala.or.jp/yoshiteru/rmenu/photo/peter/peter_sunglasses.jpg seek
Re: (313) DE9 Transitions
I don't mind it really - I like the concept, and the total package is great given the price. My actual favourite bit is the DVD footage of him playing at the festival in germany at stupid o'clock in the morning. The visuals are mind-meltingly good and the music is lots of fun. The main mix itself is pretty nifty from a cerebral point of view, and is nice to listen to. I haven't checked it out in 5:1 yet which I'm keen to do. It's the first piece of non-vinyl music I've bought in a lng time, and I don't regret making the purchase. On the vinyl tip btw, has anyone else gotten into the new claro intelecto? I've ordered it and it sounds great. Picadilly have it listed in their picks this week. Really good deep tech. Martin Dust [EMAIL PROTECTED] 12/03/05 2:47 AM I'm going to have to disagree, the album has plenty of cold machine soul and he does keep it interesting, it may not be a giant leap but it fits well with his work. It's a great package for 9.99 and I really like the 12 as well, so there :) m On 2 Dec 2005, at 15:36, Stoddard, Kamal wrote: Only marginally interesting in concept. Aurally it sucks. No soul. Just an abundance of ponderance with a dash of psychedelics and a heaping helping of ego. That sounds suspiciously like the recipe for a steaming pile of shxt too. Imagine that. KKS
(313) Hawtin party in a trash compactor?
I was talking to a friend recently who told me that back in the day, Richie Hawtin threw/played at a party that was held in a giant trash compactor a la Star Wars, and that as the night progressed the walls got closer and closer. Is there any truth to this story? Does anyone know any more about this?
(313) Maurice Fulton
Hey hey anybody got contact details for Maurice Fulton? Ta Si
Re: (313) Carl Craig
You guys also should know that the latest episode of Beats In Space (www.beatsinspace.net) has a mix from the man himself on it. And last week's show has a mix from Darshan Jesrani! Thomas D. Cox, Jr. [EMAIL PROTECTED] 11/17/05 11:05 am On Wed, November 16, 2005 8:58 pm, Gamall Backspin Promotions 718.399.1632 wrote: * CARL CRAIG - new album - summer 2006 NOW we're talking!!! tom
(313) Sunrise Mix - Deep tech and more besides
Hey all I made a mix the other week, I though I'd share it with you seeing as how 313 list turned me on to quite a few of the tracks on it. It's pretty deep $hit. http://www.highjinks.com.au/sunrise.htm Tracklisting: 1: Plastikman - Digital/Divide 2: Carl Craig - Sandstorms 3: Memo - Silverspoon (Silverspooner Remix By Luciano) 4: U-Roy François K - Rootsman 5: Dub Archanoid Trim - Children 2005 6: The Deep Space Rhythm Section - Roots Dub 7: Donnacha Costello - Pistachio 8: Sleeparchive - Track 4 (Recycled) 9: Ricardo Villalobos - Waiworinao 10: DJ Bone - Cause Of Action 11: Beat Pharmacy - Cape Town 12: Brennan Green - Plutos Retreat all feedback most welcome!
(313) Paging Quest Pond
Hey Quest Your email address ain't working for me! Hit me up!
Re: (313) Who do you like that is under 25?
Luciano. It's amazing the stuff he makes given his tender age.
(313) Daniel Bell is a legend
So we had Dan Bell come play in Sydney on Saturday night. It was f**kin awsome. What was even more awesome was this though: the party had to close at 3:30, just as Bell was kicking into top gear - I told the promoter about a friend's birthday party that was still going on and would Dan (hereafter referred to as God) like to come along and finish off his set there? Sure enough, God hopped a cab across town and played for another two hours, for free, for a birthday party (that was also boosted by about half the crowd from his gig) as the sun rose. It was certainly one of the most memorable nights of my clubbing career! That's all I gotta say - I just had to share it with you guys.
(313) Daniel Bell is a Legend
grrr... 313 don't fail me this time! So we had Dan Bell come play in Sydney on Saturday night. It was f**kin awsome. What was even more awesome was this though: the party had to close at 3:30, just as Bell was kicking into top gear - I told the promoter about a friend's birthday party that was still going on and would Dan (hereafter referred to as God) like to come along and finish off his set there? Sure enough, God hopped a cab across town and played for another two hours, for free, for a birthday party (that was also boosted by about half the crowd from his gig) as the sun rose. It was certainly one of the most memorable nights of my clubbing career! That's all I gotta say - I just had to share it with you guys.
Re: (313) Mathew Jonson
Yeah, Canadian, very much flavour du jour at the moment. His music is electro-inspired and quite sparse, his big 'hit' is Decompression on Minus. I'm not really into much of his stuff; the only ones I really like are Followed By Angels and Marionette, and an early release he had on Perlon (Alpine Rocket). His sound is really clean, and his beats are seldom straight 4/4 jobs. He doesn't DJ as far as I know, it's all live from him. There's a really recent liveset of his for download at http://www.zeracon.net/snd/mcs/MovingCity05_Mathew_Jonson.mp3 In a previous life, he remixed Nelly Furtado (of I'm like a bird fame). He also has a side project called Cobblestone Jazz, which seems to be where his junglist penchant has taken him. Cyclone Wehner [EMAIL PROTECTED] 08/29/05 2:45 am I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like?
Re: (313) Mathew Jonson
Nup, that was Michael Mayer. You are gloriously confused. Jonson's coming out in November/December. Anybody here know anything else about Dan Bell coming to Aus in October? [EMAIL PROTECTED] 08/29/05 4:47 pm didn't he dj at club 77 about 6 months ago - i thought you went simon. or was that a live set. or am i totally confused? i james Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org, 29/08/05 04:13 PM [EMAIL PROTECTED] cc Subject Re: (313) Mathew Jonson Yeah, Canadian, very much flavour du jour at the moment. His music is electro-inspired and quite sparse, his big 'hit' is Decompression on Minus. I'm not really into much of his stuff; the only ones I really like are Followed By Angels and Marionette, and an early release he had on Perlon (Alpine Rocket). His sound is really clean, and his beats are seldom straight 4/4 jobs. He doesn't DJ as far as I know, it's all live from him. There's a really recent liveset of his for download at http://www.zeracon.net/snd/mcs/MovingCity05_Mathew_Jonson.mp3 In a previous life, he remixed Nelly Furtado (of I'm like a bird fame). He also has a side project called Cobblestone Jazz, which seems to be where his junglist penchant has taken him. Cyclone Wehner [EMAIL PROTECTED] 08/29/05 2:45 am I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like? ForwardSourceID:NT00022422
Re: SV: (313) Carl Craig in Belgium (track ID)
It's pretty easy to extract a beatless loop of the melody line from the original mix of jaguar; a small amount of slicing is required but I managed to do it (and therefore anybody with basic motor skills can). It's handy for ableton sets. It keymatches with charlie webster's mix of 'Cafe de flore' by herbert. Always gets the heads smiling, does that one. Given that CC's using fs2 these days it's not inconceivable that he did something like this (although he probably just got himself a hold of the masters and made his own deluxe dub). Güclüer, Hansi [EMAIL PROTECTED] 08/29/05 8:30 PM Hello! I know Mad Mike's version and that's not what C2 played in Uppsala, Sweden, a couple of years ago. I think it's Carl´s own version -the beat never starts and the riff is doubled by some sort of bass sound, and the melody repeats forever, right? -Ursprungligt meddelande- Från: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Skickat: må 2005-08-29 11:10 Till: Simon Vrebos Kopia: 313@hyperreal.org Ämne: Re: (313) Carl Craig in Belgium (track ID) On Monday, August 29, 2005, at 11:06AM, Simon Vrebos [EMAIL PROTECTED] wrote: Carl Craig played an absolute impressive set at the 'Pukkelpop' festival in Belgium a week ago. I haven't heard a set like that in years! (you really don't hear Detroit techno in Belgium - people are more into hard loops which is really sad). Anyway, he played Jaguar by Rolando like he did before. It's the beatless version and lasts maybe ten minutes (I presume). Which one is it? Is it out on vinyl or is it CC's private CDR? Sounds like the Reprise version from Mad Mike. It is on the 430West remix EP KJ
Re: (313) Dutch Music
Alden Tyrell's latest on Clone is deadly. Winter in Polarius on Creme is a v.cruisy release, though I dunno if Polarius is dutch or not Is this the next Petrol records release? I'd be pushing to get Random XS' Give Your Body on there as well if it is - get the word out to the latte masses... Cyclone Wehner [EMAIL PROTECTED] 07/20/05 12:30 pm Can anyone think of any cruisy Dutch music at the moment? I know an Australian label putting together a compilation and they want some names.
