[313] Tastefest
Scroll down to the Motor Stage. Not new news, I know, but a little reminder doesn't hurt :-) http://newcenter.com/tastefest/music_2002.htm jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] hyperreal question
I was goofin off with the sherlock search engine in my mac and I enter richie hawtin. a few differnt common link showed up but this one that was a odd ball on I click on it turned out to be a fan page with some pretty inaccurate info on it but it has a link to hyperreal with what says is an interview with richie in nov 1994. now I clicked on it and it was gone does anyone remember this or have a copy of it I would like to hear it website I found it on: http://www.rpi.edu/~desais2/plastikman.html and the link of the susposid interview http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94 yes I noticed it was a dot com but there were so many other mistakes I figured it was worth one letter to the list and maybe someone knew of this? scotto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ID on another disco track played by RON HARDY
I've been wondering about this track that I've only heard on mixes at deephousepage.com. I'd post the times and mixes but deephousepage has been down all weekend () along with klubradio.de, making my weekend stuck in front of this box not any easier. Its on the Tee Scott mix live at Zanzibar, I think its the second song after Chaka Khan performs, or at least it is on the dub I made of it. Its also on the Ron Hardy tribute mix by Izrael, I think it might be the first song on that one. Anywhere here's a breakdown of the song, any help IDing would be very appreciated. female singer: gotta get a bit on the drums cmon cmon cmon and give me some get up off of your pace give me some funky bass yeahee yeah hhoohh ... melodies lalala lalala lalala melodies, true melodies then a spine tingling piano line then funky wah wah guitar riff then break down to kick and snare and tralala lalala lalala melodies ,melodiss sometime later a muffled male voice says c'mon wheres the rest of the tape? then a backwards spinning effect followed by that haunting piano again. Or something like that. Can anyone recommend a house email list? I know people don't want this to turn into a house list. I love the deephousepage chat, but I like getting things through email. Thanks again, sorry to post about house but I've been wondering about this song for awhile. _,.., /_/_/_/_/_/_/_/_/ jamie /| /_/_/_/_/_/_/_/,-' hurlbut / / /_/_/_/_/_/_/,-'/ / /_/_/_/_/_/_,:../ / |,' hurlbotics.com |/ ' - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] records.
i just feel like starting a thread about new records comming out. the new DWIN on kms is real nice. when the hell is the new sean deason on matrix comming out. are there any sound clips on the new i can hear. what was seans web address? both of the new keith tuckers are fresh, Stick it in your ear, and Searching are the ones im talking about. does keith tucker have any other material that isnt electro??? burns _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] aril brikha
aril has a video to go with groove la chord on transmat.com anyone have any thoughts on the new stephan brown eps. im not sure if i like them much burns _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] aril brikha
-- Original Message -- From: ryan burns [EMAIL PROTECTED] aril has a video to go with groove la chord on transmat.com im about to go watch it. anyone have any thoughts on the new stephan brown eps. im not sure if i like them much i only heard the one, it was good but not excellent. id like to hear it played out and about though, im sure id like it a ton more if i heard it loud. tom andythepooh.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Sonar: overall review?
Well, i'm wondering if anyone could post an overall review of Sonar. Having visited the festival for the last two years, last year i was a bit let down by the fact that the night venue was so amazingly big and very anonymous...and therefore commercialism ruled... Anyone, anyone??? B - Out _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] UR- Revolution For Change
I got mine from rubadub .. http://www.rad69.com -Original Message- From: Pryor, Ryan N [mailto:[EMAIL PROTECTED] Sent: Saturday, June 22, 2002 2:18 AM To: '[EMAIL PROTECTED] yperreal.org' Subject: [313] UR- Revolution For Change I've searched just about everywhere for a copy of this. If anyone could point me in the right direction I would appreciate it. thanks- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] TechHouse (was Sonar/John Tejada)
MDT: I'll look out for some tech-house sets which i regard as typical (boring) examples of the music... Possibly, some Eukatech comps from a couple of years ago (can't really speak for the very recent ones). The earlier ones were (imho) object lessons in how to make, Phuture, Hardfloor, Berkovi, Alanis, et al, sound dull. Remarkable. k - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Wild Pitch (was: DJ Pierre)
One of my favorites in the wild pitch style has to be: Photon inc. - Give a little love A great vocal house tune. - Original Message - From: Matthew MacQueen [EMAIL PROTECTED] To: 313@hyperreal.org Cc: Fred Heutte [EMAIL PROTECTED] Sent: 21 June, 2002 4:45 PM Subject: [313] Wild Pitch (was: DJ Pierre) because I'm a total sucker for the wild pitch sound cool thread, what do other 313'ers consider their top Wild Pitch style tracks? Cheers, Matt - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hyperreal question
haven't read it yet, but there indeed used to be a hyperreal.com (and before that, techno.stanford.edu for you geezers). -d On Mon, 24 Jun 2002, scotto wrote: I was goofin off with the sherlock search engine in my mac and I enter richie hawtin. a few differnt common link showed up but this one that was a odd ball on I click on it turned out to be a fan page with some pretty inaccurate info on it but it has a link to hyperreal with what says is an interview with richie in nov 1994. now I clicked on it and it was gone does anyone remember this or have a copy of it I would like to hear it website I found it on: http://www.rpi.edu/~desais2/plastikman.html and the link of the susposid interview http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94 yes I noticed it was a dot com but there were so many other mistakes I figured it was worth one letter to the list and maybe someone knew of this? scotto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] How to save internet broadcasting...?
