RE: (313) Another Level - ContaKT
Something deep down tells me that they're having a laugh on this one. And that they will be doing that on the way to the bank. -Original Message- From: Frank Glazer [mailto:[EMAIL PROTECTED] Sent: 08 May 2008 15:00 To: Odeluga, Ken Cc: [EMAIL PROTECTED]; 313 Org Subject: Re: (313) Another Level - ContaKT We're not sure, the party is still in progress, but it appears as if it will devolve into a self-congratulatory orgy of black turtlenecks and homoeroticism. Magda filming. On Thu, May 8, 2008 at 9:57 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: Was there a happy ending? I'm not so much into avant garde fiction myself -Original Message- From: Frank Glazer [mailto:[EMAIL PROTECTED] Sent: Thursday, May 08, 2008 2:39 PM To: [EMAIL PROTECTED] Cc: 313 Org Subject: Re: (313) Another Level - ContaKT ROFL! nice one. On Thu, May 8, 2008 at 7:20 AM, theREALmxyzptlk [EMAIL PROTECTED] wrote: *Which* ones are the ceylons again? And where's Starbuck? jeff Martin Dust wrote: You know how I've been defending Richie a bit, well christ knows what the techno gods are going to make of this: http://www.contakt-events.com/ But it made me laugh thinking about everyone kicking off. hard-core techno crew to the roof, dirty protest required m -- peace, frank dj mix archive: http://www.deejaycountzero.com -- peace, frank dj mix archive: http://www.deejaycountzero.com For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) DJ Stingray @ Bleep43
http://www.bleep43recordings.com/mixes/Show94.mp3 An hour of DJ Stingray from our most recent party. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) John Foxx Influence On 313
His LP from last year was very good. I personally find his work with Harold Budd to be his best. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 06 May 2008 16:28 To: 313@hyperreal.org Subject: RE: (313) John Foxx Influence On 313 He was certainly a guy who caught my attention at the time and I went on liking for time afterward. I liked The Garden LP best I think. When I first saw Gary Newman on Top Of The Pops I thought hey, he looks like he's trying to rip off that other guy from a few weeks back's style ;-) From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 06 May 2008 15:57 Has anyone seen John Foxx's recent live shows? He must be a significant influence on techno and electro but most of my geeky buddies don't know his work at all! I think Gary Numan gets more props. That actually would have been a good act to bill for the festival, but admittedly he's obscure for a wider audience. Metamatic was re-released last year I believe. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast
That's the way it is though. Some places are good for that music, and you have to accept it. It's musical economics as it were. If you want to get noticed, go and live in a place where you will be heard. Jeff Mills is the best example of this. -Original Message- From: Matthew Dickinson [mailto:[EMAIL PROTECTED] Sent: 02 May 2008 10:27 To: Martin Dust Cc: 313 Mailing List Subject: Re: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast Yeah, true. If your talking about London, Berlin or other major cities for electronic music. There you have enough people into it that you can still do kind of niche things and find people who like the same stuff as you. I'm talking about Copenhagen. It's really, really hard here sometimes. Event though you try your hardest and do all the right things with regards to promotion etc. Some of the artists that have played to an empty club is pretty mindbogling, ha ha. 2008/5/2 Martin Dust [EMAIL PROTECTED]: On 2 May 2008, at 10:10, Matthew Dickinson wrote: I get what both of you are saying... but where I'm at it's REALLY frustrating that most people don't seem to have much personal taste but instead just follow the trends. It makes it hard to do something that's outside the norm or what you want to call it. Yeah, I know I'm wining a bit now, but sometimes, I get really pissed off. If it isn't Ricardo, Luciano, Richie, Sven etc. then it's just not interesting. But this has always been the case but I don't think it's as bad as it was, places like Fabric are putting on artists that wouldn't normally get a big gig and people are finding good blogs for their sources rather than just magazines. Moaning about people who like funky house or Clubland Nation 10,000 is pretty pointless IHMO. I guess we just have to work harder to switch people on to stuff. m For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast
If Hawtin had gone down the route of someone like Carl Cox or Paul van Dyk, then I would say that the vitriol directed at him would be worthwhile. The fact is that whilst his DJ sets are pretty dull, they're still, to someone who doesn't know the music at all, rather unusual and weird. To the trained ear of the 313 list members and others, yes, it's all a bit directionless, but it's still abstract. The fact that he can pack out big festivals and clubs is interesting - and ultimately I feel that there's still enough credit being paid, by proxy, to those who made this music at the same time. People getting into Hawtin will see his discography (that goes back a long way) and explore from there. It's easy to dismiss the whole minimal scene because it's laced with the unfortunate fashionista tag, but ultimately that's where the kinetic energy of dance music is right now. And those who are really interested in the music and its history will get into what inspired it. Basic Channel are utterly revered now, and you see Hood now getting the credit he deserves. It takes time. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 02 May 2008 11:23 To: 313 Mailing List Subject: Re: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast On 2 May 2008, at 10:34, [EMAIL PROTECTED] wrote: H, I'm talking more about the entire thing he's created in Berlin and his general, almost slavish, use of the newest gadget/technology. Nah, Bowie and Eno did that stuff years before him, so he likes technology it's not really a big shocker, is it? Bjork has had loads of focus for it, it doesn't write the tunes tho as her new album testifies. I don't pick up on this slavish thing Jason to be honest but I do share a love for toys and have been torturing myself for months over the iPhone. Personally I find it extremelly difficult to market, do good artwork , press etc but that's only a small part of his activities anyway. This isn't a recent thing for me, I've been of a similar opinion since about 1994! Fair enough but at the end of the day good music wins thru, regardless of all the fluff. Jason naive Brunton -(you obviously haven't met a lot of the customers we have who buy Minus material or you wouldn't have made that comment :) ) The naive comment wasn't aimed at anyone, but I stand by it tho and yeah I buy Minus, I don't have a small beard, scarf or dress in bright colours :) God I feel like I'm confessing to something dirty! m PS. Have you seen your picture in DJ mag this month? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Derrick May - @ BBC Radio 1Xtra Ministry Of Sound, April 19th 2008
I was a bit nonplussed by this mix to be honest - lots of energy but no real outstanding records that made me think oh what's that?. I know it's different when you're in a club, especially a place like Ministry, where it's more likely DJs will go for tracky material or something more obvious.but this is Derrick we're talking about, not some vapid Euro techno DJ. Still an inclination for that clean tribal/defected sound as well. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 01 May 2008 09:51 To: 313 313 Subject: Re: (313) Derrick May - @ BBC Radio 1Xtra Ministry Of Sound, April 19th 2008 On 28 Apr 2008, at 18:27, Martin Dust wrote: Here's a linky: http://www.megaupload.com/?d=1F3F4V0P Still loving Derrick's dj style. I guess he's still one of my favourite techno djs (my first post to this list was on this subject btw, waaay back when...I was [EMAIL PROTECTED] at the time...) Anyway thanks for sharing Martin. robin For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Convextion and Echospace @ Fabric
Apparently Gerard's set will be released by Fabric on their Fabric First podcast if it gets the ok from him. -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 28 April 2008 12:42 To: /0; Martin Dust; Robert Taylor Cc: Toby Frith; 313@hyperreal.org Subject: Re: (313) Convextion and Echospace @ Fabric - Original Message - From: /0 [EMAIL PROTECTED] To: Martin Dust [EMAIL PROTECTED]; Robert Taylor [EMAIL PROTECTED] Cc: Toby Frith [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, April 28, 2008 12:08 PM Subject: Re: (313) Convextion and Echospace @ Fabric I've actually seen a couple reputable DJs to play an anemic hour of their set before realizing the lows were killed at the mixer. Ha! I accidentally did that for about five minutes of an Echospace tune (of all things) during the last set that I played. It's true that you won't often get a good feel for the bass levels out of monitors, but the monitoring on the stage at Fabric is usually pretty full and clear. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Convextion and Echospace @ Fabric
I guess that was probably the case. The EQ'ing was all over the shop. Shame as it sounded so crisp for Convextion, if just a little too loud sometimes. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 28 April 2008 11:24 To: Robert Taylor Cc: [313] 313 Subject: Re: (313) Convextion and Echospace @ Fabric On 28 Apr 2008, at 11:16, Robert Taylor wrote: I was pretty shocked, but all you heard was a distorted thud thud thud, with all those lovely dubby chords almost completely lost in the mix. I don't know what they think they were doing cos they seemed to be loving it - pumping their fists like they were Fatboy Slim, or worst still, Peter Hook Only thing I can think is that the DJ monitors had a better/correct feed than clubs PA, which isn't unheard of but I surprised someone didn't say something to them. m For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Convextion and Echospace @ Fabric
A polarised affair at London's Fabric. Gerard was fantastic - mostly ERP style electro that sounded razorsharp on the soundsystem..some new bits and classics, although Vox Automaton was a bit short for some reason. Very happy to see him get a fantastic reaction as well. Deepchord/Echospace was unmitigated sh*te. I'm sure Tristan will elucidate far more than I could, as he was fuming! The sound was muddy, so you couldn't hear the treble at all, but this was an hour of relentlessly dull dub techno with no variation or subtlety whatsoever, and a real shame because one of them (not mr Modell) was having the time of his life behind the laptop. A shame he couldn't obviously hear what sh*te we were hearing. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Recalling that dubstepxtechno thread
I would suspect that once the likes of the Wire and Boomkat-deriven shops stop enthusing over it so wildly and let it run its course, the genre might actually become interesting, because it doesn't really deserve the fawning it receives right now. That's not to say there's nothing good in the genre, but the slavish drivel that is written about it by some people about it just puts me off. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 23 April 2008 16:25 To: 313@hyperreal.org Subject: Re: (313) Recalling that dubstepxtechno thread On Wed, Apr 23, 2008 at 11:18 AM, Nik Stoltzman [EMAIL PROTECTED] wrote: Weren't you raving about the last Burial album a few months back? Wouldn't people call that dubstep?. Not that it matters, I think. nah, that is 2-step. it really has no connection in beat patterns, sound pallette, or feel to anything in the dubstep genre, it shares many of those things with 2-step records though. When it comes to 'dubstep' I do not like it more or less than any other music - I just like good music. When you say you don't like dubstep, do you have a particular sound or artist in mind? Or do you literally not think much of a whole tranche of music much of which you won't have heard? ;) i like exactly none of it. most of it is either too angry, too boring, or just ridiculous sounding. i guess i dont mind the original blood on my hands by shackleton but its not good enough that i went out and bought it. and that is only one track! tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) ------Bleep43 this Friday : I-F, DJ Stingray, Kevin Reynolds and Placid --------------
Just a quick remindera chance to see Detroit's DJ Stingray and Kevin Reynolds plus a rare appearance in thatLondon for 313 stalwart Placidand not forgetting I-F BLEEP43 Fri 18th April @ Corsica Studios, London. I-F DJ Stingray Kevin Reynolds (live) Placid Plant43 (live) Datassette (live) Orphan (live) Dan Bean AS Cosmic COLIN Check http://www.bleep43.com for further info. £12 tickets from http://www.wegottickets.com/event/28082 and Phonica, Rough Trade East, Selectadisc and Sounds of the Universe For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Strand remix of Radiohead's Nude.
Yeah Shake, get in on it! -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 14 April 2008 15:18 To: Brian Boyer Cc: 313@hyperreal.org Subject: Re: (313) Strand remix of Radiohead's Nude. I think this is an elegant piece of work -- whether someone would like it or not would depend on their feelings about Radiohead. I'm a fan so it's right up my alley. I'd love to hear Shake do a Radiohead remix. He used to play songs from Kid A in his sets to great effect. On Sun, Apr 13, 2008 at 11:47 PM, Brian Boyer [EMAIL PROTECTED] wrote: Hello everyone, We've submitted a mix for Radiohead's Nude remix contest. It was an interesting exercise and a good way to expose Detroit influenced electronic music to people who might not otherwise know it exists. You can even vote for it, if you fancy. We mainly just wanted to let you know that we did it and Thom Yorke never sounded so funky. As always, don't be shy about expressing your thoughts and/or critiques. You can hear it at the following links: http://www.myspace.com/strand313 http://www.radioheadremix.com/remix/?id=1510 -boyer For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) monolake
PS Toby, what's the date of Kraftwerk playing a Fairfield Halls? 21.9.75 -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 08 April 2008 11:57 To: Toby Frith; 313 Subject: Re: (313) monolake On 8 Apr 2008, at 11:50, Toby Frith wrote: Frustrating producer for me, in that his live performances have failed to match what he's capable of on his releases. I love Perpetuum and Excentri, and the Robert Henke Studies for Thunder release is also excellent. I think he's pretty good live and all that stuff in Ableton is midi as well, he's a brave man for sure :) My Monolake picks would be Gravity and Interstate - both get loads of plays here, m PS Toby, what's the date of Kraftwerk playing a Fairfield Halls? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) monolake
Frustrating producer for me, in that his live performances have failed to match what he's capable of on his releases. I love Perpetuum and Excentri, and the Robert Henke Studies for Thunder release is also excellent. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 08 April 2008 11:10 To: '313' Subject: RE: (313) monolake For more recent stuff I like the original of Alaska Melting which Arturo recommended the remix of: http://www.discogs.com/release/1074140 My favourite all time Monolake track was one side of Fragile / Static from 1999: http://www.discogs.com/release/864079 A couple of points on this one: yes I know music is timeless and a good track is a good track etc. but 10 years ago there were less records that sounded like one (and whether or not this makes me weak in the head I therefore found it more exciting). Yes it was from the Basic Channel stable but the side of the record I'm talking about had a great slowed down, deep, icy feel to it. At the time I wasn't sure how intentional that was; by which I mean I enjoyed it most at 33rpm but I wasn't sure if it was meant to be played that way - at 45 it sounded more like previous stuff plus the other side I was fairly sure was 45. However in looking the Discogs number up I notice it's listed there at 33 one side / 45 the other. And he subsequently did more stuff that sounded the same (with no doubts on the speed) so I guess this was intentional by him and no discovery by me! Either way it was a biggy for me at the time. From: Frank Glazer [mailto:[EMAIL PROTECTED] Sent: 07 April 2008 21:31 To: 313 Subject: (313) monolake while i admire the dude's monodeck engineering skillz, i've found that what i've listened to by him has been painfully forgettable. yet, people consistently recommend him, so i'm curious... is there any monolake release that holds up to the relatively high standards we have on this list? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Ellen Allien's New Mix: Opinions?