Re: (313) South American Hip Hop
This is perhaps the best-known resource - heaps of mp3s. http://evil-wire.org/~ampere/mp3/funky/ Enjoy! Ian Malbon [EMAIL PROTECTED] 07/08/05 2:09 pm At some point (I think on this list) there was a link to some great samples of hip hop coming out of the hills in Brazil. Electro- tinged, DIY stuff that was full of energy. My searches of the archives have proved fruitless. Can anyone remind me? -- Ian
Re: (313) discogs?
From a weblog belonging to a discogs.com subscriber, dated 2 July: Dear Discogs User, As you will have noticed, Discogs has been offline now since yesterday. We experienced a cascade of problems with the servers yesterday that ended with the whole site inaccessible to everyone including the system admin's. Since then, we have been working hard on a solution to getting us up and running again. Thankfully, this server that hosts the help.discogs.com site has been revived, and this may allow us to get the whole site running again. However, this is an extremely technical job, and may take some time to complete. As sod's law dictates, we have four brand new servers already ordered and will be installing them by the middle of July. These should ensure we don't experience an outage such as this again. We apologize, and ask you all the be patent while we try and figure out a solution. In the meantime, if you need to contact me or another Discogs user with an urgent matter, please use the form below, and I will try and help. Yours Sincerely Nik | Discogs Community Manager Tristan Watkins [EMAIL PROTECTED] 07/01/05 9:43 pm - Original Message - From: robin [EMAIL PROTECTED] To: 313 Org 313@hyperreal.org Sent: Thursday, June 30, 2005 7:02 PM Subject: Re: (313) discogs? i've seen it mentioned somewhere that the main guy is on holiday and the server's gone down. could be mis-information tho. That would make sense to me. www.discogs.com is still responding to pings, so the problem is most likely with the application or server rather than anything more sinister. Truth be told, I hacked them because they haven't taken me up on my discogs toolbar idea yet. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) the orb on kompakt??
There's been some hot tips on the good Kompakt gear so far - here are some other Kompakt releases I like: Thomas Fehlmann - Whistle (lovely floaty goodness that's just a masterpiece of production) Ferenc - Yes Sir, I can Hardcore (m.mayer remix is proper cheese-rave-tech) Magnet - Rising Sun (definitive nu-trance track - really hypnotic) Speicher 14 on Kompakt Extra has M.Mayer turning in proper cerebral tech on one side with Schaffel silliness courtesy of The Orb on the flip The Total 5 collection is pretty good, again there's a killer Fehlmann track on there - 'Radeln' that's pure beauty. Lots of people go crazy for the Rex The Dog stuff and there's no denying that they are huge tracks but I don't quite dig them myself. The latest rumour is that Rex The Dog is none other than JX who did that 'Son Of A Gun' track ages ago. Kompakt Pop is wicked as well! Check the latest release for a great heroin-house version of Kylie's 'Slow'. I think the thing with Kompakt is that they release heaps of stuff and most of it isn't really that great (I don't think that much of most of their ambient stuff) and so they get a bad rap. The other thing is that there's quite a high camp element in most of their releases, and not everybody likes camp. /0 [EMAIL PROTECTED] 06/09/05 8:58 am hahahahah little fluffy clouds! :) - Original Message - From: z66 [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 08, 2005 6:50 PM Subject: Re: (313) the orb on kompakt?? .. rite, but it took me years to discover Kompakt is actually not all that bad;) everytime i was in Germany, been checking some of their records [german record shops always seemed to have lots of Kompakt backstock, not to mention their own shop in Cologne], yet nothing caught my attention [was it wrong release, wrong time, wrong place or wrong me?] until recently, and then thanks to MP3 piracy. i really dig their two Mikkel Metal's rels, and i also find some of Closer Musik and SCSI9 rather enjoyable. havn't heard anything from the Orb since the famous cloud-song, i guess! ///Z FRED giannelli wrote: on 6/8/05 11:03 AM, J.T. at [EMAIL PROTECTED] wrote: Yeah, that record is only OK. I have never bought a kompakt 12 that was worth the 12$, be it on kompakt proper or pop or extra. well i only know of one i like! KAITO well maybe there's several kaito's, but i really like kaito, yes. You guys are crazy. There are lots of great Kompakt releases over the years. Perhaps you just don't like the recent ones. telepathic regards, the kooky scientist
RE: (313) Quest for da Booty
My mate summed up Booty really well - he said that it gets girls dancing like nothing else and is really brilliant for about 45 minutes and if you hear it for any longer it makes you want to kill people. On a sorta related topic, has anybody checked out Funky Do Morro / Favela Funk? From the ghettos of Rio, it's music made on simple rigs by kids who grew up listening to too much Miami Bass. http://evil-wire.org/~ampere/mp3/funky/ is the motherlode - a big old pile of Brazilian Booty to help yourselves to. Diplo is heavily influenced by this style.
RE: (313) piccadilly records. Any good?
I can't recommend picadilly enough! I used to go there all the time when I lived in Manchester, and even now on the other side of the world they remain one of my favourite shops. As well as the red-hot warehouse finds that seem to pop up with alarming frequency, their staff have the best taste in music. While I still use juno most of the time, Picadilly is the place I go to when I want to listen to something fresh; their staff picks are always right on it. In terms of mail order, they do Manchester-Sydney in around 4 working days, with no problems encountered by me ever. In addition, if stuff isn't in stock, they'll send it out to you once it is, and only charge your card at that point. I was well happy when some gear I'd completely forgotten about turned up out of the blue a few weeks after I ordered it. Manchester heads - are they still on Oldham St? What's Eastern Bloc like nowadays?
Re: (313) iPod DJ
Yeah, but 'tis merely the novelty of it all I imagine. Most big DJs who are playing out on Final Scratch probably haven't really had the gear for long, especially when you express the time they've had it as a percentage of their total time on the 1s and 2s. Or maybe they're checking their email/watching the latest episode of Battlestar Galactica they got off bittorrent the day before. It's the perennial challenge, IMO - how do you turn an electronic music performance into a 'show'? And furthermore, ought you to? Cyclone Wehner [EMAIL PROTECTED] 04/15/05 11:06 am Every time I have seen a DJ with Final Scratch they look at the screen the whole set and never the crowd, and then the crowd gathers around and if they can they look at it as well. It's created a barrier. The next challenge is to find a way around that. It's very disengaged... At 2:36 PM -0400 4/14/05, /0 wrote: id like to play somewhere with sound good enough for me to differentiate between a 320k mp3 and a wav file I'd like to *dance* at a club with sound that good, too! Anyway, I still don't like the idea of computer files substituting for vinyl. Just think, if DJs ripped their vinyl favs onto their ipods (or laptop hard drives), where would taste-setting airline baggage handlers get their bumpin' tunes? I tell ya, the world will be a sadder and poorer place if those poor baggage handlers have only old Neil Diamond and Burl Ives records to listen to after work. It'll set civilization (or at least airline service) back at least forty years. -marc
RE: (313) Buzz Goree mix
Yeah, there was a 7 inch released a while ago that has an acapella of Transition and an edit of Windchime on the other side. http://www.discogs.com/release/218436 Melody Ng [EMAIL PROTECTED] 04/11/05 1:06 pm cheers for that. Well there's an acapella version of Transition in there? (laid over the top of another track?? or is it just a different version?) -Original Message- From: Ivan Tomasevic [mailto:[EMAIL PROTECTED] Sent: Saturday, 9 April 2005 07:43 To: 313@hyperreal.org Subject: (313) Buzz Goree mix i hope this is not a re-post. http://www.submerge.com/bookings/media/buzz2005.mp3 it would be nice if someone could help me with the tracklist. regards ivan -- ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) Carl Craig / Friday Question
It's funny you mention that, Dave - I too wasn't that taken with Angola when I first listened to it. Then I heard it played out on a big system and I *understood*. The track is a magic spell! It never fails to get a crowd moving. I think it's the handclaps myself. Which brings me to an interesting question for you all: What track have you listened to and not bothered picking up, only to subsequently hear it on a big system and then realise that you must have it IMMEDIATELY, to the point of even nicking it off the DJ?