I've mentioned this idea before, and in light of last week's developments thought it might be an appropriate time to propose this approach once again... Although the present situation regarding internet broadcasters has come about as a result of new technologies, it bears a remarkable similarity to one which occured back in 1940, when the ASCAP organisation significantly raised the rates charged to radio stations for the broadcasting of its artists works. This led to a prolonged dispute which saw all radio stations being forced to stop playing any ASCAP material on air. ASCAP perceived that radio was a threat to its record sales - in spite of evidence which showed that sales would surge after a disc was spun on a popular show - and made the knee-jerk, protectionist decision to withdraw its catalogue of music from the airwaves. All this left the radio stations at the time in a bit of a fix, as the vast majority of publicly known artists were ASCAP members. What was left to play? The advent of 'talk radio' might have come several decades early if it weren't for BMI, which had been set up in 1940 with the help of many broadcasters who felt that an alternative to the monopolistic, price-fixing practises of ASCAP had to be established. Radio stations became aware that there was a lot of music owned by BMI which they could play instead of the ASCAP material, and so, for the duration of ASCAP's radio boycott, BMI material had a virtual monopoly on radio airplay. What was the net effect? Well, by the time ASCAP decided to end its radio boycott, BMI artists had stolen the edge over them, and had used radio to establish themselves in the minds of the public. BMI leant further towards the sorts of musics that ASCAP didn't like dealing with - RB, gospel, bluegrass - and so ASCAP's radio boycott had had the additional effect of causing mainstream audiences to become accustomed to these black forms of music. It is arguable, in fact, that the whole 1950s phenomenon of black music hitting white audiences that became known as rock'n'roll had its roots in the withdrawal of ASCAP material from US radio in 1940 and 1941; that, if BMI hadn't had the opporunity to dominate the airwaves, these other forms of music would have remained in perpetual obscurity, and the modern cultural landscape would be unrecognisably different. So how does the ASCAP radio dispute of the early 1940s mirror our current situation? Well, this time around the monopolistic association is the RIAA, the threatening new technology is the internet, and the lesser-known forms of music that stand to benefit are primarily electronic. There is no analogue to BMI, though, and this is the crux of my suggested solution. I believe that the formation of a new association of music publishers - independent from ASCAP, BMI or the RIAA - is what is needed to ensure that internet broadcasting has a future. This new association would strongly correlate to the loose global community of producers, songwriters and composers many refer to as the underground. The last twenty years has, after all, seen the cost of music-making equipment fall so far that the barriers to entry are now very low, and perhaps it is due time that the bedroom music-production scene struck out on its own. The crackdown of internet broadcasting is a good time for such an organisation to come into existence, because many underground producers are far more likely to receive coverage from small webcasters that from normal radio stations, and with the webcasters out of the picture the most valuable promotional channel available to us has been lost. There is more at stake than simply the practise of broadcasting music over the web; like the ASCAP radio ban, this dispute is likely to have broader cultural implications than may seem apparent right now. Should our musical diet be restricted to licensed radio stations, expensive RIAA-owned file-sharing networks, CDs purchased from anodyne musical outlets whose protection mechanisms betray an assumption that the buyer is in fact a thief, glossy videos on MTV and Ticketmaster gigs? I believe not, and if we do have a new performing-rights association, there is a chance that - if its body of work became large enough soon enough - this sort of musical environment might be avoided. I'd be interested to know if anyone has any major objections to this general idea, or any reasons why it would be unworkable in practise (I'm neither a lawyer nor a music industry expert, as you can tell!), I'd be pretty happy to hear them! Brendan Legal Disclaimer This message contains confidential information and is intended only for the individual named. If you are not the named addressee you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. mail transmission cannot be guaranteed to be secure or error-free as information could be
Re: [313] Dego track id
It's refrain is like You can go anywhere you want but it's in your mind... That's be Da One Away - 'The Mind' on 2000 Black (cat no 2006 Black). It's an IG Culture project, and the vocals are by Bembe Segue... great tune! It's also on the CD version of the US Planet E release of the 2000 Black 'Good Good' compilation... Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] let no man put asunder
Ok, so I am searching this record by first choice, called let no man put asunder. I know the original mix form the album Delusion but I am searching for a different mix here... So the mix that I am looking for is probably the 'salsoul sg397' remixed in 1983 by Shep Pettibone and backed with a Frankie Knuckles mix on the b side.. This is quite hard to get , isn´t it? So I saw two other versions on Ram Horns recordings: * rams horn 3307: extended mix * rams horn 3218: org / instrumental / acapella does one of those get close to the following sound sample? I am particulary looking for the beats and melody at the end of this sound sample (played by ron hardy): http://www.noctis.com/sound/reel.ram Thanks! Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] JAN
Memo from Alex Bond of PricewaterhouseCoopers Start of message text A friend of mine was telling me this weekend of a Kenny Dixon mix (J.A.N mix) of the keyboard? player from Funkadelic/Parliament. His name has escaped me, this thing is recent though, it's been floating around on promo for a while (2 or 3 weeks). It sound's interesting, has anyone heard it, or could point me to somewhere that would have a copy? Thanks, Alex. (Who's e-bay auctions finish in 8 hrs, there's a few bargains left. Search for 'tronbomber' in the search for seller bit. Spam, spam.) - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] JAN
i believe it's amp fiddler, who has been on a few KDJ releases playing keyboards. is the release on KDJ? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, June 24, 2002 8:08 AM To: 313@hyperreal.org Subject: [313] JAN Memo from Alex Bond of PricewaterhouseCoopers Start of message text A friend of mine was telling me this weekend of a Kenny Dixon mix (J.A.N mix) of the keyboard? player from Funkadelic/Parliament. His name has escaped me, this thing is recent though, it's been floating around on promo for a while (2 or 3 weeks). It sound's interesting, has anyone heard it, or could point me to somewhere that would have a copy? Thanks, Alex. (Who's e-bay auctions finish in 8 hrs, there's a few bargains left. Search for 'tronbomber' in the search for seller bit. Spam, spam.) - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] let no man put asunder