The fact that minimal techno is currently seen as hip can only be a good thing. More and more people are into labels like Chain Reaction, M-Plant and Basic Channel than ever before. That ultimately will lead them back to the Detroit originators. It takes time, but I know for one that it has transformed the London techno scene. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 04 April 2008 15:41 To: list 313 Subject: Re: (313) Ellen Allien's New Mix: Opinions? The one mix I have by Ellen Allien is Fabric 34 and I listen to it a lot -- both straight through and when individual tracks come up on shuffle. I think it's high time that we stop using minimal as a dirty word. Minimalism in its broadest sense has been a revolution in music, not so much because it has been revolutionary in content, but because it has demanded a new relationship between the music and the listener. The best minimal techno is every bit as dramatic and emotional as any other sort of dance music. The worst is just boring. Worse than that, it's a sort of music that appeals and encourages an audience of people completely off their faces on drugs. Give me something with a little soul and variety anyday! It's also to separate the music from the scene, and to realize that slagging on a music/scene when it blows up is as much a hipster transgression as following that trend. I was amused last summer walking around Brooklyn 'hipster' neighborhood last summer; it seemed like people who, in my shallow evaluation were, in fact, the dreaded hipsters, were modulating their fashion sense and coiffure to avoid the dreaded hipster signifiers. Being hip is too exhausting for me. You'll always be trying to stay ahead of curve, and nothing but eternal vigilance will keep you from staying with something formerly cutting edge, now declasse'. It's like surfing -- you want to be in the curl without the wave crashing over you. I'm content to like what I like and let someone else sort it out. But I digress. Ellen Allien is usually pretty ace in my estimation. If one of her mixes sounded a little flat at first, I'd give it a few listens to sink in before dismissing it. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Ellen Allien's New Mix: Opinions?
Of course it doesn't mean that they will, but I suspect that without this relative explosion of interest in 4/4 dance music that is slightly cerebral and not reliant on euphoric melodies then that vital link to Detroit may have been lost. The popularity of Hawtin and Villalobos in particular has been central to this. The downside I feel is that the idiosyncrasies that makes the music of people like Robert Hood and Omar-S for example so exciting was their relative musical isolation in Detroit. Certainly with more exposure in Europe I think with regard to recent releases from both of these artists in particular I think that this has been watered down slightly. I've seen Hood twice in recent months and have to admit that he's not the force DJ-wise that he was. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 04 April 2008 15:52 To: Toby Frith; kent williams; list 313 Subject: RE: (313) Ellen Allien's New Mix: Opinions? yeah but that doesn't necessarily mean they will like derrick may or kevin saunderson's stuff. i know i don't like most of it, even though i am a die-hard fan of the artists you mentioned, as well as of hip minimahl music fab - Original Message - Da : Toby Frith [EMAIL PROTECTED] A : kent williams [EMAIL PROTECTED], list 313 313@hyperreal.org Oggetto : RE: (313) Ellen Allien's New Mix: Opinions? Data : Fri, 4 Apr 2008 15:44:56 +0100 The fact that minimal techno is currently seen as hip can only be a good thing. More and more people are into labels like Chain Reaction, M-Plant and Basic Channel than ever before. That ultimately will lead them back to the Detroit originators. It takes time, but I know for one that it has transformed the London techno scene. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 04 April 2008 15:41 To: list 313 Subject: Re: (313) Ellen Allien's New Mix: Opinions? The one mix I have by Ellen Allien is Fabric 34 and I listen to it a lot -- both straight through and when individual tracks come up on shuffle. I think it's high time that we stop using minimal as a dirty word. Minimalism in its broadest sense has been a revolution in music, not so much because it has been revolutionary in content, but because it has demanded a new relationship between the music and the listener. The best minimal techno is every bit as dramatic and emotional as any other sort of dance music. The worst is just boring. Worse than that, it's a sort of music that appeals and encourages an audience of people completely off their faces on drugs. Give me something with a little soul and variety anyday! It's also to separate the music from the scene, and to realize that slagging on a music/scene when it blows up is as much a hipster transgression as following that trend. I was amused last summer walking around Brooklyn 'hipster' neighborhood last summer; it seemed like people who, in my shallow evaluation were, in fact, the dreaded hipsters, were modulating their fashion sense and coiffure to avoid the dreaded hipster signifiers. Being hip is too exhausting for me. You'll always be trying to stay ahead of curve, and nothing but eternal vigilance will keep you from staying with something formerly cutting edge, now declasse'. It's like surfing -- you want to be in the curl without the wave crashing over you. I'm content to like what I like and let someone else sort it out. But I digress. Ellen Allien is usually pretty ace in my estimation. If one of her mixes sounded a little flat at first, I'd give it a few listens to sink in before dismissing it. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes
RE: (313) Ellen Allien's New Mix: Opinions?
Resident Advisor's DJ pages are quite interesting. Obviously it's meant to be a hybrid of DJ/Live acts that users vote on as their favourites, but interestingly the top 20 or so make for interesting reading, given that it's meant to be a minimal loving site. http://www.residentadvisor.net/dj-ranks.aspx -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 04 April 2008 16:02 To: Toby Frith; kent williams; list 313 Subject: RE: (313) Ellen Allien's New Mix: Opinions? Im not sure that the people listening to minimal listen to CR, Hood, DBX and so on, its all about the current sound like Craig Richards, Ricardo Villalobos, luciano and these producers...the people who listen to it because its hip don't care where its roots areits only good because its hip. Next week there be into something else... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 04 April 2008 15:45 To: kent williams; list 313 Subject: RE: (313) Ellen Allien's New Mix: Opinions? The fact that minimal techno is currently seen as hip can only be a good thing. More and more people are into labels like Chain Reaction, M-Plant and Basic Channel than ever before. That ultimately will lead them back to the Detroit originators. It takes time, but I know for one that it has transformed the London techno scene. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 04 April 2008 15:41 To: list 313 Subject: Re: (313) Ellen Allien's New Mix: Opinions? The one mix I have by Ellen Allien is Fabric 34 and I listen to it a lot -- both straight through and when individual tracks come up on shuffle. I think it's high time that we stop using minimal as a dirty word. Minimalism in its broadest sense has been a revolution in music, not so much because it has been revolutionary in content, but because it has demanded a new relationship between the music and the listener. The best minimal techno is every bit as dramatic and emotional as any other sort of dance music. The worst is just boring. Worse than that, it's a sort of music that appeals and encourages an audience of people completely off their faces on drugs. Give me something with a little soul and variety anyday! It's also to separate the music from the scene, and to realize that slagging on a music/scene when it blows up is as much a hipster transgression as following that trend. I was amused last summer walking around Brooklyn 'hipster' neighborhood last summer; it seemed like people who, in my shallow evaluation were, in fact, the dreaded hipsters, were modulating their fashion sense and coiffure to avoid the dreaded hipster signifiers. Being hip is too exhausting for me. You'll always be trying to stay ahead of curve, and nothing but eternal vigilance will keep you from staying with something formerly cutting edge, now declasse'. It's like surfing -- you want to be in the curl without the wave crashing over you. I'm content to like what I like and let someone else sort it out. But I digress. Ellen Allien is usually pretty ace in my estimation. If one of her mixes sounded a little flat at first, I'd give it a few listens to sink in before dismissing it. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Hieroglyphic Being - Bathroom Sessions Vol.1 CD
My mistake, it's actually from 2006. It's on bleep.com under Mathematics. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 03 April 2008 10:31 To: Toby Frith Cc: 313 313 Subject: Re: (313) Hieroglyphic Being - Bathroom Sessions Vol.1 CD On 3 Apr 2008, at 10:16, Toby Frith wrote: Great name! - He's just released an exclusive mp3 thing on Warp's site that is really out there. Under what pseudonym is that under Toby? Just had a look and can't find it. At times his music is quite incredible. Yeah, otherworldly. Amazing producer. robin... For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Hieroglyphic Being - Bathroom Sessions Vol.1 CD
Great name! - He's just released an exclusive mp3 thing on Warp's site that is really out there. At times his music is quite incredible. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 03 April 2008 10:14 To: 313 313 Subject: (313) Hieroglyphic Being - Bathroom Sessions Vol.1 CD Anyone heard this? Limited CDRs on Mathematics. When Jamal gets it right I really love his stuff, when he does the harder noisy stuff I lose interested - wondering which side of his sound this shows. robin... For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Convextion @ Fabric
Playing live along with Deepchord at Fabric on Sat 26th April in Room 1. Should be interesting! For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) what's in a name (was:venting/Something Simple, Miami)
Most of the 1st wave of dubstep producers were centred around one shop, Big Apple Records in Croydon. They sold techno, and were closely associated with London techno night Lost, but it was UK garage that sold the most, and that's the big influence. The thought that they're all fans of Basic Channel and Chain Reaction is misguided. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 31 March 2008 09:32 To: Joel Gajewski; 313@hyperreal.org Subject: RE: (313) what's in a name (was:venting/Something Simple, Miami) Serious - a lot of dubstep producers seem to have been raised in quite a hermetic environment with limited influences - it's only now that they've been made aware of other genres and the sound has converged with other genres in some instances - Benga's latest material is very techno Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Joel Gajewski [mailto:[EMAIL PROTECTED] Sent: 28 March 2008 22:17 To: Robert Taylor; 313@hyperreal.org Subject: Re: (313) what's in a name (was:venting/Something Simple, Miami) Are you messing with me or are you serious? I would assume that a guy in the music producing industry would have seen at least one copy of Sheet One or Musik. Just my opinion. I wasn't listening to dance music when Sheet One came out, but I saw it in the stores and thought 'wow, someone used a sheet of blotter as a cd cover. Then, there was the whole arrest of the kid that had the cd in his car when he was pulled over in Arizona. *shrug - Original Message From: Robert Taylor [EMAIL PROTECTED] To: Joel Gajewski [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, March 28, 2008 11:38:54 AM Subject: RE: (313) what's in a name (was:venting/Something Simple, Miami) He was probably telling the truth - why would he have heard of him? He's not exactly famous Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Joel Gajewski [mailto:[EMAIL PROTECTED] Sent: 28 March 2008 16:29 To: 313@hyperreal.org Subject: Re: (313) what's in a name (was:venting/Something Simple, Miami) Plasticman tried to claim that he had never heard of Plastikman in an early interview a few years ago. :rollseyes: Sure, buddy. I'm Plasticman, with a 'C' though. It's different. hahaha BTW, I have a new band that I just started, Ziggy and the Stoojes. What? - Original Message From: Matt Kane's Brain [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: Odeluga, Ken [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, March 28, 2008 10:52:57 AM Subject: Re: (313) what's in a name (was:venting/Something Simple, Miami) On Mar 28, 2008, at 11:45 AM, [EMAIL PROTECTED] wrote: Plastic man vs Plastikman Plasticman changed his name to Plastician. AS1 vs As One I think there is a case for the pronunciation of that as Ay Ess One. -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED] # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 #
RE: (313) Movement Update (Redbull, Myspace and Dieselboy)
