Re: [SlimDevices: Audiophiles] RESULTS: Blind Test MP3 vs. Lossless out now...

2013-02-02 Thread azinck3

Very interesting results.  Thank you for the time and care you spent
doing this. 

I am not a researcher, just an amateur like yourself :), but I have a
few methodological concerns:

1) You bundled the files into two complete bundles (all mp3s were in
group A, all lossless in B).  In doing so it becomes much more difficult
to draw any conclusions about the detectability/preference of mp3
encoding as it pertains to any one pair of files.  It also allows people
to focus intently only on the files they care to listen to, or those
which they came across first, and then to make conclusions about the
whole group.  Additionally, it prevents you from changing the order of
the files (selection of group A by most respondents may have been
primacy effect, to some degree).  Asking about confidence on a per-file
basis as you did would seem to mitigate some of these concerns but I
don't think it fully addresses the potential problems.

2) There's no control group.  This could have helped identify any
possible the primacy effect, too (if you'd had each individual file
pairing done independently it would have been possible to have two
identical files as one of the pairs).

3) Your main question which set sounded inferior had 3 answers: A, B,
or no audible difference.  This, paired with the question about
confidence does a decent job of answering the question which sounds
better but I wonder if it does a good enough job of answering the
question is mp3 distinguishable from lossless.  There could be a
subset of people who had a hard time developing an opinion on which one
sounded inferior, but an easy time distinguishing between the files. 
These people would not have wanted to answer no audible difference so
may have taken a guess for the question which set sounded inferior,
but for how difficult was it to come to your conclusion they might
have said easy (since it was easy for them to distinguish the files). 
Maybe I'm splitting hairs here; these are just some thoughts that came
to mind while reading the results.

4) I also wonder about the decision to use such an unorthodox mp3
encoding technique.  I understand your rationale for doing so, but in
the end it seems that your conclusion necessarily becomes people tend
to prefer this unusual method of audio processing over the original
files.  If you'd used a more typical encoding method then your
conclusions could be more useful by applying more broadly to mp3s in the
real world.


These all sound like harsh criticisms.  They're not.  Your survey is, to
me, exactly the kind of stuff audio publications should be doing.  You
clearly put a lot of though into this; it was a great read!



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Re: [SlimDevices: Audiophiles] ** High Bit-Rate MP3 Test Up! **

2012-12-13 Thread azinck3

Quad wrote: 
 What slightly disqualifiy these results are statements like this:
 
 -extremely high degree of statistical confidence
 barely statistically significant difference-
 
 Statistical significance is a zero/one decision. Either it is
 significant or it is not. You can't tell anything more.
 
 Disclaimer: I don't claim to hear a difference between MP3 320kbps and
 FLAC and I'm looking forward to Archimago's Musings.

Agreed.  There were definitely flaws with the setup and analysis.  But
it's an interesting read that provides some data points.



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Re: [SlimDevices: Audiophiles] ** High Bit-Rate MP3 Test Up! **

2012-12-12 Thread azinck3

Mnyb wrote: 
 Thinking about it would not a,b,x and some more songs been better ,but
 maybe that to much work for some .
 
 But as you say if you use a plugin with abx capability you can have it
 .
 
 Lets say a=mp3 b=flac x=unknown .also randomised in a perfect world
 randomised by a third party so that not the even the test leader knows
 .
 
 So the test subject have an mp3 and flac file and then have to say if x
 is a copy of the flac or mp3 . But that would be very hard as a home
 test you may actually have to pad the files somehow to have the exact
 same size :/ or pad x so it's larger than the flac ?

Yes, I found some software a few years back that did this.  I tested a
wide variety of source material on a very nice set of headphones at the
radio station I worked at and found I couldn't distinguish anything
above 160kbps VBR mp3s from the original WAVs.



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Re: [SlimDevices: Audiophiles] Logitech Transporter for sale

2012-12-11 Thread azinck3

jh901 wrote: 
 It comes with a bigger price tag which can ONLY be justified by
 improvements in all areas of fidelity.

It is this assumption that keeps many (most?) companies that market to
so-called audiophiles in business.

I'm not saying the Linn does or doesn't provide superior audio quality
to the Transporter.  But the MSRP does not prove anything at all.

And yes, putting my cards on the table: I'm one who believes that
digital source components cannot be audibly differentiated in
double-blind testing.



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Re: [SlimDevices: Audiophiles] Logitech Transporter for sale

2012-12-11 Thread azinck3

Mnyb wrote: 
 The Linn thingies are also DAC's not only transports , if you want a DAC
 too ,not that I disagree with azink3 ,but these are not only transports
 .
 
 But I would be more interested in the usability differences, there is
 not many here that have acess to multiple streamers of different brands
 . there is an iOS app too ?
 Good info to have in the future .
 
 Can we assume that the linn streamers works the same ( interface and all
 ) even the simpler models , in the future a new digital streamers is
 needed for me too but I don't need good analog outs only digital .

I agree that DACs make a difference.  I also agree that I would be
interested to hear about usability differences between the products.



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Re: [SlimDevices: Audiophiles] ** High Bit-Rate MP3 Test Up! **

2012-12-11 Thread azinck3

A similar experiment was conducted on a popular programming blog.

The introduction:
http://www.codinghorror.com/blog/2012/06/the-great-mp3-bitrate-experiment.html

The results:
http://www.codinghorror.com/blog/2012/06/concluding-the-great-mp3-bitrate-experiment.html



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Re: [SlimDevices: Audiophiles] ** High Bit-Rate MP3 Test Up! **

2012-12-11 Thread azinck3

Archimago wrote: 
 Hmmm, interesting and not surprising. Here's the thing, I believe MOST
 people just do not care or will not be able to tell the difference
 because the majority of folks will not have the kind of gear we
 generally talk about here.
 
 However, I want to target the high-end crowd, not the guys who casually
 listen to MP3 off their computer / laptop. I want the true enthusiasts,
 the ones who agonize over the fine details with nice audio rooms,
 knowledge about the gear, even the CD pressings. As already mentioned,
 this brings with it the risk of folks firing up the audio editors and
 spectrum analyzers. That is why I have done my best to minimize these
 anomalies in my encoding.
 
 So far, I have spread the word on Audio Asylum and Head-Fi (Computer
 Audio sections). Feel free to open it up to other audiophile hangouts.
 The more data points the better!

Yeah.  It'll be interesting to see what your results are.  I agree that
the audience/gear has a slight possibility of changing the results.



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Re: [SlimDevices: Audiophiles] This is why I call them clowns

2012-12-07 Thread azinck3

Agreed.  The really sad part is that there's plenty of really good and
useful information they could be providing right now by doing *real*
reporting about digital audio but they will not slay their sacred cows. 
Oh well.  Hopefully they drive themselves out of existence as their
absurd claims become easier to see through for people who understand a
little about digital audio.



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Re: [SlimDevices: Audiophiles] So when my SB3 eventually dies and its not possible to buy another ...

2012-10-05 Thread azinck3

lrossouw wrote: 
 I would suggest small form factor PC with a USB dac (or digital out) as
 a replacement.  Could run squeezeplay or squeezeslave.  With no screen
 (or using a tv).  Control via mobile apps.

It might come to that, and that will work for many people.  But I'd
really rather not manage a computer (OS updates, fixing things when they
inevitably go wrong, etc) for every place I want a squeezebox.  Also:
one of the biggest things we use our devices for is as always-on,
always-available clocks and weather monitors throughout the house with
the SuperDateTime plugin.



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Re: [SlimDevices: Audiophiles] So when my SB3 eventually dies and its not possible to buy another ...

2012-10-05 Thread azinck3

garym wrote: 
 And of course, synching multiple players wouldn't work with the small
 form computer solution. Unless each one ran SqueezePlay and one uses LMS
 as backend. Even then, the software players have never been rock solid
 on sync like the hardware players.

Yup, forgot to mention that one.  I've never gotten my SqueezePlay
machines to sync well.



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Re: [SlimDevices: Audiophiles] So when my SB3 eventually dies and its not possible to buy another ...

2012-10-03 Thread azinck3

My personal plan, going forward, is most likely to use iPeng's playback
abilities.  Buy an older iPod touch with a dead battery and just leave
that sucker hooked up to either a dock or connected via other adapters. 
Main downside is the lack of IR interface and a display viewable from a
distance, but the compromises aren't so terrible.



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Re: [SlimDevices: Audiophiles] So when my SB3 eventually dies and its not possible to buy another ...

