issues NOW.
David Froom
Underwritten by
Giovanni Andreani - Italy, your registered customer since Finale 2001
for
Mac
Éric Dussault - Canada, registered since FinWin 97 and Mac since 2001
Hans Swinnen - Belgium, reg since FinMac 1.0
Jon Kristinn Cortez - Iceland, registred since FinMac 2.0.6
Ti
Have you checked the USB/MidiThru switch on the interface? I have a
lab where the interfaces hang underneath the keyboards (motu
fastlanes), and sometimes that little switch gets kicked, and it takes
a while for someone to figure out what happened!
Tim
On Feb 27, 2004, at 8:20 PM, Crystal Pre
Sure--Chord Tool, Chord Menu, choose 1-staff or 2-staff analysis. If
your score is one part per staff, then you will have to implode first.
I don't know how accurate it would be--I'm sure it depends on the
degree of correlation between the harmonies in the piece and the
contents of your chord
On Jan 28, 2004, at 3:33 PM, Darcy James Argue wrote:
Also, Johannes said it makes a difference to string players whether
it's "sfp" or "fp." Maybe he could elaborate on what that difference
is? I'm still not exactly clear what the audible distinction is
between all of the markings under disc
Okay, I found the rub. For the custom shortcuts to work in FinMac04,
they must include the command key. Otherwise, they don't work, as
reported by others.
Tim
On Jan 28, 2004, at 7:06 AM, Éric Dussault wrote:
On 28/01/04 01:26, "Darcy James Argue" <[EMAIL PROTECTED]> wrote:
I see the "F5" n
I was looking forward to working with the new Simple Entry method, but
it is so painfully slow, that I didn't last too long. I was back to
Speedy.
On the issue of Panther programmable keyboard shortcuts, I had no
trouble getting any custom mappings for menu items working with
FinMac04 and X.3
Did you try reinstalling (or updating) the driver for your MIDI
interface? I have had to reinstall mine from M-Audio a couple of
times...
Tim
On Jan 26, 2004, at 12:39 PM, JD wrote:
on 1/25/04 10:25 PM, Earl Price at [EMAIL PROTECTED] wrote:
--- JD <[EMAIL PROTECTED]> wrote:
I got Finale in
No ideas. Will have to play with it some more. Let us know if you get
it to work, and I will do the same.
Tim
On Jan 23, 2004, at 8:50 PM, Éric Dussault wrote:
From: Éric Dussault <[EMAIL PROTECTED]>
Date: Fri, 23 Jan 2004 20:50:02 -0500
To: Tim Thompson <[EMAIL PROTECTED]>
This is disturbing news. I thought that the MOTU fix set the patch
lists system-wide. H.
Tim
On Jan 23, 2004, at 1:02 PM, Earl Price wrote:
It seems that patchlists containing instrument names
don't show up in FinMac 2004. This was a major issue
when Digital Performer came out for OS X, bu
I can't confirm specifically, because I don't have 2k4 yet (should
arrive today), but the behavior with other apps demonstrates that it
should work.
Tim
On Jan 23, 2004, at 12:19 PM, Johannes Gebauer wrote:
On 23.01.2004 16:54 Uhr, Tim Thompson wrote
I just tried it, and submen
ed to have stumbled across in Panther (was
perhaps previously in X?) is "Full Keyboard Control"--a la Windows
allowing tabbing through all elements of dialogs, switching states of
buttons and check boxes, etc. from the keyboard.
Tim
On Jan 22, 2004, at 11:25 PM, Éric Dussault wrote:
On
Right, the Page Format for Score... sets the default, but the changes
made with the menu command in the Page Layout menu actually makes the
change for existing or selected pages. Brad, have you contacted HP or
MM about this? I would be interested to know the result. Haven't got
my 2k4 yet, b
Please correct me if I am missing something here--
Do you need QuickKeys to access menu items, when 10.3 has that
functionality? I don't know QuickKeys, but perhaps it is because a
greater variety of key mappings are possible? But I wanted to mention
it in case you weren't aware that 10.3 allo
The irony of this is almost too much to bear. Those of you who haven't
pre-ordered 2004 may be interested in this.