Virtually any festival of any note in the last few years has grown in this manner. The first few line-ups are always amazing, and then as it grows, costs escalate and other factors concerning the future viability of the project become prominent, and as such other, more commercial aspects get involved. It's also difficult to try to downscale such a project once it gets to a certain size. I think what Gil says has some pertinence - Miami is the only American electronic music festival of any note and that's got unfortunate associations. At least having something in Detroit is a worthwhile start. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 28 March 2008 14:20 To: Gil Yaker Cc: 313@hyperreal.org Subject: Re: (313) Movement Update (Redbull, Myspace and Dieselboy) Five years? Do the math. There is, at the moment, only a 25% detroit musician presence on the posted list of artists playing With Dieselboy I think it's now dropped slightly below 25%. I'd like to know how you think James Zabiela (a DJ schooled by non other than Sasha of Sasha Digweed fame) and Benny Benassi (who's latest album Rock Rave is out on Ultra records) don't betray the roots of Detroit. Are you ok with this sort of thing? So next year if they have Pete Tong, Paul Van Dyk, and Paul Oakenfold you'd be alright with that - as long as they keep a Detroit stage. Yeah, I suppose if there's a little corner in Detroit where Detroit artists can play :-/ MEK Gil Yaker [EMAIL PROTECTED] wrote on 03/28/2008 07:02:29 AM: I'm sure the Detroit purists won't agree, but if for some reason this festival congeals as the US's (other) large electronic music festival (besides WMC), I don't think it's a bad thing at all. I'm still scarred from the late 80s/90s when there was such strong animosity toward any kind of dance music. So getting Myspace sized visibility and year after year momentum can only be seen by me as a positive, as long as it doesn't completely betray its roots. And If I were to be completely pessimistic and assume that in 5 years whatever the festival evolves into only maintains 25% detroit musical presence, that would still be so insanely out of line with the greater dance/festival culture that I'd call it a success. - Original Message From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, March 27, 2008 8:21:28 PM Subject: (313) Movement Update (Redbull, Myspace and Dieselboy) discuss: Detroit - May 24, 25 and 26th will bring Detroit alive with sounds from Movement 08: Detroit?s Electronic Music Festival in Hart Plaza with the Red Bull Music Academy, MySpace promotion and a higher level of production. Movement 08 also announces discounted tickets on sale now. The Red Bull Music Academy will join Movement 08 by producing a stage that reflects a broad range of musical talent from around the world. The Red Bull Music Academy Stage will replace the Pyramid Stage and include performances by: Newcleus, Egyptian Lover, Shawn Michaels, James Zabiela, Benny Bennassi, The Cool Kids,Girl Talk, DATABASS (featuring Godfather), Justin Kruse, Tech Itch and Dieselboy. Also joining this year as a media partner is the vastly popular, global online social networking site MySpace. Having grown over the previous years to become the largest online social network, MySpace is utilized by many artists and fans to connect and keep in touch with each other, adding an intimate element to the usual marketing channels. MySpace?s interest in working with the Movement Festival validates an already well known fact - Detroit?s Electronic Music Festival is an event that is continuing to grow and attract attention on a worldwide scale. After the last two years of progress and reviews the festival is getting some well deserved attention, notes festival director Jason Huvaere, there will be no question what?s happening in Detroit on Memorial Day weekend. In addition, this year?s event will increase the level of production regarding sound at the main stage and weather structures to protect attendees. Movement 08 will also bring back the underground stage, where Paxahau?s involvement in the festival began. We have taken great measures to bring the production to an even higher level, says Mike Fotias, Movement Production Manager, We understand that attendees come here expecting nothing but the best and we are determined to deliver. also there's this FREEP article http://www.freep.com/apps/pbcs.dll/article?AID=/20080327/ENT04/803270434 MEK Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo. com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential
RE: (313) Movement Update (Redbull, Myspace and Dieselboy)
You're not taking into account the commercial viability of this. In Europe we're lucky because a lot of festivals have considerable funding from various councils and organisations in order to get them to go ahead. The only festival I can think of that that doesn't really run according to commercial foibles is Montreux, and that's been backed from the start by rich philanthropy. Although I've not been, I don't think that is the case in Detroit. It has to be commercially viable in order to succeed in the future. Now, it may be that in say, 5 or 6 years time, the festival may be successful enough nationwide for them to realise their dreams of putting on at least in part the festival that everyone on 313 wants it to be. You may have to be patient for it to happen I'm afraid. They either put on a festival that no-one turns up to and they lose all their money on, or they pocket enough money to be able to do it next year. The fact that Paxahau are doing it I think means that those guys I'm sure will be carrying the flame for Detroit Techno all along, but it'll take time. Landscapes and crowds change - and mindsets have to as well. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 28 March 2008 15:05 To: 313@hyperreal.org Subject: Re: (313) Movement Update (Redbull, Myspace and Dieselboy) On Fri, Mar 28, 2008 at 10:25 AM, Toby Frith [EMAIL PROTECTED] wrote: Virtually any festival of any note in the last few years has grown in this manner. The first few line-ups are always amazing, and then as it grows, costs escalate and other factors concerning the future viability of the project become prominent, and as such other, more commercial aspects get involved. It's also difficult to try to downscale such a project once it gets to a certain size. everybody else is doing it is a good reason to become wack? i dont see what the problem with scaling back in order to not turn this festival into a joke is. tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) The Wire
The Wire is proof that that attention to detail and characterisation over commercially-driven scripts works spectacularly well. What a show! -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 27 March 2008 16:06 To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) The Wire On 27 Mar 2008, at 16:03, Thomas D. Cox, Jr. wrote: On Thu, Mar 27, 2008 at 11:58 AM, Martin Dust [EMAIL PROTECTED] wrote: Sure, I'm on ep 2 and watching only one show a week - old school style. Best TV I've seen in a long time, some of the shots and detail is amazing. oh just wait, it gets much much much better. No spoilers :) I can believe that, I think it's actually better than the Sopranos. m For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) The Wire
Maybe not now, but in the long run it'll be seen for the classic bit of TV that it really is. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 27 March 2008 16:12 To: Toby Frith; Martin Dust; Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: RE: (313) The Wire Not really, it has very low viewing figures - even C4 won't pick it up Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 27 March 2008 16:08 To: Martin Dust; Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: RE: (313) The Wire The Wire is proof that that attention to detail and characterisation over commercially-driven scripts works spectacularly well. What a show! -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 27 March 2008 16:06 To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) The Wire On 27 Mar 2008, at 16:03, Thomas D. Cox, Jr. wrote: On Thu, Mar 27, 2008 at 11:58 AM, Martin Dust [EMAIL PROTECTED] wrote: Sure, I'm on ep 2 and watching only one show a week - old school style. Best TV I've seen in a long time, some of the shots and detail is amazing. oh just wait, it gets much much much better. No spoilers :) I can believe that, I think it's actually better than the Sopranos. m For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 #
(313) Kraftwerk US shows in April
19 Minneapolis, MN - Myth 20 Milwaukee, WI - Eagles Ballroom 23 Denver, CO - The Fillmore 26 Indio, CA - Coachella Music Festival I think we might see something new from Kraftwerk on these shows - they're similar to their mini-tours of 1990 and 2002 when they showcased a new set up on each occasion. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Kraftwerk US shows in April
Kraftwerk have done mini-tours before, when showcasing or testing a new live set up. They usually do 1-3 gigs before 1 larger one, which in this instance is Coachella. Not sure if this does mean a new live performance including set-up and songs, but it's a distinct possibility. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 13 March 2008 15:08 To: 313@hyperreal.org Subject: Re: (313) Kraftwerk US shows in April On Thu, Mar 13, 2008 at 4:58 AM, Toby Frith [EMAIL PROTECTED] wrote: 19 Minneapolis, MN - Myth 20 Milwaukee, WI - Eagles Ballroom 23 Denver, CO - The Fillmore 26 Indio, CA - Coachella Music Festival man, that is weak. my son wants to see Kraftwerk S much, but the closes one to me is Milwaukee and im not driving 10 hours there nor can i afford to fly the whole family for one night. that sucks. we'll just have to wait and hope that they come back next year for a full tour. tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Rex Club 20 years
Yeah, I'd be interested in this, seeing as it's only 2 h away by eurostar. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 12 March 2008 09:47 To: 313 Subject: RE: (313) Rex Club 20 years Benoit When is it? From: Benoît Pueyo [mailto:[EMAIL PROTECTED] Sent: 11 March 2008 21:31 I was in Paris at the 15 years. Exciting moments hearing Mad Mike live, Jeff Mills disco set, or Garnier 12h set. Other good moments for sure but I could not attend all the parties. in may this year will be the 20th anniversary, Ill actually have moved again to Paris by that time. Exciting names already (To be Confirmed) came to my ear, i cant hide them anymore : Jeff Mills all night long, Laurent Garnier all night long, Dave Clarke, Green Velvet, Luciano, Daniel Bell (Live), Miss Kittin, the hacker, Ellen Allien, Dubfire, D'Julz, Manu le malin, John Thomas, Troy Pierce, Damian Lazarus, Magda, Larry heard, Boys Noize, Agoria etc etc... Full line up TBA beginning of april Who will be there ? I wanna meet some 313ers ! For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) demf 2008
Without wanting to be too harsh on the organisers or the spirt of the festival, major headliners at a festival that hopes to attract international punters should be announced at least 3 to 4 months in advance at the earliest. The summer period is ridiculously laden with festivals in Europe, and in most cases people can only afford 1 or 2 at the very most and have to make decisions in Jan or Feb from a financial perspective because hotels, flights and the like go up as demand increases. It's a shame if Detroit has to lose out. -Original Message- From: JT Stewart [mailto:[EMAIL PROTECTED] Sent: 12 March 2008 16:02 To: [EMAIL PROTECTED] Cc: 313 Subject: Re: (313) demf 2008 Excellent points Francis, about the commercial side. Their approach is not geared towards music lovers, and it's a shame in the eyes of people like us. I think they're already putting on all the music they like though and wouldn't consider what they're doing as making concessions. The change in the musical nature of the event was intentional and favorable in their eyes. JT For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 - 18/4 London - I-F, DJ Stingray Kevin Reynolds
BLEEP43 Fri 18th April @ Corsica Studios, Elephant Road, London I-F DJ Stingray Kevin Reynolds (live) Placid (3 hour set) Plant43 (live) Datassette (live) NCW Dask Bleep43 DJs 10 - 6 am £12 Bleep43 welcomes the electronic disco/acid/electro colossus that is I-F for a special exclusive set. Alongside him is Detroit's DJ Stingray and Kevin Reynolds playing in the UK for the first time, the 313 stalwart that is the legendary Placid with a 3 hour set and our usual assortment of local DJs and live acts all in the relaxed surroundings of Corsica Studios, which is arguably London's most laidback venue, complemented by a thumping Funktion 1 sound system over 2 rooms. Tickets are £12 and will be available through WeGotTickets, Paypal (12.50 per ticket to [EMAIL PROTECTED]) and shops nearer the time. www.bleep43.com www.cbs.nu For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Theo Parrish in Adidas AdverT
No doubt at all. For some unfathomable reason I still feel a very faint flicker of being uncomfortable with it though. Everything about it is done to make you feel that it's not an advert in any way whatsoever - and I guess this is just the way things are done nowadays. The artist is happy - his integrity isn't compromised and we get to see a glimpse of his craft and how he does things, the advertiser gets nothing but 5 seconds at the end.and yet! I love Adidas and I love Theo Parrish...It doesn't make sense. -Original Message- From: Todd Sines [mailto:[EMAIL PROTECTED] Sent: 14 February 2008 11:03 To: 313 Cc: Mann, Ravinder; M Ng; Frank Glazer; Cyclone Wehner; Carlos de Brito Subject: Re: (313) Theo Parrish in Adidas AdverT I bet the creators of the advert / film / viral branded content thing knew that this would cause a stir on 313 amongst the heads... and that it would generate buzz and that people would look at it and keep Theo.. and adidas, fresh in their minds. so, they've succeeded. No harm done, right? +odd -- On Feb 14, 2008, at 5:00 AM, Frank Glazer wrote: seriously. i liken this kind of thing (see also red bull music academy) to the financial backing renaissance artists got from wealthy patrons. On Thu, Feb 14, 2008 at 4:56 AM, Mann, Ravinder [EMAIL PROTECTED] wrote: There is more reference to Detroit music than there is to Adidas in the ad. You could even miss the shots of the trainers and not even realise its an advert till the closing image. It's all good. -Original Message- From: M Ng [mailto:[EMAIL PROTECTED] Sent: 14 February 2008 06:33 To: Cyclone Wehner Cc: Carlos de Brito; 313@hyperreal.org Subject: Re: (313) Theo Parrish in Adidas AdverT I agree with Kent. Selling out is about compromising values. I will also add - An artist has to eat - and it's great that they have other means of income other than just make records. Better something cool like an adidas ad, than say flipping burgers or being stuck in an office. Face it, not much $ is being made on making records. I have NFI really about a grammy. if you get nominated, it'd be sweet to get a chance to win one. I'm sure there is a lot of politicking and bias etc going on, but if I were an artist and people appreciated my recordings and nominated me, I wouldn't be complaining. And I dont' think you'd be either. On Feb 13, 2008 9:15 PM, Cyclone Wehner [EMAIL PROTECTED] wrote: This is a good thing. I still don't know about Benny and that Grammy though??? C'mon! Cyclone Wehner Urban/Dance Music Journalist [EMAIL PROTECTED] On 14/02/2008, at 1:12 AM, Carlos de Brito wrote: it is the 4th time this video pops up here ;) btw: i'm still wondering why, but adidas is not the only major company that discovered theo parrish for their marketing activities. in april he will be in germany (with omar-s and robert owens) for a Coke DJ Culture Tour: http://brandbooking.org/? section=tour+%26+dates c* Original-Nachricht Datum: Wed, 13 Feb 2008 12:20:08 - Von: Odeluga, Ken [EMAIL PROTECTED] An: Toby Frith [EMAIL PROTECTED], 313@hyperreal.org Betreff: RE: (313) Theo Parrish in Adidas AdverT We 313ers should all watch it I think. I did post it to the list over a week ago though. Keep up! ;-) -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 13 February 2008 12:13 To: 313@hyperreal.org Subject: (313) Theo Parrish in Adidas AdverT http://www.youtube.com/watch?v=6dydtXJ94CE For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT. To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm -- peace, frank dj mix archive: http://www.deejaycountzero.com
RE: (313) Theo Parrish in Adidas AdverT
Harsh. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 14 February 2008 12:22 To: 313 313 Subject: RE: (313) Theo Parrish in Adidas AdverT If Adidas was music it would be 'funky house'. Not good. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 14 February 2008 12:17 Cc: 313 313 Subject: Re: (313) Theo Parrish in Adidas AdverT it's almost like music Martin Dust schreef: On 14 Feb 2008, at 11:58, Matt Kane's Brain wrote: On Feb 14, 2008, at 6:51 AM, Martin Dust wrote: the only thing they do is the design Well shucks, good thing that's so easy! :) I wasn't suggesting that it (design) was easy, merely pointing out and re-enforcing the point I made about nebulous lifestyle choices and the fact that it's concept and ideas based. m For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) and my next question is......