Re: (313) Carl Craig / Friday Question
Also also A great track to mix out of Angola is 'Analord' by Luke Vibert, off the 95-99 EP. You have to pitch it up a whole heap, though, so best to burn it to CD (or pick up the new Lovers' Acid compilation on CD which has it). Thomas D. Cox, Jr. [EMAIL PROTECTED] 04/08/05 11:21 am -- Original Message -- From: dave cronin [EMAIL PROTECTED] interesting observation... i think the only dj i've heard play Angola is C2 hisself and i honestly don't remember how he played it. what's your prescription for how to mix into it? inquiring minds want to know. its probably one of the best tracks i have for doing long mixes, i usually lay the claps and vocals over another cut right until the breakdown before the bassline comes in 2/3 of the way through the track. i like laying it over something dirty and bass heavy like some older trackmode records or something like that. i usually just throw it in the mix as quickly as possible so i can ride the other track. watch out because the angola rmx is really really slow. tom andythepooh.com
RE: (313) Aril Brkha At Nuphonic
hmmm... 22 April is a Friday and on Saturday 23 April, Derrick's playing in Sydney. As well as being the innovator, is the man also the teleporter now? Brendan Nelson [EMAIL PROTECTED] 03/31/05 11:13 pm It used to be the Camden Palace, so it's pretty big and decced out like a ballroom inside. The nearest tube is Mornington Crescent. Should be a laugh to see how this night turns out - I can imagine the venue being quite well suited to an evening of May/Brikha, but have a few misgivings about the walk-past crowd Koko is likely to attract... -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 31 March 2005 13:56 To: 313@hyperreal.org Subject: (313) Aril Brkha At Nuphonic Derrick May Aril Brikha (live) Richard Fearless Saturday 22 April. KOKO Camden High Street London NW1. 10 PM onwards. I've never heard of this place but I'll be there. k
(313) New Moog hardware released today!
http://bigbriar.com/detail.php?main_product_id=166 Apparently it's for guitars, but I can see how it would work for lots of producers - especially those making trance.
Re: (313) Carl Craig in Sydney?
Looks like Melbourne definitely got the better end of the deal! It was good to see him in Sydney - the first time I've ever seen him in any incarnation, but the gig itself wasn't really put together with much love; it seemed to be an out-and-out exercise in making money rather than a party put on by passionate folk. Carl played fantastic music throughout - starting off all minimal with some Rhythm and Sound and the new Luciano on cadenza, moving through nice dubby house a la KDJ, into some nice tech and he generally stayed in that tech area for most of the night, colouring it with latin/african rhythms. He played lots of his own stuff (it was great to finally hear his remix of Beanfield on a big system, though I'm a little disappointed he didn't give Angola a whirl) and finished up with some really emotive strings-based tech. When he dropped the seemingly obligatory tracks he did it with panache. Jaguar coming in over Good Girls was a particular highlight. And then the next support came on and played nosebleed techno. And most people went home. Carl seemed to be enjoying himself at times, and there were moments of brilliance, but in all I didn't really feel that he was at any time running on full steam. I think he had a very very tough crowd to please and so couldn't take the kind of risks I was hoping he would, track selection-wise, without alienating a lot of people. Sounds like the Honkytonks crowd were more open-minded on the whole. I'm not really complaining though - as said, it was good to hear some fantastic music on such a great system - and to see so many people enjoying it; a real rareity for Sydney. And from a fanboy perspective it was just super cool to be in the same space as one of my heroes! Just to elaborate on Cyclone's description of his setup - he was using the latest version of Final Scratch with the new firewire scratch amp and full-blown Traktor interface, a DJM600 whose effects he was working from time to time (only delays and echos - no flangetastic nonsense from CC!), and he also had a 16-pad midi controller that he was using to trigger various sounds (and maybe loops and tracks as well). Cyclone Wehner [EMAIL PROTECTED] 03/30/05 5:41 am He was great in Melb at Honkytonks. He DJed with a computer set-up - Stanton Tracktor thing. (I don't know much on this stuff but I observed as much). Started with a 'sample' from Apocalypse Now - a part with the whirling helicopters and dialogue - and played v minimal techno (as in the newer German micro style Hawtin favours too) and gradually built up to Detroit style with a few faves like Strings Of Life - and then finished the arc with jazzy vibes. His last track was one by Detroit Experiment, from memory. I think Carl DJs as a programmer and the new technologies have helped him come into his own as a DJ. Really superb. Most proclaimed it to be one of the best gigs we've experienced in some time. Fabulous, responsive crowd. Christian Vance played live as Phunk De Sonique - layered lush sounds. One of the most talented techno/house producers in Melb. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) Carl Craig in Sydney? Date: Tue, 29 Mar 2005 4:16 PM did anybody go? how was he? how were the other djs? i couldn't make it - i was away up the coast james www.jbucknell.com
Re: (313) Carl Craig in Sydney?
I should also add that the following night (Easter Sunday) I went to see one of the heads of Perlon records, Zip/Dimbiman, play at a small party in the city and he was bloody brilliant. If you guys ever get an opportunity to check him out, I urge you to do so. A fabulous record collection - I've calculated that the night is probably going to cost me a couple of hundred bucks in new purchases... if I can track any of this stuff down, that is... Cyclone Wehner [EMAIL PROTECTED] 03/30/05 5:41 am He was great in Melb at Honkytonks. He DJed with a computer set-up - Stanton Tracktor thing. (I don't know much on this stuff but I observed as much). Started with a 'sample' from Apocalypse Now - a part with the whirling helicopters and dialogue - and played v minimal techno (as in the newer German micro style Hawtin favours too) and gradually built up to Detroit style with a few faves like Strings Of Life - and then finished the arc with jazzy vibes. His last track was one by Detroit Experiment, from memory. I think Carl DJs as a programmer and the new technologies have helped him come into his own as a DJ. Really superb. Most proclaimed it to be one of the best gigs we've experienced in some time. Fabulous, responsive crowd. Christian Vance played live as Phunk De Sonique - layered lush sounds. One of the most talented techno/house producers in Melb. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) Carl Craig in Sydney? Date: Tue, 29 Mar 2005 4:16 PM did anybody go? how was he? how were the other djs? i couldn't make it - i was away up the coast james www.jbucknell.com
Re: (313) canberra?
Cyclone Wehner [EMAIL PROTECTED] 02/08 11:57 am Oh dear! ;) Kinda like the Wisconsin of Oz (did you ever see Dogma, where angels fear to dread - 'cos of acute boredom). I dunno Cyclone, I might have to disagree with you here! While there isn't much of a directly 313-related scene, Canberra has a very small but tight underground that comprises lots of different elements of underground music. I played at a party at the art school down there last October and it was pretty solid - there were three rooms, one with bands, one with DJs playing lots of different styles from jungle/dnb to minimal tech to freaked-out house and so on and then there was an experimental room with all kinds of interesting live performances. There's quite a lot of producers in and around Canberra - including some world-class talent - though a couple of the guys who've really helped push alternative music have recently moved out of town. Because there's so few people into anything but mainstream choons, they all band together and so you get much more diversity in styles at the alternative parties - when Jeff Mills played Canberra recently he was supported by DJs spinning House, Broken Beat and Electro, and consequently delivered a set that was much more diverse than his other Aus outings, more in line with his recent tour with Garnier than the straight-up tech we got in Sydney (not that I'm complaining!). There might not be a million parties every single week, or month, in Canberra, but there's a good grassroots community of passionate peeps down there that you'll probably get on quite well with. Lemme know when you're going and I'll hook you up with some heads.
(313) Ultimate Kraftwerk accessory
http://home.t-online.de/home/520078056126-0002/casio.htm In other news, Underground Resistance are training a pack of Jaguars to sing in an attempt to revive the merchandising cross-over.