Maarten Baute wrote on Mon, 24 Jun 2002 about following: So the mix that I am looking for is probably the 'salsoul sg397' remixed in 1983 by Shep Pettibone This is quite hard to get , isn´t it? mine's a Serious Records OUS 3 12 from 1987 with following tracks A1 - let.. original mix (mixed by shep pettibone) [this is the version thats played everywhere] A2 - let.. jack the body mix (no notes on remixer) B1 - let.. house mix (no notes on remixer) B2 - let me down easy club mix (this is another song) that a1 track is also available on cd Divas of Dance, Slip'n'Slide SLIPCD119, where it is titled as Let no man put asunder - shep pettibone's master mix sakke -- Progressive clubs are pathetic two years behind the times. - Dave Angel 1993 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] JAN
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Yeah, that's the guy, Amp fiddler, Thanks Rob. Don't know if it's on KDJ, don't think so though. Anyone else got any info? Rob Theakston [EMAIL PROTECTED] on 24/06/2002 13:32:35 To:Alex Bond/UK/INF/PwC, 313@hyperreal.org cc: Subject:RE: [313] JAN i believe it's amp fiddler, who has been on a few KDJ releases playing keyboards. is the release on KDJ? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, June 24, 2002 8:08 AM To: 313@hyperreal.org Subject: [313] JAN Memo from Alex Bond of PricewaterhouseCoopers Start of message text A friend of mine was telling me this weekend of a Kenny Dixon mix (J.A.N mix) of the keyboard? player from Funkadelic/Parliament. His name has escaped me, this thing is recent though, it's been floating around on promo for a while (2 or 3 weeks). It sound's interesting, has anyone heard it, or could point me to somewhere that would have a copy? Thanks, Alex. (Who's e-bay auctions finish in 8 hrs, there's a few bargains left. Search for 'tronbomber' in the search for seller bit. Spam, spam.) - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
[313] Brief sonar review
radioboy(herbert) was as amazing as you'd expect, quite mental and he had a good onstage presence in a mad professor style. peaches\gonzales\pan sonic were rock n´roll glitch hop gab core - tastic! Francois Kevorkian - amazing DJ, really, really deep house and techno and he had a huge studio rack of effects that he knew inside out, he was really into it too...seems to be the only one of those New York old timers that actually still buys records, heard the surgeon mix of birmingham by rue east and son dos on los hermanos amongst others. soul designer - quite good, fabrice lig and two other guys (one on percussion the other various electronic 'stuff') rocking it, a nice live feel with that fabrice lig melodic sound but quite beefed up. jon tejada - brilliant deep techno set with nice scratching\dicking around...anyone who heard it know that technasia tune he played?? soulcenter - probably my highlight, ultra funky brinkmann stuff...it was amazing seeing a couple of thousand kids going mad to his weird breakdowns. tiga on afterwards was quite dull in comparison. mills - the sound was a bit ropey which was kind of annoying but his set was amazing, loads of energy and huge video screens showing you what he was doing(trainspotter drool...) and a long 909 workout. he seemed to have some control over the visuals too, messages flashing on screen and countdowns into tunes which added to the atmosphere. hawtin - the best i´ve heard from him in a while, ultra minimal deep stuff only getting hard towards the end, much more interesting than usual. he started off mixing a dubby minimal tune into some other beatless minimal track, it was ages before you heard a kick drum. bear in mind that's 3 awesome days condensed into a few lines, Sonar really was amazing. it was a real eye opener seeing so many people really getting into decent music for a change, kind of re-affirming i.e. 8,000 kids jumping about to luomo's deep house laptop-bop don't see that every weekend! most people even seemed to leave the main area on friday night when John Digweed came on which was quite a statement, the most obviously commercial DJ of the weekend getting one of the worst crowds. i'll definitely try to make it back next year and would highly recommend it to everyone. chris - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] new a. miller on MG
hello, anyone heard this already ? alton miller - soundscape vibes - MOODS N GROOVES (MG016) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hyperreal question
Hyperreal was a .com back in the mid 90s. It only changed to .org maybe in 96 or 97? I don't know anything of this interview but I wouldn't be surprised in it existed somewhere... At 01:16 AM 6/24/2002 -0400, scotto wrote: I was goofin off with the sherlock search engine in my mac and I enter richie hawtin. a few differnt common link showed up but this one that was a odd ball on I click on it turned out to be a fan page with some pretty inaccurate info on it but it has a link to hyperreal with what says is an interview with richie in nov 1994. now I clicked on it and it was gone does anyone remember this or have a copy of it I would like to hear it website I found it on: http://www.rpi.edu/~desais2/plastikman.html and the link of the susposid interview http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94 yes I noticed it was a dot com but there were so many other mistakes I figured it was worth one letter to the list and maybe someone knew of this? scotto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Sonar/Kervorkian
Chris Rooney: Francois Kevorkian - amazing DJ, really, really deep house and techno and he had a huge studio rack of effects that he knew inside out, he was really into it too...seems to be the only one of those New York old timers that actually still buys records, heard the surgeon mix of birmingham by rue east and son dos on los hermanos amongst others. To me, this is such a good sign: if anyone knows (and I mean *really* knows, at an intimate, even molecular level) what is good quality and *effective* dance music - FK is amongst that few. Remember his perceptions are partly honed by near-30 years of experience. The fact that he's prepared to throw in his lot with techno, to me is highly significant, and speaks well about the state of the music (at least on a spiritual level). UK peeps, remember he's @ Lost 23.7. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Sonar/Kervorkian
sorry thats 27-07 on the saturday. not 23rd... And yes I cannot wait to see him and Derrick!! what a nite it will be!! -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 24 June 2002 14:39 To: [EMAIL PROTECTED] Org Subject: [313] Sonar/Kervorkian Chris Rooney: Francois Kevorkian - amazing DJ, really, really deep house and techno and he had a huge studio rack of effects that he knew inside out, he was really into it too...seems to be the only one of those New York old timers that actually still buys records, heard the surgeon mix of birmingham by rue east and son dos on los hermanos amongst others. To me, this is such a good sign: if anyone knows (and I mean *really* knows, at an intimate, even molecular level) what is good quality and *effective* dance music - FK is amongst that few. Remember his perceptions are partly honed by near-30 years of experience. The fact that he's prepared to throw in his lot with techno, to me is highly significant, and speaks well about the state of the music (at least on a spiritual level). UK peeps, remember he's @ Lost 23.7. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hyperreal question