From the website for the product
(http://www.troikatronix.com/midibridge9x.html):
MidiBridge9X is an emulator for OMS that allows applications running
under Classic in MacOS X to
Yes, I use them when necessary. Hopefully a lot less with
self-aligning expressions. They are pretty useful, and are tied to
page positions, rather than staff or system-related positions. That
makes it a bit of a pain when different pages have different staff
positions, but they are easily a
There is a nice freeware from Pete Yandell called SimpleSynth. You can
access patches from any soundfonts or DLS files found on your system,
and it has a virtual input mode. Launch it, and any app using CoreMidi
will see it and add it to the list of midi outputs. An easy way to
access DLS fi
Neat trick! Thanks.
Tim
On Jan 15, 2004, at 10:03 AM, Michael Cook wrote:
TGTools has a function for making space at the beginning of a measure.
You can also make the space manually by fiddling with beat charts, but
this is not much fun if you have a lot of notes in the measure.
But here is a
he widows, or resize them. Looks like a bug
in the X11 system. Oh well--fix later!
Tim
On Dec 19, 2003, at 4:16 PM, Philip Aker wrote:
On Friday, December 19, 2003, at 11:36 AM, Tim Thompson wrote:
Yes, Apple includes their own X11 system on one of the CDs that come
with 10.3. ...
I have
Yes, Apple includes their own X11 system on one of the CDs that come
with 10.3. It can also be downloaded from Apple, and will run on
earlier versions of OS X (I don't remember how far back--perhaps only
10.2). I have only used it to run Open Office, and it works just fine.
The only problem
Also, MS some time ago purchased Virtual PC from Connectix, and is
aiming the technology at this kind of need. The user can use an older
version of Windows in emulation on top of a newer version to run legacy
software, and to ease the system upgrade process.
Tim
On Dec 19, 2003, at 1:46 PM, P
Yes, it is a clever UI feature made possible by Quartz. AND it is
quite useful. Everyone seems to be surprised by its functionality once
they actually use it and realize some of the handy things you can do
with it, especially combined with drag and drop.
The original statement on this was tha
There was some discussion earlier about Panther's feature that lets the user do his
own key bindings for menu commands.
Couple that with a selection of shareware apps that can launch scripts from a keyboard
command, and things get a little better.
I just saw a new simple-but-elegant shareware p
You could say that about this assessment, and be correct, maybe two
years ago. Most other companies finished the migration well over a
year ago, and even Quark, purported to be the last major manufacturer
of Mac software to complete the migration, got there several months
ago. We are now in t
Brad,
10.3 is really nice. All of the apps have added touches that I keep
discovering. I really like the Finder improvements. Fast user
switching is really nice too. And it all looks considerably more
refined. It is already worth the price in dozens of ways, and I still
have much to disco
I can't imagine that the soundfonts and save as audio would be the
holdup--it seems like that kind of thing is very easy in OS X. I
wonder if Panther somehow threw it off...? In any case, can there be
any doubt that this migration wasn't ever well planned?
Tim
On Dec 11, 2003, at 4:16 PM, Er
I try not to think about it...
;-)
Tim
On Dec 10, 2003, at 2:47 PM, Eric Dannewitz wrote:
So, anyone know if Finale 2004 for Mac is going to actually go out on
the 15th?
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So long as you can dual-boot, then I would not try to run Finale in
Classic, but having booted in 9.2. Then any interface that has 9
drivers will work, and as long as the same interface has X drivers,
then you can use it in X as well. Just avoid the classic mess
altogether. M-Audio is very g
Yes, the little wires are supposed to stay visible. Did your interface
show up automatically in AMS? If not, then perhaps you need to try to
reinstall the OS X driver for it, and while you are at it, make sure
you have the latest one.