RE: (313) tons of tones
My favourite thing about slsk is the way you can chat with the people you're downloading from, and browse their other files as well. If you're searching for quite specialist music (for want of a better term), that maybe only 10 or 20 users, worldwide, have got, it's a fair-to-middling bet that they may well be into the same sort of sound as you. I *always* make a point of searching through other files of users I've downloaded from and it's quite amazing - I can't measure the amount of new music I've discovered that I otherwise may never have even known about. I've also had some great conversations with people from all over the world. I don't know if the other p2p networks out there support this function and to be honest I don't care - I'm not fussed about downloading warez or movies or top 40 CDs. slsk is my best friend. My only friend. David Gillies [EMAIL PROTECTED] 14/01/2005 10:22:04 am The best thing about soulseek for me is not in finding lots of well known stuff (like nirvana) but being able to find lesser known stuff that I can't find on any other p2p network. Try typing something 313 related in soulseek and then try it on another more well known network (perhaps like Limewire or something) and compare the differences. Then you'll see when everyone here talks it up. On Thu, 2005-01-13 at 17:20 -0500, [EMAIL PROTECTED] wrote: i did notice the search function not turning up too much i used Nirvana as a test,, and only came up with a few hundred files instead of the usual thousands On Thu, 13 Jan 2005, Thomas D. Cox, Jr. wrote: -- Original Message -- From: J.T. [EMAIL PROTECTED] there are major problems with the slsk search function lately, i imagine it will be fixed soon... soulseek kills the rest, when it's working correctly didnt realise that they were having bugs. even when they do, its so worth it to just stick it out. i always give them money for the DL priveledges too, with that its honestly the best access to the best music ive ever seen. you can literally find just about anything.
Re: (313) definitive detroit track?
Jaguar, surely? David Gillies [EMAIL PROTECTED] 22/12/2004 1:18:29 pm On Tue, 2004-12-21 at 12:13 -0800, fwdthought wrote: what if you could ONLY choose ONE track to demonstrate your love of Detroit Techno and it's all consuming power?what would that be? Yes, I know there are SO many...but, you can only choose one... Red Planet's Star Dancer would have to be my choice.
Re: (313) Soundtracks
There's a Japanese-only Appleseed soundtrack that's really good - a couple of duds but it also contains the sublime Akufen cut, The Dragonfly Who Thought He Was a Mockingbird... tracklisting: 01. Boom Boom Satellites /Dive For You 02. Paul Oakenfold / Burns Attack 03. Basement Jaxx / Good Luck 04. T. Raumschmiere / One Man Army 05. Boom Boom Satellites / Bump Over Hills 06. Ryuichi Sakamoto / coro 07. Atom / White Car 08. Carl Craig Vs Adult. / Hand To Phone (Appleseed Version) 09. Akufen / The Dragonfly Who Thought He Was a Mockingbird 10. Boom Boom Satellites / Anthem 11. Boom Boom Satellites / Under Dog Cyclone Wehner [EMAIL PROTECTED] 9/12/2004 9:35:46 am I am into interesting soundtracks at the moment and need some suggestions. Of course I know Bladerunner! I have been listening to Badalamenti's Mulholland Dr (the main theme is very Mayday, struck me first time!) Morricone's Exorcist II: The Heretic - very strange, takes in rare Morricone rock moment Zimmer's King Arthur (man, I love that film for its er posmodern historicity, wow, never knew there was a knight with an Aussie accent either).
Re: (313) Soundtracks
I just thought of a few more as well: A Clockwork Orange (meaty old synths bashing out lashings the beautiful beautiful ludwig van) Midnight Express (GIORGIO!) The Terminator (John Carpenter-esque) Tron (almost as good as the music in the arcade game) Lost In Translation (just dreamy and lovely) I'll also second the call for the Akira soundtrack - it's amazing. There are actually two versions available - one with just the music, and the second has dialogue from the film over the top of selected bits of music. Apparently this is all the rage in Japan. And pretty much any John Hughes film (before 'Home Alone') has a fantastic soundtrack - My first introduction to Yello was courtesy of Ferris Bueller's Day Off. Also - do any UK folk remeber a wicked show on Channel 4 a few years ago called 'The Trip'? They basically took heaps of (royalty-free) NASA footage and accompanied it with some wicked proto-idm stuff. They released a double CD of the soundtrack that was simply wicked. Cyclone Wehner [EMAIL PROTECTED] 9/12/2004 10:12:12 am This sounds good! They don't have to be strictly electronic either. I am quite intrigued by some of the soundtracks which have been influential on electronic types or appropriated by that wider scene. Eg, how come Morricone comps get reviewed in electronic/dance mags (even when no remixes)? I wonder what the duds could be, hmmm, Oakenfold? Ha. -- From: Simon Hindle [EMAIL PROTECTED] To: 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: (313) Soundtracks Date: Thu, 9 Dec 2004 9:58 AM There's a Japanese-only Appleseed soundtrack that's really good - a couple of duds but it also contains the sublime Akufen cut, The Dragonfly Who Thought He Was a Mockingbird... tracklisting: 01. Boom Boom Satellites /Dive For You 02. Paul Oakenfold / Burns Attack 03. Basement Jaxx / Good Luck 04. T. Raumschmiere / One Man Army 05. Boom Boom Satellites / Bump Over Hills 06. Ryuichi Sakamoto / coro 07. Atom / White Car 08. Carl Craig Vs Adult. / Hand To Phone (Appleseed Version) 09. Akufen / The Dragonfly Who Thought He Was a Mockingbird 10. Boom Boom Satellites / Anthem 11. Boom Boom Satellites / Under Dog Cyclone Wehner [EMAIL PROTECTED] 9/12/2004 9:35:46 am I am into interesting soundtracks at the moment and need some suggestions. Of course I know Bladerunner! I have been listening to Badalamenti's Mulholland Dr (the main theme is very Mayday, struck me first time!) Morricone's Exorcist II: The Heretic - very strange, takes in rare Morricone rock moment Zimmer's King Arthur (man, I love that film for its er posmodern historicity, wow, never knew there was a knight with an Aussie accent either).
Re: (313) (even more) Soundtracks
and Lalo Schifrin as well - he of the themes to 'Bullit' and 'Mission Impossible' amongst others. And John Barry rules as well. Cyclone Wehner [EMAIL PROTECTED] 9/12/2004 9:35:46 am I am into interesting soundtracks at the moment and need some suggestions. Of course I know Bladerunner! I have been listening to Badalamenti's Mulholland Dr (the main theme is very Mayday, struck me first time!) Morricone's Exorcist II: The Heretic - very strange, takes in rare Morricone rock moment Zimmer's King Arthur (man, I love that film for its er posmodern historicity, wow, never knew there was a knight with an Aussie accent either).
Re: (313) somehow this is so UR
Hahaha that is so very cool... There's an underground party crew here in Sydney that have an old DC-8 cockpit that they cart around to outdoor parties and use as a DJ booth. It looks super cool. Matt MacQueen [EMAIL PROTECTED] 17/11/2004 2:43:02 am i was thinking about this for my home DJ setup, has anyone used one of these before ? ;) http://tinyurl.com/5gyqm check out the bonus pics -- Matt MacQueen http://SonicSunset.com
RE: (313) dj mag/richie hawtin
If you hit www.nuloop.com and do a label search on Bruchstuecke it comes up in the list - Bruchstuecke 16. Real audio samples available. Redmond, Ja'Maul [EMAIL PROTECTED] 9/11/2004 2:42:22 am Is there anywhere I can hear this track on-line? Ja'Maul Redmond 1100 S. Tryon St. Suite 300, Charlotte, NC 28203 t: 704.343.9900 f:704.343. www.perkinswill.com Perkins+Will. Ideas + buildings that honor the broader goals of society -Original Message- From: Simon Hindle [mailto:[EMAIL PROTECTED] Sent: Sunday, November 07, 2004 6:23 PM To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) dj mag/richie hawtin Richie has good taste! This is an absolutely mind-blowing track, released on a Swiss label called Bruchstuecke which is distributed by Kompakt. It's got a real subtle growling buildup reminiscent of Random XS or something like that but without straying into full-on minimal acid rave territory, topped off with some wonderfully understated clicky goodness over the mayhem. The two cuts on the flip are solid as well. Bruchstuecke the label is definitely worth checking out also - Luciano has had a few releases on there that are really good, and quite diverse (a few pop songs from him as well!) and their recent long-player, 'Music for Children' is worth at least two listens. Good stuff. Ales Hieng - Zergon [EMAIL PROTECTED] 8/11/2004 2:38:10 am hi there would someone be willing to look up and cite the record that richie hawtin selected as this year's best track in the dj mag top 100 longlist? the only thing i remember is that it was from an artist with a name impossible to remember;) thanks Mario Galoppierende Zuversicht - 'Linguini Al Denta'
Re: (313) dj mag/richie hawtin
Richie has good taste! This is an absolutely mind-blowing track, released on a Swiss label called Bruchstuecke which is distributed by Kompakt. It's got a real subtle growling buildup reminiscent of Random XS or something like that but without straying into full-on minimal acid rave territory, topped off with some wonderfully understated clicky goodness over the mayhem. The two cuts on the flip are solid as well. Bruchstuecke the label is definitely worth checking out also - Luciano has had a few releases on there that are really good, and quite diverse (a few pop songs from him as well!) and their recent long-player, 'Music for Children' is worth at least two listens. Good stuff. Ales Hieng - Zergon [EMAIL PROTECTED] 8/11/2004 2:38:10 am hi there would someone be willing to look up and cite the record that richie hawtin selected as this year's best track in the dj mag top 100 longlist? the only thing i remember is that it was from an artist with a name impossible to remember;) thanks Mario Galoppierende Zuversicht - 'Linguini Al Denta'
(313) [Sydney Spam] High-Jinks presents SOUTHERN OUTPOST recordlaunch!