you might want to contact mike perkowitz? -Joe - Original Message - From: Eric Scuccimarra [EMAIL PROTECTED] To: scotto [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, June 24, 2002 9:32 AM Subject: Re: [313] hyperreal question Hyperreal was a .com back in the mid 90s. It only changed to .org maybe in 96 or 97? I don't know anything of this interview but I wouldn't be surprised in it existed somewhere... At 01:16 AM 6/24/2002 -0400, scotto wrote: I was goofin off with the sherlock search engine in my mac and I enter richie hawtin. a few differnt common link showed up but this one that was a odd ball on I click on it turned out to be a fan page with some pretty inaccurate info on it but it has a link to hyperreal with what says is an interview with richie in nov 1994. now I clicked on it and it was gone does anyone remember this or have a copy of it I would like to hear it website I found it on: http://www.rpi.edu/~desais2/plastikman.html and the link of the susposid interview http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94 yes I noticed it was a dot com but there were so many other mistakes I figured it was worth one letter to the list and maybe someone knew of this? scotto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Kervorkian / Minimal Tech
Bumped into FK at Vinyl Market here in NYC recently and he was knee-deep in the Minimal/Brinkman/Force/Kompakt corner of the store... I'd love to hear a Kevorkian Techno set! =) m* - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Monday, June 24, 2002 9:39 AM Subject: [313] Sonar/Kervorkian Chris Rooney: Francois Kevorkian - amazing DJ, really, really deep house and techno and he had a huge studio rack of effects that he knew inside out, he was really into it too...seems to be the only one of those New York old timers that actually still buys records, heard the surgeon mix of birmingham by rue east and son dos on los hermanos amongst others. To me, this is such a good sign: if anyone knows (and I mean *really* knows, at an intimate, even molecular level) what is good quality and *effective* dance music - FK is amongst that few. Remember his perceptions are partly honed by near-30 years of experience. The fact that he's prepared to throw in his lot with techno, to me is highly significant, and speaks well about the state of the music (at least on a spiritual level). UK peeps, remember he's @ Lost 23.7. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] no subject
Any takers ? After checking it out it has a no. of VA001 - bsc national sound detroit on the vinyl Well is it the same matrix as the fragile? 100% not network before it was released on fragile (I think) I think it is the network release(same matrix though) Anyone got information of the blue vinyl whitew label of reese inside out I'm sure it was the release prior to 'fragile' but I may be wrong.. Anyone placid - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- End of Forwarded Message - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Sonar/Kervorkian
Oops - cheers, Ian ... Jeez. I could have misdirected a whole bunch of people. -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: Monday, June 24, 2002 2:44 PM To: 'Odeluga, Ken'; [EMAIL PROTECTED] Org Subject: RE: [313] Sonar/Kervorkian sorry thats 27-07 on the saturday. not 23rd... And yes I cannot wait to see him and Derrick!! what a nite it will be!! -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 24 June 2002 14:39 To: [EMAIL PROTECTED] Org Subject: [313] Sonar/Kervorkian Chris Rooney: Francois Kevorkian - amazing DJ, really, really deep house and techno and he had a huge studio rack of effects that he knew inside out, he was really into it too...seems to be the only one of those New York old timers that actually still buys records, heard the surgeon mix of birmingham by rue east and son dos on los hermanos amongst others. To me, this is such a good sign: if anyone knows (and I mean *really* knows, at an intimate, even molecular level) what is good quality and *effective* dance music - FK is amongst that few. Remember his perceptions are partly honed by near-30 years of experience. The fact that he's prepared to throw in his lot with techno, to me is highly significant, and speaks well about the state of the music (at least on a spiritual level). UK peeps, remember he's @ Lost 23.7. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] new Drexciya LP!
I think drexciya just keep on improving and moving on. A lot of people will find out the 12 and album are great in a couple of years time IMO. They're pushing the boundaries all the time. Yes, I agree entirelyfar too many techno artists have become way too complacent and just content to ape the traditional Detroit styles. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] new Drexciya LP!
I think drexciya just keep on improving and moving on. A lot of people will find out the 12 and album are great in a couple of years time IMO. They're pushing the boundaries all the time. Yes, I agree entirelyfar too many techno artists have become way too complacent and just content to ape the traditional Detroit styles. Far to many people expect to much from techno artists to... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dego track id
previously.. That's be Da One Away - 'The Mind' on 2000 Black (cat no 2006 Black). It's an IG Culture project, and the vocals are by Bembe Segue... great tune! It's also on the CD version of the US Planet E release of the 2000 Black 'Good Good' compilation... sure it's an i.g project tom?.. i always thought it was a shared thing of dego and ian's - but 'trash da junk' was just dego and kaidi wasn't it?.. read somewhere that they were working on an album under that guise, can't remember where tho.. and there's a killer new track on the next co-op compilation by da one away that's well worth checking.. everyone should keep an eye out for mark mac's new scattered snares project as well - going to be releasing some mighty music soon.. also mark's productions at the minute are unmissable, check his work with terry callier, ed motta and moonstarr for starters.. oh and nubian mindz mix of maxelle on public transit should appeal to the techno headz ;) [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] let no man put asunder
Maarten, Any of: the Salsoul 397 (which came out, I think, in '83) or the Ramshorn issue with the Accapella will have the mix you're after. I'm pretty sure it's the Knuckles mix which Ron Hardy played, and that's on the Ramshorn, though it isn't listed as it on any of the copies I've seen. The Shep Pettibone remix is also on the recent Salsoul Mastercuts 12 (which has Doctor Love on the flip, I think). Both are wicked, but the Ron Hardy one's that bit rawer (and IMO better). The Ramshorn pressing's worth getting for the accapella, anyway. I haven't checked your sample to make sure this is definitely what you're after, but I assume it is. Jonny - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, June 24, 2002 1:22 PM Subject: [313] let no man put asunder Ok, so I am searching this record by first choice, called let no man put asunder. I know the original mix form the album Delusion but I am searching for a different mix here... So the mix that I am looking for is probably the 'salsoul sg397' remixed in 1983 by Shep Pettibone and backed with a Frankie Knuckles mix on the b side.. This is quite hard to get , isnt it? So I saw two other versions on Ram Horns recordings: * rams horn 3307: extended mix * rams horn 3218: org / instrumental / acapella does one of those get close to the following sound sample? I am particulary looking for the beats and melody at the end of this sound sample (played by ron hardy): http://www.noctis.com/sound/reel.ram Thanks! Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] new Drexciya LP!
