Re: 313 music in the oddest of places.

[Mister Jones]

Don't forget Streets of Rage 3! That whole soundtrack sounds like UR,
Mills, and The Advent sat in the studio and tried to see who could "out
hard" one another.

https://www.youtube.com/watch?v=t9fNkGMuwS4

On Sat, Dec 16, 2017 at 9:43 PM, Brian Prince <balis...@bprince.com> wrote:

> Yo Logic7, good to hear from you again.
>
>
>
> Nice find! Yeah, a lot of the Japanese game composers in the early 90’s
> were listening to records from Detroit and Chicago. Another great example
> is the Streets of Rage 2 soundtrack from 1992 by Yuzo Kishiro:
>
>
>
> https://youtu.be/_62PVfghXtc
>
>
>
> (I dubbed the whole soundtrack from that game to tape so I could listen to
> it on my Walkman on the school bus)
>
>
>
> Hearing that stuff when I was 12 and 13 primed me for the Tresor
> compilations I started picking up when I was 14 and 15.
>
>
>
> ---
>
> Brian Prince
>
> brianprince.bandcamp.com
>
> bprince.com
>
>
>
>
>
> Sent from Mail <https://go.microsoft.com/fwlink/?LinkId=550986> for
> Windows 10
>
>
>
> *From: *Mister Jones <misterjones...@gmail.com>
> *Sent: *Friday, December 15, 2017 11:22 PM
> *To: *313@hyperreal.org
> *Subject: *313 music in the oddest of places.
>
>
>
> Hey y'all... it's the member formerly known as Logic7
>
>
> I've been on an old video game kick, particularly old vertical shooters
> like Twin Cobra, Raiden, and the many bullet hell shooters from companies
> like Cave. While getting my fix I ran across a game called Battle Garegga
> by Raizing/Eighting. I'm playing for the first time a couple of nights ago
> in all of it's early bullet hell goodness when I get through the first
> level. The second level starts and the music changes and a melody of of
> stab chords starts playing... And I recognize it almost immediately. I
> played for less than a minute more and had to figure this out 'cause it
> sounded like a direct rip of something I've heard before. I paused MAME and
> hit Youtube for old Mills and UR, and I find the track: Jupiter Jazz by
> Underground Resistance.
>
> https://www.youtube.com/watch?v=xQv3dCkY2Tk
>
> More Google-fu turns up the music from Battle Garegga; a double-CD
> composed by Manabu Namiki, released last December. Among the track listing
> was the name of the track for the second level of the game: Underwater
> Rampart (an obvious nod to UR)
>
> https://www.youtube.com/watch?v=rYbINBnYeFA
>
> ^^^ That's the original version from the arcade game. The game wold be
> released for the Sega Saturn with a re-recorded version with different
> instruments instead of the Yamaha YM2151 4-op, 8 part FM chip used in the
> arcade game's system board (as well as the Yamaha DX100). With the
> composer's name, I ran across an interview with him where he states this:
>
> http://squareenixmusic.com/features/interviews/manabunamiki.shtml
>
> "... I held a great admiration for techno music, and I had a good deal of
> respect for the Detroit techno artists in particular: Derrick May,
> Underground Resistance, and Carl Craig. The main programmer of *Battle
> Garegga* was also a fan of their music. Inspired by their music, I almost
> felt that I had something of a mission to take that energy and breathe life
> into the game's music.
>
> *Battle Garegga* used FM synth and ADPCM synth for its hardware. This
> equipment was obsolete compared to the standards of other arcade games in
> 1995, so I needed to make full use of it to design the sound for this
> radical new shooting game. I made use of all the skill I had accumulated
> with this hardware at NMK, and I also studied Hitoshi Sakimoto's use of FM
> synth carefully.
>
> The sound of *Battle Garegga* was influenced by my friends at Raizing, by
> Detroit techno, by *Summer Carnival '92 Recca*, by FM and ADPCM (YM2151
> and MSM6295), and by the game music of Hitoshi Sakimoto and Shinji Hosoe,
> all of these people and things I respect..."
>
> Since he's also done music for Cave (creators of my favorite bullet hell
> shooters), I'm now on a mission to find anything else he's slipped into his
> games that have a very Detroit-inspired sound.
>
>
>

Re: 313 music in the oddest of places.

[Juho Hietala]

Speaking of which the game music vinyl stuff has been on a surgency. SoR 1 
through 3 are out through Data Discs: https://data-discs.com/ 
<https://data-discs.com/>





> On 17 Dec 2017, at 06:43, Brian Prince <balis...@bprince.com> wrote:
> 
> Yo Logic7, good to hear from you again.
>  
> Nice find! Yeah, a lot of the Japanese game composers in the early 90’s were 
> listening to records from Detroit and Chicago. Another great example is the 
> Streets of Rage 2 soundtrack from 1992 by Yuzo Kishiro:
>  
> https://youtu.be/_62PVfghXtc <https://youtu.be/_62PVfghXtc>
>  
> (I dubbed the whole soundtrack from that game to tape so I could listen to it 
> on my Walkman on the school bus)
>  
> Hearing that stuff when I was 12 and 13 primed me for the Tresor compilations 
> I started picking up when I was 14 and 15.
>  
> ---
> Brian Prince
> brianprince.bandcamp.com <http://brianprince.bandcamp.com/>
> bprince.com <http://bprince.com/>
>  
>  
> Sent from Mail <https://go.microsoft.com/fwlink/?LinkId=550986> for Windows 10
>  
> From: Mister Jones <mailto:misterjones...@gmail.com>
> Sent: Friday, December 15, 2017 11:22 PM
> To: 313@hyperreal.org <mailto:313@hyperreal.org>
> Subject: 313 music in the oddest of places.
>  
> Hey y'all... it's the member formerly known as Logic7
> 
> I've been on an old video game kick, particularly old vertical shooters like 
> Twin Cobra, Raiden, and the many bullet hell shooters from companies like 
> Cave. While getting my fix I ran across a game called Battle Garegga by 
> Raizing/Eighting. I'm playing for the first time a couple of nights ago in 
> all of it's early bullet hell goodness when I get through the first level. 
> The second level starts and the music changes and a melody of of stab chords 
> starts playing... And I recognize it almost immediately. I played for less 
> than a minute more and had to figure this out 'cause it sounded like a direct 
> rip of something I've heard before. I paused MAME and hit Youtube for old 
> Mills and UR, and I find the track: Jupiter Jazz by Underground Resistance.
> 
> https://www.youtube.com/watch?v=xQv3dCkY2Tk 
> <https://www.youtube.com/watch?v=xQv3dCkY2Tk>
> More Google-fu turns up the music from Battle Garegga; a double-CD composed 
> by Manabu Namiki, released last December. Among the track listing was the 
> name of the track for the second level of the game: Underwater Rampart (an 
> obvious nod to UR)
> 
> https://www.youtube.com/watch?v=rYbINBnYeFA 
> <https://www.youtube.com/watch?v=rYbINBnYeFA>
> ^^^ That's the original version from the arcade game. The game wold be 
> released for the Sega Saturn with a re-recorded version with different 
> instruments instead of the Yamaha YM2151 4-op, 8 part FM chip used in the 
> arcade game's system board (as well as the Yamaha DX100). With the composer's 
> name, I ran across an interview with him where he states this:
> 
> http://squareenixmusic.com/features/interviews/manabunamiki.shtml 
> <http://squareenixmusic.com/features/interviews/manabunamiki.shtml>
> 
> "... I held a great admiration for techno music, and I had a good deal of 
> respect for the Detroit techno artists in particular: Derrick May, 
> Underground Resistance, and Carl Craig. The main programmer of Battle Garegga 
> was also a fan of their music. Inspired by their music, I almost felt that I 
> had something of a mission to take that energy and breathe life into the 
> game's music. 
> Battle Garegga used FM synth and ADPCM synth for its hardware. This equipment 
> was obsolete compared to the standards of other arcade games in 1995, so I 
> needed to make full use of it to design the sound for this radical new 
> shooting game. I made use of all the skill I had accumulated with this 
> hardware at NMK, and I also studied Hitoshi Sakimoto's use of FM synth 
> carefully.
> 
> The sound of Battle Garegga was influenced by my friends at Raizing, by 
> Detroit techno, by Summer Carnival '92 Recca, by FM and ADPCM (YM2151 and 
> MSM6295), and by the game music of Hitoshi Sakimoto and Shinji Hosoe, all of 
> these people and things I respect..."
> 
> Since he's also done music for Cave (creators of my favorite bullet hell 
> shooters), I'm now on a mission to find anything else he's slipped into his 
> games that have a very Detroit-inspired sound.
> 

Re: 313 music in the oddest of places.

[Matthew Kane]

I LOVE shmups; I am downloading MAME right now to experience this in full.

On Sat, Dec 16, 2017 at 2:22 AM, Mister Jones  wrote:
> Hey y'all... it's the member formerly known as Logic7
>
> I've been on an old video game kick, particularly old vertical shooters like
> Twin Cobra, Raiden, and the many bullet hell shooters from companies like
> Cave. While getting my fix I ran across a game called Battle Garegga by
> Raizing/Eighting. I'm playing for the first time a couple of nights ago in
> all of it's early bullet hell goodness when I get through the first level.
> The second level starts and the music changes and a melody of of stab chords
> starts playing... And I recognize it almost immediately. I played for less
> than a minute more and had to figure this out 'cause it sounded like a
> direct rip of something I've heard before. I paused MAME and hit Youtube for
> old Mills and UR, and I find the track: Jupiter Jazz by Underground
> Resistance.
>
> https://www.youtube.com/watch?v=xQv3dCkY2Tk
>
> More Google-fu turns up the music from Battle Garegga; a double-CD composed
> by Manabu Namiki, released last December. Among the track listing was the
> name of the track for the second level of the game: Underwater Rampart (an
> obvious nod to UR)
>
> https://www.youtube.com/watch?v=rYbINBnYeFA
>
> ^^^ That's the original version from the arcade game. The game wold be
> released for the Sega Saturn with a re-recorded version with different
> instruments instead of the Yamaha YM2151 4-op, 8 part FM chip used in the
> arcade game's system board (as well as the Yamaha DX100). With the
> composer's name, I ran across an interview with him where he states this:
>
> http://squareenixmusic.com/features/interviews/manabunamiki.shtml
>
> "... I held a great admiration for techno music, and I had a good deal of
> respect for the Detroit techno artists in particular: Derrick May,
> Underground Resistance, and Carl Craig. The main programmer of Battle
> Garegga was also a fan of their music. Inspired by their music, I almost
> felt that I had something of a mission to take that energy and breathe life
> into the game's music.
>
> Battle Garegga used FM synth and ADPCM synth for its hardware. This
> equipment was obsolete compared to the standards of other arcade games in
> 1995, so I needed to make full use of it to design the sound for this
> radical new shooting game. I made use of all the skill I had accumulated
> with this hardware at NMK, and I also studied Hitoshi Sakimoto's use of FM
> synth carefully.
>
> The sound of Battle Garegga was influenced by my friends at Raizing, by
> Detroit techno, by Summer Carnival '92 Recca, by FM and ADPCM (YM2151 and
> MSM6295), and by the game music of Hitoshi Sakimoto and Shinji Hosoe, all of
> these people and things I respect..."
>
> Since he's also done music for Cave (creators of my favorite bullet hell
> shooters), I'm now on a mission to find anything else he's slipped into his
> games that have a very Detroit-inspired sound.



-- 
matt kane's brain
im: mkb.dirty...@gmail.com (gtalk) / mkbatwerk (AIM)
twitter: the_real_mkb / nynexrepublic
http://hydrogenproject.com

RE: 313 music in the oddest of places.

[Edward Thompson]

Thats hilarious!
Great find

On 17 Dec 2017 4:43 PM, "Brian Prince" <balis...@bprince.com> wrote:

> Yo Logic7, good to hear from you again.
>
>
>
> Nice find! Yeah, a lot of the Japanese game composers in the early 90’s
> were listening to records from Detroit and Chicago. Another great example
> is the Streets of Rage 2 soundtrack from 1992 by Yuzo Kishiro:
>
>
>
> https://youtu.be/_62PVfghXtc
>
>
>
> (I dubbed the whole soundtrack from that game to tape so I could listen to
> it on my Walkman on the school bus)
>
>
>
> Hearing that stuff when I was 12 and 13 primed me for the Tresor
> compilations I started picking up when I was 14 and 15.
>
>
>
> ---
>
> Brian Prince
>
> brianprince.bandcamp.com
>
> bprince.com
>
>
>
>
>
> Sent from Mail <https://go.microsoft.com/fwlink/?LinkId=550986> for
> Windows 10
>
>
>
> *From: *Mister Jones <misterjones...@gmail.com>
> *Sent: *Friday, December 15, 2017 11:22 PM
> *To: *313@hyperreal.org
> *Subject: *313 music in the oddest of places.
>
>
>
> Hey y'all... it's the member formerly known as Logic7
>
>
> I've been on an old video game kick, particularly old vertical shooters
> like Twin Cobra, Raiden, and the many bullet hell shooters from companies
> like Cave. While getting my fix I ran across a game called Battle Garegga
> by Raizing/Eighting. I'm playing for the first time a couple of nights ago
> in all of it's early bullet hell goodness when I get through the first
> level. The second level starts and the music changes and a melody of of
> stab chords starts playing... And I recognize it almost immediately. I
> played for less than a minute more and had to figure this out 'cause it
> sounded like a direct rip of something I've heard before. I paused MAME and
> hit Youtube for old Mills and UR, and I find the track: Jupiter Jazz by
> Underground Resistance.
>
> https://www.youtube.com/watch?v=xQv3dCkY2Tk
>
> More Google-fu turns up the music from Battle Garegga; a double-CD
> composed by Manabu Namiki, released last December. Among the track listing
> was the name of the track for the second level of the game: Underwater
> Rampart (an obvious nod to UR)
>
> https://www.youtube.com/watch?v=rYbINBnYeFA
>
> ^^^ That's the original version from the arcade game. The game wold be
> released for the Sega Saturn with a re-recorded version with different
> instruments instead of the Yamaha YM2151 4-op, 8 part FM chip used in the
> arcade game's system board (as well as the Yamaha DX100). With the
> composer's name, I ran across an interview with him where he states this:
>
> http://squareenixmusic.com/features/interviews/manabunamiki.shtml
>
> "... I held a great admiration for techno music, and I had a good deal of
> respect for the Detroit techno artists in particular: Derrick May,
> Underground Resistance, and Carl Craig. The main programmer of *Battle
> Garegga* was also a fan of their music. Inspired by their music, I almost
> felt that I had something of a mission to take that energy and breathe life
> into the game's music.
>
> *Battle Garegga* used FM synth and ADPCM synth for its hardware. This
> equipment was obsolete compared to the standards of other arcade games in
> 1995, so I needed to make full use of it to design the sound for this
> radical new shooting game. I made use of all the skill I had accumulated
> with this hardware at NMK, and I also studied Hitoshi Sakimoto's use of FM
> synth carefully.
>
> The sound of *Battle Garegga* was influenced by my friends at Raizing, by
> Detroit techno, by *Summer Carnival '92 Recca*, by FM and ADPCM (YM2151
> and MSM6295), and by the game music of Hitoshi Sakimoto and Shinji Hosoe,
> all of these people and things I respect..."
>
> Since he's also done music for Cave (creators of my favorite bullet hell
> shooters), I'm now on a mission to find anything else he's slipped into his
> games that have a very Detroit-inspired sound.
>
>
>

RE: 313 music in the oddest of places.

[Brian Prince]

Yo Logic7, good to hear from you again.