2012-10-03 Thread azinck3

JJZolx wrote: 
 Pretty high? I've seen used SB3s going for $75 to $150. You're looking
 for something that will work with LMS? Good luck ever finding or
 building something other than a Squeezebox for $75.
 
 http://orangecounty.craigslist.org/ele/3298688195.html
 

I'd consider springing for that one if only it came with Manuel.  He's a
pretty great guy.



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Re: [SlimDevices: Audiophiles] Idea for high-end Squeezebox/Transporter accessory

2007-07-25 Thread azinck3

I seem to recall that someone made a plugin for this exact thing a while
back.  I'll see if I can find it...


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Re: [SlimDevices: Audiophiles] Amiga 500 power supply for SB3 - good idea?

2007-07-13 Thread azinck3

signor_rossi;212907 Wrote: 
 If the connector is done right with the right polarity shouldn't every
 power supply that at least delivers the same [EMAIL PROTECTED] as the
 stock one do as a replacement? 

Yes, but don't forget to distinguish between AC and DC output.  5VDC is
quite different from 5VAC!


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Re: [SlimDevices: Audiophiles] Wired to wireless headphones: is conversion possible?

2007-07-12 Thread azinck3

aweller;213931 Wrote: 
 Dear all,
 
 I have been testing out some wireless headphones for use with my
 Squeezebox. In short, I've boiled it down to the Sennheiser RS130s or
 RS140s.

Have you actually been *testing* them?  That is, have you used them?  I
bought a pair of RS120s and, despite the transmitter sitting just 3 feet
from my head I still get an occasional click/static sound and the noise
floor is fairly high.  Don't get me wrong, the sound is overall good,
but I nevertheless find the occasional static blip and the background
hiss nearly intolerable.

I bought these to use at my desk at work because I hate the way cords
on traditional 'phones get in the way of my typing, but now I wish I'd
just stuck to wired.

Maybe the 130s or 140's are significantly better, but I wanted to warn
you of my experience.


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Re: [SlimDevices: Audiophiles] Here is why no FF/RW

2007-07-09 Thread azinck3

bephillips;213113 Wrote: 
 I'd like: A clickable progress bar in the browser UI, that skips to  the
 position in the track clicked on.

This basic functionality already exists in Fishbone (though the
resolution is a bit coarse).


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Re: [SlimDevices: Audiophiles] Transporter listening test

2007-05-06 Thread azinck3

Thanks for taking the time to write this up.  It's certainly in line
with my experience with digital audio sources. While you sometimes
catch a lot of flack (flac? :) ) around here for your objectivist
leanings I'm appreciative of your contributions (and usually in
complete agreement).


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Re: [SlimDevices: Audiophiles] Experiments with bi-wire speaker cable

2007-04-09 Thread azinck3

Murph;193709 Wrote: 
 You are correct.  there is no electrical difference and certainly no
 audible difference to be found via bi-wiring speakers.  Because the
 source is still identical, you are sending exactly the same signal to
 both sets of binding posts.
 
 The double set of posts are actually there to satisfy those audiophiles
 who believe that bi-amping will improve sound.  I personally don't give
 much credit to that method either.  (Using a separate amp in your
 receiver for each set of posts.)
 
 

I'm in complete agreement that biwiring provides no improvement that
thicker cables can't provide (which is to say, effectively no
improvement unless we're talking extremely long distances or high
amperages).

That said, I think your analysis of biamping is incorrect.  You make
the statement:

Murph;193709 Wrote: 
 Unless you get very complex with separates and pre-amp crossovers and
 such, you will still end up with the same signal at each set of posts. 
 The crossover in the speakers is still the one doing all the work to
 separate the highs and lows between the drivers.

While you're right that the crossover in the speakers is doing all the
work and the same voltage is being provided at both sets of posts, it's
my understanding that the crossover will present a different load to the
amp depending on the frequency of the signal it's receiving.  In other
words, an amp driving a low frequency signal into a high-pass filter
will see a very high resistance and the circuit will draw very little
current (thus the load will be very light and the amp will not be
stressed).So in a properly designed biamp configuration the
respective amps should will only be called on to provide current for
their target frequencies despite the fact that the crossovers come
AFTER the amps in the signal chain.


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Re: [SlimDevices: Audiophiles] Please help me understand attenuation issues

2007-04-07 Thread azinck3

mortslim;193187 Wrote: 
 I read the wiki articles on connecting to a poweramp from a squeezebox
 and I am confused.  I don't have any knowledge of electricity or
 electronics.  
 
 I am worried about the attenuation issues.  
 
 I plan to buy a pair of QSC HPR153i 15 3-way Powered Loudspeakers. 
 Why do I want these mammoth beasts for my modest home?  Well I also
 play the guitar through a Line6 Pod (a guitar amp modeler), which is a
 live sound application, in addition to my squeezebox which is a
 prerecorded sound application.  Both of these sound sources offer line
 level outputs.  I may connect them both to the speakers via my Mackie
 UNpowered mixer (1202 VLZ).
 
 My question:  Can a kind reader please read the specs for the speakers
 (they are available on the QSC website) and tell me what issues I
 should be aware of in this proposed system.
 
 Thanks

The Mackie is your preamp in this scenario and will be perfect for
performing all your attenuation duties.  

If you intend to control the volume of the squeezebox with the
squeezebox remote then you'll want to set your levels by doing the
following:

1) Run the squeezebox at full volume 
2) Adjust the gain/trim knob on the input you're using on the mackie to
a bit below clipping (leave some headroom here as some songs will
inevitably be louder than others)
3) Crank the fader on that channel of the mackie up until the volume
level is a bit louder than you imagine yourself ever wanting to listen
4) Turn the volume on the squeezebox down to a comfortable level.  You
can now use the squeezebox's volume control safely and get the best use
of its volume range.  Don't change any of the settings for that channel
on the mackie.

If you intend to control the volume of the squeezebox from the Mackie
board you'll still do steps 1-3 from above but then you'll leave the
volume of the squeezebox itself at 100% and just regulate the volume
from the Mackie fader for that channel.


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Re: [SlimDevices: Audiophiles] Please help me understand attenuation issues

2007-04-07 Thread azinck3

mortslim;193300 Wrote: 
 Thanks for the help.
 
 I have a follow up question.
 
 The QSC's have gain controls as well.  Should the QSC gain controls be
 set in any specific way.
 
 And the fact that the QSC's have gain controls mean they have built in
 preamps?

Yes, that's a form of preamp.  Your best bet will generally be to run
the gain at unity and just accept whatever level the Mackie outputs.


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Re: [SlimDevices: Audiophiles] SB3 vs SB3/Elpac vs SB3/Lavry

2007-03-28 Thread azinck3

Ben Diss;190888 Wrote: 
 OK, so is all of this in my head?
 
 I asked my wife to come and help.  She sat in front of the premap so I
 couldn't see what was being played.  She switched between the three
 inputs and wrote down what was played and what I said I heard.
 
 There were only a couple of songs where I had to guess and I guessed
 wrong.  My average was 90% correct on the Lavry.
 
 As for the power supplies, I could never hear a difference and every
 time I guessed.  Listening to every piece and switching I almost never
 had any doubt about the Lavry and never, ever had a clue which power
 supply I was listening to.
 
 So now I wondered what the average listener could hear.  Could the wife
 hear what I was hearing?
 
 This time I sat in front of the preamp and she got the easy chair.  I
 had described for her what I was hearing and she thought she could hear
 it too, although not always.  Her average picking out the Lavry was 74%.
 She couldn't hear any difference between the power supplies either.
 
 My conclusion is that the power supply in my rig makes no difference
 and the Lavry adds detail otherwise missing from the stock SB3.
 
 -Ben

Wonderful, thorough write-up and the sort of really interesting stuff
I'd love to see on the audiophile forum all the time.


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Re: [SlimDevices: Audiophiles] Transporter review at Audioholics

2007-03-25 Thread azinck3

Antipodes;190208 Wrote: 
 So what word do you use in the US when you really mean value, and not
 value for money?

Unfortunately, in the US, the term value has come to almost
exclusively mean value for money.  Using the word value in a
different way would require couching it in quite a bit of context.

In the case of the review in question, if there were to be a category
that reflected the overall rating of the device it would probably be
labeled overall, or total, or something along those lines, but
certainly not value.


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Re: [SlimDevices: Audiophiles] What's better?

2007-03-23 Thread azinck3

smarjan;189754 Wrote: 
 Azinck3, could you please expand that line a bit more? I am still
 exploring SB...

Slimserver is a server application that runs on your computer and does
2 things, primarily:

1) serve music/data to hardware players like the SB or transporter and
software players like softsqueeze or media player (via mp3 stream)

2) Gives you centralized control/browsing/search for all your music and
all your players via a web interface.