I think I remember someone mentioning for you to get Simpl
I'd say that this topic is similar to the ledger line discussion that
we recently had. The modern standard of practice is to put alto vocal
parts in treble clef. They are used to reading f's and g's on ledger
lines. Of course, that means you need lots of space below the staff
for lyrics, etc
Since there has recently been discussion about using USB MIDI
interfaces with OS X, I wanted to pass this along to the list, quoted
from a recently posted page about Panther compatibility on MOTU's
website.
"MOTU has also updated the MOTU USB MIDI driver to Version 1.2.1. This
update (not rela
, and now (as long as a smooth scale between two values is
what is wanted), Executable Shapes and that madness can be averted.
-
Brad Beyenhof
[EMAIL PROTECTED]
On Saturday, October 25, 2003 5:48 PM, Tim Thompson queried:
I am pretty
sure that the MIDI spec allows for a range of 0-127 f
You don't _have to_ use an expression. I tend to use the MIDI tool for
this sort of thing. But if controller 10 (pan) can be set with that
kind of resolution, then I am really missing something. I am pretty
sure that the MIDI spec allows for a range of 0-127 for controller 10,
with 0 being h
Not anything exactly like that, but in terms of really easy to use
sequencers, I would look at Intuem for OS X, and MOTU's Freestyle,
which is still back in the OS 9 dark ages.
In terms of sounds, sound fonts are easy to get, and easy to use in OS
X. Of course, there are so many software synth
Don't forget that you have to have both OS 9 and OS X drivers
installed. Are you using OMS or FreeMIDI? Have you done a MIDI setup
that includes the interface in 9? Finale will look to the OMS of FM
setup for the interface and your I/O gear, but the computer will need
the OS X driver in orde
notes-- complex stuff like that. So I
switched!"
--Richard
From: Tim Thompson <[EMAIL PROTECTED]>
Date: Sat, 18 Oct 2003 13:43:44 -0400
To: [EMAIL PROTECTED]
Subject: [Finale] Herbie Hancock interview
Are all your music programs OS X now?
Yeah, you know the program Finale. Well in a
I just came across this interview with Herbie Hancock
(http://www.applematters.com/comments.php?id=98_0_1_0_C) concerning his
use of apple products over the years. Below is an interesting excerpt:
Tim
Are you using OS X now?
I was using it before other musicians were using it.
Do you like
On Saturday, October 18, 2003, at 06:37 AM, Mr. Liudas Motekaitis
wrote:
Regarding spacing, people have mentioned that you can tinker with the
options regarding spacing before and after the music at barlines. In
such a
piece as the one here, I would have gone a different route: in the
unmetered
Seconded.
Tim
On Thursday, October 16, 2003, at 04:58 AM, Philip Aker wrote:
Secondly, how *do* you go about installing Finale into Classic? Must
I boot into OS9 and then continue as normal...
Yes. And stay there for Finale until the combo is Finale2004/OS X.
Agreed... but MOTU has yet to release Performer and Freestyle for X!
More aarghs all around!
Tim
On Wednesday, October 15, 2003, at 01:18 PM, Eric Dannewitz wrote:
They really should consider giving people another $20 off for keeping
their preorders active. I mean, it's another 2 months
You're joking, right? Unfortunately, I know you are not. I just did
my pre-order this morning.
Disappointing, yes. But I would not have expected it, given how long
we have waited to this point, and given that the Windows release was on
schedule. If it's any later, then we'll be another full
Very good! I have a colleague who teaches commercial music type
courses (improvisation, songwriting, etc), and he often has students
who just think they can wing it and be a successful musician. He says
to them: "What if you were undergoing brain surgery, and the surgeon
walks in and says to
Sometimes I don't pay attention to the actual numbers of the F keys,
and assign them in groups. They are grouped in fours on most
keyboards, so any group of 4 can be the four layers.
Are you giving up the ability to use the F keys for tool selection? I
find that built-in mapping on WinFin hig
Please, no!! I use .ps output in a variety of situations. Just
because it doesn't work properly for all people in all situations is
not a reason to do away with it!