Nice find! Yeah, a lot of the Japanese game composers in the early 90’s were 
listening to records from Detroit and Chicago. Another great example is the 
Streets of Rage 2 soundtrack from 1992 by Yuzo Kishiro:

https://youtu.be/_62PVfghXtc

(I dubbed the whole soundtrack from that game to tape so I could listen to it 
on my Walkman on the school bus)

Hearing that stuff when I was 12 and 13 primed me for the Tresor compilations I 
started picking up when I was 14 and 15.

---
Brian Prince
brianprince.bandcamp.com
bprince.com


Sent from Mail for Windows 10

From: Mister Jones
Sent: Friday, December 15, 2017 11:22 PM
To: 313@hyperreal.org
Subject: 313 music in the oddest of places.

Hey y'all... it's the member formerly known as Logic7

I've been on an old video game kick, particularly old vertical shooters like 
Twin Cobra, Raiden, and the many bullet hell shooters from companies like Cave. 
While getting my fix I ran across a game called Battle Garegga by 
Raizing/Eighting. I'm playing for the first time a couple of nights ago in all 
of it's early bullet hell goodness when I get through the first level. The 
second level starts and the music changes and a melody of of stab chords starts 
playing... And I recognize it almost immediately. I played for less than a 
minute more and had to figure this out 'cause it sounded like a direct rip of 
something I've heard before. I paused MAME and hit Youtube for old Mills and 
UR, and I find the track: Jupiter Jazz by Underground Resistance.

https://www.youtube.com/watch?v=xQv3dCkY2Tk
More Google-fu turns up the music from Battle Garegga; a double-CD composed by 
Manabu Namiki, released last December. Among the track listing was the name of 
the track for the second level of the game: Underwater Rampart (an obvious nod 
to UR)

https://www.youtube.com/watch?v=rYbINBnYeFA
^^^ That's the original version from the arcade game. The game wold be released 
for the Sega Saturn with a re-recorded version with different instruments 
instead of the Yamaha YM2151 4-op, 8 part FM chip used in the arcade game's 
system board (as well as the Yamaha DX100). With the composer's name, I ran 
across an interview with him where he states this:

http://squareenixmusic.com/features/interviews/manabunamiki.shtml

"... I held a great admiration for techno music, and I had a good deal of 
respect for the Detroit techno artists in particular: Derrick May, Underground 
Resistance, and Carl Craig. The main programmer of Battle Garegga was also a 
fan of their music. Inspired by their music, I almost felt that I had something 
of a mission to take that energy and breathe life into the game's music. 
Battle Garegga used FM synth and ADPCM synth for its hardware. This equipment 
was obsolete compared to the standards of other arcade games in 1995, so I 
needed to make full use of it to design the sound for this radical new shooting 
game. I made use of all the skill I had accumulated with this hardware at NMK, 
and I also studied Hitoshi Sakimoto's use of FM synth carefully.
The sound of Battle Garegga was influenced by my friends at Raizing, by Detroit 
techno, by Summer Carnival '92 Recca, by FM and ADPCM (YM2151 and MSM6295), and 
by the game music of Hitoshi Sakimoto and Shinji Hosoe, all of these people and 
things I respect..."
Since he's also done music for Cave (creators of my favorite bullet hell 
shooters), I'm now on a mission to find anything else he's slipped into his 
games that have a very Detroit-inspired sound.

313 music in the oddest of places.

[Mister Jones]

Hey y'all... it's the member formerly known as Logic7

I've been on an old video game kick, particularly old vertical shooters
like Twin Cobra, Raiden, and the many bullet hell shooters from companies
like Cave. While getting my fix I ran across a game called Battle Garegga
by Raizing/Eighting. I'm playing for the first time a couple of nights ago
in all of it's early bullet hell goodness when I get through the first
level. The second level starts and the music changes and a melody of of
stab chords starts playing... And I recognize it almost immediately. I
played for less than a minute more and had to figure this out 'cause it
sounded like a direct rip of something I've heard before. I paused MAME and
hit Youtube for old Mills and UR, and I find the track: Jupiter Jazz by
Underground Resistance.

https://www.youtube.com/watch?v=xQv3dCkY2Tk

More Google-fu turns up the music from Battle Garegga; a double-CD composed
by Manabu Namiki, released last December. Among the track listing was the
name of the track for the second level of the game: Underwater Rampart (an
obvious nod to UR)

https://www.youtube.com/watch?v=rYbINBnYeFA

^^^ That's the original version from the arcade game. The game wold be
released for the Sega Saturn with a re-recorded version with different
instruments instead of the Yamaha YM2151 4-op, 8 part FM chip used in the
arcade game's system board (as well as the Yamaha DX100). With the
composer's name, I ran across an interview with him where he states this:

http://squareenixmusic.com/features/interviews/manabunamiki.shtml

"... I held a great admiration for techno music, and I had a good deal of
respect for the Detroit techno artists in particular: Derrick May,
Underground Resistance, and Carl Craig. The main programmer of *Battle
Garegga* was also a fan of their music. Inspired by their music, I almost
felt that I had something of a mission to take that energy and breathe life
into the game's music.

*Battle Garegga* used FM synth and ADPCM synth for its hardware. This
equipment was obsolete compared to the standards of other arcade games in
1995, so I needed to make full use of it to design the sound for this
radical new shooting game. I made use of all the skill I had accumulated
with this hardware at NMK, and I also studied Hitoshi Sakimoto's use of FM
synth carefully.

The sound of *Battle Garegga* was influenced by my friends at Raizing, by
Detroit techno, by *Summer Carnival '92 Recca*, by FM and ADPCM (YM2151 and
MSM6295), and by the game music of Hitoshi Sakimoto and Shinji Hosoe, all
of these people and things I respect..."

Since he's also done music for Cave (creators of my favorite bullet hell
shooters), I'm now on a mission to find anything else he's slipped into his
games that have a very Detroit-inspired sound.

RE: (313) music I'm currently enjoying

[John Sokolowski]

Nice list. Couple on there that I am waiting for to be released! Really like 
that Different World track. Was in my Juno cart one day and then gone the next 
;)

Really digging the new Jared Wilson on Skudge. His last few releases have all 
been killer. Is he still on this list? Use to be a pretty frequent poster. Not 
so (313) but both sides of Hardwax's Wax 005 have been in heavy rotation along 
with Legowelt's Paranormal Soul + the a side of Field 008.

Others?

 Date: Sun, 3 Mar 2013 11:22:46 -0400
 From: andrewdukecognit...@gmail.com
 To: 313@hyperreal.org
 Subject: (313) music I'm currently enjoying
 
 Shawn Rudiman--Monolithic Soul--Installment I (Detroit Techno Militia)
 Different World--Think Twice (Indigo Aera)
 Mike Shannon--Sidewinder (Exercise One rx) (Exone)
 Harem Tone--First Step (ToneKontrol)
 Mokujin--Dark Plume (Signal Deluxe Biocentrism mx) (Blaq 079)
 Javier Orduna  Iniqo Oruezabal--My Friends (Nice  Nasty)
 Grown Folks--The Boat (Gerd Re-Work) (Icee Hot)
 Space Dimension Controller--Welcome To Mikrosector-50 (R  S)
 Function--Incubation (OstGut Ton)
 Ma Spaventi--The Jungle/Insanity (MOS Deep)
 Connecting The Compass compilation (Roundabout Sounds)
 John Tejada  Josh Humphrey--Pulse Locker (Palette)
 Mary Boyoi--Zooz (Portable remix) (Sud Electronic)
 Trio--Straight Line (Rebirth)
 JC Laurent--From Nice To Berlin (Fred P remix) (Hidden)
 Lake People--Changeover (Ghostek remix) (Connaisseur)
 Carlos Nilmmns--Cupid  Psyche (Ornaments)
 Reverence compilation (Soiree)
 Anek--This World ft Robert Owens (Chronovision)
 
 What are others enjoying lately?
 
 Thanks.
 Andrew
 
 -- 
 http://soundcloud.com/andrewdukecognitionaudio
 http://myspace.com/andrewduke
  

(313) music genealogy site... help needed

[AntonBanks.com]

Hey everyone,

I need a little help. I came across a website a few years ago that listed
the genealogy and some information about various forms of electronic music.
This site also featured brief audio samples in each page so that one could
hear an example of the type of music being discussed. It was a great
resource for anyone new to electronic music. Would anyone happen to have the
address of this site if it still exists? I've meant to set up a link to it
on my site for a while now.

Thanks in advance.

-ant-

Re: (313) music genealogy site... help needed

[Matt Kane's Brain]

The Ishkur Guide? http://techno.org/electronic-music-guide/

On Mon, Mar 22, 2010 at 22:33, AntonBanks.com web...@snet.net wrote:
 Hey everyone,

 I need a little help. I came across a website a few years ago that listed
 the genealogy and some information about various forms of electronic music.
 This site also featured brief audio samples in each page so that one could
 hear an example of the type of music being discussed. It was a great
 resource for anyone new to electronic music. Would anyone happen to have the
 address of this site if it still exists? I've meant to set up a link to it
 on my site for a while now.

 Thanks in advance.

 -ant-





-- 
matt kane's brain
http://hydrogenproject.com
capoeira in boston http://capoeirageraisboston.com
aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
I need your sounds! http://nynex.hydrogenproject.com

RE: (313) music genealogy site... help needed

[AntonBanks.com]

Yes! That's the one!

... and thanks for the light-speed reply!


-Original Message-
From: Matt Kane's Brain [mailto:mkb.dirty...@gmail.com] 
Sent: Monday, March 22, 2010 10:35 PM
To: web...@snet.net
Cc: 313@hyperreal.org
Subject: Re: (313) music genealogy site... help needed

The Ishkur Guide? http://techno.org/electronic-music-guide/

On Mon, Mar 22, 2010 at 22:33, AntonBanks.com web...@snet.net wrote:
 Hey everyone,

 I need a little help. I came across a website a few years ago that listed
 the genealogy and some information about various forms of electronic
music.
 This site also featured brief audio samples in each page so that one could
 hear an example of the type of music being discussed. It was a great
 resource for anyone new to electronic music. Would anyone happen to have
the
 address of this site if it still exists? I've meant to set up a link to it
 on my site for a while now.

 Thanks in advance.

 -ant-





-- 
matt kane's brain
http://hydrogenproject.com
capoeira in boston http://capoeirageraisboston.com
aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
I need your sounds! http://nynex.hydrogenproject.com
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(313) Music advice (online)

[David Barna]

I stopped following this sort of music actively around 03 or 04 and
have been looking for new things to listen to as well. I've actually
been into reissues more than anything else lately and I've been
checking out a lot of old live sets and such. Here are some things you
may want to check out, pretty obvious picks I guess...

http://www.discogs.com/Kenny-Larkin-Keys-Strings-Tambourines/master/19614

http://www.discogs.com/James-Pennington-Presents-Dark-Energy-Collided-Energy/master/23639

http://www.discogs.com/Robert-Hood-Minimal-Nation/release/1812346

http://www.discogs.com/Anthony-Shake-Shakir-Frictionalism-1994-2009/master/207247

http://www.discogs.com/Kenny-Larkin-The-Chronicles/master/55839



Michael Lees
Wed, 10 Mar 2010 21:07:24 -0800

Dear 313,

So, I was looking for something interesting to listen to a few days ago and was
really stuck. I needed advice which is why I turn to you.

I was actually on the list many years ago (around 2002-05, I think), I do
recognize some names who are still here.

Anyway, since my departure I've swapped the rainy days in the UK for the
constant 30 degree heat of Singapore.
Unfortunately while the weather here is much better, the music scene... well,
there is no (good) music scene. It's really very depressing.

I realized the best way for me to locate some good music was to come back here
and ask the friendly people of 313.

I've been downloading the bleep podcasts, which are great. I've got a few beats
in space ones also.
Any important albums from the past 5 years I might have missed :)

-Mike

Re: (313) Music advice (online)

[kuszyn...@gmail.com]

That's a good list of relatively recent releases that mark some
significant acclaim from 313 style artists.

Apparently a sole fan, I also really enjoyed Jeff Mills - One Man
Spaceship (though I had to import it from Japan on CD).  It really to
me is the peak of
Jeff-Mills-as-crazy-ambient-non-techno-techno-producer, and the studio
work is breath-freaking-taking.

On Sat, Mar 13, 2010 at 6:18 PM, David Barna barna.da...@gmail.com wrote:
 I stopped following this sort of music actively around 03 or 04 and
 have been looking for new things to listen to as well. I've actually
 been into reissues more than anything else lately and I've been
 checking out a lot of old live sets and such. Here are some things you
 may want to check out, pretty obvious picks I guess...

 http://www.discogs.com/Kenny-Larkin-Keys-Strings-Tambourines/master/19614

 http://www.discogs.com/James-Pennington-Presents-Dark-Energy-Collided-Energy/master/23639

 http://www.discogs.com/Robert-Hood-Minimal-Nation/release/1812346

 http://www.discogs.com/Anthony-Shake-Shakir-Frictionalism-1994-2009/master/207247

 http://www.discogs.com/Kenny-Larkin-The-Chronicles/master/55839

 

 Michael Lees
 Wed, 10 Mar 2010 21:07:24 -0800

 Dear 313,

 So, I was looking for something interesting to listen to a few days ago and 
 was
 really stuck. I needed advice which is why I turn to you.

 I was actually on the list many years ago (around 2002-05, I think), I do
 recognize some names who are still here.

 Anyway, since my departure I've swapped the rainy days in the UK for the
 constant 30 degree heat of Singapore.
 Unfortunately while the weather here is much better, the music scene... well,
 there is no (good) music scene. It's really very depressing.

 I realized the best way for me to locate some good music was to come back here
 and ask the friendly people of 313.

 I've been downloading the bleep podcasts, which are great. I've got a few 
 beats
 in space ones also.
 Any important albums from the past 5 years I might have missed :)

 -Mike

Re: (313) Music advice (online)

[wojciech]

Many 313ers write off Mills for being either a has been or little more  
than a hard techno jock, while his more recent productions are a clear  
example that none of these categories are the case, not to mention his  
spectacular recent dj sets.


One Man Spaceship was an excellent album indeed, with moods ranging  
from abstract space jazz (on Final Night of Ambient Light) to near  
peaktime intensity on Life Timed Device, to the classical workout on  
The Great Chase, or the ambient Above the Waiting Worlds.  He keeps  
churning out good product with just about every new release.  Speaking  
of his new releases, have you heard The Sleeper Wakes?


W.


On Mar 13, 2010, at 3:38 PM, kuszyn...@gmail.com wrote:


That's a good list of relatively recent releases that mark some
significant acclaim from 313 style artists.

Apparently a sole fan, I also really enjoyed Jeff Mills - One Man
Spaceship (though I had to import it from Japan on CD).  It really to
me is the peak of
Jeff-Mills-as-crazy-ambient-non-techno-techno-producer, and the studio
work is breath-freaking-taking.

On Sat, Mar 13, 2010 at 6:18 PM, David Barna barna.da...@gmail.com  
wrote:

I stopped following this sort of music actively around 03 or 04 and
have been looking for new things to listen to as well. I've actually
been into reissues more than anything else lately and I've been
checking out a lot of old live sets and such. Here are some things  
you

may want to check out, pretty obvious picks I guess...

http://www.discogs.com/Kenny-Larkin-Keys-Strings-Tambourines/master/19614

http://www.discogs.com/James-Pennington-Presents-Dark-Energy-Collided-Energy/master/23639

http://www.discogs.com/Robert-Hood-Minimal-Nation/release/1812346

http://www.discogs.com/Anthony-Shake-Shakir-Frictionalism-1994-2009/master/207247

http://www.discogs.com/Kenny-Larkin-The-Chronicles/master/55839



Michael Lees
Wed, 10 Mar 2010 21:07:24 -0800

Dear 313,

So, I was looking for something interesting to listen to a few days  
ago and was

really stuck. I needed advice which is why I turn to you.