While slimserver has many other capabilities, those are the two things
its primarily designed to accomplish.  This is nice because all of your
music is in one place, in one database, and control of all playback
devices is unified.  From any computer in the world with a web browser
and internet connectivity I can browse and listen to all of my music
and control any of my squeezeboxes (I have 4).   Another cool thing:  I
have a couple of friends with squeezeboxes and when I'm at their houses
sometimes we want to listen to my collection and all it takes is
pointing their SB's at my server.

Slimserver and softsqueeze are a free download--I'd recommend you give
them a try to get familiar with the paradigm.


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Re: [SlimDevices: Audiophiles] Bolder Cable Elpac Mods - First Impressions

2007-03-22 Thread azinck3

Patrick Dixon;189439 Wrote: 
 I'm not sure there's any point in that.  AFIACS the sole purpose of any
 'audio improvement' is to enhance the listening experience.
 
 Whilst I don't condone any snake oil stuff,

Then we agree.  Yet many of those snake oil products make claims to
improve the listening experience and some have many adherents.  So I'm
wondering how you decide when to lump something in with snake oil? 
The rest of my post that you didn't quote was attempting to explain
what I think are perfectly reasonable parameters (haha, of course I
think they're perfectly reasonable, they're mine) by which to make that
distinction.


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Re: [SlimDevices: Audiophiles] What's better?

2007-03-22 Thread azinck3

creativepart;189638 Wrote: 
 So, with all the knowledge that you guys have about these choices, which
 way would you go? Would you say the SQ is really a good way to go at
 this time -- or is it more of an even draw with the AEX knowing that
 I'm using a Mac Mini
 
 I appreciate your responses and will carfully consider all advice 
 given.
 Thanks

Some of the big questions to answer (not being super-familiar with
apple products these questions are more squeezebox-biased):

1. How much do you care about the Squeezebox's display?  For me, having
to turn on a tv or a sit at a computer to control my audio is a
deal-breaker.

2.  Do you want to easily expand the system and add units for
multi-room audio?  the SB excels at this, allowing centralized control
of all audio, synchronization, and great overall flexibility.

3.  Do you need to be able to play Itunes protected content?  Only
apple products can do that.

4.  Do you care about always-on access to pandora and rhapsody via
squeezenetwork?

5.  The SB and slimserver are amazingly customizable with community
plugins available to do virtually anything you can imagine, from
checking voicemail, weather, sports, integration into home-control
systems like xpl and others, and so much more.  Are these things that
matter to you?

6.  Do you care about anytime access to a central database of music
that you can access over the internet via slimserver?

7.  Do you want to be able to use unique control devices like a pda,
nokia770, any computer, an IR remote, crestron system, or any of the
other myriad devices that can interface to control a SS/SB system?

All of this hits on one major thing:  A big selling point of the
squeezebox is the overall architecture.  It's not simply about how good
it sounds or how pretty the web interface is.  It's a unique
architecture, providing a centralized repository for music that can be
flexibly streamed to different playback devices and simultaneously
controlled by different control devices.  It's very open, very
extensible.  This is quite different from the Apple model and I think
having a good understanding of this difference will ultimately inform
your decision.


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Re: [SlimDevices: Audiophiles] Bolder Cable Elpac Mods - First Impressions

2007-03-21 Thread azinck3

Patrick Dixon;189369 Wrote: 
 Surely what you 'think' you hear is actually 'what you hear'?

True, but let's attempt to draw a distinction between audio improvement
and the listening experience.  

While there's room for subjectivism, most genuine audio
improvements/differences can be measured pretty easily and well (and,
of course, heard). But once we look at the listening experience and
start talking about differences that cannot be reliably discerned
either by ear (yes, ABX DBT) or measuring equipment we're into the
psychological realm.  In this realm it seems that, for those thus
disposed, the claim that any particular object might improve the sound
always results in an improved listening experience.  How do you
evaluate such an object on its merits in this case?  In these cases, it
seems to me that it's more instructive to evaluate how the marketing of
the object managed to affect the listener in such a way that they
somehow enjoyed the sound more.  But that's a psychological discussion
entirely divorced from any discussion of electronics or equipment.


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Re: [SlimDevices: Audiophiles] Transporter review at Positive Feedback

2007-03-20 Thread azinck3

nuhi;189153 Wrote: 
 Little geekish but yet another high praise review.
 http://www.positive-feedback.com/Issue30/transporter.htm
 
 Now I'm even more edgy to wait for the ordered T.
 
 Congrats.

Perhaps written by our very own GaryB?


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Re: [SlimDevices: Audiophiles] Q: What exactly is break or burn in time?

2007-03-15 Thread azinck3

ErikM;188184 Wrote: 
 Wow! So if I hear a difference its not real? You mean I did hear a
 difference, but really I just thought I heard it, so all these years
 when I bought better speakers, and electronics,which I thought sounded
 better I wasn't really hearing better sound I just thought I was? WOW,
 you mean that those first generation CD players which I thought sounded
 like S--T really sounded great. Boy do I feel stupid. I think I'll dump
 my Proac speakers for a Bose Wave radio

You're the one who brought up the comparison to flat earth theory.

This isn't about CD players.  This isn't about saying that there's no
difference between anything.  We're talking about whether or not
burn-in makes a difference in cables/electronics.

So here's the deal: no one can force anyone to believe something. 
There are some here who claim to be able to hear certain differences. 
Others of us (myself included) have been unable to hear such
differences.

So that leaves us to assess the facts to evaluate the claims being
made.  Outside of anecdotal claims of being able to hear differences
the facts are decidedly *against* those who claim to be able to hear
the supposed effects of burn-in (yet there are a host of psychological
theories that would explain what burn-in advocates are hearing).  So
for those of us who remain skeptics, understand where we're coming
from.  For me, the existence of burn-in effects is about as likely as
the existence of UFOs from outer space.  Possible?  maybe, but highly
unlikely, and ultimately unproven despite many claims of sightings.

And let's be clear:  there are loads of other effects in play.  I'll
wager that moving any piece of furniture in your listening room even an
inch would have more affect on the sound than any possible cable burn-in
could.


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Re: [SlimDevices: Audiophiles] Little office/bedroom system

2007-03-14 Thread azinck3

konut;187887 Wrote: 
 There are powered monitors made for every price point. Like any speaker,
 they're all different. If you're in or near a large city you might be
 able to find a pro audio shop that has a variety. If possible find
 Genelecs' line of powered monitors, the JBL LSR series, and Blue Sky.
 You may be surprised at what you hear.

Behringer makes some Genelec look-a-like powered monitors (called the
B2031A Truths) that sound positively fantastic at $350 street.  If you
can manage their size and aesthetics then I don't think you can find
comparable features or sound until you start looking at the Mackie
monitors for more than twice the price.


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[SlimDevices: Audiophiles] Re: A Cut-Rate Audio phile’s Experience With a Linear Power Supply

2007-01-18 Thread azinck3

Skunk;171442 Wrote: 
 It came from ebay so perhaps it's used, like so many others which seem
 to have noise/heat issues, in which case it'll have been run-in.

Sorry for any confusion, I was just joking ;).


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[SlimDevices: Audiophiles] Re: Subwoofer with Transporter

2006-12-19 Thread azinck3

thatMikeguy;163520 Wrote: 
 Hey All,
 I'm sure this has been covered but I don't see it.  I would love to
 have my sub complementing the sound out of my Transporter. I use
 analogue out of the transporter into my Arcam AV8 which I set to
 Analogue Direct.  I do not see how I can hook up the sub.  I do not
 have balanced inputs on my AV8.  Help??? There was to be a way!!!
 Cheers,
 Mike

Do you use the AV8 for volume control or the Transporter?


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[SlimDevices: Audiophiles] Re: Need two good Y-adaptors...

2006-12-08 Thread azinck3

jmourik;160893 Wrote: 
 I'm under the distinct impression that the CD-analog-in on my Denon
 AVR-4800 converts the signal to digital. But I want to use the SB2's
 dac! So I have to use the pre-in on the Denon. That's fine, except my
 Oppo 971 needs that input too, for my dvd-audio discs... Hmmm...
 So I guess I could use two Y-adaptors. But what is a good quality
 adaptor that doesn't muck up the signal?
 I'm using the Blue Jeans LC1 as interconnects.
 
 jan

You should get a proper input switcher for those inputs.  It's
generally ok to split outputs but splitting inputs is not good for your
gear and many (most?) times won't work at all.


