RE: I've broken-in the 43mm

2001-04-01 Thread David A. Mann

Len writes:

 It's not the camera that is really supported by Quantum.  It's the flash. If
 he was using an external flash with his digital camera then, probably, he
 could have used a Quantum battery to power the flash.

 Sorry, I should have mentioned.  The flash was external and mounted on a 
bracket of some kind.  Even my Sunpak flashes accept a mains power 
adaptor.  Do newer flashes have them (eg AF500FTZ)?

 If he was using a
 consumer digital camera, and not a big ticket digital like Kodak/Nikon,
 Kodak/Canon, a Nikon D1, a Fuji Finepix Pro, all of which can use external
 flash units that are also supported by Quantum, then maybe he was stuck with
 AA batteries.  Did you notice which digital camera he was using?

 It looked quite big and expensive.  I was too far away to be able to tell 
anything more but it was definitely not a consumer-grade camera.

 The place he was from is pretty well-known down here so I presume they 
can afford good gear, and that they know what they're doing.  At my 
graduation about 2 years ago they took all the pictures on film without using 
a flash (which is good because I dislike flash).  I'd be interested to see just 
how those prints come out.

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: Favorite Lens Roll Call Results UPDATE 3 (offlist)

2001-04-01 Thread David A. Mann

Aaron Reynolds writes:

   A* 200 2.8 (1)
 
 Look, everyone who hasn't voted for this lens is just plain WRONG.

 I don't own one, so there :)

 I _do_ want an FA* 200/2.8 though...

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: Re[2]: pentax-discuss-digest V1 #519

2001-04-01 Thread David A. Mann

Doug Franklin writes:

 Hammers for nails. A lesson long ago forgotten.

 How about bullets for Can[n]ons? ;)


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

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Pentax soft release

2001-04-01 Thread Bob Walkden

Hi,

http://www.photofilter.com/acces.htm#Shutter Release
(cut the whole line above  paste it into the browser)

http://www.camera-direct.com/other.asp

Bob


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Re: Large Sunspot visible (USE SOLAR FILTER)

2001-04-01 Thread David A. Mann

Rob writes:

 If you have a SOLAR FILTER check out the Sun it has a massive sunspot visible.

 Yeah, I saw on tonight's news some auroras that were seen 100 miles south 
of where I live, which is usually too far north for that kind of thing.  I'm a little 
annoyed at having missed them; I'd love to see an aurora.

 The night-time view from the [ant]arctic must be incredible right now.

Cheers,


- Dave

David A. Mann, B.E.
email [EMAIL PROTECTED] * http://www.digistar.com/~dmann/

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Re: hammers nails

2001-04-01 Thread Bill D. Casselberry

"David A. Mann" () wrote: 
  Doug Franklin writes:
 
  Hammers for nails. A lesson long ago forgotten.
 
  How about bullets for Can[n]ons? ;)

:^)  Hammers are usually sufficient
 ... and if at first no success, use a bigger hammer!


;^)


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http://www.orednet.org/~bcasselb
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RE: Cable Release for modern Pentaxes.

2001-04-01 Thread Rob Brigham

Next to the exposure compensation button on the side of the lens mount,
there is a little plastic insert which you remove, exposing electrical
contacts for the remote release.  You can only use an electronic
release.  For some reason the old 'pressure on the shutter button'
method seems to be out of fashion although Nikon seemed to resurrect it
on the F80, but then not on the F65 for some reason.  I think they all
want us to buy and keep upgrading their proprietry switches!

Rob BRigham

-Original Message-
From: petit miam [mailto:[EMAIL PROTECTED]]
Sent: 01 April 2001 09:29
To: [EMAIL PROTECTED]
Subject: Cable Release for modern Pentaxes.


One thing I've been wondering about. How do you use a
cable release on say the MZ-30? I can't see anywhere
to plug it in. My Spotmatic has a thread through the
middle of the shutter release, but the MZ-30 is smooth
plastic.



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RE: hammers nails

2001-04-01 Thread Len Paris

If you take the lens off a Canon, the body makes a great ash
tray.

Len
---

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of
 Bill D. Casselberry
 Sent: Sunday, April 01, 2001 4:52 AM
 To: [EMAIL PROTECTED]
 Subject: Re: hammers  nails


 "David A. Mann" () wrote:
   Doug Franklin writes:

   Hammers for nails. A lesson long ago forgotten.

   How about bullets for Can[n]ons? ;)

   :^)  Hammers are usually sufficient
... and if at first no success, use a
 bigger hammer!


   ;^)



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Re: Hoya, Tiffen (was Re: Cokin filters)

2001-04-01 Thread Kristian-H. Schüssler


- Original Message -
From: "Artur" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, March 28, 2001 7:23 PM
Subject: Re: Hoya, Tiffen (was Re: Cokin filters)


To Fox, Arthur and all interested people

 Well, it seems that most of you, Guys, have a very
negative opinion about the
 Cokin filters...

No, I don't and I know very many french photographers and
amateurs who use
the french COKIN filters.

 I've been using Hama filters so far. They are very well
supplied in Poland,
 not very expensive and there is a new coating formula,
called HTMC or High
 Transmission Multicoating (the producer claims to coat
EACH surface of
 EACH glass layer of which the whole filter glass
consists). I'm not sure,
 however, how well Hama is regarded abroad. So my question
is:
 do you know this brand? And if so, then how do you find it
(good or bad)?

HAMA distributet for long years HOYA Filters in Germany and
made up his
own assembling line, with filters from Japan and own
metallic settings B + W
may have the better reputation in Germany, but HAMA filters
are widely
common with amateurs.

 I like the flexibility the Cokin system provides... You
know, the only thing to be worried about is the correct
adapter, which is cheaper than any filter... It is pretty
important, as I have lenses of various diameters: 49 mm to
58 mm... So, are the Cokin filters really so much crap?

No, not at all all: We use original PENTAX filters, some few
of B + W and
many many HAMA filters for technical purposes
(Color-conversation,
polarization  and so on. For effects we like HAMA
(*Trickfilter* fr
*Verfremdung*) and the COKIN Filtersystem as well.

Sincerely Yours
Kristian-H. Schuessler







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Re: Cable Release for modern Pentaxes.

2001-04-01 Thread Alin Flaider

Rob wrote:

RB For some reason the old 'pressure on the shutter button'
RB method seems to be out of fashion although Nikon seemed to resurrect it
RB on the F80, but then not on the F65 for some reason.  I think they all
RB want us to buy and keep upgrading their proprietry switches!

   Hi Rob,
   I wouldn't disdain the electric remote release. It induces no
vibrations at all (hard to say the same about some mechanical
releases, especially in the cold weather), it poses no limits of
length, and - in Pentax case - allows unmanned shooting via focus trap
feature. I don't see why F80 was given a mechanical shutter release,
perhaps only for a retro touch on a gizmo body. And btw, F65 has no
remote release provision at all.