I was actually on the list many years ago (around 2002-05, I  
think), I do

recognize some names who are still here.

Anyway, since my departure I've swapped the rainy days in the UK  
for the

constant 30 degree heat of Singapore.
Unfortunately while the weather here is much better, the music  
scene... well,

there is no (good) music scene. It's really very depressing.

I realized the best way for me to locate some good music was to  
come back here

and ask the friendly people of 313.

I've been downloading the bleep podcasts, which are great. I've got  
a few beats

in space ones also.
Any important albums from the past 5 years I might have missed :)

-Mike

Re: (313) Music advice (online)

[anthony]

CHeck out my man Tom Cox blog with his year end/decade end polls here:
http://infinitestatemachine.com/2010/01/26/polls-from-09-and-the-00s/

Should be some help to you(:
Anthony

On Thu, March 11, 2010 12:07 am, Michael Lees wrote:
 Dear 313,

 So, I was looking for something interesting to listen to a few days ago
 and was really stuck. I needed advice which is why I turn to you.

 I was actually on the list many years ago (around 2002-05, I think), I do
 recognize some names who are still here.

 Anyway, since my departure I've swapped the rainy days in the UK for the
 constant 30 degree heat of Singapore.
 Unfortunately while the weather here is much better, the music scene...
 well, there is no (good) music scene. It's really very depressing.

 I realized the best way for me to locate some good music was to come back
 here and ask the friendly people of 313.

 I've been downloading the bleep podcasts, which are great. I've got a few
 beats in space ones also.
 Any important albums from the past 5 years I might have missed :)

 -Mike

(313) Music advice (online)

[Michael Lees]

Dear 313,

So, I was looking for something interesting to listen to a few days ago and was 
really stuck. I needed advice which is why I turn to you.

I was actually on the list many years ago (around 2002-05, I think), I do 
recognize some names who are still here. 

Anyway, since my departure I've swapped the rainy days in the UK for the 
constant 30 degree heat of Singapore.
Unfortunately while the weather here is much better, the music scene... well, 
there is no (good) music scene. It's really very depressing.

I realized the best way for me to locate some good music was to come back here 
and ask the friendly people of 313. 

I've been downloading the bleep podcasts, which are great. I've got a few beats 
in space ones also.
Any important albums from the past 5 years I might have missed :)

-Mike 

Re: (313) Music for Real Airports

[Martin Dust]

I've been wanting to do this project since 1979 :)

It's a complex situation, some of you may be interested in David Stubbs' book, 
Fear Of Music in which he looks at why people are more accepting of 
contemporary art but not contemporary music, it gives a really good overview.

m

On 15 Feb 2010, at 23:18, David Powers wrote:

 Hi all, I don't know if I saw this mentioned on this list yet:
 http://www.musicforrealairports.com/live/index.php
 
 I think it's a great concept, and I'm really glad to see The Black Dog
 offer something of a critique to Eno's original idea, because I've
 always felt there was an ideological aspect to Eno's work. Indeed, the
 idea of ambient music itself deserves to be questioned; does ambient
 music just function to as pretty background to cover up the disturbing
 aspects of reality? Or worse, when does ambient music actually work as
 an active element used to manipulate the individuals who exist with a
 particular space for a certain end?
 
 By the way, one of the things I can't stand in our age is that it's
 impossible to have a nice dinner without having some kind of terrible
 background music pumped into your ears. I would love to find a
 restaurant that was bold enough to refuse to use background music! If
 I can't have silence, I'd settle for something like Mozart. John Cage
 would be ideal, but I realize the odds of that occurring...
 
 ~David

(313) Music for Real Airports

[David Powers]

Hi all, I don't know if I saw this mentioned on this list yet:
http://www.musicforrealairports.com/live/index.php

I think it's a great concept, and I'm really glad to see The Black Dog
offer something of a critique to Eno's original idea, because I've
always felt there was an ideological aspect to Eno's work. Indeed, the
idea of ambient music itself deserves to be questioned; does ambient
music just function to as pretty background to cover up the disturbing
aspects of reality? Or worse, when does ambient music actually work as
an active element used to manipulate the individuals who exist with a
particular space for a certain end?

By the way, one of the things I can't stand in our age is that it's
impossible to have a nice dinner without having some kind of terrible
background music pumped into your ears. I would love to find a
restaurant that was bold enough to refuse to use background music! If
I can't have silence, I'd settle for something like Mozart. John Cage
would be ideal, but I realize the odds of that occurring...

~David

(313) Music spaces

[Denise Dalphond]

I sent this earlier in the week as a super late response to the Ron
Hardy/Gridface thread, but I don't think it went through. So here it
is, I'm trying again.



Oh yeah, Gridface is fantastic! Love all you do, Jacob. Looking
forward to those photos!

Fred, the history of spaces is so interesting in both Chicago and
Detroit. I'm really fascinated by the longevity of particular sites
that either live on in peoples' memories or actually get reincarnated.
I was just at a party this weekend in Detroit - Brian Gillespie and
Todd Osborn (as Starski and Clutch), and Tadd Mullinix (as James T.
Cotton). It was at this newly opened bar called 10 Critics - used to
be the Porter Street Station - 1400 Porter Street, in Corktown, near
Michigan Ave., near Bohemian National Home, and other
Corktown/southwest Detroit locations, for those who have visited this
lovely city. I had multiple people thsi weekend tell me about going to
this same space for parties 10-15 years ago, one of which was a Tresor
party!



-- 
Denise Dalphond
Ph.D. Candidate
Department of Folklore  Ethnomusicology
Indiana University
http://denisedjsdetroit.blogspot.com/

Re: (313) music spaces (was: Ron Hardy mixes)

[Denise Dalphond]

Oh yeah, Gridface is fantastic! Love all you do, Jacob. Looking
forward to those photos!

Fred, the history of spaces is so interesting in both Chicago and
Detroit. I'm really fascinated by the longevity of particular sites
that either live on in peoples' memories or actually get reincarnated.
I was just at a party this weekend in Detroit - Brian Gillespie and
Todd Osborn (as Starski and Clutch), and Tadd Mullinix (as James T.
Cotton). It was at this newly opened bar called 10 Critics - used to
be the Porter Street Station - 1400 Porter Street, in Corktown, near
Michigan Ave., near Bohemian National Home, and other
Corktown/southwest Detroit locations, for those who have visited this
lovely city. I had multiple people thsi weekend tell me about going to
this same space for parties 10-15 years ago, one of which was a Tresor
party!

Denise


-- 
Denise Dalphond
Ph.D. Candidate
Department of Folklore  Ethnomusicology
Indiana University
http://denisedjsdetroit.blogspot.com/

Re: (313) music spaces (was:Ron Hardy mixes)

[Denise Dalphond]

(Wow, delayed response for me! Sorry. And I sent this once and it
doesn't seem like it went through, sorry if you get it twice.)

Oh yeah, Gridface is fantastic! Love all you do, Jacob. Looking
forward to those photos!

Fred, the history of spaces is so interesting in both Chicago and
Detroit. I'm really fascinated by the longevity of particular sites
that either live on in peoples' memories or actually get reincarnated.
I was just at a party this weekend in Detroit - Brian Gillespie and
Todd Osborn (as Starski and Clutch), and Tadd Mullinix (as James T.
Cotton). It was at this newly opened bar called 10 Critics - used to
be the Porter Street Station - 1400 Porter Street, in Corktown, near
Michigan Ave., near Bohemian National Home, and other
Corktown/southwest Detroit locations, for those who have visited this
lovely city. I had multiple people thsi weekend tell me about going to
this same space for parties 10-15 years ago, one of which was a Tresor
party!

Denise


-- 
Denise Dalphond
Ph.D. Candidate
Department of Folklore  Ethnomusicology
Indiana University
http://denisedjsdetroit.blogspot.com/

Re: (313) Music Stores in Baltimore, MD?

[darnistle]

OK, so I managed to find three stores while I was there, all in the same 
area, though I was only able to get into one of them.


Two of them were used record stores (used LPs from the looks of it) and 
neither was open when I walked by Saturday evening.   One was on 
Broadway near Thames.  The other was a basement-level store on Lancaster 
(I think) between Broadway and Ann St.


The store that was open was:

Sound Garden
1616 Thames Street
(410-563-9011)
http://www.cdjoint.com/


I felt like I'd hit the jackpot with this store!!!  I dropped much too 
much $$$ there, but it was worth it.  I thought they had a very good 
selection of techno/house/idm/dubstep/trance, punk, goth, industrial, 
etc.  I was surprised by the range of their stock.  The prices were very 
reasonable too.


I mostly concentrated on CDs, though i did thumb through the vinyl too. 
If you're primarily a vinyl buyer, this store might not suit your needs, 
but if you buy CDs, it is definitely worth checking out.


The jazz/rnb/hiphop/psych sections looked pretty extensive too, however 
I didn't go through them 'cause its not my thing.


{}0+|


Jeffrey Richards wrote:

Modern Music is definately closed.

Actually...I think all of them are closed...you might
have to get in to a Baltimore House forum to find a
record store in Baltimore.

Later



--- darnistle [EMAIL PROTECTED] wrote:


Yeah, I had looked at that site and found that the
URLs were all invalid.

So far, the only stores I've found that I might
actually visit is 
Reptilian Records and Celebrated Summer


{}0+|


Frank Glazer wrote:

regarding that rotator locator list...

-- Forwarded message --
From: *Jillian* [EMAIL PROTECTED]

mailto:[EMAIL PROTECTED]

Date: 2008/6/5
Subject: Re: [squirrels] Attn: someone who buys

records

As far as I know none of those shops are still

open.
On Thu, Jun 5, 2008 at 12:20 PM, Megan Farrington 
[EMAIL PROTECTED]

mailto:[EMAIL PROTECTED] wrote:

Hey, a friend of mine was asking about the
accuracy of this record store 

listing for Baltimore. It's obviously old, but I
don't know what parts 

of it might still be valid.

http://music.hyperreal.org/rotator/maryland.htm

Anyone know?



On Thu, Jun 5, 2008 at 4:30 AM, Tristan Watkins 
[EMAIL PROTECTED]

mailto:[EMAIL PROTECTED] wrote:

  -Original Message-
  From: darnistle

[mailto:[EMAIL PROTECTED]

mailto:[EMAIL PROTECTED]]
  Sent: 05 June 2008 02:54
  To: 313 List
  Subject: (313) Music Stores in Baltimore,

MD?

 
  I'm going to be in Baltimore, MD this

weekend for Starscape.

  Can anyone suggest good music stores that

sell techno

  (especially Detroit techno), dnb, punk,

goth, idm, etc?

The Modern Music website seems to be down now,

so I kind of doubt

they're
still around, but they used to be the best

store in the

Baltimore/D.C. area.
My acquaintence with the area is about 6 years

out of date though...

Here's what the Rotator Locator has to say:
   

http://music.hyperreal.org/rotator/maryland.htm

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]

mailto:[EMAIL PROTECTED]




--
peace,

frank

dj mix archive: http://www.deejaycountzero.com




  

RE: (313) Music Stores in Baltimore, MD?

[Tristan Watkins]

 -Original Message-
 From: darnistle [mailto:[EMAIL PROTECTED] 
 Sent: 05 June 2008 02:54
 To: 313 List
 Subject: (313) Music Stores in Baltimore, MD?
 
 I'm going to be in Baltimore, MD this weekend for Starscape.  
 Can anyone suggest good music stores that sell techno 
 (especially Detroit techno), dnb, punk, goth, idm, etc?

The Modern Music website seems to be down now, so I kind of doubt they're
still around, but they used to be the best store in the Baltimore/D.C. area.
My acquaintence with the area is about 6 years out of date though... 

Here's what the Rotator Locator has to say:
http://music.hyperreal.org/rotator/maryland.htm 
 
Tristan 
===
http://www.phonopsia.co.uk 
[EMAIL PROTECTED] 

Re: (313) Music Stores in Baltimore, MD?

[darnistle]

Yeah, I had looked at that site and found that the URLs were all invalid.

So far, the only stores I've found that I might actually visit is 
Reptilian Records and Celebrated Summer


{}0+|


Frank Glazer wrote:

regarding that rotator locator list...

-- Forwarded message --
From: *Jillian* [EMAIL PROTECTED] mailto:[EMAIL PROTECTED]
Date: 2008/6/5
Subject: Re: [squirrels] Attn: someone who buys records

As far as I know none of those shops are still open.

On Thu, Jun 5, 2008 at 12:20 PM, Megan Farrington 
[EMAIL PROTECTED] mailto:[EMAIL PROTECTED] wrote:
Hey, a friend of mine was asking about the accuracy of this record store 
listing for Baltimore. It's obviously old, but I don't know what parts 
of it might still be valid.


http://music.hyperreal.org/rotator/maryland.htm

Anyone know?



On Thu, Jun 5, 2008 at 4:30 AM, Tristan Watkins 
[EMAIL PROTECTED] mailto:[EMAIL PROTECTED] wrote:


  -Original Message-
  From: darnistle [mailto:[EMAIL PROTECTED]
mailto:[EMAIL PROTECTED]]
  Sent: 05 June 2008 02:54
  To: 313 List
  Subject: (313) Music Stores in Baltimore, MD?
 
  I'm going to be in Baltimore, MD this weekend for Starscape.
  Can anyone suggest good music stores that sell techno
  (especially Detroit techno), dnb, punk, goth, idm, etc?

The Modern Music website seems to be down now, so I kind of doubt
they're
still around, but they used to be the best store in the
Baltimore/D.C. area.
My acquaintence with the area is about 6 years out of date though...

Here's what the Rotator Locator has to say:
http://music.hyperreal.org/rotator/maryland.htm

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED] mailto:[EMAIL PROTECTED]




--
peace,

frank

dj mix archive: http://www.deejaycountzero.com

Re: (313) Music Stores in Baltimore, MD?

[Jeffrey Richards]

Modern Music is definately closed.

Actually...I think all of them are closed...you might
have to get in to a Baltimore House forum to find a
record store in Baltimore.

Later



--- darnistle [EMAIL PROTECTED] wrote:

 Yeah, I had looked at that site and found that the
 URLs were all invalid.
 
 So far, the only stores I've found that I might
 actually visit is 
 Reptilian Records and Celebrated Summer
 
 {}0+|
 
 
 Frank Glazer wrote:
  regarding that rotator locator list...
  
  -- Forwarded message --
  From: *Jillian* [EMAIL PROTECTED]
 mailto:[EMAIL PROTECTED]
  Date: 2008/6/5
  Subject: Re: [squirrels] Attn: someone who buys
 records
  
  As far as I know none of those shops are still
 open.
  
  On Thu, Jun 5, 2008 at 12:20 PM, Megan Farrington 
  [EMAIL PROTECTED]
 mailto:[EMAIL PROTECTED] wrote:
  Hey, a friend of mine was asking about the
 accuracy of this record store 
  listing for Baltimore. It's obviously old, but I
 don't know what parts 
  of it might still be valid.
  
  http://music.hyperreal.org/rotator/maryland.htm
  
  Anyone know?
  
  
  
  On Thu, Jun 5, 2008 at 4:30 AM, Tristan Watkins 
  [EMAIL PROTECTED]
 mailto:[EMAIL PROTECTED] wrote:
  
-Original Message-
From: darnistle
 [mailto:[EMAIL PROTECTED]
  mailto:[EMAIL PROTECTED]]
Sent: 05 June 2008 02:54
To: 313 List
Subject: (313) Music Stores in Baltimore,
 MD?
   
I'm going to be in Baltimore, MD this
 weekend for Starscape.
Can anyone suggest good music stores that
 sell techno
(especially Detroit techno), dnb, punk,
 goth, idm, etc?
  