Although the format is clumsy and frustrating, I like Myspace as well. It's also good if you subscribe to an artist, you get updates on any new music they may put up. It's better for more obscure ambient/iDm/experimental stuff IMHO though. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 13 February 2008 11:06 To: 313 Org Subject: RE: (313) and my next question is.. I'm (almost) as bad as Rob in this respect! :) - but who cares? Just go with what you're comfortable with innit Francis Good luck -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 12 February 2008 18:40 To: Jochem Peteri; 313 Org Subject: RE: (313) and my next question is.. I don't use either of them to find new music - it's far too time-consuming and I'm far too lazy. Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Jochem Peteri [mailto:[EMAIL PROTECTED] Sent: 12 February 2008 18:31 To: 313 Org Subject: Re: (313) and my next question is.. Facebook is way too spammy for my liking, myspace is definately my weapon of choice. But im a band, not a night. ehm. right. myspace. nice and easy : ) On Feb 12, 2008 7:27 PM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: mainly directed at UK 313ers I think as the answer may be different elsewhere but until we go global ( ;-) I guess I'm interested on the situation here on home soil: MySpace vs. Facebook I've been wanting to do a MySpace page for our night for ages as, although we have our own site, it seemed like that was the way many people communicated. I didn't want to start it until I was good and ready as I was afraid I couldn't handle the probable time drain otherwise. In the meantime, in common with many people I've spoken to, I accidentally joined Facebook when I received one of their such-and-such says you're their friend, just click on this link to confirm it or they'll know you didn't and weep for a yearooops you just joined Facebook (sinister laugh) mails. Since then I've been seduced and enjoy being on it, putting photos up, seeing what friends are up to etc (though it takes a good deal of time). But I still thought the right way forward was to have a Facebook page for me and a MySpace page for our night. So recently I joined up under a pseudonym so I could start a group. I then spoke to various friends who I thought were well into it and said give me some pointers on how best to do this thing. To my surprise I received the reply oh MySpace is over now, nobody uses it anymore, just do it on Facebook. This is fine for me if true as I've become confident with Facebook (I'll do us a group there anyway as it's a doddle) where I'm scared of MySpace. My impression was MySpace was still used by creative types (for example I thought a band would still have a MySpace rather than Facebook page) but this lot I asked are well into spending time on these things and I know were big on MySpace but now aren't. What do people think? # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 # For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Theo Parrish in Adidas AdverT
http://www.youtube.com/watch?v=6dydtXJ94CE For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: RE: (313) Theo Parrish in Adidas AdverT
Worrying about selling out and underground legitimacy seems to mostly be the occupation of people who have leisure time paid for by their own selling out to whatever corporation they're working for. whilst wearing Adidas shoes... -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 13 February 2008 15:03 To: 313@hyperreal.org Subject: Re: RE: (313) Theo Parrish in Adidas AdverT Theo is going to get all sorts of love from the 313 list that Richie won't. That's just the way things are. Watching that video doesn't make me think Theo is selling out to Adidas. It makes me think that Theo and a Film-maker got a bunch of money from Adidas to make a short film that gets at the heart of what Detroit dance music is all about. I don't even think you can see Theo's feet in it. Worrying about selling out and underground legitimacy seems to mostly be the occupation of people who have leisure time paid for by their own selling out to whatever corporation they're working for. 'Selling out' or 'Keeping it real' are more mythic attributes that people paste artists with, which makes black in white a world that is almost entirely gray. This is a completely different thing than compromising artistic principles to make money. Who in their right mind would talk about Theo that way? It's like they want their favorite artists not to sell out, because they want to believe there's someone left that hasn't sold out. Fair enough, I suppose, but we all have to make a living somehow. Let him who is without sin cast the first stone. On Feb 13, 2008 8:24 AM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: i'm surprised noone has mentioned anything about selling out, or corporate invasion of underground cultures or something along those lines. i bet there would have been an outrage if it was richie For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 podcast - Detroit Beatdown Special Part 2
http://www.bleep43recordings.com/mixes/Show86.mp3 Part 2 of the Detroit Beatdown Special. You can read Dan's excellent and authorative interview with them below. http://www.djhistory.com/djhistory/featuresDisplay.php?writings_id=101 Part 1 is still here http://www.bleep43recordings.com/mixes/Show85.mp3 For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Detroit Beatdown
4 hours of Mike, Norm and Delano in the mix on the Bleep43 Podcast. http://www.bleep43recordings.com/mixes/Show85.mp3 Part 2 next week. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Detroit Beatdown
Sorry, I should have advised - it's 2 x 2 hours. -Original Message- From: António Alves [mailto:[EMAIL PROTECTED] Sent: 06 February 2008 13:19 To: 313@hyperreal.org Subject: Re: (313) Detroit Beatdown Thanks so much for this! You mean that next week we'll have another 4h part? :D Antonio On Feb 6, 2008, at 1:04 PM, Thomas D. Cox, Jr. wrote: On Feb 6, 2008 7:42 AM, Toby Frith [EMAIL PROTECTED] wrote: 4 hours of Mike, Norm and Delano in the mix on the Bleep43 Podcast. http://www.bleep43recordings.com/mixes/Show85.mp3 Part 2 next week. nice one, DLing now. i love those guys! tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Detroit Beatdown
There's an unreleased collaboration between Amp Fiddler and Eddie Fowlkes on the 2nd part, or at least that's what Norm told me it was. -Original Message- From: António Alves [mailto:[EMAIL PROTECTED] Sent: 06 February 2008 13:19 To: 313@hyperreal.org Subject: Re: (313) Detroit Beatdown Thanks so much for this! You mean that next week we'll have another 4h part? :D Antonio On Feb 6, 2008, at 1:04 PM, Thomas D. Cox, Jr. wrote: On Feb 6, 2008 7:42 AM, Toby Frith [EMAIL PROTECTED] wrote: 4 hours of Mike, Norm and Delano in the mix on the Bleep43 Podcast. http://www.bleep43recordings.com/mixes/Show85.mp3 Part 2 next week. nice one, DLing now. i love those guys! tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Basic Channel on Beatport
Yes, you pay an extra Wav handling fee. -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 06 February 2008 16:01 To: Jacob Arnold; 313@hyperreal.org Subject: Re: (313) Basic Channel on Beatport sorry for perhaps sounding the obvious but is it possible to download wav files from beatport. On 2/6/08, Jacob Arnold [EMAIL PROTECTED] wrote: Speaking of previously vinyl-only labels http://www.beatport.com/label/Basic+Channel I downloaded 2.85 GB of .wav files last night. They sound about the same as my vinyl transfers, though. J -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Fabric 39 - Robert Hood
The thing about Hood is that whilst he continues to play at a speed (150 - 160 bpm) that other techno DJs these days fear to tread water in (even Mills I don't think ever goes past 140), his eq'ing and mixing is virtually perfect and it never feels that punishing. I'd call it glacial if I was trying to be a bit highbrow, as there's an enormous amount of space in it. What's more pertinent I think is that to my own recollection, I very rarely hear other DJs play his records in great abundance any more, perhaps almost as a mark of respect, because his style of techno and his productions are solely his, and his alone. Unfortunately I will say that his choice of records and the style of techno he plays means that on all but the most potent soundsystems much of his DJ aesthestic is lost on a crowd. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 04 February 2008 14:59 To: list 313 Subject: Re: (313) Fabric 39 - Robert Hood Sometimes we don't say things on this list because they're self evident, but let me say it: Rob Hood is one of the most consistently brilliant producers in Detroit Techno, and one of its most distinctive DJs. Rob was the headliner for Iowa's largest (and for the promoters, most financially disastrous) rave, where from all reports he burned the place down. At the time his mom was living here, (in Des Moines, I think), which may have been one of the reasons my friends were able to book him -- free ticket to see Moms! He made some of the seminal records in the minimal style, like Minimal Nation, and though his former partner Jeff Mills is much more famous, it's not because Mills is better; they're as different musically as is possible in a genre like hard techno. Mills has also put more work into marketing and image. I'm not saying this to criticize Mills, just that they have followed different paths. A few years ago I was visiting Nick Wilson in London and he played me a Rob Hood mix (no idea which one) that was jaw-droppingly fierce -- super fast, dark, and minimal, but exciting. Unlike a lot of DJs I've heard who are into minimal techno, Rob's sets are not monochromatic -- they're dynamic, mercurial, and savage. Dynamics, Texture, and Groove are what makes minimal techno come alive -- something that is lacking from the work of the more high profile haircut DJ stars of the genre. I'm glad he'll get the recognition that a Fabric CD will bring. A new generation of club-goers has come up who may not know his work at all. It will be great if they find out what the real deal is with minimal techo -- it's about time! For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) what's in today's bag
The Trusme records are rocking my world at the mo. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 January 2008 09:43 To: robin; 313 313 Subject: Re: (313) what's in today's bag great! i hope you guys continue talking about the new music - i've been out of the loop for some time now. i'm especially curious of this new style berlin techno i've seen mentioned a couple of times f. - Original Message - Da : robin [EMAIL PROTECTED] A : 313 313 313@hyperreal.org Oggetto : Re: (313) what's in today's bag Data : Fri, 18 Jan 2008 09:37:47 + On 18 Jan 2008, at 09:23, [EMAIL PROTECTED] wrote: mine was my shopping bag :-) Me too. I love hearing what people have picked up recently. There's tonnes of new, good, music coming out these days. robin... For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) what's in today's bag
I'll be up in Manchester in Feb for Feb 15 - Jamal Moss DJ set Feb 16 - Sequence with Surgeon, Robert Hood, Redshape, Andy Stott and Rob Hall. I've heard the Sequence do is at a new venue. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 18 January 2008 10:23 To: 313 313 Subject: Re: (313) what's in today's bag The Trusme records are rocking my world at the mo. Trusme's hot right now (go Manchester!). He has Juan Atkins on at the Roadhouse in Manchester at the end of this month (along with himself). Juan if you're reading this. Please turn up... :) robin... For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Glasgow
Arguably just behind Berlin and Detroit as one of the techno cities of the world. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 18 January 2008 11:07 To: [EMAIL PROTECTED] Cc: 313 Org Subject: Re: (313) Glasgow Glasgow is a great place for Techno, you've got Monox, Pressure and loads of nights going off at the Sub-Club and they are all on the same block. Hit Rub A Dub record store for some flyers and this place just off Argyle Street for the best kebabs in the world: http://www.flickr.com/photos/dustscience/461259344/in/set-72157600081722735/ m On 18 Jan 2008, at 10:18, theREALmxyzptlk wrote: Asking for a friend: What/where is there anything club-wise to encounter in Glasgow? Thanks! jeff For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Glasgow
different kind of rain though. SE asia rain is relentless, but it's usually warm outside, so it's not such an issue. I bet it never drizzles in SE Asia. ever. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 January 2008 12:03 To: robin; 313 Org Subject: Re: (313) Glasgow i dont want to oneup all you brits, but you don't know rain til you've lived in SE Asia! ;) and trust me, i know British weather! - Original Message - Da : robin [EMAIL PROTECTED] A : 313 Org 313@hyperreal.org Oggetto : Re: (313) Glasgow Data : Fri, 18 Jan 2008 11:25:37 + Meh, you don't know rain until you've lived in Manchester! :) robin... On 18 Jan 2008, at 11:20, Odeluga, Ken wrote: 24/7, I heard. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 January 2008 11:17 To: 313 Org Subject: Re: (313) Glasgow i've heard it always rains overthere For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) C2 at Carnegie Hall, well sort of
yeah of course, and at that time particular time, I feel that it was very much Old World vs New World. -Original Message- From: JT Stewart [mailto:[EMAIL PROTECTED] Sent: 11 January 2008 15:44 To: robin Cc: 313 313 Subject: Re: (313) C2 at Carnegie Hall, well sort of essentially i agree, although i don't think it had anything to do with technology in particular, but the modernization of culture and communication..which was partially the result of technology, but also just the direction of popular taste and social/cultural identity etc... i spent wayyy too much time reading that stuff in college... but a lot of it seems to be the writings of a man desparately trying to cling onto something that was fast disappearing whilst technology washed over him like a huge wave. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) C2 at Carnegie Hall, well sort of
Adorno is pretty hardcore - some of what he writes, with regard to the synthesis of the spirit of music into a commercial product, does hit home I feel, but a lot of it seems to be the writings of a man desparately trying to cling onto something that was fast disappearing whilst technology washed over him like a huge wave. He was writing at a time when many of the great composers of the early 20th century had just passed away or were coming to the end of their lives, and of course the likes of Schoenberg were beginning to make their mark with Serialism, so you can sense his despair, but his perspective just seems, if not dated, just out of place given the state of modern music and its relationship with technology. -Original Message- From: JT Stewart [mailto:[EMAIL PROTECTED] Sent: 11 January 2008 15:31 To: [EMAIL PROTECTED] Cc: Martin Dust; 313 313 Subject: Re: (313) C2 at Carnegie Hall, well sort of sorry, i was a media production major and had to study him extensively... his views on music are considered a bit fascist (although he himself ran from the nazi's), he had an absolute hatred for anything that was not high-culture, which of course included the whole of black culture. here's the relevant bit from his wikipedia page In 1936, the Zeitschrift featured one of Adorno's most controversial texts, On Jazz (Über Jazz). It should be noted that jazz was frequently used to refer to all popular music at the time of Adorno's writing. This article was less an engagement with this style of music than a first polemic against the blooming entertainment and culture industry. Adorno believed the culture industry was a system by which society was controlled though a top-down creation of standardized culture that intensified the commodification of artistic expression. Extensive correspondence with Horkheimer, who was then living in exile in the United States, led to an offer of employment in America. on the surface, you can even slightly agree with it, but his views are absolutely uncompromising, absolutely anti-social, and biased towards his own supposed elite experience with high-brow classical music and academia. On Jan 11, 2008 10:22 AM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: i don't. all i know about adorno is that i studied his text books in highschool history of art class i guess wikipedia is my friend though - Original Message - Da : Martin Dust [EMAIL PROTECTED] A : 313 313 313@hyperreal.org Oggetto : Re: (313) C2 at Carnegie Hall, well sort of Data : Fri, 11 Jan 2008 15:16:35 + On 11 Jan 2008, at 15:06, JT Stewart wrote: adorno and horkheimer published most of their stuff in the 40's. Got ya... m For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) C2 at Carnegie Hall, well sort of
Well that's been around for years with Wendy Carlos et al if we're talking about electronic music in general. It's a difficult one to call because there are examples, like Carlos or Tomita, where they've reinterpreted pieces with style and subtlety. Funnily enough, some of the truly worst examples have come from Klaus Schulze, who went down a trance/classical route in the 90's and the results are nothing less than horrific, which is surprising given the quality of his material in the 70's. I feel personally that a lot of it is just down to technology more than anything else, and our fascination with it. When options become available, then I feel that it is natural that one explores old genres and reinterprets it. The earliest forms of electronic music, apart from the truly avant-garde, did almost at once, start to recreate old popular classical music, because I guess it was the first time that it could be done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 11 January 2008 16:05 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org; JT Stewart Subject: Re: (313) C2 at Carnegie Hall, well sort of Most of the discussion (and displeasure) seems to be about techno music transposed for a classical orchestra. What about going the other direction? I can't think of specific examples at the moment but I know there are classical pieces that have been interpreted by electronic/techno artists using the tools of their trade. Is this still perceived an attempt to validate electronic music? MEK [EMAIL PROTECTED] wrote on 01/11/2008 09:48:53 AM: i don't see it as cross-pollination, but rather classical dudes playing contemporary music, possibly to get in touch with the younger masses, to show that you can be hip even for a classical dude, or something along those lines... anyway, i will check this new C2 stuff out and (like george michael said) will listen without prejudice have a nice weekend, i'm flying off to frankfurt for party. ciao f. - Original Message - Da : JT Stewart [EMAIL PROTECTED] A : [EMAIL PROTECTED] [EMAIL PROTECTED] Cc: 313@hyperreal.org Oggetto : Re: (313) C2 at Carnegie Hall, well sort of Data : Fri, 11 Jan 2008 10:35:26 -0500 i was referring to a techno-classical crossover, and not cross-pollination in general. and that would have been quite foolish since techno is not a pure genre in anycase. eh? if you recognize cross-pollination is good, then why not a techno-classical crossover? i'm sorry but i dont get the last paragraph quoted above though. what do you mean by dance music/black music vs classical? jazz was the result of black dance music crossed with essentially classical instrumentation. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) C2 at Carnegie Hall, well sort of
I enjoyed the Blue Potential. It carried an air of ridiculousness that accompanies anything highbrow Mills does - the idea of an orchestra playing some of his harder records was faintly surreal, and there is something a bit daft in the idea that classical musicians interpreting techno music sort of validates it which I often feel is the hidden agenda behind these sorts of exercises, because ultimately classical music and orchestras are seen as the high end of the spectrum, whilst some guy pressing buttons on a drab grey box is seen as the opposite end. Funnily enough, The Bells was the most enjoyable interpretation alongside The March. re : C2 - I'd agree with JT - I think it'd be definitely more interesting and more importantly, dynamic. -Original Message- From: JT Stewart [mailto:[EMAIL PROTECTED] Sent: 10 January 2008 04:49 To: Frank Glazer Cc: /0; 313@hyperreal.org Subject: Re: (313) C2 at Carnegie Hall, well sort of not exactly a twist was it? :P i think c2 translated to orchestra would be tremendous. the string arrangements would translate easily, and imagining the simple basslines and rhythmic melodic bits played by viola and french horn or whatever, hot dang. i never heard jeff mills' orchestra experiment, but i imagine carl's being more striking obviously carl already has respectable experience with live music and adventurous instrumentation with detroit experiment but besides, classical music and techno music are a great match, they're both played by machines (excepting yo yo ma, who is definitely an animal) On Jan 9, 2008 11:16 PM, Frank Glazer [EMAIL PROTECTED] wrote: i think you missed my point, but i'm also beginning to think you're just a troll. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) let's make a year end list!