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[SlimDevices: Audiophiles] Re: Speaker terminal contact cleaner

2006-12-03 Thread azinck3

jan van mourik;159509 Wrote: 
 Model railroading, cool! One of those hobbies I always wanted to get
 into,
 but stopped myself because it would be yet another money pit! That
 said, I
 love the N and Z scale railroads. In the Netherlands they would sell
 these
 cool starter kits (like this:
 http://www.trix.nl/nieuws/producten.html). I
 don't see those here in the US. Well, luckily I guess!
 
 jan

I'm into model railroading, too.  Fun to find some fellow modelers (HO
scale for me).

Oh, and jmourik, your links inside of parentheses always break!  Gotta
leave a space man!--I'm lazy and don't want to cut and paste...


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[SlimDevices: Audiophiles] Re: Squeeze Box in People magazine: top product for guys!

2006-12-01 Thread azinck3

highdudgeon;159090 Wrote: 
 I was trying to get across a funny image.  I don't know why people on
 this forum are so intent on venting their vitriol and being nasty to
 complete strangers at the drop of a hat. assailing someone's wife or
 children should be completely out of bounds and I am stunned by this
 childish post.
 
 I will be happy and delighted to edit this down and completely, OP, but
 I expect you to tone down that comment of yours.  That was low shot,
 even if you meant it as humor.  We're talking about my wife, not a
 forum member, and insulting family members should be out of bounds.

Hey highdudgeon, I really don't think opaqueice meant anything bad at
all by his comment.  Maybe give it a reread?  

I thought it was a funny jest and not at all insulting.  Surely we can
all laugh at the image only because we are comfortable knowing how
truly far it is from the truth!


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[SlimDevices: Audiophiles] Re: I want the best sound quality AND ahi-style jukebox interface on my flat screen

2006-11-16 Thread azinck3

Dan360;155376 Wrote: 
 highdudgeon, you nailed it.  I just want a high quality TV interface.  A
 laptop would be fine bc I always have mine with me on the couch
 (workaholic).  
 My system: yamaha rx-v2700 receiver, 60inch Sony SDRX tv, sony cd
 changer, 5 klipsch and 2 cambridge soundworks speakers.
 
 I cant stand changing the song with the SB3 display. 
 
 the SB3 can connect my receiver to the network but what do I do with
 that?  can the receiver help me call up an interface on the TV (which
 is hdmi connected to the receiver).  
 
 How can I use Harmony or J. River to control SS and have that interface
 either on my laptop as I sit on the couch or on the TV?
 
 Thanks.

I don't share your priorities or viewpoints on the control issue but I
won't try to talk you out of your views ;).  We could probably discuss
all sorts of crazy workarounds but I think the bottom line is that the
SB is not the best product for what you're trying to do.  There's
currently no beautiful and fast graphical interface such as what you
describe yourself wanting.  One could be developed.  But there's no way
to do quite what you want with a squeezebox at this time.


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[SlimDevices: Audiophiles] Re: IR problems on Transporter

2006-11-15 Thread azinck3

ModelCitizen;154856 Wrote: 
 Does the rf remote add any extra lag time in?

No lag at all.  Works seamlessly.


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[SlimDevices: Audiophiles] Re: IR problems on Transporter

2006-11-14 Thread azinck3

ModelCitizen;154790 Wrote: 
 I just tried aiming the remote at the ceiling and was surprised to see
 that if I was standing in front of the unit it sill responded. However,
 as soon as that knob gets in the way of the remote's line of site
 there's no response at all.
 
 I would prefer it if the hifi rack faced me but there is no elegant or
 practical way to do this in this room (which is odd as it's not small).
 The angle and IR reponse has never been a problem with the Naim stuff or
 the Squeezebox 3 (which was angled towards me anyway).
 
 I am contemplating turning the whole rack round to face down the room
 (with Transporter towards the bottom).. which will look really pants
 and get in the way of the right hand speaker (not to mention the lounge
 door being opened by small children and whacking into the front of the
 hifi rack).
 


I have to confess to a bit of jealousy towards your setup...looks like
a pretty sweet room.

Regarding the remote issue:  I'm a big fan of the one-for-all URC 9910
(http://www.ofausa.com/remote.php?type=URC%209910).  It's an IR remote
that simultaneously broadcasts an RF signal to a receiver box (pictured
on that website).  The box emits a duplicate IR signal via an IR emitter
built into it as well as via its IR output jack (an external emitter is
included with the remote) which could be connected straight into your
transporter's IR input.  I usually just hide the box on the opposite
side of the room from the hifi gear and point the emitters at the
equipment rack so that it doesn't matter where the remote is
pointing--practically the whole room is hit with IR.  You can use the
JVC codes, but the remote is a learning remote so you can customize it
to your preferences if you want to use the squeezebox codes.  It's also
JP1 which allows you to program in all manner of really cool macros,
keymoves, extensions and the like.  But it's quite powerful even
straight out of the box.  

The best part:  it can be had almost any day of the week for ~$30 +
shipping on ebay (I've gotten a few of them for under $20 on a lucky
day).


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[SlimDevices: Audiophiles] Re: Bose Vs Burr Brown

2006-11-01 Thread azinck3

Don't know about your Bose specifically, but I suspect it's like most
mid-to-low-level consumer audio equipment in that it converts all
analog inputs into digital, then back to analog again before going to
the amps.  That adds 2 extra conversions in the pipeline.  This is done
because it's easier to use IC's for various preamp and processing duties
(and you can add a lot more capabilities) than to attempt to do
everything in the analog domain.  Some receivers or preamps have a
straight, or bypass setting which bypasses this conversion.


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[SlimDevices: Audiophiles] Re: Buffering in Transporter???

2006-10-30 Thread azinck3

Walleyefisher;151086 Wrote: 
 When streaming audio to a remote device normally some buffering occurs. 
 I was just curious if you all know about how much buffering the
 Transport does?

This page will provide you with plenty of hardware specs:
http://wiki.slimdevices.com/index.cgi?HardwareComparison


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[SlimDevices: Audiophiles] Re: Sound Clipping

2006-10-24 Thread azinck3

Bottom line:  sounds like this amp isn't going to work very well for you
when doing quiet listening.  

No preamp or any other solution that might come before the amp in the
signal chain is going to fix this problem.  The problem is that you
want to listen to audio at a level that falls below the threshold of
your amp's auto-sensing feature.

Possible solutions:  

1.  Many amps have gain (might also be called trim or volume) controls
built into them.  Depending on where in the signal chain the gain
control comes you may be able to achieve what you desire by turning the
gain on the amp down and the volume control on your squeezebox up.  

2.  If there's no gain control on the amp, then you could put
speaker-level attenuators on the outputs of the amp.  This would reduce
the volume output at the speakers so that you can run the squeezebox's
output at a higher level that might more easily trigger the amp.  There
are a couple of disadvantages to this: extra device in the signal chain
and wasted amp power, but those are probably acceptable in most
situations.  

3.  If neither of the first two are acceptable solutions, then you
could turn off the auto-sensing feature of the amp (virtually all amps
allow you to bypass the feature), thus leaving your amp to be turned on
and off manually.  If you don't want to turn it on and off manually,
some amps have triggered on/off capabilities, which you could rig
your sb3 to trigger, or, if that isn't possible, then companies like
Xantech offer solutions which sit inline with the power cable to offer
you IR and other automated/remote ways of turning devices on and off.


(BTW, what you're experiencing is not clipping--that's something
completely different)

Hope this helps...


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[SlimDevices: Audiophiles] Re: Sound Clipping

2006-10-24 Thread azinck3

ZeddZull;149429 Wrote: 
 I want to thank everyone for the feedback.  I think that the problem is
 that the specific feed I am listening to (an internet radio station) is
 not providing sufficient volume, so I have to have the Squeezebox at
 100% volume to prevent the amp from shutting off.  I did turn off the
 auto-off feature, but that doesn't seem to entirely solve the problem. 
 I am currently trying it at 100% volume and manually adjusting the
 volume on the amp.
 
 Thanks again.

The amp is shutting off even when you have the auto-off feature
disabled?  That shouldn't happen and would indicate a problem with the
amp itself.


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[SlimDevices: Audiophiles] Re: Sound Clipping

2006-10-24 Thread azinck3

Mark Lanctot;149444 Wrote: 
 A few caveats: it needs about an amp of current to switch.  Initially my
 receiver would not trigger it, but the device burned in and it does
 this reliably now (?)  I don't think the Squeezebox or the Transporter
 would be enough to trigger it.
 
 Be careful when it's at its trip threshold because it may bounce.  I
 did that once when I plugged my laptop into the outlet, it switched on
 and off rapidly and ended up blowing the line fuse in the amp.
 
 I'd imagine the Xantech device is similar - it's really the same
 technology.  Perhaps it has a lower trip point though, which would be
 useful.

