Re: [SlimDevices: Audiophiles] New 24bit/192kHz Squeezebox Product

2011-06-14 Thread Robin Bowes
On 06/14/2011 01:50 AM, Mnyb wrote:
 ... one could argue that acoustically 2 sound sources is the worst in
 creating acoustical interference etc use 1 or many instead.

You could, but you'd be wrong.

R.
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[SlimDevices: Audiophiles] Jitter article

2011-06-01 Thread Robin Bowes
I stumbled across this today:

http://www.eetimes.com/design/analog-design/4216225/Tutorial--Clock-jitter-measurement-and-effects

Thought some of you may find it interesting/enlightening.

R.
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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-05-25 Thread Robin Bowes
On 05/25/2011 07:48 PM, Phil Leigh wrote:

 You need to grow a sense of humour.

 You just make yourself look silly with comments like this.

+1.

R.
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Re: [SlimDevices: Audiophiles] Linear PSU into Touch

2011-05-18 Thread Robin Bowes
On 18/05/11 09:57, JackOfAll wrote:
 
 Robin Bowes;631905 Wrote: 

 I had a trawl through your posts but couldn't find that. Any chance
 you
 could provide a link?
 
 I'm not John, but think this is what you are looking for
 
 http://forums.slimdevices.com/showpost.php?p=586042postcount=35

Yes, that's the one. Thanks.

R.
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Re: [SlimDevices: Audiophiles] Linear PSU into Touch

2011-05-17 Thread Robin Bowes
On 17/05/11 22:48, JohnSwenson wrote:
 
 The thing is that not all linear supplies are created equal. MOST
 commercial linear supplies will actually inject more noise back into
 the AC mains than a good switcher does. 
 
 I have a design which gets around all these issues, but you have to
 build it yourself. Its posted in one of the linear supply threads
 around here. This will beat any switcher and probably any commercially
 available linear design.

John,

I had a trawl through your posts but couldn't find that. Any chance you
could provide a link?

Thanks,

R.
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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-05-09 Thread Robin Bowes
On 09/05/11 08:52, Phil Leigh wrote:
 
 Where does PasTim state he is using a wired network?
 

On 07/05/11 19:50, PasTim wrote:

 My ethernet (wired) network is less than ideal...

It doesn't sound like PasTim is all that confident in his network. He
should do some simple testing to establish how reliable it is. I
wouldn't rule out network issues at this stage.

R.
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Re: [SlimDevices: Audiophiles] Upgrade from touch+cambridge 840c

2011-04-26 Thread Robin Bowes
On 26/04/11 09:16, soundcheck wrote:

 I'm running a 250$ full-digital DIY amp nowadays 

Hey, I'm interested in that. Got any links, etc?

R.
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Re: [SlimDevices: Audiophiles] Digital vs. Analog (again)

2011-04-07 Thread Robin Bowes
On 07/04/11 04:29, brjoon1021 wrote:
 My belief is that there is too much there for current digital
 parameters to capture as well as analog can.

Actually, that's not the case. The A/D process is relatively simple and
easy to do right. Digital recordings can easily capture everything that
analog can and much more. Indeed, pretty much *all* recordings are done
digitally these days, even those destined for vinyl.

I would say almost certainly that you prefer the filtering effect that
vinyl reproduction has on sound - a smoothing effect, with a slight
change in the overall frequency response.

R.
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Re: [SlimDevices: Audiophiles] Digital vs. Analog (again)

2011-04-07 Thread Robin Bowes
On 07/04/11 12:33, Soulkeeper wrote:
 
 During the weekend, I listened to a test print of my band's upcoming 10
 vinyl. It sounds ten times better than the digital master tracks. All
 the microphones and other inputs were plugged into a sound card and
 A/D-converted. From there, everything was done digitally. The record
 manufacturers in Poland received the master tracks via the Internet.
 The result? Analog! Amazing. It must be magic. :)

No, it's called mastering.

R.
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Re: [SlimDevices: Audiophiles] Is touch a better sounding unit than SB3 ?

2011-04-05 Thread Robin Bowes
On 05/04/11 18:28, magiccarpetride wrote:
 
 It was a belated April Fool's joke! Lighten up, people;)
 

Ah... a joke...

Funny, it sounded just like the rest of the drivel you post. Is that all
a joke too?

R.
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Re: [SlimDevices: Audiophiles] Digital vs. Analog (again)

2011-04-04 Thread Robin Bowes
On 03/04/11 18:09, darrenyeats wrote:
 So we did. Same track, via a £13.5k DAC (!) and the reel to reel. All
 of us preferred the reel to reel! The digital had spitty vocals and the
 drums were less catchy.
 
 Afterwards we found the reel to reel was a recording of the same
 digital file via a much cheaper DAC. This is another experience
 supporting my belief that digital doesn't have any less musical
 information than analogue (in fact the opposite). However, it's just
 less comfortable hearing accuracy in certain set ups.

Indeed. Recording to, and playing back from tape is essentially
processing the signal, eg. rolling off (very) highs, slight compression
perhaps. Perhaps as digital filter that does the same thing would be a
good idea? :)

R.
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Re: [SlimDevices: Audiophiles] Active Crossover as plugin or otherwise

2011-03-29 Thread Robin Bowes
On 29/03/11 08:26, cliveb wrote:
 
 I'm not usually this blunt, but someone has to say it - this is a CRAZY
 idea. People like Phil have been gently and politely trying to point
 out the futility of this scheme for a while, but it seems not to have
 got through.
 
 Crossovers that operate from a full range stereo signal are well
 understood (regardless of whether they operate in the analogue or
 digital domain) and need not cost a lot of money. The cost of the
 crossover in an active system (which requires one power amp per drive
 unit) is not that significant.
 
 Contemplating doing all this as some sort of SBS plugin and hoping to
 use multiple sync'd Squeezeboxes to deliver the split signals is
 frankly bonkers.

C'mon Clive, this is the *Audiophile* forum! ;)

R.
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Re: [SlimDevices: Audiophiles] Pissing contest

2011-03-28 Thread Robin Bowes
On 28/03/11 14:33, adamdea wrote:
 In principle it seems to me
 that a Very Clever Programmer could possibly work out a way of tricking
 SBS into using the ability to stream different signals to 2 different
 devices to produce a woofer and tweeter   stream. Then all you would
 need for a 2 way speaker would be 2 squeezeboxes and 2 amps.
 Would any VCPs care to comment?

The problem you have with that idea is that each stream would have to be
synchronised, ie. played back at exactly the same time. I may be wrong,
but I don't think that would be possible.

That is an interesting idea for a niche SB product though - a SB with 2
or more DACs. Maybe modular, with the firmware that does the filtering
in the digital domain.

Interesting...

Probably best with a separate digital x-over though, fed from a SB SPDIF
output.

R.
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Re: [SlimDevices: Audiophiles] Transporter discontiuned?

2011-03-28 Thread Robin Bowes
On 28/03/11 16:32, islandsound wrote:
 
 So I have been looking on and off for another one of these units, I have
 one of the original Slim Devices Transporters, but I heard they were
 discontinued?  I now see that it's back on Logitech's sit for sale for
 $1299.  I also searched the threads here and saw there were some promo
 codes.  Are there any more of these codes out there?  Are they still
 making these things?  I searched a few months back and found they were
 going for like $2200 now a grand less, why?  Any differences between
 the original units and Logitech's units?  Smack me in the face for all
 the questions I wasn't able to find them all searching.  Thanks guys.

The only difference is the badge on the front. There is zero
mechanical/electrical difference.

R.
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Re: [SlimDevices: Audiophiles] Transporter discontiuned?

2011-03-28 Thread Robin Bowes
On 28/03/11 22:56, garym wrote:
 
 JJZolx;621562 Wrote: 
 Badge? As Gary said, they're missing the navigation knob.
 
 I think Robin was referring to the question of the difference between
 the original slim Transporters vs the later Logitech transporters (not
 the current SE's).

Correct. I forgot about the SE.

R.
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Re: [SlimDevices: Audiophiles] Pissing contest

2011-03-27 Thread Robin Bowes
On 26/03/11 19:57, Curt962 wrote:
 
 That's cool...but all the differences in capacitors demonstrates why at
 least some of us have gotten rid of the problem altogether.   
 