   Servus, Alin


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Re: Free camera for me.

2001-04-01 Thread Alin Flaider

Jody wrote:

pm I'll probably be forced to give it away to someone who
pm doesn't care about photo quality. But maybe it would
pm be good for panorama shots when the quality doesn't
pm matter. I will see.

   Ouch, panoramas are all about resolution! Take out your best lens,
   finest film, a good tripod and forget about the crappy compacts.
 
   Servus, Alin


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Re: LX vs P1-zp vs Spotmatic

2001-04-01 Thread Paul Jones

Hi,

Can you also fit the the MZ-M viewfinder (focus screen) into the an MZ-5n? I
would love to have a manual focus screen in mine.

Thanks
- Original Message -
From: "Pentax Clover" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, April 01, 2001 1:26 AM
Subject: Re: LX vs P1-zp vs Spotmatic


 Hello
 For helping your manual focusing, may be you can buy a MZ-M viewfinder
piece
 and put it in your MZ-30 ?
 See you

 [EMAIL PROTECTED]

 - Original Message -
 From: "petit miam" [EMAIL PROTECTED]
 To: "Digest Pentax" [EMAIL PROTECTED]
 Sent: dimanche 1 avril 2001 04:08
 Subject: LX vs P1-zp vs Spotmatic


  Hi everyone,
 
  Yesterday I pulled out my Spotmatic SP (with broken
  lightmeter) and caressed it lovingly. I had forgotten
  about a few things I took for granted that my MZ-30
  doesn't have. The Spotmatic will always be my baby
  (sorry Mariah Carey).
  1. The manual focus screen - My MZ-30 only has the
  outline of a square in the viewfinder which is about
  as helpful as trying to focus through frosted glass.
  And I have discovered I prefer manual focus. I take
  lots of closeups with my close-up filters and
  auto-focus doesn't work at all.
  2. That wonderful feeling of winding on the film by
  hand - nothing beats it and my MZ-30 is auto-wind.
  3. I love the feel of the leather half-case in my
  hands.
  4. The lightmeter needle. I can't get used to these
  LEDs.
 
  So I am thinking of getting an LX as well, and trying
  to get my Spotmatic fixed. I know no.1 above is
  covered, but what about no.2? I don't expect to get
  no.3, but that would be a bonus.
 
  And I also hear lots about the P1-zp. I know nothing
  about this camera. What does it have going for it? The
  LX and P1-zp seem to have their separate fan-clubs. I
  don't think I have heard from anyone who raves about
  both.
 
  Please help.
  Jody.
 
 
 
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Re: Soft Release for LX

2001-04-01 Thread Rob Studdert

On 31 Mar 2001, at 9:03, Shel Belinkoff wrote:

 I've just taken delivery of Tom Abrahamsson's soft release for the
 Leica  http://www.rapidwinder.com/2.htm, which is supposed to fit
 other cameras that use a standard cable release.  The soft release
 works on all my Pentax bodies except the LX - which is the one I
 most wanted to use it for.  Does anyone know if there's a soft
 release button that will fit the LX? 

Hi Shel,

SHUTTER BUTTON ATTACHMENT LX, Pentax part #30951

 BTW, for Leica and users of other cameras that will take this
 button, it really helps.  The shutter operation seems to be smoother
 because the larger area on which to rest your finger gives a better,
 easier, more jar-free release, and the button sits higher than the
 standard release button. 

I appreciate the added control the soft release provides however the original 
LX release I find excellent, the later release with the stupid shroud I can 
appreciate it would benefit. I would like to use the soft release on my Leicas 
however as there is no way to lock the release and since I often carry them 
around sans case or bag I would imagine that I would waste many shots 
since the camera must be wound on to meter TTL.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Hey, Boz, What's Up?

2001-04-01 Thread Collin Brendemuehl

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1226721231

This "Finex" looks exactly like the Pentax Takumar-A!
Same shape.  Same grip.

Collin

***

Data Processing Consultation, Inc.
Providing Broad-Spectrum Business Solutions and Assistance
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Re: I really dont like Hoya HMC filters....... Now

2001-04-01 Thread Rob Studdert

On 31 Mar 2001, at 21:57, Paul Jones wrote:

 Hi,
 
 I recently purchased a Hoya HMC Skylite filter for my 28-70 F4 AL. Today i
 accidently touched the filter and left a finger print... and now the finger
 print wont come off i tried cleaning it with a Microfibre lense cloth and
 then tried with some cleaning fluid but to no avail...
 
 Is there any way to get the mark off? I have quite a few other Pentax and
 Hoya filters, all the pentax ones are SMC, but the other Hoyas are not
 HMC... I have never this trouble with any of the other and have touched them
 lots of times..

Hi Paul,

Like Bill suggested cleaning the lens with a gentle soap of some kind will 
often get rid of the mark however you shouldn't really wet any filters other 
than non-sandwiched simple glass filters and also you have to really rinse 
them well as the soap will remain under the retainer ring/lip. 

The other option is to use an optically safe lint free swab (like Chemtronics 
Cottontips, let me know if you want to know where to get them locally) 
dipped in isopropyl alcohol (pure stuff from the chemist not the rubbing type) 
and clean in a spiral motion working your way out from the centre, rotating 
the swab. You might also need to use a few swabs on the one filter surface 
depending on how oily the mark is. Stubborn marks on lens coatings can be 
removed the same way.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Re: LX cable release (Was: Soft Release for LX)

2001-04-01 Thread Jan van Wijk

On Sat, 31 Mar 2001 13:04:02 -0600, William Robb wrote:

I suspect that would explain the double release problem. I don't
suppose there is some sort of adjustment on it to change the
throw ratio between the two cables?

I don't think so, funny enough the part that screws into the camera release
is somewhat adjustable, but that doesn't change the length of the
center-part that comes out. 
It is only 6mm when the release is fully pressed.

The second one, that goes into the bellows to close the aperture, comes
out before the camera side, and extends a full 12mm ...

My other cable release extend an amazing 22mm wich trips the
LX shutter easily.

Maybe I'll open the double-release hand-grip to see if I
can change it a little there.

I would love to use it on the LX since that is the body
best suited to Bellows work because of MLU and
superior long exposure capabilities.

I use two seperate cable releases now, wich works but is
a bit clumsy!

Regards, JvW
-
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Re: And the link helps ... (Someone got a really good deal)

2001-04-01 Thread Mark Cassino

If it helps, the K24 f2.8 has gone to a good home :-)


The real surprise in this package was the Ricoh XR-2. This is a
solid, all metal camera, has aperture priority AND a match needle (so you
can see those fractions of a stop readings), DOF preview, mirror pre-fire
via the self timer, unlimited multiple exposures via the ME button, top
flash synch of 125, a PC socket (missing on mine but in the spec), a
finder window to show aperture setting (like the LX and MX) and even a
nifty little shutter that flips down covering the eyepiece. It has
limits - no TTL flash, top shutter speed of 1/1000, and the annoying
Ricoh feature of having to have the film advance lever half cocked to
activate the meter. But still, I scrubbed it up, put black tape
over the hole where the PC cable should be, tested the meter (which is
accurate) and, assuming the test roll comes back OK, this is my new
keep-in-the-car camera. Sort of an LX-Lite...

