'fred mcmurray' your personal email is bouncing
cdnow has ra of every track from the luomo vocalcity CD
p-d
- Original Message -
From: darw_n <[EMAIL PROTECTED]>
> >The live at the liquid room Tokyo CD is one of my personal
> > favorites.
>
>
>
> which one? There's that new one from sept 2000, and then the old one
(which
> I don't like all that much, but I have to admit, I am one of those
tech
sorry about that, the question was vague, any one know what the project is
that Stoll and Front is?
darw_n
"re-evolut_on..."
www.sphereproductions.com
- Original Message -
From: "darw_n" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, December 12, 2000 5:48 PM
Subject: [313] St
How about Thomas Brinkmann's side project Soul Center?
Not quite Detroit though...
_
Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
We were talking about Front 242's influence on techno on another list, and I
just remembered that when we brought Steve Stoll to one of our events, he
said he was moving to Belgium that week to work with Front 242, anyone know
what? Front is probably the most important group to me (besides Duran
D
Same goes for a show like this in NYC. Any NY 313-ers think it would
be great to see B0C here? WARP just opened a NYC office, so here's to hoping
they'll have something up their anorak sleeves for the coming year.
Jorge
Acts like Kid 606 cost about 1/4 the amount of any of
the warp/rephlex
check 1 check 2
hi everyone,
does anyone have contact info for alton miller? or could you please forward
my contact info to him?
thanks,
ani
record time
[EMAIL PROTECTED]
www.recordtime.com
ph 810.775.1550
fax 810.775.5830
icq# 33610265
want to be on the record time mailing list?
send an email message from the
>re: Liquid Room 2000
>the second track, after Jaguar, is perhaps my favorite on
>there...
Surgeon - La Real
this is old, i know but i had to jump in.
http://arstechnica.com/wankerdesk/1q00/mp3/mp3-1.html
this article from the online technical journal Ars-Technica does
a good job laying out and explaining the differences in encoders and
how well they stack up aginst cd's. on the whole it's a well writte
>The live at the liquid room Tokyo CD is one of my personal
> favorites.
which one? There's that new one from sept 2000, and then the old one (which
I don't like all that much, but I have to admit, I am one of those technical
DJ freaks who hates sloppy mixing)
The new one is pretty nice, I got
this is the best idea that i've heard in a long time. i saw autechre live
in toronto a couple of years ago and they were fantastic. i've never seen
any of the others...if they were all in one place, i would definitly be
there.
d
From: "Dr. Robot" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
In a message dated 12/11/00 6:10:46 PM, [EMAIL PROTECTED] writes:
>on 12/11/2000 4:54 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
>
>> Look at Blues...it begat Bluegrass,
>
>...and then it begat blueberries, right? Blues has little to do with
>bluegrass. The former is based in African f
Thought some of you might be interested in this- it's a show that a guy
is making that puts visuals to sets by experimental electronic groups.
So far he is going to air it on NYC public access and I think he's going
to try to get it aired elsewhere as well.
http://www.frogbomb.com/
I just finishe
if anyone wants to sell those two source cds please
let me know:
950220 / kobat / cd
950822 / true frequencies / cd
Acts like Kid 606 cost about 1/4 the amount of any of
the warp/rephlex artists you mention here. I'm sure
many folks would be interested in seeing a show such
as the one you propose, but it would require major
promotion, needless to say.
-joe
p.s. aphex and some other rephlex heads are going on
313'ers,
i was interested in finding out how many of you guys are into boards of
canada. if ya are, i figure we need to get a mass email together to write to
the motor to try to pull these guys in to detroit to play a show. i
personaly think that would be an opertunity of a life time but mayb
if anyone wants to sell those two source cds please
let me know:
950220 / kobat / cd
950822 / true frequencies / cd
David Bitterman wrote:
> I would like to ask if anyone else on this list has had their posts
> intentionally omitted?
As someone else already pointed out, sometimes people forget to change
the address to 313@hyperreal.org when replying, in which case it goes to
the original sender only and not
if anyone wants to sell those two source cds please
let me know:
950220 / kobat / cd
950822 / true frequencies / cd
This version of LOVE'S GOT ME HIGH features a music sample from WOOD, BRASS &
STEEL's "FUNK A NOVA". This mix of Love's Got Me High" is on the Tribute EP.