nights out - Stinki and Gus coming over to London. Good work chaps. -Original Message- From: JT Stewart [mailto:[EMAIL PROTECTED] Sent: 18 December 2007 14:42 To: Tristan Watkins Cc: 313@hyperreal.org Subject: Re: (313) let's make a year end list! 3. v/a - acido #5 (Acido) I didn't know there was a 5th Acido! - it just came out http://hardwax.com/55701/ dreesen's track optimo (misspelled on hardwax) is really really fresh imo...a hybrid in-between berlin minimal, theo parrish, and chicago On Dec 18, 2007 4:56 AM, jurren baars [EMAIL PROTECTED] wrote: 17. bass invadurrz - invasion (frequeNC) is that out yet? the site http://www.frequenc.net seems to be down at the moment so i can not check/order. they need to update their dang site. it's out, but uh they have no distribution, and it is not available at any stores. clone is interested but it's unclear whether they will actually pick any up. all the frequeNC's are hand silk-screened and manufactured in the usa, which makes the price a bit intimidating for shops/distribs For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) let's make a year end list!
To be fair, I've not heard many 313-related releases that have really struck a chord. There has been a lot of material that I suspect will reap rewards on listening in a few years, but nothing that made me froth at the gills. I'm not in the habit of making lists anymore, but the following struck a chord Panda Bear - Person Pitch Stars of the Lid - ...and their refinement of the decline Alva Noto - Haliod Xerox Vol 1 Heinrich Dressel - Mons Testaceum ERP - Vox Automaton Plant43 - Grey Sky Cracks EP The Throbbing Gristle LP Dopplereffekt - Calabi Yau Space NWAQ - Dead Bears some new Amp Fiddler/Eddie Fowlkes track that Norm Talley played at Fabric last month. Smith n Hack - Falling Star the Unity Kolabo (sp) double pack by Jus Ed on UQ. Gladio - Hadrians Wall EP A couple of the Redshape EPs...bang on it for me - v.good abstract techno. and lots more that I've no doubt forgotten already. It was a good year! -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 18 December 2007 14:51 To: Toby Frith; JT Stewart; Tristan Watkins Cc: 313@hyperreal.org Subject: RE: (313) let's make a year end list! Fair enough, how about some music releases you enjoyed too! :) -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 18 December 2007 14:50 To: JT Stewart; Tristan Watkins Cc: 313@hyperreal.org Subject: RE: (313) let's make a year end list! nights out - Stinki and Gus coming over to London. Good work chaps. -Original Message- From: JT Stewart [mailto:[EMAIL PROTECTED] Sent: 18 December 2007 14:42 To: Tristan Watkins Cc: 313@hyperreal.org Subject: Re: (313) let's make a year end list! 3. v/a - acido #5 (Acido) I didn't know there was a 5th Acido! - it just came out http://hardwax.com/55701/ dreesen's track optimo (misspelled on hardwax) is really really fresh imo...a hybrid in-between berlin minimal, theo parrish, and chicago On Dec 18, 2007 4:56 AM, jurren baars [EMAIL PROTECTED] wrote: 17. bass invadurrz - invasion (frequeNC) is that out yet? the site http://www.frequenc.net seems to be down at the moment so i can not check/order. they need to update their dang site. it's out, but uh they have no distribution, and it is not available at any stores. clone is interested but it's unclear whether they will actually pick any up. all the frequeNC's are hand silk-screened and manufactured in the usa, which makes the price a bit intimidating for shops/distribs For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 podcast - Rick Wilhite
Rick Wilhite recorded live @ To the Bone last month in London. http://www.bleep43recordings.com/mixes/Show80.mp3 No tracklisting I'm afraid, but some very sweet tracks on there. The 1st part of the set will be on the next To The Bone podcast I believe. Many thanks to Rik, Dave and Charlie for making it happen. www.tothebone.co.uk www.bleep43recordings.com For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Electro vs Electro
How do you define Pop? I would say that Daft Punk's overt manipulation of image and how they present both their music and themselves is up in the higher echelons of pop music alongside Kraftwerk, Sparks et al. In fact it's rumoured that they have taken the latter's robot persona to another level - in that they don't actually play at their own gigs. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 03 December 2007 16:17 To: 313@hyperreal.org Subject: Re: (313) Electro vs Electro On Dec 3, 2007 11:11 AM, [EMAIL PROTECTED] wrote: Homework is less pop than their subsequent albums. Imo Daft Punk as pop as Chemical Brothers, Moby, Prodigy, etc. are pop their last album was very techno, it sucked, but it wasnt really pop at all. its funny that one more time is a pop song, yet romanthony has so many other tracks that arent. that album also had Todd Edwards and DJ Sneak on it! so one album out of 3 had overt pop tendencies, and even those were well within the realm of house and techno music. i may not like their albums aside from homework, but i still dont think they are a pop group. tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
Probably via a USB connector? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 14:27 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Sounds useful - how does it do the line in? Presumably an adapter cable with a 3.5mm jack line socket to proprietary connector on the phone? From: /0 [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 13:28 believe it or not, I use my cellphone, which is a walkman branded sony ericsson. records in wav or mp3 with mic or line in. hotswappable 4gb m2 cards. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
I think I looked into installing Rockbox once, but it got messy as I have a Mac. I'll have a look again on misticriver. -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:42 To: Odeluga, Ken Cc: Toby Frith; Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Toby... Are you using Rockbox? That should address those problems. I use Rockbox on my iRiver exclusively. It is far better - especially for recording. And yes, Ken, it can record wavs (amongst other things). I keep think about buying a fancy new slim mp3 player, but I have yet to find anything as good as my sturdy iRiver. Plus, it is large and heavy enough to be used in hand to hand combat :) N Hang on, did someone say it records wavs post the upgrade? Interesting ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) NWAQ LP
The new NWAQ LP is stunning - one of the best I've heard this year. Great work as always from Jochem. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 podcast
This week's show features a guest mix by NYC's Brad Rhodes and some new bits from Jus-Ed and Sorcerer.. http://www.bleep43recordings.com/mixes/Show76.mp3 Sorcerer - Egyptian Sunset Chromatics - In The City Fairmont - Calm before the Storm BRAD RHODES MIX Logic System - Into Moskwa TV - Submarine Code 61 - Drop the Deal Soma Holiday - Shake Your Molecules Rational Youth - Le Meilleur Des Mondes Pete Shelley - Witness the Change Koto - Chinese Revenge Heaven 17 - Let Me Go! Cabaret Voltaire- Sensoria Dominatrix - The Dominatrix Sleeps Tonight New Order - Thieves Like Us John Carpenter - The End (Disco Version) Smokey Robinson - And I Don't Love You (Larry Levan Dub) Section 25 - Looking From a Hilltop Alexander Robotnick - Problemes D'Amour Yello- No More Words Europe - Unisexappeal International Music System - Dancing Therapy Japan - Life in Tokyo Klein MBO - Dirty Talk Gino Soccio - Remember DJ Qu - Repozitioned Soul Soulomon - The Unknown Jus-Ed - Project 38 Larry Heard - Balance Gemini - New Style Of Paul Johnson - The Music in Me Theo Parrish - Solitary Flight For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT -- something actually new, I think
Burial got a lot of exposure because he produced an album. Individual tracks on EPs here and there by artists already mentioned will never get the same amount of impact, especially on places like Pitchfork or even the Wire which still get excited by the old format. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 08 November 2007 15:58 To: list 313 Subject: Re: (313) OT -- something actually new, I think Interesting to watch a discussion like this blow up. I see everyone's points in the whole matter. I think I would react differently if I'd grown up in the UK and heard more of the good and the bad, and been exposed to the culture surrounding various genres, I'd hear the music differently. The context in the US is different. Unless you spend a lot of time watching the UK scene, you only hear what bubbles to the top of the pile. What I find interesting is how many Indie rock types in the US picked up on Burial. Probably looks like poor misguided Yanks getting it wrong again to people in the UK. OTOH to us, it looks like you drive on the wrong side of the road and add an extra syllable to aluminum to sound posh. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) votes
So does Corsica Studios -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 14:35 To: Alan Heneghan; Thomas D. Cox, Jr.; 313@hyperreal.org Subject: RE: (313) votes http://www.funktion-one.com/FF6000.htm Al check the link, funktion 1 started re making them. The Panarama Bar in Berlin has one I think -Original Message- From: Alan Heneghan [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 14:18 To: Paul Kendrick; Thomas D. Cox, Jr.; 313@hyperreal.org Subject: Re: (313) votes I own a AH 62 and really like the sound of it, but find it a bit cramped sometimes, but superb at home. I'm also a big fan of the Formula Sound PM80 (a mixer that has been out of production for over 10 years, very popular with sound engineers) and Ecler SCLAT100. Both, 19 rack mounted, super clean signal path, no effects, tank like workhorses. Played on an original UREI at a club once, but as mentioned, the lack of EQ was daft. So out of the choices given, 62. Alan Heneghan From: Paul Kendrick [EMAIL PROTECTED] Date: Wed, 24 Oct 2007 13:17:12 +0100 To: Thomas D. Cox, Jr. [EMAIL PROTECTED], 313@hyperreal.org Conversation: (313) votes Subject: RE: (313) votes I agree with Tom on this every mixer has unnecessary features and lots are badly laid out, gains on the back is just silly. I am still to find the perfect mixer.. Im currently using this, vestax PMC-CX http://www.vestax.com/v/products/mixers/pmc-cx.html Not the best, EQ could be better and the filters are pointless I don't think mixers should have FX like this. It just annoys me when you hear people using them all the time to cover there bad mixing.if you want FX buy a separate unit -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 12:58 To: 313@hyperreal.org Subject: Re: (313) votes On 10/24/07, Alan Heneghan [EMAIL PROTECTED] wrote: Gains on the back are to stop IDIOT DJs turning them up and destroying sound systems. so people who play 70's LP cuts next to 00's 12 cuts have to pay the price for morons? wrong answer. that mixer with the gains on the back is the biggest pile of sh*t ive ever used in my entire life. that said, i dont like any of the popular mixers. ive played on ahs, vestaxes, numarks, eclers, ranes, etc. not one of them has ever made me feel like i needed to go out and buy one. that said, ive never messed with a classic rotary mixer either, but they dont have built in EQs which is also stupid. the people who make and design mixers are just plain old bad at what they do in my opinion. there's always too much crap on there you dont need. tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) votes
I dunno, Tristan's the person to speak to on that. -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 14:39 To: Toby Frith; Alan Heneghan; Thomas D. Cox, Jr.; 313@hyperreal.org Subject: RE: (313) votes Really!! Whats it like to play on?? Are the Eqs any good and are the FXs on pointless?? -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 14:33 To: Paul Kendrick; Alan Heneghan; Thomas D. Cox, Jr.; 313@hyperreal.org Subject: RE: (313) votes So does Corsica Studios -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 14:35 To: Alan Heneghan; Thomas D. Cox, Jr.; 313@hyperreal.org Subject: RE: (313) votes http://www.funktion-one.com/FF6000.htm Al check the link, funktion 1 started re making them. The Panarama Bar in Berlin has one I think -Original Message- From: Alan Heneghan [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 14:18 To: Paul Kendrick; Thomas D. Cox, Jr.; 313@hyperreal.org Subject: Re: (313) votes I own a AH 62 and really like the sound of it, but find it a bit cramped sometimes, but superb at home. I'm also a big fan of the Formula Sound PM80 (a mixer that has been out of production for over 10 years, very popular with sound engineers) and Ecler SCLAT100. Both, 19 rack mounted, super clean signal path, no effects, tank like workhorses. Played on an original UREI at a club once, but as mentioned, the lack of EQ was daft. So out of the choices given, 62. Alan Heneghan From: Paul Kendrick [EMAIL PROTECTED] Date: Wed, 24 Oct 2007 13:17:12 +0100 To: Thomas D. Cox, Jr. [EMAIL PROTECTED], 313@hyperreal.org Conversation: (313) votes Subject: RE: (313) votes I agree with Tom on this every mixer has unnecessary features and lots are badly laid out, gains on the back is just silly. I am still to find the perfect mixer.. Im currently using this, vestax PMC-CX http://www.vestax.com/v/products/mixers/pmc-cx.html Not the best, EQ could be better and the filters are pointless I don't think mixers should have FX like this. It just annoys me when you hear people using them all the time to cover there bad mixing.if you want FX buy a separate unit -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 24 October 2007 12:58 To: 313@hyperreal.org Subject: Re: (313) votes On 10/24/07, Alan Heneghan [EMAIL PROTECTED] wrote: Gains on the back are to stop IDIOT DJs turning them up and destroying sound systems. so people who play 70's LP cuts next to 00's 12 cuts have to pay the price for morons? wrong answer. that mixer with the gains on the back is the biggest pile of sh*t ive ever used in my entire life. that said, i dont like any of the popular mixers. ive played on ahs, vestaxes, numarks, eclers, ranes, etc. not one of them has ever made me feel like i needed to go out and buy one. that said, ive never messed with a classic rotary mixer either, but they dont have built in EQs which is also stupid. the people who make and design mixers are just plain old bad at what they do in my opinion. there's always too much crap on there you dont need. tom For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Re: Dubstep Geneology
Emile and I used to shop at Big Apple in Croydon, and it's interesting seeing all the little whippersnappers who populated the shop in the days when you could buy a Chain Reaction record in there (the shop changed hands a few years ago) now being big names in this genre, such as Benga and Hatcha (real name Terry). Arthur Smith, who recorded as Grain, is one of the key influences in this techno element. His Red EP is still my favourite record... http://www.discogs.com/release/82528 -Original Message- From: Emile Facey [mailto:[EMAIL PROTECTED] Sent: 10 October 2007 12:15 To: Robert Taylor Cc: Mann, Ravinder; Martin Dust; 313 List Subject: Re: (313) Re: Dubstep Geneology From a grandads (not sure if I count at only 35) point of view, the Dubstep sound kind of passed me by because I couldn't hear a massive amount of originality in there. Don't get me wrong, I like some of it a lot but it got hyped up as 'the new sound' a few years ago. Kind of reminds me of getting into drum and bass when it started and thinking it was a totally original sound, nowadays I still love the early DB but I realise how massively influenced it was by Detroit techno. Still, it's nice to know that some of the local youth (I live in Croydon) are indoors making tracks instead of out muggin' old ladies ;) E On 10 Oct 2007, at 12:01, Robert Taylor wrote: Tony Thorpe's making dubstep now Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 10 October 2007 11:48 To: Martin Dust Cc: 313 List Subject: RE: (313) Re: Dubstep Geneology Haha big up all Granddads in the House . . Id be interested in any old timers take on Dubstep production, how far back would the influences go ? Would they include Detriot strings ? Would they include 80's northern bass ? i.e. waiting for Pauls material to drop, any clues Martin ? Rav -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 10 October 2007 11:22 To: Mann, Ravinder Cc: 313 List Subject: Re: (313) Re: Dubstep Geneology On 10 Oct 2007, at 11:11, Mann, Ravinder wrote: Seen lots of discussions about the Dubstep to UK garage/2 step link. But I always link Dubstep with Sheffields bleep'n'bass from the late 80's and the 90's Berlin dub sound. But then again im 41 not 21 : ) True enough Rav, but you'll get the thousand yard stare if you mention it, granddad :) The biggest influence of Dubstep is EL-B, he produced some of the darkest UK garage for a long time. m To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm ## ### Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 ## ### For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Any Detroit classics mixes out there?