- MCC



At 09:47 PM 3/26/01 -0600, Todd Stanley wrote:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1222679298

Todd
-
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Mark Cassino
Kalamazoo, MI
[EMAIL PROTECTED]
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Photos:
http://www.markcassino.com
- - - - - - - - - - 



April Gallery Comments

2001-04-01 Thread Frank Theriault

Gee, this is just like being back in school again!  An Assignment!

This month, I've been asked to critique:
1.  "Snow Shadow" by Paul Stenquist,
2.  "Mud" by Alistair Lax,
3.  "Arbutus Meziessii" by Rodger Whitlock

1.  "Snow Shadow", by Paul Stenquist:

This is one of my favourite images from the Gallery this month.  I was
instantly intrigued when I saw it as a thumbnail, before I knew the
title.  It was one of those sort of "abstract" looking images, looking
ghostly and ethereal.  I couldn't quite tell what the image was of, but
I knew I liked it.  When I opened the image, and saw the title, it
became immediately obvious what it was.  That little "game" of trying to
ascertain what it was, then the discovery of same, made this image all
the more enjoyable to me.

I can only imagine how vibrant the crystals of snow look on the original
transparency, but even in the image as loaded, they look quite lovely.
The texture of those crystals, so hard and crisp, juxtapose beautifully
with the softness of the shadow of the tree.  I love the dark little
"dimple" in the snow in the upper right hand corner;  it somehow breaks
the monotony of the blanket of fresh snow, and adds to its texture.

Although I can't put my finger on "why" (I'm quite new at these sorts of
critiques, and not very good at it), the pattern of the tree shadow is
very pleasing to me, and framed beautifully, keeping the image sort of,
but not quite, abstract.

And, I love the colours:  the pure white of the blanket of snow, the
purer white (if that's possible) of the flecks of the crystals, and the
blue of the shadows.

All in all, this image is a perfect example of the eye of the
photographer finding beauty in the mundane and ordinary, and capturing
it in an exquisite and unique manner.

Thank you.

2. "Mud", by Alaister Lax:

The two things that immediately caught my eye on this one were the
bright yellow raincoat, and the two distinct textures of mud - the wet
mud that the boy is walking in, along with the thicker, stickier looking
mud in the background.  The bright raincoat draws the boy out of the
dark mud and green trees beautifully, bringing him into the foreground;
I don't think this image would have worked had he been wearing anything
other than yellow.

I think what I like about this image is that when you look at the
details, a story begins to emerge.  The bright green clearing behind the
dark tree trunks, along with the shiny wet mud in the foreground tells
us that the sun is out.  The extremely wet foreground mud tells us that
it has been raining.  The fact that the boy has a raincoat of tells us
that the rain is quite recent, but the further fact that it's draped
over his back and shoulders tells us that it was probably raining when
he went outside, and he is now probably pleasantly surprised that the
sun has suddenly broken through.

I love the detail of the mud and detritus hanging from his left boot.
There's a certain "danger" here, in that although he's obviously
enjoying his frolic in the mud, the fact that it's already past his
ankle means that one or two more steps in the wrong direction and he
might end up stuck knee deep in mud.  Even if he doesn't end up stuck in
the mud, one can imaging him going back to his tent or cabin, and being
scolded by a counsellor for tracking mud everywhere (could I be
recalling a traumatic scene from my childhood?  H...)

But whatever consequences may or may not flow from this, his obvious joy
in the moment is beautifully captured here, and is evocative of a joy in
simple things common in childhood, but which becomes (it seems)
increasingly rare with age.

Very well done.

"Arbutus Menziesii" by Rodger Whitlock:

One of the things that I like about this month's gallery is that many
photographers chose to take an unusual viewpoint of very common
occurrences.  This gives the viewer a whole new appreciation of these
occurrences and forces us to see the beauty to be found in everyday
life.  This image does that for me.

What could be more common than fallen leaves in the autumn?  Often
viewed as a nuisance, some fail to see how beautiful this time of year
can be, once the leaves are gone from the trees.  It's all too easy to
focus on the colours of the leaves still on the trees and miss what's
going on beneath our feet.

The inclusion of the bright patch of sunlit ground is inspired:  it
breaks up the monotony of the dark forest floor.  The texture of the
grass and the leaves "floating" on top of it is captivating.  The leaves
are like snowflakes:  from afar they all look pretty much the same, but
upon closer examination each is quite individual and unique.  I very
much like the fact that many of the leaves in the foreground are brown
or yellowing, but there seems to be a swath of green leaves in the
middle, curving up to the left.  And, most of the leaves in the sunlit
patch seem to be brown.  These are most pleasing patterns.  The framing
of this shot is beautiful, as it has captured all of 

Re: April Gallery Comments

2001-04-01 Thread PAUL STENQUIST



Frank Theriault wrote:
 

 1.  "Snow Shadow", by Paul Stenquist:
 
Thanks for the glowing review. You made my day.
Paul
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Re: PUG Star

2001-04-01 Thread aimcompute

Wow, thanks Paul!  Glad you liked it.  This picture, and others I took at
the same time were fun.  I just stood there mesmerized by the changing
shapes and colors, knowing that I could not capture what I was seeing at
this second,  but would capture something seconds later that would surprise
me.

Tom

Original Message -
From: "PAUL STENQUIST" [EMAIL PROTECTED]
To: "pentaxlist" [EMAIL PROTECTED]
Sent: Saturday, March 31, 2001 10:08 PM
Subject: PUG Star


 My first quick perusal fo the PUG gallery was very enjoyable. Most
 enjoyable was Thomas Cakalic's photo "Harborside." It speaks volumes
 about noticing those little things that happen around you and make
 beautiful photographs. And what a perfect response to the assigned
 topic. Thanks for the picture, Thomas.
 Paul Stenquist
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RE: Soft focus Neekon

2001-04-01 Thread Rapture


Can someone point me to related urls where i can get direct infomation on 
the Nikon Soft-Focus filter.