This record should be available throughout the UK, as I reissued this EP 2
months ago. Any record shop that doesn't have this record, can ord
Tracks from the 21st are like very dreamy surreal landscapes. There
are a few bumping tracks, but the CD is layed out track by track and not
a DJ set. The live at the liquid room Tokyo CD is one of my personal
favorites. Out!
Levi
I see your on a flyer for an event in Evansville, IN this weekend.. with
Derek Plaslaiko too...
just writing to make sure you are still playing.
Please email me back to let me know...
thanks in advance,
Lorie
Show #19 (12-08-00) via realaudio..
http://www.n-siderecords.com/cgi-bin/dj?ra=radio1_show019_120800.ram
The N-side w/ David H., Show #019 12-08-00 [Electro]
[##] artist - track name - label (title)
[01] Allesandro F. - Effect Hypnotique
Every time I go to www.x313.com, I get nothing but a blank page with an
e-mail address. Am I missing something?
Where did this info about the change to the line-up come from?
Nik
_
Get more from the Web. FREE M
DJ SS (Fromation records) U.K
dj-stream
http://www.sonox.com/main/electronica/start.box
(: janos :)))9
previously...
I'll just add that I'm already investigating Theo Parrish...
who hits directly in the center of what I'm looking for...
i'd definately reccomend you have a listen to both newworldaquarium releases
on delsin... very f#cked up sounds from 154 - hello 154 ;)
also, for whoever was
H I'd like to hear the official comment on why the line-up has been
cropped so disappointingly. Moodyman'll be great, if he actually plays at
all - my thinking at the moment is that we won't actually know until the
night whether this will happen or not. I've been misled once it seems, so
Warpmart still ahev the CD version for £4...
Gwendal
> -Original Message-
> From: Tom Serna [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, December 12, 2000 11:42 AM
> To: 313@hyperreal.org
> Subject: [313] track wants
>
>
> Hi
>
> I am desperately seeking a copy of the following :
>
> joey be
>>> Whatever happened to A13?
wondering,
W
> also can anyone tell me what ep and label a track
> called ARTECH by Dave Angel was released on? I can't
> find out anywhere and its buggin me.
>
It was released in 1994 on the UK label A13, on both the
``Experimenta''
12" sampler (AA001) and the
Can anyone tell me (TP?), what is the mix of
Love's Got Me High that's got the smooth (but
funky) guitar lick. It's pitch wheeled down every
time it repeats with sort of string sounds.
It's a sample from an older track I take it.
The whole track has a nice rough feel.
Anyway, more importantly -
Tom wrote:
Hmmm. Don't know what to make of this. 'Guest fugitives from UR' could mean
anything. Suburban Knight is now the only listed survivor from the original
line up announced of 'Mike Banks, Drexciya, Aztec Mystic, S Knight,
Perception, Decon & Chaos'. No, I don't know who Clandestine and
Date: Mon, 11 Dec 2000 17:37:45 +0100
Subject: new delsin release - aardvarck
To: (Recipient list suppressed)
From: "delsin. records" <[EMAIL PROTECTED]>
--=_28956313==_.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed
|
14dsr/aar2
available January 2001
|
Hmmm. Don't know what to make of this. 'Guest fugitives from UR' could mean
anything. Suburban Knight is now the only listed survivor from the original
line up announced of 'Mike Banks, Drexciya, Aztec Mystic, S Knight,
Perception, Decon & Chaos'. No, I don't know who Clandestine and Namowan are
ei
On Tue, 12 Dec 2000, Tom Serna wrote:
> I am desperately seeking a copy of the following :
> joey beltram : caliber ep on warp
>
A friend told me last weekend that it is a really rare one nowadays and
that I'm probably one of the few here in Finland who have it. But sorry,
I'm not parting with
Hi
I am desperately seeking a copy of the following :
joey beltram : caliber ep on warp
I will pay good money (within reason!) and shipping
also can anyone tell me what ep and label a track
called ARTECH by Dave Angel was released on? I can't
find out anywhere and its buggin me.
peace
Tom.
