On Thu, Jun 25, 2009 at 3:37 AM, ja...@iridite.com wrote:
>
> We've done some instores at the shop recently and there was a
> reasonable turnout of ladies for Cooly G at the Hyperdub event - don't
> think there was many for Surgeon though :)
>
Speaking of which, the Cooly G "Narst/Love Dub" EP is p
Unlike some people, apparently, I really liked Kenny's "Keys Strings &
Tambourines" album.I could see how people might not like it, but I
could also see around that corner as it were.
But this new track "Sketches" is killing me. He stretches out for 10
minutes with a combination of extreme t
Not tried one yet. But I have to think that a good comparison would be
my laptop which is a 1.7ghz Pentium M, which gets completely bogged
down by anything other than the simplest of Ableton Live 8 sets.
And a netbook with enough storage and memory to be actually useful is
more than $250 -- I'd th
Not really on topic for 313 but since about 1/2 the users on this list
are producers of some stripe...
Any more, with so much synthesis capability available inside the box,
most people don't keep a ton of outboard MIDI gear around. Plus, many
modern devices that used to be MIDI only come with USB
ree units is about 20
> times the size of the iphone, and significantly larger than the
> pacemaker too.
>
> i mean, it's as if i asked for advice on which microwave to buy, and
> somebody replied telling me to use a gas range instead.
>
> :)
>
> On Sat, Jun 20, 20
A) Those things do run on batteries
B) If you don't want to make tracks don't but it's not an absurd suggestion.
On Fri, Jun 19, 2009 at 9:47 PM, Frank Glazer wrote:
> and first prize for wildly missing the point goes to mr. hester! ;)
>
> anyway, those are all a little unwieldy for standing on t
Choosing between an IPhone or Tonium and some new Ortofons, I'd go
with the Ortofons ;-)
I've not used either of those gizmos, but my old-man eyes and clumsy
fingers would make them both frustrating to use. Plus you'll never
drop your mixer and 1200s in the toilet accidentally.
On Fri, Jun 19, 2
I had to re-render and re-upload one track from the EP I spammed yall
about a couple weeks ago, so I'm re-announcing it. Details on my blog
@
http://music.cornwarning.com/?p=647
Aaaand, here's the link:
http://bleep.com/index.php?page=dynamic&module=roberthoodfeature
On Wed, Jun 10, 2009 at 3:50 PM, kent williams wrote:
> Robert Hood featured on bleep.com, with DJ Mix (free download).
>
> Includes a mix to download, a list of Hood's favorit
Robert Hood featured on bleep.com, with DJ Mix (free download).
Includes a mix to download, a list of Hood's favorite tracks available
on Bleep.com and an interview.
Stream or download here: http://music.cornwarning.com/?p=574 Track
list there is annotated with links...
NOTE: All of these tracks are in one of three categories: 1) I bought
them 2) They’re Creative Commons & freely available on the Internet or
3) They were given to me directly by the artist. I
s with
> which i am not familiar as a native speaker of american english.
>
> and i believe he did recently join the list. :)
>
> On Fri, Jun 5, 2009 at 3:41 PM, kent williams wrote:
>> Far right is Andy Stone, who I don't believe is a 313'er. But he is
>&g
pg
On Fri, Jun 5, 2009 at 2:32 PM, Greg Earle wrote:
> On Jun 5, 2009, at 4:30 AM PDT, Kent Williams
> wrote:
>
>> It means you're eligible to be in the grizzled elder pictures from DEMF:
>> http://tinyurl.com/pknn5s
>
> Gotta be on/logged into Facebook for that p
Amongs the Google Labs options (under the green erlenmeyer flask icon
next to 'Settings' at the top of the page), there are 'Preview Flickr
Links' and 'Preview Picasa Links' flags.
When people post picture URLS from those sites on 313, even though
they're plain text messages, you'll be able to se
The big buzz on the synth nerd blogs yesterday was Tom Oberheim
showing off his new version of the old Oberheim SEM module. And Fred
Giannelli was there with his camera:
http://www.flickr.com/photos/dangerfellini/3594540535/in/set-72157619234189980/
It means you're eligible to be in the grizzled elder pictures from DEMF:
http://tinyurl.com/pknn5s
Since the list was started in 1994, you must be one of the OG 313'ers.
On Fri, Jun 5, 2009 at 5:05 AM, Marsel van der
Wielen wrote:
>
> i suddenly realized i'm almost 15 years subscribed to this lis
Hah, now THAT's a mix. Though at first I thought the timings were in
minutes and seconds, not hours and minutes.