At 11:47 AM 3/30/2001 +1000, you wrote:
Yes, agreed Paul.
Guys, trust me one this...if you want your
portraits (or flower studies), to have a uniquely
subtle, romantic, ethereal look, this filter is for
you.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]
Sent: Friday, 30 March 2001 13:07
To: [EMAIL PROTECTED]
Subject: Re: Soft focus Neekon
At my local enthusiast's photo store, there's a professional customer who
has used Pentax gear for more than a quarter century. He has since
augmented his Pentax equipment with other brands/mounts. Anyway, he swears
by the Nikon soft-focus filter. He explained to me at length how it differs
from a traditional soft-focus lens; unfortunately, I can't recall his
explanation, According to this pro, for years that filter was his trade
secret for delivering portrait shots with a uniquely pleasing look.
  Max wrote:
  God knows what it is that Nikon do to make these filters so
  expensive, but whatever it is, I think it's worth it.
Paul Franklin Stregevsky
[EMAIL PROTECTED]
W: (703) 834-4648

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Re: Cable Release for modern Pentaxes.

2001-04-01 Thread Cy Galley

You have to buy the "F" switch cable. It plugs in like all the electronic
Pentax cameras.

- Original Message -
From: "petit miam" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, April 01, 2001 3:28 AM
Subject: Cable Release for modern Pentaxes.


 One thing I've been wondering about. How do you use a
 cable release on say the MZ-30? I can't see anywhere
 to plug it in. My Spotmatic has a thread through the
 middle of the shutter release, but the MZ-30 is smooth
 plastic.



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Re: Cable Release for modern Pentaxes.

2001-04-01 Thread Michael Perham

Rob Brigham wrote:

 Next to the exposure compensation button on the side of the lens mount,
 there is a little plastic insert which you remove, exposing electrical
 contacts for the remote release.  You can only use an electronic
 release.  For some reason the old 'pressure on the shutter button'
 method seems to be out of fashion although Nikon seemed to resurrect it
 on the F80, but then not on the F65 for some reason.  I think they all
 want us to buy and keep upgrading their proprietry switches!

Kepler made an interesting point in this months SLR column in Pop Photo.
He was discussing the features which are disappearing from current SLR's;
the good and the bad of this.  On this subject, he comments that on first
blush it would appear worthwhile to keep the old screw in remote release in
the shutter button.  However, on closer observation he notes that this
precludes a wireless or cordless release which he deems worth giving up the
old style for.  I agree.

Cheers,  Mike.

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Re: my new LX!

2001-04-01 Thread Aaron Reynolds



PAUL STENQUIST wrote:

 And to all those things you love about the LX I'd like to add the pure
 sensory pleasure of advancing the film and tripping the shutter. Your
 ears and fingertips immediately recognize that this is a very fine
 machine. To all of us who love not just photography but the tools that
 make it possible, that simple act is an absolute joy.

I completely agree.  I just spent Saturday shooting dingy alleyways and
grimy storefronts with mister LX, and I was just having a great time. 
The sound and the feel are both quite satisfying, louder and different
from the (also satisfying) sounds of my ME Super.

Well, welcome to the LX Nation, Chris.

-Aaron

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Re: my new LX!

2001-04-01 Thread Frank Theriault



Aaron Reynolds wrote:

   I just spent Saturday shooting dingy alleyways and
 grimy storefronts with mister LX, and I was just having a great time.

Geez, Aaron, dinge and grime in Oakville?  Say it ain't so!

Don't tell me you ventured out of the 'burbs into Downtown T.O.!  Or even
worse, into Hamilton!  Ick.

BTW, good game last night, eh?  My beloved Habs finally beat you guys.

regards,
frank

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Re: Bovine Growth Hormone, Bad Milk Lesions

2001-04-01 Thread Steve Larson

Hi Tom,

[snip]
 Another pet-peeve for me is the hogwash in the realm of astronomy and
 cosmology.  While I don't doubt that there are extra-solar planets, the
main
 method of proof for the almost weekly proclamations of discoveries, is not
 too different from 20-30 years ago when the evidence was viewed as only
 "possible proof" and tentative.  Much of astronomical discovery is not
based
 on direct observation but on 50% observation and 50% hypothesizing.  How
 many details can you really tell about an object when you're thousand,
 millions, billions of light years away?  A close up look may tell a very
 different story.

Granted, extra solar planets can not be resolved with the telescopes we
have, but when a star wobbles on its axis, something has to cause it.
Luminosity is achieved only with a mass large enough for atomic
conversion, so if there is no luminous mass visibly close enough to
make a solar disk wobble, chances are high that it is of planetary origin
causing a gravitational wobble.

 IMO, the need for funding is driving the discoveries, not the quest for
 knowledge.  Theory is warped into fact.

That`s the wonderful thing about science, if you make a discovery,
they are going to try so very hard to prove you wrong.

 I feel sick now so I'm going to gather up some leeches. g

Don`t those things hurt?
 Tom C.
Steve Larson
Redondo Beach, California


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Re: Hoya, Tiffen (was Re: Cokin filters)

2001-04-01 Thread Artur Ledchowski

Thanx a lot:)
===
"There are signs on the ring,
  Which make me feel so down.
  There's one to enslave all rings,
  To find them all in time
  And drive them into darkness.
  Forever they'll be bound."
Blind Guardian "Lord of the Ring"


- Original Message -
From: "Kristian-H. Schssler" [EMAIL PROTECTED]
Subject: Re: Hoya, Tiffen (was Re: Cokin filters)

--CUT-

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Rare prototypes and the Limited zoom

2001-04-01 Thread Pål Jensen


One of my inside contacts just gave me a lot of prototypes that I have
never seen before!  So now I have a 20/1.4, 35/1.4 and a working
24-70/2.8.  Pentax experimented with this AL ED IF lens but shelved it in
favour of the less-expensive 24-90, but it's a beauty  Except the
plastic window fell off and it's all dirty inside and I think it doesn't
focus at infinity.  Oh well.  I gave my friend a couple of Vivitar Series
1 50/1.2's in trade, since I have no use for the 6 I picked up at a garage
sale for 50 cents.  Has anyone else heard about the new 16-32mm f2.6-3.3
Limited Zoom?  Sure looks like a beauty.

Pl

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New List Rules! Read This!

2001-04-01 Thread Doug Brewer


Ok, people, listen up.  This off-topic trash has gone on long enough, and
I have been forced to take draconian measures.  You are permitted one
off-topic post per week.  The posting of a second one will result in a
stern warning letter, and posting three will result in being kicked off
this list permanently.  You are also limited to two on-topic messages per
week.  I'm sick of having to read 100+ messages per day.  It wasn't like
this back in the good old days when Pentax ran things.  So shape up or
ship out.

In about a month I'll be introducing a new aspect to the list.  I call it
"PDML Survivor."  Each week we will vote one of our list members off the
list.  This should keep the bad elements out of the list, as well as
provide amusement for the rest of us.  Enjoy!

P.S. I will be the judge and jury of off-topic posts.  If I don't like
what you have to say, or if you just piss me off, you're history.

--
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com

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Sell your LX's!

2001-04-01 Thread Aaron Reynolds


Hey everyone, I've decided to sell off my LX and buy some MX's.  So I
encourage everyone on this list who owns LX's to trade them in for
MX's.  You can get at least two good MX's for each LX, and they're really
just as good.  I'll use the 67 format for the good stuff and the MX's for
everything else.  So make sure to sell those LX's, everyone!  I'm counting
on you.  Don't let me down.