_
>
> "UR presents Interstellar Fugitives James "Suburban Knight" Pennington
Live
> With Guest Fugitives from UR. In a rare London Dj Strike the unseen and
> unheard CLANDESTINE (UR) will unleash the funk from Detroit alongside
> NAMOWAN, touching down from the RED PLANET."
>
Could UR be techno's
KJJ wrote:
Who the f*** is Clandestine and Namowan?
dunno... never heard of either of them.
does anyone still have a copy of the original press release or announcement
for this party? Tom MF?
rob
_
Get
> -Oorspronkelijk bericht-
> Van: rob webb [mailto:[EMAIL PROTECTED]
> Verzonden: dinsdag 12 december 2000 11:03
> Aan: 313@hyperreal.org
> Onderwerp: [313] UR/Moodymann NYE
>
>
> http://www.x313.com
>
> so, it looks like KDJ is gonna be djing, but the
> "miscommunication" over
> UR'
does anyone know where i can get From the 21st from online?
i thought it was japanese only
martin
--
Date: Mon, 11 Dec 2000 18:36:34 -0800
To: 313@hyperreal.org
From: "c c" <[EMAIL PROTECTED]>
Subject: Jeff Mills- From the 21st
Message-Id: <[EMAIL PROTECTED]>
Would s
http://www.x313.com
so, it looks like KDJ is gonna be djing, but the "miscommunication" over
UR's appearance has ended up with...
"UR presents Interstellar Fugitives James "Suburban Knight" Pennington Live
With Guest Fugitives from UR. In a rare London Dj Strike the unseen and
unheard CLANDE
Talking of covers, at the weekend I caught Envoy live.
It was ok, but I wasn't too sure about the use of Lil
Louis' speech from Blackout, or DJ Rush's lyrics from
Spitball (Hope is the name of the singer isn't it?).
It was sort of funny, but then I got to thinking about
techno karaoke!
Rolando
Heh heh heh...
http://shopping.discovery.com/product/1107-1426-141549.html
I think it does not compare at all. The Tokyo album is a registration of
a Jeff Mills DJ set, straight up, in-yer-face, banging techno.
Everything is there: the mixing, the speed and all those stomping tracks
that make a difference.
"From the 21st" is an album which was only released in Japan if I
>Pop Will Eat Itself "There Is No Love Between Us
Anymore" from the album "Box Frenzy", from 1987.
>If you can find it, get the "limited" 12" version of
that song. Contains a really nice "scratch version" of
the song, that would be resampled in the PWEI song
"Psychosexual".
That's it! I need the s
Passion, aka the soundtrack for The Last Temptation of Christ.
beautiful music. similarly for me in that 'era' of music was the
soundtrack for The Mission; Morricone isn't very near detroit, but i
always think of The Mission when i hear Passion.
thoughts... a lot of agreement. And a recommen
I am listening right now to Peter Gabriel's 1989 release "passion" and first
off, I am blown away, and second, I can find many precursors to today's
techno...
any thoughts?
darw_n
"re-evolut_on..."
www.sphereproductions.com
How does this compare to "Live at the Liquid Room In Tokyo"?
Actually, although I play the DJ Pierre Wild Pitch remix of "Late Night,"
it doesn't seem as wild-pitchy to me as a lot of the others; the
rythmic bed is a lot stiffer sounding than the more flowing examples
are. On the other hand, if DJ Pierre calls it "wild pitch", then there
you go.
yea i
I post this not to continue the ongoing debate about whether or not vinyl
will ever be replaced, but to add one new thought. I think every POV has
been expressed ten thousand times on the list already, but I still think
this is interesting and a well-written overview of some new technology that
*so
This CD is mind-bogglingly good. It stacks up with
Humana, Metropolis, anything else you choose to name.