 Actives.   :)

My next speakers will be active. Not sure what yet. Too many children to
e in a position to embark on the procurement voyage just yet... :)

R.
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Re: [SlimDevices: Audiophiles] squeezebox setup for audiophiles

2011-03-18 Thread Robin Bowes
On 18/03/11 23:10, JezA wrote:
 
 If the people who design and make products design and make them properly
 they shouldn't need tweaking. If they do need tweaking, why throw good
 money after bad? Why not just buy something that works right in the
 first place?

I don't disagree with your sentiment, but commercial products are
usually built to a cost, ie. compromises are made in the design process.
If money were no object then yes, the product designers should make them
properly in the first place. But that rarely happens, if ever. And
certainly not on a mass-market product.

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-16 Thread Robin Bowes
On 15/03/11 17:53, Howard Turkster wrote:

 I'd be interested in how many people who believe there is no difference
 in sound quality between Radio Shack speaker cable and
 premium-labelled (and priced) speaker cable have A/B demoed the same
 in their homes.
 
 When I first broke in to the hobby, I listened to those who said there
 is no difference.
 
 After demoing A/B in my home, I abandoned that camp.  And I'm very
 grateful that I did.  My system is exponentially better than it had
 been IMO (and my wife's opinion, who didn't want to believe it) because
 of it.
 
 Note: I'm not advocating for $1,000 speaker wire over the standard
 audiophile-grade wire.  I'm advocating the latter over the RadioShack
 variety.

Ah, OK. So we actually agree.

My view is that cable needs to be good enough (ie. standard
audiophile-grade wire in your terminology).

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-16 Thread Robin Bowes
On 16/03/11 14:04, JezA wrote:
 
 If you can't hear the difference buy the cheapest. If you can hear a
 difference, ask whether the cable is good, or defective; or whether
 your hifi is good, or defective; or whether your hearing is good or
 defective.

This is classic audiophile reasoning: if I can't hear a difference it
must be because there's something wrong somewhere.

Could it possibly be that I don't hear a difference because there
*isn't* any difference??

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-16 Thread Robin Bowes
On 16/03/11 15:31, JezA wrote:
 
 Robin Bowes;618495 Wrote: 

 Could it possibly be that I don't hear a difference because there
 *isn't* any difference??
 
 Of course it could. But then again, there might be many other reasons
 why you don't hear a difference that does exist. Don't worry about it.
 

Oh, I realise that. I did some DAC comparisons a few years ago and
couldn't hear any difference between them. I then upgraded my amp
(tweaked it myself by disconnecting the tone controls and upgading the
op amps) and, apart from improving the sound, I was then able to hear
the differences between the DACs.

R.

Ps. Don't worry, I'm not worried.

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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-16 Thread Robin Bowes
On 16/03/11 17:38, JezA wrote:
 
 Hands up who can hear where the edits are in (say) a classical music
 recording?
 
 Does that mean there aren't any?

Point taken.

However, when we say differences ( in this context ) we generally mean
audible differences.

And yes, that raises the question audible to who?, ie. some sonic
differences may be audible to some people on some equipment but not to
other people on the same equipment, or the same people on other
equipment or other people on other equipment.

Let's be clear about the issue that we're discussing here...

I am not suggesting that all speaker cables are equal; I am saying that
a good quality audiophile-standard cable will not sound different to a
$30,000 boutique cable. ie. as long as the cable is electrically
suitable for the purpose for which it is being used then there is no
point spending $$$.

I would say something similar for interconnects, but with the rider that
interconnects are more susceptible to differences in capacitance due to
different materials used and physical construction. This is why some
cables sound brighter or duller than others.

R.

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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-15 Thread Robin Bowes
On 14/03/11 15:22, JezA wrote:
 
 Where else does the experience of music exist if not in your mind?

I absolutely agree - the enjoyment of music is a cerebral experience.

However, we're conflating two separate phenomena here, ie. a change to a
music reproduction system vs. a change in the enjoyment of music
reproduced through that system.

The effect of the former can be measured. The latter is subjective and
influenced by many factors other than any changes to the reproduction
system.

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-15 Thread Robin Bowes
On 15/03/11 16:24, JezA wrote:
 
 Simon Marius' claims to have seen the moons of Jupiter were dismissed by
 his critics as syphilitic hallucinations. Everyone knew the sun went
 round the earth. He must have imagined them, mustn't he.
 
 Don't hear what you don't want to hear.

Any your point is...?

Which part of my post do you take exception to?

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-15 Thread Robin Bowes
On 15/03/11 16:28, magiccarpetride wrote:
 
 JezA;618222 Wrote: 
 Simon Marius' claims to have seen the moons of Jupiter were dismissed by
 his critics as syphilitic hallucinations. Everyone knew the sun went
 round the earth. He must have imagined them, mustn't he.

 Don't hear what you don't want to hear.
 
 Good point. Arguably, one could make an interesting sociological study
 based on the huge backlash against the cabling industry. When did the
 backlash begin? Why are people foaming at the mouth whenever someone
 reports hearing differences between two cables?

You're missing the point entirely.

But then, you knew that already because you're a troll, and I don't
care, so where's the surprise?

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-15 Thread Robin Bowes
On 15/03/11 16:29, magiccarpetride wrote:

 sigh
 

And your point is?

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-15 Thread Robin Bowes
On 15/03/11 16:47, Howard Turkster wrote:
 
 I'd be curious to know how many of the cable nay-sayers have demoed some
 of the more expensive speaker wire vs. the standard Radio Shack wire in
 good quality home set-ups.

Howard,

I don't believe I've seen any cable nay-sayers around here. Do you
have some examples?

The most common opinion seems to be that there is an exponentially
diminishing rate of return the more you spend on cable. ie. once you
reach a certain quality then further expenditure does not increase quality.

R.

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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-14 Thread Robin Bowes
On 13/03/11 23:20, konut wrote:
 My perceived preference is probably not scientifically measurable.
 Can someone invent a pleasure meter?

If your preference is not scientifically measurable then it almost
certainly exists only in your mind.

R.
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Re: [SlimDevices: Audiophiles] Raise your hand if you're convinced that speaker cables make no difference to sound q

2011-03-14 Thread Robin Bowes
On 14/03/11 12:42, Phil Leigh wrote:
 
 Robin Bowes;617867 Wrote: 
 On 13/03/11 23:20, konut wrote:
 My perceived preference is probably not scientifically measurable.
 Can someone invent a pleasure meter?

 If your preference is not scientifically measurable then it almost
 certainly exists only in your mind.

 R.
 -- 
 Feed that ego and you starve the soul - Colonel J.D. Wilkes
 http://www.theshackshakers.com/
 
 You realise that ~75% of the Audiophile industry hinges on NOT
 believing that statement...

Absolutely! It's essentially just marketing.

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-11 Thread Robin Bowes
On 11/03/11 17:03, ralphpnj wrote:
 
 garym;617109 Wrote: 
 And if this was NOT true, I would have been in NYC last week bidding on
 one of Eric Clapton's guitars.
 http://www.nytimes.com/2011/03/09/science/09guitar.html
 
 There is a good deal of similarity between the adoration people have
 for Stad and Amati violins and the adoration people have for Clapton
 and, by extension, for his guitars.

I'm not sure I agree with you there. You're mixing up the tone of the
instrument and the playing of the musician. People don't love Clapton
because of his tone - they like his playing, his musicianship, etc. His
tone is actually nothing particularly special; Clapton is all about
phrasing and feel. It's in the music, not the sound.

 Just as it can be easily shown that a Stad or an Amati sound no
 different to the vast majority of listeners, it can be easily shown
 that Clapton is no better a guitar player than scores of other
 guitarists.

Go on then - show me.

 So why all this insane Clapton-philia?
 
 Disclaimer: Obviously I'm not much of Clapton fan although I do like
 and enjoy some of his work.

I'm a fan, but not a fanboi.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-03-11 Thread Robin Bowes
On 11/03/11 17:59, magiccarpetride wrote:
 
 stop-spinning;617156 Wrote: 
 ...I have borrowed a Squeezebox Touch and the sound (as a transport at
 least without any fancy tweaks) is top notch. Much more air, and
 sweeter treble than the Duet. So sorry for doubting you chaps - my
 plans have changed to have the SBT as my transport, so it's now looking
 more like this:

 SBT  Modified DPA Little Bit 3.

 BUT - John - I would really love to try the USB mod to get async
 working from the SBT - then my next step would be:

 SBT  Musical Fidelity V-Link  Modified DPA Little Bit 3 (if the
 async USB mod works reliably John - here's hoping so because I like the
 SBT  - and thanks for your hard work!).

 Then later on, a further progression (or addition) to the family might
 end up being:

 SBT  HRT Music Streamer II (via the software modified async
 connection of course).