-Aaron

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Goodbye Pentax

2001-04-01 Thread William Robb


Effective immediately I'm switching all of my equipment to Nikon brand.
I used to have an F2 that was a beautiful camera, and I realized lately
that there's no way my Pentaxes can meet that standard.  I'm going to miss
giving up those Limited lenses, but Nikon's new Fun Lenses look too
enticing to resist.  Imagine getting a fisheye for that little money.
Har!  I'll probably still keep one of my broken Pentaxes around just to
remind me of what an awful camera it was.  If you shoot Pentax these days,
then the best of luck to ye!  Did I ever tell you about the time I got
those 40/2.8's for $10?  Almost as good as my $40 Nikon F2 that I found
yesterday.  Har again!
William Robb

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Re: My switch to APS

2001-04-01 Thread dosk

Ah, I'm not dork enough to fall for that one on April 1st. But nice try...
(If you would've said you wer switching to Polaroid from now on though, now
THAT I could've believed...)
Skip

Subject: My switch to APS



 I want to let everyone know that I shall no longer be printing my own
 black and white.  I've been quite impressed with some of the recent
 technological innovations which I have seen lately, and I am now taking
 all of my photos with an APS point and shoot and ISO 400 C-41 film.  The
 level of quality from such an instrument is surprising, at least to
 me.  The grain is very pleasing, and evokes fond memories of shooting
 Kodak's recording film, especially when I enlarge the prints.

 I have already bequeathed the majority of my Pentax equipment to select
 list members, so if you haven't received an e-mail from me about it then
 you can safely assume that I don't much care for you.

 I have no regrets.  I've done a lot of BW work in my life, and now I want
 to devote my remaining days to unravelling the mysteries of APS.  What a
 wonderful format!  And I never have to worry again about misloading film.
 Not to mention the three different picture sizes.  I always had trouble
 figuring out how to crop, burn, dodge, and all those other darkroom
 techniques, and now I don't have to.

 Good riddance to bad 35mm!

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 There are no rules for good photographs,
 there are only good photographs.

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Re: New List Rules! Read This!

2001-04-01 Thread Doug Brewer

Good one, Chris.

Doug



At 2:28 PM -05004/1/01, Doug Brewer caused thus to appear:
Ok, people, listen up.  This off-topic trash has gone on long enough, and
I have been forced to take draconian measures.  You are permitted one
off-topic post per week.  The posting of a second one will result in a
stern warning letter, and posting three will result in being kicked off
this list permanently.  You are also limited to two on-topic messages per
week.  I'm sick of having to read 100+ messages per day.  It wasn't like
this back in the good old days when Pentax ran things.  So shape up or
ship out.

In about a month I'll be introducing a new aspect to the list.  I call it
"PDML Survivor."  Each week we will vote one of our list members off the
list.  This should keep the bad elements out of the list, as well as
provide amusement for the rest of us.  Enjoy!

P.S. I will be the judge and jury of off-topic posts.  If I don't like
what you have to say, or if you just piss me off, you're history.

--
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com

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-- 
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com
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Handle Mount Flash (Pentax vs. Metz)

2001-04-01 Thread Jose Rodriguez

Hi Everyone,

I need advise/recommendation on purchasing a Handle Mount Flash for my
Pentax LX.  I really like the Pentax AF-400T Flash but was wondering
how does everyone feel about the Metz 45CL-1/CL-4??  Is the fill flash
option of the CL-4 very useful and worth the additional money?

Any advise is appreciated.

Thanks!


-- 
Jose R. Rodriguez
[EMAIL PROTECTED]
Austin, TX

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Help!

2001-04-01 Thread Chris Brogden


  Oh God, am I going mad!
  Doc gave me some multiple personalities Sh*t, but I fell like I'm
  taken over. Pal, Yoshihiko, Doug, GO AWAY! Please tell them to stop
  haunting me...

Still yors ,, Chrs Brgggdn


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Magazine Cover

2001-04-01 Thread tom

A couple of months ago you may remember that I had an opportunity to
shoot a magazine cover, and I asked you guys for some advice.

It went pretty well. In fact, it's being picked up by Life Magazine if
you can believe it. They're doing a story on the Appalachian trail, and
it just happened to fit.

Watch for the May cover:

http://bigdayphoto.com/tom/images/mag_cover.jpg

Thanks for your help guys!

tv
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RE: New List Rules! Read This!

2001-04-01 Thread Kevin Thornsberry

Got me.

-Original Message-
From:   Doug Brewer [SMTP:[EMAIL PROTECTED]]
Sent:   Sunday, April 01, 2001 2:28 PM
To: [EMAIL PROTECTED]
Subject:New List Rules!  Read This!

 

Ok, people, listen up.  This off-topic trash has gone on long enough, and
I have been forced to take draconian measures.  You are permitted one
off-topic post per week.  The posting of a second one will result in a
stern warning letter, and posting three will result in being kicked off
this list permanently.  You are also limited to two on-topic messages per
week.  I'm sick of having to read 100+ messages per day.  It wasn't like
this back in the good old days when Pentax ran things.  So shape up or
ship out.

In about a month I'll be introducing a new aspect to the list.  I call it
"PDML Survivor."  Each week we will vote one of our list members off the
list.  This should keep the bad elements out of the list, as well as
provide amusement for the rest of us.  Enjoy!

P.S. I will be the judge and jury of off-topic posts.  If I don't like
what you have to say, or if you just piss me off, you're history.

--
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com

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 application/ms-tnef


Re: Rare prototypes and the Limited zoom

2001-04-01 Thread Paul C

Is the 24-70 powerzoom?

-paul


From: Pål Jensen [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Rare prototypes and the Limited zoom
Date: Sun, 1 Apr 2001 14:31:05 -0500 (CDT)


One of my inside contacts just gave me a lot of prototypes that I have
never seen before!  So now I have a 20/1.4, 35/1.4 and a working
24-70/2.8.  Pentax experimented with this AL ED IF lens but shelved it in
favour of the less-expensive 24-90, but it's a beauty  Except the
plastic window fell off and it's all dirty inside and I think it doesn't
focus at infinity.  Oh well.  I gave my friend a couple of Vivitar Series
1 50/1.2's in trade, since I have no use for the 6 I picked up at a garage
sale for 50 cents.  Has anyone else heard about the new 16-32mm f2.6-3.3
Limited Zoom?  Sure looks like a beauty.

Pål

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Re: New List Rules! Read This!

2001-04-01 Thread LEDMRVM

Are you saying he wasn't serious? Damn!

In a message dated 4/1/2001 3:20:50 PM US Eastern Standard Time, 
[EMAIL PROTECTED] writes:

 
  Got me.
  