Greets everyone a little bit of spam for you all today to let you know about this coming Saturday, 6 November. We've got Sydney electro superstars Southern Outpost taking over High-Jinks to celebrate their recent signing to Submerge and pending release of their next two EPs, SO-09 'The Electric Shock EP' and SO-10 'The V.I.M. EP'. The night's going to feature a daring audio-visual experiment courtesy of Miss Memory and BASIC, themed DJ sets from The Sentinel, k.loc and James Bond and a live set from SO's latest member, Sol-37 Entry is FREE as ever, and there are going to be Southern Outpost cocktails and a very limited SO release available to a lucky few on the night. The party starts at 7pm, goes through till 3am and is at the Sly Fox Hotel, Enmore Rd, Enmore. Did we mention it was free to get in? For more information, check out http://www.southernoutpost.com/highjinks and also http://www.threedworld.com.au/magazine/magazine_article.php?id=111 for an interview with the SO folk. Cheers!
(313) New Villalobos
So the new Villalobos album drops on Perlon on 11 October - 3 x 12 of unreleased older material. Soundclips are now available on http://www1.technodj.de/?SUB=pProductTPL=productProductID=3663521 It sounds pretty damn good.
Re: (313) australian delsin comp
Nick Taylor is actually quite well known in Aus amongst the outdoor party scene, and his profile in Sydney is growing rapidly. He's based in Byron Bay (Australia's mecca for hippies - well, trustafarians at least) and while the music he plays is hardly 313 material, he still is a kickass DJ with a great sound. I always look forward to hearing him at doofs because it's a welcome relief from all the psy-trance. He describes his sound as 'psychedelic acid disco'. The jury's out on whether it contains soul or authenticity though - I suspect it might induce taste-spasms amongst a large number of folk here... His DJing partner is called Jackie Onassid, who deserves props alone for having such a great name. Cyclone Wehner [EMAIL PROTECTED] 17/09/2004 12:05:17 pm He's not a big name here at all, I don't know him at all. Good luck to him though. The most talented new techno producer here is a guy called Christian Vance who is in the group Phunk De Sonique. Also check out anything by Local People. -- From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Re: (313) australian delsin comp Date: Thu, 16 Sep 2004 7:29 AM 06. Dynarec - ?Concentrated Universe?: one of the better-produced tracks though little messy. The intro goes for about ten seconds and then fades out and in again for no apparent reason. LOL! what can you expect from someone who wrote this: Nick Taylor is no stranger to the Melbourne dancefloor. A recurring favourite with Melbourne promoters and punters alike, Nicks? ass shaking disco-fuelled sets are renowned for their originality and pure funk... MEK Thomas D. Cox, Jr. To: 313@hyperreal.org [EMAIL PROTECTED]cc: h.com Subject: Re: (313) australian delsin comp 09/15/2004 03:47 PM Please respond to death -- Original Message -- From: Marsel // Nomorewords.net [EMAIL PROTECTED] for those interested there's a delsin compilation cd, for the australian market just found a wonderful review http://www.inthemix.com.au/reviews/music/17442/#comments HAHAHAHAHAHAHAHA. getting dissed by morons is even better than getting compliments from people in the know, IMO. tom andythepooh.com
Re: (313) DJ MIXER: what would be your choice?
I've heard plenty of reports questioning the durability of the AH mixers (well, the 62 and the 464) - apparently the Pioneers are the most indestructible, but don't have anything approximating the sound quality. Perhaps the 92 has got these issues ironed out - it certainly looks more rugged, and finally combines features from all the previous models into one unit, as well as having 'DJ-style' fader knobs rather than 'engineer-style' fader knobs... If you can manage without linear faders, the Rane 2016 is super hot. I do like vestax mixers as well (I REALLY like the PMC-250 with those dual EQ's), but don't know how they hold up in terms of durability. That new PMC-CX looks pretty nifty; the master isolator function seems interesting, though I don't quite understand what it's all about. Get an AH 92 though. And let us all come over and have a play on it :) Ronny Pries [EMAIL PROTECTED] 15/10/2004 7:57:43 am xone 62 or 92. :) [EMAIL PROTECTED] wrote: hi mates! which DJ mixer would u recommend for a club? it should have 3-4 inputs and most of all: great survival potential=) ../z99
RE: (313) Wighnomy Bros
Yeah, Robag is one of the brothers; the other one is Soren Bodner, though I don't know much about him or his solo releases (if there are any). [EMAIL PROTECTED] 14/09/2004 3:30:17 am i'm quite certain rhobag is one of the whigomy bros. On Wed, 8 Sep 2004, John Osselaer wrote: True! This Robag Wruhme guy certainly got my attention as well. During my last 'hunting trip' at the Kompakt store in Cologne I found a number of his releases and they are really good. Still need to check most of the Wighnomy Bros material though. John --- http://www.technotourist.org [EMAIL PROTECTED] -Original Message- From: Simon Hindle [mailto:[EMAIL PROTECTED] Sent: woensdag 8 september 2004 1:08 To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: (313) Wighnomy Bros I just want to second this claim on the wighnomy bros' awesomeness - practically everything they're touching at the moment is gold. Also Robag Wruhme (who I suspect is most definitely the business part of the brothers) is similarly aflame. Check their limited edition WB releases on their own label, which feature a novelty bootleg on one side (so far Born Slippy, Hide U by Kosheen and a Busta Rhymes vocal have been given the WB treatment) and a quality click-tech cut on the flip. Robag's Wuzzelbud 'KK' album is solid, as is his Kopfnikker EP (both on Musik Krause) and also check out his remix of P.Lauer's Free Entry For Girls on Punkt. There's also a live set of the Wighnomy Bros at Sputnik doing the rounds on soulseek and that's just wild. They're blowing up bigtime at the moment and their remixes are all over the place right now - they're in serious danger of displacing Akufen at the top of my list of 'Producers Madonna will get to do her next album for her' Carlos de Brito [EMAIL PROTECTED] 8/09/2004 7:23:25 am oh and...: did i already mention that wighnomy bros. are doing it every time, with every release? check' em out, they are incredible. imho, actually the best minimal/maximal/micro/macro-house/techno-producers around...:)! www.wighnomy-brothers.de #euphoric mode off# c.
(313) Wighnomy Bros
I just want to second this claim on the wighnomy bros' awesomeness - practically everything they're touching at the moment is gold. Also Robag Wruhme (who I suspect is most definitely the business part of the brothers) is similarly aflame. Check their limited edition WB releases on their own label, which feature a novelty bootleg on one side (so far Born Slippy, Hide U by Kosheen and a Busta Rhymes vocal have been given the WB treatment) and a quality click-tech cut on the flip. Robag's Wuzzelbud 'KK' album is solid, as is his Kopfnikker EP (both on Musik Krause) and also check out his remix of P.Lauer's Free Entry For Girls on Punkt. There's also a live set of the Wighnomy Bros at Sputnik doing the rounds on soulseek and that's just wild. They're blowing up bigtime at the moment and their remixes are all over the place right now - they're in serious danger of displacing Akufen at the top of my list of 'Producers Madonna will get to do her next album for her' Carlos de Brito [EMAIL PROTECTED] 8/09/2004 7:23:25 am oh and...: did i already mention that wighnomy bros. are doing it every time, with every release? check' em out, they are incredible. imho, actually the best minimal/maximal/micro/macro-house/techno-producers around...:)! www.wighnomy-brothers.de #euphoric mode off# c.