Actually 4 seconds of each track would kinda rule too.
On Thu, Jun 4, 2009 at 10:01 AM, Martin Dust wrote:
> This is brilliant:
> Red Kite : Anniversary -Ten years without X-Mix (3h44
Patrice Scott Interview:
http://www.residentadvisor.net/feature.aspx?1055
I was seeing Bone with Ahne everywhere in Detroit last weekend, and
almost didn't recognize him the first time because he was in such a
good mood ;-)
The most ridiculous moment of the weekend -- well, if you read the 313
list it was -- was Friday Night when Bone & Tom Cox were about 10 feet
apart
I'm not much of a photographer, but something about the combination of
the subject, the lighting, and the vibe made these turn out pretty
great:
http://www.flickr.com/photos/chaircrusher/sets/72157618858949643/
Denise Dalphond and Steve share a moment:
http://www.flickr.com/photos/chaircrusher/3
Video of Japanese woman dancing to Omar S. I thought she was great,
but what was really impressive is that she was doing this for Omar's
ENTIRE SET.
http://tinyurl.com/ltvbf9
After Omar finished up:
http://farm4.static.flickr.com/3357/3572584231_b8cfcd59bd_b.jpg
Two tracks by me, with remixes from Sean Deason, Chris O'Grady, Mike
Perkowitz, Dave Powers, and Andrew Duke. Released under Creative
Commons license.
Sounds like? I don't f*cking know. There's big kicks, prominent
basslines, and floaty Detroit-esque chords. You be the judge. The
remixes are al
I liked the A Critical Mass set, though I wandered off to get Coney
Island about halfway through so it wasn't earth-shattering. Someone
said while they were playing 'you know, one guy could do that as well
as 4.' I'd almost say that's a compliment that the sound was
unified, because my experience
> time buzz played. darnistle - the dude who was on directly before
> jeff was buzz goree, i assure you. :) i mean, i am 99% sure it was
> buzz, and 100% sure it wasn't juan if for no other reason than there's
> about 8 inches of height separating the two!
>
> On
It was Buzz before Jeff. I didn't see Juan until 4AM, and I was in
the room the whole time. BTW It was good to see Jeff, but Buzz KILLS
every time out.
On Wed, May 27, 2009 at 8:19 PM, darnistle wrote:
> Unless my eyes and ears deceived me, Juan started around 1am and played a
> very short set
There were some great sets in the festival, and some great
afterparties. Mixed in with all that there was some complete
nonsense, which was easily avoidable. The sound at the underground
stage was criminal, and unfortunately really detracted from the sets
of some of the best performers.
I don't
I just have to say that the highlight of the Festival so far was Omar
S at the rooftop beer garden Sunday in Greektown. Great track
selection, from old disco to house to some of Omar's own joints on
white labels. And dancing in the sun ruled! There were maybe 50
people there at the peak, but it
If you want my cell #, email me back, I'll try and check again before
I hit the festival
This bounced due to the ever popular 'plain text only' rule. But man,
this is from Otto!
Otto was my very kind host when I visited Rotterdam almost 10 years
ago, and is one of the OG Techno Tourists. One of my peak DEMF
experiences was the Larry Heard/Moodyman party years back, and a peak
part o
Florence and Wladimir M "Vineyard and Evil Remixes" -- full length CD
http://www.eevolute.com/t.php?pageid=2&atid=3&id=97
2 18-year old(!) Eevolute tracks remastered, plus remixes from Beat
Pharmacy, Convextion, Arne Weinberg, The Moderator, Peter Ford, Mark
Archer, Justin Berkovi, Skye Radio, Ne
OK now, it seems like nothing gets people juiced by Richie. Enough.
Everyone here knows Anton Banks for his radio show, but unbeknownst to
me he's also a producer, and this release showed up in the Juno
Download mailer:
http://www.junodownload.com/artists/Anton+Banks/releases/
This is on Legacy US, and if Discogs is to be believed it's his first
release. No idea
Someone needs to buy Richie a Cheeseburger ... and a razor.
On Fri, May 8, 2009 at 10:58 PM, Greg Earle wrote:
> http://richly.hawtin.jp/
>
> - Greg
>
>
I don't have access to the actual paperwork, but the articles I've
found on the subject don't support your assertion.
http://www.mail-archive.com/313@hyperreal.org/msg46121.html
http://www.mtv.com/news/articles/1444029/20010524/bukem_ltj.jhtml
http://www.answers.com/topic/carl-craig
On Fri, May
Carole Marvin being white, actually, was neither here nor there.