Thanks for the warning...I had assumed it wouldn't work with a
squeezebox.  If I recall correctly, the current drawn by a SB is about
the same regardless of state which makes sense considering that on/off
is not meaningful to the SB in a hardware sense.

I have a few other things for which I'd find it useful.  An amp seems
like a lot to me, though...


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[SlimDevices: Audiophiles] Re: Anybody read this bit about Sonos 2.0?

2006-10-10 Thread azinck3

ezkcdude;144519 Wrote: 
 There's an interesting release about Sonos over on the Stereophile
 website. 
 
 http://www.stereophile.com/news/100906sonos
 
 Apparently it is big news that Sonos now has Rhapsody capabilities. I
 thought that was so last year, but then again, I'm a SqueezeBox owner.

Sonos has had rhapsody support for quite some time (well before Slim
officially added rhapsody support).  This new software seems to support
the so-called Rhapsody DNA api which allows for direct access to their
catalog without having to have a pc client logged into the service. 
This is really quite nice and I hope that slim adds similar
capabilities to squeezenetwork.  A few other threads have mentioned
this idea...


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[SlimDevices: Audiophiles] Re: Just a goofy question

2006-10-06 Thread azinck3

CardinalFang;143759 Wrote: 
 I think you'd need an active crossover to split the signal  before it
 went to your amps.

Actually, this is not necessary.  You can run precisely the same signal
to both amps for each channel.  There are crossovers in the speakers
themselves designed to do the job.  And don't worry that this will
cause your amps to have to drive more of the audio band than you
desire, thus robbing them of power--it won't.  The nature of a
driver/crossover arrangement is that the electrical resistance outside
of the target frequencies is very high, thus no power is drawn from the
amp for any but the frequencies the driver/crossover arrangement is
intended to produce.  

As proof that you can send both the highs and the lows the same signal
consider that when connecting bi-ampable speakers to a single amp you
simply connect the binding posts.  Both the high and the low
sections of the speaker receive the same signal and the crossovers sort
out the rest.


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[SlimDevices: Audiophiles] Re: Just a goofy question

2006-10-06 Thread azinck3

CardinalFang;143788 Wrote: 
 Are you sure about that? I thought the idea was an amp for each speaker
 driver and bypass the crossover completely. If you just hook up the two
 amps on each side to the same terminals, aren't you going to upset the
 amps? I'm not sure how a T-amp would take to  having its outputs wired
 directly to another T-amp's outputs? perhaps if you somehow did a
 push-pull arrangement it might be OK, but it's not somthing I've tried.

Sorry if I was vague.  You don't connect the amps to the same terminals
on the speaker.  You connect one amp to the high terminals and the
other to the low terminals (I'm assuming we're talking about
bi-ampable speakers--if not, then you'd have to disassemble the speaker
and crossover assembly which is probably not advisable).  A bi-ampable
speaker's high and low sections are electrically isolated from one
another (though they typically come with jumpers to connect them for
single-amp operation) so the amps' outputs won't be wired together. 
The inputs to the amps are what you need to wire together.  Both amps
for a given channel need to receive the same signal.  This can be
accomplished numberous ways, the simplest of which is to use a y-cable.


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[SlimDevices: Audiophiles] Re: Just a goofy question

2006-10-06 Thread azinck3

PhilNYC;143808 Wrote: 
 I think you also need to use identical amps if you're not using an
 active external crossover...if the amps have different gain
 characteristics, passive biamping will cause some imbalance in the
 sound...

Identical amps are helpful.  But if at least one of the amps has some
sort of gain adjustment then you'll be able to match them.  This is a
rudimentary tone control that I find to be an advantage of biamping. 
You can change the tonal balance of a speaker without having to run the
signal through additional eq or xovers.


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[SlimDevices: Audiophiles] Re: Just a goofy question

2006-10-06 Thread azinck3

CardinalFang;143841 Wrote: 
 To work well the active crossover would have to be closely matched to
 the drive units I would imagine, so it's not surprising in some ways
 that it was better without it.

Agreed.  

Don't forget that the speakers already have crossovers in them. 
Indeed, the speaker designers have taken great pains to ensure they've
designed their crossovers properly for the specific drivers and
enclosures they're using.  Using the high/low binding bosts does not
bypass the internal crossovers.  Using an additional crossover
(particularly one whose effects overlap those of the speaker's
crossovers) could have a seriously detrimental effect on the sound. 
And not only for the obvious reasons--crossovers can interact in
bizarre ways (a proper explanation of which might require an audio or
electrical engineer).  If you wish to alter the crossover points you
really need to replace or bypass the internal crossovers.


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[SlimDevices: Audiophiles] Re: Just a goofy question

2006-10-06 Thread azinck3

P Floding;143846 Wrote: 
 This seems to be a very thorough writeup on bi-amping:
 
 http://sound.westhost.com/bi-amp.htm

An interesting read.  Definitely some good info in there, but I'm
pretty confident he's wrong about having to put crossovers before the
amps for the same reason I mentioned earlier:  the passive xovers in
the speakers themselves will cause such a high impedance at the
undesired frequencies that no power will be drawn at those frequencies,
thus no duplication of amp effort.  Then again, maybe I'm wrong and have
misunderstood all these years.  It's happened before ;).


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-04 Thread azinck3

GreenMan Wrote: 
 Here's something I never thought I'd ask, but given that many of us who
 go down this new road of unspent money are going to get an inexpensive
 TASCAM or similar, does it make much of a difference what quality
 microphone cable I use for my freakin' high fidelity digital room
 correction misadventure? ;-)
 
 I notice 2 on the website you supplied that cost about the same, and
 one that costs double.
 
 http://www.sweetwater.com/shop/cables/top15.php


Without venturing into a cable war, I can assure you that you don't
need to buy Monster brand XLR cables for this task.  Any reasonably
well-built cable will be fine.

But...with respect to my recommendations on that site: per Hugh's
comment a few posts back I looked to see if some of the cheaper units
support a 44.1khz sample rate and many of them DON'T (including the
Tascam us-122).  

However, it appears this unit does, so maybe this is the best bet
amongst the cheap units:
http://www.sweetwater.com/store/detail/LinkUSB/

I've never used it so I don't want to highly recommend it, but it has
Mackie-designed preamps (Mackie's a decent name in mid-level pro-audio)
and supports the required sample rate.  I haven't spent a ton of time
researching this so there could be other, even better choices out there
that I'm missing so I'd spend a little time looking before jumping in.


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-04 Thread azinck3

GreenMan Wrote: 
 I believe it does. I'm looking at the product manual and it says:
 
 Setting the Sample Rate and Bit Depth
 The US-122 supports sample rates of
 44.1kHz and 48kHz. In the Audio
 Control Panel, select the pull-down
 menu for Sample Rate and select either
 44.1 kHz or 48 kHz.
 
 Link to manual is here: 
 http://www.tascam.com/Products/US-122/US122_Eng.pdf
 
 Please feel free to correct me if I am wrong.


Ah, good eye. You are correct.  I should have looked at the manual but
just glanced quickly at the Sweetwater specs, which are apparently
incomplete.


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-03 Thread azinck3

This looks like great work.  And the documentation is even pretty good,
to boot!

But I haven't installed it yet (I don't have a reference mic) and in
reading through the docs I had a question.  The docs state The
inguzDSP system turns everything (even low-btrate MP3s) into 24-bit
FLAC to send to the Squeezebox, which can take quite a lot of
networking..  I have a SB1--can I assume that that FLAC data will
actually end up being streamed as a WAV to my SB1?  I understand how
all the conversions and transcoding happen in a normal slimserver
setup, but with the InguzDSP in there I'm a little foggy as to how it's
all supposed to work...


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-03 Thread azinck3

inguz Wrote: 
 Sorry, I don't think the current version will work with SB1.  Added to
 the bug list.

Thanks for the quick response.  SB1 support would be greatly
appreciated.  But if you don't add it then I suppose Slim will probably
sell another SB3...;)


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[SlimDevices: Audiophiles] Re: What bitrate satisfies the 44.1Hz sample rate?

2006-08-03 Thread azinck3

GreenMan Wrote: 
 -Bump-

Happy to help, but what sort of further info were you looking for,
GreenMan?


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-03 Thread azinck3

GreenMan Wrote: 
 ... from, say, using a powered mic and Room Eq Wizard?
 (http://www.hometheatershack.com/roomeq/)
 
 I know you seem to have developed a SB-specific solution. What are the
 advantages over other methods at this point, in your view?