I'm looking for any online mixes which are essentially composed strictly of classic Detroit tracks. Any help would be greatly appreciated. Cheers, Toby For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) moebius documentary
It's not Ralf Hutter I believe, it's Karl Bartos. -Original Message- From: pauley [mailto:[EMAIL PROTECTED] Sent: 29 September 2007 14:58 To: 313@hyperreal.org Subject: (313) moebius documentary Howdy. I saw a Moebius doco (2006) a few days ago, soundtrack by Ralf Hutter. Pretty amazing stuff. Does anyone know if it: s released, can be bouvght etc? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 - Fri 21/9 w/ Surgeon, Legowelt, NWAQ and more.
Gentle reminder for any London-based 313'ers next week. We're all looking forward to this one a lot. Bleep43 5th Birthday Friday 21st September @ Corsica Studios, Elephant Road, London SURGEON LEGOWELT (live) NEWWORLDAQUARIUM JONNY MCINTOSH PLANT43 (live) JO JOHNSON (live) BLEEP43 DJs 10 - 6 am £12 tickets available from Phonica, SOTU, Vinyl Junkies, paypal via [EMAIL PROTECTED] or at WGT http://www.wegottickets.com/event/19882 Facebook link http://www.facebook.com/event.php?eid=17554878936 http://www.bleep43.com For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) RE: [SPAM] - Re: (313) A few words about A Guy Called Gerald... - Email found in subject
sacrilege I expect, but I never saw the fuss about Voodoo Ray. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 04 September 2007 15:21 To: 313 313 Subject: [SPAM] - Re: (313) A few words about A Guy Called Gerald... - Email found in subject I'm not debating that. I'm saying he lost me as I'm not a huge fan of DB. I really love his earlier work with house/techno. robin... On 4 Sep 2007, at 14:11, Martin Dust wrote: Really, Black Secret Technology is a true blueprint if ask me. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 ---Surgeon/Legowelt/NWAQ + more
Heads up for London-based 313'ers..been 5 years since our first sojourn down at Public Life. Looking forward to hearing Jochem spin, ex-313er Jonny McIntosh returns, a live debut from Jo Johnson and Plant43 celebrates the imminent release of his next 12 on Ai. BLEEP43 5th BIRTHDAY FRI 21st SEPTEMBER @ CORSICA STUDIOS, LONDON SURGEON LEGOWELT (live) NEWWORLDAQUARIUM JONNY MCINTOSH PLANT43 (live) JO JOHNSON (live) BLEEP43 DJs 10 - 6AM Adv tickets from http://www.wegottickets.com/event/19882, paypal also accepted. Tickets also in SOTU, Rough Trade, Vinyl Junkies, Phonica from August Bank Holiday Weekend. http://www.bleep43.com http://www.dj-surgeon.com http://www.legowelt.com http://www.nwaq.com http://www.plant43.com http://www.airecords.com http://www.corsicastudios.com
(313) Juan @ Spacebase
Really enjoyed this. Started off with Convextion, and whilst he played some obvious bits (Moroder, Strings of Life etc) he held my attention for a good 90 minutes before I succumbed. I like his charisma on the decks as well - he's always looking at the crowd. He's not the best DJ in terms of technique, but he always plays solid material.
RE: (313) Round One - I'm Your Brother (Quadrant Dub II) (9:42)
One of Dance Music finest treasures... -Original Message- From: Wojtek [mailto:[EMAIL PROTECTED] Sent: 04 July 2007 09:38 To: [EMAIL PROTECTED] Cc: 313 Subject: Re: (313) Round One - I'm Your Brother (Quadrant Dub II) (9:42) It's the same as side A on this: http://www.discogs.com/release/2166 On 7/4/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: track #3 http://www.discogs.com/release/581 was it ever released on vinyl? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Justice (Into Model 500/Convextion)
ooohhh! -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 02 July 2007 14:42 To: kent williams Cc: list 313 Subject: RE: (313) Justice (Into Model 500/Convextion) Phew! OK, to get things somewhat back on topic, and as people mentioned M500 used in a commercial ... Was reading on another forum that Starlight by Model 500 (co-produced by Mortiz von Oswald) has been remixed by Convextion and a special package of the original and the new mix are due to be released on echospace [detroit]. Ken -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 02 July 2007 14:24 To: Odeluga, Ken Cc: list 313 Subject: Re: (313) Justice No. On 7/2/07, Odeluga, Ken [EMAIL PROTECTED] wrote: I am giving myself an award today. Because until a couple of weeks ago when some floodgate opened in the heavens on to Great Britain, and in the virtual world into 313, I'd never heard of Justice, Ed Banger, and Spank Rock etc. (DJ Funk of course is somewhat more well-established.) Two weeks later I still have not heard of these people, nor any of their music and by the look of the discussion about it, I think I'm grateful! But am I gob-smackingly out of touch? K For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 podcast
This week features new bits by Luke Vibert plus a mix with some classic Detroit by the mysterious 21st Century Global Slumlord. http://www.bleep43recordings.com/mixes/Show62.mp3 Tracklisting Man Parrish - Heatstroke Change - The End Herman Schwartz - Replicant's Suffering Unique 3 - The Theme (Autechre Remix) The Ace of Clubs - Whorcan Gary Numan - Cars Bjork - Verterbrae by Verterbrae Cluster - Zum Wohl Pliiant - The Night the World made sense Stephan Mathieu Janek Schaefer - Fugue Robert Hampson Steven Hess - Part Two 21st Century Global Slumlord mix Stewart Walker - Classic Science Fiction http://www.discogs.com/release/34297 Regis - Asbestos (Sleeparchive Remix) http://www.discogs.com/release/508018 Joyrex - Italic Eyeball http://www.discogs.com/release/4700 Vainqueur - Solanus (Original) http://www.discogs.com/release/25926 Thomas Brinkmann - Susi 1 http://www.discogs.com/release/21369 Red Planet - Stardancer http://www.discogs.com/release/12482 Jake Mandell - Brocolli Crisis http://www.discogs.com/release/122617 Stewart Walker - Dim Turbulent Mornings http://www.discogs.com/release/5410 CoH - Path #3 (Dynamo Baby Bore Me Numb) http://www.discogs.com/release/714111 Surgeon - Remnants Of What Once Was http://www.discogs.com/release/14104 Oscar Mulero - CV Is Dead http://www.discogs.com/release/43520 Anders Ilar - A Day Ago http://www.discogs.com/release/819063 Marcell Dettmann - Radio Drum http://www.discogs.com/release/753032 Jeff Mills - Eclipse http://www.discogs.com/release/141 Black Dog - Vir2l http://www.discogs.com/release/35668 Bleep - Cycle 92 http://www.discogs.com/release/636531 Proteus Speaks, Inseminates http://www.imdb.com/title/tt0075931/ Iannis Xenakis - Voyage Absolu Des Unari Vers Adromede http://www.discogs.com/release/219347 Black Boat Band - ? For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Bleep43 podcast
This week includes some Detroit electro at the start Show 60 http://www.bleep43recordings.com/mixes/Show60.mp3 Dopplereffekt - Hyperelliptic Surfaces - http://www.discogs.com/release/989815 Urban Tribe - EEG - http://www.discogs.com/release/938293 Sonar Base - Welcome to Sonar Base 4 - http://www.discogs.com/release/978483 Thomas Fehlmann - Little Big Horn (Liegend) http://www.discogs.com/release/978929 Touane - Potato Nose http://www.discogs.com/release/966483 Elliott Dodge - Angels http://www.discogs.com/release/659032 XDB - Descap (live) http://www.discogs.com/release/924645 Convextion - Miranda (Echocord remix) http://www.discogs.com/release/846984 DJ Jus-Ed - 43 Ambeant March http://www.discogs.com/release/641957 Von Sudenfed - Flooded Kathy Diamond - Between The Lines http://www.discogs.com/release/958826 Andy Stott - Unknown Exception http://www.discogs.com/release/972816 Pan Sonic - Lähetys - http://www.discogs.com/release/965576 Elegi- TIme Lapse http://www.discogs.com/release/954508 Senking - Pathogenic Agent http://www.discogs.com/release/935355 Porn Sword Tobacco - Do the Astrowaltz - http://www.discogs.com/release/955069 September Collective - Light Writing http://www.discogs.com/artist/September+Collective Colleen - Blue Sands http://www.discogs.com/release/977413 Proem - When Things Fall Apart - http://www.discogs.com/release/963810 Damiak - Tall Hat Greeting http://www.discogs.com/artist/Damiak SubtractiveLAD - Petal http://www.discogs.com/release/623596 Bola - W.I.K http://www.discogs.com/release/1923 Masaru Satoh - Yojimbo OST http://www.discogs.com/release/864113 http://www.bleep43recordings.com Bleep43 5th Birthday - Fri 21/9 @ Corsica Studios, London with Surgeon, Legowelt and Newworldaquarium. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
(313) Calabi Yau Space
The new Dopplereffekt LP is out on Rephlex and it's more abstraction from Mr Donald. I'm really enjoying this phase from him - you're not quite sure what to expect with each release, and he's drifting further and further away from beat-driven tracks. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) black devil disco club provenance
Surely the LP title gives it away? It's 28 years after the first one, which was in 1978 I believe. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 07 June 2007 08:54 To: list 313 Subject: (313) black devil disco club provenance Having just had a several hour Ableton Live warping party -- including several old Salsoul classics, which I'm sure are hell to beatmatch on vinyl -- I've come to a conclusion about the Black Devil Disco Club '28 After' album: All the tracks are of recent vintage. Why? The tempo is rock solid all the way through. A computer was involved, or at a minimum, the drummer was playing to a very steady click. I'm not sure a drummer was actually used for the tracks at all, based on the regularity of the beats. I don't know which is more impressive -- a drummer that can play for 6 minutes rock steady down to the millesecond, or how carefully they faked a live drummer. Or, for that matter, how organically the live and machine drumming is put together, if both are used. In other words, it's a tremendously well done fake of the sound of 1982, done recently, which incidentally is some of my favorite Italo. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) black devil disco club provenance
Aaargh, Fennesz Mike Patton Nurse with Wound today? What am I doing here at work in London... -Original Message- From: KiDD*e [mailto:[EMAIL PROTECTED] Sent: 07 June 2007 10:19 To: Three-One-Three Subject: Re: (313) black devil disco club provenance Talking about Black Devil Disco Club, Bernard Fèvre will be playing this Staturday afternoon followed by Daniele Baldelli. Free, outside on the grass, La Villette, Paris. http://www.d-i-r-t-y.com/ http://www.villettesonique.com/spip.php?page=programme http://www.villettesonique.com/spip.php?page=artisteid_article=78 http://www.villettesonique.com/spip.php?page=artisteid_article=79 - Original Message - From: Toby Frith [EMAIL PROTECTED] To: kent williams [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, June 07, 2007 9:58 AM Subject: RE: (313) black devil disco club provenance Surely the LP title gives it away? It's 28 years after the first one, which was in 1978 I believe. -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 07 June 2007 08:54 To: list 313 Subject: (313) black devil disco club provenance Having just had a several hour Ableton Live warping party -- including several old Salsoul classics, which I'm sure are hell to beatmatch on vinyl -- I've come to a conclusion about the Black Devil Disco Club '28 After' album: All the tracks are of recent vintage. Why? The tempo is rock solid all the way through. A computer was involved, or at a minimum, the drummer was playing to a very steady click. I'm not sure a drummer was actually used for the tracks at all, based on the regularity of the beats. I don't know which is more impressive -- a drummer that can play for 6 minutes rock steady down to the millesecond, or how carefully they faked a live drummer. Or, for that matter, how organically the live and machine drumming is put together, if both are used. In other words, it's a tremendously well done fake of the sound of 1982, done recently, which incidentally is some of my favorite Italo. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Shake
there's a superb Juan Atkins @ Metroplex, Detroit, 1998 that I'd love to get a tracklist for. It's got some amazing tracks on it. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 06 June 2007 09:59 To: Robert Taylor Cc: 313@hyperreal.org Subject: Re: (313) Shake Fair point. You're right :) http://mixesdb.com robin... Robert Taylor wrote: The source site of that mix is well worth checking out - there's hundreds of mixes! For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) Jeff Mills Article in the Metro Times
yeah, really enjoyed that - thanks for sharing. -Original Message- From: John Sokolowski [mailto:[EMAIL PROTECTED] Sent: 24 May 2007 15:29 To: 313@hyperreal.org Subject: (313) Jeff Mills Article in the Metro Times http://www.metrotimes.com/editorial/story.asp?id=10535 Very good atricle. I love it when the Metro Times goes deep! _ More photos, more messages, more storage-get 2GB with Windows Live Hotmail. http://imagine-windowslive.com/hotmail/?locale=en-usocid=TXT_TAGHM_migration_HM_mini_2G_0507 For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) ncw mix for to the bone
Check his v.amusing podcast as well http://www.learningfunnel.com -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 15 May 2007 14:38 To: 313@hyperreal.org Subject: (313) ncw mix for to the bone my man nick wilson just dropped a new ableton mix, he does these things the way they should be done! http://www.tothebone.co.uk/NCW_TTB.mp3 Noam Chomsky - Propaganda and Control of the Public Mind Matmos - For Felix eLph - Red Scratch Coil - Theme From Blue 1 Aphex Twin - The Snow Answers Come In Dreams (Coil Mix) Blake Baxter - Ghost Patrick Cowley - Megatron Man Henrik Rylander - Destroyer Nick Wilson - Vault Rhythm Sound - Mash Down Babylon Ghislain Poirier - Ailleurs Animal - Oil Come All Ye Faithful Beaks - Aventure Mathes - Tapes The Threshold House Boys Choir - So Young It Knows No Maturing Sendex - Evidence Ruck Edits - I Can Do It Jock Hattle - Yes No Family Track Ghost - Amethyst Deicide - I Am No-one Talking Heads - Pull Up The Roots Kate Bush - How To Be Invisible Wu Tang Clan - Tears Math Nerds - Tauntology The Smiths - How Soon Is Now? This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) RIP Cybernetic Broadcasting System.