I think there is a strange phenomenon developing, with the acceleration of technology and culture... it seems people are no longer content to let artists develop and refine an original sound... instead, after two or three years, people get upset if artists don't go somewhere new. Traditionally, the time frame for developing as an artist was a lifetime. Now if someone does the same thing for ten years they are considered boring! I think it is unfair to expect artists and genres to develop at such a quick rate. And, if you haven't figured it out, I don't think techno is dying at all. It's just a little too much to expect that the boundaries will ALWAYS be getting pushed to some extreme year after year. Sometimes periods where art matures are good too, and may in the end produce some of the most refined and substantial works. Just my opinion... _dave.CyborgK Jongsma, K.J. wrote: I think drexciya just keep on improving and moving on. A lot of people will find out the 12 and album are great in a couple of years time IMO. They're pushing the boundaries all the time. Yes, I agree entirelyfar too many techno artists have become way too complacent and just content to ape the traditional Detroit styles. Far to many people expect to much from techno artists to... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Sonar/Kevorkian
To me, this is such a good sign: if anyone knows (and I mean *really* knows, at an intimate, even molecular level) what is good quality and *effective* dance music - FK is amongst that few. Remember his perceptions are partly honed by near-30 years of experience. The fact that he's prepared to throw in his lot with techno, to me is highly significant, and speaks well about the state of the music (at least on a spiritual level). Francois K is definitely a master. I recall when he played in Detroit a few years ago (at Clutch Cargos), he played rather harder than I expected. I don't remember much about track selection though. Anyone? It was pretty empty - an embarrassingly empty dance floor with everyone downstairs listening to Kooky Scientist if my memory is right. Brent - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FK
Memo from Alex Bond of PricewaterhouseCoopers Start of message text On the subject of Francois Kevorkian, Lost mentioned he had a label called Click Tracks. I've never seen anything (or heard) on this label, has anyone else? B.T.W, Last time I saw him (at Music Box, Manchester), he was AWESOME, and I don't use that word lightly...! - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FK
On the subject of Francois Kevorkian, Lost mentioned he had a label called Click Tracks. I've never seen anything (or heard) on this label, has anyone else? http://www.wavemusic.com/wave-label/6 There's at least one release so far available on Juno: CREAMER, John STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks US) 12: John Creamer Stephane K-Tora Chan/Dylan Drazen-Air Pressure (WM 50086) Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dego track id
Da One Away - 'The Mind' on 2000 Black sure it's an i.g project tom?.. i always thought it was a shared thing of dego and ian's Yeah, I had that in mind too, but just checked and the credits on 'The Mind' are produced and mixed by i.g. culture at roccana hard place. written by i.g. culture and k. philips. all keys by i.g. culture. additional keys by kaidi tatham. And the mixes on the 12 are 'N.S.M. Production' (N.S.M. standing for New Sector Movements, presumably), 'Son of Scientist Venture' and 'The Mind Breakdown rub'... 'trash da junk' was just dego and kaidi wasn't it?.. Yeah, and there's no mention of I.G. on the credits - they must be sharing the project name I guess? Cheers, Tom | tom churchill | emoticon recordings | http://www.emoticonrecordings.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Dego track id
Maybe this is nitpicky or a typo, but i could have sworn there was actually two projects...Da One Away and Da One Way. With Dego and I.G. being the first project and I.G. and Kaidi being the second? Decoding west london aliases is a bit like breaking codes. -Original Message- From: tom churchill [mailto:[EMAIL PROTECTED] Sent: Monday, June 24, 2002 12:11 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] Dego track id Da One Away - 'The Mind' on 2000 Black sure it's an i.g project tom?.. i always thought it was a shared thing of dego and ian's Yeah, I had that in mind too, but just checked and the credits on 'The Mind' are produced and mixed by i.g. culture at roccana hard place. written by i.g. culture and k. philips. all keys by i.g. culture. additional keys by kaidi tatham. And the mixes on the 12 are 'N.S.M. Production' (N.S.M. standing for New Sector Movements, presumably), 'Son of Scientist Venture' and 'The Mind Breakdown rub'... 'trash da junk' was just dego and kaidi wasn't it?.. Yeah, and there's no mention of I.G. on the credits - they must be sharing the project name I guess? Cheers, Tom | tom churchill | emoticon recordings | http://www.emoticonrecordings.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dego track id
Maybe this is nitpicky or a typo, but i could have sworn there was actually
two projects...Da One Away and Da One Way.
With Dego and I.G. being the first project and I.G. and Kaidi being the
second?
Not sure about that - they're both spelt 'Da One Away' on my copies...
But it's interesting that the IG Culture-produced one ('The Mind') was
released on Dego's label (2000 Black) and the Dego-produced one ('Trash Da
Junk') was released on IG's label (Main Squeeze)...
Choo choo,
Tom
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] e-bay stuff
Forwarding this on behalf of Scape One... From: Kurt Baggaley mailto:[EMAIL PROTECTED] To: 313 mailto:313@hyperreal.org Sent: Monday, June 24, 2002 1:33 PM Subject: [313] e-bay stuff A few CD's for sale... (Carl Craig, Virgo, Eddie Fowlkes, Larry Heard, Various,+ etc.) http://cgi6.ebay.co.uk/aw-cgi/eBayISAPI.dll?ViewSellersOtherItemsuserid=stu pid_freshinclude=0since=-1sort=3rows=25 sorry to those who ain't interested, Kurt / Scape One www.scapeone.jobarecords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FK / Clicktracks / Rob Rives...