  The Modern Music website seems to be down now,
 so I kind of doubt
  they're
  still around, but they used to be the best
 store in the
  Baltimore/D.C. area.
  My acquaintence with the area is about 6 years
 out of date though...
  
  Here's what the Rotator Locator has to say:
 
 http://music.hyperreal.org/rotator/maryland.htm
  
  Tristan
  ===
  http://www.phonopsia.co.uk
  [EMAIL PROTECTED]
 mailto:[EMAIL PROTECTED]
  
  
  
  
  -- 
  peace,
  
  frank
  
  dj mix archive: http://www.deejaycountzero.com
 



  

(313) Music Stores in Baltimore, MD?

[darnistle]

I'm going to be in Baltimore, MD this weekend for Starscape.  Can anyone 
suggest good music stores that sell techno (especially Detroit techno), 
dnb, punk, goth, idm, etc?


Thanks in advance.

--
{}0+|

(313) Robyn: speaking of non-313 music

[Andrew Duke]

Speaking of non-313 music (re: mentions of Crystal Castles and Four Tet),
I've been thoroughly enjoying the self-titled 4th album from Sweden's Robyn.
Am telling everybody about it I can (see more below), to be honest.
It has been available since 2005, but has only been out in North America
for the last couple of weeks.  Every track is solid; out of 14 tracks, 8 
have
been issued as a single somewhere.  One of the official remixes of Snoop 
Doog's

recently-mentioned-on-this-list song Sensual Seducation/Sexual Eruption
features Robyn on vocals as does Britney Spears' Piece Of Me, so you
might have already heard her voice.  Plus she's sung on tracks for numerous
others including Basement Jaxx.

Anyway, if you don't know her story, she did 3 albums (since 1997) for 
major labels
and struck out on her own with her own Konichiwa label for this new 
album after
getting fed up with her majors.  She's been writing and performing her 
own songs

since she was 13; yes it is pop music, but it with a fresh take on the music
(producers range from The Knife to Klaus Ahlund to Kleerup) and her
lyrics--again, written by herself--are a twist on the usual pap of Britney,
Christina, et al.  Example choruses that the other female pop artists 
wouldn't

be able to pull off:  my new favorite thing to do/is wasting
my time with a bum like you; I should have seen it coming down/I should
have f*ckin' known; who's that girl that you think you love/I know there's
no such girl.  She's known for performing acoustic versions of her dance
songs, too, which you wouldn't see many doing. And she does it very well.

I'd liken her to Neneh Cherry (a big fave of mine, and there's news Cherry
will have a new album out by the end of the year) before I'd compare her to
Britney, Christina, et al, actually.  And she's smart about her remixers:
Drop The Lime does a take on her current single, for example, Jori Hulkkonen
has done a mix, etc.  Her myspace page currently has her newest North
American single, a medley of the 3 remixes of it, a cover of The Police's
Message In A Bottle, the Snoop Dogg remix she's featured on, and clips
from every track on the album.  I could go on and on, but hopefully if you
haven't already heard her material, you'll check these links:

http://en.wikipedia.org/wiki/Robyn
http://www.myspace.com/robynmyspace
http://www.robyn.com/
http://www.youtube.com/results?search_query=robynsearch_type=
Andrew

--
Andrew Duke--sound design/recording/composition/production courses:
http://andrew-duke.com/course.html

Andrew Duke--Chain Reaction downloadable sound FX samplepack:
http://www.audiobase.com/product/SACR

Andrew Duke--Consumer vs. User album:
http://www.phthalo.com/cat.php?cat=phth40

Andrew Duke--columns/features/commentaries/more:
http://cognitionaudioworks.com/read.html

http://linkedin.com/in/AndrewDukeCognitionAudioworks
http://www.facebook.com/people/Andrew_Duke/852160229
http://myspace.com/AndrewDuke
http://myspace.com/CognitionAudioworks

Re: (313) Robyn: speaking of non-313 music

[[mark ]]

I've been hoping for her Konichiwa Bitches track to blow up
stateside since i originally heard it in early 2006...

I didn't realize the Snoop remix was legit - It was my understanding
he was kind of unhappy about it, thinking it was a piss take by some
Swedish white girl...maybe I missed a line or two of the story.

m

On Mon, May 12, 2008 at 2:27 PM, Andrew Duke [EMAIL PROTECTED] wrote:
 Speaking of non-313 music (re: mentions of Crystal Castles and Four Tet),
  I've been thoroughly enjoying the self-titled 4th album from Sweden's
 Robyn.
  Am telling everybody about it I can (see more below), to be honest.
  It has been available since 2005, but has only been out in North America
  for the last couple of weeks.  Every track is solid; out of 14 tracks, 8
 have
  been issued as a single somewhere.  One of the official remixes of Snoop
 Doog's
  recently-mentioned-on-this-list song Sensual Seducation/Sexual Eruption
  features Robyn on vocals as does Britney Spears' Piece Of Me, so you
  might have already heard her voice.  Plus she's sung on tracks for numerous
  others including Basement Jaxx.

  Anyway, if you don't know her story, she did 3 albums (since 1997) for
 major labels
  and struck out on her own with her own Konichiwa label for this new album
 after
  getting fed up with her majors.  She's been writing and performing her own
 songs
  since she was 13; yes it is pop music, but it with a fresh take on the
 music
  (producers range from The Knife to Klaus Ahlund to Kleerup) and her
  lyrics--again, written by herself--are a twist on the usual pap of Britney,
  Christina, et al.  Example choruses that the other female pop artists
 wouldn't
  be able to pull off:  my new favorite thing to do/is wasting
  my time with a bum like you; I should have seen it coming down/I should
  have f*ckin' known; who's that girl that you think you love/I know
 there's
  no such girl.  She's known for performing acoustic versions of her dance
  songs, too, which you wouldn't see many doing. And she does it very well.

  I'd liken her to Neneh Cherry (a big fave of mine, and there's news Cherry
  will have a new album out by the end of the year) before I'd compare her to
  Britney, Christina, et al, actually.  And she's smart about her remixers:
  Drop The Lime does a take on her current single, for example, Jori
 Hulkkonen
  has done a mix, etc.  Her myspace page currently has her newest North
  American single, a medley of the 3 remixes of it, a cover of The Police's
  Message In A Bottle, the Snoop Dogg remix she's featured on, and clips
  from every track on the album.  I could go on and on, but hopefully if you
  haven't already heard her material, you'll check these links:

  http://en.wikipedia.org/wiki/Robyn
  http://www.myspace.com/robynmyspace
  http://www.robyn.com/
  http://www.youtube.com/results?search_query=robynsearch_type=
  Andrew

  --
  Andrew Duke--sound design/recording/composition/production courses:
  http://andrew-duke.com/course.html

  Andrew Duke--Chain Reaction downloadable sound FX samplepack:
  http://www.audiobase.com/product/SACR

  Andrew Duke--Consumer vs. User album:
  http://www.phthalo.com/cat.php?cat=phth40

  Andrew Duke--columns/features/commentaries/more:
  http://cognitionaudioworks.com/read.html

  http://linkedin.com/in/AndrewDukeCognitionAudioworks
  http://www.facebook.com/people/Andrew_Duke/852160229
  http://myspace.com/AndrewDuke
  http://myspace.com/CognitionAudioworks





-- 
Play more things that make me dance around and less things that make
me sit and look miserable in a plastic chair - Brian Eno

Blind faith in bad leadership is not Patriotism.

Re: (313) Robyn: speaking of non-313 music

[Cyclone Wehner]

I totally concur with Andrew! I've spoken to Robyn a couple of times  
over the years, once when she was a kid. She is an incredible live  
performer, she really rips, has an amazing voice. She has totally  
taken control of her own business and is v hands on. She had a major  
trying to turn her into something else. She's super intelligent - her  
parents are involved in avant garde theatre. Her club shows here in  
Melbourne (she's toured 3 times in the last year) sold out on word of  
mouth. I think the album is kinda like Madonna/ Jellybean era - but  
Robyn is a superior singer. She belongs to a new wave of plucky  
female acts like Santogold, MIA, who are very much striking out on  
their own. BTW she wasn't as into the Basement Jaxx song but I  
thought that rocked - it samples an Eastern European gypsy tune. Hey  
U, it is called I think. She took the name Konichiwa from a skit by  
Dave Chappelle as she is a big fan. She actually broke through in the  
US with her debut album in the mid-90s and was described as a white  
Mary J, but I think she felt very uncomfortable being seen as RB at  
all. She's a real sweetie.




On 13/05/2008, at 4:27 AM, Andrew Duke wrote:

Speaking of non-313 music (re: mentions of Crystal Castles and Four  
Tet),
I've been thoroughly enjoying the self-titled 4th album from  
Sweden's Robyn.

Am telling everybody about it I can (see more below), to be honest.
It has been available since 2005, but has only been out in North  
America
for the last couple of weeks.  Every track is solid; out of 14  
tracks, 8 have
been issued as a single somewhere.  One of the official remixes of  
Snoop Doog's
recently-mentioned-on-this-list song Sensual Seducation/Sexual  
Eruption

features Robyn on vocals as does Britney Spears' Piece Of Me, so you
might have already heard her voice.  Plus she's sung on tracks for  
numerous

others including Basement Jaxx.

Anyway, if you don't know her story, she did 3 albums (since 1997)  
for major labels
and struck out on her own with her own Konichiwa label for this new  
album after
getting fed up with her majors.  She's been writing and performing  
her own songs
since she was 13; yes it is pop music, but it with a fresh take on  
the music

(producers range from The Knife to Klaus Ahlund to Kleerup) and her
lyrics--again, written by herself--are a twist on the usual pap of  
Britney,
Christina, et al.  Example choruses that the other female pop  
artists wouldn't

be able to pull off:  my new favorite thing to do/is wasting
my time with a bum like you; I should have seen it coming down/I  
should
have f*ckin' known; who's that girl that you think you love/I  
know there's
no such girl.  She's known for performing acoustic versions of her  
dance
songs, too, which you wouldn't see many doing. And she does it very  
well.


I'd liken her to Neneh Cherry (a big fave of mine, and there's news  
Cherry
will have a new album out by the end of the year) before I'd  
compare her to
Britney, Christina, et al, actually.  And she's smart about her  
remixers:
Drop The Lime does a take on her current single, for example, Jori  
Hulkkonen

has done a mix, etc.  Her myspace page currently has her newest North
American single, a medley of the 3 remixes of it, a cover of The  
Police's
Message In A Bottle, the Snoop Dogg remix she's featured on, and  
clips
from every track on the album.  I could go on and on, but hopefully  
if you

haven't already heard her material, you'll check these links:

http://en.wikipedia.org/wiki/Robyn
http://www.myspace.com/robynmyspace
http://www.robyn.com/
http://www.youtube.com/results?search_query=robynsearch_type=
Andrew

--
Andrew Duke--sound design/recording/composition/production courses:
http://andrew-duke.com/course.html

Andrew Duke--Chain Reaction downloadable sound FX samplepack:
http://www.audiobase.com/product/SACR

Andrew Duke--Consumer vs. User album:
http://www.phthalo.com/cat.php?cat=phth40

Andrew Duke--columns/features/commentaries/more:
http://cognitionaudioworks.com/read.html

http://linkedin.com/in/AndrewDukeCognitionAudioworks
http://www.facebook.com/people/Andrew_Duke/852160229
http://myspace.com/AndrewDuke
http://myspace.com/CognitionAudioworks

(313) Snoop Re: (313) Robyn: speaking of non-313 music

[Andrew Duke]

[mark ] wrote:

I've been hoping for her Konichiwa Bitches track to blow up
stateside since i originally heard it in early 2006...

I didn't realize the Snoop remix was legit - It was my understanding
he was kind of unhappy about it, thinking it was a piss take by some
Swedish white girl...maybe I missed a line or two of the story.

m
  

Yep, the Snoop remix featuring Robyn is legit; it is
listed in the discography on his official website here:
http://www.snoopdogg.com/discography/default.aspx/pid/2603
Andrew

On Mon, May 12, 2008 at 2:27 PM, Andrew Duke [EMAIL PROTECTED] wrote:
  

Speaking of non-313 music (re: mentions of Crystal Castles and Four Tet),
 I've been thoroughly enjoying the self-titled 4th album from Sweden's
Robyn.
 Am telling everybody about it I can (see more below), to be honest.
 It has been available since 2005, but has only been out in North America
 for the last couple of weeks.  Every track is solid; out of 14 tracks, 8
have
 been issued as a single somewhere.  One of the official remixes of Snoop
Doog's
 recently-mentioned-on-this-list song Sensual Seducation/Sexual Eruption
 features Robyn on vocals as does Britney Spears' Piece Of Me, so you
 might have already heard her voice.  Plus she's sung on tracks for numerous
 others including Basement Jaxx.

 Anyway, if you don't know her story, she did 3 albums (since 1997) for
major labels
 and struck out on her own with her own Konichiwa label for this new album
after
 getting fed up with her majors.  She's been writing and performing her own
songs
 since she was 13; yes it is pop music, but it with a fresh take on the
music
 (producers range from The Knife to Klaus Ahlund to Kleerup) and her
 lyrics--again, written by herself--are a twist on the usual pap of Britney,
 Christina, et al.  Example choruses that the other female pop artists
wouldn't
 be able to pull off:  my new favorite thing to do/is wasting
 my time with a bum like you; I should have seen it coming down/I should
 have f*ckin' known; who's that girl that you think you love/I know
there's
 no such girl.  She's known for performing acoustic versions of her dance
 songs, too, which you wouldn't see many doing. And she does it very well.

 I'd liken her to Neneh Cherry (a big fave of mine, and there's news Cherry
 will have a new album out by the end of the year) before I'd compare her to
 Britney, Christina, et al, actually.  And she's smart about her remixers:
 Drop The Lime does a take on her current single, for example, Jori
Hulkkonen
 has done a mix, etc.  Her myspace page currently has her newest North
 American single, a medley of the 3 remixes of it, a cover of The Police's
 Message In A Bottle, the Snoop Dogg remix she's featured on, and clips
 from every track on the album.  I could go on and on, but hopefully if you
 haven't already heard her material, you'll check these links:

 http://en.wikipedia.org/wiki/Robyn
 http://www.myspace.com/robynmyspace
 http://www.robyn.com/
 http://www.youtube.com/results?search_query=robynsearch_type=
 Andrew


--
Andrew Duke--sound design/recording/composition/production courses:
http://andrew-duke.com/course.html

Andrew Duke--Chain Reaction downloadable sound FX samplepack:
http://www.audiobase.com/product/SACR

Andrew Duke--Consumer vs. User album:
http://www.phthalo.com/cat.php?cat=phth40

Andrew Duke--columns/features/commentaries/more:
http://cognitionaudioworks.com/read.html

http://linkedin.com/in/AndrewDukeCognitionAudioworks
http://www.facebook.com/people/Andrew_Duke/852160229
http://myspace.com/AndrewDuke
http://myspace.com/CognitionAudioworks

(313) Music For The Beep Generation - Futuresonic 2007

[Drew Hemment]

MUSIC FOR
THE BEEP
GENERATION

The Futuresonic 2007 festival's central music strand, featuring
the likes of Kraftwerk's Wolfgang Flur, French hip-hop sensation
TTC and legendary music pioneers, Faust.

A part of FUTURESONIC 2007
10-12 May, Manchester
www.futuresonic.com

Expect stunning live performances in Manchester's main music
venues, numerous diverse events across the city, and low-slung
live music at the Futuresonic lounge.