Tim
On Sunday, October 12, 2003, at 11:57 PM, Richard Yates wrote:
Hi MakeMusic,
I have used Finale since about version 2.0.
HELP!! I am drowning in a sea of re-sent emails!! I am getting
several a minute from mid August, and everything from the last couple
of days comes at least twice. A header shows that my provider (.Mac)
is getting the email from unxmail.shsu.edu today, even though the
origination time might b
y of Eb.
Voila. Now your music has no key signature, yet the part transposes
and so do the chord symbols.
Finale added Chromatic Transposition as an ease-of-use feature. It was
never strictly necessary.
-Original Message-
From: Tim Thompson [mailto:[EMAIL PROTECTED]
Sent: Thursday, Oc
I reported the problem of chord symbols not transposing while using
Chromatic Transposition, and that it was necessary to revert to Key
Signature Transposition to get them to transpose properly. I asked if
there were plans to fix this, or if I was missing something. Here is
the response I got
I never noticed this before, but I would consider it a flaw in the way
finale works, unless I am missing something. Before I start emailing
feature requests to MM, perhaps some of you can help.
I did a quick jazz arrangement for alto sax, tenor sax, trumpet, and
rhythm. The tune is Black Narc
I never noticed this before, but I would consider it a flaw in the way
finale works, unless I am missing something. Before I start emailing
feature requests to MM, perhaps some of you can help.
I did a quick jazz arrangement for alto sax, tenor sax, trumpet, and
rhythm. The tune is Black Narc
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Did you look at the staff style definition box? Check to make sure
that the alternate notation box is checked, and that the slash notation
is selected as the alternate notation. If that is all right, you will
want to go to Document Options > Alternate Notation, and make sure the
correct chara
Based on anecdotal evidence, I would agree with this theory (in most
cases).
Tim
On Tuesday, September 30, 2003, at 09:52 AM, Daniel Dorff wrote:
I've heard some editors point out that the piano keyboard looks the
same in
each octave and requires the same eye/hand coordination patterns in any
On Tuesday, September 30, 2003, at 09:20 AM, Dennis Bathory-Kitsz
wrote:
To return to the ledger lines question: I use the clear-at-three-feet
rule,
based on my aging vision.
Good rule. I haven't quite hit 40 yet, and I'm sure that when I do, I
will have a new appreciation for that!
On the s
I was rehearsing a piece today on tenor sax with a pianist. My part
went up to C (5 lines above), and I don't have to think too hard about
that, as I am only reading one line, but the pianist was constantly
asking "what's that note?" His part frequently had 6 ledger lines on
both ends, and on
In my own practice, I stop the line short of the accidental, because it
works, and is clean (in my opinion), but my opinion may not be that of
a publisher such as Boosey and Hawkes--and obviously, Bartok had a
great deal of influence in the final result. Music typesetting has
always been evolv
I'll jump in.
At some point, Finale automatically checked the beaming, and rebeamed
to the meter. (Look at speedy options, etc).
Yes, you can set the beaming for the meter. In the change meter
dialog, click the composite button, check the box for using EDU's, and
enter the following values f
1. Go into the definition dialog for Slash style and make sure settings
are correct. Maybe they got messed with at some point.
2. Under the edit menu, click on "select partial measures," then select
the three beats that you wish to convert to slash notation, and apply
the staff style.
On Sund
The university bands that I know of in the US have low C bass
clarinets. In an orchestra situation, I would write for it, and
perhaps cue it in bsn or contra bsn in case it is not available.
Tim
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Perhaps a protocol that is not serial for starters. And higher
resolution is something to look forward to. With the proliferation of
high-bandwidth data transfer protocols, I wouldn't much doubt that the
industry will move to either a reworked MIDI or some other standard
before 2030. But whe
I would probably go with a new interface, because drivers will be
available and updated for the newer USB interfaces. The biggest
suppliers are MOTU and Midiman (M-Audio). Both have a variety to
choose from, and keep drivers up to date pretty well.