I know this was for Hugh, but I couldn't help piping up ;).  The idea
is the same as the Room EQ wizard.  But once you get the FIR filter
using the Room EQ wizard you have to do something with it to actually
get the correction.  This must be done via specialized hardware (like a
TacT or the Behringer unit or a more generic parametric eq) or (in the
case of systems that source their audio from a computer) software. 
Hardware has the advantage of being able to affect any audio source. 
But software has the advantage of being cheap.  

In software you have two options:  you could run the processing on all
of your audio files so that the actual data is changed to reflect the
correct correction for your room.  But that's lousy if you want to do
anything with those files except play them on that exact system, in
that exact room.  The other option is to use a convolver to process the
room correction in real-time based on the FIR filter.  This is great as
it allows you to set up different filters for different rooms and use
the same files.  Not to mention it doesn't ruin your perfect,
lossless files.  Inguz's plugin sets up a convolver for windows which
works with Slimserver--something that was missing to this point.  There
are existing solutions for Linux.  What's not clear to me is if a filter
that's generated with the Room EQ wizard could be plugged into InguzDSP
or if you have to use the tools Hugh provides...


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[SlimDevices: Audiophiles] Re: What bitrate satisfies the 44.1Hz sample rate?

2006-08-03 Thread azinck3

GreenMan Wrote: 
 ...what lossless format I was using. I actually haven't done any in
 awhile, but I'm pretty certain it was the Apple lossless codec embedded
 in iTunes I was using to rip with. I don't know that that makes any
 difference to what others had to say, but again, several people had
 asked and I was a bit late to reply.


Ah, well, our responses about bit-rate apply to any format, really.

If you're up for it, you may want to consider trying FLAC.  It's better
supported by the SB3 (natively decoded in hardware) and is a more open
format which may make it easier to do bulk re-encoding in the future
with different media software.  

But Apple Lossless should work just fine, too.  Best of luck!


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-03 Thread azinck3

GreenMan Wrote: 
 I wonder though. Starting from scratch, I'll need an audio interface,
 which look like they run about $250 on the low side. An adequate
 Berhinger mic looks to be about another $60 - $80. We've passed the
 $300 threshold for this free solution already. Granted, the Behringer
 deq2496 doesn't include a mic, but throw one on and you've got the same
 expense threshold, roughly speaking.
 
 I'm not knocking this software solution. Quite the contrary, I think
 I'll try it. But there is some comparable associated expense that
 places it in the same expense domain as buying a seperate piece of
 hardware with embedded (and optionally, outboard) equalization
 software.

Yeah, I hear what you're saying.  There are plenty of perfectly fine
interfaces for $200, but even so, I know what you mean.  For me, I
have an interface already and can probably find a place to borrow the
mic.  The advantage is that you only need the equipment for a one-time
setup.  So even if you can't borrow it and are forced to buy you could
ebay the stuff immediately and take a nominal loss.


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[SlimDevices: Audiophiles] Re: digital room correction

2006-08-03 Thread azinck3

GreenMan Wrote: 
 Would you kindly name a few of those interfaces here?
 
 I also failed to include the cost of 30ft of mic cable that I need to
 get my mic to reach my computer in the next room, which adds about
 another $30 onto the price tag

You can pretty much take your pick from this list:(any of them with a
mic preamp anyways)
http://www.sweetwater.com/store/category.php?c=695sb=catalogpriceso=asc


I certainly haven't used all of them but to give you a starting point I
should say that I've been happy with the TASCAM us-122, and am generally
quite satisfied with M-Audio equipment.


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[SlimDevices: Audiophiles] Re: Best Audiophile Music Server

2006-06-27 Thread azinck3

martintyler Wrote: 
 I dont disagree at all. You obviously misunderstood my point.

You are likely correct in this since it was unclear to me what you were
trying to say (except that you were apparently disagreeing with the
previous point).

martintyler Wrote: 
 but reproducing a perfect stream of bits correctly has nothing to do
 with jitter.

I think we're basically in agreement here...but your statement calls
for some clarification.  There are really 2 streams of bits that
we're discussing.  The recreation of a perfect stream of bits inside
of the computer indeed has nothing to do with the jitter we're speaking
of.  The jitter we're discussing only exists in the creation and
interpretation of the spdif signal (the computer, as the source device
in this case, can only be held responsible for the creation of the
signal).  At some point the computer must generate a spdif signal based
on the audio data it knows.  It knows the actual bits and it knows what
timing to use to send those bits.  Using that information, the spdif
signal is created by some output device (sound card, squeezebox, etc.)
and at this point reproducing a perfect stream of bits correctly has
*everything* to do with jitter.  The perfect signal would contain all
correct bits, be perfectly timed, and all edge transitions would be
vertical.  Getting the correct bits down is trivial, but neither
perfect timing nor vertical edge transitions is possible.


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[SlimDevices: Audiophiles] Re: Ideas for a hidden set-up?

2006-06-27 Thread azinck3

GregW Wrote: 
 On a different forum someone has pointed me to this amp:
 
 http://www.keene.co.uk/cgi-bin/bigcodesearch.pl?KLABKIT
 
 Looks ideal for what I want but does anyone have any experience or
 thoughts about this?

This thread discusses the Dr. Amp which seems quite nice:
http://forums.slimdevices.com/showthread.php?t=23826

The Keene amp you referenced has miserable specs (1% THD, and 60dB
SNR!?).  But if sound quality doesn't matter to you and you really want
the on-wall preamp controls of the Keene then perhaps it's the amp for
you.


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[SlimDevices: Audiophiles] Re: The best setting for the SB3, and slim server for Audio Quality only!

2006-06-26 Thread azinck3

blah509 Wrote: 
 Can we get this discussion back on topic because this really interests
 me. 
 
 Back to the settings people :)
 
 

opaquiece's post (post #3 in this thread) pretty much covers it.  With
those settings, assuming a lossless source, the Squeezebox will deliver
a bit-perfect representation of the audio at its digital outputs.


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[SlimDevices: Audiophiles] Re: Best Audiophile Music Server

2006-06-26 Thread azinck3

martintyler Wrote: 
 How are these two sentences even related? I am amused that you are
 amused by it :)

A hard drive's digital performance is a non-issue in this discussion. 
Due to the error detection, correction, and redundancy throughout any
properly designed computer, data is able to travel speedily and
accurately to any component.  The hard-drive isn't the device that's
generating the spdif stream.  The quality of the output device (be it
the sound card or squeezebox or whatever) is what has to be called into
question.  The output device is going to get perfectly accurate
information in plenty of time, but if it's cheap it might not be able
to lay down a very pretty spdif signal (poor edges, bad timing).


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[SlimDevices: Audiophiles] Re: Best Audiophile Music Server

2006-06-26 Thread azinck3

snarlydwarf Wrote: 
 Oh, certainly I agree with that: but I'm not the one writing stuff like:
 
 

Sorry I wasn't clear.  My point was not directed at you, snarlydwarf. 
I understood what you were trying to say.  My answer was directed at
your detractor.


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[SlimDevices: Audiophiles] Re: Naim enters the music server game

2006-06-22 Thread azinck3

I'm wondering if these guys and the audiodeck guys mentioned in another
thread are leveraging PlutoHome http://plutohome.com

Have any of you given PlutoHome a try (it apparently supports the
squeezebox)?  I'm curious about how well it all works in the end.  I've
been eyeing it lustfully for some time now but can't justify the cost or
effort involved in setting one of these things up (it's potentially
quite cheap, but if you go the cheap route then you are also choosing
to go the very hard route).  I've had a hard enough time getting a
really effective (read: stable and easy to use) HTPC DVR set up, I can
only imagine how tough it'd be to get all the systems in a large Pluto
Home configuration to work well all the time.  And all the difficulty
with encrypted QAM HDTV broadcasts, the threat of broadcast flags, and
so much other DRM crap makes me really unwilling to invest much in a
setup that may ultimately end up crippled.


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[SlimDevices: Audiophiles] Re: Naim enters the music server game

2006-06-22 Thread azinck3

bpa Wrote: 
 Is using the number RS-232 on the network products some sort of joke by
 the developers ?
 
 RS-232 is the old modem standard 300-19.2k bit/sec.

rs-232 is still the control standard for many devices.  The naim system
will use controllers that will sit on the cat-5 network that will be
able to take commands from the network and control the appropriate
devices via rs-232.  So the distribution will still be by cat-5 (or 6,
or wireless) but this allows them to interface with almost any type of
hardware.


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[SlimDevices: Audiophiles] Re: SB3 + high end DAC versus high end CD Player?

2006-06-12 Thread azinck3

Robin Bowes Wrote: 
 
 No, it's not the same at all.
 
 Network transmission has error correction. The data is wrapped up in
 various layers of protocols.
 