Visit TICKET INFO page
www.futuresonic.com/07/bookings.html

__

Thursday 10 May 2007

TTC
+ DJ ORGASMIC
+ KODE 9
+ TRAMP! DJs

TTC leave the clichés about 'cool' independent hip hop
lying in the dust. Hell-bent on injecting the fun back into rap,
their raucous live performances are the stuff of legend.
Made up of Para One, Tekilatex, Cuizinier, Orgasmic and
Tacteel; a producer / MC team whose sound is unlike any
other, with production handled by the group's members 
guests such as Modeselektor. Their new release, '3615 TTC'
has been critically acclaimed throughout the press and the
group have been featured as one of The Guardian's
'Tips for 2007'.
Mint Lounge, Oldham Street, Manchester
9pm-2am, Thursday 10 May
£8 Adv. / £10 on the door
Free entry with Futuresonic Weekender Wristband



Thursday 10 May 2007

FUTURESONIC LOUNGE

Laid back sounds in the surroundings of the Futuresonic Lounge, with
a host of live acts over the festival weekend. Performances from RF
Records's Creative Entrepreneurs project and Trafford-based community
project Seed Studios, including Abdul Hameed Khan singing Bollywood
classics over minimal electro and legendary Manchester busker Ronnie
Hoyte. This is followed by the experimental electronic pop of
Peterloo Massacre, and a performance from Newcastle's gusty hard-folk
protagonists, Cath  Phil Tyler.
2pm onwards, Thursday 10 May
Kro Bar, Oxford Road
Free

__

Friday 11 May 2007

FAUST
+ THE CHAP

Inventors of Krautrock, Faust are legends of 20th Century music. In
the early 70's, along with Can and Kraftwerk, they changed modern
music forever. Faust can claim to have influenced Brian Eno, Joy
Division, Cabaret Voltaire, Sonic Youth and countless electronica and
techno artists. Effortlessly blending industrial overdrive with
beautiful hypnotic grooves, Faust's live performance is a once in a
lifetime experience. Rare, raw and unmissable.
Doors 7.30pm - 11pm, Friday 11 May
Academy 2, Oxford Road, Manchester
£14 Adv. / £16 on the door
Free with Festival Weekender Wristband



Friday 11 May 2007

APPARAT (LIVE) + TRANSFORMA (VISUALS)
+ SLEEPARCHIVE (LIVE)
+ MADE (LIVE)
+ NAIVE MELODY DJS PLUS VISUALS

A back-to-back night of cutting edge electronic music, headed by
Berlin hero Apparat. With a sound that veers between dense, dark and
majestic clouds of elegiac pop and driving dancefloor energy, he has
marked himself apart from the stale formulaic disciplines of 'IDM'.
Mysterious minimal beast Sleeparchive supports; another Berlin based
producer currently creating excitement across the scene. Manchester
based dark electronic hip-hop purveyor MADE performs live alongside
DJ sets from local collective Naive Melody.
Doors 9pm - 2am, Friday 11 May
Club Academy, Oxford Road, Manchester
£8 Adv. / £9 on the door
Free with Futuresonic Weekender Wristband



Friday 11 May 2007

FUTURESONIC LOUNGE

DJ  live laptop sets ranging from subtle electronica through to
cutting edge contemporary music through the afternoon. As the evening
draws near, Futuresonic presents a live showcase from London's finest
experimental label LoAF, with everything from acoustic electronica
through to junk rock n' roll and spine tingling breakcore.
Live: Vincent Oliver and the Cumontitts Orchestra, Andrea's Kit,
Batfinks, Felix, Hurra caine Landcrash, Straight (a dull roar)
DJs: The One Man Rave Machine, Dead Babies, Lo  LoAF Dj's, Conor (U-
Basstard - ashockinghobby)
2pm onwards, Friday 11 May
Kro Bar, Oxford Road
Free

__

Saturday 12 May 2007

UFO CLUB vs TRAMP!
Featuring...
WOLFGANG FLUR (KRAFTWERK)
+ BLACK DEVIL DISCO CLUB (LIVE)
+ TRAMP! DJS
+ HOPPY  JACK HENRY MOORE

The UFO Club from the 1960's is revived in a 5 hour freak-out that
might just change your life forever. In 1967, London's UFO club wrote
itself into the history books. In creating a series of seminal
events, where bands such as Syd Barrett's Pink Floyd pumped out
interstellar sounds to a backdrop of swirling lightshows, psychedelic
projections and freak-out visuals, the modern club night was born.
Now, 40 years later, we give you UFO vs TRAMP! A night featuring the
original UFO pioneers, creating an optical trip and psyched-out
sounds in alliance with Manchester's TRAMP!, a promoter / DJ
collective that captures the spirit of the times today. Features a DJ
set from Kraftwerk's beat-master Wolfgang Flur and the strange,
beautiful, glitter-ball discovery of the century, Black Devil Disco
Club, whose seminal dark electronic 1978 disco masterpiece '28 After'
is the stuff 

(313) new outlets for 313 music?

[Mr. jp]

The future for pre-recorded music may be troublesome... but I've read
that audiobooks (whether CD or downloaded) are selling well. Maybe
some Detroit or liberation lit read over some choice 313 tracks would
be feasible? Personally, I'd love to hear narrative about all the
overlooked, neglected technologies and strategies in this stagnant era
paired with a 313 soundtrack. Hmmm

http://slashdot.org/articles/07/03/22/1547252.shtml
CD Music Sales Down 20% In Q1 2007
Music sales are not just falling, they're plummeting — by as much as
20% when you compare January-March 2007 with the 2006 numbers. The
revenue numbers are actually worse, since CD prices are under
pressure. The Wall Street Journal lists many factors contributing to
the rapid decline: 800 fewer retail outlets (Tower Records' demise
alone closed 89); increasingly negative attitude towards CD sales from
big-box retailers (Best Buy now dedicates less floor space to CDs in
favor of better-selling items); and file sharing, among others. Songs
are being traded at a rate about 17 times the iTunes Store's recent
rate of sales. Diminishing CD sales means that you don't have to sell
as many to get on the charts. The 'Dreamgirls' movie soundtrack
recently hit #1 by selling 60,000 CDs in a week, a number that
wouldn't have made the top 30 in 2005.

Re: (313) Music Room

[David Powers]

What? no bass bins? No Arp-2600? No three bank Moog modular? Not even
an 808 in there? *yawn* I'll pass... ~David

On 1/19/07, Cliff Thomas [EMAIL PROTECTED] wrote:


I would totally do that if i wasn't broke :)
--- [EMAIL PROTECTED] wrote:

From: Martin Dust [EMAIL PROTECTED]

I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

Re: (313) Music Room

[Matt Kane's Brain]

Pfff, I don't see a tuned mass damper anywhere to counteract the  
effects of the wind on his house.


He has cables crossing at angles other than 90 degrees! And some of  
them touch the ground! (not joking, I knew a guy who did this)


I can't figure out what the skinny wires coming out of the amps are.  
It's connected to the amp twice with what looks like a BNC connector.


On Jan 19, 2007, at 3:29, Martin Dust wrote:


I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

m


--
matt kane's brain
http://hydrogenproject.com
aim - mkbatwerk
[EMAIL PROTECTED]

Re: (313) Music Room

[Michael . Elliot-Knight]

I'm guessing that the guy IS married and this is just the space above his
garage!  First off, he lives in the freakin' mountains out west in a cedar
shingled house (garage matches it).  That's big $ right there.  He custom
built the house to have this acoustically treated space above the garage so
he could go out there and get away from his wife (I'm sure she's happy to
have him out of the house too) and listen to his jazz music (evidence -
framed pics of artists on walls).  I bet his house is 5 times the size of
this building in the first picture.  He's a rich mofo.

I like the way he's got a two seat sofa behind his single reclining chair -
he imagines himself the be the captain of his freakin' musical ship.

MEsherlocK

Martin Dust [EMAIL PROTECTED] wrote on 01/19/2007 02:29:56 AM:

 I'm guessing but I bet this guys isn't married ;)

 http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

 m

Re: (313) Music Room

[Martin Dust]

I can't figure out what the skinny wires coming out of the amps  
are. It's connected to the amp twice with what looks like a BNC  
connector.



Simplex cables to the speakers at a guess...

m

RE: (313) Music Room

[Robert Taylor]

Does he make his wife sit in the back seat?  


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] 
Sent: 19 January 2007 16:10
To: Martin Dust
Cc: 313 List
Subject: Re: (313) Music Room





I'm guessing that the guy IS married and this is just the space above
his garage!  First off, he lives in the freakin' mountains out west in a
cedar shingled house (garage matches it).  That's big $ right there.  He
custom built the house to have this acoustically treated space above the
garage so he could go out there and get away from his wife (I'm sure
she's happy to have him out of the house too) and listen to his jazz
music (evidence - framed pics of artists on walls).  I bet his house is
5 times the size of this building in the first picture.  He's a rich
mofo.

I like the way he's got a two seat sofa behind his single reclining
chair - he imagines himself the be the captain of his freakin' musical
ship.

MEsherlocK

Martin Dust [EMAIL PROTECTED] wrote on 01/19/2007 02:29:56 AM:

 I'm guessing but I bet this guys isn't married ;)

 http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

 m


#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#

Re: (313) Music Room

[Martin Dust]

On 19 Jan 2007, at 16:17, Robert Taylor wrote:


Does he make his wife sit in the back seat?


I think she's in one of the walls Rob, bad experience with an axe and  
Genesis album


m

RE: (313) Music Room

[Williams, Graham]

Here another link about it...

http://forum.audiogon.com/cgi-bin/fr.pl?vaslt1036349020read34;


G





-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] 
Sent: Friday, January 19, 2007 4:10 PM
To: Martin Dust
Cc: 313 List
Subject: Re: (313) Music Room





I'm guessing that the guy IS married and this is just the space above
his garage!  First off, he lives in the freakin' mountains out west in a
cedar shingled house (garage matches it).  That's big $ right there.  He
custom built the house to have this acoustically treated space above the
garage so he could go out there and get away from his wife (I'm sure
she's happy to have him out of the house too) and listen to his jazz
music (evidence - framed pics of artists on walls).  I bet his house is
5 times the size of this building in the first picture.  He's a rich
mofo.

I like the way he's got a two seat sofa behind his single reclining
chair - he imagines himself the be the captain of his freakin' musical
ship.

MEsherlocK

Martin Dust [EMAIL PROTECTED] wrote on 01/19/2007 02:29:56 AM:

 I'm guessing but I bet this guys isn't married ;)

 http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

 m

RE: (313) Music Room

[Michael . Elliot-Knight]

article he wrote about his room - it's in a converted barn
they found a new house, it seems, primarily so he could build this out
he's got some serious cash

http://www.positive-feedback.com/Issue16/lavigneroom.htm

MEK


   
 Williams,
 Graham   
 [EMAIL PROTECTED]  To 
 m313@hyperreal.org 
cc 
 01/19/07 10:24 AM 
   Subject 
   RE: (313) Music Room
   
   
   
   
   
   




Here another link about it...

http://forum.audiogon.com/cgi-bin/fr.pl?vaslt1036349020read34;


G





-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Friday, January 19, 2007 4:10 PM
To: Martin Dust
Cc: 313 List
Subject: Re: (313) Music Room





I'm guessing that the guy IS married and this is just the space above
his garage!  First off, he lives in the freakin' mountains out west in a
cedar shingled house (garage matches it).  That's big $ right there.  He
custom built the house to have this acoustically treated space above the
garage so he could go out there and get away from his wife (I'm sure
she's happy to have him out of the house too) and listen to his jazz
music (evidence - framed pics of artists on walls).  I bet his house is
5 times the size of this building in the first picture.  He's a rich
mofo.

I like the way he's got a two seat sofa behind his single reclining
chair - he imagines himself the be the captain of his freakin' musical
ship.

MEsherlocK

Martin Dust [EMAIL PROTECTED] wrote on 01/19/2007 02:29:56 AM:

 I'm guessing but I bet this guys isn't married ;)

 http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

 m

RE: (313) Music Room

[Michael . Elliot-Knight]

Only if doesn't touch anything nor speak until she's spoken to.  ;-)

MEK

Robert Taylor [EMAIL PROTECTED] wrote on 01/19/2007 10:17:08 AM:

 Does he make his wife sit in the back seat?


 Rob Taylor
 VT Librarian
 x8599
 Hatch Desk x1088
  VT Library Users' Guide

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]
 Sent: 19 January 2007 16:10
 To: Martin Dust
 Cc: 313 List
 Subject: Re: (313) Music Room





 I'm guessing that the guy IS married and this is just the space above
 his garage!  First off, he lives in the freakin' mountains out west in a
 cedar shingled house (garage matches it).  That's big $ right there.  He
 custom built the house to have this acoustically treated space above the
 garage so he could go out there and get away from his wife (I'm sure
 she's happy to have him out of the house too) and listen to his jazz
 music (evidence - framed pics of artists on walls).  I bet his house is
 5 times the size of this building in the first picture.  He's a rich
 mofo.

 I like the way he's got a two seat sofa behind his single reclining
 chair - he imagines himself the be the captain of his freakin' musical
 ship.

 MEsherlocK

 Martin Dust [EMAIL PROTECTED] wrote on 01/19/2007 02:29:56 AM:

  I'm guessing but I bet this guys isn't married ;)
 
  http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117
 
  m
 


#

 Note:

 Any views or opinions are solely those of the author and do not
 necessarily represent
 those of Channel Four Television Corporation unless specifically
 stated. This email
 and any files transmitted are confidential and intended solely for
 the use of the
 individual or entity to which they are addressed. If you have
 received this email in
 error, please notify [EMAIL PROTECTED]

 Thank You.

#

Re: (313) Music Room

[kent williams]

He's a wanker. For what he spent on interconnects and speaker cables,
he could have bought a Crown amp and some BW midfield monitors that
would sound just as good.

On 1/19/07, Martin Dust [EMAIL PROTECTED] wrote:

I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

m

RE: (313) Music Room

[Robert Taylor]

Heheh - I didn't know you guys used that word ! 


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED] 
Sent: 19 January 2007 17:06
To: list 313
Subject: Re: (313) Music Room

He's a wanker. For what he spent on interconnects and speaker cables, he
could have bought a Crown amp and some BW midfield monitors that would
sound just as good.

On 1/19/07, Martin Dust [EMAIL PROTECTED] wrote:
 I'm guessing but I bet this guys isn't married ;)

 http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

 m


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Re: (313) Music Room

[fab.]

i love it when you use UK slang...;)

ps: you could have said tosser 


fab.

- Original Message - 
From: kent williams [EMAIL PROTECTED]

To: list 313 313@hyperreal.org
Sent: Friday, January 19, 2007 6:05 PM
Subject: Re: (313) Music Room



He's a wanker. For what he spent on interconnects and speaker cables,
he could have bought a Crown amp and some BW midfield monitors that
would sound just as good.

On 1/19/07, Martin Dust [EMAIL PROTECTED] wrote:

I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

m

RE: (313) Music Room

[punkdISCO]

I was going to say that he probably does not even 'really' like music until
I saw this one:

http://media.knuttz.net/0701/music_room/music_room_006.jpg

But it still reminds me of this:

Audiophile: someone that listens to the noise and not the music.

I wonder if he knows the humble technology used in recording some of the
best albums ever produced..

Nob...

Paul
London
www.punkdisco.co.uk
www.punkdisco.co.uk/music/wot.mp3 - New annoying track
www.myspace.com/punkdisco - Zero content, more pictures

Re: (313) Music Room

[Matt Kane's Brain]

There's a line in the interview posted by MEK about how the room  
owner doesn't have a lot of knowledge about music.


On Jan 19, 2007, at 12:17, punkdISCO wrote:

I was going to say that he probably does not even 'really' like  
music until

I saw this one:

http://media.knuttz.net/0701/music_room/music_room_006.jpg

But it still reminds me of this:

Audiophile: someone that listens to the noise and not the music.