Totally. The CBS is a shining light on the internet. Gutted. -Original Message- From: Patrick Wacher [mailto:[EMAIL PROTECTED] Sent: 03 May 2007 05:45 To: list 313 Subject: (313) RIP Cybernetic Broadcasting System. I'm devastated... http://www.cbs.nu/forum/viewtopic.php?id=17775 --- Southern Outpost Sydney - San Francisco - Berlin http://www.southernoutpost.com ---
RE: (313) RIP Cybernetic Broadcasting System.
I think that does the CBS a disservice, just saying that it played bad European dance music. I've heard some amazing records on there, not just Italo or Synth, but electro, techno and some more unusual experimental material. And it was a lot of fun. -Original Message- From: pauley [mailto:[EMAIL PROTECTED] Sent: 04 May 2007 04:37 To: Toby Frith; 313@hyperreal.org Subject: RE: (313) RIP Cybernetic Broadcasting System. Uh well...once you've got the mp3's of the last 20 years (cream of...of course)of bad european dance music then it's time to move on...and all (old)school is only as relevant as it's relevant...saying that I'm just buzzing out to roxy music:for your pleasure 'in every dream a heartache'...WOW!!! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 03, 2007 1:17 AM To: Patrick Wacher; list 313 Subject: RE: (313) RIP Cybernetic Broadcasting System. Totally. The CBS is a shining light on the internet. Gutted. -Original Message- From: Patrick Wacher [mailto:[EMAIL PROTECTED] Sent: 03 May 2007 05:45 To: list 313 Subject: (313) RIP Cybernetic Broadcasting System. I'm devastated... http://www.cbs.nu/forum/viewtopic.php?id=17775 --- Southern Outpost Sydney - San Francisco - Berlin http://www.southernoutpost.com --- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.467 / Virus Database: 269.6.2/785 - Release Date: 5/2/2007 2:16 PM No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.467 / Virus Database: 269.6.2/785 - Release Date: 5/2/2007 2:16 PM
RE: (313) London- Outlet present Substance- live an Marco Passarani
Looking forward to this. Passarani's one of the few techno DJs left who knows how to inject fun onto the dancefloor. -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 02 May 2007 13:21 To: 313 Subject: (313) London- Outlet present Substance- live an Marco Passarani The Outlet Collective present... For the first time ever on one of mankind's favourite planets, the debut performance of: SUBSTANCE - LIVE (ChainReaction / ScionVersions / Hardwax - Berlin) With very special guest DJ MARCO PASSARANI (Pigna / Nature / Peacefrog - Rome) Alongside Jamie Steere The Outlet DJ Crew Saturday 2nd June 2007. 10pm - 5am. @ 483 Hackney Road, London, E2 9ED (w/Funktion 1 sound). Admission: £8 adv. via [EMAIL PROTECTED] or 07967 332 964 / £10 on the door Anyone fancy a read? SUBSTANCE - Exclusive debut LIVE performance Instrumental in the development of the sound of the legendary Basic Channel off-shoot, Chain Reaction, Pete Kuschnereit's recordings as Substance have in turn helped shape Berlin's rich heritage in modern electronic music; a heritage which more than 10 years on is resonating throughout today's musical landscape stronger than ever before. Despite being an in-demand DJ and remixer, continuing to man the counter at Berlin's Hardwax record store and promoters and party goers worldwide still clambering for a taste of the live Scion experience, Pete along with Scion partner Vainquer (a.k.a. Rene Lowe) recently found time to resurrect their production partnership. Launching a new label, Scion Versions, both new and archive material from the Chain Reaction vaults are planned and things have kicked off in typically fine style thanks to the first two releases, 'Surface/Immersion' and the current 'Reverberation/Reverberate'. During the course of 2006 Substance also dropped what we believe to be some of the finest remixes of recent years in the form of his 2 contrasting reworks of Monolake's 'Alaska'. In his various guises, Pete is no stranger to OC parties and, having previously both DJ'ed and performed the 'Arrange And Process Basic Channel' project as part of Scion, by now he knows what makes you all tick and knowing Pete he'll take pleasure in incorporating this knowledge into his battleplan. MARCO PASSARANI With a career spanning 2 decades, producer, remixer, DJ, label distribution company boss (Nature Pigna and Final Frontier respectively), Marco Passarani is truly worthy of his worldwide reputation for being THE pivotal presence within the Italian techno/electronica scene. His studio legacy, which covers the breadth of the techno and electronica spectrum, boasts a list of productions that is stronger and longer than some of that bog-roll that gets caught up 'round one of those insufferably cute puppies! Marco's work has graced a stellar array of labels including Rephlex, Skam, Clone, Generator, Hymen and an album deal with stalwart UK imprint, Peacefrog which has so far brought us the rather fantastic 'Sullen Look' LP and the promise of more material to come. In the meantime, with his ongoing Analogue Finger Prints project and as part of Pigna People, Marco has be turning out 1st class dancefloor material fusing the influence of Detroit techno, electro-funk and the time-honoured sound of Italian disco to extremely potent effect - Most recently delivering an ass-shakingly good Pigna People remix for Bounce's 12 on Glasgow imprint, Wireblock/PointOne. Marco was recently overheard light-heartedly describing his Djing as the pursuit of sweat... But in all seriousness, add to that aching feet and a contented grin and previous experience tells us that's exactly what those congregated will be left with come dawn... Man gonna make you dance! JAMIE STEERE An excellent DJ in his own right, long term friend of the OC-fold, Jamie will no doubt be dropping an immaculate selection of sounds inspired by Chicago, Berlin Detroit along with anything else he decides to treat us to. Having first collaborated with Jamie some 7 years ago, OC thoroughly look forward to his long overdue return and advise ya'll to arrive early so ya don't miss out... Lastly AND, in this case, 'leastly', The Outlet DJ Crew will kick things of with the usual spiked cocktail of techno, house, disco and whatever else they can get away with spinning... Wouldn't be the same without ya's! www.scion.de www.djpete.de www.basicchannel.com www.finalfrontier.it www.myspace/passarani www.outletcollective.org
RE: (313) Most Cherished 313 Vinyl.
UR038 - Codebreaker Just because. -Original Message- From: Lee Herrington [mailto:[EMAIL PROTECTED] Sent: 27 April 2007 16:59 To: 313@hyperreal.org Subject: (313) Most Cherished 313 Vinyl. It's Friday, and I'm curious. What would you cats consider your most prized piece of 313-related vinyl? For me, if you'd care to know, it would have to be Dan Curtin's Silicon Dawn LP. I remember someone from DEEP records turning me on to that release, and from there I just started eating up anything with a similar sound. Discuss. Cheers, lrh
RE: (313) OT - another Richie clone
Perfected by Italo-disco legends My Mine.. http://www.youtube.com/watch?v=PMBvnPX3BK4 -Original Message- From: theREALmxyzptlk [mailto:[EMAIL PROTECTED] Sent: 26 April 2007 12:50 To: Martin Dust; 313 Org Subject: Re: (313) OT - another Richie clone Ah - the old 'extended devil-lock'. Quite the rage back then and Mr. Oakey might have even been a bit late on the bus with that one. What needs to be appreciated is how much of a PITA it is having to deal with it in your eyes/face all of the time (and it was part of the look to have it hanging over one eye). Somewhere in my closet is a skeleton from around 1980 with shaved temples, a devil-lock and a 'tail' (I was a teenage - well, 20-something - punk-clubber). 6-7 years later, people thought it was cute to extend the 'tail' fashion to children. Looks like the extended devil-lock may have been in some kind of dormant-viral stage, waiting to erupt upon what was probably the generation of children with tails. Fashion can be brutal. j The both nicked it off Phil Oakey to start with anyway ;) http://www.ex-rental.com/blindyouth/NMELeague002.jpg - OK list, I don't who this guy is (and pls, don't tell me), but if copying someone else's music style isn't enough crap, what can you say about someone who also copies his hairstyle http://www.rraurl.com/cena/texto.php?id=3564
(313) Bleep43 podcast
Plant43 live and Jamie Steere this week http://www.bleep43recordings.com/mixes/Show54.mp3 Plant43 live recorded at Bleep43 9.3.07 Jamie Steere tracklisting Owltro Gemini - The Voice Inside My Head (Classic) Andy Stott - Merciless (Modern Love) 2000 One - Get Down (Intacto) DWA - DWA (Recognition) Mike Dunn Presents MDIII - Set Me Free (Clone Classic Cuts) STAX - Straight Nasty (Classic) DJ Sneak - Show Me the Way (Henry Street) Digital Mystikz - Anti-War Dub (DMZ) Ratio - Motorcity Revisited (Daniel Bell Mix) (Central) Modeselektor - Silikon (Siriusmo Remix) (BPitch) TronikHouse - Up Tempo (KMS) Dan Curtin - Worktime (Tuning Spork) Wolf 'N' Flow - I'm Feelin Moody (Moody Recordings) DJ Assassin - A Face Amongst the Crowd (Cross Section) Junction SM - Ma Mere L'Oye (Kalk Pets) W.B. - Nativetonguetwisterhood (WB) Alter Ego - Lycra (Wishmountain Tight Fitting Lycra Mix 2) (Klang) Move D - Hood (City Centre Offices) http://www.bleep43recordings.com
RE: (313) Âme Fiori =RiR remixed!
Zoolookogie in 1984 is great. Essentially JMJ was utterly rinsed back in the day, as he was literally everywhere. If he hadn't been so big, he'd be considered a bit of a legend. Arpegiator is a magnificent record. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 19 April 2007 09:29 To: 313@Hyperreal.Org Subject: RE: (313) Âme Fiori =RiR remixed! I guess that's just one of those questions that I could try to answer all day with lots of reasoned argument but at the end of the day it's a subjective thing of just liking the music. As much as I like it though I must admit he never topped his debut Oxygene (I think it was his debut?) - it was pretty much downhill all the way from day one! Nevertheless check out Oxygene pt.2. To me it just shouts ELECTRONIC! FUTURE!. Made in 1976. Maybe it doesn't shout that to today's kids, maybe it sounds normal. But he did it back then. And then again it can't be that old hat when I hear that Ame track and instantly think of him and people are saying that's hot. -Original Message- From: David Powers [mailto:[EMAIL PROTECTED] All the JMJ I ever heard sounded cheesy to me, but maybe I missed something that wasn't. Why is he considered so good by some? ~David
(313) Bleep43 podcast - this week Prosumer
This week's show is by Panorama Bar resident Prosumer, so expect quality house recorded live at To The Bone on 31/3/07 @ 54. http://www.bleep43recordings.com/mixes/Show53.mp3 No tracklisting sadly...