That's a whole long crazy story, which you've probably heard most of.
It started out the first year she was content to have Carl be Artistic
director, and she was content to leverage her experience with the Jazz
Festival to help put s
I'd worry a lot more about that if I thought the stuff we prattle on
about here had any real influence. And it seems to be a sort of "any
press is good press" statement, which I don't really think is
necessarily true. Reading about R*ch*e or M*by on 313 list wouldn't
likely make anyone go out and
On Thu, May 7, 2009 at 10:05 AM, Denise Dalphond wrote:
> Minx is playing the main stage - in the afternoon - but it's the main stage!
As she has done before. That was the year my friend Keleigh was in
charge of the press passes, so I was able to get pics of Minx and
others from right behind the
Not to mention the rocking Sean Deason remixes. I have a test press
of that -- the one Ron Murphy cut a little to hot that bounces the
needle right out of the groove.
On Thu, May 7, 2009 at 3:03 AM, wrote:
> HI all,
>
> May i know if the above single was released as an official release?
>
> Wil
You do get a glimpse of Minx, briefly. Not that she doesn't deserve
recognition, but in terms of the video as a whole she's the person
featured least likely to be a draw for the Moby fans.
Paxahau are trying to run this as a going concern, and when your
concern is how many bracelets you sell, you
Submerge will no doubt carry it. But it's listed as being release
June 15th, so I don't know when it will really be available.
On Wed, May 6, 2009 at 10:55 AM, Michael Kuszynski wrote:
> What's the best place to buy?
>
> Anything stateside?
>
> On Wed, May 6, 2009 at 11:38 AM, Placid wrote:
>>
Seiji is a UK producer who has been all over the map stylistically,
from Drum & Bass, to Broken Beat to who knows what. He's started
sporadically giving away tracks at http://www.seiji.co.uk/
Where you can get this track: http://www.seiji.co.uk/file_download/5/Ravin+A.mp3
which an insanely catch
On Fri, May 1, 2009 at 9:12 AM, Kevin Kennedy wrote:
> I have this belief that all of us are jealous a bit of what he has
> accomplished without support from the 313.
I don't want this to turn into yet another "let's bash Richie" thread,
because it really doesn't serve any purpose. But I don't th
Sounds great. I've always dug Siska's DJing.
And Stewart Walker is playing the next night --
http://www.theendup.com/events/kontrol.html
On Thu, Apr 30, 2009 at 3:51 PM, wojciech kawalek wrote:
> I'll be playing this Friday alongside Dave Siska of Sonic Sunset
> radio, at Swig (561 Geary St. @ T
Or in the case of Richie Hawtin, you'll know which boring mnml track
is currently making you want to murder ravers.
2009/4/30 Benoît Pueyo :
> You might find that stupid or businessey, but like the ASCAP rights,
> that would allow the played artist to get higher revenue and basicaly
> to sell more
And bless his uberkuhlische herzlein, he didn't just start twittering
from the DJ booth, he had to put out a press release announcing it.
The whole idea of DJing is that it should be an absorbing enough task
that you don't have time to screw around with your iPhone every few
minutes. And more than
I will be there, and am also looking for person or persons who want to
share a room at the Shorecrest.
On Mon, Apr 27, 2009 at 10:01 PM, Frank Glazer wrote:
> is really nobody going to the festival? i saw no responses when i
> first posted my roll call request last thursday.
>
> On Thu, Apr 23,
Body & Soul baby!
On Mon, Apr 27, 2009 at 5:37 PM, Frank Glazer wrote:
> 7 AM - 4 PM??? that's
>
> ODD
>
> On Mon, Apr 27, 2009 at 5:51 PM, David Powers wrote:
>> When: Sunday, May 24th, 7 AM - 4 PM.
>> Where: Exodus rooftop, Greektown, Detroit
>>
>> Max Powers presents SOUL CITY 313
>> Featuri
amazing. You should do
> a bit more research about whats being produced here...