Re: (313) Techno Films
Yeah, word to those who namechecked Robocop - it's set in Detroit, for heaven's sake! Tron and THX1138 definitely qualify, as does Rollerball. I'd also say Assault on Precinct 13 (if only for the soundtrack) and Midnight Express (ditto!). And A Clockwork Orange. Anime fillums are pretty techno I think - Ghost in the shell, Akira, (off topic can anyone recommend privately some good recent anime films)? And the first matrix was supercool but the sequels sucked hard. Cyclone Wehner [EMAIL PROTECTED] 16/08/2004 2:54:22 am I have been thinking about 'techno' films - ie films that the techno community have adopted as part of their subculture - as lately I've been catching up on DVDs when I am too tired to do anything else constructive. ;) I guess hip-hop types have Star Wars but techno people I find are into Metropolis, Bladerunner and The Matrix - classic sci fi. Personally I didn't quite get into The Matrix. It's very strong visually - and very clever - but I found it very cold and devoid of any humanity and the third instalment was infuriating with its inconsistencies and poor script. However, it is fun observing spots in the first as though they took out obvious Sydney features, it's clearly Sydney and I know that Dymocks store spot well. ;) I much preferred Dark City, also shot in Sydney, with the underrated Rufus Sewell - who was so amazing as Stuart era super mack Charles II recently. Funny it came out before The Matrix... Some others might be (or these are some of my faves): Gattica (slept-on, what more can I say) Artificial Intelligence (very simple yet profound, loved the multiple endings) Minority Report (interesting, I almost warmed to Tom Cruise in this role) Anyway I am wondering if any of you esteemed people would like to suggest your favourite techno film/s.
Re: (313) [EMAIL PROTECTED]
Yeah, I'll echo James' sentiments here - I too have no qualms about using the net to get hold of out-of-print rareties, but I find that downloading current stuff for preview purposes is great - I still spend as much money on vinyl as I used to, but thanks to the use of P2P as a 'listening post' I find that the quality-to-crap ratio of my purchases has improved immensely. Basically, I get to spend as long as I like (within reason) with a track before deciding whether to buy it or not - not a quick 2 minute listen in a shop or even worse a scratchy 30 second sample. Great for picking up those tracks that 'grow on you' which you might have initially disregarded on a record store visit and we've all done that, I'm sure... [EMAIL PROTECTED] 11/08/2004 10:53:06 am likewise, i don't regard p2p as the place to get quality files you'd play out. for that i do private exchanges. discogs is a great place to hook up with likeminded people. we're not talking recent releases on underground labels - i'm dealing with way out of print, rare sh*t that can't be bought anyway. there isn't any product to pay for in these cases that gives money to the label or producer. btw. robin, if as you say, downloading a file on p2p is stealing, then isn't downloading the file at emotionelectric.com also stealing? james www.jbucknell.com robin [EMAIL PROTECTED] ctric.com To 313 Org 313@hyperreal.org 10/08/04 05:03 PM cc Subject (313) P2P i agree with ani below. thing is though if you want these tracks for playing out, or whatever, mp3s (unless the very minimum of 192k, and even then) just won't cut it. it has to be be a full wav/aiff. and do you trust th person who ripped it to do a good job of recording it in? (uness ripped off cd of course) i view the p2p dl's as just a way of hearing a full preview of the material really (like you can do on any record store but with short low quality clips). once heard an you like, buy it. the dl'ing of stuff off p2ps of underground labels is basically stealing. i know i know i've heard all the arguments about how this shti should be free etc etc. but we aren't talking huge record conglomerates here (dl'ing the latest missy elliot cd is a far cry from dl'ing a downlow release). in terms of underground labels we are talking people like us just scraping together cash to get a run of 500 records out. sometimes selling parts of prized record collections on ebay to do so. to steal off people like that is wrong and will be to the detriment of our scene. ok, i've gone off on one there where it praps wasn't necessary but i wanted to get that off my chest. i am not saying that p2ps are wrong or anything like that (though replace missy elliot with cubase and downlow with ableton and you have my views on cracked software) but i think people if they dl the latest underground release off a small label and they like it and play it then they are obliged to buy really. sharing of mixes etc on p2p (unless it's a proper release off a cd) is ok tho and is what i use p2ps for when i do. robin... can't wait to hear this. regarding p2p file sharing of unreleased material, i don't condone people stealing other peoples' material. but at the same time, i believe i have the freedom to download material because i only play vinyl and will ultimately have to buy the record anyway. i know the titles i will buy when they come out, and may want a listen before shopping. also, a bit of laziness when it comes to encoding vinyl contributes to my support of sharing music on p2ps. ForwardSourceID:NT0001103E
(313) Sydney Spam / Tejada set for download
Hey gang a real quick spam to let you know that High-Jinks is throwing down again tomorrow night (Sat 31 July) at the Sly Fox, Enmore Rd, Enmore from 7pm. Entry is free, we're having a Christmas party and our guests will be DARTECH who'll be playing a crazy mixed-up trick set featuring tech faves old and new, XXX from the Deep Space crew who'll be banging it out inna chinstrokin stylee and our very first live appearance, STALKER FROM CANBERRA, one of Australia's hottest (and most unknown) producers, who'll be bringing his Basic Channel/Maurizio/Monolake-style analogue dubby goodness to all the sweaty drunkards that usually lob up for our parties. If you're in the 612, be sure to drop on in! Just so this isn't completely spam, can I ask if anyone else has heard of a producer called Donnacha Costello? I've only recently been turned onto his stuff (his 'colours' series on minimise) and I'm LOVING it! I highly recommend. Also here's a link to a recent Tejada set that I really like - those of you who don't subscribe to the tech-house list might not know about it: http://216.46.229.44/trax/JohnTejada_DallasTX_2004-JULY-17.mp3 - really good. Cheers Si
Re: Re: (313) Fake Los Hermanos record?
Maybe you guys should hook up. You could call yourself the Dust Brothers... Martin Dust [EMAIL PROTECTED] 29/07/2004 5:56:38 am I don't think I'd be that happy, if I was honest. Mind you, there's a Shranz (s) DJ called Mike Dust, even that didn't make me laugh... Martin The Los Hermanos of Rolando and Mitchell is trademarked as the label name, this is an artist who calls himselves Los Hermanos. H, in dance music terms the distinction is a little vague at times, no? Underground Resistance is a good example...
Re: (313) Sunday afternoon deathbed question
Giorgio Moroder Phil Oakey - Together in Electric Dreams jason kenjar [EMAIL PROTECTED] 19/07/2004 6:35:44 am Ok. If you died today and had arranged for your cremated ashes to be pressed into a record, which one would it be?? Drew= Final Frontier MEK = Larry Heard Alien Lp Me= Wave Jumper keep em coming!!
(313) Fabric 17 - Akufen
Well it arrived in the post yeseterday and I gotta say that for me, this is the best Fabric release in quite a while. Lots of layering, heaps of quality canadian goodness - the future sounds great! Even though there's plenty of the clicky minimal perlon sound, it doesn't get boring or repetitive. I urge everyone to get out there and get a copy.
(313) Laptop performances
So I've been having a bit of a discussion on a local messageboard about laptop performances. By and large, they're really BORING. It looks like people are checking their email. Or, if they're bopping along, it looks like they're checking important email but really need to go to the toilet. What's the solution? Name some laptop performances you've seen that were really good SHOWS. And say why they were. Is it really simply a case of having stellar visuals as well, or is there a whole new paradigm out there for this type of performance? I liked Kraftwerk's minimal-movement-black-suits-and-plinths affair, but that sorta ties in with their aesthetic, and I heard Aphex Twin did a show where he just lay on the floor and twiddled with the laptop - no effort at all. That appeals to me in a twisted way but is somewhat gimmicky. I personally wonder if laptop performances are more suited to more artistic interpretations - ie having a gig in an office, with extras sat at desks with PCs as well, and only one of them is the musician. Stuff like that.