RE: FW: (313) $tinkworx and Convextion Surgeon
We were very spoilt! The soundsystem was a joy to behold, especially when it seems that for so long the only venues in London with something approaching a system of any worth were out of the reach of underground party promoters, especially those wanting to put on techno or electro. It's worth adding that I went to T-Bar to see Sleeparchive the night before, which also has a Funktion 1 rig. It sounded awful. Many thanks to all on 313 who came down and supported us. My memories of the night are something of a blur, and I was DJing whilst JT was on so it was a shame to miss him, but Gerard and Tony made up for that in spectacular style. I don't think there's a better techno DJ than Surgeon right now. I guess I would say that, given that he just played for us, but he has a balance of the right kind of records that techno is about. He avoids the tribal generic looped nonsense that nearly ruined techno, and manages to give an overview of the roots of the genre without resorting to yawn-inducing classics like other DJs like Mills or May or making it some sort of nostalgic retrospective. There's proper NYC electro, Detroit, Chicago, Warp, UK techno, rave and whilst it's all mixed incredibly smoothly due to Ableton, he's essentially using the format of the DJ of the future in the manner that it's meant to be used. Techno is still a futuristic concept in music, and he's grasped that fully. I think the fact that he's fully soaked up the industrial/experimental heritage of UK acts such as Throbbing Gristle, Coil and Autechre is a vital aspect too. When someone like him does it so well, someone playing on decks just seems a little redundant, although please note that I'm not criticising that format. The important thing to note is that he just sounds better than anyone else. He obviously applies some studio magic to all the tracks he plays with, and it just literally sounds immense. I've not heard anyone sound so rich since, er Kraftwerk. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 12 March 2007 10:57 To: robin; [EMAIL PROTECTED]; Toby Frith Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: FW: (313) $tinkworx and Convextion Not wishing to rub it in, merely to point out...that the sound for the London gig was probably the best many people may hear for this kind of music ever: we had a fairly newly-installed Funktion One rig for a start. But to top it all, the engineers who designed and installed it about 3 months ago, came down on Friday night. They spent 2 hours tweaking it at the beginning of the evening (we saw them 'sweeping the freqs with some sort software aid) and then they hung around till the end to make sure things stayed sweet. We were spoilt in fact. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 12 March 2007 10:11 To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: FW: (313) $tinkworx and Convextion Yeah I thought the PA, though big enough, lacked a little balance and control in parts of the room. I should get some cheap earplugs just in case. I was just amazed that someone in Manchester had got a decent PA in for a gig! robin... Nik Stoltzman wrote: Mixing good artists with bad PAs makes me sad. Like eating fillet steak and eating it well-done with ketchup. I hear what you are saying about ear damage... I have started wearing earplugs regularly now. Only some cheapo ones, but they still make a hell of a difference. I am seriously considering buying some custom-moulded ones because for a couple of hundred quid it is definitely worth it. Some clubs I have been to actually have little earplug-dispenser machines... how thoughtful :) Strange, I thought the one thing that spoiled the gig a small amount generally but Convextion's set particularly was the PA. For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders
(313) Bleep43 Podcast
This week's podcast includes a mix by Jackmaster and to start with, NCW's set from Friday. http://www.bleep43recordings.com/mixes/Show49.mp3 Nick's insane tracklisting is below. Beaks - Solvent Version Metallica - Orion (Excerpt) Alice Coltrane - Om Supreme (Excerpt) Detroit Grand Pubahs - Dr Bootygrabber ESG - Moody Like A Tim - Tough Luck Patrick Cowley - Mind Warp Drexciya - Lost Vessel Kraftwerk - Spacelab Depeche Mode - World In My Eyes Arpanet - Wireframe Images Autechre - V Proc Beaks - Fibrilous Fun Fun - Happy Station Tears For Fears - Mad World Beaks - Faceless Vulture Liaisons Dangereuses - Peu T'etre Pas? Chris and Cosey - Walking In Heaven Daniel Wang - Warped Gescom - Tangle Mathew Jonson - Marionette (Live Edit) Big Black - Stinking Drunk Regis - Death Head Said Hiroaki Iizuka - Spiral Suicide - Ghost Riders Frankie Knuckles - Baby Wants to Ride Pixies - Is She Weird? Nick Wilson - Cascade Earth - Seven Angels Laserdance- Fear Haas / Baartel - Neger Brauchen Keine Electronik Yoav B - Organ Satta Ceephax Acid Crew - The Snake Block (Ice Rink Emotions) Aphex Twin - Blur Autechre - Piezzo For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) $tinkworx and Convextion
glad to hear JT killed it. He's not had much luck on the tour and was quite ill earlier this week. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 09 March 2007 11:03 To: 313 Subject: (313) $tinkworx and Convextion Saw these two last night in Manchester. I don't have time for a full-on report but I'll just say that they were both absolutely blinding. Mr. $tinkworx stuff these days is just rediculously good. I'd say he's somewhere in-between 313 and 312 in flavour (less melodic than some of his vinyl output) and just had us all smiling at the turns in the music and the way he builds stuff. As I say, stupidly good. Convextion was brilliant in a different way, faster more electro based with that control of echo and delay that needs a decent PA to do it justice (which thankfully they had). It was quite a 'techno' crowd and they were loving it. Bottom line: If these guys are coming to somewhere near you, go. robin... For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Your favorite CD only compilations/mixes
I really like this mix CD.. http://www.discogs.com/release/130582 -Original Message- From: Aidan O'Doherty [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 08:58 To: Dan Bean Cc: Matt Kane's Brain; 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Your favorite CD only compilations/mixes http://www.discogs.com/release/32144 the claude young mix is great. On 08/03/07, Dan Bean [EMAIL PROTECTED] wrote: On 7 Mar 2007, at 20:02, Matt Kane's Brain wrote: 1.) Not this listy, but my favorite is Coldcut vs. DJ Food vs. DJ Krush's 2 CD set Cold Krush Cuts Seconded, the Krush mix CD on that is awesome! For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Omar-S in London Saturday AKA the stupidest weekend here in ages
Sleeparchive tonight at the T-Bar in Shoreditch as well. -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 10:29 To: 313 Subject: (313) Omar-S in London Saturday AKA the stupidest weekend here in ages After the ridiculously exciting Bleep party tomorrow the fun continues here: Shrunken Head Saturday 10 March Bar 54 - 54 Commercial Street, London, E1 10pm-6am £10 before midnight/£12 after Guest DJ: Omar-S (FXHE/Detroit) - 4 Hour Set Resident DJs: Stuart Patterson and Roual Galloway it's probably worth mentioning that Omar-S is on at midnight and that the club will reach capacity pretty early. Alternately Andy Vaz and Geoff White are playing at Run's Background Records party. And there's Guerilla Lime Soda @ Cafe 1001 on Sunday with Marco Shuttle, Nick Craddock and others if you fancy a three-dayer. 8) Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Your favorite CD only compilations/mixes
The X-mix Saunderson and Garnier ones stand the test of time too. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 10:36 To: Toby Frith; Aidan O'Doherty; Dan Bean Cc: Matt Kane's Brain; 313@hyperreal.org; [EMAIL PROTECTED] Subject: RE: (313) Your favorite CD only compilations/mixes This might suit where you're at at the moment Michael: http://www.discogs.com/release/204823 I still like it, although it's dating fast. Also, I think you'll love this: he had Hardy in his head that day... errmm, don't read that the wrong way. http://www.discogs.com/release/709692 And if you (or anyone else) didn't buy this yet, you should: http://www.discogs.com/release/637836 It is our electronic world on a plate! Ken -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 09:50 To: Aidan O'Doherty; Dan Bean Cc: Matt Kane's Brain; 313@hyperreal.org; [EMAIL PROTECTED] Subject: RE: (313) Your favorite CD only compilations/mixes I really like this mix CD.. http://www.discogs.com/release/130582 -Original Message- From: Aidan O'Doherty [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 08:58 To: Dan Bean Cc: Matt Kane's Brain; 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Your favorite CD only compilations/mixes http://www.discogs.com/release/32144 the claude young mix is great. On 08/03/07, Dan Bean [EMAIL PROTECTED] wrote: On 7 Mar 2007, at 20:02, Matt Kane's Brain wrote: 1.) Not this listy, but my favorite is Coldcut vs. DJ Food vs. DJ Krush's 2 CD set Cold Krush Cuts Seconded, the Krush mix CD on that is awesome! For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Your favorite CD only compilations/mixes
it is taken from the Newhart record. Both his BDM mixes were superb. -Original Message- From: Ben Thompson [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 12:49 To: 313 Subject: Re: (313) Your favorite CD only compilations/mixes No idea. Good research needed for that one. Dan Bell has used the name well though:) On 8/3/07 12:44 pm, theREALmxyzptlk [EMAIL PROTECTED] wrote: In the same series was Dan Bell's fine The Button Down Mind of Daniel Bell. I think he copped that name from an old Bob Newheart comedy record, right? jeff [EMAIL PROTECTED] wrote: -Original Message- From: David Beattie [mailto:[EMAIL PROTECTED] Sent: 08 March 2007 09:53 Herbert - We All Make Mistakes What a great CD that is (ac-shually Letsallmakemistakes?). Glitch before glitch became hackneyed. And although it's been done to death since I don't think it's been bettered. When I first heard it around 99 (not sure when it came out but it was round then) I just thought (living in a rural area where I didn't get to go to big clubs much and when I did tended to go for something more on the straight 313 tip) wow imagine if I was in a club hearing this..I'd go completely nuts. Maybe that's what I'll be doing at Convextion tonight :-) For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
(313) bleep43 Friday March 9th
Unsubtle reminder for any London and SE 313'ers of our first party at Corsica Studios with Surgeon and Convextion a week today. For more info see http://www.bleep43.com Tickets, which are selling fast, are available to purchase via paypal at £12.50 or can be obtained from the following London record stores Sounds of the Universe Phonica Vinyl Junkies Rough Trade (Covent Garden) Cheers Toby For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Berlin Happenings (3/15-3/21)?
http://www.de-bug.de/events/result.phtml?artist=stadt=club=von=2007-03-16bis=2007-03-17i=0 -Original Message- From: John Sokolowski [mailto:[EMAIL PROTECTED] Sent: 02 March 2007 15:44 To: 313@hyperreal.org Subject: (313) Berlin Happenings (3/15-3/21)? My homie from work will be in Berlin from March 15-21 and he was wondering if anything worthwhile is going on music wise? I'm sure he'd be up for anything, 313, house, minimal/maximal, whatever. Any help would be greatly appreciated. Danke! _ With tax season right around the corner, make sure to follow these few simple tips. http://articles.moneycentral.msn.com/Taxes/PreparationTips/PreparationTips.aspx?icid=HMFebtagline For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
(313) Convextion @ Berghain
I met up with Gerard and JT at Berlin's Berghain on Saturday. A fine set from Gerard, composed mostly of material he played last year for us, but with a couple of new tracks at the end. I think to be honest the cerebral nature of his music was lost on some of the crowd. He perhaps might have been better upstairs in Panorama Bar, but still, hearing his material on that rig was a pleasure. Don Williams was on beforehand, but I thought he just churned out a few Detroit classics. Marcel Dettman was phenomenal - the right kind of Relief-era Chicago for 5 hours on a punishing system hit the spot. Thankfully the boring minimal in Panorama Bar was offset by Ame, who were a real pleasure, smooth, textured house that was perfect. A great night! For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Convextion @ Berghain
Gerard 4 - 5 Marcel 5 - 10 -Original Message- From: Nick Hardie [mailto:[EMAIL PROTECTED] Sent: 27 February 2007 13:37 To: Toby Frith Cc: 313@hyperreal.org Subject: Re: (313) Convextion @ Berghain What times did Marcel and Gerard play at? On 27/02/07, Toby Frith [EMAIL PROTECTED] wrote: I met up with Gerard and JT at Berlin's Berghain on Saturday. A fine set from Gerard, composed mostly of material he played last year for us, but with a couple of new tracks at the end. I think to be honest the cerebral nature of his music was lost on some of the crowd. He perhaps might have been better upstairs in Panorama Bar, but still, hearing his material on that rig was a pleasure. Don Williams was on beforehand, but I thought he just churned out a few Detroit classics. Marcel Dettman was phenomenal - the right kind of Relief-era Chicago for 5 hours on a punishing system hit the spot. Thankfully the boring minimal in Panorama Bar was offset by Ame, who were a real pleasure, smooth, textured house that was perfect. A great night! For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Convextion @ Berghain
When you get to Berghain you'll realise why 5 hours of that stuff makes sense! -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 27 February 2007 15:01 To: 313@hyperreal.org Subject: Re: (313) Convextion @ Berghain On 2/27/07, Toby Frith [EMAIL PROTECTED] wrote: Marcel Dettman was phenomenal - the right kind of Relief-era Chicago for 5 hours on a punishing system hit the spot. 5 hours of that kind of thing seems slightly excessive, but its interesting that that is the kind of stuff he would play. it seems that old chicago house is coming back, that silly Berlin issue of XLR8R had all these berlin deejays talking about their most cherished records, a bunch of them were prescription or relief type stuff. tom For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) Cobblestone Jazz live
I'm not sure if the Mutek archives are still up, but there was an hour long set by them from 2003 on there. -Original Message- From: Carlos de Brito [mailto:[EMAIL PROTECTED] Sent: 15 February 2007 09:59 To: 313@hyperreal.org Subject: Re: (313) Cobblestone Jazz live d*mn, missed it. now there's only last night's show available. hmmm, maybe anyone recorded it? or downloaded it somewhere? please... [note to self: must re-install slsk for this purposes. f!] c* Original-Nachricht Datum: Wed, 14 Feb 2007 21:48:52 + Von: paul mouser [EMAIL PROTECTED] An: [EMAIL PROTECTED] CC: 313@hyperreal.org Betreff: (313) Cobblestone Jazz live cobblestone jazz live; not sure if you have seen this, havn't listed to it yet http://www.bbc.co.uk/radio1/gillespeterson/ On 13/02/07, Nik Stoltzman [EMAIL PROTECTED] wrote: OK, maybe I have been sleeping on this for a long time... Someone played me a track by Cobblestone Jazz that blew me away. I hate having to compare music, but if I had to, I'd align what I heard somewhere in between Metro Area and St Germain, but it is definitely doing it's own thing. I was surprised to hear that Mathew Jonson is one of the producers. I was never that impressed with his minimal stuff on M_nus but I am glad to hear he has a more 'maximal' side. Has anyone got any recommendations on releases or similar material? N -- Feel free - 5 GB Mailbox, 50 FreeSMS/Monat ... Jetzt GMX ProMail testen: www.gmx.net/de/go/mailfooter/promail-out For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
RE: (313) mad mike interview link
This line I thought was the most pertinent in the whole interview. We need our city and manufacturing leaders to travel overseas and to realize what Mass Transit means to a city. We don`t have it and we have land locked communities, with land locked thoughts and values. There is no interaction unless you have the luxury of a car which a lot of people can`t afford. The situation is grey. -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: 13 February 2007 00:18 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) mad mike interview link Thanks for posting that, I found it very moving. On 12 Feb 2007, at 17:38, [EMAIL PROTECTED] wrote: don't know if it was posted before for all UR chobo's around http://www.de-bug.de/texte/4639.html For all the latest news and comment visit telegraph.co.uk, the UK's most visited quality newspaper website. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information.
