I'd love to see this but the URL doesn't work for me. It comes up in German "Die Seite wurde nicht gefunden"Which my friend tells me means site not found.Any ideas?Stan LordOn 23 Sep 2006, at 22:11, Randolph Peters wrote:If you want to see music engraving done "old school," there is a fascinating
http://youtube.com/watch?v=Q8adEIMzbso
Stan Lord wrote:
I'd love to see this but the URL doesn't work for me.
It comes up in German Die Seite wurde nicht gefunden
Which my friend tells me means site not found.
Any ideas?
Stan Lord
On 23 Sep 2006, at 22:11, Randolph Peters wrote:
If you want
Stan Lord wrote:
I'd love to see this but the URL doesn't work for me.
It comes up in German Die Seite wurde nicht gefunden
Which my friend tells me means site not found.
Any ideas?
I just clicked on it and got the same response -- perhaps there was too
much traffic for the site to bear.
My earlier problem was caused by Update Layout not working. Would anyone
please be so kind to download my file (http://tinyurl.com/n2wqs), update
the layout from page 1 and sending it back to me? I'll be working in
scroll view from now (back to the middele ages) and in the mean time try
to
On 04.10.2006 Barbara Touburg wrote:
My earlier problem was caused by Update Layout not working. Would anyone please
be so kind to download my file (http://tinyurl.com/n2wqs), update the layout
from page 1 and sending it back to me? I'll be working in scroll view from now
(back to the middele
Barbara Touburg wrote:
My earlier problem was caused by Update Layout not working. Would anyone
please be so kind to download my file (http://tinyurl.com/n2wqs), update
the layout from page 1 and sending it back to me? I'll be working in
scroll view from now (back to the middele ages) and in
Johannes Gebauer wrote:
On 04.10.2006 Barbara Touburg wrote:
My earlier problem was caused by Update Layout not working. Would
anyone please be so kind to download my file
(http://tinyurl.com/n2wqs), update the layout from page 1 and sending
it back to me? I'll be working in scroll view from
I get a message 'pagina niet gevonden' for that link.
- Original Message -
From: Barbara Touburg [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Wednesday, October 04, 2006 4:19 AM
Subject: [Finale] Problem chapter two
My earlier problem was caused by Update Layout not working. Would
the link to that page seems to be wrong, cant be opened.
please fix that and i'll be glad to give it a try.
GR
Barbara Touburg wrote:
My earlier problem was caused by Update Layout not working. Would
anyone please be so kind to download my file
(http://tinyurl.com/n2wqs), update the layout
Godofredo Romero wrote:
the link to that page seems to be wrong, cant be opened.
please fix that and i'll be glad to give it a try.
GR
Barbara Touburg wrote:
My earlier problem was caused by Update Layout not working. Would
anyone please be so kind to download my file
Thanx for that Eric. Been dying to see it.
Talk about knowing the music backwards!
Jerry
On 4-Oct-06, at 3:18 AM, Eric Dannewitz wrote:
http://youtube.com/watch?v=Q8adEIMzbso
Gerald Berg
___
Finale mailing list
Finale@shsu.edu
dc [EMAIL PROTECTED] wrote:
XML does seem to be the best standard for exchanging music
notation files.
Thanks! MusicXML support is up to over 60 applications now, and the
quality of the translations keeps getting better over time.
We are about to start development on the next version of
dc [EMAIL PROTECTED] wrote:
CapToMusic seems to give excellent results with some files.
But with others, it generates incomprehensible (for me and
at least one other person) error messages, and the resulting
XML files won't import into Finale.
Thanks for the feedback. If you can e-mail me
On 3 Oct 2006 at 22:31, Éric Dussault wrote:
Le 06-10-02 à 22:01, David W. Fenton a écrit :
How so? It is only a problem when Finale uses the wrong enharmonic
spelling. If you hit a black key you get either a flat or a sharp,
according to the enharmonic mapping in place for the key in
On Oct 4, 2006, at 11:44 AM, David W. Fenton wrote:
And entry by computer keyboard still takes other passes for entering
articulations and expressions, so it's not like there's much of a
difference there.