 With digital audio, the bits simply transmitted over an analogue
 medium.
 There are all sorts of ways the signal can degrade in transmission and
 hence the musical information represented by the signal can be
 affected.
 
 R.

I think his point is just that, if an error were to happen, it wouldn't
make sense for it to only happen to certain colors.  Every bit is
equally open to corruption.  It would be like drenching a book in water
and giving to someone, only to have them complain that all the R's were
missing.

That being said, I could buy that perhaps the corruption could cause a
lack of bass solidity.  Going back to the JPEG example, the
corruption might exist throughout the entire photo but be *easier to
see* in areas that are solid black, but less noticeable in more busy
sections of the image.


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[SlimDevices: Audiophiles] Re: Help...not enjoying my SB3

2006-06-11 Thread azinck3

Lyonesse Wrote: 
 
 4. modern interconnects are like the tone controls of yesteryear imo,
 the VDH carbon fibre interconnects will hopefully allow me to keep all
 this wonderful resolution that the SB3 delivers without the ear frying
 sibilence.
 

There's absolutely no technical support for this conclusion.  Digital
information just doesn't work that way.  Let me try an analogy:

Consider sheet music.  This is analogous to the original digital
information.  It's information that can communicate music, but which
has a physical form (paper and ink) which is unrelated to the reality
of sound.  Suppose you make a photocopy of the sheet  music (equivalent
to sending the digital data across your interconnects).  A good
photocopy machine will make a nice, crisp copy, while a poor copier
will make a blurry copy.  You then hand the copy to a pianist to play
the music.  The pianist is equivalent to your Bel Canto DAC. His eyes
and fingers will translate the sheet music into sound.  If the sheet
music is clean and crisp (as with the good interconnects) he will have
no trouble accurately reading the music and the piece will sound as it
was intended.  In the case of the blurry copy, however, the pianist may
occasionally have some trouble reading the music.  He might have to stop
playing briefly, or randomly play a wrong note, or he might play a note
a bit too soon or too late or too loudly or too softly.  The errors
will be random and entirely unpredictable.  The analogy isn't perfect,
but it should give you an idea of what's going on.  The result of the
blurry copy will not be a tone adjustment.  It will simply be bad
music.  In the case of digital, the effects will be *far* more subtle
than in my analogy, or you're more likely not to get any sound at all. 
And, just to be clear, for an interconnect to deliver the equivalent of
the blurry copy it would have to be a very, very poor interconnect
indeed.  I've heard of tests that have even adapted clothes-hangers to
act as digital interconnects and not a single bit was dropped over many
hours of use.


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[SlimDevices: Audiophiles] Re: digital room correction

2006-06-09 Thread azinck3

mgraves Wrote: 
 Nonetheless, I was able to satisfy myself that the Behringer monitoring
 hardware was a decent purchase.

Agreed.  I spec'd their B2031's for a small classroom installation and
was really impressed by their performance.


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[SlimDevices: Audiophiles] Re: digital room correction

2006-06-07 Thread azinck3

inguz Wrote: 
 I think you nailed it.
 
 There are lots of reasons I like SqueezeBox.  Of course the hardware,
 which has a really excellent engineering  attention to detail, while
 still being built to an affordable price-point.  But the system
 architecture overall is so nice, and this separation of a medium-power
 network-connected audio device from the server has a huge amount of
 flexibility.   Then there's been some really smart business thinking
 from SlimDevices about extending this (the SqueezeNetwork, the Pandora
 hook-up, etc -- with all their rough edges -- are really great
 beginnings).
 
 Eventually, high-power DSP (powerful enough to process long filters)
 will be everywhere.  I totally expect to see mid-market home stereo
 amorphous-line-array systems with dozens of loudspeakers per system,
 each containing wicked powerful processors, coordinating with each
 other to recreate the sound experience (and doing a better job of it
 than two channels usually does today).  But for now, in a two-channel
 SB system, the PC is [a] basically free, and [b] easily fast enough to
 run lots of fancy DSP algorithms.  (Powerful enough to run room
 correction on several squeezeboxes simultaneously).
 
 Talking of price-points, I've always been a cheapskate audiophile, and
 SB lets me play that game.  My main system for a long time was a
 Linn/Basik/K9, to a homebrew triode pre with dumpster-salvaged Naim
 phono boards, to a salvaged-and-rebuilt Quad 405, to some quite nice
 hand-me-down Monitor Audio speakers.  That all set me back a few
 hundred quid, back in the day.  Now, a SB-based system can give better
 price/performance below $1000 than anything else on the market.  (OK,
 $1500 or $2000 if you include the computer).  And, whatever quality
 your analog stages, there's a whole lot of value-add in the digital
 domain too.
 
 
 
 Progress: slow but promising.  Not yet downloadable.  Of course I'll
 announce here when there's a generally usable version.
 
 
 
 The 9-band plugin only stops there because the UI is the INPUT.Bar
 control (same as the SB volume control, but with a center-zero) for
 each band.  It would be possible to build a vertical-slider-control
 thingy, but that's beyond my leet perl skillz right now.
 
 But the aim of this EQ is just to tailor for personal taste *after*
 correction filtering has run the early-reflection compensation, the
 room booms  peaks, and so on.  Like the old Quad tilt tone control,
 a gentle touch goes a long way.  For most situations (e.g. adjusting
 for a particular album's balance) I think bass/mid/treb is enough.  And
 although I don't have a shippable quietness control yet, early
 experiments in that area look likely to solve 90% of my tone-control
 wants.
 
 - Hugh yclept inguz

The possibilities are exciting.  Thanks for all of your work in this
area, Hugh.


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-06 Thread azinck3

krzys Wrote: 
 I'm using one since 10 months, very usefull and a great value, quite
 decent DAC also. Much better if tweaked (analogue out, clock, PS caps
 etc).
 The DEQ is of course much less sophisticated than a TACT (filters and
 number of filters) but makes a very good job.
 
 What do you want to know ?
 Chris

Thanks for the feedback, Chris.  I guess that I wanted to know just
what you said ;).  I'm VERY tempted to pick one of these up.


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-06 Thread azinck3

opaqueice Wrote: 
 Is there such a thing?  This seems like an excellent idea, especially
 for SB users who already have a computer as part of their system.  And
 if there was any problem with real-time processing (which I agree there
 shouldn't be on a modern system), you could simply have a batch
 converter function which would take a library of files and convolve
 them with the appropriate filter.
 
 EDIT:  The hard part has already been done, it sounds like...
 
 http://www.ludd.luth.se/~torger/brutefir.html#whatis

Yeah, there was a thread on this a while back:
http://forums.slimdevices.com/showthread.php?t=14452highlight=fir

and a user has managed to get something working with his squeezebox:
http://www.duffroomcorrection.com/wiki/User:Hpyle


and he's seemed to develop something that perhaps he wants to sell? 
dunno:
http://forums.slimdevices.com/showthread.php?t=24301highlight=fir

I'd love it if I could figure out how to implement this myself...it'd
certainly be a cheaper solution than a TacT...


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[SlimDevices: Audiophiles] Re: digital room correction

2006-06-06 Thread azinck3

dwc Wrote: 
 Looks really cool, but it's a bit crude at 9-channels.
 [for comparison the DEQ is 31-channels, independent L+R control]
 
 It would be great to see this idea developed, but it looks like some
 serious coding and a serious load on the CPU to run in stream.
 
 -Dan

Perhaps, but the brutefir documentation claims to be *very* efficient:
http://www.ludd.luth.se/~torger/brutefir.html#howfast

I'll confess that I don't know what really constitutes a tap...but
I'm being wooed by the large numbers!


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-05 Thread azinck3

dwc Wrote: 
 Poor man's TacT = Behringer DEQ 2496 + mic.

Anyone have any experience with one of these?  $300 sounds a bit better
than $7000...


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[SlimDevices: Audiophiles] Re: Best way to connect to monitors

2006-06-04 Thread azinck3

Juggler Wrote: 
 I just got some m-audio DX4 studio monitors--not the highest end
 speakers but they met my budget. These monitors have both RCA and TRS
 inputs. 
 
 What would be the best way to connect to these monitors: via the
 regular RCA or through the TRS?
 
 many thanks,
 J.

Unless you're intending to use a direct box or have some other method
of making the unbalanced signal from the squeezebox balanced, then it
doesn't really matter.  If you're not converting the unbalanced signal
to balanced, then you should actually use a 1/4 TS connector, not a
TRS and the choice between using the 1/4 inputs or the rca inputs will
merely be a matter of convenience/preference for you.  There will be no
electrical reasons to do one or the other.


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-02 Thread azinck3

Phil Leigh Wrote: 
 In the same way that the sound changes slightly as you move around the
 room, the TACT  correction is only accurate in your normal listening
 position - however, in practice it works rather well regardless of
 listening position...