Re: Re[2]: (313) 303 SUMMER was (313) plastikman....
Yeah, I'm actually quite enjoying this acid revival. It seems to be the next 'big' sound - it's only a matter of time before Madonna starts wailing over bubbling 303 basslines but in the meantime there's some nice stuff coming out - Abe Duque's 'What Happened' EP, some of the newer Poker Flat stuff, some Trapez releases - all have got that unmistakable squelch about them and are great tunes to boot. Hell, even the mighty Kraftwerk have a full-on acid shakedown on the Aerodynamik EP courtesy of Alex Gopher and Etienne De Crecy (one of the weaker manifestations of the sound imho). Of course, it means that lots of people will be reaching for their copies of rebirth and going at it like loons possessed and we're already starting to see a fair bit of crap around but I think it's unfair to dismiss *everything*. And of course, if you're into that hard London squat-techno sound, the acid never went away in the first place ;-) [EMAIL PROTECTED] 23/06/2004 1:13:28 pm *** hey and why not revisit something old? the past, unknown to one, carries no less mystery than future. after all everything melds into present, this very moment, right here sorry for pretending to be wise=) /z99 it was 23.06.2004 when u've been going like this -= :: no this is your problem not mine I have little to no interest in retro :: music... why revisit some thing already done why not strive to do soke :: thing new and innovative... :: On Wed, 23 Jun 2004 [EMAIL PROTECTED] wrote: there's your problem - you're thinking early 90s acid, which has nothing on late 80s chicago acid! james www.jbucknell.com Neil Wiernik [EMAIL PROTECTED] g To 313@hyperreal.org 22/06/04 02:24 PM cc Subject (313) 303 SUMMER was (313) plastikman this happened here (montreal, canada) last winter... lasted all of 5 mins (thank god) and disapeared back into where i belongs the early 90s retro bins... ;) On Tue, 22 Jun 2004, Fabrizio Nahum wrote: on a side note: here in rome it seems like it will be a 303 summer, as acid is making a big comeback both st the record shop and the various summer techno events. Is this happening elsewhere as well? sorry, i meant to say: a HUGE comeback ;)) f. -- [neil adam wiernik aka naw] [EMAIL PROTECTED] [music available on] http://www.noisefactoryrecords.com http://www.pieheadrecords.com http://www.worthyrecords.com http://www.complot.ca [artist features] http://www.clevermusic.net http://www.newmusiccanada.com http://www.cognitionaudioworks.com -- ForwardSourceID:NTE942 :: -- :: [neil adam wiernik aka naw] :: [EMAIL PROTECTED] :: [music available on] :: http://www.noisefactoryrecords.com :: http://www.pieheadrecords.com :: http://www.worthyrecords.com :: http://www.complot.ca :: [artist features] :: http://www.clevermusic.net :: http://www.newmusiccanada.com :: http://www.cognitionaudioworks.com :: --
(313) Akufen Mix for download
Akufen is next up in the Fabric mix series, and if you go to www.fabriclondon.com you ought to be able to navigate to the info page for the release. There's a decent interview with him, but more importantly there's a decent quality streamed half hour promo mix he's done ahead of the proper release (in about 3 weeks time). I think it's lovely. So go check it out!
Re: (313) CJAM 91.5 Windsor - Movement Main Stage MP3 archives
I don't think it's that much of a mess... just for your infos, Francois K's set begins in the last 5 mins of the file dated 30 May, 21:39 and spans over the subsequent 3 files (ie into the file dated 31 May 00:39) for the next day, if you download the 5 files from 31 May 20:39 to 1 June 00:38 you'll get the last bit of Electrofunk and then Kevin Saunderson and then Rolando. The sound files concatenate perfectly and so it's not a great drama to re-edit them in soundforge etc so you get complete sets. I've only heard a bit of each of the sets and they sound well worth the effort! On Tue, 15 Jun 2004, Greg Earle wrote: http://www.cjam.ca/ Go to archives on the main page, read the blurb and then click on the CJAM Broadcast Archives link. Or go directly to http://mp3.cjam.ca/mp3log/ Unfortunately, the archives are timestamped, so you'll have to check the timestamps and correlate with the posted Movement schedule (which isn't exactly accurate). - Greg
Re: RE: (313) new bits / Tresor
I lve the Osborne remixes! It's hard for me to pick a fave though - I'm playing the Matthew Dear one the most at the moment. (You can get the TNT mix for free mp3 download from www.ghostly.com along with a whole heap of other goodies). I'm also enjoying: Minority EP on Tunnel 7 M.I.A. feat. Tek Bros - 'All I need' on L-3000 (a great track to mix after the Carl Craig rmx of 'Tides', BTW) Narcotic Syntax release on Perlon Also I was surfing Juno yesterday and found a track by Zap Mama called 'Bandy Bandy' which has a couple of Carl Craig remixes on it - C2 has now turned his attention toward contemporary dancehall it seems. I like it. Well, I like the crappy sample of it at least! [EMAIL PROTECTED] 10/06/2004 5:03:09 am I was at Tresor for the first time back in Feb, and it also took us an hour or two to figure out there were more rooms. The basement is *insane*, has to be one of the most intense techno-related experiences anywhere. Sounds like I need to go back and do a bit more exploring; I must have missed the Globus room completely... The other great thing about Tresor is the cost. 10 Euros for Blake Baxter, Pacou, and a host of others I can't recall at the moment -- plus cheap beer. Did you stay at The Circus Hostel? that place is amazing... - jobot - Original Message - From: [EMAIL PROTECTED] Date: Wednesday, June 9, 2004 7:56 am Subject: RE: (313) new bits / Tresor I have to say Alex this was my best gig ever becuase it was an ultimatedream come true and I loved the feel of the dark vault and its sweaty walls, its such a contrast to upstairs and if Tresor ever goes it will be a tragedy thats for sure. I'll bet Ian! yeah, that's some dark ass action they got going on down there. It's like some sort of torture vault or something. I have to say I liked upstairs though as well. Infact, I was in the pub last night and all my mates were pretty surprised that I thought it was so good... maybe it was because I was away and it all seemed different. I dunno, by the time I'd got to Tresor I'd been on a 24 hour non stop drinking bender. So my opinions are probs skewed. anyway I wrote a massive long post, I put a bit about tresor in so I cp'd so you can see my opinions on it. 5am came and the club shut. The rest of our boys had headed to bed, but I wasn't really up for going home, so Mike and I thought we'd head over to Tresor to see if it was still open. Arrived there 5.30 ish, walked in and it was JUMPING!! Pretty gob-smacked really, wasn't expecting much at all, but it was hot. Grabbed some beers, found ourselves a little corner and spent an hour or so dancing away, watching the ladies go by. So, we were in this room on the ground floor, and thought this was it - I was surprisedthat the music wasn't really banging, I heard Metro Area 5 again in here, some other stuff that I'm guessing was sort of Kompakt style things and some kinda modern poppy italo electronic stuff which I didn't have a clue what it was. The dj couldn't really beat match that well, but was workinghis records and pretty much had the crowd eating out of his hand. Everybody was going pretty wild... It took at least an hour for us to realise that there was infact more rooms to it! The Globus room is quite thin, but very long with bars at bothends, the dj box in the middle, raised up. High ceilings didn't really affect the sound at all and there was all the usual kinda 'club' decorations in there... At one end of the room was a little door leading to a tiny back room that was also a bar. There was a great dj on in here, again playing a bit of everything, and a garden out back which I sat in for a while and listened to the chit the guy was playing. Nice selections. You had to go through this room to get to the famous Tresor vault. Down the stairs, past the merchandise stall and past another bar, there were some metal gates leading to the vault Flippin 'eck! It was madness! Just a dark dark room (I couldnt see my hand infront of my face), a strobe, a low ceiling and it was packed with loads of mad german techno heads getting lost in the heavy heavy 'main room at Lost' kinda vibe. We spent a while down here. It was heavy s**t. Dark dark music, drum loops all the way, no melody, just driving hard music. I guess it could have been alot harder - UK heads, a Bicknell set in the main room at Lost was exactly what it was like They were using Ableton Live too when I popped over to have a look. I couldn't tell before I looked thoughwhich I guess was a good thing. so, anyway, we left tresor about 9.30 am and wondered the streets of Berlin, gazing at all the cool buildings in the basking sunshine. No map, didn't know where we were going but somehow ended up back on the street to out hostel. Stopped at the Petrol Station to find it sold
RE: (313) Friday Question - that Latin track
I am currently digging: Fabrice Lig - Tapioca Los Hermanos - My Mother's Guitarra and the two B-sides on Andreas Saag's 'Latin Lesson' EP (Tristezza pt 2 and Camboreale). Magic.