>
>
>
> ~JoD
>
> On Thu, Apr 23, 2009 at 4:34 PM, Tristan Watkins
> wrote:
>> On 23/04/2009 20:53, kent williams wrote:
>>>
>>> NPR's Morning Edition asks Why Can&#
Sweet Juniper stitches together a long block of abandoned houses in
Detroit into one panoramic image
http://www.sweet-juniper.com/2009/04/singularity.html
NPR's Morning Edition asks Why Can't Detroit Cash In On It's Music
Scene. (ironic note, the one Detroit Music phenomenon, techno, that
has a
The Detroit Techno producers I've met are by and large pretty
hard-headed, straight edge guys. A few, I know, are committed
church-going Christians, but they aren't so rigid as to stay away from
playing clubs and parties. It seems that the mystic bent is confined
to a minority of artists, the one
http://www.soundclick.com/bands/default.cfm?bandID=128461
This guy 'Satsuma Nightmare' is an unapologetic New Age composer, and
frankly some of his stuff is verging on the cringeworthy, but listen
to the track "A Master Of 'Em" and tell me that it doesn't sound like
something Carl Craig would sam
All over the map, with stops in detroit, ypsilanti, dub techno and
dubstep. A tangled People-Mover ride through my most recent
obsessions.
http://music.cornwarning.com/?p=377
During DEMF weekend, I'd pay good money to go to a Scene reunion. All
those people are my age or older, but I bet they still got it!
On Sun, Apr 19, 2009 at 1:04 AM, Fred Heutte wrote:
> Another YouTube find...
>
> http://www.youtube.com/watch?v=0b4pVpwHLWo
>
>
"The Dust Brothers" meaning the Chemical Brothers, who had to change
names when they signed in the US because of the US Dust Brothers, who
worked with Beastie Boys. You may already have known that but
consider the kids -- some 313'er were in diapers in 1994.
And "Chemical Beats" from the "14th Ce
Good ol MMT8s. When Shawn Rudiman played here, one of the things we
did in my studio is record the tape dump from his MMT8 to the computer
and burn it to an audio CD, so that when his crashed he could reload
it. He had the pattern memory so full that the OS would crash if he
made the wrong move.
On Fri, Apr 17, 2009 at 8:17 AM, Kevin Kennedy wrote:
> At the end of
> the day (or night), does it really matter? If it moves you then it
> moves you. If not, what is the point?
>
I think that the distinction between 'Live' and 'Not Live' is blurred
at this point to where it's meaningless. I
Don't think anyone's posted this latest list yet... I haven't compared
it to older lineups, but the big noteworthy additions to me are DJ
Deeon and DJ Slugo. They've visited Iowa on a couple of occasions and
absolutely pounded us with the Ghetto House!
Adam Beyer
Adultnapper
Afrika Bambaataa
Al
Details on my blog: http://music.cornwarning.com/?p=354
Two separate mixes, the first being more sorta techno-ey, the second
focused on Detroit House sounds, with some detours
You should see what Jeff gets for a T Shirt at his Axis Shop in Chicago ;-)
Seriously, though, you can buy a track at a time.
Or why not digitize your vinyl? Or if you own a record, can't you
look for the files on bit torrent with a clear conscience?
I actually find that if I digitize records,
Can't get to hyperreal.org today. Woe!
I'm going to try and come in Thursday because it always seems like I
miss cool stuff happening Friday, and to have some time to make the
rounds to Submerge and other places without feeling like I'm missing
something on the Plaza...
I've been talking to a friend of mine who has something very cool
My blog entry:
http://music.cornwarning.com/?p=262
I didn't even remember having this on my hard disks, but stumbled on
it today. Don't think it's ever been posted on the Internets before.
He starts out with Drexciya!
For a 3 day festival of this caliber, you can't argue with the price.
Though i have a bone to pick with the Shorecrest. A double room is up
to $130 a night.
On Thu, Mar 19, 2009 at 6:49 PM, Greg Earle wrote:
> WanTickets has a couple of links up for Festival tickets already. One is
> for VIP a
Reminds me of something Ron Murphy told me -- like a lot of things,
something he probably said to a lot of other people as well. "You have
to decide whether you're going to be an artist or a businessman. You
have to be a businessman to make any money at music."
It's fallacious to assume that if yo
DO:
Include Detroit DJs and Artists. Genre not important as long as
contemporary with some electronic elements. e.g. Slum Village, but not
a Detroit Polka band.
Include International artists and DJs whose music is either Detroit
influenced, or is interesting and enjoyable in it's own right and not
Let the hating begin?
There are some Detroit names I'm glad to see but it seems pretty
front-loaded with Europeans. Not necesarily a bad thing -- witness
the year the Dutchies all came.
But considering they're probably going to be paying bushel baskets of
hundred dollar bills to Benny Benassi an
I certainly didn't mean to kick the beehive with that post. I've
known Mani for going on 10 years, and he gave me a link to that mix,
and I listened to it, and I didn't like it all, but it reminded me of
sets I've heard in Chicago. That's all.