I wonder if he knows the humble technology used in recording some  
of the

best albums ever produced..

Nob...

Paul
London
www.punkdisco.co.uk
www.punkdisco.co.uk/music/wot.mp3 - New annoying track
www.myspace.com/punkdisco - Zero content, more pictures



--
matt kane's brain
http://hydrogenproject.com
aim - mkbatwerk
[EMAIL PROTECTED]

RE: (313) Music Room

[Michael . Elliot-Knight]

Somebody was trying to tell me that CDs are better than vinyl because they
don't have any surface noise. I said, Listen, mate, *life* has surface
noise.   ~John Peel (RIP)


punkdISCO [EMAIL PROTECTED] wrote on 01/19/2007 11:17:38 AM:

 I was going to say that he probably does not even 'really' like music
until
 I saw this one:

 http://media.knuttz.net/0701/music_room/music_room_006.jpg

 But it still reminds me of this:

 Audiophile: someone that listens to the noise and not the music.

 I wonder if he knows the humble technology used in recording some of the
 best albums ever produced..

 Nob...

 Paul
 London
 www.punkdisco.co.uk
 www.punkdisco.co.uk/music/wot.mp3 - New annoying track
 www.myspace.com/punkdisco - Zero content, more pictures

Re: (313) Music Room

[Thomas D. Cox, Jr.]

On 1/19/07, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:


Somebody was trying to tell me that CDs are better than vinyl because they
don't have any surface noise. I said, Listen, mate, *life* has surface
noise.   ~John Peel (RIP)


good quote.

tmo

Re: (313) Music Room

[robin]

Somebody was trying to tell me that CDs are better than vinyl  
because they
don't have any surface noise. I said, Listen, mate, *life* has  
surface

noise.   ~John Peel (RIP)


That is a brillaint quote.

robin...

Re: (313) Music Room

[Michael . Elliot-Knight]

This guy sounds like a complete a$$hole

At first I had the gear in the family room (connected to the
kitchen/eating space)
... competing with the noise of the dishwasher, the kitchen sink, and
'life' in general.
I kept eyeing a large den (a favorite room of my wife) where we had a desk
and piano.
One afternoon when my wife was gone, I moved all my gear into the den. All
of a sudden,
I had a dedicated room... which was to be my audio home for the next nine
years.
I got lucky with the den; it had a very high ceiling (almost 11 feet), a
bay window
and floor to ceiling bookshelves on the rear wall.
Soon the desk and piano were evicted and I settled into audio bliss in MY
room.

I'm sure his wife was pleased that he took over the room she liked so much
while she was gone
so much for the marriage

I really enjoyed having fellow audiophiles visit me...

probably because his wife didn't want to talk to him anymore

To me, getting the lighting correct is one of those 'fine details' that
can make
the enjoyment of the system much better. Typically, the front lighting
zone
is always off unless I am doing cleaning or setup of some sort.
In fact, for serious listening I typically have all the lights off except
two
15 watt 'loose' cans that I put on the floor aimed up at the ceiling
directly
behind the speakers.
These 'up-firing' lights cast a warm glow over the front diffuser panel
and ceiling and really enhance the whole musical experience.

I considered the issue of acoustical problems resulting from all these
recessed
cans and track lighting. I was concerned that the ceiling bass traps might
cause
resonance with the metal cases of the cans. I had quite a bit of lead tape
applied
to these cans before the ceiling was buttoned up to insure it would not
become a
problem. Once my system was in the room, the first thing I did was to play
a
bass 'boom' track over and over and search for any resonance. I found
three of
the cans did have slight ringing from the trim, and secured them. I went
around
and put my ear close to each light. In the near future I'll get a more
sophisticated
low frequency sweep, to ensure I have found all possible sources of
unwanted resonance.

tosser and wanker don't even begin to describe this cnut

If I focus on what is not perfect I can detect it... but that is not my
way.

LOL!
Right, he just spent several millions of dollars on a new house, custom
construction,
overpriced hi-fi equipment, years of work, isolation from his wife and
kids, and a multi-page
anally retentive article proving that detecting what isn't perfect isn't
his way.
Cnut.

MEK





Matt Kane's Brain [EMAIL PROTECTED] wrote on 01/19/2007 11:24:27 AM:

 There's a line in the interview posted by MEK about how the room
 owner doesn't have a lot of knowledge about music.

 On Jan 19, 2007, at 12:17, punkdISCO wrote:

  I was going to say that he probably does not even 'really' like
  music until
  I saw this one:
 
  http://media.knuttz.net/0701/music_room/music_room_006.jpg
 
  But it still reminds me of this:
 
  Audiophile: someone that listens to the noise and not the music.
 
  I wonder if he knows the humble technology used in recording some
  of the
  best albums ever produced..
 
  Nob...
 
  Paul
  London
  www.punkdisco.co.uk
  www.punkdisco.co.uk/music/wot.mp3 - New annoying track
  www.myspace.com/punkdisco - Zero content, more pictures
 

 --
 matt kane's brain
 http://hydrogenproject.com
 aim - mkbatwerk
 [EMAIL PROTECTED]

RE: (313) Music Room

[pauley]

Fibre? 

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED] 
Sent: Friday, January 19, 2007 8:15 AM
To: Matt Kane's Brain
Cc: 313 List
Subject: Re: (313) Music Room


 I can't figure out what the skinny wires coming out of the amps are. 
 It's connected to the amp twice with what looks like a BNC connector.


Simplex cables to the speakers at a guess...

m


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(313) Music Room

[Martin Dust]

I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

m

Re: (313) Music Room

[Cliff Thomas]

I would totally do that if i wasn't broke :)
--- [EMAIL PROTECTED] wrote:

From: Martin Dust [EMAIL PROTECTED]
To: 313 List 313@hyperreal.org
Subject: (313) Music Room
Date: Fri, 19 Jan 2007 08:29:56 +

I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

m

Re: (313) Music Room

[Martin Dust]

On 19 Jan 2007, at 09:13, Cliff Thomas wrote:



I would totally do that if i wasn't broke :)


I wonder what he listen to? His collection isn't that big either but  
that's one impressive listening room tho...


m



--- [EMAIL PROTECTED] wrote:

From: Martin Dust [EMAIL PROTECTED]


I'm guessing but I bet this guys isn't married ;)

http://knuttz.net/hosted_pages/Amazing-Music-Room-20070117

m

Re: (313) Music Recommenders

[Thomas D. Cox, Jr.]

On 12/3/06, Martin Dust [EMAIL PROTECTED] wrote:


You sure Tom? Are we cool are something now :)


at least you and i are ;)


I haven't made my mind up on this one yet, I'm kinda glad someone is pushing
tips out there cos the top ten in the electronic/dance section on iTunes has
been the same all year - which can't be a good thing.


if it was free id likely be cool with that. but selling it, i think
thats just weak.

tom

RE: (313) Music Recommenders

[Tristan Watkins]

 -Original Message-
 From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] 
 Sent: 04 December 2006 00:36
 To: 313@hyperreal.org
 Subject: Re: (313) Music Recommenders
 
 if it was free id likely be cool with that. but selling it, i 
 think thats just weak.

Isn't it just one of many channels of digital distribution? To play devil's
advocate for a moment, what exactly is so much different than when
Piccadilly puts together a list of weekly recommendations, or more
precisely, when Betalounge offer basically the same thing? Is it just
because it's a phone company that profits from it? Is it that it's a paid
subscription service which is objectionable, or that it relies on a massive
company to reach a wider audience? 
 
Tristan 
===
http://www.phonopsia.co.uk 
[EMAIL PROTECTED] 

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13:12
 

Re: (313) Music Recommenders

[Martin Dust]

I haven't made my mind up on this one yet, I'm kinda glad someone is 
pushing
tips out there cos the top ten in the electronic/dance section on iTunes 
has

been the same all year - which can't be a good thing.


if it was free id likely be cool with that. but selling it, i think
thats just weak.


I can see the theory behind it, it just a shame people don't want to exp. 
the real thing in a store, can't really see the service being a port of call 
for many people here but then again who knows, I never thought people would 
listen to tunes on their phone but anyone who's travelled on public 
transport will know different.


m 

Re: (313) Music Recommenders

[Jari Tolkkinen]

On Mon, 4 Dec 2006, Martin Dust wrote:

  I haven't made my mind up on this one yet, I'm kinda glad someone is 
  pushing
  tips out there cos the top ten in the electronic/dance section on iTunes 
  has

  been the same all year - which can't be a good thing.

 if it was free id likely be cool with that. but selling it, i think
 thats just weak.


I can see the theory behind it, it just a shame people don't want to 
exp. the real thing in a store, can't really see the service being a 
port of call for many people here but then again who knows, I never 
thought people would listen to tunes on their phone but anyone who's 
travelled on public transport will know different.


I would love to experience the real thing every saturday but not everybody 
lives in London/Amsterdam/Berlin/namethatcity.


I live in a smallish (130k inhabitats) city in north Finland where there 
are two record shops. The other is an old and dominant shop selling list 
music, popular music, heavy metal and other common things here in Finland 
and everything is on CD.


The other is a bit alternative store. The alternative part leans heavily 
to heavy metal which is really popular here in Finland. There is a small 
vinyl section which has apprx. couple of hundred records and the rotation 
is really weak. I'd like to support my local dealer but I have given up 
since it really cannot compare to Piccadilly, Hardwax and other stores in 
the net selling electronic music.


I myself have found salvation with the kind of lists that Piccadilly 
puts out and I see this kind of service benefitting us who don't have 
access to quality stores who are specialists.


Of course when I'm travelling the first thing I do is to go to the local 
record shop to check out their wares :)


Happy monday everybody!

--
Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
--








ps. fn hate mondays :D

RE: (313) Music Recommenders

[Stoddard, Kamal]

Looks like they're trying to say that redshape is commercial? Did I read
that wrong? And who's marcel dettman? A pop alias for the man called
peel? More questions than answers...

:)

K

RE: (313) Music Recommenders

[Michael . Elliot-Knight]

It's a joke - don't take it so seriously.  Dettman works at Hard Wax and is
releasing records now.
http://clone.nl/shop.html?find=marcel+dettmanreset=1

:-)

MEK

Stoddard, Kamal [EMAIL PROTECTED] wrote on 12/04/2006 12:46:27
PM:


 Looks like they're trying to say that redshape is commercial? Did I read
 that wrong? And who's marcel dettman? A pop alias for the man called
 peel? More questions than answers...

 :)

 K

RE: (313) Music Recommenders

[Stoddard, Kamal]

Oh! I just didn't know is all. Things can be very different across the
pond. More than once I've found artists I thought to be underground in
the US were pretty all over the charts out there. I was about to start
hating on yall if redshape was pop. Cause that would be fresh. I guess
it's that sarcasm thing I sometimes get slagged off for NOT getting. I'm
a dolt though. It's funny now that I know though. 

K

P.S.
  @MEK! Is that fallon.com as in jimmy fallon? 

K
K
K
K
K
K
K
K
K
K
mwnb

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] 
Sent: Monday, December 04, 2006 2:49 PM
To: Stoddard, Kamal
Cc: 313@hyperreal.org; Martin Dust
Subject: RE: (313) Music Recommenders





It's a joke - don't take it so seriously.  Dettman works at Hard Wax and
is
releasing records now.
http://clone.nl/shop.html?find=marcel+dettmanreset=1

:-)

MEK

Stoddard, Kamal [EMAIL PROTECTED] wrote on 12/04/2006
12:46:27
PM:


 Looks like they're trying to say that redshape is commercial? Did I
read
 that wrong? And who's marcel dettman? A pop alias for the man called
 peel? More questions than answers...

 :)

 K

Re: (313) Music Recommenders

[fab.]

it was interesting reading the different comments on this service, since i 
was curious what the underground thought about it.
skepticism, curiousity...i guess the prevailing feeling is that digital 
distribution is here to stay


i licensed 2 tracks from my label's catalog to them for digital downloads 
after they had been referred by hardwax.


i found john beltran, surgeon, and amp fiddler among others there

fab.


- Original Message - 
From: Tristan Watkins [EMAIL PROTECTED]

To: 313@hyperreal.org
Sent: Saturday, December 02, 2006 6:09 PM
Subject: (313) Music Recommenders


My friend's mom phoned him yesterday to tell him to have a look at an 
advert

in the Independent music supplement - something like one of your favorite
bands is promoting a mobile phone company. So he flicks through and finds
this: http://www.nicklovegrove.co.uk/nokia.jpg

...which points at www.musicrecommenders.com (need to use IE6+). In short,
Gramaphone, HardWax, Smallfish and others are all providing tips for a
subscription download service. So is David Bowie. I'm not passing any
judgements on it. I'm just kind of dumbfounded.

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]

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13:12

Re: (313) Music Recommenders

[Michael . Elliot-Knight]

I'd like to know how you even access the website.  Neither IE nor Safari
got me there.

MEK

fab. [EMAIL PROTECTED] wrote on 12/04/2006 05:06:15 PM:

 it was interesting reading the different comments on this service, since
i
 was curious what the underground thought about it.
 skepticism, curiousity...i guess the prevailing feeling is that digital
 distribution is here to stay

 i licensed 2 tracks from my label's catalog to them for digital downloads

 after they had been referred by hardwax.

 i found john beltran, surgeon, and amp fiddler among others there

 fab.


 - Original Message -
 From: Tristan Watkins [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Saturday, December 02, 2006 6:09 PM
 Subject: (313) Music Recommenders


  My friend's mom phoned him yesterday to tell him to have a look at an
  advert
  in the Independent music supplement - something like one of your
favorite
  bands is promoting a mobile phone company. So he flicks through and
finds
  this: http://www.nicklovegrove.co.uk/nokia.jpg
 
  ...which points at www.musicrecommenders.com (need to use IE6+). In
short,
  Gramaphone, HardWax, Smallfish and others are all providing tips for a
  subscription download service. So is David Bowie. I'm not passing any
  judgements on it. I'm just kind of dumbfounded.
 
  Tristan
  ===
  http://www.phonopsia.co.uk
  [EMAIL PROTECTED]
 
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  No virus found in this outgoing message.
  Checked by AVG Free Edition.
  Version: 7.5.430 / Virus Database: 268.15.3/562 - Release Date:
01/12/2006
  13:12
 
 
 

Re: (313) Music Recommenders

[Martin Dust]

You don't, you're on a Mac...

- Original Message - 
From: [EMAIL PROTECTED]

To: fab. [EMAIL PROTECTED]
Cc: 313@hyperreal.org



I'd like to know how you even access the website.  Neither IE nor Safari
got me there.

Re: (313) Music Recommenders

[Michael . Elliot-Knight]

LOL - just as well

MEK

Martin Dust [EMAIL PROTECTED] wrote on 12/04/2006 05:42:07 PM:

 You don't, you're on a Mac...

 - Original Message -
 From: [EMAIL PROTECTED]
 To: fab. [EMAIL PROTECTED]
 Cc: 313@hyperreal.org

 
  I'd like to know how you even access the website.  Neither IE nor
Safari
  got me there.

Re: (313) Music Recommenders

[Martin Dust]

I'd guess his intentions where/are good (wearing the shirt) but it's 
difficult to understand who this ad is aimed at, although it's message is 
pretty clear. IE6 only :) major mistake. I guess Nokia are starting to take 
notice of smaller companies these days and it feels a bit like a mixed 
blessing. Are they listening? or Trying to buy being cool?