 Lots of fun to be had; starting with the SBT. So please do your
 business async USB hack, that'll be the best SBT software hack of all!
 
 Do yourself a huge favor now that you have the Touch -- apply ALL
 Soundcheck's mods (including ttvol100). You won't believe your ears!
 It'll make the Touch sound five times better (at least:)
 
 After doing that free and easy upgrade, if you have some extra cash, go
 for the liner PSU.

*yawn*

More hyperbole - please ignore.

By all means try the mods, but don't expect massive differences.

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-11 Thread Robin Bowes
On 11/03/11 18:05, magiccarpetride wrote:
 
 MichaelJ;617132 Wrote: 
 After 30 years as a production editor for a television network, I have
 more than a passing knowledge regarding monitor alignment and
 calibration. Your ongoing vitriolic attacks on anyone who doesn't
 see/hear the world as you do is getting tiring.
 
 Excuse me, but I wasn't talking to you. I have no interest in talking
 to television people.

This guy is either:

1. a troll
2. clinically insane
3. a complete tosser

Or possibly all three!

R
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-11 Thread Robin Bowes
On 11/03/11 18:40, Stratmangler wrote:
 
 Phil Leigh;617302 Wrote: 
 The standard number of springs is 3...
 (or if you want one that stays in tune, 5!)
 
 Mine stays in tune, it only has 3 springs -and- the bridge is floating
 too.
 It does have a graphtec graphite nut and string tree on it ;)
 

Me too. Graphite saddles too - makes all the difference.

I have 5 springs on mine - I don't actually use the trem.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-03-11 Thread Robin Bowes
On 11/03/11 19:21, mlsstl wrote:
 
 magiccarpetride;617308 Wrote: 
 sigh
 
 Just a comment that there are those of us who tire of the endless
 hyperbole that populates the vocabulary of some audio enthusiasts. 
 
 To me, a massive or stunning or whatever [insert exaggeration of
 your choice] difference is comparing my pocket transistor radio from
 1965 to a nice stereo. Sure, one nice system sounds a bit different
 than another nice system - and I often have a preference - but the
 verbal extravagance some use is worn so thin these days it actually
 makes it harder to give any validity to their observations.

Exactly my point.

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-11 Thread Robin Bowes
On 11/03/11 18:19, maggior wrote:
 
 Robin Bowes;617294 Wrote: 
 This guy is either:

 1. a troll
 2. clinically insane
 3. a complete tosser

 Or possibly all three!

 
 So what you are saying is he's really Charlie Sheen :-).

lol!

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-10 Thread Robin Bowes
On 10/03/11 20:24, magiccarpetride wrote:
 
 Those instruments are prized not only for their rarity, but because
 they sound better — leagues, worlds better — than any others.

No they don't.

There's as much snobbery and Emperor's new clothes in the violin world
as there is in the audiophile world.

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-10 Thread Robin Bowes
On 10/03/11 23:45, magiccarpetride wrote:

 
 If you ever get to the point where you professionally calibrate your
 Mac screen, you'll be delighted to see how much better everything looks
 on a calibrated screen. The colors are much deeper, the blacks are much
 blacker, etc. At that point, flip back to your 'box store' vanilla
 screen profile and experience the shock coming from the pale, lifeless
 images that a poorly calibrated screen gives you.

sigh

Yes, but presumably both Safari and Firefox are both displaying through
the same perfectly calibrated screen?

If you have two different pieces of software displaying the same photo
on the same screen and they don't look identical then one of them is
clearly doing something to the image, ie. some form of signal processing.

This has *nothin* to do with D/A conversion.

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-10 Thread Robin Bowes
On 10/03/11 20:35, magiccarpetride wrote:
 
 Robin Bowes;617050 Wrote: 
 On 10/03/11 20:24, magiccarpetride wrote:

 Those instruments are prized not only for their rarity, but because
 they sound better — leagues, worlds better — than any others.

 No they don't.

 There's as much snobbery and Emperor's new clothes in the violin world
 as there is in the audiophile world.
 
 So, to your enlightened ears all violins sound pretty much the same?

sigh

If that was what I meant then that was what I would have said.

Over the years, a mythology has been created around instruments from
makers such as Stradivari, Guarneri, Amati, etc. leading people to
believe that they sound fantastically better than other instruments.
This has led them to become highly desirable, so much so that they are
usually only owned by the top players in the world, or bought as
investments by rich individuals or investment groups who often allow the
top players in the world to use them. This in turn perpetuates the myth
because you only ever hear these instruments being played by the very
best players, who invariably have a superb technique and would sound
fantastic on most professional-standard instruments.

Yes, these instruments certainly do sound fantastic and, arguably, they
do indeed sound better than other instruments, both old  new.
However, they are not leagues, worlds better — than any others.

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-10 Thread Robin Bowes
On 11/03/11 02:08, MichaelJ wrote:
 
 magiccarpetride;617110 Wrote: 
 Have you calibrated your Mac screen? I'd be willing to bet large sums of
 money that you haven't (you've probably never even heard of such a thing
 as 'calibrating one's screen'). .
 After 30 years as a production editor for a television network, I have
 more than a passing knowledge regarding monitor alignment and
 calibration. Your ongoing vitriolic attacks on anyone who doesn't
 see/hear the world as you do is getting tiring.

Ah, it's not just me then, Michael?

R.
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Re: [SlimDevices: Audiophiles] Why do things sound the way they do?

2011-03-10 Thread Robin Bowes
On 11/03/11 02:57, gizek wrote:
 
 Now, in my opinion man deserves huge respect since he played those
 instruments since he was 5 and spent countless hours manufacturing
 them. Nowadays he's over 80 and still has damn good ear.
 
 Not sure what to think 

Lovely story, but...

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-03-08 Thread Robin Bowes
On 08/03/11 16:59, Phil Leigh wrote:
 
 stop-spinning;616457 Wrote: 
 I can't think of anything better especially when the formula can also
 be seen as:

 £200  £40  £100  £60  £100 to upgrade my DPA = quite cost
 effective for me and can scale well.
 
 versus Touch+modded DPA = 180+100?

Strictly speaking, you still need to include the netbook (or something
on which to store the music.

Still cheaper than stop-spinning's solution though (£200 + £180 + £100 
£200 + £40 + £100 + £60 + £100).

R.
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Re: [SlimDevices: Audiophiles] Worst sounding album in your collection

2011-03-07 Thread Robin Bowes
On 07/03/11 17:42, Phil Leigh wrote:
 
 ralphpnj;616163 Wrote: 
 Oh dear! How could we have forgotten about the caps. Please Phil do tell
 us which style and color cap works best with which type of music. White
 or black for jazz?
 
 Blue for Jazz.

Kind of...

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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-03-06 Thread Robin Bowes
On 06/03/11 12:23, JezA wrote:
 
 stop-spinning - you can't get high-end sound from cheap products. end of
 story. 

Not true.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-03-06 Thread Robin Bowes
On 06/03/11 16:01, JezA wrote:
 
 Robin Bowes;615833 Wrote: 
 On 06/03/11 12:23, JezA wrote:

 stop-spinning - you can't get high-end sound from cheap products. end
 of
 story. 

 Not true.

 R.

 So .. what's your actual suggestion?

Others have already made suggestions.

I didn't have anything specific in mind, but I think a Touch with a good
amp/speaker combination, or a pair of good active speakers cna give you
high-end sound for not an awful lot of money.

Sure, you may be able to get better by spending more (Transporter,
external DAC, etc.) but that doesn't mean that the less expensive option
is not high-end.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-03-06 Thread Robin Bowes
On 06/03/11 20:15, JezA wrote:
 
 You still haven't made any concrete suggestions Robin.
 

What part of ...I think a Touch with a good
amp/speaker combination, or a pair of good active speakers... is not
specific?

R.
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Re: [SlimDevices: Audiophiles] Worst sounding album in your collection

2011-03-06 Thread Robin Bowes
On 06/03/11 20:41, Percival Sweetwater wrote:
 
 Henry,
 
 I'm sure a 24bit 192kHz version would sound infinitely better!

Only if streamed as wav (not FLAC), and from a Windows server, not
linux, and using a green cable, not red.

R.
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Re: [SlimDevices: Audiophiles] HDTracks raises prices - again

2011-03-04 Thread Robin Bowes
On 04/03/11 23:17, ralphpnj wrote:
 I give it about a week or two until copies of the HDTracks Rolling
 Stones files are available on some of the usual download sites.