  -Original Message-
  From:Doug Brewer [SMTP:[EMAIL PROTECTED]]
  Sent:Sunday, April 01, 2001 2:28 PM
  To:  [EMAIL PROTECTED]
  Subject: New List Rules!  Read This!
  
   
  
  Ok, people, listen up.  This off-topic trash has gone on long enough, and
  I have been forced to take draconian measures.  You are permitted one
  off-topic post per week.  The posting of a second one will result in a
  stern warning letter, and posting three will result in being kicked off
  this list permanently.  You are also limited to two on-topic messages per
  week.  I'm sick of having to read 100+ messages per day.  It wasn't like
  this back in the good old days when Pentax ran things.  So shape up or
  ship out.
  
  In about a month I'll be introducing a new aspect to the list.  I call it
  "PDML Survivor."  Each week we will vote one of our list members off the
  list.  This should keep the bad elements out of the list, as well as
  provide amusement for the rest of us.  Enjoy!
  
  P.S. I will be the judge and jury of off-topic posts.  If I don't like
  what you have to say, or if you just piss me off, you're history.
  
  --
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Re: New Pentax S-1, MZ-1 and MZ-4(2?)

2001-04-01 Thread tom

Cameron Hood wrote:
 Maybe the rumoured 120 Limited will be good; however, rumours are
 that it, too, is a macro; not that there is anything wrong with that, but it
 definitely adds to the cost, as well as the focussing speed.

The Pentax FA 50/2.8 macro is the fastest autofocusing lens I've ever
used.

Even if it's not a macro, a Limited 120 wouldn't be cheap.

tv
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Re: New Pentax S-1, MZ-1 and MZ-4(2?)

2001-04-01 Thread Cameron Hood

I didn't mean to impune the dignity of the 80-200 2.8. It is gorgeous; it's
also really expensive and very heavy. An f4 would make more sense. Also,
although the FA 135 2.8 is a very good lens, I have yet to see one in a
finish that matches any current camera. They all seem to have that grey F135
look to them. Also, the manual focussing is really loose on the examples I
have seen. Maybe the rumoured 120 Limited will be good; however, rumours are
that it, too, is a macro; not that there is anything wrong with that, but it
definitely adds to the cost, as well as the focussing speed.

Cameron


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Re: my new LX!

2001-04-01 Thread Aaron Reynolds



Frank Theriault wrote:

 Geez, Aaron, dinge and grime in Oakville?  Say it ain't so!
 
 Don't tell me you ventured out of the 'burbs into Downtown T.O.!  Or even
 worse, into Hamilton!  Ick.

Well, I live at Younge and Lawrence these days.  I found some great
alleys over by the Paramount, between all of those clubs 'n' warehouses.
 I just work in Oakville.  If I had a reason to hit Hamilton, I would've
shot there for sure.

 BTW, good game last night, eh?  My beloved Habs finally beat you guys.

Sheesh, it was rough.  I was gonna post to the list and publicly
apologize to you. :)
And our one goal was from the guy we picked up at the trade deadline...ouch.

-Aaron
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Re: Rare prototypes and the Limited zoom

2001-04-01 Thread Shel Belinkoff

Pl ... it's just a little seasonal humor.  

Pl Jensen wrote:
 
 People might post all kinds of nonsense 
 here for all I care. However, I do not 
 appreciate that some do it in my name. 
 Its also a violation of all net etiquette.
 I did of course not post the text below 
 and pretty clear from the e-mail adress who did.
 
 Pl

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
There are no rules for good photographs, 
there are only good photographs.
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A bunch of April Fools

2001-04-01 Thread Treena Harp

You are all categorically insane. No fooling. :-)

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Re: Limited Lenses

2001-04-01 Thread Shel Belinkoff

Mark Cassino wrote:

 My new 77mm f1.8 Limited arrived from Abes of Maine yesterday. What can I
 say - fantastic lens!  The thing that threw me though is the maximum
 focusing distance of 4 meters.  I called the store about it last night and
 was lucky enough to get Abe himself (he's such a nice guy.) He explained
 that that's what the "Limited" means - the focusing is limited to 4
 meters.  ALL limited lenses are designed like this, to maximize performance.

I didn't realize that my Ltd., being unLtd., was broken.  I'll send
it back to Pentax in the morning.  I want to eke out all the
sharpness this lens can deliver.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
There are no rules for good photographs, 
there are only good photographs.
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Re: New List Rules! Read This!

2001-04-01 Thread Artur Ledóchowski

Nice try:)))
Greetz
Artur
===
"There are signs on the ring,
  Which make me feel so down.
  There's one to enslave all rings,
  To find them all in time
  And drive them into darkness.
  Forever they'll be bound."
Blind Guardian "Lord of the Ring"


- Original Message - 
From: "Doug Brewer" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, April 01, 2001 9:28 PM
Subject: New List Rules! Read This!


 
 Ok, people, listen up.  This off-topic trash has gone on long enough, and
CUT-

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Re: Limited Lenses

2001-04-01 Thread Chris Brogden

 Mark Cassino wrote:
 
  My new 77mm f1.8 Limited arrived from Abes of Maine yesterday. What can I
  say - fantastic lens!  The thing that threw me though is the maximum
  focusing distance of 4 meters.  I called the store about it last night and
  was lucky enough to get Abe himself (he's such a nice guy.) He explained
  that that's what the "Limited" means - the focusing is limited to 4
  meters.  ALL limited lenses are designed like this, to maximize performance.

Not the new 31mm f1.8 Limited.  It's designed to be a landscape-only type
of lens, so its focus is locked at infinity.  It won't focus closer than
about 20 meters, but everything from 20 meters to infinity will be
incredibly sharp... sharper than sharp, even.  Definitely a must-have.

chris

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April Fool's Day!

2001-04-01 Thread Tanya Russell Mayer

OMG, you guys had me going!  I was seriously thinking, what the heck is
going on here?!?  I mean think of it from my point of view, April Fool's Day
was YESTERDAY in Australia, so here's me thinking that Shel was turning to
APS, and that she didn't "like" me cause I didn't receive one of her emails,
William was switching to Nikon(!), Doug was gonna kick me off the list (and
how on earth would I be able to limit my posts to 2 per week?!?) and that
all of the participants would start to hate each other in a constant attempt
to not be this week's "victim"  Oh, and lastly,  that post from
Yoshihiko Takinami, well that was just plain scary!

I only wish that I could tell all of you the my dead PZ-1P was an April
Fools joke! :-(

;-D

Tanya.


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Re: Goodbye Pentax

2001-04-01 Thread Collin Brendemuehl

I feel the same.  Mine was all stolen yesterday.
The car was broken into while out shopping.
This is really making unemployment miserable.