TC CREAMER, John STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks US) 12: John Creamer Stephane K-Tora Chan/Dylan Drazen-Air Pressure (WM 50086) What sort of record is it then?? Was/is there a sample? The thought of John Creamer doing something clicky is VERY intriguing. John used to help me pick out Techno cuts at Eightball way back when and I still play a lot of those records... John has gone down a more commercial road of late...I'd be interested to find out if this release veers from that at all;-) On the website it mentions Rob Rives is one of CT's recording artists...also very intriguing. Rob has done some cool *minimal* stuff (in a deep NY house kinda way) using some very cool sounds on Wave. I'd be interested to hear what he comes up with for a label that describes itself this way: About Clicktracks - As the new millenium unfolds comes the need for a new kind of music, different sounds that don't quite fit the aesthetic norm of things past. New directions in music is a tall order, but we'd like to encourage that kind of a mindset with our newest label, Clicktracks. This is all about the post-millenial angst of electronic beats and abstract computerworld textures tied together in a very dark, trippy and minimal dub state of mind. Do not expect any pretty melodies or fancy songs here, rather the droning inescapable hypnotic hum of a microprocessor groove in saturation mode and overdrive. Music for robots? We think a more adequate description would be a label that will definitely be part of the rise of a new undercurrent in dancefloor-friendly electronic music composition. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] some new scraps
Four new audio sketches are available at http://www.bprince.com in the works-in-progress section. Deep Space is kind of dubby, with a funky bassline . . . the transitions don't really work yet. 1:39 Render Farm is tweaky and acidic . . . I've always had a love for tracks that sound like hard disks doing seek jobs, and this is kind of an homage to that sound. 2:37 Lake Affect starts out filtered and Swayzak-esque, and gets a bit E2-E4 after a minute or so. 2:03 Frame Dragging is quick and filtered . .. borderline trance, I suppose. 1:20 Comments and critique are appreciated. Oh, someone mailed me about my setup last time I posted but I lost the message when my webhost imploded last week. At any rate, I'm 100% software, and presently that software is a soft-synth called Orion made by Sonic Syndicate. Its costs $99 and there's more info here: http://www.sonic-syndicate.com - Brian balistic Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dego track id
is 1969 lsd madness on the mainsqueeze comp?.. Yep. who produced that one - wasn't that dego and i.g? Yep :) Confusing isn't it? And going back to Rob's point (kinda), it's spelt 'The One Away' on the Main Squeeze comp, but 'Da One Away' on the two previously-mentioned 12s... Cheers, Tom PS: in case anyone's wondering, yes, I am surrounded by my record collection, this data isn't all from memory... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] aril brikha
The second Stephan Brown is either a release (from Realtime records) or just one of the tracks is as I've got it - the one with the speech - on that label which was released earlier than the Transmat release. I like it. MEK ryan burns [EMAIL PROTECTED]To: 313@hyperreal.org ail.com cc: Subject: [313] aril brikha 06/24/02 01:25 AM aril has a video to go with groove la chord on transmat.com anyone have any thoughts on the new stephan brown eps. im not sure if i like them much burns _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ron hard track ID's
Hey all, If you are looking for track ID's of any Ron Hardy or other old school CHICAGO DJ's then call gramaphone records in Chicago and ask to talk to Andy Moy, he is the old school disco/house expert buyer and can ID and get you just about anything old you need. regards, Jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FK / Clicktracks / Rob Rives...
hmm this is a rehashed idea to say the least. mille plateaux has been into glitch for a while and 12k busted open the whole microsound concept in like 97 or 98 getting in on glitch now is going to be viewed as jumping on the bandwagon -Joe - Original Message - From: Mark S. Krüx [EMAIL PROTECTED] To: tom churchill [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Monday, June 24, 2002 12:30 PM Subject: Re: [313] FK / Clicktracks / Rob Rives... TC CREAMER, John STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks US) 12: John Creamer Stephane K-Tora Chan/Dylan Drazen-Air Pressure (WM 50086) What sort of record is it then?? Was/is there a sample? The thought of John Creamer doing something clicky is VERY intriguing. John used to help me pick out Techno cuts at Eightball way back when and I still play a lot of those records... John has gone down a more commercial road of late...I'd be interested to find out if this release veers from that at all;-) On the website it mentions Rob Rives is one of CT's recording artists...also very intriguing. Rob has done some cool *minimal* stuff (in a deep NY house kinda way) using some very cool sounds on Wave. I'd be interested to hear what he comes up with for a label that describes itself this way: About Clicktracks - As the new millenium unfolds comes the need for a new kind of music, different sounds that don't quite fit the aesthetic norm of things past. New directions in music is a tall order, but we'd like to encourage that kind of a mindset with our newest label, Clicktracks. This is all about the post-millenial angst of electronic beats and abstract computerworld textures tied together in a very dark, trippy and minimal dub state of mind. Do not expect any pretty melodies or fancy songs here, rather the droning inescapable hypnotic hum of a microprocessor groove in saturation mode and overdrive. Music for robots? We think a more adequate description would be a label that will definitely be part of the rise of a new undercurrent in dancefloor-friendly electronic music composition. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] aril brikha
I should clarify that - The second Stephan Brown is either a re- release, orginally on Realtime records. Michael.Elliot-Knight @fallon.com To: ryan burns [EMAIL PROTECTED] cc: 313@hyperreal.org 06/24/02 12:22 PMSubject: Re: [313] aril brikha The second Stephan Brown is either a release (from Realtime records) or just one of the tracks is as I've got it - the one with the speech - on that label which was released earlier than the Transmat release. I like it. MEK ryan burns [EMAIL PROTECTED]To: 313@hyperreal.org ail.com cc: Subject: [313] aril brikha 06/24/02 01:25 AM aril has a video to go with groove la chord on transmat.com anyone have any thoughts on the new stephan brown eps. im not sure if i like them much burns _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FK / Clicktracks / Rob Rives...