- Original Message - 
From: Tristan Watkins [EMAIL PROTECTED]

To: 313@hyperreal.org
Sent: Saturday, December 02, 2006 5:09 PM
Subject: (313) Music Recommenders


My friend's mom phoned him yesterday to tell him to have a look at an 
advert

in the Independent music supplement - something like one of your favorite
bands is promoting a mobile phone company. So he flicks through and finds
this: http://www.nicklovegrove.co.uk/nokia.jpg

...which points at www.musicrecommenders.com (need to use IE6+). In short,
Gramaphone, HardWax, Smallfish and others are all providing tips for a
subscription download service. So is David Bowie. I'm not passing any
judgements on it. I'm just kind of dumbfounded.

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]

--
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13:12

Re: (313) Music Recommenders

[Thomas D. Cox, Jr.]

On 12/3/06, Martin Dust [EMAIL PROTECTED] wrote:

or Trying to buy being cool?


actually theyre trying to SELL being cool.

tom

Re: (313) Music Recommenders

[Martin Dust]

Subject: Re: (313) Music Recommenders



On 12/3/06, Martin Dust [EMAIL PROTECTED] wrote:

or Trying to buy being cool?


actually theyre trying to SELL being cool.



You sure Tom? Are we cool are something now :)

I haven't made my mind up on this one yet, I'm kinda glad someone is pushing 
tips out there cos the top ten in the electronic/dance section on iTunes has 
been the same all year - which can't be a good thing.


m 

(313) Music Recommenders

[Tristan Watkins]

My friend's mom phoned him yesterday to tell him to have a look at an advert
in the Independent music supplement - something like one of your favorite
bands is promoting a mobile phone company. So he flicks through and finds
this: http://www.nicklovegrove.co.uk/nokia.jpg 

...which points at www.musicrecommenders.com (need to use IE6+). In short,
Gramaphone, HardWax, Smallfish and others are all providing tips for a
subscription download service. So is David Bowie. I'm not passing any
judgements on it. I'm just kind of dumbfounded. 
 
Tristan 
===
http://www.phonopsia.co.uk 
[EMAIL PROTECTED] 

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13:12
 

Re: (313) music interviews ( was XLR8R magazine)

[vmax]

On Dec 9, 2005, at 12:42 PM, diana potts wrote:






I find that most dance music magazines do a crap


job of interviews   and articles.  I think there is


too much pressure on getting as much shoved into the
pages as possible - more bang for your buck.

 I've personally never been drawn to XLR8R magazine.
but that's just me.


Same here.


IMHO, I think music interviews are hard to win with.
How many times can you ask (or read) 'so how did you
get into electronic music' I'd like to see more
politically or socially motivated questions from
journalists-seeing as most artists are influenced from
social/political situations.


This would be nice.
I myself have for the most part been influenced by tonality and  
frequencies when it came to my artistic push. Social and political  
situations has it's place in the influence factor as we are all a  
product of our environment.  It is not about the artist, it's what  
the artist is pushing that counts to me.  I find that people get to  
hung up in the trend of who an artist is rather then then the content  
the artist push.  I would like to know way a artist chose that color  
or sound rather then what he/she has to make it with or what do you  
think is happening to music..


Provoking emotion with the use of frequencies. If you can fell your   
sphincter coming out your mouth because the low-end frequency is  
pushing so hard on you as you loose your breath, think of that  
emotion .  Ummm brings me peace




However, it's not usually
what the readers what to read-instead they'd prefer
gear questions. I still think a DJ needs to do an
HONEST diary of what happens on the road. Gimme the
wild times.


This is true..



 D
ps.Transcribing interviews is a b*tch too, unless you
have that futuristic stuff that does it for you.



Software

HB


underground static
www.vmax.net

(313) 313 music inspired by films/art

[Sam K]

Don't you love it when you discover something new about some music that
you've owned for ages.,.
Recently i watched the great film Nausicaa of the valley of the wind
by the legendary Hayao Miyazaki.
The word Nausicaa...does it ring a bell?  well it did for
mesure enough their was a favorite blippy melodic electro record
put out on planet-e by Flexitone (Brendan m Gillen + others?) with the
same name..after seeing the movie the track took on a slightly different
angle for me...
So my questions---
What other records are out there inspired by obscure films? (yes yes
everybody knows about carl craig and susperia)
on a slightly different note i seem to remember that flexitone's other
release (which i don't have)on planet E was inspired by a visual
artistwho was it?
-- 
  Sam K
  [EMAIL PROTECTED]
sub-sequence 2xx 98.3fm

-- 
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Re: (313) 313 music inspired by films/art

[Wojtek]

On Dec 5, 2005, at 7:20 PM, Sam K wrote:


Don't you love it when you discover something new about some music that
you've owned for ages.,.
Recently i watched the great film Nausicaa of the valley of the wind
by the legendary Hayao Miyazaki.
The word Nausicaa...does it ring a bell?  well it did for
mesure enough their was a favorite blippy melodic electro 
record

put out on planet-e by Flexitone (Brendan m Gillen + others?) with the
same name..after seeing the movie the track took on a slightly 
different

angle for me...
So my questions---
What other records are out there inspired by obscure films?


Jeff Mills's Three Ages trilogy (and recently, DVD) inspired by Buster 
Keaton comes to mind




(yes yes
everybody knows about carl craig and susperia)
on a slightly different note i seem to remember that flexitone's other
release (which i don't have)on planet E was inspired by a visual
artistwho was it?


It's Rotoreliefs , inspired by Marcel Duchamp's work of the same name.


--
  Sam K
  [EMAIL PROTECTED]
sub-sequence 2xx 98.3fm

--
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Re: (313) 313 music inspired by films/art

[skkatter]

A bit of the soundtrack from the Film Nausicaa was sampled by Jega on
his Cardhore EP on Skam Records (the track was also called Nausicaa):
http://www.discogs.com/release/188

As for the music that samples old films, I'd say there's countless
tracks out there that do. Practically half of the nu electro I own
samples some old school sci-fi films (THX 1138, The Last Starfighter,
2001, are a few examples, I suppose these aren't as obscure as
Nausicaa though).

Anybody else listen to much of Jega's stuff? More on the IDM (which
is up there with electronica as the worst music terms ever) tip, he
also samples (or basically covers) one of the tracks from the film
Tron the first track (Alternating Bit) on his Geometry album on Planet
Mu.

-skkatter

On 06/12/05, Sam K [EMAIL PROTECTED] wrote:

 The word Nausicaa...does it ring a bell?  well it did for
 mesure enough their was a favorite blippy melodic electro record
 put out on planet-e by Flexitone (Brendan m Gillen + others?) with the
 same name..

--
http://www.skkatter.net

RE: (313) 313 music inspired by films/art

[Leonard, Patrick]

Jeff Mills - Fritz Lang's Metropolis. Anyone know if the DVD with the
Mills soundtrack was ever released??

-P

-Original Message-
From: skkatter [mailto:[EMAIL PROTECTED] 
Sent: 06 December 2005 09:27
To: 313@hyperreal.org
Subject: Re: (313) 313 music inspired by films/art

A bit of the soundtrack from the Film Nausicaa was sampled by Jega on
his Cardhore EP on Skam Records (the track was also called Nausicaa):
http://www.discogs.com/release/188

As for the music that samples old films, I'd say there's countless
tracks out there that do. Practically half of the nu electro I own
samples some old school sci-fi films (THX 1138, The Last Starfighter,
2001, are a few examples, I suppose these aren't as obscure as Nausicaa
though).

Anybody else listen to much of Jega's stuff? More on the IDM (which is
up there with electronica as the worst music terms ever) tip, he also
samples (or basically covers) one of the tracks from the film Tron the
first track (Alternating Bit) on his Geometry album on Planet Mu.

-skkatter

On 06/12/05, Sam K [EMAIL PROTECTED] wrote:

 The word Nausicaa...does it ring a bell?  well it did for 
 mesure enough their was a favorite blippy melodic electro 
 record put out on planet-e by Flexitone (Brendan m Gillen + others?) 
 with the same name..

--
http://www.skkatter.net

Re: (313) 313 music inspired by films/art

[franky]

hey there...

1st thing that comes to my mind is 'black mahogany' or 'the set up' by 
moodymann ... which samples the blaxploitation classics 'detroit 9000', 
'superfly' and 'the mack' 

2nd is 'blakula' by Carl Craig ... also blaxploitation classic

cheers
dUb




Don't you love it when you discover something new about some music that
you've owned for ages.,.
Recently i watched the great film Nausicaa of the valley of the wind
by the legendary Hayao Miyazaki.
The word Nausicaa...does it ring a bell?  well it did for
mesure enough their was a favorite blippy melodic electro record
put out on planet-e by Flexitone (Brendan m Gillen + others?) with the
same name..after seeing the movie the track took on a slightly different
angle for me...
So my questions---
What other records are out there inspired by obscure films? (yes yes
everybody knows about carl craig and susperia)
on a slightly different note i seem to remember that flexitone's other
release (which i don't have)on planet E was inspired by a visual
artistwho was it?
-- 
  Sam K
  [EMAIL PROTECTED]
sub-sequence 2xx 98.3fm

-- 
http://www.fastmail.fm - A fast, anti-spam email service.

FW: (313) 313 music inspired by films/art

[[EMAIL PROTECTED]]

 -Original Message-
 From: Wojtek [mailto:[EMAIL PROTECTED] 
 Sent: 06 December 2005 08:31

  on a slightly different note i seem to remember that 
 flexitone's other
  release (which i don't have)on planet E was inspired by a visual
  artistwho was it?
 
 It's Rotoreliefs , inspired by Marcel Duchamp's work of the 
 same name.

I have lovely picture disc of this one.  H .. wonder if it's worth
loads of money?

Re: (313) music

[alex . bond]

tom coxlate!

big time. been saving up to go on my holidays, but, well..did so well for a
while but kinda blew it today. been in the pub since work finished too
*burp* ahem. got a big hole in my pocket. oh well, baguettes and evian for
me in france. none of your camembert on toast business.

that ron trent is real nice though seriously

well i'm glad i didn't blow money i had on rubbish then.

Super Jay - super jay love theme reissue
martin acuna - dance dance dance pp reissue
yeah im trying to pick these up too, hopefully theyll come into
the shop i work at this weekend

2 bombs in one day, i didnt even know they were getting reissued. I have
the super jay on another reissue, but to get a 12 with a vers each side
very good. 200 quids worth of disco records there. happy days. check these
out disco fans. and pop pickers. ladies (?)

derek.plaslaiko Todd 'n Tadd - Analogue Acid Project [TNT]
sick sick sick sick sick sick!!!

hmm, I dont have this yet, i need it. and that carl craig mix, there's
going to be a massive ruck in the record shop if they dont have it tomorrow
; )

alex




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Re: (313) music

[jurren baars]

Marsel wrote:


purchased some new recs yesterday

c2 mix of laurent garnier

ss023 - first theo parrish purcahse for me since.

only heard short clips online thusfar, and apart from that i haven't bought 
much new things myself recently. only new things i've heard and really liked 
recently were:


Keith Worthy  Malik Alston - Ecoutez [Still Music / In The Dark LP]

Todd 'n Tadd - Analogue Acid Project [TNT]

and an oldy: Nu Era - Stars [SSR]

oh, and a record Guy pointed out on LD: Rod Lee - Dance My Pain Away

Re: (313) music

[alex . bond]

my first new records in a long time:

slow supreme 10
Indeginous space people (ron trent 12)
theo parrish - capritarious7
Super Jay - super jay love theme reissue
martin acuna - dance dance dance pp reissue

dying to hear the new carl craig that marsel mentioned, hope it comes
before the weekend.
_
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Re: (313) music

[Thomas D. Cox, Jr.]

-- Original Message --
From: [EMAIL PROTECTED]

Indeginous space people (ron trent 12)
theo parrish - capritarious7

late! 

;P 

that ron trent is real nice though seriously, i rocked that sh*t
out a couple weeks ago. and obviously i love that theo, for those
of you who DLed my mix earlier in the summer youve been down with
the a side for a minute now. 

Super Jay - super jay love theme reissue
martin acuna - dance dance dance pp reissue

yeah im trying to pick these up too, hopefully theyll come into
the shop i work at this weekend

tom 


andythepooh.com


 
   

Re: (313) music

[Derek Plaslaiko.]

On Thu, 18 Aug 2005, jurren baars wrote:


Todd 'n Tadd - Analogue Acid Project [TNT]





sick sick sick sick sick sick!!!

(313) music

[marsel]

i tried it before

purchased some new recs yesterday

c2 mix of laurent garnier
nice nice nice
classy analogue synth twiddling

ss023 - first theo parrish purcahse for me since. 
much more hectic and freaked / up tempo as previous things



\\
prepare for the planet delsin
http://www.delsin.org

___
http://nomorewords.net

RE: (313) Music I've heard this week

[dave cronin]

Since it's a little quiet round here today, here's
what's new my uptempo crate:

Henrik Schwarz - Leave My Head Alone Brain
This cool little groover features some dubby sounds (a
la deepchord), yummy organ, funk bassline and bluesy
soul vox. A variety of mixes range from pretty rootsy
to a bit more tech-house. Would work well the new Dark
Comedy bizness, and is way more dynamic and varied
than some of the more stripped-down Henrik gear.

Domu - Discotech EP
Yeah, yeah, I know I'm always on about Domu. This one
is pretty cool-- he takes his more freestyle/bnb
approach and applies it to house music. The results
are a bit Theo/KDJ, complete with samples all over the
place, off-kilter beats, and satisfying basslines. B2
is a bit different with a bit more of what you expect
from Domu-- nice detroit-ish moody pads, brokenbeats
and some dnb influences.

Kid Sublime - Bassment Works Vol. 4
More lowlands minimal deep house with prominent KDJ
influences. For me the real winner is the Side B.
Totally grrooovy with good builds and changes,
featuring a nice little vocal loop (keep on doing
what I'm doing). I also just picked up Basement Soul,
which is a full-length RB/Soul album-- very nice, but
much more song-oriented.

Spymusic - The Start of Something Big
This 6 track mini album features warm, organic sounds
(electric guitar, electric piano), a smattering of
synth tones and nice beats ranging from house to
downtempo. The overall effect is funky and musical but
with a serious groove.

Joakim - Teenage Kiss
Well-moving vocal number with an acidy punk funk
groove combined with some glitchy sounds. B/W Volga
Select - Transe, which is kind of a proto-techno slash
punk-funk thing that would sound great in a set with
the Black Devil Disco Club records. Would love to hear
this on a proper rig.

Also loving (in the jazz/downtempo crate):

Dwight Tribble  The Life Force Trio
Malik Flavors - Ugly Beauty
Ammon Contact - New Birth
Luke Vibert - Lover's Acid

RE: (313) Music I've heard this week

[Thomas D. Cox, Jr.]

-- Original Message --
From: dave cronin [EMAIL PROTECTED]

Domu - Discotech EP
Yeah, yeah, I know I'm always on about Domu. This one
is pretty cool-- he takes his more freestyle/bnb
approach and applies it to house music. The results
are a bit Theo/KDJ, complete with samples all over the
place, off-kilter beats, and satisfying basslines. B2
is a bit different with a bit more of what you expect
from Domu-- nice detroit-ish moody pads, brokenbeats
and some dnb influences.

when domu was in town about a year and a half ago he bought two
copies of omar-s 002 from the shop i work at, one for him and one
for dego. those guys love some detroit house music. 

Kid Sublime - Bassment Works Vol. 4
More lowlands minimal deep house with prominent KDJ
influences. For me the real winner is the Side B.
Totally grrooovy with good builds and changes,
featuring a nice little vocal loop (keep on doing
what I'm doing). 

yeah that one is nice. i thought i heard there was a part 5 out,
has anyone heard that? i actually havent liked anything else he's
done outside of the basement works records. 

tom 


andythepooh.com


 
   

RE: (313) Music I've heard this week

[dave cronin]

my introduction to him was his remix of Recloose's Us
vs. Us, which was pretty nice, though quite slow.