Understood...yet there are DSP's used in the professional audio
industry that manipulate the signals going to individual drivers in
each cabinet to attempt to yield the most accurate audio possible at
*all* seats in the concert hall (obviously it's impossible to get
identical audio at *all* seats, but the systems attempt to come as
close as possible).  Granted, those systems are feasible because they
involve many, many drivers but, not knowing much about the TacT, I
thought that perhaps it might try to work some similar magic.


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[SlimDevices: Audiophiles] Re: coax/SPDIF output only, do I need to mod SB3?

2006-06-02 Thread azinck3

Roy2001 Wrote: 
 BTW, at this time, I plan to use coax cable to connect SB3 to an
 external DAC. My question is, do I really need to mod it? Which kind of
 mod do you recommend?
 

This is something that only you can answer.  You're the one who will be
listening to the device.  Let me say this:  I have a mid-level system,
am an amateur audio engineer, and think of myself as discriminating in
the audio field.  I feel no compulsion to mod my units.  I enjoy them
perfectly the way they are.  If I were to upgrade I'd be sinking money
into my speakers long before I ever touched the SB.  There are other
folks, however, who would not be able to enjoy their SB's as they do
without having modded them.  Buy one and see how it sounds.  If you
feel compelled to mod, then by all means mod.


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-02 Thread azinck3

Phil Leigh Wrote: 
 Yes agreed, but those systems are crude by comparison.


They seem pretty sophisticated to me (see a solution from Meyer Sound
here: http://www.meyersound.com/616/) but as I said, I don't know a lot
about these things.

But back to the FIR filters:  does anyone know much more about these
and how they compare to what the TacT can do?


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-02 Thread azinck3

Phil Leigh Wrote: 
 Well - they are sophisticated in some ways - but not in the way we'd
 appreciate! Pro sound reinforcement is a whole different bag of
 spanners...
 

Haha, no kidding...

Phil Leigh Wrote: 
 
 and yes, FIR filters is part of the TACT proposition - some people will
 disagree with the following, but IMHO you are better off trying the TACT
 approach than trying to home brew your own solution...

Ok, good, this is what I was looking for.  Would really love a chance
to hear for myself what a properly set up TacT system can do.


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[SlimDevices: Audiophiles] Re: SB/Tact/NuForce

2006-06-01 Thread azinck3

Forgive me if this is a dumb question:  I'm not that familiar with the
TACT units, nor do I know all that much about room correction.

Can most of the functionality of the TACT units be duplicated with a
FIR filter?  If so, this thread really motivates me to start
re-exploring getting FIR working with the SB.


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[SlimDevices: Audiophiles] Re: Advice please

2006-05-19 Thread azinck3

Skunk Wrote: 
 Sorry. Maybe I was confusing the internal DAC going from 16 to 24 bit
 when the volume is less than full output. Or maybe that's wrong too.
 I'll just go hide somewhere :-)

Well, as Sean said, it doesn't resample, but you're right that it
degrades the audio quality.  Use of the multiplier results in a loss of
dynamic resolution.  That's just the way the math works out when you're
working with a digital signal.  That's probably what you were thinking
of.


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[SlimDevices: Audiophiles] Re: Signle FLAC/APE/CUE

2006-05-18 Thread azinck3

lovemov Wrote: 
 While waiting my hardware to arrive, I'd start to play with the
 slimserver.
 90% of my music are classical, so I prefer than to be a single image
 file, which also plays fine in foolbar or winamp. I have been reading
 the forum, looks like there is lots of problems with cue file handling.
 
 I really want to keep the existing images, and still have the flexibity
 to pick tracks easily within the image. What's my best solution? I don't
 mind doing some bit of covertion jobs.
 
 
 (sorry for the double posts. no idea how to move between forums. people
 suggested I might get more replys in audiophile forum for this question)


You mentioned that you're going to start playing with Slimserver.  Have
you installed it?  Are you having any problems with your cue files? 
Slimserver is supposed to support them--it should all work fine.  Let
us know if you have any problems then we can start troubleshooting real
problems rather than hypothetical problems.


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[SlimDevices: Audiophiles] Re: Signle FLAC/APE/CUE

2006-05-18 Thread azinck3

BTW, reread my post...didn't mean to sound short with you.  Just that a
lot of questions can be easily answered by just trying it! 
Slimserver's a free and easy install, and don't forget to try out
softsqueeze.  Even if your box doesn't arrive before the weekend you
can have a good old time this weekend just playing with those two
pieces of software.


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[SlimDevices: Audiophiles] Re: OK, I think I should ask my questions here

2006-05-17 Thread azinck3

Sometimes bits change due to transcoding, resampling, or other DSP being
run on the sound by software or hardware.  For instance:  roku devices
resample everything to 48khz.  While the resultant PCM audio would
sonically make sense, A DTS signal (due to the way it's encoded)
wouldn't survive this resampling.  Some devices will adjust the volume
level of the signal before sending it through the digital outs...this,
too, changes the original pattern of the bits--the data is changed and
results in something that makes sense sonically, but would break DTS. 
Still other devices might run some sort of sound-enhancing DSP, or
even more egregiously, transcode to mp3 or another lossy format
somehwere in the signal chain.

Anyhow...the OP was just verifying that the original data would arrive
100% intact at the SB's digital outputs.  In fact, the old SB1 can not
accomplish this feat--it inverts the data.


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[SlimDevices: Audiophiles] Re: pc server v sb3 ?

2006-05-17 Thread azinck3

Lyonesse Wrote: 
 Hi
 
 Im thinking about buying an SB3 but wondered about the levels of jitter
 that may be introduced by the length of ethernet cable, 20 feet in my
 case.
 
 I intend to use my Belcanto dac2 into a Valve amp. Ive had fantastic
 results using my pc and foobar2000 with coaxial digital out from
 soundcard to dac. How far do you feel the sound will be compromised by
 using the lan?
 
 Thanks
 
 Jack.


The ethernet run has absolutely no potential of inducing jitter into
the SPDIF signal.  The data is sent via TCP/IP to the squeezebox. 
TCP/IP data is conveyed perfectly due to the fact that corrupt data is
detected and resent (and the buffer in the Squeezebox allows for plenty
of time for any minor hiccups to be worked out).  It's only the lack of
error-correction and the time-dependent nature of SPDIF that makes it
susceptible to jitter issues.


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[SlimDevices: Audiophiles] Re: 3 hot topics

2006-05-07 Thread azinck3

seanadams Wrote: 
 Nobody can say what someone else can or can't hear but I will eat my hat
 if claims that client-side FLAC sounds different would hold up in a
 blind test.

A fairly unimpressive assertion for those of us who know about sean's
collection of delicious chocolate cake hats.


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[SlimDevices: Audiophiles] Re: Squeezebox vs Xbox 360?

2006-05-05 Thread azinck3

I, too, have a 360 and a squeezebox.  Aside from the issues already
mentioned:  sound quality, fan noise--boy is it loud, lack of display,
and awkward interface (I can't emphasize enough how poor the interface
is for music when compared to a squeezebox), there are other
limitations worth considering. 

- The 360 won't synchronize with other 360's to provide whole-house
audio, nor any central way to control such a system.

- You'll either have to store all your music on the 360 or have a
windows PC on at all times to run windows media connect.  Slimserver
can run on a windows PC, small NAS devices, linux PCs, macs, take your
pick.  Or it can operate without a PC via squeezenetwork.

- I haven't explored it fully but I don't think the 360 can do internet
radio.  Interestingly, I've found I use this as much as, or perhaps even
more than my personal music collection.

- The 360 won't do Pandora.

- It was briefly mentioned, but it warrants expounding on:  the 360
doesn't support many file types.  I think only WMA and MP3 are
supported (probably wav, too?).  But certainly no flac, ogg, shorten,
AAC, or ALAC support.

- Slimserver offers a ton of flexible ways to interact with the server
and device.  The web interface offers anywhere-access, as well as
palm/pda/nokia770 control via a very slick interface (thanks to Ben
Klaas).  The CLI offers an installer an easy way to integrate the SB
into an AMX/Crestron system.  

- Slimserver allows you to easily stream (with transcoding, if
necessary) to many types of devices, locally and remotely, enabling you
to more easily consolidate your music collection to a single, centrally
located, server.


All that being said, given the way I use my setup, I think that the
lack of a display on the 360 would be the single biggest reason why I
wouldn't part with my squeezebox.  I played with HTPC's for a while but
never realized just how important the display was until I got a
squeezebox.  I'll spontaneously put music on in the house much more
often than I ever did in my HTPC days.


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