sorry, my comments were re: the premise of clicktracks - Original Message - From: :P [EMAIL PROTECTED] To: Mark S. Krüx [EMAIL PROTECTED]; tom churchill [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Monday, June 24, 2002 1:35 PM Subject: Re: [313] FK / Clicktracks / Rob Rives... hmm this is a rehashed idea to say the least. mille plateaux has been into glitch for a while and 12k busted open the whole microsound concept in like 97 or 98 getting in on glitch now is going to be viewed as jumping on the bandwagon -Joe - Original Message - From: Mark S. Krüx [EMAIL PROTECTED] To: tom churchill [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Monday, June 24, 2002 12:30 PM Subject: Re: [313] FK / Clicktracks / Rob Rives... TC CREAMER, John STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks US) 12: John Creamer Stephane K-Tora Chan/Dylan Drazen-Air Pressure (WM 50086) What sort of record is it then?? Was/is there a sample? The thought of John Creamer doing something clicky is VERY intriguing. John used to help me pick out Techno cuts at Eightball way back when and I still play a lot of those records... John has gone down a more commercial road of late...I'd be interested to find out if this release veers from that at all;-) On the website it mentions Rob Rives is one of CT's recording artists...also very intriguing. Rob has done some cool *minimal* stuff (in a deep NY house kinda way) using some very cool sounds on Wave. I'd be interested to hear what he comes up with for a label that describes itself this way: About Clicktracks - As the new millenium unfolds comes the need for a new kind of music, different sounds that don't quite fit the aesthetic norm of things past. New directions in music is a tall order, but we'd like to encourage that kind of a mindset with our newest label, Clicktracks. This is all about the post-millenial angst of electronic beats and abstract computerworld textures tied together in a very dark, trippy and minimal dub state of mind. Do not expect any pretty melodies or fancy songs here, rather the droning inescapable hypnotic hum of a microprocessor groove in saturation mode and overdrive. Music for robots? We think a more adequate description would be a label that will definitely be part of the rise of a new undercurrent in dancefloor-friendly electronic music composition. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] UK people please explain
I was digging up an article on Tech-house for some other 313 subscribers and in the article they mentioned the Watford Gap - now I know where Watford is but what exactly is the Watford Gap? And what is the significance of it in UK/London life? MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] UK people - please reply off-list
thanks! Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 06/24/02 12:49 PMSubject: [313] UK people please explain I was digging up an article on Tech-house for some other 313 subscribers and in the article they mentioned the Watford Gap - now I know where Watford is but what exactly is the Watford Gap? And what is the significance of it in UK/London life? MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] new Drexciya LP!
here here!! bravo! techno fans can be such anal retentive geeks who treat music like science! innovation is well and good, new styles ok, but i am really just looking for real ideas and expressions, its about deep music period as some foolio once said ;) i'll be listening to traditional detroit styles till i die as long as its stuff with original ideas, personality and soul in it, and there is infinite room for this to continue for a long time. when it comes down to it im most excited by great basslines and melodies that i havent heard before, not entirely new sounds or styles (altho sometimes those too, but its much rarer!). i think techno IS maturing tho and this will become a more natural and relaxed thing to focus more on depth, and not so schizophrenic (and trendy), as we all get older. ok, drexciya might not be inspired or getting new ideas to use with their old sounds/style, and are getting a kick off new technology etc, but im not gonna automatically like wavejump-glitch or whetever just because its fresh... of course i am excited and checking their new stuff all the same, and there's no accounting for taste.. jt I think there is a strange phenomenon developing, with the acceleration of technology and culture... it seems people are no longer content to let artists develop and refine an original sound... instead, after two or three years, people get upset if artists don't go somewhere new. Traditionally, the time frame for developing as an artist was a lifetime. Now if someone does the same thing for ten years they are considered boring! I think it is unfair to expect artists and genres to develop at such a quick rate. And, if you haven't figured it out, I don't think techno is dying at all. It's just a little too much to expect that the boundaries will ALWAYS be getting pushed to some extreme year after year. Sometimes periods where art matures are good too, and may in the end produce some of the most refined and substantial works. Just my opinion... _dave.CyborgK Jongsma, K.J. wrote: I think drexciya just keep on improving and moving on. A lot of people will find out the 12 and album are great in a couple of years time IMO. They're pushing the boundaries all the time. Yes, I agree entirelyfar too many techno artists have become way too complacent and just content to ape the traditional Detroit styles. Far to many people expect to much from techno artists to... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Tonight: John Beltran on KUCI 88.9FM
JOHN BELTRAN (aka Placid Angles, Indio) is spinning tonight on KUCI 88.9 Fm Irvine, CA Tune in tonight 8-10pm (PST) on http://kuci.org Since he couldn't make it down to the show BossaSuperNova, he is spinning tonight on the show Radio 69. An his dj set will be re-broadcasted this Wed 8-10pm (PST) on Bossa Super Nova. So tune in either night. [John Beltran has released material on R S, Peacefrog, Transmat, Exceptional, Retroactive, Good Looking, and Ubiquity] - BossaSuperNova Wednesday Nights 8-10pm (PST) http://kuci.org _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] new Drexciya LP!
JT, I am glad that someone from the list feels the same way that I do! I prefer a soulful good emotional oldschool Detroit record than the newest Supa Dupa hype micro Macro sample glitch Hop House record without any statement or emotion Look at Jazz for example. There are many artists in this artful music that need a whole lifetime to find their personal style. Cheers, Arne J. T. [EMAIL PROTECTED] schrieb: here here!! bravo! techno fans can be such anal retentive geeks who treat music like science! innovation is well and good, new styles ok, but i am really just looking for real ideas and expressions, its about deep music period as some foolio once said ;) i'll be listening to traditional detroit styles till i die as long as its stuff with original ideas, personality and soul in it, and there is infinite room for this to continue for a long time. when it comes down to it im most excited by great basslines and melodies that i havent heard before, not entirely new sounds or styles (altho sometimes those too, but its much rarer!). i think techno IS maturing tho and this will become a more natural and relaxed thing to focus more on depth, and not so schizophrenic (and trendy), as we all get older. ok, drexciya might not be inspired or getting new ideas to use with their old sounds/style, and are getting a kick off new technology etc, but im not gonna automatically like wavejump-glitch or whetever just because its fresh... of course i am excited and checking their new stuff all the same, and there's no accounting for taste.. jt I think there is a strange phenomenon developing, with the acceleration of technology and culture... it seems people are no longer content to let artists develop and refine an original sound... instead, after two or three years, people get upset if artists don't go somewhere new. Traditionally, the time frame for developing as an artist was a lifetime. Now if someone does the same thing for ten years they are considered boring! I think it is unfair to expect artists and genres to develop at such a quick rate. And, if you haven't figured it out, I don't think techno is dying at all. It's just a little too much to expect that the boundaries will ALWAYS be getting pushed to some extreme year after year. Sometimes periods where art matures are good too, and may in the end produce some of the most refined and substantial works. Just my opinion... _dave.CyborgK Jongsma, K.J. wrote: I think drexciya just keep on improving and moving on. A lot of people will find out the 12 and album are great in a couple of years time IMO. They're pushing the boundaries all the time. Yes, I agree entirelyfar too many techno artists have become way too complacent and just content to ape the traditional Detroit styles. Far to many people expect to much from techno artists to... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- °°° www.arneweinberg.de STARBABY Rec. DOWN LOW MUSIC NATIVE Rec. KEYNOTE Rec. (ex-Ground Zero Rec.) °°° - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] new Drexciya LP!