--
If, like me, you are still in the habit of using Speedy Entry.
The MM guys I see
David W. Fenton wrote:
For 6 years I had no MIDI keyboard, so I know that the MIDI keyboard
is *much* faster for me.
The key qualification here is for me; other users, with different
musical and data entry skills, as well as quite different musical
projects, will necessarily have
Yeah, me too
But, if you can do articulations and dynamics.I might need to
check it out...
Chuck Israels wrote:
If, like me, you are still in the habit of using Speedy Entry.
The MM guys I see every year at the Jazz Educator's Convention use
Simple entry with a
On 4 Oct 2006 at 12:19, Chuck Israels wrote:
On Oct 4, 2006, at 11:44 AM, David W. Fenton wrote:
And entry by computer keyboard still takes other passes for entering
articulations and expressions, so it's not like there's much of a
difference there.
If, like me, you are still in the
Michael Good / 2006/10/04 / 02:25 PM wrote:
MusicXML support is up to over 60 applications now, and the
quality of the translations keeps getting better over time.
How about from newer Fin version to older one, say FinMac2007 to
FinMac2005? If it is possible, i.e., 2007 created file converting
On Oct 4, 2006, at 2:44 PM, David W. Fenton wrote:
On 3 Oct 2006 at 22:31, Éric Dussault wrote:
Le 06-10-02 à 22:01, David W. Fenton a écrit :
How so? It is only a problem when Finale uses the wrong enharmonic
spelling. If you hit a black key you get either a flat or a sharp,
according to
On 4 Oct 2006 at 21:28, Daniel Wolf wrote:
David W. Fenton wrote:
For 6 years I had no MIDI keyboard, so I know that the MIDI keyboard
is *much* faster for me.
The key qualification here is for me;
I have never claimed otherwise. I was just responding to someone
trying to convince me
On 04 Oct 2006, at 3:39 PM, David W. Fenton wrote:
The MM guys I see every year at the Jazz Educator's Convention use
Simple entry with a MIDI Keyboard, and that allows articulations and
dynamics to be entered on the same pass with the same tool. They
claim something like 40% increase in entry
On 4 Oct 2006 at 15:45, Christopher Smith wrote:
So David, I would respectfully submit that it is possible for two
people to use different work flow methods that are the fastest method
for each of them. Saying that it is absolutely faster to switch
enharmonics on the second pass rather
David W. Fenton wrote:
On 4 Oct 2006 at 15:45, Christopher Smith wrote:
So David, I would respectfully submit that it is possible for two
people to use different work flow methods that are the fastest method
for each of them. Saying that it is absolutely faster to switch
enharmonics on the
On 04 Oct 2006, at 3:45 PM, Christopher Smith wrote:
I've gotten to the point where I know what Finale is going to enter
(sharp or flat) so I can hit 9 to enharmonically flip it without
even looking, before entering the next note.
Chris, have you run into trouble with this in Finale 2007?
Darcy James Argue wrote:
On 04 Oct 2006, at 3:39 PM, David W. Fenton wrote:
The MM guys I see every year at the Jazz Educator's Convention use
Simple entry with a MIDI Keyboard, and that allows articulations and
dynamics to be entered on the same pass with the same tool. They
claim something
On 04 Oct 2006, at 4:22 PM, David W. Fenton wrote:
How do you switch between expressions and articulations?
On Mac, opt-A to add an expression (or cmd-opt-shift-A to add a
sticky expression that will apply to all subsequent notes until
cancelled). Opt-X (or just X) to add an expression.
On Oct 4, 2006, at 1:23 PM, dhbailey wrote:
Darcy James Argue wrote:
On 04 Oct 2006, at 3:39 PM, David W. Fenton wrote:
The MM guys I see every year at the Jazz Educator's Convention use
Simple entry with a MIDI Keyboard, and that allows articulations
and
dynamics to be entered on the
See! I told you guys.
Darcy, are you using this now?
Chuck
On Oct 4, 2006, at 1:38 PM, Darcy James Argue wrote:
On 04 Oct 2006, at 4:22 PM, David W. Fenton wrote:
How do you switch between expressions and articulations?