My friend says he got them 3 days ago. ;)

R.
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Re: [SlimDevices: Audiophiles] Digital vs. Analog (again)

2011-02-28 Thread Robin Bowes
On 28/02/11 19:59, magiccarpetride wrote:
 
 The issue with many live performances is also are we keen on
 reproducing the sound that's coming out of the PA (assuming that it is
 amplified performance), or are we interested in reproducing the sound
 as it is coming out of the instruments themselves? For example, we
 could record the drumkit by close micing, or we could record it as it
 gets reproduced through the PA. So which one is it?
 
 Same applies to vocals etc.

One of my favourite performances (and stories I keep cranking out on
here) is Rachmaninov playing his own Piano Concertos; I come back to
this performance of No.2 time and time again despite it being a severely
limited recording.

There is so much more to a performance than the quality/timbre of the audio.

R.
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Re: [SlimDevices: Audiophiles] Attacking the problem at the wrong end

2011-02-26 Thread Robin Bowes
On 27/02/11 00:12, mlsstl wrote:
 
 Any recording is going to capture sound from only one perspective. And,
 any speaker you have in your room, is going to radiate only in one
 fashion. It has no ability to change its radiation pattern to vary with
 each instrument.
 
 Similarly, arbitrary decisions need to be made by the recording
 engineer and artist when it comes to recording hall ambience. 
 
 Since completely accurate replication is impossible, the alternative is
 to create an experience plausible enough to allow most people to have
 what fiction writers call a willing suspension of disbelief.
 
 The problem is there will likely never be universal agreement as to
 what elements in what proportions best achieves that.

I'm not disagreeing with your general outlook here, but...

The stereo recording process captures the nuances of the environment in
which it was recorded. A good stereo recording through a reasonable
quality reproduction system sounds awesome. I have a recorded orchestras
with a stereo blumlein pair of good quality microphones and replayed it
on a low-end audiophile system and the quality/reality/imaging/whatever
is astounding. I wish I still had the recordings (long story, ex-g/f has
them).

I guess what I'm saying is that it's not generally not the playback
equipment where the major improvements can be made.

R.
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Re: [SlimDevices: Audiophiles] Attacking the problem at the wrong end

2011-02-26 Thread Robin Bowes
On 27/02/11 00:51, Pat Farrell wrote:
 On 02/26/2011 05:49 PM, Kal Rubinson wrote:
  OTOH, our auditory system has evolved for the signal
 detection skills needed for survival.  These include distinguishing a
 significant signal from the background and localizing it.  Notice how
 you can recognize a familiar voice on the limited bandwidth of a
 telephone link?
 
 This leads to my belief, not backed up by science, that as humans, we
 needed to detect the direction of the lion/cheetah before it got too
 close to us, and that made proper phase detection critical to avoid
 being lunch.
 
 Yet the usual measurements of hi-fi focuses instead on frequency.

Good point, well made!

R.
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Re: [SlimDevices: Audiophiles] Attacking the problem at the wrong end

2011-02-26 Thread Robin Bowes
On 27/02/11 02:43, mlsstl wrote:
 
 pfarrell;614074 Wrote: 
 This opinion is not backed by facts. The whole trumpet vibrates. Sound
 is not a point source from some mythical point in the bell. Rather the
 bell and tubing resonate with the notes. Its not the breath of the
 player that comes rushing out of the bell. The breath vibrates the
 whole
 trumpet in resonance with the notes.
 
 Are you saying that trumpets are not substantially louder standing in
 front of them as opposed to the side or rear? That's certainly not been
 my experience. Particularly when I've heard marching bands outside,
 there is a substantial change in sound as they come toward you versus
 marching away with their backs to the listener. 
 
 I didn't say no sound emanates from the side, but they've always
 sounded much louder to me when in front of them. 
 
 Sounds like this is worth a small experiment with a sound level meter.

No need - checkout the appendix in Acoustics and the Performance of
Music: Manual for Acousticians, Audio Engineers, Musicians, Architects
and Musical Instrument Makers (find it on Amazon). The trumpet is
clearly directional.

R.

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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-02-25 Thread Robin Bowes
On 25/02/11 13:24, soundcheck wrote:
 
 Yep. A Windows based server sounds better then a Linux based server on
 the same HW.

*shakes head in disbelief*

Totally bonkers.

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Re: [SlimDevices: Audiophiles] Digital vs. Analog (again)

2011-02-25 Thread Robin Bowes
On 25/02/11 22:39, pski wrote:
 playback was almost identical to CD.

Ha ha ha ha ha ha ha ha ha ha

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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-02-21 Thread Robin Bowes
On 21/02/11 19:26, magiccarpetride wrote:
 
 Robin Bowes;612349 Wrote:
 Mr. Soundcheck,
 
 I've not tried your mods, but I can see why some of them might make
 a difference, ie. they are at least plausible.
 
 Here is a guy who obviously knows what he's talking about because,
 hey, he hasn't tried the mods.
 
 Of course, that makes perfect sense, when you think about it. 
 Meanwhile, some of us nutters have tried the mods, and, naturally,
 the joke is on us.
 
 As the saying goes: there is a sucker born every minute.

Which I won't bother responding to as garym has already done so for me.

On 21/02/11 20:19, magiccarpetride wrote:
 
 garym;612842 Wrote:
 But of course to be fair you took just a portion of his comment and
 used it out of context. He was not talking about the mods at all
 (and in fact he's agreeing that the mods *may be useful), but
 rather making a comment on the likelihood of the SERVER (Windows vs
 Linux) or ethernet cables affecting audio.
 
 Fair enough. I wasn't actually commenting on that bit, just in
 general talking about the absurdity of people who, having not tried
 the thing they're commenting on, still feel entitled and fully
 justified to jump to conclusions.

As another saying goes, What does that have to do with the price of tea
in China?

R.
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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-02-19 Thread Robin Bowes
Mr. Soundcheck,

I've not tried your mods, but I can see why some of them might make a
difference, ie. they are at least plausible.

However, there is *no* way that the O/S running on the server, or the
type of network cables, or the brand of router have any effect
whatsoever on the sound emitted from a SB device.

tcp networking *is* lossless. It's how computers work. The entire world
would grind to a halt if it wasn't (think banking).

The only explanation I can think of for why you might hear differences
that are not what (you'd) call subtle between a Windows server and a
Linux server is that the SB server settings may be different, ie. may be
you may be streaming different audio.

So, I don't doubt that you are hearing differences but I can
categorically tell you that they are not caused by the server OS, brand
of router, or type of ethernet cable.

R.
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Re: [SlimDevices: Audiophiles] If you can hear it, can you measure it?

2011-02-17 Thread Robin Bowes
On 17/02/11 21:33, magiccarpetride wrote:
 Ah, so that's why I can so easily trick my dog into thinking that real
 sounds are coming out of the speakers, while the cats remain singularly
 unimpressed!
 
 (note to self: get rid of the cats)

...or get a better system ;)

R.

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Re: [SlimDevices: Audiophiles] Digital vs. Analog (again)

2011-02-14 Thread Robin Bowes
On 14/02/11 12:17, cliveb wrote:
 
 stop-spinning;610966 Wrote: 
 I guess when you think about it (not that I'm an expert) - the best DAC
 in the world is no DAC, with the sound being analogue from start to
 finish without the need to convert from a digital domain to analogue -
 so no need to worry about those jitter nasties if you don't mind the
 odd snap, crackle and pop.
 Analogue equipment has jitter - it's called wow  flutter. And it's
 orders of magnitude worse than the jitter levels of even quite modest
 digital equipment.

I'm not a vinyl apologist, but that's not quite the whole picture.

Sure, bad wow is awful, but that really only happens with broken
equipment or badly damaged media, and even then I would argue that a
record with an offset hole is still listenable compared to a corrupt
digital file.

In normal operation, the modulation frequency of any pitch variation is
so low that it is barely audible, if at all.

I believe jitter on the other hand has a less obvious effect on sound.
I think it particularly affects higher frequencies which contain a lot
of psychoacoustic cues, ie. positional information (width, depth, sound
stage, etc). I find poor digital sound to be harsh to listen to,
sterile, hard, tiring on the ears, etc. I think getting this right (or
at least good enough) is more important than all other aspects of the
audio chain (assuming of course at least a basic standard!). Of course,
this makes the assumption that it is indeed jitter that causes these
effects.

So, in summary, I don't listen to vinyl - too inconvenient and digital
can sound just as good (to my ears). But don't underestimate the
importance of a good digital source.