At 18:25 + 24-06-2002, Arne Weinberg wrote: JT, I am glad that someone from the list feels the same way that I do! I prefer a soulful good emotional oldschool Detroit record than the newest Supa Dupa hype micro Macro sample glitch Hop House record without any statement or emotion Yup, i agree in the end it is just wether you like a piece of music or not, if it is innovating that is just a nice extra. Why do you like techno, because its innovative or because you 'just happend to like music'? -- [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Sonar/Kevorkian
on 6/24/02 11:48 AM, Brent Kirkwood at [EMAIL PROTECTED] wrote: To me, this is such a good sign: if anyone knows (and I mean *really* knows, at an intimate, even molecular level) what is good quality and *effective* dance music - FK is amongst that few. Remember his perceptions are partly honed by near-30 years of experience. The fact that he's prepared to throw in his lot with techno, to me is highly significant, and speaks well about the state of the music (at least on a spiritual level). Francois K is definitely a master. I recall when he played in Detroit a few years ago (at Clutch Cargos), he played rather harder than I expected. I don't remember much about track selection though. Anyone? It was pretty empty - an embarrassingly empty dance floor with everyone downstairs listening to Kooky Scientist if my memory is right. Brent Frankly, I was shocked @ the turn out for FK. I'd prefer to NOT be able to say that Daniel Bell I outdrew someone of FK's stature for a fraction of his fee. Francois was a professional and gentleman throughout, even if he was playing to only 2 people on the floor at the end of the night. We ended up having breakfast @ the hotel instead of going right to sleep. He bitched about the state of UK trance DJ's taking over the universe. I was in total agreement. He even helped carry my equipment when we left for the airport. Of course, he doesn't even remember who I am now.. telepathic regards, The Kooky Scientist -- Upcoming Live Electronic Demonstrations: None -- TELEPATHICA - P.O.B.80337 - Boston, MA 02180-0010 PH 978.741.8901 http://www.mp3.com/fredgiannelli http://www.telepathica.com **New E-addresses* [EMAIL PROTECTED] and/or [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hyperreal question
scotto wrote: and the link of the susposid interview http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94 http://music.hyperreal.org/library/publicity/plastikman/interview.nov94 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Drexciya etc....
Appeared to have touched a few nerves in my comments about Drexicya... Of course its not all about innovation etc...I like a good tune as much as anyone...I just think that Drexciya (amongst some others) are ahead of the pack because they try to extend their sound a bit. More of a defense of 'Harnessed the Storm' than a critique of techno Speaking of great electro, 313ers should check out the new 12 by Irish act Decal on Satamile (at least I think that's the name of the label). _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mr C essential mix
Include me in that request as well - although I can only use CD/tape formats - thanks! ME Tim Maughan [EMAIL PROTECTED]To: 313 313@hyperreal.org com cc: Subject: [313] Mr C essential mix 06/23/02 12:14 PM anybody manage to get a recording of this last night - ? sounded good but my aging denon tape deck let me down after about 30 mins. if anyone got it, i'd be interested in a copy (CD/tape/mp3/whatever). hit me back off list, peace, tim - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Sonar/John Tejada
In a message dated 6/21/02 2:42:54 PM, [EMAIL PROTECTED] writes: Maybe this is on a tangent, but what exactly would people consider to be tech-house anyway? My personal impression of Tejada at DEMF was that his sound would fall under that label, this has always been a curious term however. I would be interested to know what sound Mr. Tyreer would consider to be tech-house as opposed to John Tejada's sound, for example. I just got through listening to daydreams in cold weather by Tejada and it reminds me a lot of Larry Heard's work, who's early stuff used to be called acid house. mediadrome - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Theo Parrish + M. Pittman / Trackmode
Over the weekend I picked up a copy of the Essential Selections Vol. 2 on Trackmode... (Theo Parrish Marsellus Pittman)... deep and groovy. Incidentally, who *is* Marsellus Pittman? Any solo work? anyway good stuff... I was a big fan of their collaboration on Vol. 1 on Sound Signature (esp. selectors theme) so it's great to see this pair in action again. Also, I don't have the record in front of me but I THINK I saw a third name in the credits I didn't immediately recognize. Anyone know ? I think the cat. number is Trackmode 40 (can you believe they are up to FORTY?? Seems like only yesterday... ha ha). Since I missed out on a lot of these, what do 313'ers consider like the absolute must-have Trackmode records? Top 3 or 5... Also finally found a decent used copy of Nick Straker Band little bit of jazz on Prelude from '81... what a wicked tune, heard it before but never had my own copy, I shoulda owned this one a long time ago. And staying in a housier mood, but fast forward, oh, 21 years or so: a new male vocal house track called Saturday Night by Blake on Ideal... but bought it for the Joshua Dub version (the Joshua of Prescription/Balance fame) on the B-side... cracking. That said, I actually like the vocal version too, unique vocal sound -- it's catchy, check it out. I got a feeling this one is gonna be big - just a theory - who knows. :) Another question: how does the Andres record on Moods Grooves compare to his releases on KDJ? Didn't have a chance to listen but plan to later... what to expect? peace, Matt - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Ghostly International 2002 Summer Tour
Ghostly International 2002: Idol Tryouts Tour Ann Arbor label, Ghostly International, goes on its first tour. Madness and pandemonium ensues. Featuring: Dabrye (aka Tadd Mullinix) (Ghostly, Eastern Developments) Midwest Product (Ghostly) Matthew Dear (Ghostly, Plus 8) Dykehouse (Planet Mu, Ghostly) Select artists for each city. Updates periodically at www.ghostly.com Monday, July 8th - Boston Bar 608 Tuesday, July 9th - DC Black Cat (Electric Circus) Wednesday, July 10th - NYC Filter 14 (Static) Saturday, July 13th - Lansing Temple Tuesday, July 16th - Seattle Nation Wednesday, July 17th - San Francisco Amnesia (Trouble) Friday, July 19th - LA The Echo Friday, July 26th - Ann Arbor Blind Pig All info and inquires: [EMAIL PROTECTED] Thank you, Ghostly - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test
test - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