Tim
On Friday, September 19, 2003, at 04:27
With monospaced fonts, there aren't true en-dashes and em-dashes, and
option-hyphen makes a hyphen, while shift-option-hyphen makes a
double-length hyphen. In proportionally-spaced fonts however, then
option-hyphen is indeed mapped to a true en-dash, while
shift-option-hyphen is mapped to a tr
We have Ricoh Aficio 3200 and 1035p units, both of which will handle up
to 12x18, and duplex the large paper as well. I don't know how the
options were purchased, but I can tell you that it all works just fine.
Tim
On Friday, September 12, 2003, at 06:39 PM, Craig Parmerlee wrote:
My HP lase
Actually, option-hyphen is an en-dash, while shift-option-hyphen is an
em-dash. But I can't remember at the moment how Finale treats
option-hyphen in the edit lyrics dialog...
Tim
On Friday, September 12, 2003, at 12:00 PM, Christopher BJ Smith wrote:
At 8:57 AM -0500 9/12/03, Richard Huggin
I believe the easiest way is to use a measure expression graphic.
Tim
On Saturday, September 6, 2003, at 01:53 PM, James Brody wrote:
I would like to be able to put dividing bar lines (section indicators)
in the middle of measures of a score for a large ensemble. I don't
know if it's easy or di
Do you mean the space from the top of the system boundary to the top of
the top staff? This is the first staff position, and can be set with
the staff tool. You can select all staves and drag them up in scroll
view, or use the respace staves dialog to set the first staff position.
Tim
On Fri
On Wednesday, September 3, 2003, at 01:15 PM, Robert Patterson Finale
wrote:
-Original Message-
From: Brad Beyenhof [mailto:[EMAIL PROTECTED]
What is the
advantage of 4 over 5, in your opinion?
Speed, speed, and speed. Reader 4 launches in a fraction of the time
of 5 and esp. <> 6.
I w
Don't forget that Panther is supposed to include QuicKeys-like creation
of keyboard shortcuts--if I heard correctly, application specific.
Tim
On Tuesday, September 2, 2003, at 03:04 PM, Brad Beyenhof wrote:
Write an email to MacSupport! I have. They still have over a month
and a half; and if
e) and especially in performance.
I'm not worried about AMS growing up, because I expect it to pretty
quickly.
Tim
On Saturday, August 30, 2003, at 09:48 AM, Robert Patterson Finale
wrote:
I agree with Tim Thompson that it "just works". I'm not quite so
sanguine about it, h
OSX MIDI and audio really beats anything on any other OS out there by
miles. Once you have apps that can take advantage of it, it is really
great--it just works!
Tim
On Saturday, August 30, 2003, at 07:00 AM, Eden - Lawrence D. wrote:
To those of you using OS X:
Is MIDI implementation still
In jazz/blues charts, the major (or minor) key signature is always
used. If you are talking about a piece to be played by a standard
jazz-type of ensemble, players would be confused if you used a modal
key sig. because it would seem to them that you want the piece to be in
G, but they would im
Before everyone jumps in, Robert politely corrected my numbers a last
time. My only excuses might be the lateness of the hour, the chaos
surrounding beginning a new school year, or the liquid elixir here by
my right hand...
one 1600x1200 above another same gives an effective total resolution o
ly natural and effortless. I tried all
those other kinds of ways of skinning the cat, but nothing matches the
real thing.
I dare you to try it.
-Original Message-----
From: Tim Thompson [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 21, 2003 03:08 AM
To: [EMAIL PROTECTED]
Cc: [EMAIL
I should have typed 3200 pixels tall by 1200 wide--hmmm--that would be
pretty cool. Four displays??