(313) Sydney Spam - High-Jinks this Sat
That's right - another High-Jinks, this Saturday at the Sly Fox on Enmore Rd. 7pm-3am, free entry, cheap beers and a pool comp. And, to make this vaguely relevant to the list at large, one of our guests will be fellow listmember JAMES BUCKNELL, who will be blowing us all away, Reader's Digest-style - in other words he'll be playing an epic 6-hour set (condensed edition). Two other guests of note as well - MIU, who says he'll be taking us on a Drexcyian underwater adventure, and APHASIC, who in addition to his skills on the 1s and 2s and love of all things german, is also a bona fide psychiatrist. No word yet on whether he'll be delivering analyses on what our track selection says about our relationships with our mothers. Be good to see you there.
RE: (313) my personal experience at movement
It seems like there's a fair bit of weight given to monetary concerns after each movement/DEMF event - stories of Derrick May hitting his folks up for cash, contractors threatening to walk out and so on... From reading reports, it's apparent that so far the organisers have had to make Herculean struggles to get the event going each year, and perhaps that's part of the whole event - perhaps the struggle is as important as the event itself, or synonymous with it in some esoteric artistic way. It seems to me that the two quickest routes to a less stressful breakeven are sponsorship or charging on the door. I can understand immediately the ethical concerns with sponsorship, but are the organisers so idealistic that they wouldn't ask for even five bucks on the door? Hell, if they're that keen to not charge for an event they could just make it really easy to sneak in (ie not have fences or security solely to keep out intruders) so that the only people who pay are those who feel obliged to do so from their own personal moral standpoint. That seems like a bit more of a pragmatic approach than having donation boxes full of half-eaten cheeseburgers. I'm sure that even if they did that they'd at least generate enough revenue from ticket sales to cover the logistical costs of doing so - at least then they'd still have that seemingly important struggle to contend with! all IMHO, naturally.
(313) Carl Craig/Talking Heads
I was reading an interview with the Unabombers (Electric Chair) last night and they were asked what their top 5 records of the moment were. In #1 position they listed Talking Heads - Once In A Lifetime (Carl Craig Edit) Does anybody know anything about this? I had no luck at Discogs.
Re: (313) Don't forget to Perlon!
I ordered this at the start of the week and am so excited about its arrival! I read somewhere that one half of Narcotic Syntax is (Manic Street Preacher) James Dean Bradfield? Is this true? 'The Drumpads Of Jericho' is a great title for a track! jason kenjar [EMAIL PROTECTED] 28/05/2004 9:22:30 am What's up? I'll tell ya whats up! The Narcotic Syntax on Perlon! It's nothing short of amazing! Please take my word for it and pick it up on sight. Its a really unique combination music and poetry and story. Get this, all the poetry in the music has been printed on the inside paper sleeve to read along as you listen. Here is a little snippet of narcotic poetry which explains their work- its on the sleeve too: All notes of this daring construction are formed out of the remnants of a music culture from the last white spot on the jungle map. Every single sound has been placed into the composition by laborious, time-consuming manual operation. The arrangement is not from this world. The groove orbits around your own passion. The rhythm wins the fight of love for detail. If you don't already want to run out and listen, don't let rely on on-line samples or a quick stop at the record store to make your decision for you. Take it home and read the poetic stories as you listen. My pick of the friggin' year so far, and what an amazing 5 months it has already been! Its a really good time to like electronic music, folks. -jason
(313) Inner City green vinyl
So yesterday I was in the 2nd hand store and picked up a copy of 'Paradise' by Inner City, on Virgin/10 records. The vinyl is green! I can't find a listing on Discogs for this - is it rare? Does anyone else have a copy?
Re: (313) more Laurent Garnier
There's also a mix he did with Llorca on Pulsation.com - if anyone has a tracklisting for that I'd be happy to hear from them! Chrismiller [EMAIL PROTECTED] 29/04/2004 1:38:37 pm Anyone heard his batch of 5 mixes that was released late last year? Thoughts? The Sonar mix is my fave but they're all of a high standard IMO. Lots of older Detroit and chicago tracks (circa late 80's to early 90's). cheers Chris Message sent using Dodo Internet Webmail Server
Re: (313) the future (a different approach)
1: Those new DVDs made out of paper that can store 25 gigs on them 2: 'Toothing' Ronny Pries [EMAIL PROTECTED] 21/04/2004 10:02:17 pm since this thread seems to be related to the things we know for a long time, i'd be interested in your 2 latest discoveries of which you think they are new (you didn't know them before). may it be websites, movements, phenomenas or a band you just discovered, whatever. i'm pretty sure there are things to discover others didn't know before but are worth beeing checked out. i'm curious about the results. ronny
(313) Paging Fabrice Lig
If anyone has contact details for Fabrice Lig, could they please hit me up off-list? Thanks Si
(313) Manchester parties this weekend?
Hey guys It's my Brother's birthday this weekend and he wants to go out and party. Given that I'm half the world away from good old Manc, can you mob recommend any good parties he ought to check out? Ta
Re: (313) Adam Johnson Chigliak
For interested Sydney folk, Adam is playing next Sunday night at Frigid, at the Newtown RSL on Enmore Rd. Entry is FREE! www.snarl.org/frigid [EMAIL PROTECTED] 17/04/2004 4:51:48 am And Adam is currently in Australia (when we spoke earlier this week) where he is hoping to take in a bit of surfing - mind you, he told me that Great White sharks really freak him out. If you're in Oz I highly suggest checking him out (doing his music - not surfing) MEK Kent williams [EMAIL PROTECTED]To: 313 list 313@hyperreal.org cc: 04/16/04 01:45 PMSubject: (313) Adam Johnson Chigliak Some of you probably are familiar with the output of the Merck label, but you probably don't associate it with techno. But Adam Johnson's CD Chigliak' has some absolute winners in the techno category. the track Traber especially reminds me of Octave One, and it would be killer in a set. Too bad this isn't out on vinyl!
(313) Party in Sydney/Pulsation mixes
Hey folks If you haven't already, please go check out Pulsation - Fabrice's mixes are fantastic, but there's so much other good stuff up there. Check Llorca and Garnier live for a wonderful version of 'Man with the Red Face' and of course there's the Theo mixes on there as well (there's bound to be at least one person who hasn't heard them, right?). Bit of a pain that they're only 64kbps tho... A quick plug for a party we're throwing in Sydney tomorrow (Saturday 17 April) night... High Jinks Strikes Back!!! Sly Fox, 199 Enmore Rd, Enmore. 7pm-3am, free entry, free pool table, $6 cocktails between 7 and 9 (ie ideal economic situation for those of you saving up for planet e represses). Guest DJs are Zootie from Mad Racket and Methodixxx from Swarm. Should be plenty to keep any 313-types happy - if you come along, approach and identify, as there's typically a few listmembers in attendance. 313 in the 612! Hit me up off-list for more details. Have a good weekend y'all! Si
Re: (313) first techno record
Giorgio Moroder Phil Oakey - (together in) Electric Dreams. (Sorta connected - has anyone heard the Lali Puna version of this? Beautiful.) First proper vinyl record was 808 State - Lift. Mann, Ravinder [CCS] [EMAIL PROTECTED] 5/03/2004 2:57:51 am Just out of interestWhat was the first techno record you bought ? Mine was Inner City - Big Fun double packed with an Album of remixes. 88 ?? Man that makes me feel old. Thnks Rav
Re: (313) Leaving Home: The Move To Chicago
and y'know shake can bring it tooi'd really love to see a shake mix-cd someday...i can't think of any mixes that compete at all with shake's track selection and action on the ttables...disco to techno to rock to hiphop and back again and making it sound like it was meant to go together...a polished, retail-tight mix would be awesome...c'mon k7... Correct me if I'm wrong but isn't Shake lined up for a Fabric CD later this year? (as well as akufen amongst others... loverly)