--- Thomas D. Cox, Jr. [EMAIL PROTECTED]
wrote:

 yeah that one is nice. i thought i heard there was a
 part 5 out, has anyone heard that? i actually havent

 liked anything else he's done outside of the
basement 
 works records. 

 From: dave cronin [EMAIL PROTECTED]

 Kid Sublime - Bassment Works Vol. 4
 More lowlands minimal deep house with prominent KDJ
 influences. For me the real winner is the Side B.
 Totally grrooovy with good builds and changes,
 featuring a nice little vocal loop (keep on doing
 what I'm doing). 

RE: (313) Music I've heard this week

[Thomas D. Cox, Jr.]

-- Original Message --
From: dave cronin [EMAIL PROTECTED]

my introduction to him was his remix of Recloose's Us
vs. Us, which was pretty nice, though quite slow.

that was the first i heard of him too, and i liked his mix better
than the original though that is definitely my least favorite
recloose record. basement works 3 has his best track IMO on it,
its a disco loop kinda jam but really dirty and nasty. 

tom 


andythepooh.com


 
   

Re: (313) Music I've heard this week

[Over Skilled]

Lets see if we can keep going...



  unfoundsoundrecords.com

  release 09 . is chunky and beep ' nice techno sounds .. check out some
  of the earlier releases for continuation on minimal themes.

  Digging tracks from Miteigi Nemoto on a Russian netlabel: www.otium.ru

  OTR012 . Long play sonic shifters with uncompressed bass that's sounds
  dirty and smacked up in my headphones.

..

  Finding the sounds of techno in the net to be quietly exciting, raw
  un-bothered production from diverse corners of the planet.

  Full of abandoned hope and the selfish pleasures of bedroom studio.


   .simon



--


Can you do enough to
 stop the liberation
   of your own mind?

 www.psurkit.net
   www.obscure.co.nz

(313) Music I've heard this week updated

[Martin Dust]

Lets see if we can keep going...

Arpanet Quantum Transposition Album
Odd one for me, didn't like it at first - thought the tracks where too 
short and some of the tracks are much louder than the others (Track 6 
being a good example), there's also an unusual amount of silence between 
each track. But by track 7 I was beginning to believe that all the latter 
may and probably is intentional. Really started to feel the chilled and 
cold vibe of the album, felt a bit like early Autechre with a flavour of 
dub.Dark stuff indeed.


This album really gets going after track 7, think B12, early Warp - really 
cool.


Nick Wilson - Light and Dark - Meta
Only had a few spins of this but the B-Side really stands out as an 
adventurous piece of work, dark layered textures, twisting scapes and some 
deep pounding beats, this is kinda like the direction I thought BMB may 
take. Don't let the pounding beats description put you off tho, it's 
intelligent stuff. Looks like Meta is going to be up there with Subject 
Detroit on my must buy list for 2005. 

Re: (313) Music I've heard this week updated

[Benoît Pueyo]

That LD sounds really promising, too bad I only have heard a few clips 
on the web... Like always these tracks need to be heard in full length, 
am i right ???


--
Benoît.

Martin Dust a écrit :

Lets see if we can keep going...

Arpanet Quantum Transposition Album
Odd one for me, didn't like it at first - thought the tracks where too 
short and some of the tracks are much louder than the others (Track 6 
being a good example), there's also an unusual amount of silence 
between each track. But by track 7 I was beginning to believe that all 
the latter may and probably is intentional. Really started to feel the 
chilled and cold vibe of the album, felt a bit like early Autechre 
with a flavour of dub.Dark stuff indeed.



This album really gets going after track 7, think B12, early Warp - 
really cool.


Nick Wilson - Light and Dark - Meta
Only had a few spins of this but the B-Side really stands out as an 
adventurous piece of work, dark layered textures, twisting scapes and 
some deep pounding beats, this is kinda like the direction I thought BMB 
may take. Don't let the pounding beats description put you off tho, it's 
intelligent stuff. Looks like Meta is going to be up there with Subject 
Detroit on my must buy list for 2005.

Re: (313) Music I've heard this week updated

[Martin Dust]

Wotcha Benoît,

I would say that, a couple of small clips won't do these 12s any justice 
really, but then again when have those small clips ever!, You defo need to 
listen from the start but there's still plenty of mixing opportunities to be 
had, just got Oliver Ho's LD as well - I'll report back when I've had a 
kip.


Martin


- Original Message - 
From: Benoît Pueyo [EMAIL PROTECTED]

To: 313@hyperreal.org
Sent: Sunday, July 17, 2005 12:19 PM
Subject: Re: (313) Music I've heard this week updated


That LD sounds really promising, too bad I only have heard a few clips on 
the web... Like always these tracks need to be heard in full length, am i 
right ???


--
Benoît.

Nick Wilson - Light and Dark - Meta
Only had a few spins of this but the B-Side really stands out as an 
adventurous piece of work, dark layered textures, twisting scapes and 
some deep pounding beats, this is kinda like the direction I thought BMB 
may take. Don't let the pounding beats description put you off tho, it's 
intelligent stuff. Looks like Meta is going to be up there with Subject 
Detroit on my must buy list for 2005.

RE: (313) Music I've heard this week

[David Smith]

Kevin Reynolds - Built For Athletic Response
http://www.discogs.com/release/484130
--keep an eye out for this one, real detroit techno in the transmat 
tradition--release has my eye on this new label.




Detroit underground 5, not too impressed with this one, although it is good 
for playing MAME roms too, but id recommend that Det und gets there asses on 
the streets, cause its not the sound of the city...







From: Martin Dust [EMAIL PROTECTED]
Reply-To: Martin Dust [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: (313) Music I've heard this week
Date: Sat, 16 Jul 2005 15:35:52 +0100

Lets see if we can keep going...

RE: (313) Music I've heard this week*

[David Smith]

Sorry smoked too much grass this morning--the prior post was a draft...

Kevin Reynolds - Built For Athletic Response
http://www.discogs.com/release/484130
--keep an eye out for this one, real detroit techno in the transmat
tradition--release has my eye on this new label.


http://www.discogs.com/release/436174
Detroit underground 5, not too impressed with this one, although it
is good for playing MAME roms to, and it was worth my money--i recommend 
that Det und

gets their asses on the streets, because IDM is not the sound of the
city...  And the first lock-groove was cheese-style, detroit underground 
vocal sample, others I am happy to mix.




From: Martin Dust [EMAIL PROTECTED]
Reply-To: Martin Dust [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: (313) Music I've heard this week
Date: Sat, 16 Jul 2005 15:35:52 +0100

Lets see if we can keep going...

(313) Music I've heard this week

[Martin Dust]

Lets see if we can keep going...

Arpanet Quantum Transposition Album
Odd one for me, didn't like it at first - thought the tracks where too short 
and some of the tracks are much louder than the others (Track 6 being a good 
example), there's also an unusual amount of silence between each track. But 
by track 7 I was beginning to believe that all the latter may and probably 
is intentional. Really started to feel the chilled and cold vibe of the 
album, felt a bit like early Autechre with a flavour of dub.Dark stuff 
indeed.


more latter 

Re: (313) Music I've heard this week

[charles]

No new techno for me - was meaning to get the pure plastic one, then got 
drunk and blew my budget on space jazz from dusty groove instead. Looks 
good though - not sure what moondog 's like but hey :-) guess I'll find out 
in acouple of weeks!


At 15:35 16/07/2005, you wrote:

Lets see if we can keep going...

Arpanet Quantum Transposition Album
Odd one for me, didn't like it at first - thought the tracks where too 
short and some of the tracks are much louder than the others (Track 6 
being a good example), there's also an unusual amount of silence between 
each track. But by track 7 I was beginning to believe that all the latter 
may and probably is intentional. Really started to feel the chilled and 
cold vibe of the album, felt a bit like early Autechre with a flavour of 
dub.Dark stuff indeed.


more latter

RE: (313) music contracts was re: Joe Lewis and Jaime Read

[Melody Ng]

I was just about to start writing an email re: this and I think you've
(andrew) got it spot on. It is really about Read v Lewis in the first
instance. Of course if Peacefrog knew that the record was not original
work then to go ahead and release the record could result in an
infringement of copyright by Peacefrog as well. If Peacefrog then are
made aware that there has been an actual breach of copyright then they
should remove the record from sale.

In response to other emails in the thread - the only way one can prove
that there had actually been copyright infringement is to actually bring
the matter to the court and have the court decide whether there has been
a breach. There is no other way to prove that there has been a breach.
Jaime Read would have to produce evidence (other DAT tapes etc) that the
music was his. I wonder if he has sent a cease and desist, or some other
type of letter from his lawyers to Peacefrog AND Joe Lewis, or at least
wrote to them with his allegations and try to work this out in the usual
legal fashion. 

At the moment its just words and rumours and unless there is proof there
is nothing anyone can really do. I don't know how it would help if
Peacefrog put a statement on their website based on just a rumour. I'm
not sure if emailing Peacefrog on masse would assist his case either.
Unlike the Sony v UR Jaguar incident, we don't know whether it's true
that his music has indeed been 'sampled'/'copied' without a license.
well ok I personally don't know and won't be mailing but if the rest of
you have heard it and you believe it is then go ahead. 


Cheers
Melody (am a lawyer (not a copyright one) and this isn't legal advice!)

-Original Message-
From: Andrew Duke Cognition Audioworks
[mailto:[EMAIL PROTECTED] 
Sent: Wednesday, 6 July 2005 01:56
To: 313 list
Subject: (313) music contracts was re: Joe Lewis and Jaime Read

Because of my work, I deal with a lot of music contracts on a regular
basis, and if Peacefrog has a typical contract with Joe Lewis, Peacefrog
would have covered their butt in this situation: Lewis would have had to
affirm in signing a contract with Peacefrog that he owned the work being
released on Peacefrog.
So in this case, if Lewis had indeed submitted songs to Peacefrog (now
released) that he did not own the copyright to, Lewis would be breaching
Peacefrog's contract and furthermore Read could sue Lewis for copyright
infringement.  Read wouldn't have any truck with Peacefrog in this
situation because Peacefrog didn't intentionally infringe Read's
copyright.  As has been said, if Lewis signed a contract with Peacefrog
saying that the songs were indeed his (Lewis'), Peacefrog would have no
reason to doubt him. My CDN .02. Andrew not a lawyer, so don't quote me
on this Duke

--
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com



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(313) music contracts was re: Joe Lewis and Jaime Read

[Andrew Duke Cognition Audioworks]

Because of my work, I deal with a lot of music contracts
on a regular basis, and if Peacefrog has a typical contract
with Joe Lewis, Peacefrog would have covered their butt
in this situation: Lewis would have had to affirm in signing
a contract with Peacefrog that he owned the work being
released on Peacefrog.
So in this case, if Lewis had indeed submitted songs to
Peacefrog (now released) that he did not own the copyright
to, Lewis would be breaching Peacefrog's
contract and furthermore Read could sue Lewis for
copyright infringement.  Read wouldn't have any truck
with Peacefrog in this situation because Peacefrog didn't
intentionally infringe Read's copyright.  As has been
said, if Lewis signed a contract with Peacefrog saying
that the songs were indeed his (Lewis'), Peacefrog would
have no reason to doubt him. My CDN .02. Andrew not
a lawyer, so don't quote me on this Duke

--
Andrew Duke
scoring/sound design/source
http://andrew-duke.com
Cognition Audioworks label
[Andrew Duke, Foal, Clinker, Granny'Ark]
http://cognitionaudioworks.com



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(313) Music from the festival

[alex . bond]

So, did anyone buy any nice 'items' from the festival that we should know
about?

Someone posted re the new kdj - thanks for that! sounds hot!

Anything else? Any good mix cds? I know Mike Grant was selling some via his
shop. Any hot white labels? How about kitchen sinks, any of those?

p.s. my friend had a great lp titled moods and grooves the other day, an
old detroit jazz (?) lp. thats the best name for a label ever.
_
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PricewaterhouseCoopers LLP may monitor
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to this e-mail you give your consent to such monitoring.

Re: (313) Music from the festival

[Thomas D. Cox, Jr.]

-- Original Message --
From: [EMAIL PROTECTED]

So, did anyone buy any nice 'items' from the festival that we
should know
about?

white labels:
KDJ 034
KDJ 033
Sound Signature 021
Sound Signature 022 (howard thomas)
Sound Signature 023 pt 1
Sound Signature 023 pt 2
Sound Signature 024
Sound Signature 025 (doom featuring umar)
Sound Signature 029 pt 1 (billy lo)
Sound Signature 029 pt 2 (billy lo)
Synth 001 (Huckaby remixing Deep Chord)
Technoir 007 (shawn rudiman  arnie weinberg)

and some other things:

Warren Harris - EP - Sound Signature 020
ERP - EP - Down Low
V/A - The Detox EP - Mixmode
Los Hermanos - On Another Level - Los Hermanos
O'Jays - The Love For Music (Re-Edit) - White Label
Detroit Grand Pu Bahs - Sandwiches - Throw
Oliverwho Factory - Rude Awakening Level 2 - Madd Chaise
Candido - Dancin and Prancin / Thousand Finger Man - Salsoul/Suss'd
Deep Space 6:11 - The Rhythmicity EP - Psychostasia
V/A - The Unknown Artist EP - Psychostasia
V/A - Secret Mixes/Fixes Vol 1 - ???
B. Calloway  Mr De - Late Night Ride / 10 - Local 3000
UR - Ma Ya Ya / Swamp Thing - UR
V/A - Three Chairs 2 - Sound Signature
Theo Parrish - Solitary Flight / Delwood II - Sound Signature
Theo Parrish - Lights Down Low - Sound Signature

plus a new compilation CD on mahogani straight from mr dixon
himself (a jack lambert fan! who knew?!?!) 

tom 


andythepooh.com


 
   

Re: (313) Music from the festival

[robin]

so, Tom i want reviews to the list by the time i check my email over 
morning coffee tomorrow


got that? :)


and what's on the mahogani compilation CD...any good?

robin...




white labels:
KDJ 034
KDJ 033
Sound Signature 021
Sound Signature 022 (howard thomas)
Sound Signature 023 pt 1
Sound Signature 023 pt 2
Sound Signature 024
Sound Signature 025 (doom featuring umar)
Sound Signature 029 pt 1 (billy lo)
Sound Signature 029 pt 2 (billy lo)
Synth 001 (Huckaby remixing Deep Chord)
Technoir 007 (shawn rudiman  arnie weinberg)




plus a new compilation CD on mahogani straight from mr dixon
himself (a jack lambert fan! who knew?!?!) 

Re: (313) Music from the festival

[/0]

Detroit Grand Pu Bahs - Sandwiches - Throw



HAHAHAHAHAHHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHAHAAHAHAHAHAHAHAHAHAHA



;)
-Joe

(313) music...we do it for love TORONTO may 13th 2005

[Neil Wiernik]

**

Friday May 13th
music...we do it for love @ Nasa 609 Queen St. West
  Cover: $5 www.kickmagazine.ca | www.nasatoronto.com |
www.dowhatchagotta.com

THE RETURN OF NAW TO TORONTO!

THE FIRST LIVE APPREANCE OF NAW AS A TORONTO RESIDENT IN 3 YEARS


  NAW live - (Noise factory, phoniq.net, Toronto/Montreal)
  Cyan - (phoniq.net, Montreal)
  Sara Scruton (Kick Magazine, ninaflower.com)
  Gerald Matrix (Kick Magazine, netmusique.com)

**



naw/neil wiernik
[EMAIL PROTECTED]
www.noisefactoryrecords.com
www.pieheadrecords.com
www.clevermusic.net
www.pertin-nce.com
www.complot.ca
www.phoniq.net