A variety of styles, from the angular power of Solara,
B2f7, M87, to beatless ambience - Optima (Reason), to
melodic sweetnes - Twilight 20, [EMAIL PROTECTED]:45. I believe
all of the tracks a
Actually, although I play the DJ Pierre Wild Pitch remix of "Late Night,"
it doesn't seem as wild-pitchy to me as a lot of the others; the
rythmic bed is a lot stiffer sounding than the more flowing examples
are. On the other hand, if DJ Pierre calls it "wild pitch", then there
you go.
The thing
Check out the list manifesto. This list is not
moderated.
http://www.hyperreal.org/music/lists/313/
I don't know about swearing though, some people reckon
swearing is filtered. Matt McQueen or George Smiley
would be the best people to ask about this.
Dave
--- David Bitterman <[EMAIL PROTECTED]
All the Redux 2nd Place and Runner Up tracks have been announced. It would
seem that Christian won, grabbed a 2nd place and a runner up award. They
like your style at Plus 8 kid! :) Leslie Rollins aka 337is who was once on
313 (might still be) also snagged a runner up award.
http://www.acidplanet.
> No. In order to censor you, the list admin would have to write a perl
> filter to intercept your mail to 313, and then fake the headers when he
> sent 'approved' email along to the list. I don't think anyone involved
> could be arsed to go to that trouble.
>
> I don't know why your posts didn't
Theo Parrish always seems to have that slower, almost narcotic, sexy vibe to
his music. I love most of his stuff...
Ryan Heard
-Original Message-
From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
Sent: Tuesday, December 12, 2000 2:25 AM
To: 313@hyperreal.org
Subject: [313] spaced out music
maybe the posts u dont see..are ones where you are hitting only the "reply"
button..hence the mail only being sent to one recipient. just a thought.
mike
I'll just suggest a few labels in the same vein as the mix you linked to:
Deep4Life
Clairaudience
Spiritual Life
Ibadan
Wave
Trackmode (If only for Larry's "Missing You")
Respect
JasonB
> --
> From: FRED MCMURRY[SMTP:[EMAIL PROTECTED]
> Sent: Tuesday, December 12, 2000 1
On Mon, 11 Dec 2000, David Bitterman wrote:
> I would like to ask if anyone else on this list has had their posts
> intentionally omitted?
No. In order to censor you, the list admin would have to write a perl
filter to intercept your mail to 313, and then fake the headers when he
sent 'approved'
I would like to ask if anyone else on this list has had their posts
intentionally omitted? There are several posts I have sent in on various
things and about half of them get posted. The ones that don't are a little
more extremely opinionated but are in no way out of line. I have heard of
this and
I'll just add that I'm already investigating Theo Parrish...who hits
directly in the center of what I'm looking for. I'd like to find others or
psuedonames for artists who record this particular sound.
Really soulful, spiritual sounds/tunes are more than welcome.
Thanks
Fred
From: "FRED MCMU
> A technique for recovering warped vinyl that i've used, that my >friend who
> is a hip hop Dj told me, is to place the record on a >towel on top op a
> clothes dryer, and then place a wholbunch of books >etc. on top of it when
> you dry your clothes. Has done the trick for >me b4.
I warped
ok well i have'nt heard anyone bring up this wild pitch record its one of my
fav'smight be deep enough ...he he
side 1.
jeff mills
latenight .with
mills mix
dj pierre mix
dj pierre dub mix
side 2.
jeff mills
berlinwith
mills mix
wild pitch mix
wild pitch dub mix
label:
My brother's girl is having a christmas party this friday night
in the West Village (near 8th Avenue and Bleeker) and I volunteered
to try and find someone who wants to DJ.
Stylewise: Art/Media/Silicon Gulch crowd, not ravers, so a mix
of IDM, trip hop, 80's dance and funk would go down well.
Pay
Would someone be able to review this CD?
Is it all new a mixture, like "art of connecting"?
cc
--== Sent via Deja.com http://www.deja.com/ ==--
Before you buy.
http://www.newtimesla.com/issues/2000-11-30/groundswell.html
... gots da bills ta get da skills...
J. E. v.F-B. B.
Given that Creative Lab's target market is consumers playing
crappy ripped MP3s and Quake fraggers, they cheap out on the convertors.