R.
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Re: [SlimDevices: Audiophiles] If you can hear it, can you measure it?

2011-02-14 Thread Robin Bowes
On 14/02/11 22:31, magiccarpetride wrote:
 In other words, there is ALWAYS a difference. From moment to moment,
 things constantly change. Ancient Greek philosopher Heraclitus said
 that a man cannot enter the same river twice.
 
 See what I'm saying? Even if you haven't changed any component in your
 system, and are listening to the same track again, something else in
 your surroundings has changed (including your own conditions), and that
 change influences how you experience the second replay of the same
 track.
 
 My question is: since you can hear that something is different, can you
 measure the difference?

A very interesting example you give here, and I think you're on to
something.

I agree, hearing is a subjective thing. Your ears send msgs to your
brain which interfaces with your conscious and sub-conscious thought
and enables you to decide what you think you hear.

Measurement can't account for that. It can only detect physical changes.

Therefore, there are obviously going to be situations where you really
do *hear* something different, but there has been no *physical* change.
ie. the difference is all in your mind. That doesn't make it any less
real than a physical change but goes some way to explaining the
difference between the two camps in the audiophile vs. objectivist debate.

Nice one.

R.
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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-02-11 Thread Robin Bowes
On 11/02/11 17:58, magiccarpetride wrote:
 (the usual load of emotive, paranoid rubbish)

Once again, do you really think that someone else expressing an opposing
opinion, or doubting your own opinion constitutes an attack?

As far as I can see, *you* are the only attacking anybody.

Please calm down. You've been warned once about your language, and may
find yourself thrown out off this forum if you continue.

R.
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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-02-10 Thread Robin Bowes
On 10/02/11 14:50, pippin wrote:
 
 RadioClash;609987 Wrote: 
 Klaus's amazing powers of mass suggestion even worked on your
 unsuspecting wife!
 
 upstairs!!

All those who believe in telekineses, raise my hand.

R.
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Re: [SlimDevices: Audiophiles] soundcheck's Touch Toolbox 2.0

2011-02-10 Thread Robin Bowes
On 10/02/11 17:51, soundcheck wrote:
 Those people reporting
 their positive experiences were continuously insulted. 

You find it insulting if someone disagrees with your opinion?

That's either arrogant, or stupid, or both.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-02-07 Thread Robin Bowes
On 08/02/11 00:10, stop-spinning wrote:
 
 magiccarpetride;609130 Wrote: 
 If you couldn't hear differences between Duet and Arcam Alpha 6, wait
 till you compare Arcam to the modded Touch. Touch will blow it out of
 the water!
 
 Wow - that's some statement I am keen to follow up!

I'd take it with a pinch (bucket) of salt, if I were you.
macigcarpetride is prone to hyperbole.

R.
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Re: [SlimDevices: Audiophiles] Garage Conversion - Sound advice ?

2011-02-03 Thread Robin Bowes
On 03/02/11 14:28, ralphpnj wrote:
 
 JezA;607918 Wrote: 
 Such speakers are a relatively small part of the budget being considered
 for the conversion, so could easily be changed; soffit mounting offers
 the opportunity to make a huge improvement in sound quality,  and may
 mean less expense in other areas. At this stage of the project I think
 it's worth considering. And, to take up Phils point, although it does
 indeed give a 6db lift at low frequencies, putting the Dynaudios into
 the room will most likely give far bigger peaks and troughs all over
 the place - especially as placement is likely to be constrained by a
 dining table!
 
 Perhaps the OP would be better qualified to state what is in or is not
 in the budget for the project.

There's nothing wrong with thinking out-of-the-box at the planning stage
of a project. Maybe the OP didn't consider the possibility of
wall-mounting; maybe he did and decided against it.

Either way, I'm sure the OP is big enough and ugly enough to decide what
he wants to do without you policing responses to his original request
for advice.

R.
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Re: [SlimDevices: Audiophiles] Anyone sell a longer DC cord?

2011-02-02 Thread Robin Bowes
On 02/02/11 14:35, ismarketing wrote:
 
 Thanks Phil.  I thought about that, but I have some nice aftermarket
 cords that I'd like to put to use.   Those cords are all 1.5m - not
 long enough.

Having presumably spent a not inconsiderable amount of money on an
aftermarket AC cord, do you not think you should spend the same on a
similar, matching DC cord - maybe twice as much (if it is twice as long)?

R.
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Re: [SlimDevices: Audiophiles] Anyone sell a longer DC cord?

2011-02-02 Thread Robin Bowes
On 02/02/11 16:09, ismarketing wrote:
 
 Thanks Robin - that's what my post is about.  I'm trying to find an
 aftermarket DC-to-DC cord.  Nobody seems to make one that has a 2.5mm
 plug on both ends.

:rollseyes:

Sometimes, irony is wasted on the Internet.

;)

R.
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Re: [SlimDevices: Audiophiles] BBC iPlayer, sound quality

2011-01-25 Thread Robin Bowes
On 25/01/11 14:19, Soulkeeper wrote:
 
 Not many, I'm afraid. 
 
 Radio Blagon Ambient (French pop/folk)
 Death Metal Radio (death metal)
 All Songs Considered 24/7 (various)
 NRK Urørt (Norwegian underground bands)
 
 These stations have no DJs talking at all, which is even better IMO.
 
 If anyone has more suggestions, it would be appreciated.

French pop/folk? Death metal? Norwegian underground bands?

Strewth, I think I'd prefer to listen to the DJs talking!

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-01-25 Thread Robin Bowes
On 25/01/11 16:56, diego wrote:
 
 chill;605186 Wrote: 
 Ok, so let's accept that you think this additional 0.2% network traffic
 makes a difference to the sound quality.  How much effect do you think
 the extra ~100% network traffic (from streaming WAV rather than FLAC)
 is going to have?

 Edit: Obviously I'm not trying to open up the argument about WAV vs
 FLAC streaming, just trying to put a bit of perspective into the issue
 of network traffic.
 
 Gosh... you measurement value believers are tough...! Well, if what you
 see (or hear) makes you happy, there is no point in trying to convince
 you that there is more you could hear, if you only wanted to open the
 ears (n please don't answer seriously, its not meant seriously
 either ;-) )

The point that has been made is nothing to do with measurement value.

It is also not commenting on the relative merits of wired vs. wireless
networking.

It is pointing out the fallacy of your previous argument where you
suggest that wireless networking requiring more Touch CPU than wired
networking is a reason why wired sounds better than wireless.

Can I suggest that, as well as your ears, you start to use:

1. your eyes ( to read what has been written accurately)
2. your brain (to process what your eyes are reading effectively)

By following these simple tips I think you'll find that you will enjoy
the discussion immeasurably more.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-01-21 Thread Robin Bowes
On 21/01/11 16:23, stop-spinning wrote:
 
 Thanks for that Phil.
 
 I've been surfin' the net (probably a dangerous thing to do) about the
 SB and notice various reviews and such like relating to better sounding
 'modded' versions.. (there's even a highly modded SqueezeBox PLUS!); now
 after all I am in the Audiophile section of the forum here so I ask...
 is there any real benefit at all in modifying an SB especially if you
 are using an external DAC? It seems that many are changing the power
 supply for example.
 
 I also quite like the idea of the new(ish) Consonance Wireless 1.0 D/A
 converter - which allows you to stream music from your PC, plus it's a
 TDA1543 DAC, plus if you want to you can plug it into another external
 DAC of your choice. Quite an interesting idea from a brand that
 concentrates on Hi-Fidelity first and foremost.

Whilst it's good to seek opinions before purchasing, sometimes there's
no substitute for actually listening yourself.

What sounds good to one mind (note: mind, not pair of ears) might not be
right for another.

If you have the chance of a cheap Duet, why not try it and see if you
like it? If you do, listen to some music and spend the money you saved
on something else.

If not, try a standard Touch. Again, if you like it... job done.

Really, there's a lot of crap spoken on these forums about what DAC is
best/better, what PSU makes a difference, etc. etc. The only person who
can tell you the real answers, and the only person that matters, is you.

Listen, and choose.

R.
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Re: [SlimDevices: Audiophiles] Quality of digital outs from the Squeezebox

2011-01-20 Thread Robin Bowes
On 20/01/11 19:50, magiccarpetride wrote:
 
 Wombat;603984 Wrote: 
 Please stop here. This is getting plain stupid.
 
 I see I hit the nerve. It happens...

No, you wrote a load of crap, as usual.