Tim
On Wednesday, August 20, 2003, at 10:08 PM, Tim Thompson wrote:
I've been out of the loop for the last couple of days, and am really
surprised by this big discussion of screen rotation
I've been out of the loop for the last couple of days, and am really
surprised by this big discussion of screen rotation--and have to say I
agree with the initial response of "what does that have to do with
anything?"
True, 4x3 monitors are not great for working on tall scores, and a
portrait
It sure looks like a big upgrade so far. I will be interested to see
if the MIDI workings have been redesigned, or if all of that human
playback stuff is internal.
I'm a little bothered that the web site is haphazard, and not Mac
friendly (which means not standards compliant). The menus at th
FWIW, the next release of OS X (Panther) will have a customizable macro
system built in, which is supposed to include menu actions if I remember
correctly.
Tim
> From: Brad Beyenhof <[EMAIL PROTECTED]>
> Date: Thu, 07 Aug 2003 09:10:09 -0700
> To: Finale <[EMAIL PROTECTED]>
> Subject: [Finale] Fi
I too am keenly interested to hear responses to these questions, while
we are all waiting for Finale to incorporate some sort of smart part
management system.
Tim
On Wednesday, August 13, 2003, at 03:02 PM, Craig Parmerlee wrote:
This may be a message mainly for Tobias, as part of it seems to
On Sunday, August 10, 2003, at 11:59 AM, Craig Parmerlee wrote:
Solution 1: Multiple software synthesizers. I haven't seen a software
synth that does more than 16 channels. However, if you have several
different software synths on your machine, you can assign one of them
to 1-16, another to 1
Our university just got rid of all of our HP and Xerox printers and got
Ricoh printers and multi-function units. They work great, they are
very fast, and they support PS using the Adobe driver. There is an OS
X package that can be downloaded from the website. Right now our print
servers are
Okay, I missed it. Thanks. The release date itself still has me
down--I was hoping for a miracle I guess.
Tim
On Wednesday, August 6, 2003, at 03:08 PM, Tobias Giesen wrote:
Hi,
the release dates are not on every page, but they are on many, right
below
the "Pre-Order" button. For example, o
Ties across barlines is an option in Hyperscribe, which you probably
have unchecked. It is very useful to have this as an option at times.
Tim
On Wednesday, August 6, 2003, at 03:35 PM, Craig Parmerlee wrote:
One of the little nuisances in older Finale releases is that
hyperscribe would never
I'm wondering if the promo code thing was sent only to macfin 2002
registered users, to accommodate the situation previously described...
Tim
On Thursday, August 7, 2003, at 10:31 AM, Cecil Rigby wrote:
I finally upgraded from WIN 97c to 2003 about three months ago. I, too,
have not received a
Yes, I see it now on the email, but didn't see it on the website.
Tim
On Wednesday, August 6, 2003, at 02:37 PM, Christopher BJ Smith wrote:
At 2:19 PM -0400 8/06/03, Tim Thompson wrote:
It sure looks like a big upgrade so far. I will be interested to see
if the MIDI workings have
ile I open and add measures to has the same problem.
Perhaps the newly added measures are somehow set to a max width of 0? Try getting
into the measure dialog in any measure, and then type the measure number of one of the
squashed measures, and see about this parameter or any other weirdn
Darcy,
Are you using OMS? If so, open your OMS setup and check to see if the
QT synth is enabled. If not, it will have a red slash over it. QT
shows up in Finale's output list even if it is "turned off" in OMS.
Are you getting playback via QT? Are your instruments set up to the
correct ch
Not only line breaks, but other text manipulation as in text blocks,
especially justification (which is not necessary with a single line).
Along those lines, I wonder why it is not possible to manipulate
character positioning in lyrics. I've often had situations where it
would be nice...time t
Sounds like a job for Illustrator! I am not sure how to do that in
Illustrator, but I suppose it may be possible. Definitely not possible
in Word!! If you have Illustrator, or have a friend who does, you can
output from Finale directly to Illustrator format, then save your final
Illustrator
Yes, I was counting the pickup triplet, as I'm sure the other poster
was as well.