Collin (check your calendar) Brendemuehl

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Re: My switch to APS

2001-04-01 Thread PAUL STENQUIST

I'm with you Shel. And let me help you out here. I'll take all those LXi
off your hands and get you started with some great APS hardware. Hell,
I'll even trade straight up. (I know a few places where I can unload
that old Pentax crap.) And that's especially true on April 1.
Paul

Shel Belinkoff wrote:
 
 I want to let everyone know that I shall no longer be printing my own
 black and white.  I've been quite impressed with some of the recent
 technological innovations which I have seen lately, and I am now taking
 all of my photos with an APS point and shoot and ISO 400 C-41 film.  The
 level of quality from such an instrument is surprising, at least to
 me.  The grain is very pleasing, and evokes fond memories of shooting
 Kodak's recording film, especially when I enlarge the prints.
 
 I have already bequeathed the majority of my Pentax equipment to select
 list members, so if you haven't received an e-mail from me about it then
 you can safely assume that I don't much care for you.
 
 I have no regrets.  I've done a lot of BW work in my life, and now I want
 to devote my remaining days to unravelling the mysteries of APS.  What a
 wonderful format!  And I never have to worry again about misloading film.
 Not to mention the three different picture sizes.  I always had trouble
 figuring out how to crop, burn, dodge, and all those other darkroom
 techniques, and now I don't have to.
 
 Good riddance to bad 35mm!
 
 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 There are no rules for good photographs,
 there are only good photographs.
 
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Re: A bunch of April Fools

2001-04-01 Thread Robert Harris

Treena Harp wrote:
 
 You are all categorically insane. No fooling. :-)


Ain't that a shame, too. I was hoping some of those messages were real.
Just think: no more wasted space about the best BW films, chemistry,
type of enlarger head, etc.; a big reduction in the number of OT
messages; a big reduction on the number of on-topic messages repeating
the preceding 20 on the same subject; an opportunity to hear about the
greatness of Nikon from a user; and more...

No such luck.

Bob
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Re: Hey, Boz, What's Up?

2001-04-01 Thread Treena Harp

You're right. I have the Tak-A version and the only visible difference is
that it says Finex instead of Takumar-A, and on the Tak-A, the f-stop
numbers are in green, not white.


Collin Brendemuehl said:

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1226721231

 This "Finex" looks exactly like the Pentax Takumar-A!
 Same shape.  Same grip.


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Re: Magazine Cover

2001-04-01 Thread Collin Brendemuehl

I guess you've probably got
a son in Boy Scouts who's a
Tenderfoot ?  ;~)

Collin

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Re: Goodbye Pentax

2001-04-01 Thread William Robb

Har
William Robb
The real one, that lives in Saskatchewan!!
- Original Message -
From: "William Robb" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: April 1, 2001 1:31 PM
Subject: Goodbye Pentax



 Effective immediately I'm switching all of my equipment to
Nikon brand.
 I used to have an F2 that was a beautiful camera, and I
realized lately
 that there's no way my Pentaxes can meet that standard.  I'm
going to miss
 giving up those Limited lenses, but Nikon's new Fun Lenses
look too
 enticing to resist.  Imagine getting a fisheye for that little
money.
 Har!  I'll probably still keep one of my broken Pentaxes
around just to
 remind me of what an awful camera it was.  If you shoot Pentax
these days,
 then the best of luck to ye!  Did I ever tell you about the
time I got
 those 40/2.8's for $10?  Almost as good as my $40 Nikon F2
that I found
 yesterday.  Har again!
 William Robb


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Comments on Thornsberry, Sawyer, Woods

2001-04-01 Thread John . Cohen

My thanks to the organizers for the chance to comment. I had 3 terrific
pictures to look at, in which big and beautiful RED was the feature.
[EMAIL PROTECTED] 

" Strawberry " by  Kevin Thornsberry, USA 

I imagine that this was a _really_ big strawberry since it's all in such
nice focus. The detail is wonderful--for the first time, I think, I realize
those little bumps are actually seeds, and some are riper than others. The
picture is rather formal: the marching seeds, and the leaf looks a bit
posed, but the overall effect I find pleasing and soothing; I'd love a print
of it on my kitchen wall. I wonder how this would have looked lit with a
spot rather than the fluorescent; it might have given the strawberry a more
tactile texture. What about a couple of glycerin "dewdrops"?

" RenCen " by  Bill Sawyer, USA 

The more I look at this one the more I like it. I first thought of it as a
purely abstract composition, with a nice colour block and some related
tones. Then I began to wonder, What _is_ that red cylinder? So now it became
a much more interesting picture. The verticals and diagonals play off each
other very nicely. The only thing that doesn't fit so well in the muted
colour harmony is the bright beige light in the window on the right. This is
a picture I'd like to have taken, but don't think I know how to, yet. Bill,
what did you meter on to get such pleasing balance?

" Additional benefits! " by  Niall Woods

This is no ordinary close-up of a flower! It's actually very in your face; I
can hear it saying "You lookin' at ME?" The position in the frame is
perfect; I tried all sorts of crops, but it's best as is. I don't understand
where the light is coming from, or how you managed to get such a difference
between the highlight and shadow colour. In fact the shadow deep red looks
airbrushed on, expecially in the petals on the right. A great use of Velvia,
and a really satisfying picture. It would fit on my wall, next to the
strawberry.  

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Re: Rare prototypes and the Limited zoom

2001-04-01 Thread PAUL STENQUIST

Okaaay...we now know of one place where they don't celebrate April
Fool's Day.

Pl Jensen wrote:
 
 People might post all kinds of nonsense here for all I care. However, I do not 
appreciate that some do it in my name. Its also a violation of all net etiquette.
 I did of course not post the text below and pretty clear from the e-mail adress who 
did.
 
 Pl
 
 --
 
 One of my inside contacts just gave me a lot of prototypes that I have
 never seen before!  So now I have a 20/1.4, 35/1.4 and a working
 24-70/2.8.  Pentax experimented with this AL ED IF lens but shelved it in
 favour of the less-expensive 24-90, but it's a beauty  Except the
 plastic window fell off and it's all dirty inside and I think it doesn't
 focus at infinity.  Oh well.  I gave my friend a couple of Vivitar Series
 1 50/1.2's in trade, since I have no use for the 6 I picked up at a garage
 sale for 50 cents.  Has anyone else heard about the new 16-32mm f2.6-3.3
 Limited Zoom?  Sure looks like a beauty.
 
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eBay problems???

2001-04-01 Thread Ted Beilby

There were several auctions for Pentax equipment that I wanted to bid on
this weekend. I have been unable to access eBay since Friday night. Anyone
else having problems with the site?

Ted Beilby
Fayetteville, AR

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Re: Magazine Cover

2001-04-01 Thread John Mustarde

On Sun, 01 Apr 2001 16:08:58 -0400, you wrote:

A couple of months ago you may remember that I had an opportunity to
shoot a magazine cover, and I asked you guys for some advice.

It went pretty well. In fact, it's being picked up by Life Magazine if
you can believe it. They're doing a story on the Appalachian trail, and
it just happened to fit.