R.
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Re: [SlimDevices: Audiophiles] Hifi rack: wood or glass shelves?

2010-12-30 Thread Robin Bowes
On 30/12/10 15:22, konut wrote:
 
 Glass has the potential to vibrate. I stick with wood.
 

I think you'll find that pretty much *everything* has the potential to
vibrate.

R.
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Re: [SlimDevices: Audiophiles] RC (Inguz etc.)

2010-12-28 Thread Robin Bowes
On 28/12/10 16:38, Phil Leigh wrote:
 
 Phil Leigh;597749 Wrote: 
 Does anyone know why the web controls for increment don't work for
 Quietness, Width etc (but decrement works fine!)
 
 So - it works fine in IE but not in Chrome... weird. The JS looks OK to
 me!

Not sure what version you're running but the web UI doesn't even load
for me in Chrome 10.0.612.1 dev using squeezeboxserver-7.6.0-0.1.31644.

Also, I hid the player panel and it won't come back.

R.
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Re: [SlimDevices: Audiophiles] DACs : unmodded Transporter vs Perfectwave DAC?

2010-12-07 Thread Robin Bowes
On 06/12/10 22:25, TheLastMan wrote:
 
 In fact, I cannot think of an instrument that, on its own, occupies
 enough space to need stereo - unless ludicrously close miked.

You're missing the point. It's not just the sound of the instrument -
it's the ambience from the room as well.

An instrument close-mic'd with a single microphone with sound unnatural
compared to the same instrument recorded with a stereo pair positioned
far enough from the source to capture the sound of the room as well.

R.
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Re: [SlimDevices: Audiophiles] DACs : unmodded Transporter vs Perfectwave DAC?

2010-12-07 Thread Robin Bowes
On 07/12/10 16:40, cliveb wrote:

 But all this is to be expected - the sound quality at rock concerts is
 routinely dreadful.

Well, that's largely a result of the venues being acoustically terrible,
ie. large and reflective.

 As far as recorded music is concerned, giving the
 drum kit a realistic ambience is entirely possible and would enhance
 the listening experience. But it never gets done. It's probably just a
 dogma these days that you record a kit with at least a dozen mics and
 then try to reconstruct it in the mix. Engineers and producers probably
 don't even give it a second thought.

Sure it's possible to get a natural, ambient drum sound, but the
rock/popular music audience has become accustomed to processed drum
sounds - that's just what they expect to hear. And to get those sounds
you need to close-mic individual drums.

From an engineering perspective, natural is actually easier - stereo
pair somewhere in front of the kit: job done. However, from a production
perspective it's not so simple: need to find a room that sounds good,
make sure the kit sounds good, etc. etc.

I'd love to get back into it - I miss my time as an audio engineer.

R.
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Re: [SlimDevices: Audiophiles] DACs : unmodded Transporter vs Perfectwave DAC?

2010-12-02 Thread Robin Bowes
On 02/12/10 12:33, TheLastMan wrote:
 
 Reading this thread with great interest.  Most of the equipment
 discussed is way out of my financial league, but I can pick up a
 Transporter for under £1k now so I am seriously considering it as an
 option in my system.
 
 There is a lot of discussion here about the bass and midrange levels of
 the Transporter vs PWD kit.  However in my (long and varied) experience
 relative sound levels at the various frequency bands have *much* more
 to do with the speakers, amplifier and listening room.  
 
 To my ears the differences between DACs with high quality analogue
 output stages are much more subtle.  More to do with time-domain issues
 which affect harmonics, imaging and the realism of an instrument's sound
 (try listening to voices, piano, snare drum and cymbals).  It will also
 affect the pace, rhythm and timing of music (yes, I own Naim stuff!).
 But a lack of tonal balance (boomy bass, strident treble, recessed
 midrange) has much more to do with the speaker model, design,
 positioning and stands.  The amp can make a lesser difference to tonal
 balance but most critical of all is the room acoustic.
 
 Put any hi-fi in a small room with timber stud walls, heavy drapes,
 soft carpets, big sofas, pictures, book cases and any hi-fi will
 struggle to produce decent high frequency levels unless you are sitting
 absolutely at the sweet spot on-axis between the speakers. In such an
 environment the lower mid-range will dominate as high frequencies will
 be absorbed by the fabrics and bass standing waves and resonances
 broken up by furniture.
 
 A large and 'hard' room with bare brick/block walls, wood or stone
 floors and minimal furnishings will sound very live and dramatic but
 also confused by reflections, bass resonances and standing waves. 
 Boom and tizz without a clear midrange is a real problem in that
 situation.
 
 So my point is...
 ...comparing PWD and Transporter in different acoustic environments
 with different amps and speakers is rather pointless if you only
 comment on tonal balance.  You can only say what your own experience is
 if you have the luck to own both of these devices and play them through
 your own equipment.  Somebody with different amp, speakers and acoustic
 environment could well have completely the opposite experience as
 regards tonal balance.
 
 So if you really want to be informative about how these players
 compare, How realistic does a drum kit sound? 
 Or a choir in full voice? 
 Or a solo piano?
 
 I want the live experience from my hi-fi, something the Naim amps
 give me in spades but they could do with a better player than the
 Receiver.

Can someone please sticky this post? I've never seen such sense talked
on this forum!!

R.

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Re: [SlimDevices: Audiophiles] BE DEQ2496Transporter connection

2010-11-09 Thread Robin Bowes
On 09/11/10 18:27, tomjtx wrote:
 
 I finally took the plunge and ordered the Behringer DEQ2496.
 
 I have 4 connection questions:
 
 Do I have to use the same type of connection for the loop eg.
 toslinktoslink or can I go , eg. Coax to DEQ toslink back to TP?
 
 For an AES/EBU connection can I use any XLR terminated balanced
 cable(like my interconnects) or is their a special digital AES/EBU
 cable. (I don't mean audiophile quality, I have at least learned
 something from you guys :-) ).
 
 And, finally, I seem to remember reading about early reflections in
 digital cabling and that one should use cable of more than 3 feet to
 minimize this. Does this apply to all the above types of connections?
 
 I think that covers it. I know Robin , Phil, Opaquece and Pat will know
 the answers so thanks in advance.
 
 If anyone who uses the DEQ2496 has tips on using it feel free to share

My ears are burning... ;)

Basically, Phil has answered all your questions.

I'm using AES/EBU, using a pair of home-made balanced XLR cables. I
bought a pair of Blue Jeans TOslink cables, but they wouldn't sit right
in the DEQ sockets, and I kept getting dropouts. Eventually, I broke the
flap off one of the sockets rendering it useless so I'm sticking with
the XLRs!

Anyone want to buy a couple of Blue Jeans Toslink cables??!

R.
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Re: [SlimDevices: Audiophiles] BE DEQ2496Transporter connection

2010-11-09 Thread Robin Bowes
On 09/11/10 21:13, tomjtx wrote:
 
 Someone posted some years ago about setting up the RC. I vaguely
 remember 1 speaker at a time etc.
 I did a search but haven't found the thread yet. Do you remember that
 thread?

There are docs on the Behringer website describing how to set up the RC.
You did buy a mic as well, right?

R.
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Re: [SlimDevices: Audiophiles] BE DEQ2496Transporter connection

2010-11-09 Thread Robin Bowes
On 09/11/10 22:15, tomjtx wrote:

 I have a fairly good condenser mike that I use for classical guitar
 gigs. The sound q seems good so I thought I would try that 1st. It was
 about 100.00 on sale. I have a friend who is a recording engineer who
 has some expensive mikes he has offered to bring by.

You need a calibrated mic, ie. one whose response characteristics are
known so the DEQ can adjust for it.

R.
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Re: [SlimDevices: Audiophiles] Crackling only through server?

2010-11-07 Thread Robin Bowes
On 12/10/10 00:11, mashley wrote:
 
 Everything is in Flac.

What sample rate/bit size? And what flac compression setting?

Transporter can struggle with hi-res (eg. 24/88.8) and flac --best

R.
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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-30 Thread Robin Bowes
On 30/10/10 18:57, adamdea wrote:
 
 Robin Bowes;585780 Wrote: 

 The point is that if there are two variables that may affect
 performance
 (mastering  file resolution) then you can't ascribe any performance
 difference solely to just one of them - it could be either or both.

 On dear. I was rather hoping it could be taken as read that we had all
 got that point.

Sadly, it would seem not.

R.