And no it's not Detroit Techno. I mentioned it becaus
Gosh Michael, tell us how you really feel! I kind of liked the mix
from the standpoint that it was different than I usually hear, the
difference being accessibility. But I can certainly see this not
being to everyone's taste.
That Deadmau5 + Kaskade "I Remember" track is my new guilty pleasure.
Mani Giglani was one of the techno buyers at Gramaphone Records in the
latter half of the 90s, and I'm sure many of you met him in that
capacity, or at parties in the City. He just posted up a new techno
mix -- his first since 2004. Link and track listing at
http://mmdot.blogspot.com/2009/03/dj-
That's messed up. First off, is the mixer the problem? I.e. can you
run an IPod, CD Player, etc into your amp and hear sound? Do your
turntables still produce sound (maybe hard to do without a phono
preamp or mixer, but worth checking).
If so, the mixer is kinda shot. You can try getting it repl
The wonders of social networking! I got a reminder from Plaxo that
tomorrow is Lenny Burden's birthday.
Happy Birthday Lenny!
It's how we know you're not a robot, dude.
As an aside -- I know my way around an audio editor, and I can do all
sorts of chops and cuts that I defy anyone to detect. But I've never
been able to edit a DJ mix without it sounding obvious and stupid.
I'd say that's a good thing -- maybe they're in
Before certain Techno musicians made Berlin a cliche European
destination, Berlin was a unique center of German and World Culture.
It is a fantastic place, a huge, crazy city with a unique vibe. It is
famous in Germany for being the one place Germans are laid back.
It's centrally located between
As good a definition as any for Detroit Techno, actually.
On Thu, Mar 5, 2009 at 9:03 AM, Odeluga, Ken wrote:
>
> It's still no mean feat to make digital electronic synthesizers evoke a
> quality which seems
> emotional, you know? :)
>
AO is living in Chicago, doing a lot of graphics work, but still
working on tracks. I've been trying to get the local promoters to
bring him to Iowa City again.
Friend him on facebook if you want to ask him what's up. He aint no
shrinking violet!
On Wed, Mar 4, 2009 at 11:28 PM, PB wrote:
> I re
I like. Especially like the spitty high res synth line. Reminds me a
bit of Jimmy Edgar, but the vocal samples are kind of Kanye-esque,
without of course the irritating-Kanye aspect.
Frank's remix is pretty sweet as well. I think a lot of people have
slept on his stuff -- he's not a huge self-p
Delano Smith talks records
http://www.residentadvisor.net/feature-read.aspx?id=1017
(with a photo by our man from the Beeb Dan Bean)
Surgeon does the podcast:
http://www.residentadvisor.net/podcast-episode.aspx?id=144
This podcast is actually the same set that was posted here a week or
so ago, wh
As someone who has embraced Ableton Live as a DJ tool I have two
observations: 1) Removing beat matching from the equation means you
don't make beat-matching mistakes. Plenty of other surprises and
mistakes are possible. 2) a preprogrammed set doesn't interact with
the audience.
To the extent I su
)
>
> ~David
>
> On Thu, Feb 12, 2009 at 12:33 PM, kent williams
> wrote:
>> Track listing ya filthy animal.
>>
>> On Thu, Feb 12, 2009 at 12:24 PM, David Powers wrote:
>>> dub techno, Omar S, Underground Resistance, Carl Craig, Miss
I'm forwarding this because Bill is too polite to self-promote on 313
apparentl.. It's most definitely something of interest to 313'ers...
I got it and what I've heard so far is a completely different take on
the idea of Dub Techno... more kind of maximallist, balancing flurries
of notes with an u
Track listing ya filthy animal.
On Thu, Feb 12, 2009 at 12:24 PM, David Powers wrote:
> dub techno, Omar S, Underground Resistance, Carl Craig, Miss Fitz, and more...
>
> http://www.davidapowers.com/audio/DavePowers_GoingDeeper_vol2_Jan_31_2009.mp3
>
I sent Kenny a message on myspace. Maybe he'll enlighten us.
I don't think we need to discuss me on the 313 list -- I'm not from
Detroit, and you hear enough about me without propogating it. I'm
interested in feedback of any sort, though none of these tracks are
subject to further revision or improvement.