On Mac, opt-A to add an expression (or cmd-opt-shift-A to add a
On 04 Oct 2006, at 3:39 PM, Chuck Israels wrote: The MM guys I see every year at the Jazz Educator's
Convention use Simple entry with a MIDI Keyboard, and
that allows articulations and dynamics to be entered on
the same pass with the same tool. They claim something
like 40% increase in entry
On Oct 4, 2006, at 4:13 PM, Darcy James Argue wrote:
On 04 Oct 2006, at 3:45 PM, Christopher Smith wrote:
I've gotten to the point where I know what Finale is going to
enter (sharp or flat) so I can hit 9 to enharmonically flip it
without even looking, before entering the next note.
Hi Chuck,
I haven't made the switch yet. I know I should, because it will
eventually be faster, once I get over the learning curve. But I'm
always on deadline and I never seem to have the time to re-train myself.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
On 4 Oct 2006 at 13:45, Chuck Israels wrote:
On Oct 4, 2006, at 1:23 PM, dhbailey wrote:
Darcy James Argue wrote:
On 04 Oct 2006, at 3:39 PM, David W. Fenton wrote:
The MM guys I see every year at the Jazz Educator's Convention
use Simple entry with a MIDI Keyboard, and that allows
David W. Fenton wrote:
[snip]
I tried it out in the Finale 2005 demo. It feels a lot like
Sibelius's standard keypad entry method.
And that means I HATE IT. I don't think that way about getting the
information into Finale, and that's one of the reasons I can't use
Sibelius.
It slows me
I find myself aligned with the two Davids - thinking about and
entering the music more or less the way they describe as natural to
them, but I can't tell if that's because Finale's Speedy Entry
methods have trained me to be that way, or if Speedy just suits my
way of operating. My jury
List members...
I seem to recall an earlier discussion of wandering augmentation dots--dots
become separated from the notes they're supposed to augment. I got bitten by
that a few times on a recent project.
Are there reproducible steps leading to this bug? If so I'd like to know them
so I can
Silly question:
Do Sibelius and Finale have a sequencer and a sampler?
Thanks, John.
On Wed, 4 Oct 2006 21:55:50 -0400 "Williams, Jim" [EMAIL PROTECTED]
writes: List members... I seem to recall an earlier discussion
of "wandering" augmentation dots--dots become separated from the notes
No, Finale is not a sequencer, nor is Sibelius...
Finale has a built-in softsynth and comes with SOME sampled sounds from the
Garritan Personal Orchestra sound library. Finale can be used in conjunction
with any VST instrument manufactured by Native Instruments (NI).
Hope this helps. If you
On 4 Oct 2006 at 22:12, Williams, Jim wrote:
No, Finale is not a sequencer, nor is Sibelius...
But you can edit MIDI data and save the file as MIDI. That makes it a
sequencer, seems to me, but maybe you have a different definition of
the term.
--
David W. Fenton
At 10:25 PM 10/4/06 -0400, David W. Fenton wrote:
On 4 Oct 2006 at 22:12, Williams, Jim wrote:
No, Finale is not a sequencer, nor is Sibelius...
But you can edit MIDI data and save the file as MIDI. That makes it a
sequencer, seems to me, but maybe you have a different definition of
the term.
Yes, David, I would have a different definition of a sequencer.
I find the MIDI tool to be rather unwieldy in Finale.
My definition of a sequencer would include some kind of editable piano-roll
view as well as the ability to draw controller data using a mouse and edit MIDI
at the event-list
On 4 Oct 2006 at 22:47, Williams, Jim wrote:
Yes, David, I would have a different definition of a sequencer.
Well, I'd say you're using a completely incorrect and idiosyncratic
definition.
I find the MIDI tool to be rather unwieldy in Finale.
I don't think anyone will disagree with that.
dhbailey wrote:
David W. Fenton wrote:
[snip]
I tried it out in the Finale 2005 demo. It feels a lot like
Sibelius's standard keypad entry method.
And that means I HATE IT. I don't think that way about getting the
information into Finale, and that's one of the reasons I can't use
Sibelius.
43 matches
Mail list logo