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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-29 Thread Robin Bowes
On 29/10/10 11:31, adamdea wrote:
 
 Hem Hem
 It still doesn't seem to be clear whether the argument is over
 a. whether variance in mastering quality is greater than improvement
 obtainable from increasing resolution beyond 16/44, so that we might be
 better off concentrating on the former
 b.  whether there is any appreciable improvement in quality from 16/44
 upwards.
 [not to mention the meta-issue c. whether any expression of performance
 not demonstrable in ABX is valid].

d. None of the above.

 I am quite sure that many of the people who are bashing MCP over a. do
 not in fact agree over b. and certainly not c.

The point is that if there are two variables that may affect performance
(mastering  file resolution) then you can't ascribe any performance
difference solely to just one of them - it could be either or both.

Your points a,b  c are all valid questions, but not the issue here.

R.
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Re: [SlimDevices: Audiophiles] New Transporter firmware 84

2010-10-28 Thread Robin Bowes
On 28/10/10 14:53, earwaxer9 wrote:
 
 firmware and software have to work together - they have to change
 together to work.

Statement one: true

Statement two: false.

You can use firmware 84 with earlier versions of the SqueezeboxServer
software if you know how.

R.
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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-28 Thread Robin Bowes
rant snipped

I see andynormancx has already replied, and I'm sure others will too.

You are totally missing a very important issue. Let's go over this again
and see if you can get it.

You made available two files, let's call them A  B.

File A is redbook - 16/44.1

File B is hi-res - 24/96

Both files appear to be versions of Track 2, Doralice from the
Getz/Gilberto album by Stan Getz  Joao Gilberto [1].

You say:

file A ...was ripped off the regular Verve CD
file B ...is a Chesky hi-rez master off the original studio master tape

That suggests to me that file A was taken from the original mastering of
the album, while file B was taken from a remastering from the original
master tape (also released in Red Book form as MFSL UDCD 607, I believe).

So, we have two possible sources of differences in how each file sounds
when replayed:

1. the mastering process
2. the resolution of the audio file

It is simply not possible to say that any audible differences are due to
either 1) or 2).

Now, listen carefully - this is the important bit...

In order to evaluate the performance of the 24/96 file format, we must
produce files in 16/44.1  24/96 formats from the same master source.

You can do this by down-sampling the 24/96 file to 16/44.1; let's call
this file C.

Why don't you try doing that and see if you hear the same (obvious)
differences between file B  file C that you heard between file A  file B?

R.

[1] http://en.wikipedia.org/wiki/Getz/Gilberto

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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-28 Thread Robin Bowes
On 28/10/10 21:54, magiccarpetride wrote:
 
 Robin Bowes;585602 Wrote:
 Why don't you try doing that and see if you hear the same
 (obvious) differences between file B  file C that you heard
 between file A  file B?
 
 I've tried it and I hear the hi rez sounding different.

Great!

 Of course, that is completely irrelevant because I WANT to hear those
 differences, right? You, on the other hand, may have an altogether
 different agenda and you may be wishing real hard that you don't hear
 any difference therein.

For your own personal listening, the important thing is that you're
happy with what you're listening to.

It's only when you start posting stuff on public forums that contains
potentially flawed logic that there is a problem.

 So what does this entire charade prove? Nothing at all.

It's not a charade. The fact that you see it as such says more about you
then you ever could.

R.
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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-28 Thread Robin Bowes
On 28/10/10 23:27, magiccarpetride wrote:

 There is a difference between me listening to the recording in a sort
 of a 'gestalt' way (where I'm listening with my entire body and soul
 and mind open to bask in the music), vs listening to it in a 'lab rat'
 mode. I detest and resent being put into the 'lab rat' position (the
 strictly controlled ABX experiment).

Nobody is suggesting you listen to music as a lab rat.

You are claiming to be able to hear a difference between the same
material encoded as 16/44.1 and 24/96. There is no body  soul
involved in making such a distinction. Either you can hear the
difference, or you can't.

 Listening to music in a 'lab rat' mode (i.e. under the strains of the
 ABX experiment) is akin to analyzing a painting by Rembrandt by using a
 microscope -- you may emerge from that experiment with some data, but
 the data you end up holding in your hand are completely irrelevant to
 the experience of Rembrandt's immortal art.

You really do talk utter bollocks sometimes.

I'm done - you can continue to live in your sweet little world as long
as you like.

I care not.

R.
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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-27 Thread Robin Bowes
On 27/10/10 18:24, magiccarpetride wrote:

 All I'm asking here is for people to stop, have a listen, and see what
 they think. Salient points notwithstanding.
 
 It's like wine tasting. Different people will have different
 expectation bias in that regard, but after all is said and done, all
 that really matters is what is it doing to YOU. Do you like it, dislike
 it, or are you in the 'meh' camp?
 
 So jump in, have a sip, tell me what you think.

I think it's pointless testing tracks that have come from different masters.

R.
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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-27 Thread Robin Bowes
I think you need to go back and read what you originally wrote - your
memory seems to take a revisionist approach.

You concluded your original post with:

I promise you, you'll be shocked and enthralled at how much better the
hi-rez music sounds

You have since claimed:

I never said which master I prefer
But that's my point exactly -- they DO sound different. I wasn't
debating why is that.

You clearly were suggesting that the hi-res formats sound better.

Anyway, no-one is suggesting that it is not possible to hear *any*
difference between *any* tracks - that would clearly be ridiculous.
However, we are suggesting that *some* difference are inaudible, and are
only heard in sighted tests because of expectation bias.

R.
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Re: [SlimDevices: Audiophiles] High definition digital vs red book

2010-10-27 Thread Robin Bowes
On 27/10/10 20:53, magiccarpetride wrote:

 Something sounding better and me actually preferring it are not
 necessarily one and the same thing. I thought I've made that amply
 clear in my previous elaboration.

Now you're just trolling. I defy you to find *anyone* who would read I
promise you, you'll be shocked and enthralled at how much better the
hi-rez music sounds and interpret it as preferring the redbook  version.

Please note that we're not trying to tell you how to enjoy listening to
music, we're just pointing out that some of the reasons you enjoy it are
not what you think they are!

I can't speak for others but I'm personally perfectly relaxed and enjoy
my listening experiences, and I'm glad you enjoy yours.

R.


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Re: [SlimDevices: Audiophiles] New Transporter firmware 84

2010-10-27 Thread Robin Bowes
On 28/10/10 00:28, earwaxer9 wrote:
 
 Funny - how buggy it is with only a few minor changes! I'm a
 programmer myself. The code should work basically the same with only a
 few changes.

As a programmer,you should be familiar with the difference between
firmware and software. The firmware is the low-level stuff that is
written to EPROM inside the Transporter itself. It is not open-source.
That is what I'm talking about.

R.
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Re: [SlimDevices: Audiophiles] New Transporter firmware 84

2010-10-26 Thread Robin Bowes
On 26/10/10 17:20, earwaxer9 wrote:
 
 Robin Bowes;585073 Wrote: 
 On 26/10/10 00:53, earwaxer9 wrote:[color=blue]


 Did you change any settings, other than installing the new firmware?

 
 Nope - made sure the volume control was defeated - kept all the old
 settings
 

OK, so do you realise that the only difference between firmware 84 and
the previous version is the addition of the DAC Roll-off Filter option,
which is set to the previously used value by default.

If you didn't change that setting then the firmware you have just
enthused about is exactly the same as the previous firmware.

You expected to hear a difference, so you did. Only there was no
difference, because there was no change.

Ladies  gentlemen, I give you a prime example of expectation bias!

R.
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Re: [SlimDevices: Audiophiles] New Transporter firmware 84

2010-10-26 Thread Robin Bowes
On 27/10/10 00:55, earwaxer9 wrote:
 
 Robin Bowes;585236 Wrote: 
 On 26/10/10 17:20, earwaxer9 wrote:[color=blue]



 You expected to hear a difference, so you did. Only there was no
 difference, because there was no change.

 Ladies  gentlemen, I give you a prime example of expectation bias!

 R.l]
 -- 
 Feed that ego and you starve the soul - Colonel J.D. Wilkes
 [url]http://www.theshackshakers.com/[/ur
 
 Ok - good point - I did experiment with the sharp and slow filter. Not
 much of a difference. I think I like the slow filter better. The sound
 - in general is better - IMHO

I couldn't hear any difference between the two, but I've not done
extensive listening.