On Tue, Feb 3, 2009 at 9:04 AM, Odeluga, Ken wrote
I just did what I've been meaning to do for way too long: picked some
of my old tracks I like and make an album of them. This contains some
of the earliest music I made using a computer, up to things I did a
few years back. Stylistically all over the damn place. Enjoy if you
will, criticize if yo
I spent some time listening to Patrice Scott tracks on Beatport -- the
only site I've found that has most of the Sistrum records available
for digital purchase -- but when I tried to buy them, Beatport said
they aren't authorized to sell them in the US.
Not sure what's up with that at all! If the
Detroit can be a really harsh place. If you visit -- and you don't
get lost in the wrong neighborhood after dark -- it can seem like a
really friendly, chill place. But ask anyone who actually grew up in
the City how many people they know who got shot, how many people they
know went to prison, etc
I completely disagree about the Kenny Larkin. Pretty had me before the
first kick dropped.
I am not questioning your judgement or taste, but this is one I
listened to and kept saying 'damn' a few minutes into each track.
I guess we can celebrate a diversity of opinion?
On Wed, Jan 28, 2009 at 9:3
Not seeing the Detroit Techno relevance. A Hip Hop producer/MC, in
Paris, with his funny-looking posse.
On Tue, Jan 27, 2009 at 1:55 PM, Martin Dust wrote:
> Fashion Victim?
> http://www.highsnobiety.com/news/wp-content/uploads/2009/01/kanye-west-entourage-fashion-week-paris.jpg
>
> m
>
I don't want to write a thumbsucker about the 313 list, but one thing
that seems to be lacking these days on the list is real information
about new music actually originating from Detroit or Detroit native
expats elsewhere.
So if you're doing something, speak up! If you just bought a killer
Detro
I like this release a lot, especially "I will let you down" --
pitch-shifted vocals, shuffly beats, moody synths.
I also approve of the price -- free! I spent way too long wading
through "techno" new releases at JunoDownload yesterday, and heard
nothing this good.
On Tue, Jan 27, 2009 at 9:47 AM
Just a reminder -- if you ever considered buying from UK or EU mail
order/digital stores, the exchange rate is making them a real bargain
right now. Juno is charging $1.55 per track for 320kbs MP3s, versus a
minimum of $1.99/track on Beatport. And don't forget vinyl shops like
our friends at Rush
I don't think anyone seriously thinks Eevolute/Eevonext over-promote
on the 313 list.
And for your 'shameless other-promotion' file, I always buy everything
Stefan and the gang put out. The quality control is quite high, and
besides that I consider the Eevo crew friends, and I want to support
the
I'm of the philosophy that you should never go to a gig without
everything you need to plug directly into any sound system you might
encounter.
In my case that means I have a pair of 1/4" to XLR Male cables, so I
can plug directly into the stage plug box, plus a stereo RCA cable and
RCA->1/4" adap
I think it's kind of down to you to decide how you do what you do.
1. If you're comfortable with records, and want to go digital, the
vinyl controlling a laptop thing is fully mature. The friends I know
that DJ this way seem to like Serato the best. Traktor Scratch is a
lot fancier -- 4 decks! E
It should be mentioned as well that on my one visit to Rotterdam,
Serge and the other Clone guys made me feel very welcome. Great guys,
very professional, and straight shooters.
It isn't always the case that great music is made by nice people, but
in this case they couldn't be nicer.
I dont remember him being dumped, actually, when I look at the
archives. He may have left in a huff.
There were occasions when T*m C*x was actually a positive influence on 313 ;-)
On Mon, Jan 19, 2009 at 3:41 AM, Odeluga, Ken wrote:
> As many of us know only too well, he used to be on here, befo
Kenny Black has been 86éd from the 313 list.
sorry about that -- I'd have killed his subscription sooner but that
message went straight to my spam folder.
this came out in may (and earlier on different 12") and comprises a
series of remixes of songs by nigerian drummer tony allen. it features
the best carl craig remix ive heard in a long time plus maurizio and
mark ernestus dubs. though my favorite might be the opening track
'san kofa' which is all
haha BURN! Ialways thought of michael as mild mannered, but this is
the best one liner of the new year. well played!
On Thu, Jan 8, 2009 at 8:56 PM, Michael Kuszynski wrote:
> they all look like Ghostly International record covers.
>
> On Thu, Jan 8, 2009 at 9:51 PM, U&I Design
> wrote:
>> Wo
yeah, well your suggestions are bang on. unfortunately, i'm afraid
that beatprt has been infected with the pretentious,grandiose, and
ultimately ridiculous bullsh1t that minus has been doing the past few
years. Beatport affecting your sense of taste? STFU. Beatport's built
their business by impres
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