If you get the following:
MAudio Audiophile 24/96 $179.00 (http://www.leighs.com)
RNC compressor (http://www.fmraudio.com) $199
Steinberg Wavelab 3.0 (http://www.l
Anyone have some suggestions for some of the slower tempo (110bpm to 120bpm)
house/techno tunes from Detroit area producers (or those who follow their
teachings)...my frame of reference is Larry Heard (yeah, I know he's not
Detroit) style like his mixes at
http://deephouse.biostat.wisc.edu/mixe
I'm not sure if the origins are in heavy metal, but
some goa is kinda like "Techno meets Slayer". I had
some Dark Soho tracks that I got off Napster, and
there's some tracks where the song totally breaks into
a shearing guitar riff that's reminiscent of old
Slayer songs. I spent most of High Scho
Stacey sed:
Well his remixes of the covers were definetly great. I feel that his
sister's vocals and his production put the original Greatest Dancer by I
believe Sister Sledge to shame.
I don't think so. Except for the initial curiosity, I would rather have
heard the record.
Rob
was not
I must have missed this part of the "origins" thread (of which there seems
to be about three or four branches right now):
From: mee-thod <[EMAIL PROTECTED]>
To: Nick Walsh <[EMAIL PROTECTED]>
CC: 313 <313@hyperreal.org>
Subject: [313] goa, 303, 313, heavy metal
Date: Tue, 12 Dec 2000 12:41:25
Interesting and optomistic post, Stacey...
I wish I had been there to see Rob Hood, since he put on such a fantastic
show at I/o many many months back. I don't see how anyone could have such
a disdain for a techno artist doing "covers". Sounds like a homage to the
things that make Mr. Hood tick, a
On Mon, 11 Dec 2000, [iso-8859-1] Nick Walsh wrote:
> Goa is related to heavy metal music and gets it's
> sound from that... It doesn't have much to do with
> previous forms of electronic music (ie detroit
> influenced) at all...
Really? First I've heard that, might wanna tell all the goa heads in
"Blues has little to do with bluegrass." This is quite incorrect.
Robert Cantwell's definitive overview, "Bluegrass Breakdown: The Making
of the Old Southern Sound," is all about how Bill Monroe crystallized
a retrospective vision of all the threads of southern music, including
hillbilly, gospel,
Well his remixes of the covers were definetly great. I feel that his
sister's vocals and his production put the original Greatest Dancer by I
believe Sister Sledge to shame. Rob did a great job with both his dj set and
his live set...it just seems sometimes people are trying to critique the
m
Re:
> Look at Blues...it begat Bluegrass,
...and then it begat blueberries, right? Blues has little to do with
bluegrass. The former is based in African folk traditions, the latter
AFAIK in largely Irish traditions relocated to the American south (with
>the noted addition of the African Ban
So tosh, you're being a little oblique here; what did you see and why
is it "the future". And if you say CD mixing, I will just say I bought
a Denon mixer in 1994, thinking along those lines, and sold it in 1995.
And if you say pitch-constant mixing like where the Pioneer gear is
going, I say sure
i saw some e mails with the subject '313 hoodies'; i accidentally deleted
them though and was wondering if there were some being made or what was goin
on...?
=
For those who know stay low stay strong stay ready stay underground. For
those who don't,learn. For those who'stole the soul',liv
"Generate Power" on Strictly Rhythm has to be *the* benchmark 'Wild Pitch'
track. I'm a bit obsessed with the Wild Pitch sound and try to collect
anything that has that swinging beat, the horns, vocal samples and long
building middle section. DJ Duke and Danell Dixon both have some tracks
out wit
also, i saw pacou, who was surprisngly very dissapointing. He is definitely
a much better producer than dj. Rob Hood, however, was incredible. His dj
set was phenominal and his live set was even better; his flawless live
performance and the live female vocals were definitely the highlight of th
on 12/11/2000 4:54 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> Look at Blues...it begat Bluegrass,
...and then it begat blueberries, right? Blues has little to do with
bluegrass. The former is based in African folk traditions, the latter
AFAIK in largely Irish traditions relocated to
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