R.
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Re: [SlimDevices: Audiophiles] New Transporter firmware 84

2010-10-26 Thread Robin Bowes
On 27/10/10 00:37, JJZolx wrote:
 
 Robin Bowes;585236 Wrote: 

 OK, so do you realise that the only difference between firmware 84 and
 the previous version is the addition of the DAC Roll-off Filter
 option,
 which is set to the previously used value by default.

 If you didn't change that setting then the firmware you have just
 enthused about is exactly the same as the previous firmware.
 
 I'm not sure that's quite true.  The previous firmware was version
 number 80, which would mean that there were at least three other
 changes checked in between the two.  How significant the others are, I
 don't know.
 
 There was this change, which I think is in the 84 firmware:
 
 http://bugs.slimdevices.com/show_bug.cgi?id=15693

The documented changes between 80 and 84 Transporter firmware are:

#3932 - (Transporter) Discrete IR codes for power_on, power_off and
digital_inputs
#4682 - Send WOL while in connecting state and receiving discrete
power_on IR code
#15693 - (Transporter) Fix for spurious AC voltage readings
#16442 - (Transporter) audr command to change the AK4396 rolloff filter

Of those, only the rolloff filter is audio-related.

R.

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Re: [SlimDevices: Audiophiles] New Transporter firmware 84

2010-10-25 Thread Robin Bowes
On 26/10/10 00:53, earwaxer9 wrote:
 
 The 84 forces me to take some time before installing my ELNA
 electrolytics. They should be here tomorrow! I'm liking what I hear!
 Analog. I find I am cranking it more. Not sure what thats about. It
 just sounds clean.

Did you change any settings, other than installing the new firmware?

R.

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Re: [SlimDevices: Audiophiles] S-Booster

2010-10-20 Thread Robin Bowes
On 20/10/10 18:18, soundcheck wrote:
 
 Dear iPhone.
 
 You might guess that I expected such an answer. Phil will be the next
 chiming in. Perhaps Mynb last.
 
 I know 5V are 5V, bits are bits. And a buffer is just a buffer.
 I heard that before. 
 
 There'll always be a group of people like you. And there'll be other
 people like me who just ignore people like you. The same way you ignore people
 like us. 
 Though with people like you we wouldn't see any progress in the world.
 
 Stick to your little world and don't blame others passing its
 borderlines.
 
 I do understand that there can't be a world outside your little world -
 because somebody else told you so. 
 
 I can tell you, your horizon is not the end of the world. There is
 hope.

soundcheck,

You are, of course, free to spend your money on whatever you see fit,
and to report your findings and opinions wherever appropriate.

Similarly, we are free to be critical of your spending decisions and to
question your opinions when you post them in a public forum. After all,
we have our opinions too.

Being obnoxious and condescending will *not* serve your cause.

R.
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Re: [SlimDevices: Audiophiles] How much can transport mechanism affect SQ?

2010-10-20 Thread Robin Bowes
On 20/10/10 19:20, magiccarpetride wrote:

 In a similar fashion, interferences that may occur while
 transporting digital bits that carry audio signal will inevitably
 result in the degradation of the sound quality. And that will
 interrupt our enjoyment of the playback.

Er, yes, but as opaqueice has already pointed out,

opaqueice;583990 Wrote:
 Except we can be absolutely certain that doesn't happen.  All you
 have to do is record the digital stream as a computer file - ones and
 zeros - and compare it to the original file.  I've done that, as have
 many others, and they are absolutely identical, down to every single
 bit.
 
 If you're getting bit errors in a digital transport, it's broken.
 The level of jitter in a decent digital source connected by a
 reasonable cable ($5 at Radioshack, for example) is far below the
 level that could cause bit errors.

 We talk about the signal-to-noise ratio, not sound-to-noise ratio.
 Do you get it now?

Right, if we assume that the bits get to the input of the DAC correctly
then SNR can only be an issue in the analogue stage of the DAC.

So, I would conclude that the reason for your perceived improvement in
sound quality after switching from Duet to Touch is *not* due to SNR.

R.
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Re: [SlimDevices: Audiophiles] S-Booster

2010-10-20 Thread Robin Bowes
On 20/10/10 19:23, soundcheck wrote:
 
 Dear ralphpny.
 
 !!!Fairness
 
 People who never tried a device or tweak, judge about people who have
 that device right in front of them -- listening to it at the very
 moment.
 
 That you call fair.

I have *never* listened to my Transporter with my right trouser leg
rolled up and my left foot in a bucket of cold rice pudding, so in all
fairness I can't say that it won't improve the sound.

R.
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Re: [SlimDevices: Audiophiles] S-Booster

2010-10-20 Thread Robin Bowes
On 20/10/10 19:44, soundcheck wrote:
 
 This discussion is not about opinions.
 
 This discussion is about respect and attitude!
 
 Some people experienced and reporting something - hard facts. 
 Some others have and express a more then questionable opinion about
 that. (This is not the first time this happens.) That's the situation.
 
 Don't mix things up.

You are *not* reporting hard facts, you are reporting your opinions.

The only disrespect and poor attitude that I'm seeing is from you
because not everyone has the same opinion as you, or accepts your
opinion as hard fact.

If anyone's mixing things up it's you.

R.
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Re: [SlimDevices: Audiophiles] S-Booster

2010-10-20 Thread Robin Bowes
On 20/10/10 20:03, soundcheck wrote:
 
 Robin Bowes;584132 Wrote: 

 You are *not* reporting hard facts, you are reporting your opinions.

 The only disrespect and poor attitude that I'm seeing is from you
 because not everyone has the same opinion as you, or accepts your
 opinion as hard fact.

 If anyone's mixing things up it's you.

 R.
 -- 
 Feed that ego and you starve the soul - Colonel J.D. Wilkes
 http://www.theshackshakers.com/
 
 
 That's your opinion accompanied by your attitude.

It's my opinion, yes.

There is no attitude, unless you equate not agreeing with you to
having attitude ?

 
 I'll cut this nonsense off here. This is getting ridiculous.

Heh.

R.
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Re: [SlimDevices: Audiophiles] How much can transport mechanism affect SQ?

2010-10-20 Thread Robin Bowes
On 20/10/10 22:14, magiccarpetride wrote:

 Robin Bowes;584128 Wrote: 
 So, I would conclude that the reason for your perceived improvement in
 sound quality after switching from Duet to Touch is *not* due to SNR.
 
 All right, WHAT is it due to then?
 

Well, as I'm sure you're aware, the S/PDIF data stream is a biphase mark
code - a form of Manchester encoding. So, the clock signal is embedded
in the signal and must be recovered from the encoded data.

If the data stream is anything other than perfect then there is the
possibility that the timing data is not recovered correctly - a
phenonenon known as jitter. Jitter is often blamed for differences
between digital audio components. However, there is a lot of speculation
over the level of jitter that may be audible.

R.
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Re: [SlimDevices: Audiophiles] Beatles 24 vs 16 bits...

2010-10-15 Thread Robin Bowes
On 15/10/10 09:27, Phil Leigh wrote:
 
 I've just run the 24-bit USB version of Come Together vs the 16-bit
 remaster (ripped as 44.1/24 with DBP).
 
 The diff is -81dB (or about 13.5 bits) The difference file boosted by
 50dB is full of random noise as you'd expect but the track is still
 there within the noise - words and music clearly discernible.
 
 I'd say that equates to a potentially audible difference for some
 people. The 24-bit version sure sounds better to me too and no it's
 not the 0.203dB of gain that makes me feel that :-)

Phil,

I think some folk are suggesting that the 16-bit version is not a simple
down-sample of the 24-bit version.

Can you try down-sampling the 24-bit to 16-bit and re-doing the test?

R.
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Re: [SlimDevices: Audiophiles] Beatles 24 vs 16 bits...

2010-10-15 Thread Robin Bowes
On 15/10/10 13:17, Wombat wrote:

 I just wonder why still no one has tried the 24bit version directly
 with a 16bit version from these files, not the cd release.
 
 I Hope Robin Bowes now does :)

No time just now - I have asked Phil to try with diffmaker.

R.

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Re: [SlimDevices: Audiophiles] Beatles 24 vs 16 bits...

2010-10-15 Thread Robin Bowes
On 15/10/10 13:41, Robin Bowes wrote:
 On 15/10/10 13:17, Wombat wrote:
 
 I just wonder why still no one has tried the 24bit version directly
 with a 16bit version from these files, not the cd release.

 I Hope Robin Bowes now does :)
 
 No time just now - I have asked Phil to try with diffmaker.

The main issue is I'm not confident in my understanding of sox, ie. I'd
want to read up on what it does to make sure I use the right dither process.

R.
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