Tim
On Saturday, June 28, 2003, at 02:55 PM, Christopher BJ Smith wrote:
At 11:11 AM -0400 6/28/03, Tim Thompson wrote:
On Friday, June 27, 2003, at 04:53 PM, RockyRoad wrote:
P5: Main Theme to Star Wars
I would be all over Finale tech support about this until they solve it
for you. But I'm afraid they'll say that they only guarantee 2003 to
work in Classic. But it's worth a try. There has to be dozens of
other folks in the same boat. I avoid using Finale in Classic, and
have had mixed resu
On Friday, June 27, 2003, at 04:53 PM, RockyRoad wrote:
P5: Main Theme to Star Wars
isnt that a 4th?
sol..-do-sol; up, up. P4 then P5 making a P8. So you have both.
Might be a confusing example.
Tim
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That's a good topic for the SMT or CMS Teaching Music Theory lists.
I'd like to see what they so with these comments. Fact is that most
teachers of aural skills do drill intervals without tonal context. It
seems to be pretty useful for young singers, but arguable about how
much it helps with
Oh. Okay. Now that you say that, I remember always thinking it was a
soprano, but I guess somewhere along the way someone told me it was a
theremin. Haven't heard it in years!
Tim
On Friday, June 27, 2003, at 10:32 AM, Christopher BJ Smith wrote:
At 10:25 AM -0400 6/27/03, Tim Tho
M7 descending!!--two instances in Cole Porter's "I Love You."
m7 both directions--bridge to J. Williams Superman song "Can You Read
my Mind?"--probably many other Williams instances as well as other
modern film composers. Also Star Trek theme (the one with the
theremin).
Have fun,
Tim
On Frida
Sure. And if you don't have Acrobat, some of the other suggestions
will work just fine. I just use Acrobat for it. Once you have your
.pdf files, you can certainly open them on any other computer and print
them to your liking.
On Thursday, June 26, 2003, at 09:43 PM, Crystal Premo wrote:
O
Crystal,
One work-around I have used in situations where the printing didn't
work in Classic is this:
Save as PDF, and then open the PDF in Acrobat Reader or even in
Preview, and print via OS X.
Tim
On Wednesday, June 25, 2003, at 10:43 PM, Darcy James Argue wrote:
On Wednesday, June 25, 200
Wow. I better start saving now...
Tim
On Friday, June 20, 2003, at 05:04 AM, Darcy James Argue wrote:
For the curious...
The following item appeared on the online Apple store for a few
minutes around 11:45 PM last night. From what I understand, someone
misnamed a GIF and so it was posted p
Yes, VSC has bad latency, but with the better samplers running on today's
hardware, it is negligible, especially on OSX (which I know Darcy runs!).
On 6/12/03 4:52 PM, "Jim Williams" <[EMAIL PROTECTED]> wrote:
> Quoting Darcy James Argue <[EMAIL PROTECTED]>:
>
>> Hmm...
>>
>> I've been followin
Preparation
>
>
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Behalf Of Tim Thompson
> Sent: Thursday, June 12, 2003 12:28 PM
> To: finale list
> Subject: Re: [Finale] Doubling for Pops Orchestra Wind Players
>
> And I don't
Title: Re: [Finale] Most accurate performance package for auditioning?
On 6/10/03 12:47 PM, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote:
Like some of you, I use Finale to help with arranging as well. I have gotten to the point where the cheesy sound from GM is no longer accceptable for auditi
Title: Re: [Finale] Most accurate performance package for auditioning?
Tammy,
IMO, in your situation, there is absolutely no reason to buy expensive sampling hardware! If you want hardware, the E-mu Virtuoso 2000 is not bad for under $1000 (and is 32-part).
Software is really the way to go th
On 6/12/03 8:18 AM, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
> As a clarinettist and bassoonist I can testify that this is hooey. I
> have played professionally on every size of clarinet from Ab piccolo
> to contrabass; it takes about 30 minutes to master any one of these
> if you play the regul
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