Watch for the May cover:

http://bigdayphoto.com/tom/images/mag_cover.jpg

Thanks for your help guys!

tv

Great landscape shot.

You got a moonscape to go with it?
-- 
Happy Trails,
Texdance
http://members.fortunecity.com/texdance
http://members1.clubphoto.com/john8202
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RE: Sid's PUG comments for David Chernicoff, John Cohen, Gary Murphy

2001-04-01 Thread John . Cohen

Wow, Sid, thank you very much for your comments! As a teacher, I spend most
of my time telling my (medical and graduate) students how good they are,
even if maybe they're not, because encouragment is very important to a
beginner. It's very nice to be on the receiving end.
John 

(In part, Sid B. said:)  
John Cohen's Crow Walking 
I think I may have lucked out and been assigned the best image in the
gallery this month! John, it is my most considered opinion (however fraught
with no credentials as I may be...) this is a work of art!! An admirable,
thoughtful, beautifully composed, enduring work of an artist with a camera
and a lens. 
Excellent . Superb. (Let's see, how many more seven letter words do I know?)
Great job, John. Three distinct layers. Excellent use and contrast of tones
opposing each layer. And the serene whiteness of the land works to enhance
each subject. I love the bleached tree line. The way the crow upsets the
vast whiteness. And the bench. It serves to greet the viewer, gives him/her
a place to rest from the majesty of it all, and points the way out too.
Beautiful use of open space. The composition is perfect. I wouldn't change a
thing. I only wish 'twer my name on the copyright stamp. 
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Re: eBay problems???

2001-04-01 Thread Gary L. Murphy

On Sun, 1 Apr 2001 17:25:42 -0500, Ted Beilby wrote:

There were several auctions for Pentax equipment that I wanted to bid on
this weekend. I have been unable to access eBay since Friday night. Anyone
else having problems with the site?

Not here. I've accessed it several times. But, that's nice to know since I have a 
auction ending tonight.




Later,
Gary


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Re: April Fool's Day!

2001-04-01 Thread Chris Brogden

On Mon, 2 Apr 2001, Tanya  Russell Mayer wrote:

 so here's me thinking that Shel was turning to APS, and that she
 didn't "like" me cause I didn't receive one of her emails,

Shel's a "he", BTW, unless (s)he's been playing an April Fool's joke on us
for the past few years.  :)

chris

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Re: eBay problems???

2001-04-01 Thread PAUL STENQUIST

The only problem I have with the site is that I keep spending too much
money there. No problems logging on, however. In fact, I just came from
here. An ME went for $25 on buy it now. Had some film advance problems,
but it looked like a nice piece.
Paul

Ted Beilby wrote:
 
 There were several auctions for Pentax equipment that I wanted to bid on
 this weekend. I have been unable to access eBay since Friday night. Anyone
 else having problems with the site?
 
 Ted Beilby
 Fayetteville, AR
 
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Shel's a he, not a she.

2001-04-01 Thread Rfsindg

Tanya,

I met a fellow claiming to be Shel this summer in Chicago.
He had all the characteristics of a pdml subscriber,
including an LX around his neck.

He also had one of those Leica M cameras dangling from his wrist.
...Seemed to be a nice fellow, but not particularly law abiding. g

http://members.aol.com/rfsindg/Shel-joke.jpg

Regards,  Bob S.
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ER case for MZ/ZX series

2001-04-01 Thread Peter Smith

Jody wrote:

 The Spotmatic has a few things I took for granted that my MZ-30
 doesn't have.
snip
 3. I love the feel of the leather half-case in my
 hands.
snip
 Please help.
 Jody.

I may be able to help you get a similar case for your MZ30 (or other MZ).

My MZ50 (stolen recently) had a Pentax ER case in the traditional style.  It
was the model designed for the P30 and I've seen them for sale on ebay
recently. It fit the MZ50 very neatly.  The case is intended to hang on to
the camera with the strap lugs (like the ME series case) and falls off
because the MZ series don't have these lugs.  I solved it by drilling a hole
in the bottom of the case to line up with the tripod bush and fastened it
with a tripod bush screw.  I finished the solution only a week before losing
the camera having had it holding on with elastic bands for over a year
before that. I'm pretty unlucky with equipment.

Peter




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Re: eBay problems???

2001-04-01 Thread Mark Dalal

Ted Beilby wrote:

There were several auctions for Pentax equipment that I wanted to bid on
this weekend. I have been unable to access eBay since Friday night. Anyone
else having problems with the site?

Ted,

I've not been able to access ebay all weekend as well.

Mark



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Re: I really dont like Hoya HMC filters....... Now

2001-04-01 Thread Paul Jones

Hi,

Thanks for everyones replys. I tried so dish washing soap and then rinsed it 
and it seemed to get %80 of the mark off, i will pick up some
isopropyl alcohol on my lunch break to clean the remaining off.

Thanks

From: "Rob Studdert" [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: I really dont like Hoya HMC filters... Now
Date: Sun, 1 Apr 2001 22:16:04 +1000

On 31 Mar 2001, at 21:57, Paul Jones wrote:

  Hi,
 
  I recently purchased a Hoya HMC Skylite filter for my 28-70 F4 AL. Today 
i
  accidently touched the filter and left a finger print... and now the 
finger
  print wont come off i tried cleaning it with a Microfibre lense 
cloth and
  then tried with some cleaning fluid but to no avail...
 
  Is there any way to get the mark off? I have quite a few other Pentax 
and
  Hoya filters, all the pentax ones are SMC, but the other Hoyas are not
  HMC... I have never this trouble with any of the other and have touched 
them
  lots of times..

Hi Paul,

Like Bill suggested cleaning the lens with a gentle soap of some kind will
often get rid of the mark however you shouldn't really wet any filters 
other
than non-sandwiched simple glass filters and also you have to really rinse
them well as the soap will remain under the retainer ring/lip.

The other option is to use an optically safe lint free swab (like 
Chemtronics
Cottontips, let me know if you want to know where to get them locally)
dipped in isopropyl alcohol (pure stuff from the chemist not the rubbing 
type)
and clean in a spiral motion working your way out from the centre, rotating
the swab. You might also need to use a few swabs on the one filter surface
depending on how oily the mark is. Stubborn marks on lens coatings can be
removed the same way.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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April Gallery

2001-04-01 Thread Ken Archer

This month's selections are extremely good from top to bottom.  Since art is in
the eye of the beholder, there were several that jumped out at me.  I guess I
could analize them individually, but suffice it to say I like these the most in
no particular order.

Fern Fractal by Jostein Oksne
Navaho by William Robb
Harborside by Thomas Cakalic
RenCen by Bill Sawyer
Vanishing Vista by Paul Provencher
Sunrise Mist by Collin Brendemuehl
.

Ok, I liked them all.  When you have 32 flavors to choose from, you have to
start somewhere.  Great job to you all.

-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail


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